Fire Emblem Quotes

We've searched our database for all the quotes and captions related to Fire Emblem. Here they are! All 14 of them:

Simon had never noticed before, but she wore a silver ring on her right hand, with a partner of flames around the band of it, and a carved L in the center. It reminded him of the ring Clary wore around her neck, with its design of stars. "It's the Lightwood family ring," she said, noticing where his gaze was fixed. "Every family has an emblem. Ours is fire.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
...and over all the silver fire that once Men named the Burning Briar, the Seven Stars that Varda set about the North, were burning yet, a light in darkness, hope in woe, the emblem vast of Morgoth’s foe.
J.R.R. Tolkien (Beren and Lúthien)
A child cannot quarrel with its elders, as I had done, cannot give its furious feelings uncontrolled play, as I had given mine, without experiencing afterwards the pang of remorse and the chill of reaction. A ridge of lighted heath, alive, glancing, devouring, would have been a meet emblem of my mind when I accused and menaced Mrs. Reed: the same ridge, black and blasted after the flames are dead, would have represented as meetly my subsequent condition.
Charlotte Brontë (Jane Eyre)
The wet sidewalks gleam with a broad sheet of red light. The raindrops glitter as if the sky were pouring down rubies. The spouts gush with fire. Methinks the scene is an emblem of the deceptive glare which mortals throw around their footsteps in the moral world, thus bedazzling themselves till they forget the impenetrable obscurity that hems them in, and that can be dispelled only by radiance from above.
Nathaniel Hawthorne (The Complete Works of Nathaniel Hawthorne)
Though in many natural objects, whiteness refiningly enhances beauty, as if imparting some special virtue of its own, as in marbles, japonicas, and pearls; and though various nations have in some way recognised a certain royal preeminence in this hue; even the barbaric, grand old kings of Pegu placing the title “Lord of the White Elephants” above all their other magniloquent ascriptions of dominion; and the modern kings of Siam unfurling the same snow-white quadruped in the royal standard; and the Hanoverian flag bearing the one figure of a snow-white charger; and the great Austrian Empire, Caesarian, heir to overlording Rome, having for the imperial color the same imperial hue; and though this pre-eminence in it applies to the human race itself, giving the white man ideal mastership over every dusky tribe; and though, besides, all this, whiteness has been even made significant of gladness, for among the Romans a white stone marked a joyful day; and though in other mortal sympathies and symbolizings, this same hue is made the emblem of many touching, noble things— the innocence of brides, the benignity of age; though among the Red Men of America the giving of the white belt of wampum was the deepest pledge of honor; though in many climes, whiteness typifies the majesty of Justice in the ermine of the Judge, and contributes to the daily state of kings and queens drawn by milk-white steeds; though even in the higher mysteries of the most august religions it has been made the symbol of the divine spotlessness and power; by the Persian fire worshippers, the white forked flame being held the holiest on the altar; and in the Greek mythologies, Great Jove himself being made incarnate in a snow-white bull; and though to the noble Iroquois, the midwinter sacrifice of the sacred White Dog was by far the holiest festival of their theology, that spotless, faithful creature being held the purest envoy they could send to the Great Spirit with the annual tidings of their own fidelity; and though directly from the Latin word for white, all Christian priests derive the name of one part of their sacred vesture, the alb or tunic, worn beneath the cassock; and though among the holy pomps of the Romish faith, white is specially employed in the celebration of the Passion of our Lord; though in the Vision of St. John, white robes are given to the redeemed, and the four-and-twenty elders stand clothed in white before the great-white throne, and the Holy One that sitteth there white like wool; yet for all these accumulated associations, with whatever is sweet, and honorable, and sublime, there yet lurks an elusive something in the innermost idea of this hue, which strikes more of panic to the soul than that redness which affrights in blood.
Herman Melville (Moby-Dick)
(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.
Walter Scott
Why, exactly, is Marduk handing Hammurabi a one and a zero in this picture?" Hiro asks. "They were emblems of royal power," the Librarian says. "Their origin is obscure." "Enki must have been responsible for that one," Hiro says. "Enki's most important role is as the creator and guardian of the me and the gis-hur, the 'key words' and 'patterns' that rule the universe." "Tell me more about the me." "To quote Kramer and Maier again, '[They believed in] the existence from time primordial of a fundamental, unalterable, comprehensive assortment of powers and duties, norms and standards, rules and regulations, known as me, relating to the cosmos and its components, to gods and humans, to cities and countries, and to the varied aspects of civilized life.'" "Kind of like the Torah." "Yes, but they have a kind of mystical or magical force. And they often deal with banal subjects -- not just religion." "Examples?" "In one myth, the goddess Inanna goes to Eridu and tricks Enki into giving her ninety-four me and brings them back to her home town of Uruk, where they are greeted with much commotion and rejoicing." "Inanna is the person that Juanita's obsessed with." "Yes, sir. She is hailed as a savior because 'she brought the perfect execution of the me.'" "Execution? Like executing a computer program?" "Yes. Apparently, they are like algorithms for carrying out certain activities essential to the society. Some of them have to do with the workings of priesthood and kingship. Some explain how to carry out religious ceremonies. Some relate to the arts of war and diplomacy. Many of them are about the arts and crafts: music, carpentry, smithing, tanning, building, farming, even such simple tasks as lighting fires." "The operating system of society." "I'm sorry?" "When you first turn on a computer, it is an inert collection of circuits that can't really do anything. To start up the machine, you have to infuse those circuits with a collection of rules that tell it how to function. How to be a computer. It sounds as though these me served as the operating system of the society, organizing an inert collection of people into a functioning system." "As you wish. In any case, Enki was the guardian of the me." "So he was a good guy, really." "He was the most beloved of the gods." "He sounds like kind of a hacker.
Neal Stephenson (Snow Crash)
But for today, my friends, we have the Sword and the Promise," Creedus said. With the fire again rising, he bent low to the ground and grabbed the sword that had been lying at his feet. As he pulled it slowly from its scabbard, it sang softly. With a light all of its own, an emblem at the base of the blade shone most brilliantly of all: Amilum.
Jaffrey Clark (The Sword and the Promise (The Reaper's Seed #1))
The only one to remain in his vehicle, was my radio operator, who was sending off my messages. Next to the vehicle, stood my intelligence officer, who passed on to the operator what I shouted across to him. Then a machine—I thought I recognized the Canadian emblem—approached for a low-flying attack on the armored radio station. At 20 yards, I could clearly see the pilot’s face under his flight helmet. But instead of shooting, he signaled with his hand for the radio officer to clear off, and pulled his machine up into a great curve. “Get the operator out of the vehicle,” I shouted, “and take cover, the pair of you.” The machine had turned and now came at us out of the sun for the second time. This time, he fired his rockets and hit the radio car, fortunately, without doing too much damage. This attitude of the pilot, whether he was Canadian or British, became for me, the example of fairness in this merciless war. I shall never forget the pilot’s face or the gesture of his hand.
Hans von Luck (Panzer Commander: The Memoirs of Colonel Hans von Luck (World War II Library))
my gaze kept roaming back toward the white banners hanging on the walls of the dining hall, spaced six feet apart. In the center of each of them was an emblem embossed in gold, shaped like the sun and its rays. And at the center of the sun was a sword lying diagonally atop an arrow. I knew I was staring at the Atlantian Crest.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Paying attention, being prepared and patient, and doing it right the first time: the skill and the values were so closely entwined that fire making became for us an emblem of a certain kind of virtue.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
Oh, don't let all the joking around fool ya—I've got kind of a thing for killing. Most funny people do, you know. The two things must be linked somehow. Ever talk to a jester when he's off duty? Those guys are some sick dastards!
Henry from fire emblem awak
Oh, don't let all the joking around fool ya—I've got kind of a thing for killing. Most funny people do, you know. The two things must be linked somehow. Ever talk to a jester when he's off duty? Those guys are some sick dastards!
Kouhei Maeda Nami Komura Masayuki Horikawa Yuichi Kitaoka Sou Mayumi Shuntaro Ashida
A week later, Stanton walked into the fire. Sparks cascaded around him and formed a crown in his hair without burning. The cold blaze lashed around him, etching a frosty crystalline pattern of his arms and face. He stared at the other members of the Inner Circle through the veil of flames as the fire burned his mortality away and he became an Immortal again. Their eyes looked more pleased than angry, more content than covetous. Stanton had destroyed the traitor Lambert, and the Atrox was pleased. The fire became a maelstrom, shrieking up to the heavens in triumph. The crown of burning embers stayed on his head. Bits of fire showered the night and formed a pathway toward the blaze. Three of the highest-ranking members stepped slowly forward along the fiery path, carrying a cloak spun of black, silky threads. Together they spread the fabric and set the cloak over Stanton's shoulders. He stared at the emblem, surprised by what he had been given. He smiled, satisfied, and knew that Jimena's final premonition had come true. Only one was allowed to wear this crest. It was the highest honor given by the Atrox; two hands holding the eternal flame of evil. Stanton understood its significance. He had once been destined to be a prince. Now he was Prince of the Night.
Lynne Ewing (The Sacrifice (Daughters of the Moon, #5))