Fireworks Romantic Quotes

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Life isn't always about fireworks. Your fireworks will come, Sarah. And they'll fizzle out just as fast. Life's an experience, not a destination. All of us have the same destination, but not one of us has an identical experience. You'll find someone who will be there when the fireworks fizzle out and the sky turns black and love you just the same. That’s the one to hold onto.
Marilyn Grey (Bloom (Unspoken #5))
Sometimes a story just needs an ending, and I used to not be a creative enough person to think of an ending to a romantic story that isn’t a wedding or a death. This story didn’t end in fireworks, because the truth is, fireworks are something from my twenties. I could have made fireworks, but I chose to make a nuanced memory of a person who is neither a hero nor a villain in my life. All I had to do now was move on.
Mindy Kaling (Why Not Me?)
And though it has been in no way a romantic evening, she embraces me and this time emanates a warmth I’m not familiar with. I am so used to imagining everything happening the way it occurs in movies, visualizing things falling somehow into the shape of events on a screen, that I almost hear the swelling of an orchestra, can almost hallucinate the camera panning low around us, fireworks bursting in slow motion overhead, the seventy-millimeter image of her lips parting and the subsequent murmur of “I want you” in Dolby sound. But my embrace is frozen and I realize, at first distantly and they with greater clarity, that the havoc raging inside me is gradually subsiding and she is kissing me on the mouth and this jars me back into some kind of reality and I lightly push her away. She glances up at me fearfully. “Listen, I’ve got to go,” I say, checking my Rolex. “I don’t want to miss… Stupid Pet Tricks.
Bret Easton Ellis (American Psycho)
I’m not freaking out. I’m turned on. I’m thinking about sniffing your bed pillows like a weirdo, contemplating if it’d be better for you to bend me over the island or the couch, and my ovaries are basically exploding—pew, pew, pew—like fireworks because you’re so good with Chunky that I can imagine you as the one of those dads who’d play tea party with your daughter. And all of that is making me hot and nervous . . . and . . . and . . . I should stop talking now.
Lauren Landish (Drop Dead Gorgeous)
We form these elaborate fantasies of romantic partnerships, Romeos and Majnus who we’ll spend our days and nights with in a passion of rose petals and fireworks, while discounting our non-romantic relationships (if such distinctions can even be made), often more enduring and authentic. We discard them as soon as some man comes along, flashing his teeth and brandishing his penis. But it’s always the friends in the end, isn’t it, who remain to pick up the pieces when the men have gone, leaving destruction in their wake? Still, only the romantic partner is taken seriously. Friends and family will not gather, ever, to celebrate my partnership with Naima—there will be no anniversaries or acknowledgments, no congratulatory cards, no celebratory ceremonies. And yet, it is this slow burning love of female friendship that actually keeps the world turning.
Ayesha Manazir Siddiqi (The Centre)
But somehow something kind of went wrong on the way between the wanting and the saying. And then the doing seemed to go just as wrong as the saying. She always wanted to do things excitingly, romantically, like in a play. But you can't make things be exciting and romantic, can you?
Aldous Huxley (After the Fireworks: Three Novellas)
Sometimes a story just needs an ending, and I used to not be a creative enough person to think of an ending to a romantic story that isn’t a wedding or a death. This story didn’t end in fireworks, because the truth is, fireworks are something from my twenties. I could have made fireworks, but I chose to make a nuanced memory of a person who is neither a hero nor a villain in my life. All I had to do now was move on. In the words of both Mariah Carey and Taylor Swift, I knew I could shake it off. How could
Mindy Kaling (Why Not Me?)
I know it’s narcissistic to make my best friend’s new relationship about me, but it was only when I heard that Naima was thinking of moving that I realized I’d had a companion all this while in what I’d seen as a well of loneliness. And now she was distracted by this man she claimed to have manifested. And I was like, what about me? Why didn’t you feel like you’d manifested me when we met? We form these elaborate fantasies of romantic partnerships, Romeos and Majnus who we’ll spend our days and nights with in a passion of rose petals and fireworks, while discounting our non-romantic relationships (if such distinctions can even be made), often more enduring and authentic. We discard them as soon as some man comes along, flashing his teeth and brandishing his penis. But it’s always the friends in the end, isn’t it, who remain to pick up the pieces when the men have gone, leaving destruction in their wake? Still, only the romantic partner is taken seriously. Friends and family will not gather, ever, to celebrate my partnership with Naima—there will be no anniversaries or acknowledgments, no congratulatory cards, no celebratory ceremonies. And yet, it is this slow burning love of female friendship that actually keeps the world turning. Truth
Ayesha Manazir Siddiqi (The Centre)
Ronnie is in the living room now. He has satisfied his computer addiction and is shifting through channels. We have something like four hundred or so choices, but he rarely finds anything he thinks he’ll enjoy. It’s difficult to watch television with him because, like someone with attention deficit disorder, he’ll abruptly flip the channel to something else, calling what he started to watch ‘crap’ or ‘boring’. Between him and Kelly, the word ‘boring’ seems to characterize ninety percent of life. I think they expect to wake up and go to sleep to fireworks. They’re both always looking for distractions, action, excitement and noise. I know what they believe: stillness is dangerous. Silence encourages people to start getting philosophical which always leads to being maudlin and depressing. Ugh. Usually
Andrew Neiderman (Lost in His Eyes: Romantic suspense)