Fireplace Fire Quotes

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One afternoon, when I was four years old, my father came home, and he found me in the living room in front of a roaring fire, which made him very angry. Because we didn't have a fireplace.
Victor Borge
Snowflakes swirl down gently in the deep blue haze beyond the window. The outside world is a dream. Inside, the fireplace is brightly lit, and the Yule log crackles with orange and crimson sparks. There’s a steaming mug in your hands, warming your fingers. There’s a friend seated across from you in the cozy chair, warming your heart. There is mystery unfolding.
Vera Nazarian (The Perpetual Calendar of Inspiration)
September has come, it is hers Whose vitality leaps in the autumn, Whose nature prefers Trees without leaves and a fire in the fireplace. So I give her this month and the next Though the whole of my year should be hers who has rendered already So many of its days intolerable or perplexed But so many more so happy. Who has left a scent on my life, and left my walls Dancing over and over with her shadow Whose hair is twined in all my waterfalls And all of London littered with remembered kisses.
Louis MacNeice (Autumn Journal)
And a fire in the fireplace? Wow, that’s impressive.” I continued, walking backwards into the room. “Yeah, I saw it in a book about how to woo women… apparently you all like to be boinked in front of a roaring fire.
Alice Clayton (The Unidentified Redhead (Redhead, #1))
We were halfway back to the fireplace when Set caught us by surprise. He was going on with his list of ridiculous ingredients: "And snakeskins. Yes, three large ones, with a sprinkling of hot sauce--" Then he stopped abruptly, like he'd had a revelation. He spoke in a much louder voice, calling across the room. "And a sacrificial victim would be good! Maybe a young idiot magician who can't do a proper invisibility spell, like CARTER KANE over there!" Menshikov stared right at me. "My, my... how kind of you to deliver yourselves. Well done, Set." "Hmm?" Set asked innocently. "Do we have visitors?
Rick Riordan (The Throne of Fire (The Kane Chronicles, #2))
The old outcast gape the darkness and said: “The lonely man is a fire without fireplace…”.
Alexandar Tomov
Women are no sheep. Women are no fragile showpiece to be placed above the fire-place. Women of the thinking society are the builders of nations. Women of the sentient society are the builders of the world.
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
I invited Intuition to stay in my house when my roommates went North. I warned her that I am territorial and I keep the herb jars in alphabetical order. Intuition confessed that she has a ‘spotty employment record.’ She was fired from her last job for daydreaming. When Intuition moved in, she washed all the windows, cleaned out the fireplace, planted fruit trees, and lit purple candles. She doesn’t cook much. She eats beautiful foods, artichokes, avocadoes, persimmons and pomegranates, wild rice with wild mushrooms, chrysanthemum tea. She doesn’t have many possessions. Each thing is special. I wish you could see the way she arranged her treasures on the fireplace mantle. She has a splendid collection of cups, bowls, and baskets. Well, the herbs are still in alphabetical order, and I can’t complain about how the house looks. Since Intuition moved in, my life has been turned inside out.
J. Ruth Gendler (The Book of Qualities)
We remember though all the firelit glow Of a great hearth's gleam and glare, And we looked for a space at each happy face And the love that was written there.
Caris Brooke
I've almost got this fire lit," Duncan lied to change the subject. "It's gas,Duncan," Willa told him. "You just turn a knob." "Oh." Duncan did as she said, and a bright flame roared up through the fireplace.
Amanda Hocking (Torn (Trylle, #2))
The rest of the year, I wondered if the point of Christmas was just spending money and getting fat and opening gifts. Indulging. But when Christmas finally comes, and that warm, tingly, mints-and-sweaters-and-fireplace-fires feeling gathers in the bottom of your stomach, and you're lying on the floor with all the lights off but the ones on the Christmas tree, and listening to the silence of the snow falling outside, you see the point. For that one instance in time, everything is good in the world. It doesn't matter if everything isn't actually good. It's the one time of the year when pretending is enough.
Francesca Zappia (Made You Up)
Ella turned to the fireplace where a blackened kettle hung over what Granny Weatherwax always called an optimist's fire: two logs and hope.
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
And this is the library,” Mrs. Simcosky said, leading Beth into a generous room with a fire flickering in a river rock fireplace. “Or, as Mason liked to call it, my love den.” She drifted to one of the floor to ceiling book shelves and trailed her fingers down a bevy of colorful spines. “He used to call my books ‘the other men’.
Trish McCallan (Forged in Fire (Red-Hot SEALs, #1))
Then the fire was shining on the hearth, the cold and the dark and the wild beasts were all shut out, and Jack the brindle bulldog and Black Susan the cat lay blinking at the flames in the fireplace. Ma sat in her rocking chair, sewing by the light
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
The sound of a crackling fire going in the fireplace, a nice warm blanket and a good book is just about heaven for me.
E.L. Grimm (Believe (New England Immortals #1))
like comparing a fireplace to a forest fire. One was comfort, the other carnage.
Coco Mellors (Blue Sisters)
You’ve been in the mating frenzy before.” Eric looked up at her, his eyes quiet. “Yes.” ”With Kirsten.” ”Yes.” Iona touched her hands together. “You must have loved her very much.” Eric nodded. “Yes. Very much.” ”Then why do you want another mate?” Eric pushed himself from the fireplace and came to her, the first flickers of fire shadowing his tall, naked body. He skimmed warm hands down her arms. ”Because I saw you.
Jennifer Ashley (Mate Claimed (Shifters Unbound, #4))
We must try to think beyond our homes, beyond the fire burning in the fireplace, beyond sending our children to school or getting to work in the morning. We must try to think how we can help this world. If we don’t help, nobody will. It is our turn to help the world.
Chögyam Trungpa (Shambhala: The Sacred Path of the Warrior (Shambhala Classics))
Sometimes life begins like a bad dream and ends up like a kid's fairytale. The kind our grandmothers used to tell us about sitting next to a fireplace, with their white braids shining under the fire's light. They knew that even in an era like ours, there is nothing wrong with dreaming..
Georgia Kakalopoulou
The lamps were lit, and a good fire crackled in the great stone fireplace. There was a discreet chink of china, the brightness of silver teapot and muffin cover, the comforting smell mingled of steaming hot water, toast and a little sweet tobacco.
Susan Hill (The Mist in the Mirror)
There was a guy roasting chestnuts on the street corner, and the smell wafted over, hinting at the coming Winter, but in a good way, in the way that makes you think about Christmas and snow days and fires crackling away in fireplaces.
Sarah Dunn (Secrets to Happiness)
It is Autumn, as you know, and things are beginning to die. It is so wonderful to be out in the crisp Fall air, with the leaves turning gold and the grass turning brown and the warmth going out of the sunlight and big hot fires in the fireplace while Buddy rakes the lawn. We see a lot of bombs on TV because we watch it a lot more, now that the days get shorter and shorter, and darkness comes so soon, and all the flowers die from freezing.
Hunter S. Thompson (Fear and Loathing at Rolling Stone: The Essential Hunter S. Thompson)
The house was cozy, with a fire burning in every fireplace. The familiar scents of tea brewing in the samovar and Maman's warmed cherry brandy smelled like love to me.
Robin Bridges (The Gathering Storm (Katerina, #1))
Sex outside of marriage is like fire outside of a fireplace. It is dangerous and will burn your house down!
DeBorrah K. Ogans (Proverbs Daily Devotional Goldmine Of Spiritual Wisdom)
GARCIN: This bronze. Yes, now's the moment; I'm looking at this thing on the mantelpiece, and I understand that I'm in hell. I tell you, everything's been thoughtout beforehand. They knew I'd stand at the fireplace stroking this thing of bronze, with all those eyes intent on me. Devouring me. What? Only two of you? I thought there were more; many more. So this is hell. I'd never have believed it. You remember all we were told about the torture-chambers, the fire and brimstone, the "burning marl." Old wives' tales! There's no need for red-hot pokers. HELL IS-OTHER PEOPLE!
Jean-Paul Sartre (No Exit)
At home I used to spend calm, pleasant nights with my family. My mother knit scarves for the neighborhood kids. My father helped Caleb with his homework. There was a fire in the fireplace and peace in my heart, as I was doing exactly what I was supposed to be doing, and everything was quiet. I have never been carried around by a large boy, or laughed until my stomach hurt at the dinner table, or listened to the clamor of a hundred people all talking at once. Peace is restrained; this is free.
Veronica Roth (Divergent (Divergent, #1))
At thirty-nine, I learned how to change a tyre, how to shovel snow, how to stack wood. I learned how to meet a deadline without a shoulder to whine on. I became obsessed with firewood. If only there was alsways a fire in the fireplace, I knew that everything would be all right. (Prometheus must have been a women. I reverted to my ancient nature: inventing fire all day, having my liver plucked out all night.)
Erica Jong (Fear of Fifty: A Midlife Memoir)
My thoughts went to Mother, who probably wasn’t sleeping, either. On nights when we were both troubled—usually about money—we’d each go to the kitchen and find the other there. I’d brew my auntwort tea, which had calming effects, and Mother would build up the fire if the night was chilly. Then we’d sit by the fireplace with quilts over our knees and play guessing games until our yawns came quicker than our ideas.
Gail Carson Levine (Ogre Enchanted)
Fire leapt off her, like the fire in the fireplace spitting and cracking behind me. The snow came down and covered the fields. I wanted to take my sweater off, wrap her up. I wanted to roll her around until the fire was out.
Ann Patchett (Tom Lake)
But mostly, when I look back, what I remember is not Mom rushing about; it’s Mom sitting quietly in the center of the house, in the living room, under the swirling colors of a Paul Jenkins painting; there would be a fire in the fireplace and a throw over her lap, her hands sticking out to hold a book. And we all wanted to be there with her and Dad, reading quietly too.
Will Schwalbe (The End of Your Life Book Club)
Apart from the peace and emptiness of the landscape, there is a special smell about winter in Provence which is accentuated by the wind and the clean, dry air. Walking in the hills, I was often able to smell a house before I could see it, because of the scent of woodsmoke coming from an invisible chimney. It is one of the most primitive smells in life, and consequently extinct in most cities, where fire regulations and interior decorators have combined to turn fireplaces into blocked-up holes or self-consciously lit "architectural features." The fireplace in Provence is still used - to cook on, to sit around, to warm the toes, and to please the eye - and fires are laid in the early morning and fed throughout the day with scrub oak from the Luberon or beech from the foothills of Mont Ventoux. Coming home with the dogs as dusk fell, I always stopped to look from the top of the valley at the long zigzag of smoke ribbons drifting up from the farms that are scattered along the Bonnieux road. It was a sight that made me think of warm kitchens and well-seasoned stews, and it never failed to make me ravenous.
Peter Mayle (A Year in Provence (Provence, #1))
To be set on fire, you must get close to God. When you feel cold, distant, and "out of it" spiritually, it's time to retreat to the closet, place yourself before the fireplace of His word, and allow the intensity of His face to restore your fervency.
Bob Sorge (Secrets of the Secret Place: Keys to Igniting Your Personal Time With God)
If there is something, though, if there is...well, I believe in the things I love...the feel of a good horse under me, the blue along those mountains over yonder, the firm, confident feel of a good gunbutt in my hand, the way the red gold of your hair looks against your throat. The creak of a saddle in the hot sun and the long riding, the way you feel when you come to the top of a ridge and look down across miles and miles of land you have never seen, or maybe no man has ever seen. I believe in the pleasant sound of running water, the way the leaves turn red in the fall. I believe in the smell of autumn leaves burning, and the crackle of a burning log. Sort of sounds like it was chuckling over the memories of a time when it was a tree. I like the sound of rain on a roof, and the look of a fire in a fireplace, and the embers of a campfire and coffee in the morning. I believe in the solid, hearty, healthy feel of a of a fist landing, the feel of a girl in my arms, warm and close. Those are the things that matter.
Louis L'Amour (Westward the Tide)
Cookies,"Emily explained. "There isn't a man alive who doesn't appreciate homemade cookies. There's something magical about them--really," she added when Suzannah cast her a doubtful glance."Cookies create an aura of domestic bliss--it sounds crazy, but it's true.A man can't resist a woman who bakes him cookies. They remind him of home and mother and a fire crackling in the fireplace.
Debbie Macomber (Rainy Day Kisses)
There was no fire in the fireplace, the clock was still ticking, and Emma felt vaguely amazed that all those things should be so calm when there was such turmoil inside her.
Gustave Flaubert (Madame Bovary)
By combining certain elements of technique which ignite each other I could shit the levels of perception, time-frame structures and systems of rythm which would give my songs a brighter countenance, call them up from the grave [...] It was like parts of my psyche were being communicated to by angels. There was a big fire in the fireplace and the wind was making it roar.
Bob Dylan (Chronicles, Volume One)
He entered the room, noticing three things at once. There was a fire beginning to build in the small brick fireplace on the wall to his left, the room smelt like its owner, clean and delicate and flowery, and Lauren lay stretched on the bed. Naked. His heart slammed harder against his chest and his c#ck twitched again. At this rate, it wouldn’t take long at all before he would be sliding into her. Jesus, just looking at her turned him on. Turned him on and left him at her mercy. No, that wasn’t right. Left him…absolute. Without her in his life, he’d been insubstantial.
Lexxie Couper (Love's Rhythm (Heart of Fame, #1))
Hair burns very quickly. If you have long hair, tie it back securely when you are cooking, building a fire in the fireplace, lighting your space heater, leaning toward a lit grill, or doing anything else involving flames.
Cheryl Mendelson (Home Comforts: The Art and Science of Keeping House)
Could we please have a fire?” “Of course,” Pieter said immediately. He rose and moved to the fireplace, but Barrons beat him there. He glared at Pieter. You may be trying to claim the woman, his eyes said, but make no mistake, she and the fucking fireplace are mine.
Karen Marie Moning (Shadowfever (Fever, #5))
Around the cabin, you can smell woodsmoke on the breeze. The people burn their brush piles a day or two after the first chilly rain, build their first fires in the fireplace. As much as the red and gold leaves on the mountainside, it is how you know the holidays are coming near.
Rick Bragg (The Speckled Beauty: A Dog and His People)
After watching—with a twinge of satisfaction—the letters burn to ashes in the fireplace, Evie felt sleepy. She went to the master bedroom for a nap. In spite of her weariness, it was difficult to relax while she was worried about Sebastian. Her thoughts chased round and round, until her tired brain put an end to the useless fretting and she dropped off to sleep. When she awakened an hour or so later, Sebastian was sitting on the bed beside her, a lock of her bright hair clasped loosely between a thumb and forefinger. He was watching her closely, his eyes the color of heaven at daybreak. She sat up and smiled self-consciously. Gently Sebastian stroked back her tumbled hair. “You look like a little girl when you sleep,” he murmured. “It makes me want to guard you every minute.” “Did you find Mr. Bullard?” “Yes, and no. First tell me what you did while I was gone.” “I helped Cam to arrange things in the office. And I burned all your letters from lovelorn ladies. The blaze was so large, I’m surprised no one sent for a fire brigade.” His lips curved in a smile, but his gaze probed hers carefully. “Did you read any of them?” Evie lifted a shoulder in a nonchalant half shrug. “A few. There were inquiries as to whether or not you’ve yet tired of your wife.” “No.” Sebastian drew his palm along the line of her thigh. “I’m tired of countless evenings of repetitive gossip and tepid flirtation. I’m tired of meaningless encounters with women who bore me senseless. They’re all the same to me, you know. I’ve never given a damn about anyone but you.” “I don’t blame them for wanting you,” Evie said, looping her arms around his neck. “But I’m not willing to share.” “You won’t have to.” He cupped her face in his hands and pressed a swift kiss to her lips.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Sometimes love is like a firework; it lights, explodes, and then disappears. But then other times when it's true love, it's like a fire you light in the fireplace during a cold winter-it burns steadily as long as you keep feeding it. That's the secret to a long lasting love: you can never stop feeding it or else it'll die out.
Millie Shepherd (Before It's Too Late (Half Circle Creek #1))
Jesiba Roga led Ithan through a subterranean hall of black stone, lit only by crackling fires in hearths shaped like roaring, fanged mouths. In front of those fireplaces lounged draki of varying hues, vampyrs drinking goblets of blood, and daemonaki in business suits typing away on laptops. A weirdly … normal place. Like a private club.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The fireplace is a very interesting feature in the room. It is easy to see that life in the last century centered largely round the hearth, where great events were enacted. The copper gilt grate is a marvel of workmanship, and the mantelpiece is most delicately finished; the fire-irons are beautifully chased; the bellows are a perfect gem.
Honoré de Balzac (Works of Honore de Balzac)
Maybe I'll get you a painting for Christmas," I said. "We don't buy Christmas presents for each other," Edward said. We were both staring at the fireplace as if visualizing that make-believe fire. "Maybe I'll start. One of those big-eyed children or a clown on velvet." "I won't hang it if I don't like it." I glanced at him. "Unless it's from Donna." He was very still suddenly. "Yes." "Maybe I'll tell her how much you love those pictures of dogs playing poker and she can buy you some prints." "She wouldn't believe it," he said. "No, but I bet I could come up with something that she would believe that you'd hate just as much." He stared at me. "You wouldn't." "I might." "This sounds like the opening to blackmail. What do you want?
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. It was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. These were fragrant, colorless alcohols served from cut-glass carafes in small glasses and whether they were quetsche, mirabelle or framboise they all tasted like the fruits they came from, converted into a controlled fire on your tongue that warmed you and loosened your tongue. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern Italian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
Why were you mad at him?” John’s lip curled before he turned away. “I wasn’t mad at him.” She followed him to the fireplace, where he tossed another log on the already roaring blaze. “Why were you scowling at him like that then? You looked like you were going to rip his head off.” John stared into the fire and didn’t respond right away. “It was nothing. Just stuff. Don’t worry about it.” Shannon
J.M. Madden (Embattled Hearts (Lost and Found, #1))
One of these men told me at a book festival that if he did not transgress too many boundaries in his marriage, there would always be a comforting pair of slippers warming for him by the fire...Will there ever be a comforting pair of slippers (pink, feathered) warming for me by the egg-shaped fireplace? Not unless I became a female character in a vintage Hollywood movie and paid a housekeeper to put them there.
Deborah Levy (Real Estate (Living Autobiography #3))
She swung around, her hair flying about her like wildfire. Fire. The fireplace. She reached in with all the power Todd had taught her to exercise and grasped as much as she could. She imagined gasoline spilling onto the logs, leaving trails of burning kerosene around the room. In her mind bright orange and red exploded in dazzling sparks. The oxygen seemed to thicken and swell around her. Then the entire room was alight with flame.
Deidre Huesmann (First Spell: Book 1 of the Bayou Witches)
Mary.” Turning at the soft sound of her name, she glanced behind herself. Then frowned. “Lassiter?” “I’m over here.” “Where?” She looked all around. “Why is your voice echoing?” “Chimney.” “What?” “I’m stuck in the fucking chimney.” She raced over to the fireplace and got on her hands and knees. Looking up into the dark flue, she shook her head. “Lass? What the hell are you doing up there?” His voice emanated from somewhere above her. “Don’t tell anyone, okay?” “What are you—” An arm came down. A very sooty arm that was encased in a red sleeve that had white trim. Or what had been white trim and which was now smudged with ash. “You’re stuck!” she exclaimed. “And thank God no one lit this fire!” “You’re telling me,” he muttered in his disembodied voice. “I had to blow out Fritz’s match like a hundred times before he gave up. Fuck, that sounds dirty. Anyway, just remind me never to try to be Santa for your kid, okay? I’m not doing this again, even for her.” Mary stretched a little farther in, but the logs on the hearth stopped her. “Lassiter. Why can’t you free yourself by dematerializing—” “I’m impaled on a hook that’s iron. I can’t go ghost. And will you just take this?” “What?” “This.” He turned his hand toward her and there was…a box…in it? A small navy blue box. “Open it. And before you ask, I already cleared it with your pinheaded hellren. He’s not jel or anything.” Mary sat back and shook her head. “I’m more worried about you—” “Justopenthefuckingthingalready.” Taking off the top, she found a slightly smaller box inside. That was velvet. “What is this?” As she lifted the lid, she…gasped. It was a pair of diamond earrings. A pair of perfectly matched, sparkly, diamond… “A mother’s tears,” Lassiter’s slightly echo-y voice said softly. “So hard, so beautiful. I told you everything was going to be all right. And those are to remind you of how strong you are, how strong your love for your daughter is…how, even in the worst of times, things have a way of working out as they should.” Blinking away tears, she thought of her crying in the foyer in front of the angel, crying because all had been lost. “They’re just beautiful,” she said hoarsely. -Lassiter & Mary
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
If the room did not look quite so freshly scrubbed as most farm wives kept their homes—Tam’s piperack and The Travels of Jain Farstrider sat on the table, while another wood-bound book rested on the cushion of his reading chair; a bit of harness to be mended lay on the bench by the fireplace, and some shirts to be darned made a heap on a chair—if not quite so spotless, it was still clean and neat enough, with a lived-in look that was almost as warming and comforting as the fire.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.” Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice. “Under the circumstances, I don’t think I’m the one you ought to ask.” “I’ll stay,” she said after a moment and saw the tension in his shoulders relax. Unbuttoning her jacket, she gave it to him, along with her bonnet, and he took them over to the fireplace, hanging them on the pegs in the wall. “Stand by the fire,” he ordered, walking over to the table and filling two glasses with wine, watching as she obeyed. The front of her hair that had not been covered by her bonnet was damp, and Elizabeth reached up automatically, pulling out the combs that held it off her face on the sides and giving the mass a hard shake. Unconscious of the seductiveness of her gesture, she raised her hands, combing her fingers through the sides of it and lifting it. She glanced toward Ian and saw him standing perfectly still beside the table, watching her. Something in his expression made her hastily drop her hands, and the spell was broken, but the effect of that warmly intimate look in his eyes was vibrantly, alarmingly alive, and the full import of the risk she was taking by being here made Elizabeth begin to quake inside. She did not know this man at all; she’d only met him hours ago; and yet even now he was watching her with a look that was much too…personal. And possessive.
Judith McNaught (Almost Heaven (Sequels, #3))
Later, when the time for the baby grew nearer, he would bustle round in his slovenly fashion, poking out the ashes, rubbing the fire-place, sweeping the house before he went to work. Then, feeling very self-righteous, he went upstairs. "Now I'n cleaned up for thee: that's no 'casions ter stir a peg all day, but sit and read thy books." Which made her laugh, in spite of her indignation. "And the dinner cooks itself?" she answered. "Eh, I know nowt about th' dinner." "You'd know if there weren't any." "Ay, 'appen so," he answered, departing.
D.H. Lawrence (Sons and Lovers)
Some people have suggested that Mirabelle will lose touch with her birth culture,” the producer said. “How do you respond to those concerns?” Mrs. McCullough nodded. “We’re trying to be very sensitive to that,” she said. “You’ll notice that we’re adding more and more Asian art to our walls.” She waved a hand at the scrolls with ink-brushed mountains that hung by the fireplace, the glazed pottery horse on the mantel. “We’re committed, as she gets older, to teaching her about her birth culture. And of course she already loves the rice. Actually, it was her first solid food.
Celeste Ng (Little Fires Everywhere)
Just a few nights ago the roaring fire prompted a conversation about Gaston Bachelard's Psychoanalysis of Fire,' I said to Foucault. 'Did you by any chance know Bachelard?' 'Yes, I did,' Foucault responded. 'He was my teacher and exerted a great influence upon me.' 'I can just visualize Bachelard musing before his hearth and devising the startling thesis that mankind tamed fire to stimulate his daydreaming, that man is fundamentally the dreaming animal.' 'Not really,' Foucault blurted out. 'Bachelard probably never saw a fireplace or ever listened to water streaming down a mountainside. With him it was all a dream. He lived very ascetically in a cramped two-room flat he shared with his sister.' 'I have read somewhere that he was a gourmet and would shop every day in the street markets to get the freshest produce for his dinner.' 'Well, he undoubtedly shopped in the outdoor markets,' Foucault responded impatiently, 'but his cuisine, like his regimen, was very plain. He led a simple life and existed in his dream.' 'Do you shop in the outdoor markets in Paris?' Jake asked Michel. 'No,' Foucault laughed, 'I just go to the supermarket down the street from where I live.
Simeon Wade (Foucault in California [A True Story—Wherein the Great French Philosopher Drops Acid in the Valley of Death])
Sophie went properly to sleep and snored. She did not wake up when there came a flash and a muted bang from the workbench, followed by a hurriedly bitten-off swear word from Michael. She did not wake when Michael, sucking his burned fingers, put the spell aside for the night and fetched bread and cheese out of the closet. She did not stir when Michael knocked her stick down with a clatter, reaching over her for a log to put on the fire, or when Michael, looking down into Sophie’s open mouth, remarked to the fireplace, “She’s got all her teeth. She’s not the Witch of the Waste, is she?
Diana Wynne Jones (Howl's Moving Castle (Howl's Moving Castle, #1))
When we came back to Paris it was clear and cold and lovely. The city had accommodated itself to winter, there was good wood for sale at the wood and coal place across our street, and there were braziers outside of many of the good cafés so that you could keep warm on the terraces. Our own apartment was warm and cheerful. We burned boulets which were molded, egg-shaped lumps of coal dust, on the wood fire, and on the streets the winter light was beautiful. Now you were accustomed to see the bare trees against the sky and you walked on the fresh-washed gravel paths through the Luxembourg gardens in the clear sharp wind. The trees were beautiful without their leaves when you were reconciled to them, and the winter winds blew across the surfaces of the ponds and the fountains were blowing in the bright light. All the distances were short now since we had been in the mountains. Because of the change in altitude I did not notice the grade of the hills except with pleasure, and the climb up to the top floor of the hotel where I worked, in a room that looked across all the roofs and the chimneys of the high hill of the quarter, was a pleasure. The fireplace drew well in the room and it was warm and pleasant to work.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
He saw my confusion and led me a slow, stately march to the library. There were shelves all the way around the room, and every shelf was crowed with books. I had not thought so many books existed.[...] There was a desk, several big leather chairs, a wooden floor covered with faded rugs, and in front of the fireplace a sofa with soft pillows. The shelves stopped several feet short of the ceiling, leaving room for a row of busts of what I imagined must be famous gentlemen. Lamps cast little pools light in the room, and the sound and smell of the fire reminded me of the fires the Kikuyu would make outside theirs huts when they roasted goats.
Gloria Whelan (Listening for Lions)
Jacob climbed into the Adler. “Where are we going, Uncle?” he asked. “Where do you think?” The roads were largely deserted but for seemingly endless caravans of military vehicles transporting troops and equipment presumably toward Prague. Soon they broke off the main road and headed up into the mountains, arriving at Avi’s little cabin under a full moon. Jacob chopped firewood out back while Avi warmed some beef stew from scratch and baked some fresh bread. Then Jacob built a roaring fire, and the two pulled up chairs and ate in silence by the stone fireplace, listening to the crackling flames and watching the sparks pop and settle like fireworks.
Joel C. Rosenberg (The Auschwitz Escape)
He's not here. The Black Earl." "I know." "So, for the moment, we are safe from that madness." "I am always safe with you. No matter what happens, no matter what, I am safe with you and not with anyone else." He inhaled. "How long have you been seeing the Black Earl?" "A few days now." She bit her lower lip. "You?" "Since I came to Pennhyll." He walked to the fireplace. She turned sideways on her chair, but all he did was stare at the fire, hands clasped and pressed against the small of his back. The fingers of one hand clenched and unclenched. He turned. "What of me? How long have I been in your head?" "Before the Black Earl, I think. Only I didn't know they weren't just dreams." "More and more intimate." His mouth thinned. "I confess to once or twice in my life imagining making love to a woman I admire. God knows you're a pretty woman, but I don't just imagine being with you. When I make love to you, you're not thoughts and images in my head, you're in my arms, real and warm. I can taste you and breathe in the scent of you, feel your skin against mine. We've never made love, but I've been inside you. Jesus, Olivia, you know I have." She nodded. "Hell, for all we know it's possible I've made a child in you." His eyes pinned her. "Did anything like that happen between you and Andrew?" "No." "You sound certain." "I am." "You never saw the Black Earl until I was at Pennhyll?" "Never." "Andrew never came to you in—as I have. As we have together?" "No. I never thought of him that way." "You do me, though." She nodded.
Carolyn Jewel (The Spare)
When he came home early, he was dreary. There, he'd sit by the fireplace, his worn hands gripping the newspaper a bit too tight, his eyes held to it, unseeing, towards the words, the meaningless grouping of letters on that newspaper. The fire would cackle, sizzle, full of life, so opposite to this man, whose face was crossed with the burdens of the world, and lips pressed thing under that bushy mustache. His grief sat on him like a cloud, sending him into a dimension that left his eyes two empty coals, his chest an impossible storm. He spoke to no one, and hardly did anyone speak to him, because words were never something he was good at. Then, when the sky darkened, he's stand, and trudge to his room, where his bed waited, cold and hungry, just as he'd always known it to be.
Rana Mohamad
The grate had been removed from the wide overwhelming fireplace to make way for a fire of wood, in the midst of which was an enormous log glowing and blazing, and sending forth a vast volume of light and heat: this, I understood, was the Yule-clog, which the squire was particular in having brought in and illumined on a Christmas Eve, according to ancient custom.* * The Yule-clog is a great log of wood, sometimes the root of a tree, brought into the house with great ceremony on Christmas Eve, laid in the fireplace, and lighted with the brand of last year's clog. While it lasted there was great drinking, singing, and telling of tales. Sometimes it was accompanied by Christmas candles; but in the cottages the only light was from the ruddy blaze of the great wood fire. The Yule-clog was to burn all night; if it went out, it was considered a sign of ill luck.
Washington Irving (The Washington Irving Anthology: The Complete Fiction and Collected Non-Fiction Works)
After a couple of hours, I reach an old house near the edge of the lake. Maybe “house” is too big a word for it. It’s only one room, about twelve feet square. My father thought that a long time ago there were a lot of buildings — you can still see some of the foundations — and people came to them to play and fish in the lake. This house outlasted the others because it’s made of concrete. Floor, roof, ceiling. Only one of four glass windows remains, wavy and yellowed by time. There’s no plumbing and no electricity, but the fireplace still works and there’s a woodpile in the corner that my father and I collected years ago. I start a small fire, counting on the mist to obscure any telltale smoke. While the fire catches, I sweep out the snow that has accumulated under the empty windows, using a twig broom my father made me when I was about eight and I played house here.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
After we've stuffed ourselves, we scatter around the living room, falling into a comfortable quiet. The living room is a majestic place - I mean, it is massive - with vaulted log ceilings and old wood floors covered in wide woven rugs. Along one long wall, the fire crackles and snaps, heating the room to just below too warm. It's wood from town and nothing smells like it. I want to find a candle of this, incense, room spray. I want every living room in every house I live in for the rest of time to smell like the Hollis cabin does on December evenings. The hearth is expansive; when we were about seven, our chore was sweeping out the fireplace at the end of the holiday, Theo and I could almost stand up inside it. The flames actually roar to life. Even once they mellow into a rumbling, crackling simmer, the blaze still feels like a living, breathing creature in here with us.
Christina Lauren (In a Holidaze)
A Taurus’s imagination always involves building. Whether it be a career or a lifelong love, a Taurus rejoices at the idea that if you put effort into something for a long time, you will be rewarded with something strong and solid that you can hang your hat on. This extends into expectations for everyone else around them, too. You must be a solid figure, someone dependable who also is able to spark their interests, and with your own solid sense of fire and passion. A Taurus’s imaginative landscape includes an endless sense of fire. Not a fire that would burn anything up, but one that brings warmth, that fuses things together, that solders pieces and melts things when necessary, that provokes and cajoles and pranks but is also good for lending itself to endless conversation and camaraderie. A real working fireplace. The imagination of a Taurus is a place where things get done, rather than happening on their own.
Alex Dimitrov (Astro Poets: Your Guides to the Zodiac)
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
Sally Rooney (Conversations with Friends)
For the rest of that term he haunted us. Now that we were ‘gated’ we could not spend our evenings together, and from nine o’clock onwards were alone and at Mr Samgrass’s mercy. Hardly an evening seemed to pass but he called on one or the other of us. He spoke of ‘our little escapade’ as though he, too, had been in the cells, and had that bond with us …. Once I climbed out of college and Mr Samgrass found me in Sebastian’s rooms after the gate was shut and that, too, he made into a bond. It did not surprise me, therefore, when I arrived at Brideshead, after Christmas, to find Mr Samgrass, as though in wait for me, sitting alone before the fire in the room they called the ‘Tapestry Hall’. ‘You find me in solitary possession,’ he said, and indeed he seemed to possess the hall and the sombre scenes of venery that hung round it, to possess the caryatids on either side of the fireplace, to possess me, as he rose to take my hand and greet me like a host:
Evelyn Waugh (Brideshead Revisited)
Who are you, Patric?” Everly asked. “I know who you are with me. I know who you are with David. I know who you say you are with this other guy. But who are you when no one else is around?” A log in the fireplace crackled and popped. I stared at the wood; the flames devouring it hypnotized me. I thought again of Alice in Wonderland. “Who are you?” the Cheshire Cat liked to taunt. “I don’t know,” I said. “Oh, I think you do,” she insisted. “I think you know exactly who you are. The problem is you’re not allowing yourself to be that person, that whole person. I don’t think you ever have. So, how is David—or anyone—ever supposed to accept you when you haven’t fully accepted yourself?” I stared at the fire. Everly followed my gaze. “Bottom line,” she said, “you have to stop living this double life. You’re miserable. And you’re miserable because you’re never being Patric. You have to learn to just be you. All the time. With everyone.” “And then what?” I asked. Everly smiled and nudged me affectionately with her foot. “What do you care?
Patric Gagne (Sociopath)
No, certainly. We shall not have to explore our way into a hall dimly lighted by the expiring embers of a wood fire—nor be obliged to spread our beds on the floor of a room without windows, doors, or furniture. But you must be aware that when a young lady is (by whatever means) introduced into a dwelling of this kind, she is always lodged apart from the rest of the family. While they snugly repair to their own end of the house, she is formally conducted by Dorothy, the ancient housekeeper, up a different staircase, and along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before. Can you stand such a ceremony as this? Will not your mind misgive you when you find yourself in this gloomy chamber—too lofty and extensive for you, with only the feeble rays of a single lamp to take in its size—its walls hung with tapestry exhibiting figures as large as life, and the bed, of dark green stuff or purple velvet, presenting even a funereal appearance? Will not your heart sink within you?” “Oh! But this will not happen to me, I am sure.” “How fearfully will you examine the furniture of your apartment! And what will you discern? Not tables, toilettes, wardrobes, or drawers, but on one side perhaps the remains of a broken lute, on the other a ponderous chest which no efforts can open, and over the fireplace the portrait of some handsome warrior, whose features will so incomprehensibly strike you, that you will not be able to withdraw your eyes from it. Dorothy, meanwhile, no less struck by your appearance, gazes on you in great agitation, and drops a few unintelligible hints. To raise your spirits, moreover, she gives you reason to suppose that the part of the abbey you inhabit is undoubtedly haunted, and informs you that you will not have a single domestic within call. With this parting cordial she curtsies off—you listen to the sound of her receding footsteps as long as the last echo can reach you—and when, with fainting spirits, you attempt to fasten your door, you discover, with increased alarm, that it has no lock.
Jane Austen (Northanger Abbey)
Did you ever notice how very fickle males are?” she asked the horse. “And how very foolish females are about them?” she added, aware of how inexplicably deflated she felt. She realized as well that she was being completely irrational-she had not intended to come here, had not wanted him to be waiting, and now she felt almost like crying because he wasn’t! Giving the ribbons of her bonnet an impatient jerk, she untied them. Pulling the bonnet off, she pushed the back door of the cottage open, stepped inside-and froze in shock! Standing at the opposite side of the small room, his back to her, was Ian Thornton. His dark head was slightly bent as he gazed at the cheery little fire crackling in the fireplace, his hands shoved into the back waistband of his gray riding breeches, his booted foot upon the grate. He’d taken off his jacket, and beneath his soft lawn shirt his muscles flexed as he withdrew his right hand and shoved it through the side of his hair. Elizabeth’s gaze took in the sheer male beauty of his wide, masculine shoulders, his broad back and narrow waist. Something in the somber way he was standing-added to the fact that he’d waited more than two hours for her-made her doubt her earlier conviction that he hadn’t truly cared whether she came or not. And that was before she glanced sideways and saw the table. Her heart turned over when she saw the trouble he’d taken: A cream linen tablecloth covered with crude china, obviously borrowed from Charise’s house. In the center of the table a candle was lit, and a half-empty bottle of wine stood beside a platter of cold meat and cheese. In all her life Elizabeth had never known that a man could actually arrange a luncheon and set a table. Women did that. Women and servants. Not men who were so handsome they made one’s pulse race. It seemed she’d been standing there for several minutes, not mere seconds, when he stiffened suddenly, as if sensing her presence. He turned, and his harsh face softened with a wry smile: “You aren’t very punctual.” “I didn’t intend to come,” Elizabeth admitted, fighting to recover her balance and ignore the tug of his eyes and voice. “I got caught in the rain on my way to the village.” “You’re wet.” “I know.” “Come over by the fire.” When she continued to watch him warily, he took his foot off the grate and walked over to her. Elizabeth stood rooted to the floor, while all of Lucinda’s dark warnings about being alone with a man rushed through her mind. “What do you want?” she asked him breathlessly, feeling dwarfed by his towering height. “Your jacket.” “No-I think I’d like to keep it on.” “Off,” he insisted quietly. “It’s wet.” “Now see here!” she burst out backing toward the open door, clutching the edges of her jacket. “Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.” Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice. “Under the circumstances, I don’t think I’m the one you ought to ask.
Judith McNaught (Almost Heaven (Sequels, #3))
Knowing I may never see the room again makes me look at it with fresh eyes. A fire glows in the hearth nestled into the back wall. A square, worn brown rug sits in the middle of the room. Two sets of bunk beds are arranged on either side of the rug. Only mine, the bottom bed closest to the fireplace, has the sheets tucked in and the quilt smoothed. As soon as the boys graduated from school, Mom declared them old enough to tidy up their own beds. And they decided they were old enough not to care whether they slept in tightly tucked sheets. We each have a wooden chest for our everyday clothes and shoes. The special clothes are hung in the large wooden armoire in the corner. Mother always talks about first impressions. I gnaw on my bottom lip and weigh the merits of all my clothes. Feeling confident is always easier when dressed in something special, but I hear my father’s voice replay in my head. I imagine the abandoned city street he walked in his dream. The two dresses I own won’t help me there. And even if the dreams aren’t real, I know in my heart pretty clothes won’t help once The Testing begins.
Joelle Charbonneau (The Testing (The Testing, #1))
You’ve got spirit, I’ll give you that,” Ezmia said. “Perhaps this will humble you.” Ezmia placed the glass jar she had been carrying on a small table close to Charlotte’s cage. Charlotte was horrifed to see a miniature ghostly version of the Fairy Godmother trapped inside. “That’s my… my… grandmother!” Charlotte said, almost forgetting she was still pretending to be her own daughter. “What have you done to her?” A smile appeared on Ezmia’s face, matching the satisfaction in her eyes. “I captured her soul,” she said. The thought almost made Charlotte sick. She’d had no idea such a thing was possible, even in the fairy-tale world. “What do you want with her soul?” Charlotte asked. “It’s a bit of a hobby of mine, actually,” Ezmia said and walked to her fireplace. Displayed proudly on the mantel were five other turquoise jars, each containing a ghostly substance. “You’re a soul collector?” Charlotte asked. “Is it to make up for being soulless?” “What a clever play on words,” Ezmia said mockingly. “You know that phrase forgive and forget? Well, I always disagreed with it—I found it impossible, actually. People would do me wrong and then forget about me, as if their actions didn’t matter—because I didn’t matter. How was I supposed to forgive people like that?” “So you imprisoned their souls instead of forgiving?” Charlotte said. “Precisely,” Ezmia said. “I found taking away their life force to be much more appealing than simply forgiving. To forgive would be to allow them to continue living their lives, free of consequence. But by taking their souls and preventing them from all future happiness, I could heal and find peace.” Charlotte couldn’t believe what she was hearing. “Do you honestly expect anyone to sympathize with that?” Charlotte asked her. Ezmia stared into the fire at the burning skulls, almost in a trance. “I don’t want the world to understand; I want it to grovel,” she said. The confession made Charlotte’s heart heavier. She wondered if she would ever escape the clutches of a person who thought like this. But thinking about her children, Bob, and the life she had been stolen from gave Charlotte the strength to survive the Enchantress’s imprisonment. “I find it hard to believe that the Fairy Godmother, who is known for her generosity, would harm you in any way,” Charlotte said. “Sometimes help can be just as destructive as harm,” Ezmia said. “But I imagine someone who helps for a
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.
Henry David Thoreau (Walden)
A real house with a copper pot for making jam, and sugar cookies in a metal box hidden deep inside a dresser. A long farmhouse table, thick and homey, and cretonne curtains. She smiled. She had no idea what cretonne was, or even if she'd like it, but she liked the way the words went together: cretonne curtains. She'd have a guest room and- who knows- maybe even some guests. A well-kept little garden, hens who'd provide her with tasty boiled eggs, cats to chase after the field mice and dogs to chase after the cats. A little plot of aromatic herbs, a fireplace, sagging armchairs and books all around. White tablecloths, napkin rings unearthed at flea markets, some sort of device so she could listen to the same operas her father used to listen to, and a coal stove where she could let a rich beef-and-carrot stew simmer all morning along. A rich beef-and-carrot stew. What was she thinking. A little house like the ones that kids draw, with a door and two windows on either side. Old-fashioned, discreet, silent, overrun with Virginia creeper and climbing roses. A house with those little fire bugs on the porch, red and black insects scurrying everywhere in pairs. A warm porch where the heat of the day would linger and she could sit in the evening to watch for the return of the heron.
Anna Gavalda (Hunting and Gathering)
It was dusk when Ian returned, and the house seemed unnaturally quiet. His uncle was sitting near the fire, watching him with an odd expression on his face that was half anger, half speculation. Against his will Ian glanced about the room, expecting to see Elizabeth’s shiny golden hair and entrancing face. When he didn’t, he put his gun back on the rack above the fireplace and casually asked, “Where is everyone?” “If you mean Jake,” the vicar said, angered yet more by the way Ian deliberately avoided asking about Elizabeth, “he took a bottle of ale with him to the stable and said he was planning to drink it until the last two days were washed from his memory.” “They’re back, then?” “Jake is back,” the vicar corrected as Ian walked over to the table and poured some Madeira into a glass. “The servingwomen will arrive in the morn. Elizabeth and Miss Throckmorton-Jones are gone, however.” Thinking Duncan meant they’d gone for a walk, Ian flicked a glance toward the front door. “Where have they gone at this hour?” “Back to England.” The glass in Ian’s hand froze halfway to his lips. “Why?” he snapped. “Because Miss Cameron’s uncle has accepted an offer for her hand.” The vicar watched in angry satisfaction as Ian tossed down half the contents of his glass as if he wanted to wash away the bitterness of the news. When he spoke his voice was laced with cold sarcasm. “Who’s the lucky bridegroom?” “Sir Francis Belhaven, I believe.” Ian’s lips twisted with excruciating distaste. “You don’t admire him, I gather?” Ian shrugged. “Belhaven is an old lecher whose sexual tastes reportedly run to the bizarre. He’s also three times her age.” “That’s a pity,” the vicar said, trying unsuccessfully to keep his voice blank as he leaned back in his chair and propped his long legs upon the footstool in front of him. “Because that beautiful, innocent child will have no choice but to wed that old…lecher. If she doesn’t, her uncle will withdraw his financial support, and she’ll lose that home she loves so much. He’s perfectly satisfied with Belhaven, since he possesses the prerequisites of title and wealth, which I gather are his only prerequisites. That lovely girl will have to wed that old man; she has no way to avoid it.” “That’s absurd,” Ian snapped, draining his glass. “Elizabeth Cameron was considered the biggest success of her season two years ago. It was pubic knowledge she’d had more than a dozen offers. If that’s all he cares about, he can choose from dozens of others.” Duncan’s voice was laced with uncharacteristic sarcasm. “That was before she encountered you at some party or other. Since then it’s been public knowledge that she’s used goods.” “What the hell is that supposed to mean?” “You tell me, Ian,” the vicar bit out. “I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“ “What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window.
Judith McNaught (Almost Heaven (Sequels, #3))
I'll bet My. Pinter knows his way around a rifle. She scowled. He probably thought he was a grand shot, anyway. For a man whose lineage was reputedly unsavory, Mr. Pinter was so high in the instep that she privately called him Proud Pinter or Proper Pinter. He'd told Gabe last week that most lords were good for only two things-redistributing funds from their estates into the gaming hells and brothels in London, and ignoring their duty to God and country. She knew he was working for Oliver only because he wanted the money and prestige. Secretly, he held them all in contempt. Which was probably why he was being so snide about her marrying. "Be that as it may," she said, "I'm interested in marriage now." She strode over to the fireplace to warm her hands. "That's why I want you to investigate my potential suitors." "Why me?" She shot him a sideways glance. "Have you forgotten that Oliver hired you initially for that very purpose?" His stiffening posture told her that he had. With a frown, he drew out the notebook and pencil he always seemed to keep in his pocket. "Very well. Exactly what do you want me to find out?" Breathing easier, she left the fire. "The same thing you found out for my siblings-the truth about my potential suitors' finances, their eligibility for marriage, and...well..." He paused in scratching his notes to arch an eyebrow at her. "Yes?" She fiddled nervously with the gold bracelet she wore. This part, he might balk at. "And their secrets. Things I can use in my...er...campaign. Their likes, their weaknesses, whatever isn't obvious to the world." His expression chilled her even with the fire at her back. "I'm not sure I understand." "Suppose you learn that one of them prefers women in red. That could be useful to me. I would wear red as much as possible." Amusement flashed in his eyes. "And what will you do if they all prefer different colors?" "It's just an example," she said irritably.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Mrs. Durnell, too, had saved up to build a more substantial house, prevailing over stubborn male contractors. The fireplace, Wilder wrote, was “made according to Mrs. Durnell’s own plan, with a chimney that draws even though she had to stand by the mason as he was building it and insist that he build it as she directed.”31 Here Wilder began a thread that would run through all of her work and appear in her daughter’s as well. Women must assert their authority, she believed; it would pay off in the end.
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
We held a grief ritual shortly after the 9/11 attacks. Many stories of violence and violation were being evoked by the tragedy. As we listened to the intensity of the stories, we realized we needed to offer a secondary shrine for this event. The normal shrine at these rituals is a water shrine. Water is the element of healing and renewal in many traditions. On this occasion, however, the element of fire was also being called in. Fire is the energy of passion and ignition, and it is often associated with the ancestors. People needed an energy field large enough to fully receive their protests. The site where we were holding this ritual had an immense old fireplace in it. At one end of the room, we created our water shrine, and at the other, surrounding the fireplace, we built the second shrine. Once the ritual began, people spent time weeping at the water shrine and shouting their outrage to the fire. Many of them migrated back and forth, from shrine to shrine. At times, rage would trigger tears, and at others, tears would evoke rage.
Francis Weller (The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief)
I know your lips were sealed for the love you couldn't give and it was stuck in your throat for years I couldn't wait because I know my limits like I know how fast seasons pass you kept setting the fires cause I was an ice to the heat and you were a fireplace has been torn down now I clean the ashes out of it to start a fresh fire because you know my grief is a need and I need things that hurt me the most
Orkhan Mirzesoy
The door was opened for him by an old servant in black, who proposed at once to show him to his room. He looked round the vast hall, which, when he had before known it, was ever filled with signs of life, and felt at once that it was empty and deserted. It struck him as intolerably cold, and he saw that the huge fireplace was without a spark of fire.
Anthony Trollope (Complete Works of Anthony Trollope)
Even when I had everything, I still felt like something was missing. But, what’s wrong with having things?” “Nothing. There’s nothing wrong with having anything you want. But, when you become attached to things, when they become a part of your identity, when the loss of something causes you suffering, that’s when you are going to find that you are not satisfied, that nothing can satisfy you. “When you are not attached to anything, you get everything. Look at what we have here! We have a great cabin in a beautiful place, fire in the fireplace and food on the table. What more could we ask for?” “But, we don’t own it, it’s not really ours.” “Look Jack, no one can own anything. First of all everything is temporary. Nothing lasts forever. And even if the things last a long time, we don’t! So even if you own everything, some day you will die and then what do you have? “People who accumulate things and become attached to them, suffer from fear of loss. They feel they have to protect everything. They are constantly worried about people stealing from them. They build fortresses and live behind bars. They become prisoners of all the stuff they accumulate. They have to care for it and take it with them or make sure it’s being looked after.
S. Sean Tretheway (Beyond The Road)
Nemienne, who had never been able to summon fire into the peculiar heavy darkness of these caverns, found in her heart an understanding of shadows and darkness and black water that had never known the sun. She held in her mind the heavy smothering darkness, knelt on the stone, dipped a finger into the black pool, and drew quickly on the white stone the rune for summoning that she had seen on the hearthstone of Leilis’s fireplace. What she summoned was the patient darkness that lay beyond the reach of any light, the endless heavy shadows that could smother any fire.
Rachel Neumeier (House of Shadows (House of Shadows #1))
An even more important invention was the control of fire. No one is quite sure when humans first managed to regularly create and use fire. Currently, the earliest evidence for the controlled use of fire by humans comes from a million-year-old site in South Africa and from a 790,000-year-old site in Israel.18 Traces of fire, however, remain rare until 400,000 years ago, when fireplaces and burnt bones start showing up regularly in sites, suggesting that archaic Homo, unlike H. erectus, habitually cooked its food.19 Cooking, when it did catch on, was a transformative advance. For one, cooked food yields much more energy than uncooked food and is less likely to make you sick. Fire also allowed archaic humans to keep warm in cold habitats, to fend off dangerous predators, like cave bears, and to stay up late at night.
Daniel E. Lieberman (The Story of the Human Body: Evolution, Health and Disease)
Why, Reshi?"The words poured out of Bast in a sudden gush. "Why did you stay there when it was so awful?" Kvothe nodded to himself, as if he had been expecting the question. "Where else was there for me to go, Bast? Everyone I knew was dead." "Not everyone," Bast insisted. "There was Abenthy. You could have gone to him." "Hallowfell was hundreds of miles away, Bast," Kvothe said wearily as he wandered to the other side of the room and moved behind the bar. Hundreds of miles without my father's maps to guide me. Hundreds of miles without wagons to ride or sleep in. Without help of any sort, or money, or shoes. Not an impossible journey, I suppose. But for a young child, still numb with the shock of losing his parents. . . ." Kvothe shook his head. "No. In Tarbean at least I could beg or steal. I'd managed to survive in the forest for a summer, barely. But over the winter?" He shook his head. "I would have starved or frozen todeath." Standing at the bar, Kvothe filled his mug and began to add pinches of spice from several small containers, then walked toward the great stone fireplace, a thoughtful expression on his face. "You're right, of course. Anywhere would have been better than Tarbean." He shrugged, facing the fire. "But we are all creatures of habit. It is far too easy to stay in the familiar ruts we dig for ourselves. Perhaps I even viewed it as fair. My punishment for not being there to help when the Chandrian came. My punishment for not dying when I should have, with the rest of my family." Bast opened his mouth, then closed it and looked down at the tabletop, frowning. Kvothe looked over his shoulder and gave a gentle smile. "I'm not saying it's rational, Bast. Emotions by their very nature are not reasonable things. I don't feel that way now, but back then I did. I remember." He turned back to the fire. "Ben's training has given me a memory so clean and sharp I have to be careful not to cut myself sometimes." Kvothe took a mulling stone from the fire and dropped it into his wooden mug. It sank with a sharp hiss. The smell of searing clove and nutmeg filled the room. Kvothe stirred his cider with a long-handled spoon as he made his way back to the table. "You must also remember that I was not in my right mind. Much of me was still in shock, sleeping if you will. I needed something, or someone, to wake me up." He nodded to Chronicler, who casually shook his writing hand to loosen it, then unstoppered his inkwell. Kvothe leaned back in his seat. "I needed to be reminded of things I had forgotten. I needed a reason to leave. It was years before I met someone who could do those things." He smiled at Chronicler. "Before I met Skarpi.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
How cool,” she says, directing a melting stare at Luca. “I’d love to live in a place like this--just pull a cord when you need someone to bring something…” “It is very old and falling down,” Luca says depressingly, propping his shoulders against the wall and crossing his legs at the ankles. “And it costs so much to heat, in the winter we live in one small room.” “Oh, I’m sure that’s not true!” she coos. “Si, invece. In the peasants’’ houses, they have the big fireplace,” he informs her. “With the stone panchini--” He looks at Catia, who provides him with the word “benches.” “Ecco,” he continues. “With the stone benches to sleep next to the fire, to stay warm. Often I say to my mother, we need them here too.” Paige giggles. “You need an American heiress,” she says teasingly. “Like in the nineteenth century in England. Kendra and I saw the miniseries. These American girls with tons of money went to England and married the dukes and earls ‘cause those guys needed money to keep up their stately homes, and the girls wanted to be duchesses. Or princesses,” she adds pointedly. “Subtle, Paige,” Kendra says. “Subtle like a Mack truck.” Paige giggles again. “I’m just saying,” she points out, tossing her blond curls. “I’d looove to be a princess.” “There are many princes in Italy,” Luca says. “And almost all of them are very poor.” “Awesome,” Paige says with relish. “We’re not all this bad,” Kendra says to me and Kelly in an undertone. “Honestly.” “I think she’s funny,” Kelly says back. “I mean, she’s only saying what everyone’s thinking. I sort of admire her for coming straight out with it.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
What made you come back?” Kitty jerked at his sudden question. She sputtered for a moment then laughed. “What made me come back? What do you mean?” He shrugged with one shoulder, never moving his gaze away from her. “At Eliza’s and Thomas’s wedding last year you were convinced that returning to Boston and living with your aunt was the best course to take. But it appears you have changed your mind. So, what made you come back?” “Is that why you followed me? To ask me that?” Her face burned, but she feigned composure and looked at him with as much ease as she could marshal. “Boston is too dangerous, you know that.” “’Tis true, I am well aware of what Boston and its residents suffer. But I cannot believe that was the only reason you returned.” Training her mouth to reveal nothing more than a slight grin, she strained to keep her pulse quiet. She stepped toward the fire, resting her hand atop the chair, acting more casual than she felt. “If there were any other reason, do you think that I would share such information with you? Surely, Nathaniel, I cannot share all my secrets.” “Secrets? Well, now I am curious.” Kitty rubbed the lace on her gloves and emitted a warm, genuine laugh that eased the strain in her voice. She offered an impish smile. “I came back for several reasons, if you must know. As I mentioned, ‘twas for matters of safety that Henry Donaldson insisted I return as well as—”  “Donaldson?” Kitty peered over her shoulder, hiding the grin that surged at the undeniable question in Nathaniel’s eyes. Could he be... nay, not possible. She kept her focus. “Aye, Henry Donaldson. You remember him, do you not?” “Aye, of course. I just... I just hadn’t known he was still... around. He was always a good friend and I admire him, despite his poor choice of allegiances.” Nathaniel’s interested expression stayed lifted, but the light in his eyes went flat. “Are you... have you been seeing much of him of late?” “I have,” she said. “He’s a close friend and I admire him very much.” Nathaniel’s expression didn’t change, but his Adam’s apple bobbed and he cleared his throat. “I see.”  She once again toyed with the fabric of her gloves, unsure what else to do with her hands. Quickly focusing on the subject of their conversation, she stared back into the fire. “Henry said it was too dangerous for me to stay despite my protestations. With Father gone and Eliza here—and since our home was destroyed that December… well, my home is here now.” The scent of smoke wafting from the fireplace in front of her snatched the horrid vision from its hiding place in her mind. Instantly she witnessed anew the roaring flames that devoured her treasured childhood home, taking with it all her cherished memories and replacing them with ash. She turned to Nathaniel, his face drawn as if he too relived the tragedy. The bond they’d shared that night had forged a friendship that could never be shaken.  Nathaniel stepped forward, the look of tenderness so rich in his eyes it wound around her shoulders like a warm cloak. “I can well understand that, Kitty. Donaldson was right in advising you to return.” Then, as if the heaviness were too much, he shrugged and sighed with added gaiety to his tone. “Well, I will admit that Sandwich didn’t feel the same with you gone, that’s for certain.” She tipped her head with a smirk. “You pined for my return?”  “With the pains of an anguished soul.” “Lying is a sin, Nathaniel,” she teased. Nathaniel laughed, his broad smile exposing his straight teeth. “All right, if you want the truth I pined more for your cooking, and more specifically for your carrot pudding. Are you satisfied?” “I knew it.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
kinds of disguises and dance to all sorts of tunes to make myself Harry’s addiction. If he had not been fatally flawed, early corrupted by the brutality of his school, I should never have been able to keep him from Celia. I knew I was a hundred times more beautiful than she, a hundred times stronger. But I could not always remember that, when I saw the quiet strength she drew on when she believed she was morally right. And I could not be certain that every man would prefer me, when I remembered how Harry had looked at her with such love when we came back from France. I would never forgive Celia for that summer. Even though it was the summer when I cared nothing for Harry but rode and danced day and night with John, I would not forget that Celia had taken my lover from me without even making an effort at conquest. And now my husband bent to kiss her hand as if she were a queen in a romance and he some plighted knight. I might give a little puff of irritation at this scene played out before my very window. Or I might measure the weakness in John and think how I could use it. But use it I would. Even if I had felt nothing else for John I should have punished him for turning his eyes to Celia. Whether I wanted him or not was irrelevant. I did not want my husband loving anyone else. For dinner that afternoon I dressed with extra care. I had remodelled the black velvet gown that I had worn for the winter after Papa’s death. The Chichester modiste knew her job and the deep plush folds fitted around my breasts and waist like a tight sheath, flaring out in lovely rumpled folds over the panniers at my hips. The underskirt was of black silk and whispered against the thick velvet as I walked. I made sure Lucy powdered my hair well, and set in it some black ribbon. Finally, I took off my pearl necklace and tied a black ribbon around my throat. With the coming of winter, my golden skin colour was fading to cream, and against the black of the gown I looked pale and lovely. But my eyes glowed green, dark-lashed and heavy-lidded, and I nipped my lips to make them red as I opened the parlour door. Harry and John were standing by the fireplace. John was as far away from Harry as he could be and still feel the fire. Harry was warming his plump buttocks with his jacket caught up, and drinking sherry. John, I saw in my first sharp glance, was sipping at lemonade. I had been right. Celia was trying to save my husband. And he was hoping to get his unsteady feet back on the road to health. Harry gaped openly when he saw me, and John put a hand on the mantelpiece as if one smile from me might destroy him. ‘My word, Beatrice, you’re looking very lovely tonight,’ said Harry, coming forward
Philippa Gregory (Wideacre)
When he entered the main room upstairs, he saw a dark jump in front of an anemic fire in the fireplace. “Marla,” he said just as a pair of paws hit him hard in the stomach. Booboo was wriggling glad to see his master and as noisy as ever. “How come you wouldn’t let me in, Marla?” Willie asked after he’d quieted Booboo down. That was when he realized she was sobbing. He touched her heaving shoulders. “Marla, it’s all right. Come on. Listen to me. You’re going to like this move. Really. Now listen.” To the back of her head, he explained what her parents had told him to tell her. “Are you listening?” Willie asked her. “Yes,” she whimpered. “Well, so it sounds good, doesn’t it?” “Dad always makes moves sound good.” “But you’ll have family to help you take care of your mother so you won’t have to stay home from school. That’ll be good, won’t it?” “Maybe.” “Marla, he’s the only father you’ve got. You have to trust him.” “Why?” “Well--” Willie was thinking about Dad. “That’s the thing about being a kid. We have to keep trusting them even when they mess up, because they’re the adults and we need them.
C.S. Adler (Willie, the Frog Prince)
Thomson saw the importance of maintaining the central fire, as well as opening the periphery. The stomach was the seat of this central fire and it must be kept warm and healthy (Botanic Guide, 1825, 8): “The stomach is the deposit from which the whole body is supported. The heat is maintained in the stomach by consuming food; and all the body and limbs receive their proportion of nourishment and heat from that source; as the whole room is warmed by the fire which is consumed in the fireplace.” The natural heat in the center of the body is continually radiating out to the periphery, dominating the economy of the body in all its activities and parts, maintaining it against the cold, toxins, and attacks from the outward environment. Thomson attributes death to the cessation in this outward movement. “It is immaterial whether we lose this power by losing the inward heat or raising the outward heat about it, as the effect is the same,” writes Thomson (1825, 17). “When the outward heat becomes equal with the inward … cold assumes the power and death takes place.
Matthew Wood (The Practice of Traditional Western Herbalism: Basic Doctrine, Energetics, and Classification)
She stood with her back to the lively fire perking in the stone fireplace, feeling warm for the first time in hours, and she smelt the homemade soup and bread and watched the deadly weapon progress around the room. Clara and Myrna stood in line at the buffet table, balancing mugs of steaming French Canadian pea soup and plates with warm rolls from the boulangerie. Just ahead Nellie was piling food on to her plate.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
I’ve spent a lot of my time alone, and I have learned to treat myself as if I were a family. I give myself dinner at night. I give myself breakfast in the morning. I like the process of deciding what to eat and putting it together and seeing how it works, and I like to experiment, and I like to eat. There’s nothing lonelier than some guy alone in the kitchen eating Chinese food out of the carton. “But cooking yourself a meal,” Susan said, “and sitting down to eat it with the table set, and maybe a fire in the fireplace . . .” “And a ball game on . . .” “And a half bottle of wine, perhaps.” I nodded. Susan smiled, the way she does when her face seems to get brighter. “You are the most self-sufficient man I have ever known,” she said.
Robert B. Parker (Pastime (Spenser, #18))
Above, a vivid painting hung over the fireplace. Inside its frame, a woman was transforming into a tree. The lower half of her body was bark and roots, plunging into soil, while her waist and chest arched upwards and her outstretched hands reached for the sky. The nymph's dark hair was a knotted mass of branches around her head, sprouting bright green leaves. It was the myth of Daphne---the nymph who begged the river god to save her from Apollo and was turned into a laurel tree. "It must be a terrible thing to lose," Hawthorne said, making her jump. He looked up from where he crouched near the fire: to the woman in the frame. His left forearm was streaked with black ash. "What's a terrible thing to lose?" Hawthorne's eyes glittered as he studied the nymph. "Your humanity." "But it was her choice," said Emeline, feeling defensive of Daphne. If the river god hadn't turned her into a laurel, she would have fallen prey to Apollo. "She asked to be saved." Firelight flickered over Hawthorne's face as his gray-eyed gaze caught hers and held it. "Saved," he murmured, considering this. "Is that really what the river god did? As a tree, her life is forfeit. She'll never be human again. She'll never laugh or sing, ponder or love, again. Don't you think she would have preferred the river god defeat Apollo, or at the very least warn him away, instead of taking something so precious from her?
Kristen Ciccarelli (Edgewood)
Nancy said, “Let’s all go into the living room and exchange stories. Dad, build a nice cozy fire, will you? It’s chilly.” Soon there was a roaring blaze in the fireplace and the three sat down. Hannah Gruen brought a cup of steaming cocoa and homemade cookies for Nancy, while she and Mr. Drew had second cups of coffee.
Carolyn Keene (The Sign of the Twisted Candles (Nancy Drew, #9))
Scarlett grabbed the fireplace poker and stoked the logs, watching the fire skip over the metal until it turned shades of brilliant orange-red—the color of bravery.
Stephanie Garber (The Caraval Complete Trilogy (Caraval, #1-3))
It was lunchtime the next day and Flora was already looking forward to the evening - an early supper and several hours of reading by the fire. April was still cold enough to put a match to the logs she'd stacked in the fireplace and enjoy the smell of apple wood. Enjoy, too, the latest Ian Fleming to arrive at the All's Well, 'From Russia With Love'. She couldn't approve of his hero, but the books were wonderfully exciting
Merryn Allingham (Murder at Abbeymead Farm (Flora Steele, #6))
Sun so generous it shall be you, Vapors lighting and shading my face it shall be you, You sweaty brooks and dew it shall be you, Winds whose soft-tickling genitals rub against me it shall be you, Broad muscular fields, branches of liveoak, loving lounger in my winding paths, it shall be you, Hands I have taken, face I have kissed, mortal I have ever touched, it shall be you." Robert stopped, and surveyed her face. Waiting, Lavender supposed, for a response. "The passage strikes me as amorous and carnal, Sir. The parlor grows cold. We need more fire." She rose quickly and scratched around with kindling and sticks Arlo Snook had, in his habitual way, stacked neatly by the fireplace. The task allowed her to turn away from Robert, for in truth, Whitman's words unsettled her, their anatomy parts she'd heard only in ladies' physical education at Cobourg Academy.
Jeanette Lynes (The Apothecary's Garden)
He had flowing coarse parted fiery crimson hair and with coals for eyes his entire smooth ruddy face seemed to be holding back a furnace that ignited the rest of his head; he utilized his umbrella as a poker to close the door and walked into the hearth of the house - the kitchen table.
J.S. Mason (Whisky Hernandez)
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The Fire and Stove Guys
The little poet had had enough. He had one good thing left: My dead heart is so hard to bear ... But he threw it into the kitchen stove. There was no fire in the fireplace since it was summer.
Nescio (Amsterdam Stories)
The fireplace The embers in the fireplace were dying slowly, And their golden sheen that fell on her face was stealing her from me, Because the embers that no longer shimmered resplendently, Faded somewhere in the fireplace leaving her cold beside me, Because a part of her had escaped with these golden embers, Her warm and loving heart was now in their custody, So I let my cold heart participate in some organic vitriol to lament their untimely slumbers, The sleeping embers and in them a part of her sleeping too, leaving me behind to face this emotional fatality, Where her cold part lies motionless beside me and beside the cold fireplace, Only to awaken when the embers burn once again, And her heart feels the renewed and a warmer pace, Hopefully the embers do not die again then all this burning will be invain, But burning is the fate of few, their only destiny, So, I am sure when it is time the embers will shimmer in their golden fire, Until that happens let me establish with her cold heart and her cold part, a warm fraternity, And feel the warmth of my every unfulfilled desire, In this hope I keep staring at the ash gray fireplace, Where the embers have died, and where her warm part lies somewhere, But whether it is cold or warm, her sensations with no other I wish to replace, Because embers are meant to burn in the fireplace and nowhere, It is a new day and the sun has not risen yet, But there is a pulse of golden waves forming across the fireplace, And outside, the rain that lasted the entire night has left everything wet, Except one place, my own space, I call the sacred fireplace, Because that is where my emotions burn with flames of desires, And now everything is covered in a warm and golden sheen, While my heart tries to separate flames from burning fires, I over her warm part in emotional relays lean!
Javid Ahmad Tak (They Loved in 2075!)