First Cycle Quotes

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First, let no one rule your mind or body. Take special care that your thoughts remain unfettered... . Give men your ear, but not your heart. Show respect for those in power, but don't follow them blindly. Judge with logic and reason, but comment not. Consider none your superior whatever their rank or station in life. Treat all fairly, or they will seek revenge. Be careful with your money. Hold fast to your beliefs and others will listen.
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
The most unfair thing about life is the way it ends. I mean, life is tough. It takes up a lot of your time. What do you get at the end of it? A Death! What’s that, a bonus? I think the life cycle is all backwards. You should die first, get it out of the way. Then you live in an old age home. You get kicked out when you’re too young, you get a gold watch, you go to work. You work forty years until you’re young enough to enjoy your retirement. You do drugs, alcohol, you party, you get ready for high school. You go to grade school, you become a kid, you play, you have no responsibilities, you become a little baby, you go back into the womb, you spend your last nine months floating …and you finish off as an orgasm.
George Carlin
Behind him, he heard Ronan say, "I like the way you losers thought Instagram before first aid. Fuck off.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Adam's response was buried in the sound of the first-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!" Ronan's voice sang out from behind his closed door: "You're already dead!
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
The most important thing you can do in this world, the most necessary thing, is to survive it. You can't do anything for anyone else if you don't take care of yourself first.
Tracy Deonn (Legendborn (The Legendborn Cycle, #1))
Ronan's bedroom door burst open. Hanging on the door frame, Ronan leaned out to peer past Gansey. He was doing that thing where he looked like both the dangerous Ronan he was now and the cheerier Ronan he had been when Gansey first met him. "Hold on," Gansey told Adam. Then, to Ronan: "Why would he be?" "No reason. Just no reason." Ronan slammed his door. Gansey asked Adam, "Sorry. You still have that suit for the party?" Adam's response was buried in the sound of the second-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!" Ronan's voice sang out from behind his closed door: "You're already dead!
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Some truths only tragedy can teach. The first one I learned is that when people acknowledge your pain, they want your pain to acknowledge them back. They need to witness it in real time, or else you're not doing your part.
Tracy Deonn (Legendborn (The Legendborn Cycle, #1))
But of course it makes sense because we are Third Worlders and Third Worlders are forward-looking, we like things to be new, because our best is still ahead, while in the West their best is already past and so they have to make a fetish of that past.Remember this is our newly middle-class world. We haven’t completed the first cycle of prosperity, before going back to the beginning again, to drink milk from the cow’s udder.
Chimamanda Ngozi Adichie (Americanah)
Gansey thought of how strange it was to know these two young men so well and yet to not know them at all. Both so much more difficult and so much better than when he'd first met them. Was that what life did to them all? Chiselled them into harder, truer versions of themselves?
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
It was this: this moment and no other moment, and for the first time that Gansey could remember, he knew what it would feel like to be present in his own life.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Adam wasn't certain what came first with Blue--her treating the boys as friends, or them all becoming friends. It seemed to Adam that this circular way to build relationships required a healthy amount of self-confidence to undertake. And it was a strange sort of magic that it felt like she'd always been hunting for Glendower with them.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Ronan Lynch lived with every sort of secret. His first secret was himself. He was brother to a liar and brother to an angel, son of a dream and son of a dreamer. He was a warring star full of endless possibilities, but in the end, as he dreamt in the backseat on the way to the Barns that night, he created only this...
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
When your daddy walked through the house he was so big he filled it up. That was my first mistake. Not to make him leave room for me.
August Wilson (Fences (The Century Cycle, #6))
You know, when I first met Gansey,I couldn't figure out why he was friends with someone like Ronan. Gansey was always in class, always getting stuff done, always a teacher's pet. And here was Ronan, like a heart attack that never stopped.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Humankind cannot gain anything without first giving something in return. To obtain, something of equal value must be lost. That is alchemy's first law of Equivalent Exchange. In those days, we really believed that to be the world's one, and only, truth. But the world isn't perfect, and the law is incomplete. Equivalent Exchange doesn't encompass everything that goes on here, but I still choose to believe in its principle, that all things do come at a price, that there's an ebb and a flow, a cycle, that the pain we went through did have a reward, and that anyone who's determined and perseveres will get something of value in return, even if it's not what they expected. I don't think of Equivalent Exchange as a law of the world anymore. I think of it as a promise, between my brother and me. A promise that, someday, we'll see each other again.
Hiromu Arakawa
It wasn't that he expected to see the dead. All of the sources said that church watchers had to possess the second sight, and Gansey barely possessed first sight before he put his contacts in. He just hope for something.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
The karmic cycle, when someone screws up really bad and hurts you. Our first instinct is to hurt back, or refuse to forgive.
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
Arya.' He looked down the silvery river and then back at Arya, and he gripped the hilt of Brisingr. He was so full of emotion, he trembled. He did not want to leave, but he knew he must. 'Stay with me-' Her gaze darted up. 'I cannot.' '...stay with me until the first curve in the river.' She hesitated, then nodded.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Because it was Noah and no one else, Gansey could admit, “I don’t know what I’ll do if I find him, Noah. I don’t know what I’ll be if I’m not looking for him. I don’t know the first thing about how to be that person again.” Noah put the clay in Gansey’s hands. “That’s exactly how I feel about the idea of being alive again.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
You know, when I first met Gansey, I couldn’t figure out why he was friends with someone like Ronan. Gansey was always in class, always getting stuff done, always a teacher’s pet. And here was Ronan, like a heart attack that never stopped. I knew I couldn’t complain, ’cause I hadn’t come first. Ronan had. But one day, he’d done some stupid shit I don’t even remember, and I just couldn’t take it. And I asked why Gansey was even friends with him if he was such an asshole all the time. And I remember Gansey told me that Ronan always told the truth, and the truth was the most important thing.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
So the first step out of childhood is made all at once, without looking before or behind, without caution, and nothing held in reserve.
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
I think motherhood is the noblest task of all, because you cannot do it at your convenience, or tailor it to suit your preferences. You have to be ready to give up everything when you take on this task: your time, restful nights, your hobbies, your pursuit of physical fitness, any beauty you may have had, and all of the private little pleasures you might have counted as a right, from late dinners and long soaks in the tub to weekend excursions and cycling trips…I’m not saying you can’t have any of these things, but you have to be ready to let them all go if you’re going to have children and put them first.
Johann Christoph Arnold (Endangered : Your Child in a Hostile World)
The Cycle of True Love: First I see and think I love, then I say I know I love, today and forever more I decide to love.
Michael Sweeney
Eragon went to see the dragon for the first time since it had spoken to him. He approached apprehensively, aware now that it was an equal. "Eragon." "Is that all you can say?" he snapped. "Yes." His eyes widened at the unexpected reply, and he sat down roughly. Now it has a sense of humor. What next?
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
At her first bleeding a woman meets her power. During her bleeding years she practices it. At menopause she becomes it. Traditional Native American saying
Lucy H. Pearce (Moon Time: Harness the Ever-Changing Energy of Your Menstrual Cycle)
It’s like trying to herd a flock of geese,” said Orik. “They’re always trying to go off on their own, they make an obnoxious noise, and they’ll bite your hand first chance they get.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
It’s all part of the life-cycle of an economy. First it’s lawless capitalism until that starts to impede growth. Next comes regulation, law enforcement, and taxes. After that: public benefits and entitlements. Then, finally, overexpenditure and collapse.
Andy Weir (Artemis)
The stars moved slowly above her, an array of possibilities, and for the first time in a long time, she felt them mirrored in her heart.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Killing War I had no desire to alter the viable occupations of humanity, but I was determined to do something about the level of regional bloodshed. Education was my weapon of choice, based on a simple hypothesis: that the advance troops of physical carnage are the propaganda and lies that justify murder, making the real battleground that of ideas. I was determined to address a situation where so many people were ready to kill, driven by the conviction that others are either evil incarnate or will murder them first if they don’t kill them first if they don’t … Entire nations were buried in twisted truths submerged by hate, covered with vengeance. Voices of remorse, forgiveness, justice and reconciliation were drowned out by the din of screams for death or revenge. The best defense system against the cycle of violence was something that is impervious to any tool of destruction ever spawned. That something is knowledge.
Nancy Omeara (The Most Popular President Who Ever Lived [So Far])
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare. He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss. “I’m gonna go downstairs,” Ronan said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
It was this: Gansey saying, "I like you an awful lot, Blue Sargent." It was this: Blue's smile – crooked, wry, ridiculous, flustered. There was a lot of happiness tucked in the corner of that smile, and even though her face was several inches from Gansey, some of it still spilled out and got on him. She put her finger on his cheek where he knew his own smile was dimpling it, and then they took each other’s hands, and they climbed back up together. It was this: this moment and no other moment, and for the first time that Gansey could remember, he knew what it would feel like to be present in his own life.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I loved you head over handles like my first bicycle accident— before the mouthful of gravel and blood, I swore we were flying. -Cycle of Abuse
Sierra DeMulder
In the life cycle of an intense emotion, if it isn't acted upon, it eventually peaks and then decreases. But as Dr. Linehan explains, people with BPD have a different physiological experience with this process because of three key biological vulnerabilities (1993a): First, we're highly sensitive to emotional stimuli (meaning we experience social dynamics, the environment, and our own inner states with an acuteness similar to having exposed nerve endings). Second, we respond more intensely and much more quickly, than other people. And third, we don't 'come down' from our emotions for a long time. One the nerves have been touched, the sensations keep peaking. Shock waves of emotion that might pass through others in minutes keep cresting in us for hours, sometimes days.
Kiera Van Gelder
But that wasn't what happened. What happened was they drove to Harry's and parked the Camaro next to an Audi and a Lexus and Gansey ordered flavors of gelato until the table wouldn't hold anymore and Ronan convinced the staff to turn the overhead speakers up and Blue laughed for the first time at something Gansey said and they were loud and triumphant and kings of Henrietta, because they'd found the ley line and because it was starting, it was starting.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
So many more cycles of elation of the first kiss, and devastation when it's over.
Elizabeth Wurtzel (Prozac Nation)
She was decidedly uncomfortable with the switchblade. Although she very much liked the idea of it---Blue Sargent, desperado; Blue Sargent, superhero; Blue Sargent, badass---she suspected that the only thing she would cut the first time she opened it was herself.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Because what you give your attention to is the person you become. Put another way: the mind is the portal to the soul, and what you fill your mind with will shape the trajectory of your character. In the end, your life is no more than the sum of what you gave your attention to. That bodes well for those apprentices of Jesus who give the bulk of their attention to him and to all that is good, beautiful, and true in his world. But not for those who give their attention to the 24-7 news cycle of outrage and anxiety and emotion-charged drama or the nonstop feed of celebrity gossip, titillation, and cultural drivel. (As if we “give” it in the first place; much of it is stolen by a clever algorithm out to monetize our precious attention.) But again: we become what we give our attention to, for better or worse.
John Mark Comer (The Ruthless Elimination of Hurry: How to stay emotionally healthy and spiritually alive in the chaos of the modern world)
He said, “I know somebody you could kiss.” “Who?” She realized his eyes were amused. “Oh, wait.” He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.” She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have. But now— “Okay,” she said. “What?” “I said okay.” He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—” He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious. They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming. She said, “Well.” “Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.” He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility. “Go,” Blue said. This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher. “I’m doing something wrong?” she suggested. “Sometimes it’s better with tongue,” he replied dubiously. They regarded each other. Blue squinted, “Are you sure you’ve done this before?” “Hey!” he protested. “It’s weird for me, ‘cause it’s you.” “Well, it’s weird for me because it’s you.” “We can stop.” “Maybe we should.” Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.” Blue touched her mouth. “What are they doing now?” “Like, bracing themselves.” She pursed and unpursed her lips. She saw his point. “So imagine one of those,” Noah suggested. She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes. Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
The first strategy for breaking the anger cycle is “Never try to rationally engage angry people.” Anger must be vented before offering problem solving solutions.
Jack Schafer (The Like Switch: An Ex-FBI Agent's Guide to Influencing, Attracting, and Winning People Over (The Like Switch Series Book 1))
I tried that too,' said Laurent. 'I don't like to think of myself as predictable. But apparently I cycle through all the normal responses. Shall I tell you what you're going to do when I stick the knife in for the first time?
C.S. Pacat (Kings Rising (Captive Prince, #3))
At first you might wonder what you did to deserve such treatment. Nothing, probably, so that doesn't matter. What matters is that, eventually, the abuse becomes the status quo. It's no longer about the whats and whys (“what did I do?” “why are they doing this?”) but the whens and hows (“when are they going to do it?” “how are they going to get me?”). Persecution becomes inevitable, inescapable. And once you get into the victim mindset, you're fucked. The bullies don't even need to hurt you now; your poor, warped, pathetic brain is doing half the work for them.
Nenia Campbell (Freaky Freshman)
In the latter months of his own long sickness the Master Herbal had taught him much of the healer's lore, and the first lesson and the last of all that lore was this: Heal the wound and cure the illness, but let the dying spirit go.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
Don't do this to yourself," he said. "It's a cycle, Kate. We fight for the Pack, they fight for us. We bleed, they bleed. Sometimes people die. Everyone who came with me came of their own free will. The knew where we were going. They all knew there was a good chance that not everybody would make it out. This isn't the first fight or the last. People will sacrifice themselves for us again, and we'll do the same. I don't know how bad the future will be, but I promise you, we'll deal with it. You and I. Together.
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
I will share every meal that I ever have with you. I will let you eat first from every dish and drink first from every cup.
Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
The human life cycle no less than evolves around the box; from the open-topped box called a bassinet, to the pine box we call a coffin, the box is our past and, just as assuredly, our future. It should not surprise us then that the lowly box plays such a significant role in the first Christmas story. For Christmas began in a humble, hay-filled box of splintered wood. The Magi, wise men who had traveled far to see the infant king, laid treasure-filled boxes at the feet of that holy child. And in the end, when He had ransomed our sins with His blood, the Lord of Christmas was laid down in a box of stone. How fitting that each Christmas season brightly wrapped boxes skirt the pine boughs of Christmas trees around the world.
Richard Paul Evans (The Christmas Box (The Christmas Box, #1))
every human being who is born into this universe is like a child who has been given a key to an infinite Library, written in cyphers that are more or less obscure, arranged by a scheme—of which we can at first know nothing, other than that there does appear to be some scheme.
Neal Stephenson (The Confusion (The Baroque Cycle, #2))
She said, “Do you see how I’m wearing this apron? It means I’m working. For a living.” The unconcerned expression didn’t flag. He said, “I’ll take care of it.” She echoed, “Take care of it?” “Yeah. How much do you make in an hour? I’ll take care of it. And I’ll talk to your manager.” For a moment, Blue was actually lost for words. She had never believed people who claimed to be speechless, but she was. She opened her mouth, and at first, all that came out was air. Then something like the beginning of a laugh. Then finally, she managed to sputter, “I am not a prostitute.” The Aglionby boy appeared puzzled for a long moment, and then realization dawned. “Oh, that was not how I meant it. That is not what I said.” “That is what you said! You think you can just pay me to talk to your friend? Clearly you pay most of your female companions by the hour and don’t know how it works with the real world, but . . . but . . .” Blue remembered that she was working to a point, but now what that point was. Indignation had eliminated all higher functions and all that remained was the desire to slap him. The boy opened his mouth to protest, and her thought came back to her all in a rush. “Most girls, when they’re interested in a guy, will sit with them for free.” To his credit, the Aglionby boy didn’t speak right away. Instead, he thought for a moment and then he said, without heat, “You said you were working for living. I thought it’d be rude to not take that into account. I’m sorry you’re insulted. I see where you’re coming from, but I feel it’s a little unair that you’re not doing the same for me.” “I feel you’re being condescending,” Blue said. In the background, she caught a glimpse of Soldier Boy making a plane of his hand. It was crashing and weaving toward the table surface while Smudgy Boy gulped laughter down. The elegant boy held his palm over his face in exaggerated horror, fingers spread just enough that she could see him wince. “Dear God,” remarked Cell Phone boy. “I don’t know what else to say.” “Sorry,” she recommended. “I said that already.” Blue considered. “Then ‘bye.’” He made a little gesture at his chest that she thought was supposed to mean he was curtsying or bowing or something sarcastically gentleman-like.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
When Maura opened the door of 300 Fox Way, she found the Gray Man standing pensively on the other side. He had brought her two things: a daisy-chain crown, which he somberly placed on her head, and a pink switchblade, which he handed to her. Both had taken some effort to procure. The first because the Gray Man had forgotten how to efficiently link daisies and the second because switchblades were illegal in Virginia, even if they were pink.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
first, accept life cycles and seasons; second, accept that life produces too much life, and third, accept that incurable illness and sometimes evil are part of life too. Taken together, these three principles will help you to make peace with endings, so that when their time has come, you will be able to do what you need to do.
Henry Cloud (Necessary Endings: The Employees, Businesses, and Relationships That All of Us Have to Give Up in Order to Move Forward)
When he turned his head she saw him swallow. He mumbled, 'I'd ask you out, if I was alive.' Nothing was fair. 'I'd say okay,' she replied. She only had time to see him smile faintly. And then he was gone. She rolled back in the middle of the suddenly empty bed. Above her, the rafters glowed with the summer sun. Blue touched her mouth. It felt the same way as it always did. Not at all like she has just gotten her first and last kiss.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
In order to welcome redemption, one must first embrace the utter hopelessness of failure. For how can a man look for rescue unless he knows he is truly lost?
Stephen R. Lawhead (Pendragon (The Pendragon Cycle, #4))
Today is the first day of the rest of your life. The past is history. The future is mysterious. Then tomorrow—this starts all over again.
Kat Lahr (Parallelism Of Cyclicality (Thought Notebook Journal #4))
Mina wanted some of the kind of love Momma gave to her children, where love was the first and deepest thing, and the questions came later and the answers wouldn't matter much measured up against the love.
Cynthia Voigt (Come a Stranger (Tillerman Cycle, #5))
Thinking that we can find some lasting pleasure and avoid pain is what in Buddhism is called samsara, a hopeless cycle that goes round and round endlessly and causes us to suffer greatly. The very first noble truth of the Buddha points out that suffering is inevitable for human beings as long as we believe that things last—that they don’t disintegrate, that they can be counted on to satisfy our hunger for security.
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times (Shambhala Classics))
First of all, the corpse road is a promise, not a guarantee,
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Alice has known me for half my life. We are sleepovers and skinned knees and first crushes and always making sure our lockers are side by side.
Tracy Deonn (Legendborn (The Legendborn Cycle, #1))
Sanity, it would seem, was a dangerously contagious disease.
H. Beam Piper (First Cycle)
There comes a day in every man's life when he stops looking forward and starts looking back. Because of my father's circumstances, I had a sad commentary on life, but I now understood that he was offering me his own gift, one that only time can provide. He was offering me the gift of perspective. My father was telling me that while we tend to remember the dramatic incidents that change history---Armstrong's walk on the moon, Nixon's resignation, and the Loma Prieta earthquake---we live for the quiet, intimate moments that mark not our calendars, but our hearts: The day we marry. The days our children are born. Their first step. Their first word. Their first day of school. And when our children grow, we remember those moments with a touch of melancholy: the day they get their driver's license, the day we drive them to college, the day they marry, and the day they have their children. And the cycle begins anew. We realize it is in those quiet moments that each of us has the ability to make our lives extraordinary.
Robert Dugoni (The Extraordinary Life of Sam Hell)
He said, “I’ve always liked the name Jane.” Blue’s eyes widened. “Ja — what? Oh! No, no. You can’t just go around naming people other things because you don’t like their real name.” “I like Blue just fine,” Gansey said. He didn’t believe she was really offended; her face didn’t look like it had at Nino’s when they’d first met, and her ears were turning pink. He thought, possibly, he was getting a little better at not offending her, although he couldn’t seem to stop teasing her. “Some of my favorite shirts are blue. However, I also like Jane.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
I can look back and see that I’ve spent much of my life in a cloud of things that have tended to push “being kind” to the periphery. Things like: Anxiety. Fear. Insecurity. Ambition. The mistaken belief that enough accomplishment will rid me of all that anxiety, fear, insecurity, and ambition. The belief that if I can only accrue enough—enough accomplishment, money, fame—my neuroses will disappear. I’ve been in this fog certainly since, at least, my own graduation day. Over the years I’ve felt: Kindness, sure—but first let me finish this semester, this degree, this book; let me succeed at this job, and afford this house, and raise these kids, and then, finally, when all is accomplished, I’ll get started on the kindness. Except it never all gets accomplished. It’s a cycle that can go on … well, forever.
George Saunders (Congratulations, by the way: Some Thoughts on Kindness)
First, let no one rule your mind or body. Take special care that your thoughts remain unfettered. One may be a free man and yet be bound tighter than a slave. Give men your ear, but not your heart. Show respect for those in power, but don’t follow them blindly. Judge with logic and reason, but comment not. “Consider none your superior, whatever their rank or station in life. Treat all fairly or they will seek revenge. Be careful with your money. Hold fast to your beliefs and others will listen.” He continued at a slower pace, “Of the affairs of love . . . my only advice is to be honest. That’s your most powerful tool to unlock a heart or gain forgiveness. That is all I have to say.
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
The Pill was introduced in the early 1960s and modern woman was born. Women were no longer going to be tied to the cycle of endless babies; they were going to be themselves. With the Pill came what we now call the sexual revolution. Women could, for the first time in history, be like men, and enjoy sex for its own sake. In the late 1950s we had eighty to a hundred deliveries a month on our books. In 1963 the number had dropped to four or five a month. Now that is some social change!
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
I became quiet! I used to think you got to express whatever you feel, but when life hits you hard, you go into your tranquility mode. You stop telling people, build huge walls all around you, start hiding your true sentiments, and become heartless. In the end, you become numb. It's just a continuous cycle of your chord towards deeds of people that have become a reason for your woe. First things bother you & aftermath situations stop bugging you. The "I'm used to it" phase comes, in which how much erroneous occurs you just take this as a normal event. You don't realize but you become so weak that you don't care about yourself. You just quit your life & become quiet.
Hareem Ch (Another World)
Shame usually follows a pattern—a cycle of self-recrimination and lies that claims life after life. First, we experience an intensely painful event. Second, we believe the lie that our pain and failure is who we are—not just something we’ve done, or had done to us—and we experience shame. And finally, our feelings of shame trap us into thinking that we can never recover—that, in fact, we don’t even deserve to.
Craig Groeschel (The Christian Atheist: Believing in God but Living As If He Doesn't Exist)
Most people have a price. And they have a price because of human emotions named fear and greed. First, the fear of being without money motivates us to work hard, and then once we get that paycheck, greed or desire starts us thinking about all the wonderful things money can buy. A pattern is then set: get up, go to work, pay bills, get up, go to work, pay bills... Their lives are then run forever by two emotions, fear and greed. Offer them more money, and they continue the cycle by also increasing their spending. This is what I call the Rat Race.
Robert T. Kiyosaki (Rich Dad, Poor Dad)
BY 2013, SEINFELD WOULD BECOME the most successful show ever in syndication. Networks buy reruns in packages sold in “cycles,” and Seinfeld was the first show in history to get to a fifth cycle, taking its rerun sales through 2017—nearly twenty years since its finale.
Jennifer Keishin Armstrong (Seinfeldia: How a Show About Nothing Changed Everything)
You can break this cycle by meeting your own internal pain with self-love and a heartfelt understanding that this experience truly was not your fault. Whatever happened to them to cause this disorder was likely not their fault either, but now you see that your love cannot possibly break that psychological barrier. Your first priority is to turn your focus inward, allowing yourself to feel the emotions you were told were wrong.
Jackson MacKenzie (Whole Again: Healing Your Heart and Rediscovering Your True Self After Toxic Relationships and Emotional Abuse)
Mr. L. did not get better all at once. He had first to experience cycles of separations, dreams, depressions, and insights—the repetition, or 'working through,' required for long-term neuroplastic change. New ways of relating had to be learned, wiring new neurons together, and old ways of responding had to be unlearned, weakening neuronal links. Because Mr. L. had linked the ideas of separation and death, they were wired together in his neuronal networks. Now that he was conscious of his association, he could unlearn it.
Norman Doidge (The Brain that Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science)
There was another pause, and Gansey realized she’d hung up. He leaned back against the fridge, eyes closed, guilty, comforted, wild, contained. In twenty-four hours, he’d be waiting for this again. You know better you know better you know better “What the hell, man?” Ronan said. Gansey’s eyes flew open just as Ronan hit the lights. He stood in the doorway, headphones looped around his neck, Chainsaw hulking like a tender thug on his shoulder. Ronan’s eyes found the phone by Gansey’s leg, but he didn’t ask, and Gansey didn’t say anything. Ronan would hear a lie in a second, and the truth wasn’t an option. Jealousy had ruined Ronan for the first several months of Adam’s introduction into their group; this would hurt him more than that.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved. Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said. Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe. The ragged sound cut through the apartment again. “What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air. Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape. “I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand. “I thought we were clear that night was for sleeping.” Ronan shrugged. “Perhaps for you.” “Not tonight. Your pterodactyl woke me. Why is it making that sound?” In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex. “Well, this is not going to do,” he said. “You’re going to have to make it stop.” “She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.” “Can’t you keep her downstairs?” In reply, Ronan half-lifted the little bird toward him. “You tell me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
As the black wasp landed on his wrist, he told himself not to slap it. It stung him. “Bitch!” he said, and swung the wine bottle at it. Another wasp joined the first. Greenmantle shook his arm, dislodging it, but a third flew at him. A fourth, a fifth, a hallway-full of them. They were all over him. He was wearing a beautiful jacket, and boxers, and wasps.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Make a ritual ablution before each prayer, beginning every action with "In the name of God, the Compassionate, the Merciful." First wash your hands, intending to pull them away from the affairs of this world. Then wash your mouth, remember and reciting God's name, purifying it in order to utter His Name. Wash your nose wishing to inhale the perfumes of the Divine. Wash your face feeling shame, and intending to wipe from it arrogance and hypocrisy. Wash your forearms trusting God to make you do what is good. Wet the top of your head feeling humility and wash your ears (in preparation) to hear the address of your Lord. Wash from your feet the dirt of the world so that you don't stain the sands of Paradise. Then thank and praise the Lord, and send prayers of peace and blessing upon our Master, who brought the canons of Islam and taught them to us. After you leave the place of your ablution without turning your back to it, perform two cycles of prayer out of hope and thankfulness for His making you clean. Next, stand in the place where you are going to make your prayers as if between the two hands of your Lord. Imagine, without forms and lines, that you are facing the Ka'bah, and that there is no one else on the face of this earth but you. Bring yourself to express your servanthood physically. Choose the verses you are going to recite, understanding their meanings within you. With the verses that start with "Say..." feel that you are talking to your Lord as He wishes you to do: let every word contain praise. Allow time between the sentences, contemplating what our Master, the Messenger of God, gave us, trying to keep it in your heart. Believing that your destiny is written on your forehead, place it humbly on the floor in prostration. When you finish and give salutations to your right and to your left, keep your eyes on yourself and your connection with your Lord, for you are saluting the One under whose power you are and who is within you...
Ibn ʿArabi
Arther, what is first on the agenda?" ... "The same as ever, Highness. Elections, land, and entitlements." Arther had learned to mask much of his distaste at that last word, but his lips still puckered as if it soured his tongue. ... Entitlements. Leesha hated the word, too, but not for the same reason as Arther. It was a cold word, used by those with full bellies to bemoan feeding those without.
Peter V. Brett (The Skull Throne (Demon Cycle, #4))
ROSE: I married your daddy and settled down to cooking his super and keeping clean sheets on the bed. When your daddy walked through the house he was so big he filled it up. That was my first mistake. Not to make him leave some room for me. For my part in the matter. But at that time I wanted that. I wanted a house that I could sing in. And that's what your daddy gave me. I didn't know to keep up his strength I had to give up little pieces of mine. I did that. I took on his life as mine and mixed up the pieces so that you couldn't hardly tell which was which anymore. It was my choice. It was my life and I didn't have to live it like that.But that's what life offered me in the way of being a woman and I took it. I grabbed hold of it with both hands.
August Wilson (Fences (The Century Cycle, #6))
The rain makes me feel alive because it reminds me that life’s a cycle. Water falls from above to be sucked back up again by the clouds eventually—round and round. I love the storm clouds before the first drops fall. Love how the rain feels against my skin, and I love the way it smells. It’s so weird, but my favorite days are the gloomiest. And it teaches us how even the ugliest storms can lead to a rainbow at the end.
Lauren Asher (Wrecked (Dirty Air, #3))
Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
The voice came first, then the chill across her skin. A moment later, Noah Czerny joined her, dressed as always in his navy Aglionby sweater. Joined was perhaps the wrong verb. Manifested was better. The phrase trick of the light was even more superior. Trick of the mind was the best. Because it was rare that Blue noticed the moment Noah actually appeared. It wasn’t that he gently resolved into being. It was that somehow her brain rewrote the minute before to pretend that Noah had been slouching beside her all along.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
There was a child went forth every day, And the first object he look'd upon, that object he became, And that object became part of him for the day or a certain part of the day, Or for many years or stretching cycles of years. The early lilacs became part of this child, And grass and white and red morning glories, and white and red clover, And the song of the phoebe-bird, And the Third-month lambs and the sow's pink-faint litter, and the mare's foal and the cow's calf, And the noisy brood of the barnyard or by the mire of the pond-side, And the fish suspending themselves so curiously below there, and the beautiful curious liquid, And the water-plants with their graceful flat heads, all became part of him.
Walt Whitman (Leaves of Grass)
Adam rejoined Blue on the other side of the vehicle. He took pains to stare at neither her breasts nor her lips. Adam and Blue were no longer together – insofar as they had ever been together in the first place – but being broken up and aware that it was good for both of them had not diminished the aesthetic appeal of either set of body parts. Her hair had got wilder since he first met her, less contained by all of her clips, and her mouth had got messier since he met her, more desirous of forbidden kisses, and her stance had got harder, her spine sharpened by grief and peril.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
He bent his gaze sternly on them. "First, let no one rule your mind or body. Take special care that your thoughts remain unfettered. One may be a free man and yet be bound tighter than a slave. Give men your ear, but not your heart. Show respect for those in power, but don't follow them blindly. Judge with logic and reason, but comment not. "Consider none your superior, whatever their rank or station in life. Treat all fairly or they will seek revenge. Be careful with your money. Hold fast to your beliefs and others will listen." He continued at a slower pace, "Of the affairs of love... my only advice is to be honest. That's your most powerful took to unlock a heart or gain forgiveness. That's all I have to say." He seemed slightly self-conscious of his speech.
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
Wednesday, November 8th, 1893 Here I sit in the still winter night on the drifting ice-floe, and see only stars above me. Far off I see the threads of life twisting themselves into the intricate web which stretches unbroken from life’s sweet morning dawn to the eternal death-stillness of ice. Thought follows thought—you pick the whole to pieces, and it seems so small—but high above all towers one form … Why did you take this voyage? … Could I do otherwise? Can the river arrest its course and run up hill? My plan has come to nothing. That palace of theory which I reared, in pride and self-confidence, high above all silly objections has fallen like a house of cards at the first breath of wind. Build up the most ingenious theories and you may be sure of one thing—that fact will defy them all. Was I so very sure? Yes, at times; but that was self-deception, intoxication. A secret doubt lurked behind all the reasoning. It seemed as though the longer I defended my theory, the nearer I came to doubting it. But no, there is not getting over the evidence of that Siberian drift-wood. But if, after all, we are on the wrong track, what then? Only disappointed human hopes, nothing more. And even if we perish, what will it matter in the endless cycles of eternity?
Fridtjof Nansen (Farthest North: The Incredible Three-Year Voyage to the Frozen Latitudes of the North (Modern Library Exploration))
Ever since I was a child my only thought or insight into apocalypse, disaster or war has been that I myself have no “survival instinct,” nor any strong desire to survive, especially if what lies on the other side of survival is just me. A book like The Road is as incomprehensible to me as a Norse myth cycle in the original language. Suicide would hold out its quiet hand to me on the first day—the first hour. And not the courageous suicide of self-slaughter, but simply the passive death that occurs if you stay under the bed as they march up the stairs, or lie down in the cornfield as the plane fitted with machine guns heads your way.
Zadie Smith (Intimations)
Blue.” It was Ronan’s voice, for the first time, and everyone, even Helen, twisted their heads toward him. His head was cocked in a way that Gansey recognized as dangerous. Something in his eyes was sharp as he stared at Blue. He asked, “Do you know Gansey?” Gansey remembered Ronan leaning against the Pig, playing the recording over and over again. Blue looked defensive under their stares. She said reluctantly, “Only his name.” With his fingers linked loosely together, elbows on his knees, Ronan leaned forward across Adam to be closer to Blue. He could be unbelievably threatening. “And how is it,” he asked, “you came to know Gansey’s name?” To her credit, Blue didn’t back down. Her ears were pink, but she said, “First of all, get out of my face.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
Suppose time is a circle, bending back on itself. The world repeats itself, precisely, endlessly. For the most part, people do not know they will live their lives over. Traders do not know that they will make the same bargain again. Politicians do not know they will shout from the same lectern an infinite number of times in the cycle of time. Parents treasure the first laugh from their child as if they will not hear it again. Lovers making love the first time undress shyly, show surprise at the supple thigh, the fragile nipple. How would they know that each secret glimpse, each touch will be repeated again and again and again, exactly as before?
Alan Lightman (Einstein’s Dreams)
Fellow man! Your whole life, like a sandglass, will always be reversed and will ever run out again, — a long minute of time will elapse until all those conditions out of which you were evolved return in the wheel of the cosmic process. And then you will find every pain and every pleasure, every friend and every enemy, every hope and every error, every blade of grass and every ray of sunshine once more, and the whole fabric of things which make up your life. This ring in which you are but a grain will glitter afresh forever. And in every one of these cycles of human life there will be one hour where, for the first time one man, and then many, will perceive the mighty thought of the eternal recurrence of all things: — and for mankind this is always the hour of Noon.
Friedrich Nietzsche
She said, “We can pretend. Just once. And then we’ll never say anything about it again.” What a strange, shifting person he was. The Gansey who turned to her now was a world away from the lofty boy she’d first met. Without any hesitation, she stretched her arms around his neck. Who was this Blue? She felt bigger than her body. High as the stars. He leaned toward her — her heart spun again — and pressed his cheek against hers. His lips didn’t touch her skin, but she felt his breath, hot and uneven, on her face. His fingers splayed on either side of her spine. Her lips were so close to his jaw that she felt his hint of stubble at the end of them. It was mint and memories and the past and the future and she felt as if she’d done this before and already she longed to do it again. Oh, help, she thought. Help, help, help. He pulled away. He said, “And now we never speak of it again.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
1. Question every requirement. Each should come with the name of the person who made it. You should never accept that a requirement came from a department, such as from “the legal department” or “the safety department.” You need to know the name of the real person who made that requirement. Then you should question it, no matter how smart that person is. Requirements from smart people are the most dangerous, because people are less likely to question them. Always do so, even if the requirement came from me. Then make the requirements less dumb. 2. Delete any part or process you can. You may have to add them back later. In fact, if you do not end up adding back at least 10% of them, then you didn’t delete enough. 3. Simplify and optimize. This should come after step two. A common mistake is to simplify and optimize a part or a process that should not exist. 4. Accelerate cycle time. Every process can be speeded up. But only do this after you have followed the first three steps. In the Tesla factory, I mistakenly spent a lot of time accelerating processes that I later realized should have been deleted. 5. Automate. That comes last. The big mistake in Nevada and at Fremont was that I began by trying to automate every step. We should have waited until all the requirements had been questioned, parts and processes deleted, and the bugs were shaken out.
Walter Isaacson (Elon Musk)
For folks who have that casual-dude energy coursing through their bloodstream, that's great. But gays should not grow up alienated just for us to alienate each other. It's too predictable, like any other cycle of abuse. Plus, the conformist, competitive notion that by "toning down" we are "growing up" ultimately blunts the radical edge of what it is to be queer; it truncates our colorful journey of identity. Said another way, it's like living in West Hollywood and working a gay job by day and working it in the gay nightlife, wearing delicate shiny shirts picked from up the gay dry cleaners, yet coquettishly left unbuttoned to reveal the pec implants purchased from a gay surgeon and shown off by prancing around the gay-owned-and-operated theater hopped up on gay health clinic steroids and wheat grass purchased from the friendly gay boy who's new to the city, and impressed by the monstrous SUV purchased from a gay car dealership with its rainbow-striped bumper sticker that says "Celebrate Diversity." Then logging on to the local Gay.com listings and describing yourself as "straight-acting." Let me make myself clear. This is not a campaign for everyone to be like me. That'd be a total yawn. Instead, this narrative is about praise for the prancy boys. Granted, there's undecided gender-fucks, dagger dykes, faux-mos, po-mos, FTMs, fisting-top daddies, and lezzie looners who also need props for broadening the sexual spectrum, but they're telling their own stories. The Cliff's Notes of me and mine are this: the only moments I feel alive are when I'm just being myself - not some stiff-necked temp masquerading as normal in the workplace, not some insecure gay boy aspiring to be an overpumped circuit queen, not some comic book version of swank WeHo living. If that's considered a political act in the homogenized world of twenty-first century homosexuals, then so be it. — excerpt of "Praise For The Prancy Boys," by Clint Catalyst appears in first edition (ISBN # 1-932360-56-5)
Mattilda Bernstein Sycamore (That's Revolting!: Queer Strategies for Resisting Assimilation)
Henry had never been good with words. Case in point: The first month he’d been at Aglionby, he had tried to explain this to Jonah Milo, the English teacher, and had been told that he was being hard on himself. You’ve got a great vocabulary, Milo had said. Henry was aware he had a great vocabulary. It was not the same thing as having the words you needed to express yourself. You’re very well-spoken for a kid your age, Milo had added. Hell, ha, even for a guy my age. But sounding like you were saying what you felt was not the same as actually pulling it off. A lot of ESL folks feel that way, Milo had finished. My mom said she was never herself in English. But it wasn’t that Henry was less of himself in English. He was less of himself out loud. His native language was thought.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
For a person with ADD, tuning out is an automatic brain activity that originated during the period of rapid brain development in infancy when there was emotional hurt combined with helplessness. At one time or another, every infant or young child feels frustration and psychological pain. Episodic experiences of a distressing nature do not induce dissociation, but chronic distress does—the distress of the sensitive infant with unsatisfied attunement needs, for example. The infant has to dissociate chronic emotional pain from consciousness for two reasons. First, it is too overwhelming for his fragile nervous system. He simply cannot exist in what we might call a state of chronic negative arousal, with adrenaline and other stress hormones pumping through his veins all the time. It is physiologically too toxic. He has to block it out. Second, if the parent’s anxiety is the source of the infant’s distress, the infant unconsciously senses that fully expressing his own emotional turmoil will only heighten that anxiety. His distress would then be aggravated—a vicious cycle he can escape by tuning out.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
Hi, I’m Adele Czerny. I don’t really have a long speech. I mean, I sat through these things when I was your age, and they’re boring. I’m just going to say a few things about Noah and Raven Day. Did any of you guys know him?” In unison, Gansey and Adam started to lift their hands and just as quickly dropped them. Yes, they knew him. No, they had not known him. Noah, alive, had been before their time here. Noah, dead, was a phenomenon, not an acquaintance. “Well, you were missing out,” she said. “My mom always said he was a firecracker, which just meant he was always getting speeding tickets and jumping on tables at family reunions and stuff. He always had so many ideas. He was so hyper.” Adam and Gansey looked at each other. They had always had the sense that the Noah they knew was not the true Noah. It was just disconcerting to hear how much Noahness death had stripped. It was impossible to not wonder what Noah would have done with himself if he had lived. “Anyway, I’m here because I was actually the first one he told about his idea for Raven Day. He called me one evening, I guess it would’ve been when he was fourteen, and he told me he’d had this dream about ravens fighting and battling. He said they were all different colours and sizes and shapes, and he was inside them, and they were, like, swirling around him.” She motioned around herself in a whirlwind; she had Noah’s hands, Noah’s elbows. “And he told me, ‘I think it would be a cool art project.’ And I told him, ‘I’ll bet if everybody at the school made one, I bet you’d have enough.’ ” Gansey was aware that his arm hairs were standing up. “So they’re swooping and careening and there’s nothing but ravens, nothing but dreams all around you,” Adele said, only Gansey wasn’t sure if she had actually said it, or if he’d heard her wrong and he was just half-remembering something she’d already said. “Anyway, I know he’d like what it is like nowadays. So, um, thanks for remembering one of his crazy dreams.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Back in Henrietta, night proceeded. Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired. He opened his eyes. He opened Ronan’s door just enough to confirm that Ronan was inside, sleeping with his mouth ajar, headphones blaring, Chainsaw a motionless lump in her cage. Then, leaving him, Gansey drove to the school. He used his old key code to get into Aglionby’s indoor athletic complex, and then he stripped and swam in the dark pool in the darker room, all sounds strange and hollow at night. He did endless laps as he used to do when he had first come to the school, back when he had been on the rowing team, back when he had sometimes come earlier than even rowing practice to swim. He had nearly forgotten what it felt like to be in the water: It was as if his body didn’t exist; he was just a borderless mind. He pushed himself off a barely visible wall and headed towards the even less visible opposite one, no longer quite able to hold on to his concrete concerns. School, Headmaster Child, even Glendower. He was only this current minute. Why had he given this up? He couldn’t remember even that. In the dark water he was only Gansey, now. He’d never died, he wasn’t going to die again. He was only Gansey, now, now, only now. He could not see him, but Noah stood on the edge of the pool and watched. He had been a swimmer himself, once.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Those five characteristics are:    1. Reactivity: the vicious cycle of intense reactions of each member to events and to one another.    2. Herding: a process through which the forces for togetherness triumph over the forces for individuality and move everyone to adapt to the least mature members.    3. Blame displacement: an emotional state in which family members focus on forces that have victimized them rather than taking responsibility for their own being and destiny.    4. A quick-fix mentality: a low threshold for pain that constantly seeks symptom relief rather than fundamental change.    5. Lack of well-differentiated leadership: a failure of nerve that both stems from and contributes to the first four. To reorient oneself away from a focus on technology toward a focus on emotional process requires that, like Columbus, we think in ways that not only are different from traditional routes but that also sometimes go in the opposite direction. This chapter will thus also serve as prelude to the three that follow, which describe the “equators” we have to cross in our time: the “learned” fallacies or emotional barriers that keep an Old World orientation in place and cause both family and institutional leaders to regress rather than venture in new directions.
Edwin H. Friedman (A Failure of Nerve: Leadership in the Age of the Quick Fix)
...The spiritual Oriental teachers say a person has three forms of mind,'' Beatrice was explaining to him once, while they were on break between one lesson and another at university, ''which are the dense mind, the subtle level and the ultra-subtle mind. Primary Consciousness, or the dense mind, is that existential, Sartrean mind which is related to our senses and so it is guided directly by human primitive instincts; in Sanskrit, this is referred to as ālaya-vijñāna which is directly tied to the brain. The subtle mind comes into effect when we begin to be aware of our true nature or that which in Sanskrit is called Ātman or self-existent essence that eventually leads us to the spiritual dimension. Ultimately there is the Consciousness-Only or the Vijñapti-Mātra, an ultra-subtle mind which goes beyond what the other two levels of mind can fabricate, precisely because this particular mind is not a by-product of the human brain but a part of the Cosmic Consciousness of the Absolute, known in Sanskrit as Tathāgatagarbha, and it is at this profound level of Consciousness that we are able to achieve access to the Divine Wisdom and become one with it in an Enlightened State.'' ''This spiritual subject really fascinates me,'' the Professor would declare, amazed at the extraordinary knowledge that Beatrice possessed.'' ''In other words, a human being recognises itself from its eternal essence and not from its existence,'' Beatrice replied, smiling, as she gently touched the tip of his nose with the tip of her finger, as if she was making a symbolic gesture like when children are corrected by their teachers. ''See, here,'' she had said once, pulling at the sleeve of his t-shirt to make him look at her book. ''For example, in the Preface to the 1960 Notes on Dhamma, the Buddhist philosopher from the University of Cambridge, Ñāṇavīra Thera, maintains those that have understood Buddhist teachings have gone way beyond Existential Thought. And on this same theme, the German scholar of Buddhist texts, Edward Conze, said that the possible similarity that exists between Buddhist and Existential Thought lies only on the preliminary level. He said that in terms of the Four Noble Truths, or in Sanskrit Catvāri Āryasatyāni, the Existentialists have only the first, which teaches everything is ill. Of the second - which assigns the origin of ill to craving - they have a very imperfect grasp. As for the third and fourth, which consist of letting go of craving, and the Noble Eightfold Path that leads to liberation from the cycle of rebirth in the form of Nirvāṇa - these are unheard of. Knowing no way out, the Existentialists are manufacturers of their own woes...
Anton Sammut (Paceville and Metanoia)
I will always speak the truth to you, Herb Asher," the boy continued. "There is no deceit in God. I want you to live. I made you live once before, when you lay in psychological death. God does not desire any living thing's death; God takes no delight in nonexistence. Do you know what God is, Herb Asher? God is He Who causes to be. Put another way, if you seek the basis of being that underlies everything you will surely find God. You can work back to God from the phenomenal universe, or you can move from the Creator to the phenomenal universe. Each implies the other. The Creator would not be the Creator if there were no universe, and the universe would cease to be if the Creator did not sustain it. The Creator does not exist prior to the universe in time; he does not exist in time at all. God creates the universe constantly; he is with it, not above or behind it. This is impossible to understand for you because you are a created thing and exist in time. But eventually you will return to your Creator and then you will again no longer exist in time. You are the breath of your Creator, and as he breathes in and out, you live. Remember that, for that sums up everything that you need to know about your God. There is first an exhalation from God, on the part of all creation; and then, at a certain point, it starts its journey back, its inhalation. This cycle never ceases. You leave me; you are away from me; you start back; you rejoin me. You and everything else. It is a process, an event. It is an activity - my activity. It is the rhythm of my own being, and it sustains you all.
Philip K. Dick (The Divine Invasion)
He paused, then, I behind him, arms locked around the powerful ribs, fingers caressing him. To lie with him, to lie with him, burning forgetful in the delicious animal fire. Locked first upright, thighs ground together, shuddering, mouth to mouth, breast to breast, legs enmeshed, then lying full length, with the good heavy weight of body upon body, arching, undulating, blind, growing together, force fighting force: to kill? To drive into burning dark of oblivion? To lose identity? Not love, this, quite. But something else rather. A refined hedonism. Hedonism: because of the blind sucking mouthing fingering quest for physical gratification. Refined: because of the desire to stimulate another in return, not being quite only concerned for self alone, but mostly so. An easy end to arguments on the mouth: a warm meeting of mouths, tongues quivering, licking, tasting. An easy substitute for bad slashing with angry hating teeth and nails and voice: the curious musical tempo of hands lifting under breasts, caressing throat, shoulders, knees, thighs. And giving up to the corrosive black whirlpool of mutual necessary destruction. - Once there is the first kiss, then the cycle becomes inevitable. Training, conditioning, make a hunger burn in breasts and secrete fluid in vagina, driving blindly for destruction. What is it but destruction? Some mystic desire to beat to sensual annihilation - to snuff out one’s identity on the identity of the other - a mingling and mangling of identities? A death of one? Or both? A devouring and subordination? No, no. A polarization rather - a balance of two integrities, changing, electrically, one with the other, yet with centers of coolness, like stars. And there it is: when asked what role I will plan to fill, I say “What do you mean role? I plan not to step into a part on marrying - but to go on living as an intelligent mature human being, growing and learning as I always have. No shift, no radical change in life habits.” Never will there be a circle, signifying me and my operations, confined solely to home, other womenfolk, and community service, enclosed in the larger worldly circle of my mate, who brings home from his periphery of contact with the world the tales only of vicarious experience to me.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
But why bother? Why exert all this effort to focus totally on the boring prattlings of a six-year-old? First, your willingness to do so is the best possible concrete evidence of your esteem you can give your child. If you give your child the same esteem you would give a great lecturer, then the child will know him- or herself to be valued and therefore will feel valuable. There is no better and ultimately no other way to teach your children that they are valuable people than by valuing them. Second, the more children feel valuable, the more they will begin to say things of value. They will rise to your expectation of them. Third, the more you listen to your child, the more you will realize that in amongst the pauses, the stutterings, the seemingly innocent chatter, your child does indeed have valuable things to say. The dictum that great wisdom comes from "the mouths of babes" is recognized as an absolute fact by anyone who truly listens to children. Listen to your child enough and you will come to realize that he or she is quite an extraordinary individual. And the more extraordinary you realize your child to be, the more you will be willing to listen. And the more you will learn. Fourth, the more you know about your child, the more you will be able to teach. Know little about your children, and usually you will be teaching things that either they are not ready to learn or they already know and perhaps understand better than you. Finally, the more children know that you value them, that you consider them extraordinary people, the more willing they will be to listen to you and afford you the same esteem. And the more appropriate your teaching, based on your knowledge of them, the more eager your children will be to learn from you. And the more they learn, the more extraordinary they will become. If the reader senses the cyclical character of this process, he or she is quite correct and is appreciating the truth of the reciprocity of love. Instead of a vicious downward cycle, it is a creative upward cycle of evolution and growth. Value creates value. Love begets love. Parents and child together spin forward faster and faster in the pas de deux of love.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
Do you remember the Third Insight, that humans are unique in a world of energy in that they can project their energy consciously?” “Yes.” “Do you remember how this is done?” I recalled John’s lessons. “Yes, it is done by appreciating the beauty of an object until enough energy comes into us to feel love. At that point we can send energy back.” “That’s right. And the same principle holds true with people. When we appreciate the shape and demeanor of a person, really focus on them until their shape and features begin to stand out and to have more presence, we can then send them energy, lifting them up. “Of course, the first step is to keep our own energy high, then we can start the flow of energy coming into us, through us, and into the other person. The more we appreciate their wholeness, their inner beauty, the more the energy flows into them, and naturally, the more that flows into us.” She laughed. “It’s really a rather hedonistic thing to do,” she said. “The more we can love and appreciate others, the more energy flows into us. That’s why loving and energizing others is the best possible thing we can do for ourselves.” “I’ve heard that before,” I said. “Father Sanchez says it often.” I looked at Julia closely. I had the feeling I was seeing her deeper personality for the first time. She returned my gaze for an instant, then focused again on the road. “The effect on the individual of this projection of energy is immense,” she said. “Right now, for instance, you’re filling me with energy. I can feel it. What I feel is a greater sense of lightness and clarity as I’m formulating my thoughts to speak. “Because you are giving me more energy than I would have otherwise, I can see what my truth is and more readily give it to you. When I do that, you have a sense of revelation about what I’m saying. This leads you to see my higher self even more fully and so appreciate and focus on it at an even deeper level, which gives me even more energy and greater insight into my truth and the cycle begins over again. Two or more people doing this together can reach incredible highs as they build one another up and have it immediately returned. You must understand, though, that this connection is completely different from a co-dependent relationship. A co-dependent relationship begins this way but soon becomes controlling because the addiction cuts them off from their source and the energy runs out. Real projection of energy has no attachment or intention. Both people are just waiting for the messages.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
Lora Leigh (Wild Card (Elite Ops, #1))