“
Somewhere, across time and space, there's a version of me and a version of you, wearing matching rings, tangled up in front of a fireplace, together. I have to believe that's true.
In another life, it would have been us, but not in this one.
I can't have you in the way you deserve to be had.
Know how desperately I love you.
Know how sorry I am.
And know that I'm doing the best that I can.
”
”
Sasha Peyton Smith (The Rose Bargain (The Rose Bargain, #1))
“
“And in the process,” Morpheus says from beside the fireplace, “you’ll destroy some of her best qualities.”
Mom and Ivory glance at him, as if taken aback to hear those words coming from his lips.
He sits hard on the chaise lounge, wings draped over the back, then slouches with elbows on knees. The silvery flames flicker across his bejeweled face. “What of her whimsy and curiosity, her compassion and loyalty? Her imagination, her dreams. These are all part of her humanness.”
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
As I lie on my couch by the fireplace, looking out from my hillside home at the snow leading down to the ocean, with the right woman in my arms, a glass of Bordeaux beside me and a Puccini opera on the stereo system, knowing that I’ve earned the pleasure I feel, I’m so glad I didn’t let someone else decide what’s best for me.
”
”
Harry Browne (How I Found Freedom in an Unfree World: A Handbook for Personal Liberty)
“
There was toast, too, cooked beneath the grill as my father cooked it, with homemade blackberry jam. There was the best cup of tea I ever drunk. By the fireplace, the kitten lapped at a saucer of creamy milk, and purred so loudly I could hear it across the room.
I wished I could purr too, I would have purred then.
”
”
Neil Gaiman (The Ocean at the End of the Lane)
“
For a moment she was truly terrified. This was Abbadon the Cruel. The Angel of Destruction. He could and would destroy her if he had to. If he felt like it. He had destroyed worlds before. He had decimated Paradise in the name of the Morningstar.
She trembled in his grasp.
All his gentleness, all his kindness, all the bright shining gorgeousness of his love, he had always given to
someone else. He had adored Gabrielle, had worshiped her, had written her poems and sang her songs, and for Schuyler there were novels and love notes and sweet kisses and furtive tender meetings by a fireplace.
But for his twin, Azrael, he had shown nothing but his anger and violence. His strength and destruction.
He saved the best of himself for those who did not deserve it. Never showed his true face to those damnable Daughters of the Light.
For Azrael, there was only darkness and annihilation.
Rape and carnage.
War and pillage.
A tear escaped from her eye and glittered in the moonlight.
”
”
Melissa de la Cruz
“
On our first night in the house, we ripped up every square inch of the new green carpeting and dragged it to the curb. Where the carpet had been, we discovered a pristine oak plank floor that, as best as we could tell, had never suffered the scuff of a single shoe. We painstakingly sanded and varnished it to a high sheen. Then we went out and blew the better part of two week's pay for a handwoven Persian rug, which we unfurled in the living room in front of the fireplace. Over the months, we repainted every green surface and replaced every green accessory. The postal clerk's house was slowly becoming our own.
Once we got the joint just right, of course, it only made sense that we bring home a large, four-legged roommate with sharp toenails, large teeth, and exceedingly limited English-language skills to start tearing it apart again.
”
”
John Grogan (Marley and Me)
“
So, there was this beautiful princess.
She was locked in a high tower, one whose smart walls had cleaver holes in them that could give her anything: food, a clique of fantastic friends, wonderful clothes. And, best of all, there was this mirror on the wall, so that the princess could look at her beautiful self all day long.
The only problem with the tower was that there way no way out. The builders had forgotten to put in an elevator, or even a set of stairs. She was stuck up there.
One day, the princess realized that she was bored. The view from the tower--gentle hills, fields of white flowers, and a deep, dark forest--fascinated her. She started spending more time looking out the window than at her own reflection, as is often the case with troublesome girls.
And it was pretty clear that no prince was showing up, or at least that he was really late.
So the only thing was to jump.
The hole in the wall gave her a lovely parasol to catch her when she fell, and a wonderful new dress to wear in the fields and forest, and a brass key to make sure she could get back into the tower if she needed to. But the princess, laughing pridefully, tossed the key into the fireplace, convinced she would never need to return to the tower. Without another glance in the mirror, she strolled out onto the balcony and stepped off into midair.
The thing was, it was a long way down, a lot farther than the princess had expected, and the parasol turned out to be total crap. As she fell, the princess realized she should have asked for a bungee jacket or a parachute or something better than a parasol, you know?
She struck the ground hard, and lay there in a crumpled heap, smarting and confused, wondering how things had worked out this way. There was no prince around to pick her up, her new dress was ruined, and thanks to her pride, she had no way back into the tower.
And the worst thing was, there were no mirrors out there in the wild, so the princess was left wondering whether she in fact was still beautiful . . . or if the fall had changed the story completely.
”
”
Scott Westerfeld (Pretties (Uglies, #2))
“
When I had no books and had to learn everything I needed off by heart, and when I had to hide what books I had, I promised myself a library filled with the best editions I could afford. I have it now. Books bought out of books. A red room with deep chairs and a fireplace lit. Books of every kind, but no paperbacks, and certain shelves where First Editions are. This is not my study, where there are plenty of paperbacks, it is a contemplative island cut off from busyness, set outside of time.
”
”
Jeanette Winterson (Art Objects: Essays on Ecstasy and Effrontery)
“
There was the best cup of tea I have ever drunk. By the fireplace, the kitten lapped at a saucer of creamy milk, and purred so loudly I could hear it across the room. I wished I could purr too. I would have purred then.
”
”
Neil Gaiman (The Ocean at the End of the Lane)
“
My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries.
Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places.
Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.
”
”
Ernest Hemingway (A Moveable Feast: The Restored Edition)
“
In those days, long before, a view over the rooftops of Paris was an unaffordable luxury. The apartment he had shared with a mousy young writer from Laon had a view of the Jardin de Luxembourg – if he stuck his head out of the window as far as it would go and twisted it to the left, a smudge of green foliage appeared in the corner of one eye. That had been his best apartment to date. They had decorated it in the ‘Bohemian’ style of the 1830s : a few volumes of Shakespeare and Victor Hugo, a Phrygian cap, an Algerian hookah, a skull on a broomstick handle (from the brother of a friend, Charles Toubin, who was an intern at one of the big hospitals) and, of course, a window box of geraniums, which was not only pretty but also illegal. (Death by falling window box was always high up the official list of fatalities.) For a proper view of Paris, they visited Henry’s painter friends who lived in a warren of attic rooms near the Barriere d’Enfer and called themselves the Water-Drinkers. When the weather was fine and the smell of their own squalor became unbearable, they clambered onto the roof and sat on the gutters and ridges, sketching chimneyscapes, and sending up more smoke from their pipes than the fireplaces below.
Three of the Water-Drinkers had since died of various illnesses known collectively as ‘lack of money’. When the last of the three was buried, in the spring of 1844, Henry and the others had found themselves at the graveside without a sou to give a gravedigger. ‘Never mind’, said he, “you can pay me the next time, ‘ and then, to his collegue : ‘It’s all right – these gentlemen are a regular customers.
”
”
Graham Robb (Parisians: An Adventure History of Paris)
“
My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. It was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. These were fragrant, colorless alcohols served from cut-glass carafes in small glasses and whether they were quetsche, mirabelle or framboise they all tasted like the fruits they came from, converted into a controlled fire on your tongue that warmed you and loosened your tongue. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern Italian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places.
”
”
Ernest Hemingway (A Moveable Feast: The Restored Edition)
“
I sat up, woozy and blurry-eyed. I was lying in my old cot in the Me cabin. Sunlight streamed through the windows—morning light? Had I really slept that long? Snuggled up next to me, something warm and furry was growling and snuffling in my pillow. At first glance, I thought it might be a pit bull, though I was fairly sure I did not own a pit bull. Then it looked up, and I realized it was the disembodied head of a leopard. One nanosecond later, I was standing at the opposite end of the cabin, screaming. It was the closest I’d come to teleporting since I’d lost my godly powers. “Oh, you’re awake!” My son Will emerged from the bathroom in a billow of steam, his blond hair dripping wet and a towel around his waist. On his left pectoral was a stylized sun tattoo, which seemed unnecessary to me—as if he could be mistaken for anything but a child of the sun god. He froze when he registered the panic in my eyes. “What’s wrong?” GRR! said the leopard. “Seymour?” Will marched over to my cot and picked up the leopard head—which at some point in the distant past had been taxidermied and stuck on a plaque, then liberated from a garage sale by Dionysus and granted new life. Normally, as I recalled, Seymour resided over the fireplace mantel in the Big House, which did not explain why he had been chewing on my pillow. “What are you doing here?” Will demanded of the leopard. Then, to me: “I swear I did not put him in your bed.” “I did.” Dionysus materialized right next to me. My tortured lungs could not manage another scream, but I leaped back an additional few inches. Dionysus gave me his patented smirk. “I thought you might like some company. I always sleep better with a teddy leopard.” “Very kind.” I tried my best to kill him with eye daggers. “But I prefer to sleep alone.” “As you wish. Seymour, back to the Big House.” Dionysus snapped his fingers and the leopard head vanished from Will’s hands. “Well, then…
”
”
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
“
There once was a town.
It was a quaint little town, in a quiet valley, where life moved at the pace of snails and the only road in was the only way out, too. There was a candy store that sold the sweetest honey taffy you ever tasted, and a garden store that grew exotic, beautiful blooms year-round. The local café was named after a possum that tormented its owner for years, and the chef there made the best honey French toast in the Northeast. There was a bar where the bartender always knew your name, and always served your burgers slightly burnt, though the local hot sauce always disguised the taste. If you wanted to stay the weekend, you could check-in at the new bed-and-breakfast in town--- just as soon as its renovations were finished, and just a pleasant hike up Honeybee Trail was a waterfall there, rumor had it, if you made a wish underneath it, the wish would come true. There was a drugstore, a grocer, a jewelry store that was open only when Mercury was in of retrograde---
And, oh, there was a bookstore.
It was tucked into an unassuming corner of an old brick building fitted with a labyrinthine maze of shelves stocked with hundreds of books. In the back corner was a reading space with a fireplace, and chairs so cozy you could sink into them for hours while you read. The rafters were filled with glass chimes that, when the sunlight came in through the top windows, would send dapples of colors flooding across the stacks of books, painting them in rainbows. A family of starlings roosted in the eaves, and sang different songs every morning, in time with the tolls of the clock tower.
The town was quiet in that cozy, sleepy way that if you closed your eyes, you could almost hear the valley breathe as wind crept through it, between the buildings, and was sighed out again.
”
”
Ashley Poston (A Novel Love Story)
“
Once I closed my eyes, it was like magic. I got to live world’s best life.
Smiled at his smile. Wrote to him twenty times, and then knocked on wood when he replied.
I didn’t wanna jinx it, I kept my fingers crossed.
But secretly, I dreamt about our date at the coffee shop.
I wished for him to find me in traffic on his way,
Or maybe, on a stormy night of Valentine’s Day.
This was the city of sweet sorrow,
But when he walked in that jacket he borrowed,
I dreamt of getting a new apartment near subway.
Two blocks away from his favorite café.
Wrapped in his arms, warm and safe,
We’d sit across the fireplace, “I love you,” he’d say.
I believe in miracles. I crossed my heart. I prayed, I was the one.
It’s just so sweet when you’re blind in love.
I imagined dancing with him in rain.
Not rainbow, unicorns, fairytales, I dreamt about his blue jacket.
I was pretending he didn’t see me cry,
He already knew I was crazy for his smile.
Then he broke my heart one more time,
But I knocked on wood, because he replied.
I believe in miracles. I crossed my heart. I knew I wasn’t not the one.
But it’s still so sweet when you’re blind in love.
”
”
Snehil Niharika (That’ll Be Our Song)
“
I went into the dining-room, where four covered pots of soup stood on the table, and moved over to the bookshelves to the left of the fireplace. Here I kept two or three dozen works on architecture and sculpture, and a hundred or so plain texts of the standard English and French poets, stopping chronologically well short of our own day: Mallarmé and Lord de Tabley are my most modern versifiers. I have no novelists, finding theirs a puny and piffling art, one that, even at its best, can render truthfully no more than a few minor parts of the total world it pretends to take as its field of reference. A man has only to feel some emotion, any emotion, anything differentiated at all, and spend a minute speculating how this would be rendered in a novel—not just the average novel, but the work of a Stendhal or a Proust—to grasp the pitiful inadequacy of all prose fiction to the task it sets itself. By comparison, the humblest productions of the visual arts are triumphs of portrayal, both of the matter and of the spirit, while verse—lyric verse, at least—is equidistant from fiction and life, and is autonomous.
”
”
Kingsley Amis (The Green Man)
“
I scan the interior. Everyone’s quiet. As their eyes dart across the room, I recognize the fear, but they also look as though they’re waiting for something. Like they’re… curious. Then I spot the object of their curiosity. A red-haired fucking angel. That’s the only way I can describe the woman currently sitting in my fucking chair. The same chair that no one dares to occupy, because they know it’s reserved for me. It’s the best spot in the café. Right next to the fireplace with a view of the whole room. My steps falter. I’m completely captivated by her. Then I remember everyone’s still waiting on me, waiting to see what I’ll do with the girl bold enough to sit herself in my chair. She’s new. I’ve never seen her around here before. I’d remember if I had.
”
”
Kylie Kent (Devilish King (Valentino Empire, #1))
“
In the soft quiet of the days before Christmas, we find warmth not from a fireplace, but in the close embrace of loved ones. The true magic of the season lies in simple acts of kindness, shared laughter, and the heart's gentle whisper that the best gifts are not under the tree, but in the moments we create together!
”
”
Michail St Fountoulakis
“
The fireplace
The embers in the fireplace were dying slowly,
And their golden sheen that fell on her face was stealing her from me,
Because the embers that no longer shimmered resplendently,
Faded somewhere in the fireplace leaving her cold beside me,
Because a part of her had been imprisoned by these golden embers,
Her warm and loving heart was now in their custody,
So I let my cold heart lament their untimely slumbers,
The sleeping embers and in them a part of her sleeping too, leaving me behind to face this emotional fatality,
Where her cold part lies motionless beside me and beside the cold fireplace,
Only to awaken when the embers burn once again,
And her heart feels the renewed and a warmer pace,
Hopefully the embers do not die again then all this burning will be invain,
But burning is the fate of few, their only destiny,
So, I am sure when it is time the embers will shimmer in their golden fire,
Until that happens let me establish with her cold heart and her cold part, a warm fraternity,
And feel the warmth of my every unfulfilled desire,
In this hope I keep staring at the ash filled fireplace,
Where the embers have died, and where her warm part lies somewhere,
But whether it is cold or warm, her sensations with no other I wish to replace,
Because embers are meant to burn in the fireplace, else nowhere,
It is a new day and the sun has not risen yet,
But there is a pulse of golden waves forming across the fireplace,
And outside, the rain that lasted the entire night has left everything wet,
Except one place, my own space, I call the sacred fireplace,
Because that is where my emotions burn with flames of desires,
And now everything is covered in a warm and golden sheen,
While my heart tries to separate flames from burning fires,
I over her warm part in emotional relays lean!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
The fireplace
The embers in the fireplace were dying slowly,
And their golden sheen that fell on her face was stealing her from me,
Because the embers that no longer shimmered resplendently,
Faded somewhere in the fireplace leaving her cold beside me,
Because a part of her had escaped with these golden embers,
Her warm and loving heart was now in their custody,
So I let my cold heart participate in some organic vitriol to lament their untimely slumbers,
The sleeping embers and in them a part of her sleeping too, leaving me behind to face this emotional fatality,
Where her cold part lies motionless beside me and beside the cold fireplace,
Only to awaken when the embers burn once again,
And her heart feels the renewed and a warmer pace,
Hopefully the embers do not die again then all this burning will be invain,
But burning is the fate of few, their only destiny,
So, I am sure when it is time the embers will shimmer in their golden fire,
Until that happens let me establish with her cold heart and her cold part, a warm fraternity,
And feel the warmth of my every unfulfilled desire,
In this hope I keep staring at the ash gray fireplace,
Where the embers have died, and where her warm part lies somewhere,
But whether it is cold or warm, her sensations with no other I wish to replace,
Because embers are meant to burn in the fireplace and nowhere,
It is a new day and the sun has not risen yet,
But there is a pulse of golden waves forming across the fireplace,
And outside, the rain that lasted the entire night has left everything wet,
Except one place, my own space, I call the sacred fireplace,
Because that is where my emotions burn with flames of desires,
And now everything is covered in a warm and golden sheen,
While my heart tries to separate flames from burning fires,
I over her warm part in emotional relays lean!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
can with what you have. 4. Pick a night in the very near future to try this. We call this an intention, and once a date is set, your spirit guides will be 'on alert,' so to speak. A few guidelines before we start. It's important that you do not abuse this ceremony. It is meant for special occasions and not to be used 'regularly.' If you are tempted to try this every night, it will surely not work. Now, while it is best to do during a special occasion such as Christmas, anniversaries (such as weddings), dates of death, etc., you most certainly can do this at any other time. So, feel free to try this out in the next day or so. In fact, I encourage you to do so! I wouldn't do it tonight if you are reading this book for the first time. I'd suggest tomorrow night at the earliest. Here's the ceremony as I have done it many times. I like to have my candle, memento, and paper on my night stand. With that said, my mom would use the fireplace mantle and, once completed, go immediately to bed. Get yourself ready for bed. You want this ceremony to be the very last thing you do before you go to sleep.
”
”
Blair Robertson (Blair Robertson's Afterlife Box Set)
“
What made you come back?” Kitty jerked at his sudden question. She sputtered for a moment then laughed. “What made me come back? What do you mean?” He shrugged with one shoulder, never moving his gaze away from her. “At Eliza’s and Thomas’s wedding last year you were convinced that returning to Boston and living with your aunt was the best course to take. But it appears you have changed your mind. So, what made you come back?” “Is that why you followed me? To ask me that?” Her face burned, but she feigned composure and looked at him with as much ease as she could marshal. “Boston is too dangerous, you know that.” “’Tis true, I am well aware of what Boston and its residents suffer. But I cannot believe that was the only reason you returned.” Training her mouth to reveal nothing more than a slight grin, she strained to keep her pulse quiet. She stepped toward the fire, resting her hand atop the chair, acting more casual than she felt. “If there were any other reason, do you think that I would share such information with you? Surely, Nathaniel, I cannot share all my secrets.” “Secrets? Well, now I am curious.” Kitty rubbed the lace on her gloves and emitted a warm, genuine laugh that eased the strain in her voice. She offered an impish smile. “I came back for several reasons, if you must know. As I mentioned, ‘twas for matters of safety that Henry Donaldson insisted I return as well as—” “Donaldson?” Kitty peered over her shoulder, hiding the grin that surged at the undeniable question in Nathaniel’s eyes. Could he be... nay, not possible. She kept her focus. “Aye, Henry Donaldson. You remember him, do you not?” “Aye, of course. I just... I just hadn’t known he was still... around. He was always a good friend and I admire him, despite his poor choice of allegiances.” Nathaniel’s interested expression stayed lifted, but the light in his eyes went flat. “Are you... have you been seeing much of him of late?” “I have,” she said. “He’s a close friend and I admire him very much.” Nathaniel’s expression didn’t change, but his Adam’s apple bobbed and he cleared his throat. “I see.” She once again toyed with the fabric of her gloves, unsure what else to do with her hands. Quickly focusing on the subject of their conversation, she stared back into the fire. “Henry said it was too dangerous for me to stay despite my protestations. With Father gone and Eliza here—and since our home was destroyed that December… well, my home is here now.” The scent of smoke wafting from the fireplace in front of her snatched the horrid vision from its hiding place in her mind. Instantly she witnessed anew the roaring flames that devoured her treasured childhood home, taking with it all her cherished memories and replacing them with ash. She turned to Nathaniel, his face drawn as if he too relived the tragedy. The bond they’d shared that night had forged a friendship that could never be shaken. Nathaniel stepped forward, the look of tenderness so rich in his eyes it wound around her shoulders like a warm cloak. “I can well understand that, Kitty. Donaldson was right in advising you to return.” Then, as if the heaviness were too much, he shrugged and sighed with added gaiety to his tone. “Well, I will admit that Sandwich didn’t feel the same with you gone, that’s for certain.” She tipped her head with a smirk. “You pined for my return?” “With the pains of an anguished soul.” “Lying is a sin, Nathaniel,” she teased. Nathaniel laughed, his broad smile exposing his straight teeth. “All right, if you want the truth I pined more for your cooking, and more specifically for your carrot pudding. Are you satisfied?” “I knew it.
”
”
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
“
Prayer is conversation with God. ~ Shirley Tye What Is A Prayer Partner? “And pray in the Spirit on all occasions with all kinds of prayers and requests. With this in mind, be alert and always keep on praying for all the saints” (Ephesians 6:18). As a teenager, I read Dale Carnegie’s book, How To Win Friends and Influence People. His simple advice to win friends by becoming genuinely interested in them intrigued me. To show interest all you needed to do was to ask questions and listen to their responses. But for me, even better than being listened to is being prayed for. I am delighted to have formal prayer partners and to be a member of prayer groups. One such partner is JoAnn. We met briefly at a 3-day women’s conference. When we first arrived at this conference, the organizers took our photos. On the last day, we were given the picture of another woman – our prayer partner. I keep a picture of her beside my computer. She is posed in front of a stone fireplace with a shy smile. On the back of the photo, I have written her name and address with the names of her husband and two grown children. Although I have not talked to JoAnn in many years, I still pray for her and I am confident that she prays for me. I am also a member of a Christian writers’ group, The Word Guild. I have joined a smaller team within this group, aptly called the Prayer Team. Members of the Guild submit their prayer requests via email, and we pray for these people. On top of that, the organizer picks four specific members to pray for each week. Many of these people I may never meet and may know nothing more than their names. But I pray for them regularly and I am confident that they pray for me. Lastly, at my church, a program called Secret Sisters has been introduced. I filled out an information form, including my favourite scripture verse, and submitted it to the organizer. In return, I received the name of a church “sister” to pray for over the next year. At the end of the year, we will reveal ourselves to our secret sisters. I pray for my sister regularly and am confident that she prays for me. I hold these partners in high esteem and count them as some of my best friends. There is power in prayer. If you are not already praying for someone specific, I challenge you to seek out a partner. Prayer is talking to Him and listening to Him, too. Sweet communion! ~ Pat Gerbrandt
”
”
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
“
Erica didn’t say anything in response. She just gave Cyrus a stare so cold it seemed to lower the temperature around us. Right at this moment, Alexander Hale returned. He barged through the door, whistling happily, and completely failed to pick up on the tension in the room. “Great news!” he cried, holding up a grocery bag. “I got everything we need to make s’mores!” Cyrus squinted at him crankily. “Now, where the heck do you expect to do that?” “The fireplace in the lobby,” Alexander suggested. “The fire in the lobby’s a fake,” Cyrus informed him. “Boy, your observation skills stink on ice.” “That’s right,” Erica told Cyrus tartly. “Everyone in this family’s a lousy spy except you. And no matter how hard we try, we’ll apparently never be good enough.” With that, she stormed out of the room and slammed the door behind her. A cheap framed ski poster fell off the wall and busted on the floor. Cyrus rolled his eyes and muttered, “Teenagers.” Alexander glared at him, still smarting from his insult. “See if I ever buy you campfire treats again,” he said, and then stormed out himself. Somehow, with them gone, there was even more tension in the room. Cyrus was prickly on his best days, but now he seemed ready to blow. I edged toward the door, desperate to get out of there, hoping he might simply ignore me and let me go. He didn’t. His angry gaze now fell on me. “I should probably be going too,” I said as cheerfully as I could. “I’ve got a big day tomorrow with the mission and all, so I want to turn in early and get a good night’s sleep. . . .” “Do you have the hots for Jessica Shang?” Cyrus asked accusingly. “No!” I lied, selling it as hard as I could. “I don’t even think she’s that attractive. In fact, to be totally honest, she’s kind of ugly. I actually feel sorry for her. . . .” Cyrus didn’t buy this for a moment.
”
”
Stuart Gibbs (Spy Ski School (Spy School, #4))
“
Sacré, Belle!" Marguerite had exclaimed upon entering, and though the grandeur of the room had never dulled for Belle, it was a treat to see it through Marguerite's eyes, and only made Belle more certain that opening it to the public was the right decision.
"I know. It's magnificent, isn't it?" Belle replied dreamily.
Marguerite ran her hands along the gilded banisters encircling the spiral staircase. "I've never seen so many books in all my life." She turned back to Belle and gave her a wry grin. "Is it true that your husband simply gave it to you during your courtship?"
A blush crept up her neck. She had thought of her time in the castle as many things, but a courtship was never one of them. "Something like that," she admitted. She wondered if she would ever feel close enough to Marguerite to tell her the truth.
Marguerite let out an appraising whistle. "No wonder you married him."
Belle blushed as she pulled her through the stacks, pointing out favorite books along the way. She ushered Marguerite to her favorite chaise nestled in her favorite alcove.
"This spot is best for a gloomy afternoon," Belle told her, pointing to a red velvet settee next to a small fireplace, framed by a window almost as tall as the room itself. "The patter of raindrops on the glass mixed with the warmth of the fire..."
"It must be heavenly," said Marguerite.
"It is."
Marguerite spun back around, head tilted to the ceiling, before collapsing in a heap on the plush carpet and motioning for Belle to join her on the floor. Belle acquiesced, lying down beside her friend and noting the view was even more remarkable from that new vantage.
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Emma Theriault (Rebel Rose (The Queen's Council, #1))
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Hjordis’s house in Oslo is filled in the afternoons with sunlight. In the evenings and during winter she burns a score of candles to soften and lift the dark that flattens even the best artificial light. Her living room feels alive; it seems to dance. By contrast, the Carpenters’ front room, with its thick brown curtains, umber wool rug, and heavy furniture, felt stiff and formal, but Hjordis would have understood immediately the ritual aspects of the gathering; to the right of the fireplace, Jud sat in a wingbacked chair turned slightly to face the upholstered sofa, where I sat in a carefully nonconfrontational pose, briefcase tucked out of sight. Adeline’s chair faced Jud’s across the fire, turned to give him all her support.
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Nicola Griffith (Stay (Aud Torvingen #2))
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With an impatient gesture, he flung away a little from the fireplace. “If you don’t stop ‘my lording’ me, woman, I will not be answerable for the consequences. We have surely moved too far for that.” Too far toward what? But Ottilia did not say it. She could feel her heart beating unnaturally fast. She strove for calm. “Very well, if you desire it. In private at least, I will address you by name, but you must excuse me if I keep to formality in the presence of others.” His dark gaze was upon her, its expression unfathomable. “Afraid of scandal, Tillie?” Ottilia’s breath stuck in her throat. Would there might be cause! She essayed a nonchalance she was far from feeling. “It would scarcely be seemly, as your mother’s companion, to be seen to be upon terms of — of —” The word would not leave her tongue. Lord Francis supplied it. “Intimacy?” She let out a faint gasp. “I was going to say ‘friendship’.” “Were you indeed?” Ottilia felt her breathing to be quite as shallow as that of the dowager so recently. She controlled its passage as best she could, and firmly brought the subject to an end. “We are wandering from the point.” For a moment he did not answer. Then he withdrew his gaze from hers and threw himself down into the chair opposite.
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Elizabeth Bailey (The Gilded Shroud (Lady Fan Mystery, #1))
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This novel is best enjoyed on a quiet night with a fireplace, a beloved pet, and a cup of tea.)
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Rebecca Thorne (A Pirate's Life for Tea (Tomes & Tea #2))
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In late March 1962, JFK personally asked Marilyn Monroe to appear at his birthday gala. Both were attending an event—and were overnight guests—at singer and actor Bing Crosby’s home at 70375 Calico Road, near Palm Springs, California, in the appropriately named Rancho Mirage area. According to rumor (no one knows for sure), the president and the movie star ensconced themselves in the two-bedroom attached casita, complete with its own fireplace, kitchen, and—importantly—private entrance.
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James L. Swanson (Second Best Thing: Marilyn, JFK, and a Night to Remember)
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I don’t take kindly to any of you shanty boys touching me,” she said. “So unless I give you permission, from now on, you’d best keep your hands off me.” With the last word, she lifted her boot and brought the heel down on Jimmy’s toes. She ground it hard. Like most of the other shanty boys, at the end of a day out in the snow, he’d taken off his wet boots and layers of damp wool socks to let them dry overnight before donning them again for the next day’s work. Jimmy cursed, but before he could move, she brought her boot down on his other foot with a smack that rivaled a gun crack. This time he howled. And with an angry curse, he shoved her hard, sending her sprawling forward. She flailed her arms in a futile effort to steady herself and instead found herself falling against Connell McCormick. His arms encircled her, but the momentum of her body caused him to lose his balance. He stumbled backward. “Whoa! Hold steady!” Her skirt and legs tangled with his, and they careened toward the rows of dirty damp socks hanging in front of the fireplace. The makeshift clotheslines caught them and for a moment slowed their tumble. But against their full weight, the ropes jerked loose from the nails holding them to the beams. In an instant, Lily found herself falling. She twisted and turned among the clotheslines but realized that her thrashing was only lassoing her against Connell. In the downward tumble, Connell slammed into a chair near the fireplace. Amidst the tangle of limbs and ropes, she was helpless to do anything but drop into his lap. With a thud, she landed against him. Several socks hung from his head and covered his face. Dirty socks covered her shoulders and head too. Their stale rotten stench swarmed around her. And for a moment she was conscious only of the fact that she was near to gagging from the odor. She tried to lift a hand to move the sock hanging over one of her eyes but found that her arms were pinned to her sides. She tilted her head and then blew sideways at the crusty, yellowed linen. But it wouldn’t budge. Again she shook her head—this time more emphatically. Still the offending article wouldn’t fall away. Through the wig of socks covering Connell’s head, she could see one of his eyes peeking at her, watching her antics. The corner of his lips twitched with the hint of a smile. She could only imagine what she looked like. If it was anything like him, she must look comical. As he cocked his head and blew at one of his socks, she couldn’t keep from smiling at the picture they both made, helplessly drenched in dirty socks, trying to remove them with nothing but their breath. “Welcome to Harrison.” His grin broke free. “You know how to make a girl feel right at home.” She wanted to laugh. But as he straightened himself in the chair, she became at once conscious of the fact that she was sitting directly in his lap and that the other men in the room were hooting and calling out over her intimate predicament. She scrambled to move off him. But the ropes had tangled them together, and her efforts only caused her to fall against him again. She was not normally a blushing woman, but the growing indecency of her situation was enough to chase away any humor she may have found in the situation and make a chaste woman like herself squirm with embarrassment. “I’d appreciate your help,” she said, struggling again to pull her arms free of the rope. “Or do all you oafs make a sport of manhandling women?” “All you oafs?” His grin widened. “Are you insinuating that I’m an oaf?” “What in the hairy hound is going on here?” She jumped at the boom of Oren’s voice and the slam of the door. The room turned quiet enough to hear the click-click of Oren pulling down the lever of his rifle. She glanced over her shoulder to the older man, to the fierceness of his drawn eyebrows and the deadly anger in his eyes as he took in her predicament.
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Jody Hedlund (Unending Devotion (Michigan Brides, #1))
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Remember how once, just once, you scored the best dope in the world? Remember how you smoked till your mouth and your throat were all sandpaper and your lungs thought you’d gone down on a fireplace? Remember how you put on your headphones—took three tries, didn’t it?—and cranked Dark Side of the Moon or “The Ride of the Valkyries” or whatever most got you off all the way up to eleven, man? Remember what it was like?
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Rich Horton (The Year's Best Science Fiction & Fantasy, 2014)
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The guys had already cleaned up. Or done the best they could with a quick wash and teeth brushing at Corey’s. There hadn’t been any spare toothbrushes, so I’d done mine with my finger and tried not to look in the mirror. One glance had told me that no amount of touch-ups was going to help. I needed a twenty-minute shower.
“And this clothing is getting burned,” I said as I raked a comb through my tangled hair.
“There’s a fireplace downstairs,” Corey said. “I’ll take it for you right now.”
I gave him a look. “Once I have something to wear.”
“Grab a shirt from Nic’s room,” Daniel said. “She won’t mind. It might be a little small but…”
“That’s fine,” Corey said with a grin. “I won’t mind either.
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Kelley Armstrong (The Calling (Darkness Rising, #2))
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What is it you want of me?” “Direct as always. I admire that. So different from the demon realm, with its endless scheming and intrigue.” “There’s plenty of that here too. I can’t stand it. So what do you want?” My tone was more sour than I’d intended, but he just smiled again and turned away. He stepped to the cold and unlit fireplace. I sure as hell wasn’t going to light a fire in the middle of summer in south Louisiana. He trailed a hand over the back of the armchair, then looked back at me. “I wish you to be mine,” he said. I stared at him, skin tingling as the memory of the last time he’d been in the basement rushed through me. Best sex ever—no doubt. And he wants me to be his …? He wants me? I tried to remain rational. He wanted me, but as what? Wife? Girlfriend? What the hell kind of relationship did one have with a demonic lord? And was that something I wanted? I took another couple of seconds to work some moisture back into my mouth. “Yours? Like, how? Marriage? Adoption? Lease with option to buy?
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Diana Rowland (Blood of the Demon (Kara Gillian, #2))
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Sanna measured the apple juice into a large glass beaker and added it to the carboy, swirling a cheery red- like Santa's suit. She wrote down the amount in her notebook and did the same with the next juice, this one a bold sapphire blue, which mixed with the red into a vivid purple. When it came to cider, colors and flavors blended together for her. She knew she had the right blend when it matched the color she had envisioned. It wasn't scientific- and it didn't happen with anything else Sanna tasted- but here, with her beloved trees, it worked. She carefully tracked the blends in her journal. The sun streamed through the window, lighting up the colors in the carboy like Christmas lights. She was close- one more juice should do it. She closed her eyes, calling to mind all the juices in the barn's cooler and their corresponding colors.
Every juice she tasted from their apples had a slightly different hue, differing among individual varieties, but even varying slightly from tree to tree. When she was twenty-four, she had stood at the tall kitchen counter tasting freshly pressed juices she had made for the first time with the press she had unearthed from the old barn. Her plan had originally been to sell them in the farm stand, but she wanted to pick the best. As she sipped each one, an unmistakable color came to mind- different for each juice- and she finally understood the watercolor apple portraits above the fireplace. They were proof she wasn't the only family member who could see the colors. After she explained it to her dad, he smiled.
"I thought you might have the gift."
"You knew about this?"
"It's family legend. My dad said Grandpa could taste colors in the apples, but no one in my lifetime has been able to, so I thought it might be myth. When you returned home after college- the way you were drawn to Idun's- I thought you might have it." He had put his hands on the side of her face. "This means something good, Sanna."
"Why didn't you say anything? Why didn't I know before?"
"Would you have believed me?"
"I've had apple juice from the Rundstroms a thousand times. Why can't I see that with theirs?"
"I think it has something to do with apples from our land. We're connected to it, and it to us."
Sanna had always appreciated the sanctuary of the orchard, and this revelation bonded Sanna like another root digging into the soil, finding nourishment. She'd never leave.
After a few years of making and selling apple juice, Sanna strolled through the Looms wondering how these older trees still produced apples, even though they couldn't sell them. They didn't make for good eating or baking- Einars called them spitters. Over the years, the family had stopped paying attention to the sprawling trees since no one would buy their fruit- customers only wanted attractive, sweet produce. Other than the art above the mantel, they had lost track of what varieties they had, but with a bit of research and a lot of comparing and contrasting to the watercolors and online photos, Sanna discovered they had a treasure trove of cider-making apples- Kingston Black, Ashton Bitter, Medaille d'Or, Foxwhelp, her favorite Rambo tree, and so many more. The first Lunds had brought these trees to make cider, but had to stop during Prohibition, packing away the equipment in the back of their barn for Sanna to find so many years later.
She spent years experimenting with small batches, understanding the colors, using their existing press and carboys to ferment. Then, last year, Einars surprised her with plans to rebuild the barn, complete with huge fermentation tanks and modern mills and presses. Sanna could use her talent and passion to help move their orchard into a new phase... or so they had hoped.
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That’s a good voice, I thought. One I wouldn’t mind hearing on a late-night phone call, long distance. One I’d never delete out of my voicemail just so I could go back and rehear it. But those weren’t things I was supposed to be thinking while I sat next to her on the carpet, sneaking as many secret looks as I could at the way the fireplace brought out the hidden auburn in her hair. I wasn’t supposed to be committing her favorite wine to memory, or remembering her siblings’ names, or spending my entire lunch break researching the best hiking trails in Colorado so I could save them in the notes on my phone, just in case.
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Gamache put his glass down. The condensation made his fingers slightly wet. Or was it the sweat that had suddenly appeared on his palms? The noises of the storm, the rain and hail pounding frantically on the window, the conversation and laughter inside the bistro receded. He leaned forward and spoke, his voice low. ‘Can you give me an example?’ ‘There are three couplings,’ said Myrna, herself leaning forward now, and whispering though she didn’t know why. ‘Attachment masquerades as Love, Pity as Compassion and Indifference as Equanimity.’ Armand Gamache was quiet for a moment, looking into Myrna’s eyes, trying to divine from them the deeper meaning of what she’d just said. There was a deeper meaning, he knew it. Something important had just been said. But he hadn’t understood it fully. His eyes drifted to the fireplace while Myrna leaned back in her overstuffed chair and swirled her red wine in its bulbous glass. ‘I don’t understand,’ Gamache said finally, bringing his eyes back to Myrna. ‘Can you explain?’ Myrna nodded. ‘Pity and compassion are the easiest to understand. Compassion involves empathy. You see the stricken person as an equal. Pity doesn’t. If you pity someone you feel superior.’ ‘But it’s hard to tell one from the other,’ Gamache nodded. ‘Exactly. Even for the person feeling it. Almost everyone would claim to be full of compassion. It’s one of the noble emotions. But really, it’s pity they feel.’ ‘So pity is the near enemy of compassion,’ said Gamache slowly, mulling it over. ‘That’s right. It looks like compassion, acts like compassion, but is actually the opposite of it. And as long as pity’s in place there’s not room for compassion. It destroys, squeezes out, the nobler emotion.’ ‘Because we fool ourselves into believing we’re feeling one, when we’re actually feeling the other.’ ‘Fool ourselves, and fool others,’ said Myrna. ‘And love and attachment?’ asked Gamache. ‘Mothers and children are classic examples. Some mothers see their job as preparing their kids to live in the big old world. To be independent, to marry and have children of their own. To live wherever they choose and do what makes them happy. That’s love. Others, and we all see them, cling to their children. Move to the same city, the same neighborhood. Live through them. Stifle them. Manipulate, use guilt-trips, cripple them.’ ‘Cripple them? How?’ ‘By not teaching them to be independent.’ ‘But it’s not just mothers and children,’ said Gamache. ‘No. It’s friendships, marriages. Any intimate relationship. Love wants the best for others. Attachment takes hostages.
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Louise Penny (The Cruelest Month (Chief Inspector Armand Gamache, #3))