Fireworks And Pets Quotes

We've searched our database for all the quotes and captions related to Fireworks And Pets. Here they are! All 4 of them:

And though it has been in no way a romantic evening, she embraces me and this time emanates a warmth I’m not familiar with. I am so used to imagining everything happening the way it occurs in movies, visualizing things falling somehow into the shape of events on a screen, that I almost hear the swelling of an orchestra, can almost hallucinate the camera panning low around us, fireworks bursting in slow motion overhead, the seventy-millimeter image of her lips parting and the subsequent murmur of “I want you” in Dolby sound. But my embrace is frozen and I realize, at first distantly and they with greater clarity, that the havoc raging inside me is gradually subsiding and she is kissing me on the mouth and this jars me back into some kind of reality and I lightly push her away. She glances up at me fearfully. “Listen, I’ve got to go,” I say, checking my Rolex. “I don’t want to miss… Stupid Pet Tricks.
Bret Easton Ellis (American Psycho)
The Official Commission on Child Care, known to be a pet concern of the prime minister’s, had spawned fourteen subcommittees whose task was to make recommendations to the parent body. Their real function, it was said cynically, was to satisfy the disparate ideals of myriad interest groups—the sugar and fast-food lobbies; the garment, toy, formula milk, and firework manufacturers; the charities; the women’s organizations; the pedestrian-controlled crosswalk pressure group people—who pressed in on all sides.
Ian McEwan (The Child in Time)
The term stray refers to dogs and cats, animals traditionally viewed as pet animals, that are homeless and thus devoid of human companionship and protection. Stray animals are often perceived by individual residents as “pests” and by societal officials (specifically with respect to municipal and county animal control policies) as “nuisance animals/throwaways,” especially in the context of disease control (rabies, etc.). They are particularly vulnerable to the vagaries of existence on the street and are viewed by many people as being throwaway animals; millions of them are destroyed at animal shelters and animal control facilities in the United States each year. Four of the five violent subjects who reported acts of cruelty against stray animals reported frequent acts. Stray animals, genetically coded to bond and coexist with humans, may by necessity revert to feral (or wild) behavior, but they are not wild animals. As a result, they often seek the company of humans for food and shelter. The trust that they frequently display toward humans can be dangerous. Some of the most horrific reports of animal cruelty either committed or observed by the subjects in this study involved stray animals. These reports included exploding animals by inserting fireworks into the animal’s mouth or anus, using “Crazy Glue” to glue the paws of kittens and puppies to the middle of streets and then watching the animals be killed by passing cars, throwing stray animals to their death from rooftops, and setting animals on fire after drenching them in gasoline. Stray animals who are victims of cruelty can be analogized to the victims of serial killers, such as prostitutes and runaway juveniles; their deaths are often unseen and unknown by the average citizen until the remains are found.
Linda Merz-Perez (Animal Cruelty: Pathway to Violence Against People)
But on earth here in France, every sense was bathed in luxury, luxury of which she became more and more aware as she grew older. The palate was indulged with strawberries from Saumur and melons planted in the Loire by a Neapolitan gardener long ago, with trout pate, Tours pastries, and vin d’Annonville, with its delicate bouquet. The nostrils were pampered by the happy work of Catherine de Médicis’s Italian perfumers working with the flowers from the fields of Provence, producing heady fragrances to be worn on throats and wrists and to scent gloves and capes. Hyacinth, jasmine, lilac—all wafted through the rooms and from the bathwaters of the châteaux. The skin was caressed with unguents and the feel of silk, velvet, fur, leather gloves of softest deerskin; goosedown pillows cupped weary bodies at the day’s end; and in winter, newly installed Germanic tile stoves at Fontainebleau provided central heating. Eyes were continually presented with beauty in ordinary objects rendered more opulently pleasing: a crystal mirror decorated with velvet and silk ribbons; buttons with jewels affixed. There were fireworks reflected in the river; paintings by Leonardo; and black-and-white chequered marble paving in the long palace gallery over the Cher that spanned the rippling water outside. Pleasing sounds were everywhere: in the chirping of the pet canaries and more exotic birds in the garden aviaries; in the baying of the hounds in the matchless royal hunting packs; in the splash and gurgle of the fountains and elaborate water displays in the formal gardens. And above all that, the sound of melodious French, exquisitely spoken; witty conversations, and the poets of the court reciting verses composed to celebrate the aristocratic dreamworld they inhabited, with a haunting melancholy that it would all pass away.
Margaret George (Mary Queen of Scotland & The Isles)