Firing Blanks Quotes

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Stood in firelight, sweltering. Bloodstain on chest like map of violent new continent. Felt cleansed. Felt dark planet turn under my feet and knew what cats know that makes them scream like babies in night. Looked at sky through smoke heavy with human fat and God was not there. The cold, suffocating dark goes on forever and we are alone. Live our lives, lacking anything better to do. Devise reason later. Born from oblivion; bear children, hell-bound as ourselves, go into oblivion. There is nothing else. Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs. It’s us. Only us. Streets stank of fire. The void breathed hard on my heart, turning its illusions to ice, shattering them. Was reborn then, free to scrawl own design on this morally blank world. Was Rorschach. Does that answer your Questions, Doctor?
Alan Moore (Watchmen)
She glanced up at him, and in that moment he pulled his wet shirt over his head. She forced her mind blank. Blank as a new sheet of paper, blank as a starless sky. He came to the fire and crouched before it. He rubbed the water from his bare arms and flicked it in the flames. She stared at the goose and sliced his drumstick carefully and thought of the blankest expression on the blankest face she could possibly imagine. It was a chilly evening; she thought about that. The goose would be delicious, they must eat as much of it as possible, they must not waste it; she thought about that.
Kristin Cashore (Graceling (Graceling Realm, #1))
It was Russia, January 5, 1943, and just another icy day. Out among the city and snow, there were dead Russians and Germans everywhere. Those who remained were firing into the blank pages in front of them. Three languages interwove. The Russian, the bullets, the German.
Markus Zusak (The Book Thief)
His breath caught, harsh enough that she looked over her shoulder. But his eyes weren't on her face. Or the water. They were on her bare back. Curled as she was against her knees, he could see the whole expanse of ruined flesh, each scar from the lashing. "Who did that to you?" It would have been easy to lie, but she was so tired, and he had saved her useless hide. So she said, "A lot of people. I spent some time in the Salt Mines of Endovier." He was so still that she wondered if he'd stopped breathing. "How long?" he asked after a moment. She braced herself for the pity, but his face was so carefully blank-no, not blank. Calm with lethal rage. "A year. I was there a year before... it's a long story." She was too exhausted, her throat too raw, to say the rest of it. She noticed then his arms were bandaged, and more bandages across his broad chest peeked up from beneath his shirt. She'd burned him again. And yet he had held her- had run all the way here and not let go once. "You were a slave." She gave him a slow nod. He opened his mouth, but shut it and swallowed, that lethal rage winking out. As if he remembered who he was talking to and that it was the least punishment she deserved. He turned on his heel and shut the door behind him. She wished he'd slammed it-wished he'd shattered it. But he closed it with barely more than a click and did not return.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
... I am with fire between my teeth and still nothing but my blank page.
Monique Wittig
I like to watch his hands as he works, making a blank page bloom with strokes of ink, adding touches of color to our previously black and yellowish book. His face takes on a special look when he concentrates. His usual easy expression is replaced by something more intense and removed that suggests an entire world locked away inside him. I've seen flashes of this before: in the arena, or when he speaks to a crowd, or that time he shoved the Peacekeepers' guns away from me in District 11. I don't know quite what to make of it. I also become a little fixated on his eyelashes, which ordinarily you don't notice much because they're so blond. But up close, in the sunlight slanting in from the window, they're a light golden color and so long I don't see how they keep from getting all tangled up when he blinks.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
We might be Paper Girls, easily torn and written upon. The very title we’re given suggests that we are blank, waiting to be filled. But what the Demon King and his court do not understand is that paper is flammable.
Natasha Ngan (Girls of Paper and Fire (Girls of Paper and Fire, #1))
Does anyone know how to start a fire?" Blank stares. "So we can't start a fire," [Jamie] said. "We can't fly. We can't create a force field. We are the most bullshit superheroes.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
For some there is no music No lights No fire No untamed madness that breathes life There is work Anguish Frustration Rage Despair A dullness that rings like wooden thunder
Henry Rollins
The words come out of my mouth, but they don’t sound like me. I don’t sound like me. Probably because I know it’s all lies. But I can see that they’re lies that Reeve believes. He swallows them whole. His eyes go blank. Empty. He completely shuts down.
Jenny Han (Fire with Fire (Burn for Burn, #2))
My mind went blank. But he's not like Grey from what I hear. But oh God, one part set my vag on fire.
Jennifer L. Armentrout
I believe he slipped and fell upon my blade.” “Was it his throat that fell upon your blade?” “Odd, right?” “Odd, indeed.” Ezra tilted her head to the side as she stared blankly at me. “That happens quite often around you.” “Unfortunately.” I arched a brow at my stepsister. “Men with careless fists should be more mindful of where they step.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
Life cannot wait until the sciences may have explained the universe scientifically. We cannot put off living until we are ready. The most salient characteristic of life is its coerciveness: it is always urgent, "here and now" without any possible postponement. Life is fired at us point blank.
José Ortega y Gasset
Their faces were zealously blank, their eyes filled with bland fire.
Stephen King (The Gunslinger (The Dark Tower, #1))
Your mind is the projection screen every writer steals; it is the firing of your neurones that makes every book come alive. You are the electricity that turns it on. A book cannot live until the touch of your hand on the first page brings it alive. A writer is essentially typing blank pages – shouting out spells in the dark – until the words are read by you, and the magic explodes into your head, and no one else's.
Caitlin Moran (Moranifesto)
Do you still have feelings for him?” And she wants to be honest, to say that of course she does. She never gets closure, never gets to say good-bye—no periods, or exclamations, just a lifetime of ellipses. Everyone else starts over, they get a blank page, but hers are full of text. People talk about carrying torches for old flames, and it’s not a full fire, but Addie’s hands are full of candles. How is she supposed to set them down, or put them out? She has long run out of air. But it is not love. It is not love, and that is what he’s asking.
V.E. Schwab (The Invisible Life of Addie LaRue)
This is only a record of broken and apparently unrelated memories, some of them as distinct and sequent as brilliant beads upon a thread, others remote and strange, having the character of crimson dreams with interspaces blank and black -- witch-fires glowing still and red in a great desolation.
Ambrose Bierce (The Moonlit Road and Other Ghost and Horror Stories (Dover Thrift Editions: Gothic/Horror))
When was the last time you were kissed?" he went on easily. "And I'm not talking about the dry, noncommittal, meaningless kiss you forget about as soon as it's over." I scrambled out of my stupor long enough to quip, "Like last night's kiss?" He cocked an eyebrow. "That so? I wonder, then, why you moaned my name after you drifted to sleep." "I did not!" "If only I'd had a video recorder. When was the last time you were really kissed?" he repeated. "You seriously think I'm going to tell you?" "Your ex?" he guessed. "And if he was?" "Was it your ex who taught you to be ashamed and uncomfortable with intimacy? He took from you what he wanted, but never seemed to be around when you wanted something back, isn't that right? What do you want, Britt?" he asked me point-blank. "Do you really want to pretend like last night never happened?" "Whatever happened between me and Calvin isn't your business,” I fired back. "For your information, he was a really great boyfriend. I-I wish I was with him right now!" I exclaimed untruthfully. My careless comment made him flinch, but he recovered quickly. "Does he love you?" "What?" I said, flustered. "If you know him so well, it shouldn't be a hard question. Is he in love with you? Was he ever in love with you?" I tossed my head back haughtily. "I know what you're doing. You're trying to cut him down because you're-you're jealous of him!" "You're damn right I'm jealous,” he growled. "When I kiss a girl, I like to know she's thinking about me, not the fool who gave her up.
Becca Fitzpatrick (Black Ice)
In a way, I owe the invitation to the incredible, abysmal, and really cowardly obtuseness of white liberals. Whether in private debate or in public, any attempt I made to explain how the Black Muslim movement came about, and how it has achieved such force, was met with a blankness that revealed the little connection that the liberals' attitudes have with their perceptions or their lives, or even their knowledge—revealed, in fact, that they could deal with the Negro as a symbol or a victim but had no sense of him as a man.
James Baldwin (The Fire Next Time)
Sitting to think of what to write will only set your ass on fire, give you headache, twist your face to look stupid, instead, walk around with a blank mind and something from somewhere will fill it up.
Michael Bassey Johnson
Traveling alone, you get to be whoever you want. I don't mean lie. I mean you get to be a blank slate. You can't leave behind your skin color, or your height, or the handsomeness or homeliness of your face. But you can leave your story behind. If you've broken hearts, the new place doesn't know. If you've lost trust in people and yourself, the new place doesn't know. If everyone thinks you love Jesus, but you never really have figured out what you believe, the new place doesn't care. It may assume you have it all tied nicely in a bow. All your thoughts and histories. Just feeling like your past isn't a vice to hold you in place can be very freeing. Feeling like your family and the expectations and the traditions and the judgments are absent... it can fill your veins with possibility and fire.
Jedidiah Jenkins (To Shake the Sleeping Self: A Journey from Oregon to Patagonia, and a Quest for a Life with No Regret)
We cannot put off living until we are ready. The most salient characteristic of life is its coerciveness: it is always urgent, ‘here and now,’ without any postponement. Life is fired at us point-blank.
José Ortega y Gasset
We stand hand-clasped, our faces quite blank, as if this were not a nightmare that tells me, as clearly as if it were written in letters of fire, what ending a girl may expect if she defies the rules of men and thinks she can make her own destiny. I am here not only to witness what happens to a heretic. I am here to witness what happens to a woman who thinks she knows more than men.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
In Paris, when certain people see you ready to set your foot in the stirrup, some pull your coat-tails, others loosen the buckle of the strap that you may fall and crack your skull; one wrenches off your horse's shoes, another steals your whip, and the least treacherous of them all is the man whom you see coming to fire his pistol at you point blank.
Honoré de Balzac (The Atheist’s Mass)
So it's happened. I close my eyes again, and blank out the boudoir. Instead the image of himm standing next to me inthe garden floats into my mind: he's strong, happy and similig. He's telling me that something told him to come and find me, and here I am. But he's gone. And now, my wait begins.
Sadie Matthews (Fire After Dark (After Dark, #1))
Everybody made faces around here. Human beings, she discovered, could not maintain the stony, frozen expressions of the merfolk, not for an instant. There was not a moment where their faces remained blank. There was always a light in their eye, and the light, like red wind, would flare into a raging fire without notice.
Esther Dalseno (Drown)
Only a week away!” said Ernie Macmillan of Hufflepuff, emerging from the crowd, his eyes gleaming. “I wonder if Cedric knows? Think I’ll go and tell him. . . .” “Cedric?” said Ron blankly as Ernie hurried off. “Diggory,” said Harry. “He must be entering the tournament.” “That idiot, Hogwarts champion?” said Ron as they pushed their way through the chattering crowd toward the staircase. “He’s not an idiot. You just don’t like him because he beat Gryffindor at Quidditch,” said Hermione. “I’ve heard he’s a really good student — and he’s a prefect.” She spoke as though this settled the matter. “You only like him because he’s handsome,” said Ron scathingly. “Excuse me, I don’t like people just because they’re handsome!” said Hermione indignantly. Ron gave a loud false cough, which sounded oddly like “Lockhart!
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
What is the slope of the line?' [My father] asked. I looked at him in silence. 'It's positive,' he said with forced optimism...'And what does that mean?' Another blank look. 'It means we make progress every day.
Susannah Cahalan (Brain on Fire: My Month of Madness)
I know that our efforts all come to nothing. I know the end of us all is nothing, I know that at the end of Time, the reward of our toil will be nothing— and again nothing. I know that all our handiwork will be destroyed. I know that not even ash will be left from the fires that consume us. I know that our ideals, even those we achieve, will vanish in the eternal darkness of oblivion and final non-being. There is no hope, none, in my heart. No promise, none, can I make to myself and to others. No recompense can I expect for my labors. No fruit will be born of my thoughts. The Future—eternal seducer of all men, eternal cause of all effects—offers me nothing but the blank prospect of annihilation.
Giovanni Papini (Un uomo finito)
During winter sunsets, standing on a promontory so I saw the scenic sea as a surface rather than a line and, as coal-boats appeared from all sides of the horizon, I thought that, as they opened their portholes, they would throw their coals onto this fire. They swarmed over the ocean like blowflies ready to devour the decomposed star, and the blank gesture of a cloud fanned them.
Georges Limbour
I pull my sidearm and fire at them from point-blank range, killing the first two men, who must have either thought I was dead or couldn’t see me
A.G. Riddle (The Atlantis Gene (The Origin Mystery, #1))
ALL RIGHT, NIGHTWING, HERE’S A BLANK SCROLL. GO AHEAD AND TRY TO CONVINCE ME THAT YOU’RE A DRAGON WHO EVEN DESERVES TO LIVE, LET ALONE ONE I SHOULD WASTE MY TIME ON. I DO ENJOY BEING AMUSED.
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs. It’s us. Only us. Streets stank of fire. The void breathed hard on my heart, turning its illusions to ice, shattering them. Was reborn then, free to scrawl own design on this morally blank world.
Alan Moore (Watchmen)
Instructions for a Broken Heart I will find a bare patch of earth, somewhere where the ruins have fallen away, somewhere where I can fit both hands, and I will dig a hole. And into that hole, I will scream you, I will dump all the shadow places of my heart—the times you didn’t call when you said you’d call, the way you only half listened to my poems, your eyes on people coming through the swinging door of the café—not on me—your ears, not really turned toward me. For all those times I started to tell you about the fight with my dad or when my grandma died, and you said something about your car, something about the math test you flunked, as an answer. I will scream into that hole the silence of dark nights after you’d kissed me, how when I asked if something was wrong—and something was obviously so very wrong—how you said “nothing,” how you didn’t tell me until I had to see it in the dim light of a costume barn—so much wrong. I will scream all of it. Then I will fill it in with dark earth, leave it here in Italy, so there will be an ocean between the hole and me. Because then I can bring home a heart full of the light patches. A heart that sees the sunset you saw that night outside of Taco Bell, the way you pointed out that it made the trees seem on fire, a heart that holds the time your little brother fell on his bike at the fairgrounds and you had pockets full of bright colored Band-Aids and you kissed the bare skin of his knees. I will take that home with me. In my heart. I will take home your final Hamlet monologue on the dark stage when you cried closing night and it wasn’t really acting, you cried because you felt the words in you and on that bare stage you felt the way I feel every day of my life, every second, the way the words, the light and dark, the spotlight in your face, made you Hamlet for that brief hiccup of a moment, made you a poet, an artist at your core. I get to take Italy home with me, the Italy that showed me you and the Italy that showed me—me—the Italy that wrote me my very own instructions for a broken heart. And I get to leave the other heart in a hole. We are over. I know this. But we are not blank. We were a beautiful building made of stone, crumbled now and covered in vines. But not blank. Not forgotten. We are a history. We are beauty out of ruins.
Kim Culbertson (Instructions for a Broken Heart)
Again, after a blank moment, there would be a flickering taper-gleam in his eyeballs. It betokened that his spiritual part had returned, and was doing its best to kindle the heart's household fire, and light up intellectual lamps in the dark and ruinous mansion, where it was doomed to be a forlorn inhabitant.
Nathaniel Hawthorne (House of the Seven Gables)
2 SECONDS He was on her in an instant to brace her against the wall. She kicked and clawed at her unseen attacker, skin and irises ablaze in caustic gold. She fired anew, and the point-blank shot broke through his defenses, grazing his hip. He ignored the harsh sting to bring his Daemon up between them. 1 SECOND
G.S. Jennsen (Dissonance (Aurora Renegades #2))
Shaken from sleep, and numbed and scarce awake, Out in the trench with three hours' watch to take, I blunder through the splashing mirk; and then Hear the gruff muttering voices of the men Crouching in cabins candle-chinked with light. Hark! There's the big bombardment on our right Rumbling and bumping; and the dark's a glare Of flickering horror in the sectors where We raid the Boche; men waiting, stiff and chilled, Or crawling on their bellies through the wire. "What? Stretcher-bearers wanted? Some one killed?" Five minutes ago I heard a sniper fire: Why did he do it?... Starlight overhead-- Blank stars. I'm wide-awake; and some chap's dead.
Siegfried Sassoon (The War Poems)
How am I?" [...] "Sometimes it's a rush, like skydiving and other times it's just a smooth ride, like floating in the middle of a calm lake. It's like standing next to a hot fire that's shooting sparks, or walking on the sun and then rolling in the snow. It's like plate tectonics and hailstorms and lighting and earthquakes and hurricane-force winds all happening at once but then everything suddenly stops moving and your mind draws a blank and everything's really peaceful. It's like your mind explodes and all that's left inside your body is heat.
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
Alex thrust her hand and half her arm into the labyrinth of light. Her stare blanked, and in the halo of the matrix her eyes and glyphs blazed so radiantly she looked as if she were being consumed by a primordial fire. “She just stuck her hand into Machim Command’s central server matrix!” Caleb smiled, watching on in blatant awe. “She does that.
G.S. Jennsen (Relativity (Aurora Resonant, #1))
No one could imagine how a man could survive one winter alone and exposed in the woods, never mind decades of them. Howard, instead of trying to explain the hermit's existence in terms of hearth fires and trappers' shacks, preferred the blank space the old man actually seemed to inhabit; he liked to think of some fold in the woods, some seam that only the hermit could sense and slip into, where the frozen forest itself would accept him and he would no longer need fire or wool blankets, but instead flourish wreathed in snow, spun in frost, with limbs like cold wood and blood like frigid sap.
Paul Harding (Tinkers)
Because of the nature of my illness, and its effect on my brain, I remember only flashes of actual events, and brief but vivid hallucinations, from the months in which this story takes place. The vast majority of that time remains blank or capriciously hazy.
Susannah Cahalan (Brain on Fire: My Month of Madness)
As the days passed, it became noticeable, in a way that was, at first, imperceptible, that the word blank, as if it had suddenly become obscene or rude, was falling into disuse, that people would employ all kinds of evasions and periphrases to replace it. A blank piece of paper, for example, would be described instead as virgin, a blank on a form that had all its life been a blank became the space provided, blank looks all became vacant instead, students stopped saying that their minds had gone blank, and owned up to the fact that they simply knew nothing about the subject, but the most interesting case of all was the sudden disappearance of the riddle with which, for generations, parents, grandparents, aunts, uncles and neighbors had sought to stimulate the intelligence and deductive powers of children, You can fill me in, draw me and fire me, what am I, and people, reluctant to elicit the word blank from innocent children, justified this by saying that the riddle was far too difficult for those with limited experience of the world.
José Saramago
Harry took a deep, steadying breath and then said, “Okay, I can’t see the World Cup. Can I go now, then? Only I’ve got a letter to Sirius I want to finish. You know — my godfather.” He had done it. He had said the magic words. Now he watched the purple recede blotchily from Uncle Vernon’s face, making it look like badly mixed black currant ice cream. “You’re — you’re writing to him, are you?” said Uncle Vernon, in a would-be calm voice — but Harry had seen the pupils of his tiny eyes contract with sudden fear. “Well — yeah,” said Harry, casually. “It’s been a while since he heard from me, and, you know, if he doesn’t, he might start thinking something’s wrong.” He stopped there to enjoy the effect of these words. He could almost see the cogs working under Uncle Vernon’s thick, dark, neatly parted hair. If he tried to stop Harry writing to Sirius, Sirius would think Harry was being mistreated. If he told Harry he couldn’t go to the Quidditch World Cup, Harry would write and tell Sirius, who would know Harry was being mistreated. There was only one thing for Uncle Vernon to do. Harry could see the conclusion forming in his uncle’s mind as though the great mustached face were transparent. Harry tried not to smile, to keep his own face as blank as possible. And then — “Well, all right then. You can go to this ruddy … this stupid … this World Cup thing. You write and tell these — these Weasleys they’re to pick you up, mind. I haven’t got time to go dropping you off all over the country. And you can spend the rest of the summer there. And you can tell your — your godfather … tell him … tell him you’re going.” “Okay then,” said Harry brightly.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Truely was a Mississippi boy still. He didn't have a thing against religion, especially in the gentle hands of somebody like his daddy--or his mother either. But he wasn't too much persuaded when salvation was fired out of a double-barrel shotgun aimed point-blank at his skull.
Nanci Kincaid
What being in the War and being in the Army had shown him was that people tend naturally toward light, toward its source, as sunflowers do in a field. People lean, either in their dreams or in their actions, toward that place where they suspect their inner lights are coming from. Whether they call it God or conscience or the manual of Army protocol, people sublime toward where their inner fire burns, and given enough fuel for thought and a level playing field to dream on, anyone can leave a fingerprint on the blank of history. That's what Fos believed.
Marianne Wiggins (Evidence of Things Unseen)
Now standing in one corner of a boxing ring with a .22 caliber Colt automatic pistol, shooting a bullet weighing only 40 grains and with a striking energy of 51 foot pounds at 25 feet from the muzzle, I will guarantee to kill either Gene Tunney or Joe Louis before they get to me from the opposite corner. This is the smallest caliber pistol cartridge made; but it is also one of the most accurate and easy to hit with, since the pistol has no recoil. I have killed many horses with it, cripples and bear baits, with a single shot, and what will kill a horse will kill a man. I have hit six dueling silhouettes in the head with it at regulation distance in five seconds. It was this type of pistol that Millen boys’ colleague, Abe Faber, did all his killings with. Yet this same pistol bullet fired at point blank range will not dent a grizzly’s skull, and to shoot a grizzly with a .22 caliber pistol would simply be one way of committing suicide
Ernest Hemingway (Hemingway on Hunting)
Listening to her banter with Armin was like standing between two ballet dancers in a gunfight. They circled each other elegantly, feinting, pirouetting, setting up the fatal shot, and Blythe was usually the one to fire it point-blank to Armin’s chest. He accepted his wounds with a gentleman’s grace, and the dance resumed.
Leah Raeder (Black Iris)
Entrepreneurs often mistake their business plan as a cookbook for execution, failing to recognize that it is only a collection of unproven assumptions. At its back, a revenue plan blessed by an investor, and composed overwhelmingly of guesses, suddenly becomes an operating plan driving hiring, firing, and spending. Insanity.
Steve Blank (The Startup Owner's Manual: The Step-By-Step Guide for Building a Great Company)
Howard, instead of trying to explain the hermit's existence in terms of hearth fires and trappers' shacks, preferred the blank space the old man actually seemed to inhabit; he liked to think of some fold in the woods, some seam that only the hermit could sense and slip into, where the ice and snow, where the frozen forest itself, would accept him and he would no longer need fire or wool blankets, but instead flourish wreathed in snow, spun in frost, with limbs like cold wood and blood like frigid sap.
Paul Harding
his page still remained to be filled between the gold lion on the crimson shield on top and the blank white shield at the bottom. Ser Gerold Hightower had begun his history, and Ser Barristan Selmy had continued it, but the rest Jaime Lannister would need to write for himself. He could write whatever he chose, henceforth. Whatever he chose . . .
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
The Red Keep was full of cats: lazy old cats dozing in the sun, cold-eyed mousers twitching their tails, quick little kittens with claws like needles, ladies’ cats all combed and trusting, ragged shadows prowling the midden heaps. One by one Arya had chased them down and snatched them up and brought them proudly to Syrio Forel … all but this one, this one-eared black devil of a tomcat. “That’s the real king of this castle right there,” one of the gold cloaks had told her. “Older than sin and twice as mean. One time, the king was feasting the queen’s father, and that black bastard hopped up on the table and snatched a roast quail right out of Lord Tywin’s fingers. Robert laughed so hard he like to burst. You stay away from that one, child.” He had run her halfway across the castle; twice around the Tower of the Hand, across the inner bailey, through the stables, down the serpentine steps, past the small kitchen and the pig yard and the barracks of the gold cloaks, along the base of the river wall and up more steps and back and forth over Traitor’s Walk, and then down again and through a gate and around a well and in and out of strange buildings until Arya didn’t know where she was. Now at last she had him. High walls pressed close on either side, and ahead was a blank windowless mass of stone. Quiet as a shadow, she repeated, sliding forward, light as a feather. When she was three steps away from him, the tomcat bolted. Left, then right, he went; and right, then left, went Arya, cutting off his escape. He hissed again and tried to dart between her legs. Quick as a snake, she thought.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Five minutes ago I heard a sniper fire: Why did he do it?… Starlight overhead— Blank stars. I'm wide-awake; and some chap's dead.
Siegfried Sassoon (The War Poems of Siegfried Sassoon)
Prov’dence don’t fire no blank ca’tridges, boys.
Mark Twain (The Complete Works of Mark Twain: The Novels, Short Stories, Essays and Satires, Travel Writing, Non-Fiction, the Complete Letters, the Complete Speeches, and the Autobiography of Mark Twain)
walking densely through streets hanging on to self, I've tried to be a horde but I'm a blank star, billions of those on fire.
Alice Notley (Certain Magical Acts (Penguin Poets))
The match between Charlie and the other boy was over in ten seconds, but that was mainly due to the fact that the boy couldn’t stop gaping at Kat for long enough to stop Charlie from actually walking to within one block of him and firing the three arrows into his chestplate at point-blank range. Archie proceeded to slap his own face with his blocky hand at this.
Sean Fay Wolfe (Quest for Justice: An Unofficial Minecraft-Fan Adventure (The Elementia Chronicles, Book 1))
I’m not ready for this, I thought. Then somewhere, from the back of my mind, I remembered something the Spanish writer José Ortega y Gasset said: “We cannot put off living until we are ready…. Life is fired at us point-blank.
Johann Hari (Stolen Focus: Why You Can't Pay Attention - and How to Think Deeply Again)
Elise’s enthusiasm for the whiteboard was on the charming edge of creepy. She’d told me once it liked to be involved, which I’d carefully blanked in case she decided to share any more of the private thoughts of my office furniture.
Alexis Hall (Fire & Water (Kate Kane, Paranormal Investigator #3))
Now she sat in their dining hall, a book in her lap but unread while she stared blankly across the room.Bercelak’s kin kept themselves busy by sharpening weapons, reading, talking, or setting things on fire with small bursts of flame.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
We usually believe that the tamer is attacked by the lion and that the tamer stops his attack by raising his whip or firing a blank. Wrong: the lion was fed and sedated before it entered the cage and doesn't feel like attacking anybody. Like all animals, it has its own space; if you don't invade that space, the lion remains calm. When the tamer steps forward, invading it, the lion roars; the tamer then raises his whip, but also takes a step backward (as if in expectation of a charge), whereupon the lion calms down.
Umberto Eco (Foucault’s Pendulum)
When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
This universe an old enchantment guards; Its objects are carved cups of World-Delight Whose charmed wine is some deep soul’s rapture-drink: The All-Wonderful has packed heaven with his dreams, He has made blank ancient Space his marvel-house; He spilled his spirit into Matter’s signs: His fires of grandeur burn in the great sun, He glides through heaven shimmering in the moon; He is beauty carolling in the fields of sound; He chants the stanzas of the odes of Wind; He is silence watching in the stars at night; He wakes at dawn and calls from every bough, Lies stunned in the stone and dreams in flower and tree.
Sri Aurobindo (Inspiration from Savitri: Beauty)
if something happened and he wasn’t present, he didn’t care about it and barely recognized it. His response then was often just a blank stare. It also fed one theory of why hiring in the West Wing and throughout the executive branch was so slow—filling out the vast bureaucracy was out of his view and thus he couldn’t care less.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Bond knew it was over. This was it. But he also knew what he was going to do. Even as he had been speaking, he had been lowering himself imperceptibly, inch by inch, simply by bending his knees. The rain had helped him. It was driving into the Russian’s eyes. He hadn’t seen what Bond was doing. The Russian fired at point-blank range. He had been aiming directly at Bond’s chest.
Anthony Horowitz (Trigger Mortis)
She never gets closure, never gets to say good-bye—no periods, or exclamations, just a lifetime of ellipses. Everyone else starts over, they get a blank page, but hers are full of text. People talk about carrying torches for old flames, and it’s not a full fire, but Addie’s hands are full of candles. How is she supposed to set them down, or put them out? She has long run out of air.
V.E. Schwab
For the guard with the scar over her heart: I’ve been watching you. You’re not like the other guards — the bowing, scraping, mindlessly loyal lizards who live for your queen. You have your own thoughts, don’t you? You’re smarter than the average SandWing. And I think I know your secret. Let’s talk about it. Third cell down, the one with two NightWings in it. I’m the one who doesn’t snore. I HAVE NO INTEREST IN DISCUSSING ANYTHING WITH A NIGHTWING PRISONER. WHOSE IDEA WAS IT TO LET YOU HAVE PAPER AND INK? You should be interested. You’re going to need allies for what you’re planning … and when I get out of here, I’m going to be a very useful ally indeed. AMUSING ASSUMPTIONS. MY QUEEN BELIEVES YOU’RE GOING TO BE IN HERE FOR A LONG, LONG TIME. True … but she also believes she’s going to be queen for a long, long time … doesn’t she. An interesting silence after my last note. Perhaps it would reassure you to know I set your notes on fire as soon as I’ve read them. You can tell me anything, my new, venomous-tailed friend. Believe me, Night-Wings are exceptionally skilled at keeping secrets. WE ARE NOT FRIENDS. I DON’T KNOW ANYTHING ABOUT YOU, OTHER THAN WHAT IT SAYS IN YOUR PRISONER FILE. FIERCETEETH: TRAITOR. KIDNAPPER. RINGLEADER OF ASSASSINATION PLOT. TO BE HELD INDEFINITELY WITH FELLOW TRAITOR STRONGWINGS, ON BEHALF OF THE NIGHTWING QUEEN. OH, YES, CERTAINLY SOUNDS LIKE A DRAGON ANYONE CAN TRUST. She’s not my queen. You can’t be a traitor to someone who shouldn’t be ruling over you in the first place. Which might be a thought you’ve had lately yourself, isn’t it? I know some things about you, even without a file. Saguaro: Prison guard. Schemer. Connected to great secret plans. We’re not so different, you and I. Particularly when it comes to trustworthiness. Just think, if my alleged “assassination plot” had worked, the NightWings would have a different queen right now. Perhaps it would even be me. Well, if at first you don’t succeed … I could tell you my story, if you get me more paper to write on. Or you could stop by one midnight and listen to it instead. But I’ve noticed you don’t like spending too much time in the dungeon. Is it the tip-tap of little scorpion claws scrabbling everywhere? The stench rising from the holes in the floor? The gibbering mad SandWing a few cages down who never shuts up, all night long? (What is her story? Has she really been here since the rule of Queen Oasis?) Or is it that you can too easily picture yourself behind these bars … and you know how close you are to joining us? ALL RIGHT, NIGHTWING, HERE’S A BLANK SCROLL. GO AHEAD AND TRY TO CONVINCE ME THAT YOU’RE A DRAGON WHO EVEN DESERVES TO LIVE, LET ALONE ONE I SHOULD WASTE MY TIME ON. I DO ENJOY BEING AMUSED.
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
Is there a baby?” Her eyes went blank, as if he’d spoken the question in Apache. “A baby,” he repeated, “on the way. Is that why you hid out in my wagon? To trap me?” She gasped. Daniel heard the boys gasp, too, though he doubted they knew what he was really asking. She knew all right, because she unwound from the little ball she’d curled herself into and slapped him hard across the face. The boys all jumped, but they stayed under cover. Smart boys. She packed quite a wallop for a little thing. His face burned. His temper rose. Her chin began to quiver. The sparkle in her eyes blazed into fire. She pulled her hand back to paste him again. He caught her hand with a smart slap of flesh on flesh, surprised at how furious he was. He should have been sorry. He should have been begging her pardon for asking such a thing. But he wasn’t. And her anger might be over getting caught rather than being insulted. “Sorry, Mrs. Reeves, but that’s no answer.” The sting on his cheek came out in his voice. She jerked against his grip. He held fast. She raised her other hand—this one clenched in a fist—and he caught that, too. He leaned close. “You are well and truly trapped, Mrs. Reeves. Just like I am.
Mary Connealy (Calico Canyon (Lassoed in Texas, #2))
How great God is! He has given us eyes to see the beauty of the world, hands to touch it, a nose to experience all its fragrance and a heart to appreciate it all. But we don't realise how miraculous our senses are until we lose one. A Talib had fired 3 shots at point-blank range at 3 girls in a school bus - and none os us was killed. One person had tried to silence me. And millions spoke out. Those were miracles too.
Malala Yousafzai (I Am Malala: How One Girl Stood Up for Education and Changed the World (Young Readers Edition))
Is there a feeling as love at first sight ? and if there be, in what does its nature differ from love founded in long observation and slow growth? perhaps its effect are not permanent; but they are, while they last, as violent and intense. We walk the pathless mazes of society vacant of joy till we hold this clue, leading us though that labyrinth of paradise and our nature dim like to an enlightened touch sleeps in formless blank till the fire attain it
Mary Wollstonecraft Shelley
From the outset of the program to solve the Jewish question there had arisen certain psychological problems for the executioners. Once the classic method of the firing squad had been dismissed as inappropriate, it had been replaced by a single bullet in the back of the neck. The victim would kneel before a ditch that he himself had dug, the pistol would be fired, and he would fall into his grave. Simple and quick. This had been tried for a few months in some marshy fields outside Warsaw, but the SS soldiers who did the job began to complain of lack of sleep. “They had bad dreams,” Vogl said. “They truly suffered.” It was the necks. The muscular necks of the men—the slender white necks of the young women. The wrinkled necks of the old that reminded a man of his parents… the frail necks of children, even the fleshy little necks of babies. The memory of the necks began to haunt the executioners. The soldiers began to miss the targets at point-blank range. A bullet would plow into a shoulder, or slice off an ear, or even strike the earth. “Then
Clifford Irving (The Angel of Zin)
Good,” and Judge Robertson began to ramble on about the benefits and drawbacks of living with either parent. Penny’s attention wandered, she had stopped pretending the judge’s eyebrow’s had metamorphosis into butterflies and began to wonder if any adult actually read the books on these walls, and if she flipped through would she find blank pages after a while, or a joke page, just to surprise someone who actually sat through the book. That’s what she would do if she had to write something so awful, and who would want to check? -Child of Fire
Vanessa Wolf (Child of Fire: A Collection of Short Stories and Poetry)
You’ll get all dusty.” He made a sound deep in his throat. “You can brush me off.” She grinned wickedly. “Now that’s what I call incentive!” He chuckled. “Cut it out. We’ve got a serious and sensitive situation here.” “So you intimated on the phone.” She glanced around the airport. “Where’s baggage claim? I brought some tools and electronic equipment, too.” “How about clothes?” She stared at him blankly. “What do I need with a lot of clothes cluttering up my equipment case? These are wash-and-wear.” He made another sound. “You can’t expect to go to a restaurant in that!” “Why not? And who’s taking me to any restaurant?” she demanded. “You never do.” He shrugged. “I’m going to do penance while we’re out here.” Her eyes sparkled. “Great! Your bed or mine?” He laughed in spite of himself. She was the only person in his life who’d ever been able to make him feel carefree, even briefly. She lit fires inside him, although he was careful not to let them show too much. “You never give up, do you?” “Someday you’ll weaken,” she assured him. “And I’m prepared. I have a week’s supply of Trojans in my fanny pack…” He managed to look shocked. “Cecily!” She shrugged. “Women have to think about these things. I’m twenty-three, you know.” She added, “You came into my life at a formative time and rescued me from something terrible. Can I help it if you make other potential lovers look like fried sea bass by comparison?” “I didn’t bring you out here to discuss your lack of lovers,” he pointed out. “And here I hoped you were offering yourself up as an educational experience,” she sighed. He glared down at her as they walked toward baggage claim. “Okay,” she said glumly. “I’ll give up, for now.
Diana Palmer (Paper Rose (Hutton & Co. #2))
The starting point of all achievement is DESIRE. Keep this constantly in mind. Weak desire brings weak results, just as a small fire makes a small amount of heat.” ― Napoleon Hill, Think and Grow Rich: The Landmark Bestseller Now Revised and Updated for the 21st Century 믿고 주문해주세요~저희는 제품판매를 고객님들과 신용과신뢰의 거래로 하고있습니다. 24시간 문의상담과 서울 경기지방은 퀵으로도 가능합니다 믿고 주문하시면 좋은인연으로 vip고객님으로 모시겠습니다. 원하시는제품있으시면 추천상으로 구입문의 도와드릴수있습니다 현재까지 많은단골분들 모시고있구요 단골분들 추천으로구입하시는분들에게는 저희가 사은품 넉넉히 챙겨드리고있습니다 Laugh, even when you feel too sick or too worn out or tired. Smile, even when you're trying not to cry and the tears are blurring your vision. Sing, even when people stare at you and tell you your voice is crappy. Trust, even when your heart begs you not to. Twirl, even when your mind makes no sense of what you see. Frolick, even when you are made fun of. Kiss, even when others are watching. Sleep, even when you're afraid of what the dreams might bring. Run, even when it feels like you can't run any more. And, always, remember, even when the memories pinch your heart. Because the pain of all your experience is what makes you the person you are now. And without your experience---you are an empty page, a blank notebook, a missing lyric. What makes you brave is your willingness to live through your terrible life and hold your head up high the next day. So don't live life in fear. Because you are stronger now, after all the crap has happened, than you ever were back before it started. ☆100%정품보장 ☆총알배송 ☆투명한 가격 ☆편한 상담 ☆끝내주는 서비스 ☆고객님 정보 보호 ☆깔끔한 거래 카톡【ACD5】텔레【KC98K】 ♥경영항목♥ 수면제,여성최음제,ghb센트립,여성흥분제,남성발기부전치유제,비아그라,시알리스,88정,99정,정력제,남성성기확대제,카마그라젤,비닉스,센돔,남성조루방지제,네노마정,등많은제품판매하고있습니다 The starting point of all achievement is DESIRE. Keep this constantly in mind. Weak desire brings weak results, just as a small fire makes a small amount of heat
Mary Stewart (The Hollow Hills (Arthurian Saga, #2))
It wasn’t until Clay felt the sand under his talons and heard the roaring of the dragons in the stands that he realized he hadn’t quite thought this plan through. He had no idea what his fighting skills would be like against an unknown dragon. His mind went blank as the SkyWing guards dropped a hissing IceWing onto the ground opposite him. Did he know anything about IceWings? The sun was high in the sky, and it was much warmer in the arena than up on their prison spires. Clay could see beads of silvery liquid dripping through the IceWing’s glacier-blue scales. Above them, Queen Scarlet smirked from her balcony, with Glory sleeping serenely beside her. The same SkyWing announcer from the day before strutted to the center of the arena and bellowed at the crowd. “After last month’s battle with Blaze’s army, our queen’s dungeons were stuffed with IceWing prisoners of war. Only nine have survived. After two wins, I give you — Fjord of the IceWings!” Fjord lashed his tail and snarled at Clay. “And in this corner, an unusual case — a MudWing, but not one of our allies. No, this dragonet was found hiding under our mountains, protected by the Talons of Peace. Is he one of the dragonets of destiny? Not if he loses this battle!” A murmur of laughter rippled around the seats, but in the closest faces Clay could see expressions of uneasiness and, he thought, concern. He spotted a large MudWing in one of the balconies, frowning down at him. Try to stop this, Clay thought at him, praying hard. Do something! I’m one of you! But the MudWing shifted his gaze away, as if he didn’t want to watch but couldn’t afford to leave. The SkyWing announcer went on. “If these prophesied dragonets are as wonderful and legendary as they’re supposed to be, this should be a showdown to remember. I hope you’re prepared to impress us, dragon of the mud. I present to you … Clay of the MudWings! Claws up, teeth ready! Fight!” Clay
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
It seems like it might go on for a while, so Tausolo takes a seat and looks around the sergeant's cubicle. There's not much to see, since the guy just arrived at the WTB, only a blank form tacked to a wall that looks like every other army form in the world. "Hurt Feelings Report," it is titled. "Whiner's name," it says under that. "Which ear were the words of hurtfulness spoken into?" it says under that. "Is there permanent feeling damage?" "Did you require a 'tissue' for tears?" "Has this resulted in a traumatic brain injury?" "Reason for filing this report," it says under that. "Mark all that apply." "I am a wimp." "I am a crybaby." "I want my mommy." "I was told that I am not a hero." "Narrative," it says under that. "Tell us in your own sissy words how your feelings were hurt." Finally at the bottom of the form: We, as the Army, take hurt feelings seriously. If you don't have someone who can give you a hug and make things all better, please let us know and we will promptly dispatch a "hugger" to you ASAP. In the event we are unable to find a "hugger" we will notify the fire department and request that they send fire personnel to your location. If you are in need of supplemental support, upon written request, we will make every reasonable effort to provide you with a "blankey," a "binky" and/or a bottle if you so desire.
David Finkel (Thank You for Your Service)
It was the first time that a grave had opened in my road of life, and the gap it made in the smooth ground was wonderful. The figure of my sister in her chair by the kitchen fire, haunted me night and day. That the place could possibly be without her, was something my mind seemed unable to compass; and whereas she had seldom or never been in my thoughts of late, I had now the strangest idea that she was coming towards me in the street, or that she would presently knock a the door. In my rooms too, with which she had never been at all associated, there was at once the blankness of death and a perpetual suggestion of the sound of her voice or the turn of her face or figure, as if she were still alive and had been often there.
Charles Dickens (Great Expectations)
I know that everyone in this room, Bernie Fain included, thinks I'm some kind of a nut with my so-called fixation on this vampire thing. OK, maybe I'm wrong. Maybe he only thinks he is. But there are things here that can't be explained away by so-called common sense. Not even Bernie's report can explain some of them. 'I was at the hospital yesterday.' I looked directly at Butcher. 'Your own people fired maybe fifty or sixty rounds at him, some at point-blank range. How come this man never even slowed down? How come a man seventy years old can outrun police cars for more than fifteen blocks? How come when he gets clubbed on the head he doesn't bleed like other people? Look at these photos! There's a gash on his forehead... and whatever is trickling down from the cut is clear... it isn't blood. 'How come three great, big, burly hospital orderlies weighing an estimated total of nearly seven-hundred fifty pounds couldn't bring one, skinny one-hundred sixty pound man to his knees? How come an ex-boxer, a light-heavyweight not long out of the ring, couldn't even faze him with his best punch, a right hook that should have broken his jaw? 'Face it. Whether it's science, witchcraft or black magic, this character has got something going for him you don't know anything about. He doesn't seem to feel pain. Or get winded. And he doesn't seem to be very frightened by guns, or discouraged by your efforts to trap him. 'Look at these photos! Look at that face! That isn't fear there. It's hate. Pure hate! This man is evil incarnate. He is insane and he may be something even worse although you'd laugh at me because I have no scientific documentation to back me up. Hell, even Regenhaus and Mokurji have all but confirmed that he sucks blood. 'Whatever he is, he's been around a long time and this seems to be the closest any police force has come to putting the finger on him. If you want to go on operating the way you've been doing by treating him like an ordinary man, go ahead. But, I'll bet you any amount of money you come up empty handed again. If you try to catch him at night he'll get away just like he did last night. He'll...' 'Jesus Christ!' bellowed Butcher. 'This son of a bitch has diarrhea of the mouth. Can't one of you people shut him up?
Jeff Rice (The Night Stalker)
Dryden was a highly prolific literary figure, a professional writer who was at the centre of all the greatest debates of his time: the end of the Commonwealth, the return of the monarch, the political and religious upheavals of the 1680s, and the specifically literary questions of neoclassicism opposed to more modern trends. He was Poet Laureate from 1668, but lost this position in 1688 on the overthrow of James II. Dryden had become Catholic in 1685, and his allegorical poem The Hind and the Panther (1687) discusses the complex issues of religion and politics in an attempt to reconcile bitterly opposed factions. This contains a well-known line which anticipates Wordsworth more than a century later: 'By education most have been misled … / And thus the child imposes on the man'. The poem shows an awareness of change as one grows older, and the impossibility of holding one view for a lifetime: My thoughtless youth was winged with vain desires, My manhood, long misled by wandering fires, Followed false lights… After 1688, Dryden returned to the theatre, which had given him many of his early successes in tragedy, tragi-comedy, and comedy, as well as with adaptations of Shakespeare. ...... Dryden was an innovator, leading the move from heroic couplets to blank verse in drama, and at the centre of the intellectual debates of the Augustan age. He experimented with verse forms throughout his writing life until Fables Ancient and Modern (1700), which brings together critical, translated, and original works, in a fitting conclusion to a varied career.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
THOUGHTS AND REALITY You’ve probably heard of Plato’s allegory of the cave. It’s a story narrated by Socrates in Plato’s Republic, a long work published in Greece almost 2,500 years ago. In the story, prisoners in a cave are chained up in such a way that they have nothing to look at but the cave’s blank wall. But a fire is burning behind them, and when other people hold objects up in front of the fire, the shadows of those objects are projected onto the wall, where the prisoners can see them. The prisoners’ contact with these shadows, and their own thoughts about the shadows, are all they know of reality. Eventually the prisoners are freed. Only then do they discover that the world is bigger, more complex, and much more nuanced than the flickering shadows they took for reality.
Tanya J. Peterson (Break Free: Acceptance and Commitment Therapy in 3 Steps: A Workbook for Overcoming Self-Doubt and Embracing Life)
I kept up well till I had partaken of some refreshment, warmed myself by a fire, and was fairly shut into my own room; but, as I sat down by the bed and rested my head and arms on the pillow, a terrible oppression overcame me. All at once my position rose on me like a ghost. Anomalous, desolate, almost blank of hope it stood. What was I doing here alone in great London? What should I do on the morrow? What prospects had I in life? What friends had I on, earth? Whence did I come? Whither should I go? What should I do? I wet the pillow, my arms, and my hair with rushing tears. A dark interval of bitter thought followed this burst; but I did not regret the step taken, nor wish to retract it. A strong, vague persuasion that it was better to go forward than backward, and that I could go forward - that a way, however narrow and difficult, would in time open - predominated over other feelings.
Charlotte Brontë (Villette)
Because of this place I’m a murderer,” he said. “Complicity,” he amended after a moment’s consideration. “Soon to be.” The last was a conclusive mutter. “Get to the funny part,” Libby suggested dryly. “Well, there’s a stain on me now, isn’t there? A mark. Would kill for…followed by a blank space.” Nico summoned the knife back to his palm, only of course it didn’t register that way. One moment the knife was cast aside, the next it was in his hand. “I wouldn’t have that if I hadn’t come here. And I wouldn’t have come here at all if it weren’t for you.” She wondered if he blamed her. He didn’t sound accusatory, but it was hard not to assume that he was. “You were going to do it regardless, remember?” “Yeah but only because they asked you.” He glanced down at the knife in his hand, turning it over to inspect the blade. “Inseverable,” he said, neither to himself nor her. “What?” “Inseverable,” he repeated, louder this time. He glanced at her, shrugging. “One of those if-then calculations, right? We met, so now we can’t detach. We’re just going to always play a weird game of…what’s the word? The thing, espejo, the game. The mirror game.” “Mirror game?” “Yeah, you do one thing, I do it too. Mirror.” Libby asked, “But who does it first?” “Doesn’t matter.” “Do you resent it?” He looked down at the knife, and then back up at her. “Apparently, I’d kill to protect it,” he said, “so yeah.” “We could stop,” she suggested. “Stop playing the game.” “Stop where? Stop here? No,” Nico said with a shake of his head, fingers tapping at his side. “This isn’t far enough.” “But what if it’s too far?” “It is,” he agreed. “Too far to stop.” “Paradox,” Libby observed aloud, and Nico’s mouth twisted with wry acknowledgement. “Isn’t it? The day you are not a fire,” he said, “is the day the earth will fall still for me.
Olivie Blake (The Atlas Six (The Atlas #1))
There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin. She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp. "Don't," she said weakly. His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?" Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened? "No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate." Gabriel looked blank for a moment. "Oh, that. That was a compliment." Pandora scowled. "It would only be a compliment if I had a beard and a peg leg." Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming." "Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong." "No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?" "Even when I plunder and pillage like a Viking?" she asked darkly. "Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling." "You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe. Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'" Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
This story is always yours for the telling. This has always been yours. You can expand to fill it all or take up the smallest corner. You can write in invisible ink. You can tell your story in red wine stains and spilled ink and bite marks. You can only write in pencil so it can always be erased. You can write in layers, and turn the page and write sideways. You can spin spiral and make your words dance. You can ink it on the surface of your skin or x-ray vision the story onto the blank canvas of your bones. You can write a novel and then let the whole thing dissolve in the waves. You can write the truth and bury it in the ground, throw it in the fire, fold it into paper airplanes and watch it fly, roll it into a note in a bottle and toss it in the ocean and let it find its own way home. Or, you share it with the whole fucking world. You can care and not care and care-not-care all at once. But you get to write. And you get to choose the story you tell. And there’s no freedom bigger or bolder or braver than that.
Jeanette LeBlanc
THE sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow, spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woollen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp reused it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue fingerprint of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.
Virginia Woolf (The Waves)
Next, we discussed the relationship between the tabula rasa (blank slate) and preconfigured brain models. In the empiricist outside-in model, the brain starts out as blank paper onto which new information is cumulatively written. Modification of brain circuits scales with the amount of newly learned knowledge by juxtaposition and superposition. A contrasting view is that the brain is a dictionary with preexisting internal dynamics and syntactical rules but filled with initially nonsense neuronal words. A large reservoir of unique neuronal patterns has the potential to acquire significance for the animal through exploratory action and represents a distinct event or situation. In this alternative model, the diversity of brain components, such as firing rates, synaptic connection strengths, and the magnitude of collective behavior of neurons, leads to wide distributions. The two tails of this distribution offer complementary advantages: the “good-enough” brain can generalize and act fast; the “precision” brain is slow but careful and offers needed details in many situations.
György Buzsáki (The Brain from Inside Out)
The Bad-Moon Girls appear on days when Dad doesn't know what he is thinking, or even if he is thinking. Those days can weigh less than air or more than an ocean. He has blank thoughts without feelings, followed by heavy feelings without thoughts. Time means nothing. A minute ticks by in the same rhythm as an entire day. He can look at one thing for an hour without moving. He can see me or Victor without knowing we are in the room, peering at us as if we are underwater, moving in warped slow motion. After the nothingness, he wades through a stagnant lake with the moon reflected in it, waiting for the daylight to rinse it away. He almost drowns while time ticks on. The sky is filled with black milk. No stars. Two days can pass before he surfaces. Dad's brain-switch, the focusing thing the rest of us switch on to make things look better, is a bit buggered. Those are his words, not mine. The Bad-Moon Girls whisper evil in Dad's ear, the sort of women who would set their own mother on fire if there were no other way to light their cigarettes. The trouble is, they can follow. Just as we were setting off to Clacton last autumn, they hunted him down.
Joanna Campbell (Tying Down the Lion)
That did it. Mackenzie was seething. Someone suggested that mercenaries be sent over to the Howard barn to forcibly haul Smith into the office. Setting that popular idea aside, the stewards fired the leg-weary Greenberg back to the barn again, bearing yet another message. “Seabiscuit will either be a positive starter tomorrow, or we will refuse his entry entirely.” A few minutes later, Greenberg dragged himself back to the offices with Smith’s counterdemand: No one was to show up at his barn asking to examine the horse. The stewards complied, and Greenberg stumbled back to the Howard barn. In late morning, the administrative office door swung open. The officials looked up, expecting to see Greenberg. It was Smith. The stewards sat blinking at him. “All right,” Smith said. “Take the ‘doubtful starter’ off the blank. Seabiscuit will run all right.” Back at the barn, resting his sore legs, Greenberg saw Smith laughing. “The madder they got, the better he liked it,” Greenberg remembered. “He just done that for bein’ onery.” On July 16 a record sixty thousand people pressed into Hollywood Park to see Seabiscuit try for the Gold Cup, while millions more crowded around radio sets to hear NBC’s national
Laura Hillenbrand (Seabiscuit: An American Legend)
God help us you full of talk of a city called Edinburgh and me in silence so very deep we were so very much in love. And the burns and sikes and streams though shallow were deep music to us. You trout-tickler, you flower-picker, climber in willow trees, me laughing below as best I could laugh, though you never thought it ugly. Indeed the word you used was the word beautiful, pinning cowslips behind my ears, you patting and running fingers through our beckwashed hair. Lying by the marigold beds bare toes entwined, then dancing under branches before the elms ever died. But our mutual hearts never did. Bar it is 7 and your raining rage must cease under my morning moon. In my dawn shawl looking dawndown upon you in your foot-striding fellhighhighupuptopheavyrainbeatingrainrain. We have always walked together so long. In the long grass we walked and walked forever so long so very language long and I could say so once you had the slate in my lap. My tongue blank - FOREVER, word we wrote on a slate, remember when you taught me? - only my hands and eyes moving now - two daughters we could have had - but I am looking kindly and lovingly on you 'Please do it' - cool your raging fire lovelorn heart - for me. And love me - forever.
Barry MacSweeney (Pearl in the Silver Morning)
5236 rue St. Urbain The baby girl was a quick learner, having synthesized a full range of traits of both of her parents, the charming and the devious. Of all the toddlers in the neighbourhood, she was the first to learn to read and also the first to tear out the pages. Within months she mastered the grilling of the steaks and soon thereafter presented reasons to not grill the steaks. She was the first to promote a new visceral style of physical comedy as a means of reinvigorate the social potential of satire, and the first to declare the movement over. She appreciated the qualities of movement and speed, but also understood the necessity of slowness and leisure. She quickly learned the importance of ladders. She invented games with numerous chess-boards, matches and glasses of unfinished wine. Her parents, being both responsible and duplicitous people, came up with a plan to protect themselves, their apartment and belongings, while also providing an environment to encourage the open development of their daughter's obvious talents. They scheduled time off work, put on their pajamas and let the routines of the apartment go. They put their most cherished books right at her eye-level and gave her a chrome lighter. They blended the contents of the fridge and poured it into bowls they left on the floor. They took to napping in the living room, waking only to wipe their noses on the picture books and look blankly at the costumed characters on the TV shows. They made a fuss for their daughter's attention and cried when she wandered off; they bit or punched each other when she out of the room, and accused the other when she came in, looking frustrated. They made a mess of their pants when she drank too much, and let her figure out the fire extinguisher when their cigarettes set the blankets smoldering. They made her laugh with cute songs and then put clothes pins on the cat's tail. Eventually things found their rhythm. More than once the three of them found their faces waxened with tears, unable to decide if they had been crying, laughing, or if it had all been a reflex, like drooling. They took turns in the bath. Parents and children--it is odd when you trigger instinctive behaviour in either of them--like survival, like nurture. It's alright to test their capabilities, but they can hurt themselves if they go too far. It can be helpful to imagine them all gorging on their favourite food until their bellies ache. Fall came and the family went to school together.
Lance Blomgren (Walkups)
It was dusk when Ian returned, and the house seemed unnaturally quiet. His uncle was sitting near the fire, watching him with an odd expression on his face that was half anger, half speculation. Against his will Ian glanced about the room, expecting to see Elizabeth’s shiny golden hair and entrancing face. When he didn’t, he put his gun back on the rack above the fireplace and casually asked, “Where is everyone?” “If you mean Jake,” the vicar said, angered yet more by the way Ian deliberately avoided asking about Elizabeth, “he took a bottle of ale with him to the stable and said he was planning to drink it until the last two days were washed from his memory.” “They’re back, then?” “Jake is back,” the vicar corrected as Ian walked over to the table and poured some Madeira into a glass. “The servingwomen will arrive in the morn. Elizabeth and Miss Throckmorton-Jones are gone, however.” Thinking Duncan meant they’d gone for a walk, Ian flicked a glance toward the front door. “Where have they gone at this hour?” “Back to England.” The glass in Ian’s hand froze halfway to his lips. “Why?” he snapped. “Because Miss Cameron’s uncle has accepted an offer for her hand.” The vicar watched in angry satisfaction as Ian tossed down half the contents of his glass as if he wanted to wash away the bitterness of the news. When he spoke his voice was laced with cold sarcasm. “Who’s the lucky bridegroom?” “Sir Francis Belhaven, I believe.” Ian’s lips twisted with excruciating distaste. “You don’t admire him, I gather?” Ian shrugged. “Belhaven is an old lecher whose sexual tastes reportedly run to the bizarre. He’s also three times her age.” “That’s a pity,” the vicar said, trying unsuccessfully to keep his voice blank as he leaned back in his chair and propped his long legs upon the footstool in front of him. “Because that beautiful, innocent child will have no choice but to wed that old…lecher. If she doesn’t, her uncle will withdraw his financial support, and she’ll lose that home she loves so much. He’s perfectly satisfied with Belhaven, since he possesses the prerequisites of title and wealth, which I gather are his only prerequisites. That lovely girl will have to wed that old man; she has no way to avoid it.” “That’s absurd,” Ian snapped, draining his glass. “Elizabeth Cameron was considered the biggest success of her season two years ago. It was pubic knowledge she’d had more than a dozen offers. If that’s all he cares about, he can choose from dozens of others.” Duncan’s voice was laced with uncharacteristic sarcasm. “That was before she encountered you at some party or other. Since then it’s been public knowledge that she’s used goods.” “What the hell is that supposed to mean?” “You tell me, Ian,” the vicar bit out. “I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“ “What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window.
Judith McNaught (Almost Heaven (Sequels, #3))
The sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woolen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp raised it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue finger-print of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.
Virginia Woolf (The Waves)
As Sam came to a panting stop, a jet of orange flame burst from a high window. Several dozen kids were standing, watching. A crowd that struck Sam as very strange, until he realized why it was strange: there were no adults, just kids. “Is anyone in there?” Astrid called out. No one answered. “It could spread,” Sam said. “There’s no 911,” someone pointed out. “If it spreads, it could burn down half the town.” “You see a fireman anywhere?” A helpless shrug. The day care shared a wall with the hardware store, and both were only a narrow alley away from the burning building. Sam figured they had time to get the kids out of the day care if they acted fast, but the hardware store was something they could not afford to lose. There had to be forty kids just standing there gawking. No one seemed about to start doing anything. “Great,” Sam said. He grabbed two kids he sort of knew. “You guys, go to the day care. Tell them to get the littles out of there.” The kids stared at him without moving. “Now. Go. Do it!” he said, and they took off running. Sam pointed at two other kids. “You and you. Go into the hardware store, get the longest hose you can find. Get a spray nozzle, too. I think there’s a spigot in that alley. Start spraying water on the side of the hardware store and up on the roof.” These two also stared blankly. “Dudes: Not tomorrow. Now. Now. Go! Quinn? You better go with them. We want to wet down the hardware—that’s where the wind will take the fire next.” Quinn hesitated. People were not getting this. How could they not see that they had to do something, not just stand around? Sam pushed to the front of the crowd and in a loud voice said, “Hey, listen up, this isn’t the Disney Channel. We can’t just watch this happen. There are no adults. There’s no fire department. We are the fire department.” Edilio was there. He said, “Sam’s right. What do you need, Sam? I’m with you.” “Okay. Quinn? The hoses from the hardware store. Edilio? Let’s get the big hoses from the fire station, hook ’em up to the hydrant.” “They’ll be heavy. I’ll need some strong guys.” “You, you, you, you.” Sam grabbed each person’s shoulder, shaking each one, pushing them into motion. “Come on. You. You. Let’s go!
Michael Grant
You see, Lady Celia?" he said in his harsh rasp. "A man can do anything he wants if he has a woman alone." Her pleasure died instantly. Had this just been about teaching her a lesson? Anger roared up in her. How dare he? Remembering the pistol, she shoved it up under his chin and cocked the hammer. "And if he does, the woman has a right to defend herself. Don't you agree?" The surprise on his face was immensely gratifying, but it didn't last long. Eyes narrowing, he leaned closer to hiss, "Go ahead then. Fire." She swallowed. Though there was no ball, the powder alone would do serious damage. She could never... While she hesitated, he removed the pistol from her numb fingers. His glittering gaze bore into her. "Never brandish a gun unless you're prepared to use it." She crossed her arms over her chest, feeling suddenly exposed. "Most men would be cowed by the very sight of a pistol," she muttered. "I wasn't." "You're not most men," she said tightly. He acknowledged that with a curt nod. Then he walked over to one of the pots, aimed down at the dirt, and fired. When the smoke cleared from the muzzle flash, he noted the lack of a hole in the dirt and faced her. "Powder." He glared at her. "Did it occur to you that unless you fired at point-blank range, you might merely anger the man you're aiming for?" "I only need it for men who get close to me," she bit out. "All the same, the next time you need to protect yourself, forget the pistol and bring your knee up between the man's legs as hard as you can. It'll make your point just as effectively and give you plenty of time to escape." Color flooded her cheeks. Since she had brothers, she knew what he meant, but it wasn't something she would ever have thought to do. A pity, for it would have served her well with Ned. "Why are you telling me this?" "I want you to know how to defend yourself if someone's taking liberties." "Even if the someone is you?" A strange light glinted in his eyes as he pocketed her pistol. "Especially if it's me." What did he mean by that? "Mr. Pinter, about our kiss..." "I was making a point," he said tersely. "Nothing more. Complain to your brothers about it and get me dismissed if you must, but don't worry-regardless of what you do, it won't happen again.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
He finds a basket and lays fish inside it. Charcoal is in a wooden bucket. Enrique lifts it, basket in his other hand, and moves through shadow toward daylight. A presence makes him turn his head. He sees no one, yet someone is there. He sets down fish and charcoal. Straightening up, Enrique slips his Bowie knife clear of its sheath. He listens, tries to sense the man’s place. This intruder lies low. Is concealed. Behind those barrels? In that corner, crouched down? Enrique shuts his eyes, holds his breath a moment and exhales, his breath’s movement the only sound, trying to feel on his skin some heat from another body. Where? Enrique sends his mind among barrels and sacks, under shelves, behind posts and dangling utensils. It finds no one. He is hiding. Wants not to be found. Is afraid. If he lies under a tarpaulin, he cannot see. To shoot blind would be foolish: likely to miss, certain to alert the others. Enrique steps around barrels, his boots silent on packed sand. Tarps lie parallel in ten-foot lengths, their wheaten hue making them visible in the shadowed space. They are dry and hold dust. All but one lies flat. There. Enrique imagines how it will be. To strike through the tarp risks confusion. Its heavy canvas can deflect his blade. But his opponent will have difficulty using his weapon. He might fire point-blank into Enrique’s weight above him, bearing down. To pull the tarpaulin clear is to lose his advantage; he will see the intruder who will see him. An El Norte mercenary with automatic rifle or handheld laser can cut a man in half. Knife in his teeth, its ivory handle smooth against lips and tongue, Enrique crouches low. Pushing hard with his legs, he dives onto the hidden shape. The man spins free as Enrique grasps, boots slipping on waxed canvas. His opponent feels slight, yet wiry strength defeats Enrique’s hold. He takes his knife in hand and rips a slit long enough to plunge an arm into his adversary’s shrouded panic. Enrique thrusts the blade’s point where he believes a throat must be. Two strong hands clamp his arm and twist against each other rapidly and hard. Pain flares across his skin. Enrique wrests his arm free and his knife flies from his grasp and disappears behind him. He clenches-up and, pivoting on his other hand, turns hard into a blind punch that smashes the hidden face. The dust of their struggle rasps in Enrique’s throat. His intended killer sucks in a hard breath and Enrique hits him again, then again, each time turning his shoulder into the blow. The man coughs out, “Do not kill me.” Enrique knows this voice. It is Omar the Turk. [pp. 60-61]
John Lauricella (2094)
Ah, God! what trances of torments does that man endure who is consumed with one unachieved revengeful desire. He sleeps with clenched hands; and wakes with his own bloody nails in his palms. Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his life-spot became insufferable anguish; and when, as was sometimes the case, these spiritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beckoned him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire. Yet these, perhaps, instead of being the unsuppressable symptoms of some latent weakness, or fright at his own resolve, were but the plainest tokens of its intensity. For, at such times, crazy Ahab, the scheming, unappeasedly steadfast hunter of the White Whale; this Ahab that had gone to his hammock, was not the agent that so caused him to burst from it in horror again. The latter was the eternal, living principle or soul in him; and in sleep, being for the time dissociated from the characterizing mind, which at other times employed it for its outer vehicle or agent, it spontaneously sought escape from the scorching contiguity of the frantic thing, of which, for the time, it was no longer an integral. But as the mind does not exist unless leagued with the soul, therefore it must have been that, in Ahab's case, yielding up all his thoughts and fancies to his one supreme purpose; that purpose, by its own sheer inveteracy of will, forced itself against gods and devils into a kind of self-assumed, independent being of its own. Nay, could grimly live and burn, while the common vitality to which it was conjoined, fled horror-stricken from the unbidden and unfathered birth. Therefore, the tormented spirit that glared out of bodily eyes, when what seemed Ahab rushed from his room, was for the time but a vacated thing, a formless somnambulistic being, a ray of living light, to be sure, but without an object to color, and therefore a blankness in itself. God help thee, old man, thy thoughts have created a creature in thee; and he whose intense thinking thus makes him a Prometheus; a vulture feeds upon that heart for ever; that vulture the very creature he creates.
Herman Melville (Moby-Dick or, The Whale)
Islam tells us that on the unappealable Day of Judgment, all who have perpetrated images of living things will reawaken with their works, and will be ordered to blow life into them, and they will fail, and they and their works will be cast into the fires of punishment. As a child, I knew that horror of the spectral duplication or multiplication of reality, but mine would come as I stood before large mirrors. As soon as it began to grow dark outside, the constant, infallible functioning of mirrors, the way they followed my every movement, their cosmic pantomime, would seem eerie to me. One of my insistent pleas to God and my guardian angel was that I not dream of mirrors; I recall clearly that I would keep one eye on them uneasily. I feared sometimes that they would begin to veer off from reality; other times, that I would see my face in them disfigured by strange misfortunes. I have learned that this horror is monstrously abroad in the world again. The story is quite simple, and terribly unpleasant. In 1927, I met a grave young woman, first by telephone (because Julia began as a voice without a name or face) and then on a corner at nightfall. Her eyes were alarmingly large, her hair jet black and straight, her figure severe. She was the granddaughter and greatgranddaughter of Federalists, as I was the grandson and great-grandson of Unitarians,* but that ancient discord between our lineages was, for us, a bond, a fuller possession of our homeland. She lived with her family in a big run-down high-ceiling'd house, in the resentment and savorlessness of genteel poverty. In the afternoons— only very rarely at night—we would go out walking through her neighbor-hood, which was Balvanera.* We would stroll along beside the high blank wall of the railway yard; once we walked down Sarmien to all the way to the cleared grounds of the Parque Centenario.*Between us there was neither love itself nor the fiction of love; I sensed in her an intensity that was utterly unlike the intensity of eroticism, and I feared it. In order to forge an intimacy with women, one often tells them about true or apocryphal things that happened in one's youth; I must have told her at some point about my horror of mirrors, and so in 1928 I must have planted the hallucination that was to flower in 1931. Now I have just learned that she has gone insane, and that in her room all the mirrors are covered, because she sees my reflection in them— usurping her own—and she trembles and cannot speak, and says that I am magically following her, watching her, stalking her. What dreadful bondage, the bondage of my face—or one of my former faces. Its odious fate makes me odious as well, but I don't care anymore.
Jorge Luis Borges
I wrote almost every word of this book sitting in a coffee shop about two blocks from my home. Most weekdays I would walk in, find a spot near an electrical outlet, fire up my laptop, and then head to the counter to order my beverage. I am a person of routines when it comes to food and drink, so every day for about 6 months I placed the same order: medium green tea. The coffee shop had its routines as well, which meant that most of the time I was placing my order with the same young woman. Yet in spite of the fact that she saw my smiling face 3 or 4 days a week making the same order, she always looked up at me expectantly when I arrived, as if I had not requested the same thing a hundred times before. She would even ask me the same two questions about my tea order every time: “Hot or cold?” “Honey or lemon?” Hot and No. Every time. As the weeks and months of this stretched on, it became a mild source of amusement to me to see if she would ever remember my order. She never did. Until, that is, I walked in one day and felt a little mischievous. “Can I help you?” she said. “Can you guess?” I replied. She looked up as if seeing me for the first time, and she smiled sheepishly. “Oh gosh,” she said. “Why am I blanking?” “It's OK,” I said. “No problem. Medium green tea. Hot, nothing in it.” The next time I showed up at the coffee shop was a couple of days later. I walked in, found my spot, fired up the laptop, and approached my forgetful friend at the counter. To my astonishment, she pointed at me with a smile and said: “Medium green tea, hot, no honey or lemon?” This little story illustrates perfectly a learning phenomenon called the retrieval effect (and sometimes also called the testing effect). Put as simply as possible, the retrieval effect means that if you want to retrieve knowledge from your memory, you have to practice retrieving knowledge from your memory. The more times that you practice remembering something, the more capable you become of remembering that thing in the future. Every time I walked into that coffee shop and told the barista my order, she was receiving the information afresh from me; she did not have to draw it from her memory. She was doing the student equivalent of staring at her notes over and over again—a practice that cognitive psychologists will tell you is just about the most ineffective study strategy students can undertake. When I made one very small change to our interaction by “testing” her to remember my order—even though she didn't get it right—she had to practice, for the first time, drawing that piece of information from her memory. And because it was such a simple piece of information, one practice was enough to help her remember it for the next time.
James M. Lang (Small Teaching: Everyday Lessons from the Science of Learning)
Dr. Hobson (with Dr. Robert McCarley) made history by proposing the first serious challenge to Freud’s theory of dreams, called the “activation synthesis theory.” In 1977, they proposed the idea that dreams originate from random neural firings in the brain stem, which travel up to the cortex, which then tries to make sense of these random signals. The key to dreams lies in nodes found in the brain stem, the oldest part of the brain, which squirts out special chemicals, called adrenergics, that keep us alert. As we go to sleep, the brain stem activates another system, the cholinergic, which emits chemicals that put us in a dream state. As we dream, cholinergic neurons in the brain stem begin to fire, setting off erratic pulses of electrical energy called PGO (pontine-geniculate-occipital) waves. These waves travel up the brain stem into the visual cortex, stimulating it to create dreams. Cells in the visual cortex begin to resonate hundreds of times per second in an irregular fashion, which is perhaps responsible for the sometimes incoherent nature of dreams. This system also emits chemicals that decouple parts of the brain involved with reason and logic. The lack of checks coming from the prefrontal and orbitofrontal cortices, along with the brain becoming extremely sensitive to stray thoughts, may account for the bizarre, erratic nature of dreams. Studies have shown that it is possible to enter the cholinergic state without sleep. Dr. Edgar Garcia-Rill of the University of Arkansas claims that meditation, worrying, or being placed in an isolation tank can induce this cholinergic state. Pilots and drivers facing the monotony of a blank windshield for many hours may also enter this state. In his research, he has found that schizophrenics have an unusually large number of cholinergic neurons in their brain stem, which may explain some of their hallucinations. To make his studies more efficient, Dr. Allan Hobson had his subjects put on a special nightcap that can automatically record data during a dream. One sensor connected to the nightcap registers the movements of a person’s head (because head movements usually occur when dreams end). Another sensor measures movements of the eyelids (because REM sleep causes eyelids to move). When his subjects wake up, they immediately record what they dreamed about, and the information from the nightcap is fed into a computer. In this way, Dr. Hobson has accumulated a vast amount of information about dreams. So what is the meaning of dreams? I asked him. He dismisses what he calls the “mystique of fortune-cookie dream interpretation.” He does not see any hidden message from the cosmos in dreams. Instead, he believes that after the PGO waves surge from the brain stem into the cortical areas, the cortex is trying to make sense of these erratic signals and winds up creating a narrative out of them: a dream.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
When Oliver called time a few moments later, she’d beaten them all. But she’d beaten Mr. Pinter by only one bird. “It appears, Lady Celia, that you’ve won a new rifle,” the duke said graciously. “No,” she answered. They all stared at her. “It doesn’t seem sporting to win a challenge only because one of my opponents had a faulty firearm. Which we provided to him, by the way.” “Don’t worry,” Mr. Pinter drawled. “I won’t hold the fault firearm against you and your brothers.” “That’s not the point. This should be fair, and it isn’t.” “Then we’ll move forward,” Oliver said, “and let the servants flush the grouse again. Pinter can take one more shot. That’s probably all that the misfire delayed him by. If he misses, then you’ve won squarely. If he hits his target then it’s a tie, and we’ll decide a tie breaker.” “That seems fair.” She glanced over at Mr. Pinter. “What do you say, sir?” “Whatever my lady wishes.” His eyes met hers in a heated glance. She had the unsettling feeling that he referred to more than just the shooting. “Well, then,” she said lightly. “Let’s get on with it.” The beaters headed forward to flush the grouse, but either because of where the grouse had last settled or because of the beaters’ position, the birds rose farther away than was practical. “Damn it all,” Gabe uttered. “He won’t make a shot from here.” “You can ignore this one, and we’ll have them flushed again,” Celia said. But Mr. Pinter raised his gun to follow their flight. With a flash and the repugnant smell of black powder igniting, the gun fired and white smoke filled the air. She saw a bird fall. No, not one bird. He’d hit two birds with an impossible shot. Her breath lodged in her throat. She’d hit two with one shot a few times, due to how they clustered and how well the birdshot scattered, but to do it at such a distance… She glanced at him, astonished. No one had ever beaten her-and certainly not with such an amazing shot. Mr. Pinter gazed at her steadily as he handed off the gun to a servant. “It appears that I’ve won, my lady.” Her mouth went dry. “It does indeed.” Gabe hooted pleased at having escaped buying her a rifle. The duke and the viscount scowled, while Devonmont just looked amused as usual. All of that fell away as Mr. Pinter’s gaze dropped to her mouth. “Well done, Pinter,” Oliver said, clapping him on the shoulder. “You obviously more than earned a kiss.” For a moment, raw hunger flickered in his eyes. Then it was as if a veil descended over his face, for his features turned blank. He walked up to her, bent his head… And kissed her on the forehead. Hot color flooded her cheeks. How dared he kiss her last night as if she were a woman, and then treat her like a child in front of her suitors! Or worse, a woman beneath his notice! “Thank heavens that’s done,” she said loftily, trying to retain some dignity. The men all laughed-except Mr. Pinter, who watched her with a shuttered expression. As the other gentleman crowded round to congratulate him on his fine shot, she plotted. She would make him answer for every remark, every embarrassment of this day, as soon as she had the chance to get him alone. Because no man made a fool of her and got away with it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
This brings me to an objection to integrated information theory by the quantum physicist Scott Aaronson. His argument has given rise to an instructive online debate that accentuates the counterintuitive nature of some IIT's predictions. Aaronson estimates phi.max for networks called expander graphs, characterized by being both sparsely yet widely connected. Their integrated information will grow indefinitely as the number of elements in these reticulated lattices increases. This is true even of a regular grid of XOR logic gates. IIT predicts that such a structure will have high phi.max. This implies that two-dimensional arrays of logic gates, easy enough to build using silicon circuit technology, have intrinsic causal powers and will feel like something. This is baffling and defies commonsense intuition. Aaronson therefor concludes that any theory with such a bizarre conclusion must be wrong. Tononi counters with a three-pronged argument that doubles down and strengthens the theory's claim. Consider a blank featureless wall. From the extrinsic perspective, it is easily described as empty. Yet the intrinsic point of view of an observer perceiving the wall seethes with an immense number of relations. It has many, many locations and neighbourhood regions surrounding these. These are positioned relative to other points and regions - to the left or right, above or below. Some regions are nearby, while others are far away. There are triangular interactions, and so on. All such relations are immediately present: they do not have to be inferred. Collectively, they constitute an opulent experience, whether it is seen space, heard space, or felt space. All share s similar phenomenology. The extrinsic poverty of empty space hides vast intrinsic wealth. This abundance must be supported by a physical mechanism that determines this phenomenology through its intrinsic causal powers. Enter the grid, such a network of million integrate-or-fire or logic units arrayed on a 1,000 by 1,000 lattice, somewhat comparable to the output of an eye. Each grid elements specifies which of its neighbours were likely ON in the immediate past and which ones will be ON in the immediate future. Collectively, that's one million first-order distinctions. But this is just the beginning, as any two nearby elements sharing inputs and outputs can specify a second-order distinction if their joint cause-effect repertoire cannot be reduced to that of the individual elements. In essence, such a second-order distinction links the probability of past and future states of the element's neighbours. By contrast, no second-order distinction is specified by elements without shared inputs and outputs, since their joint cause-effect repertoire is reducible to that of the individual elements. Potentially, there are a million times a million second-order distinctions. Similarly, subsets of three elements, as long as they share input and output, will specify third-order distinctions linking more of their neighbours together. And on and on. This quickly balloons to staggering numbers of irreducibly higher-order distinctions. The maximally irreducible cause-effect structure associated with such a grid is not so much representing space (for to whom is space presented again, for that is the meaning of re-presentation?) as creating experienced space from an intrinsic perspective.
Christof Koch (The Feeling of Life Itself: Why Consciousness Is Widespread but Can't Be Computed (Mit Press))
He concluded the speech with an irritated motion of his hands. Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment. Then his face went dark. "Evie," he said, his voice containing a bladelike ferocity that frightened her. "Did you think I was about to... Christ. Someone hit you. Someone hit you in the past---who the hell was it?" He reached for her suddenly---too suddenly---and she stumbled backward, coming up hard against the wall. Sebastian went very still. "Goddamn," he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. "I would never strike a woman. I would never harm you. You know that, don't you?" Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn't move or make a sound. She started as he approached her slowly. "It's all right," he murmured. "Let me come to you. It's all right. Easy." One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. "Who was it?" he asked. "M-my uncle," she managed to say. The motion of his hand on her back paused as he heard her stammer. "Maybrick?" he asked patiently. "No, th-the other one." "Stubbins." "Yes." Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian's hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne. "How often?" she heard him ask. "More than once?" "I... i-it's not important now." "How often, Evie?" Realizing that he was going to persist until she answered, Evie muttered, "Not t-terribly often, but... sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip." "Did he?" Sebastian was silent for a long moment, and then he spoke with chilling softness. "I'm going to tear him limb from limb." "I don't want that," Evie said earnestly. "I-I just want to be safe from him. From all of them." Sebastian drew his head back to look down into her flushed face. "You are safe," he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face with his palm. "Evie," he murmured. "I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard... but I wouldn't hurt you that way. You must believe that." The delicate nerves of her skin drank in sensations thirstily... his touch, the erotic waft of his breath against her lips. Evie was afraid to open her eyes, or to do anything that might interrupt the moment. "Yes," she managed to whisper. "Yes... I---" There was the sweet shock of a probing kiss against her lips... another... She opened to him with a slight gasp. His mouth was hot silk and tender fire, invading her with gently questing pressure. His fingertips traced over her face, tenderly adjusting the angle between them.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))