Finished Chapter Quotes

It is always important to know when something has reached its end. Closing circles, shutting doors, finishing chapters, it doesn't matter what we call it; what matters is to leave in the past those moments in life that are over.

There are those who say that life is like a book, with chapters for each event in your life and a limited number of pages on which you can spend your time. But I prefer to think that a book is like a life, particularly a good one, which is well to worth staying up all night to finish.

I figured I could read more than five pages tonight since I'd been deprived for the last couple of days. When I finished the fifteenth, I discovered I was three pages from the next chapter. Might as well end with a clean break. After I was done, I sighed and leaned back, feeling decadent and spent. Pure bliss. Books were a lot less messy than orgasms.

I've come to realize that however blue my circumstances, if after finishing a chapter of a Dickens novel I feel a miss-my-stop-on-the-train sort of compulsion to read on, then everything is probably going to be just fine.

It is never quite safe to think we have done with life. When we imagine we have finished our story fate has a trick of turning the page and showing us yet another chapter.

You can have everything in the world, but if you don't have love, none of it means crap," he said promptly. "Love is patient. Love is kind. Love always forgives, trusts, supports, and endures. Love never fails. When every star in the heavens grows cold, and when silence lies once more on the face of the deep, three things will endure: faith, hope, and love." And the greatest of these is love," I finished. "That's from the Bible." First Corinthians, chapter thirteen," Thomas confirmed. "I paraphrased. Father makes all of us memorize that passage. Like when parents put those green yucky-face stickers on the poisonous cleaning products under the kitchen sink.

[Said during a debate when his opponent asserted that atheism and belief in evolution lead to Nazism:] Atheism by itself is, of course, not a moral position or a political one of any kind; it simply is the refusal to believe in a supernatural dimension. For you to say of Nazism that it was the implementation of the work of Charles Darwin is a filthy slander, undeserving of you and an insult to this audience. Darwin’s thought was not taught in Germany; Darwinism was so derided in Germany along with every other form of unbelief that all the great modern atheists, Darwin, Einstein and Freud were alike despised by the National Socialist regime. Now, just to take the most notorious of the 20th century totalitarianisms – the most finished example, the most perfected one, the most ruthless and refined one: that of National Socialism, the one that fortunately allowed the escape of all these great atheists, thinkers and many others, to the United States, a country of separation of church and state, that gave them welcome – if it’s an atheistic regime, then how come that in the first chapter of Mein Kampf, that Hitler says that he’s doing God’s work and executing God’s will in destroying the Jewish people? How come the fuhrer oath that every officer of the Party and the Army had to take, making Hitler into a minor god, begins, “I swear in the name of almighty God, my loyalty to the Fuhrer?” How come that on the belt buckle of every Nazi soldier it says Gott mit uns, God on our side? How come that the first treaty made by the Nationalist Socialist dictatorship, the very first is with the Vatican? It’s exchanging political control of Germany for Catholic control of German education. How come that the church has celebrated the birthday of the Fuhrer every year, on that day until democracy put an end to this filthy, quasi-religious, superstitious, barbarous, reactionary system? Again, this is not a difference of emphasis between us. To suggest that there’s something fascistic about me and about my beliefs is something I won't hear said and you shouldn't believe.

It is always important to know when something has reached its end. Closing circles, shutting doors, finishing chapters, it doesn’t matter what we call it; what matters is to leave in the past those moments in life that are over. Slowly, I began to realize that I could not go back and force things to be as they once were: those two years, which up until then had seemed an endless inferno, were now beginning to show me their true meaning.

Anyway. I’m not allowed to watch TV, although I am allowed to rent documentaries that are approved for me, and I can read anything I want. My favorite book is A Brief History of Time, even though I haven’t actually finished it, because the math is incredibly hard and Mom isn’t good at helping me. One of my favorite parts is the beginning of the first chapter, where Stephen Hawking tells about a famous scientist who was giving a lecture about how the earth orbits the sun, and the sun orbits the solar system, and whatever. Then a woman in the back of the room raised her hand and said, “What you have told us is rubbish. The world is really a flat plate supported on the back of a giant tortoise.” So the scientist asked her what the tortoise was standing on. And she said, “But it’s turtles all the way down!” I love that story, because it shows how ignorant people can be. And also because I love tortoises.

I could not sit seriously down to write a serious Romance under any other motive than to save my life, & if it were indispensable for me to keep it up & never relax into laughing at myself or other people, I am sure I should be hung before I had finished the first chapter. No - I must keep my own style & go on in my own way; and though I may never succeed again in that, I am convinced that I should totally fail in any other.

Writing is like everything else: the more you do it the better you get. Don't try to perfect as you go along, just get to the end of the damn thing. Accept imperfections. Get it finished and then you can go back. If you try to polish every sentence there's a chance you'll never get past the first chapter.

I have a habit of reading a book for at least 15 minutes a day, and whenever I finish a chapter, I immediately go over to Evernote and type out some notes on what I read. When I do this the Outline Method is my system of choice. While

Closing The Cycle One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished. Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden? You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill. None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back. Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place. Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else. Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important. Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.

He treated...my scarred as shit past and body as chapters of a book he wanted to hold in his hands and finish.

From the moment I start a new novel, life’s just one endless torture. The first few chapters may go fairly well and I may feel there’s still a chance to prove my worth, but that feeling soon disappears and every day I feel less and less satisfied. I begin to say the book’s no good, far inferior to my earlier ones, until I’ve wrung torture out of every page, every sentence, every word, and the very commas begin to look excruciatingly ugly. Then, when it’s finished, what a relief! Not the blissful delight of the gentleman who goes into ecstasies over his own production, but the resentful relief of a porter dropping a burden that’s nearly broken his back . . . Then it starts all over again, and it’ll go on starting all over again till it grinds the life out of me, and I shall end my days furious with myself for lacking talent, for not leaving behind a more finished work, a bigger pile of books, and lie on my death-bed filled with awful doubts about the task I’ve done, wondering whether it was as it ought to have been, whether I ought not to have done this or that, expressing my last dying breath the wish that I might do it all over again!

When you make loving others the story of your life, there's never a final chapter, because the legacy continues. You lend your light to one person, and he or she shines it on another and another and another. And I know for sure that in the final analysis of our lives- when the to-do lists are no more, when the frenzy is finished, when our e-mail inboxes are empty- the only thing that will have any lasting value is whether we've loved others and whether they've loved us.

One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters – whatever name we give it, what matters is to leave in the past the moments of life that have finished.

But I've come to realie that however blue my circumstance,s if after finishing a chapter of a Dickens novel I feel a miss-my-stop-on-the-train sort of compulsion to read on, then everything is probably going to be just fine.

I'm not addicted to reading books, I can stop once I finish reading one more chapter

And then he grins back, and I’m giddy and breathless and kind of unraveled. And I didn’t sleep at all last night. Not even for a second. I’ve basically been picturing this moment for ten hours, and now that it’s here, I don’t have a clue what I’m supposed to say. Probably something awesome and witty and not school-related. Probably not: “Did you finish the chapter?

Chaucer's The Canterbury Tales was expected to clock in at anywhere between 100 and 120 chapters. Unfortunately, the dude only managed to finish 24 tales before he suffered an insurmountable and permanent state of writer's block commonly known as death.

It is a peculiar thing to believe that you know someone intimately only to find that you really do not. It is like finishing a book only to discover that you have missed several key chapters. THE LETTER Chapter 9 page 104

The sun never shown as bright as your lovely eyes When you are happy

And as he watched them walk out of the orphanage, Thomas Carter would think of their lives as the blank pages of a book in which he had written the initial chapters of a story he would never be allowed to finish.

One of my big revelations was that nobody cares whether you write your novel or not. They want you to be happy. Your parents want you to have health insurance. Your friends want you to be a good friend. But everyone’s thinking about their own problems and nobody wakes up in the morning thinking, ‘Boy, I sure hope Sam finishes that chapter and gets one step closer to his dream of being a working writer.’ Nobody does that. If you want to write, it has to come from you. If you don’t want to write, that’s great. Go do something else. That was a very liberating moment for me.

The next best thing after finishing writing a chapter is starting a new one.

One of the vital things for a writer who’s writing a book, which is a lengthy project and is going to take about a year, is how to keep the momentum going. It is the same with a young person writing an essay. They have got to write four or five or six pages. But when you are writing it for a year, you go away and you have to come back. I never come back to a blank page; I always finish about halfway through. To be confronted with a blank page is not very nice. But Hemingway, a great American writer, taught me the finest trick when you are doing a long book, which is, he simply said in his own words, “When you are going good, stop writing.” And that means that if everything’s going well and you know exactly where the end of the chapter’s going to go and you know just what the people are going to do, you don’t go on writing and writing until you come to the end of it, because when you do, then you say, well, where am I going to go next? And you get up and you walk away and you don’t want to come back because you don’t know where you want to go. But if you stop when you are going good, as Hemingway said…then you know what you are going to say next. You make yourself stop, put your pencil down and everything, and you walk away. And you can’t wait to get back because you know what you want to say next and that’s lovely and you have to try and do that. Every time, every day all the way through the year. If you stop when you are stuck, then you are in trouble!

When I was a child, an angel came to say, A true friend is coming my warrior to sweep you away, It won’t be easy the path because it leads through hell, But if you’re faithful, it will be the greatest story to tell, You will move God’s daughters to a place of hope, Your story will teach everyone there is nothing they can’t cope, You will suffer a lot, but not one tear will you waste, Because for all that you do for me, you will be graced, For I am bringing you someone that wants to travel your trail, Someone you already met when you passed through heaven’s veil, A warrior, a friend that whispers your heart’s song, Someone that will run with you and pull your spirit along, Don’t you see the timing was love's fated throw, Because I put you both there to help one another grow, I am the writer of all great stories your chapters were written by me, You suffered, you cried because I needed you to see, That your faith in my ending goes far beyond two, It was going to change more hearts than both of you knew, So hush my child and wait for my loving hand, The last chapter is not written and still in the sand, It is up to you to finish, before the tide washes it away, All that is in your heart, I’ve put there for you to say, This is not about winning, loss or pain, I made you the way you are because true love stories are insane, I wrote you in heaven as I sat on its sandy shore, You know with all of my heart I loved you both more, There is no better ending two people seeing each other's heart, Together your spirits will never drift apart, Because two kindred spirits is what I made you to be, The waves and beach crashing together because of-- ME.

Is there a love that really can last? Certainly not if it's built very fast

I'm not addicted to books. I can stop reading once I've finished one more chapter.

your heart on a shelf You've spent so much time being treated so badly That you can't see yourself without feeling sadly

You leave yourself open to answers, he’d always taught her. You keep turning pages, you finish chapters, you find the next book. You seek and you seek and you seek, and no matter how tough things become, you never settle.

True happiness comes from deep down inside Whatever challenge you face, Just take it in stride.

I love when I finish reading a chapter that I wrote and my cheeks hurt from smiling and all I can utter is, 'Wow.'

So we die before our own eyes; so we see some chapters of our lives come to their natural end.

Bad things will happen to the finest of people Sometimes their heart is hung high on a steeple And even while it sits there as if on display Some uncaring person will add more dismay

What value is there to reading one, three, or more chapters of Scripture only to find that after you’ve finished, you can’t recall a thing you’ve read? It’s better to read a small amount of Scripture and meditate on it than to read an extensive section without meditation.

I stand amazed at this tree, this life. I stare up in awe at its branches, raising up toward heaven. I wonder about its origins, how a seed so miniscule could grow into a structure so vast and resilient. I'm still examining its genesis. To examine, to question, to discover and evolve--that is what it means to be alive. The day we cease to explore is the day we begin to wilt. I share my testimony in these pages not because I have reached any lasting conclusions, but because I have so much to understand. I am as inquisitive about life now as I was as a child. My story will never be finished, nor should it be. For as long as God grants me breath, I will be living--and writing--my next chapter.

Sorry," Cath said, rubbing her eyes. Levi had been needling her all night. Teasing her. Trying to get her to come out of her head and play. "I just need to finish this chapter if I want Wren to read it before she falls asleep.

I've read about a chapter a night in the Book of Magic. I'm almost finished with it.

A rose for all its beauty still has a thorn

It took me a long time to turn the page and close the chapter. That's because i wasn't finished writing the book, but sometimes characters leave and the story must go on without them.

It is not possible even at great length to “pot” The Lord of the Rings in a paragraph or two … It was begun in 1937, and every part has been written many times. Hardly a word in its 600,000 or more has been unconsidered. And the placing, size, style, and contribution to the whole of the features, incidents, and chapters has been laboriously pondered. I do not say this in recommendation. It is, I feel, only too likely that I am deluded, lost in a web of vain imaginings of not much value to others – in spite of the fact that a few readers have found it good, on the whole. What I intend to say is this: I cannot substantially alter the thing. I have finished it, is “off my mind”: the labour has been colossal: and it must stand or fall, practically as it is. [1951]

I've never had a moment when I thought: "Tom, you've made it!", and I don't think I want to, because that feels like you've reached the end; that you've crossed the finish line. But to me there is no end. An achievement is not a finish line; it's a checkpoint on a far greater journey. It's a moment to pause, to take a breath and look back and enjoy what you've experienced and be grateful for it, but then to turn around and look towards the next checkpoint, the next achievement.

Now I'm standing here, writing the final chapter of my son's portion of the history of my life. I never imagined that my history would include the full history of my son, start to finish. But it does now.

Carlyle had no option but to sit down and recompose the book as best he could—a task made all the more challenging by the fact that he no longer had notes to call on, for it had been his bizarre and patently misguided practice to burn his notes as he finished each chapter, as a kind of celebration of work done.

Everything had come good at last, after so many years. I had reached the happy ending of the story, and I was quietly, serenely happy. In the soft, velvety darkness I lay utterly at peace for I had finished with all heartaches, with all pains and worries; nothing could touch me now. I had finished the book but I could take it up and read it over and over again, and I would do so, secure in the knowledge of the happiness in the last chapter.

the lightness of having nothing to do and nowhere to be. She thought of all the things she could do once she’d finished this chapter of her life, all the books she could read and the picnics she could eat and the funfairs and shopping trips and holidays and parties.

That for each memory created a lesson is learned And for each chapter that's finished a new page gets turned To understand happiness one must also meet with sorrow And believe a sunset today is followed by sunrise tomorrow A dark new moon rises as the sun fades to black A chapter finished, a page turned, the sunrise will come back

A Long-Term Gratitude Lifter is gratitude-for-how-things-happen. At the end of each day, think of some event or circumstance for which you feel grateful, and write about it: 1. Give the event or circumstance a title, like “Finished Writing Chapter 8” or “Made It Through That Meeting Without Crying or Yelling.” 2. Write down what happened, including details about what anyone involved, including you, did or said. 3. Describe how it made you feel at the time, and how you feel now, as you think about it. 4. Explain how the event or circumstance came to be. What was the cause? What confluence of circumstances came together to create this moment? If, as you write, you feel yourself being drawn into negative, critical thoughts and feelings, gently set them to one side and return your attention to the thing you’re being grateful for.

I will get up. I will get dressed. I will find the love of my life. Right after I finish this chapter.

It is never quite safe to think we have done with life. When we imagine we have finished our story fate has a trick of turning the page and showing us yet another chapter.

I’m gripping the toilet as I vomit. I was sick before I even finished the chapter. I’m shaking, as if I had been there.

Some chapters must be finished, though, some books closed.

Then you’re a big loser, you don’t get to finish the game, and the rest of the year will be about as much fun as a case of never-ending diarrhea,

How come Aquaman can control whales? They’re mammals! Makes no sense. ​ CHAPTER 7 LOG ENTRY: SOL 63 I finished making water some time ago. I’m no longer in danger of blowing myself up. The potatoes are growing nicely. Nothing has conspired to kill me in weeks. And seventies TV keeps me disturbingly more entertained than it should. Things are stable here on Mars. It’s

People like to stop reading when they’ve finished a chapter, not in the middle of a chapter. This is probably the last thing they’ll tell you at the Iowa Writer’s Workshop, but it’s a reality

Full of intrigue, tangled pasts, and raw emotions, [Gambling On A Secret by Sara Walter Ellwood] is guaranteed to keep you turning pages from start to finish and then wishing for one more chapter!

Could she possibly have someone who really could love And add to her fins the wings of a dove So not only the waves could she enjoy through the day But soar 'bove the clouds, perhaps see a new way To enjoy a full life she didn't think she'd deserve Too far out of reach so far as she could observe The final decision she and she alone must make One heart is committed, but both are at stake

How a human being could have attempted such a book [Wuthering Heights] as the present without committing suicide before he had finished a dozen chapters, is a mystery. It is a compound of vulgar depravity and unnatural horrors.

I'm going to lay it out straight for you here, Carson. And the reason that I'm going to do that is because I have every confidence that it will scare you off badly enough that I can then finish my drink in peace, and we can part as acquaintances who simply have nothing in common." He raised one eyebrow and I joined my hands in my lap, tilting my head as I continued. "I'm the kind of girl who wants to get married in a big, white dress, wearing my grandma's pearls. I want a husband who love me and is faithful to me. I want him to come home me every night, and I don't want to have to worry if he's doing his secretary, because he's the kind of man who has too much honor to do that. I want to wait a year and then I want to start trying for the two kids that we'll eventually have, a girl and a boy. And when we have those kids, I do not want, one day, to have to explain why their daddy is on the internet having relations with everyone from College Honeys to Cougars Gone Wild for money. I want to throw a cartoon themed birthday party at a jump house for my six year old, not mark the occasion by explaining what a "money shot" is. I have a feeling your life goals are somewhat different than mine. And by 'somewhat,' I mean, utterly and completely. Does that explain why it would be a waste of time for both of us to continue being in each other's presence?" Chapter 1

As the chapters took shape, a change came over her. It was the double-sided recognition that this book, the last that she would write, might achieve esteem and success equal to her great novel, but that its emotional heart would lie in her own unhappiness for having failed to find the one thing she wanted. For the first time she was a character in her own writing, and her frailties and mistakes were trapped on the page by the beauty and unsparing focus of her prose. Towards the end it was a battle to finish a page. The story was the story she had told herself for decades, deep within her own mind, and now as it grew, line by line, on the paper before her, she wrestled with each turn in the path all over again, as if it were still possible to change its course with the power of her words.

If ideas flow out of you easily like a chocolate fountain, bless you, and skip to the next chapter. But if you’re someone like me, who longs to create but finds the process agonizing, here’s my advice: –Find a group to support you, to encourage you, to guilt you into DOING. If you can’t find one, start one yourself. Random people enjoy having pancakes. –Make a goal. Then strike down things that are distracting you from that goal, especially video games. (Unless it’s this book; finish reading it and THEN start.) –Put the fear of God into yourself. Okay, I’m not religious. Whatever spiritual ideas float your boat. Read some obituaries, watch the first fifteen minutes of Up, I don’t care. Just scare yourself good. You have a finite number of toothpaste tubes you will ever consume while on this planet. Make the most of that clean tooth time. For yourself. The creative process isn’t easy, even for chocolate-fountain people. It’s more like a wobbly, drunken journey down a very steep and scary hill, not knowing if there’s a sheer cliff at the end of it all. But it’s worth the journey, I promise.

I'm an inclusionist. I've always divided up (very, very broadly, I admit) the artistic instincts into the inclusionist and the exclusionist. The exclusionist is Raccine. The inclusionist is Shakespeare. I've always felt like I'd prefer to throw 45 things into the pot and hope that maybe 36 of them will taste good. You may choke on 9 of them. I'd rather do that than only have half that number of elements and each one perfect. That's because I know that people choke on different things.... I think that when I was a kid, the experience of things, the experience of just finding words for things, of finding somebody else's world and being able to leap into it and, like any world, you pick up the geography instantly. You expected the thing to unfold, you expected there to be valleys that upon entering that world you were barely aware of. For me a novel, particularly a large novel, one you put down at the end and think, 'Hell, that was interesting. I'm not sure I understood Chapters X, Y and Z, but maybe next time I read it or talk to someone about it, I will'... that's a very different experience to the immaculately formed, beautifully honed, finished 'art' thing.

efficiently means providing slots in our schedules where we can maintain an attentional set for an extended period. This allows us to get more done and finish up with more energy. Related to the manager/worker distinction is that the prefrontal cortex contains circuits responsible for telling us whether we’re controlling something or someone else is. When we set up a system, this part of the brain marks it as self-generated. When we step into someone else’s system, the brain marks it that way. This may help explain why it’s easier to stick with an exercise program or diet that someone else sets up: We typically trust them as “experts” more than we trust ourselves. “My trainer told me to do three sets of ten reps at forty pounds—he’s a trainer, he must know what he’s talking about. I can’t design my own workout—what do I know?” It takes Herculean amounts of discipline to overcome the brain’s bias against self-generated motivational systems. Why? Because as with the fundamental attribution error we saw in Chapter 4, we don’t have access to others’ minds, only our own. We are painfully aware of all the fretting and indecision, all the nuances of our internal decision-making process that led us to reach a particular conclusion. (I really need to get serious about exercise.) We don’t have access to that (largely internal) process in others, so we tend to take their certainty as more compelling, in many cases, than our own. (Here’s your program. Do it every day.)

Once I was wicked enough to stop in a thrilling place, and say meekly, 'I'm afraid it tires you, ma'am. Shan't I stop now?'" "She caught up her knitting, which had dropped out of her hands, gave me a sharp look through her specs, and said, in her short way, 'Finish the chapter, and don't be impertinent, miss'.

When I have a chapter finished, I jot down who the viewpoint characters are, what they are wearing, what happened in the chapter. So as I go along, I outline each book as I write it. I never outline ahead of the writing, but after the writing is done. That keeps the creative side of my brain in control of the writing.

He was prolix, it may be admitted, but who could bear to have him cut? He loved to sit down and tell you just all about it. His use of letters for his narratives made this gossipy style more easy. First he writes and he tells all that passed. You have his letter. She at the same time writes to her friend, and also states her views. This also you see. The friends in each case reply, and you have the advantage of their comments and advice. You really do know all about it before you finish. It may be a little wearisome at first, if you have been accustomed to a more hustling style with fireworks in every chapter. But gradually it creates an atmosphere in which you live, and you come to know these people, with their characters and their troubles, as you know no others of the dream-folk of fiction. Three times as long as an ordinary book, no doubt, but why grudge the time? What is the hurry? Surely it is better to read one masterpiece than three books which will leave no permanent impression on the mind.

I’ve said it’s hard. Here’s how hard: everybody I know who wades deep enough into memory’s waters drowns a little. Between chapters of Stop-Time, Frank Conroy stayed drunk for weeks. Two hours after Carolyn See finished her first draft of Dreaming, she collapsed with viral meningitis, which gave her double vision: “It was my brain’s way of saying, ‘You’ve been looking where you shouldn’t be looking.’” Martin Amis reported a suffocating enervation while working on Experience. Writing fiction, however taxing, usually left him some buoyancy at day’s end; his memoir about his father drained him. Jerry Stahl relapsed while writing about his heroin addiction in Permanent Midnight.

is time that we started reclaiming the idea of retirement. Retirement is not the finish line; it is the new beginning. Retirement is not your last paragraph; it is the long, rich, rewarding final chapters of your own book—as many pages as you can dream up. Retirement is not the end of your life; it is the beginning of the best years of your life! But

Colleges have now become privileged finishing schools for girls. Except rather than teaching manners, they teach women that men are the enemy and men are treated as such on campus, unless they go along with the program that keeps them cowed or striking a PC pose. Many men have just decided that they don’t belong in college and are going on strike, consciously or unconsciously. How will this affect their wages and lifestyles in the coming decades? If nothing changes and more and more men drop out of college or never attend, how will this change society? Will men continue to become the other, and be further relegated to second-class status where women and society are afraid of them and they are hesitant to participate fully in the public sphere? Is this already happening? The next chapter explores these questions.

There is in me an insatiable thirst for a quest. For discovering things greater than ourselves. Beyond that is a murky darkness which beckons me to its call. I seek movement for movement's sake. There is no destination except the verb of motion...I seek to dive into the unknown and allow its wisdom to take me away. And when it is finished with me, it will bring me back and things will never be the same again.

In retrospect, my cup of coffee has been the works of Charles Dickens. Admittedly, there’s something a little annoying about all those plucky underprivileged kids and the aptly named agents of villainy. But I’ve come to realize that however blue my circumstances, if after finishing a chapter of a Dickens novel I feel a miss-my-stop-on-the-train sort of compulsion to read on, then everything is probably going to be just fine.

They left. Among the many dumb rules of paragraphing foisted on students in composition courses is the one that says that a paragraph may not consist of a single sentence. Wilkerson ends a richly descriptive introductory chapter with a paragraph composed of exactly two syllables. The abrupt ending and the expanse of blankness at the bottom of the page mirror the finality of the decision to move and the uncertainty of the life that lay ahead. Good writing finishes strong.

Two-thousand-word scenes/chapters are potato chip length. That is, if you are about to go to bed and you’re reading a terrific novel and the scenes/chapters come in around two-thousand-word bites, you’ll tell yourself that you’ll read just one more chapter. But if the narrative is really moving after you finish one of these bites, you won’t be able to help yourself reading another. If the Story is extremely well told, you’ll just keep eating the potato chip scenes all through the night.

In fact, the more you learn about the nature of defiance in children, the less you’ll view it as “something wrong with your child” and the more you’ll see it as a difficult situation or pattern of interactions with highly workable solutions. I trust you’ll finish this chapter with new hope that you can meet this challenge and restore the loving relationship with your child that you both deserve, and that this problem does not have to stand in the way of your child’s achieving a happy, healthy adulthood.

He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.

In an attempt to help me move on from my failed marriage, my mom set me up with Jesus Freak. In fact, the stoner hadn’t even finished moving out when she told me not to worry, because she already had someone better lined up for me. I was just lonely and desperate enough to endure a four-month celibate long distance relationship with a guy who read 15 chapters of the Bible and prayed for two hours every day and expected me to follow suit. He wanted to give our hypothetical children Bible names and for us to move to Korea to become missionaries.

And God said, Behold, I have given you every herb bearing seed, which is upon the face of all the earth, and every tree, in the which is the fruit of a tree yielding seed; to you it shall be for meat. 30 And to every beast of the earth, and to every fowl of the air, and to every thing that creepeth upon the earth, wherein there is life, I have given every green herb for meat: and it was so. 31 And God saw every thing that he had made, and, behold, it was very good. And the evening and the morning were the sixth day. Holy Bible Genesis CHAPTER 2 THUS the heavens and the earth were finished, and all the host of them.

Choosing a book is so gratifying, it’s worth dragging out the process, starting even before finishing the current one. As the final chapters approach, you can pile up the possibilities like a stack of travel brochures. You can lay out three books and let them linger overnight before making a final decision in the morning. You can Google the reviews; ask other people if they’ve read it, collect information. The choice may ultimately depend on the mood and the moment. ‘You have to read a book at the right time for you,’ Lessing also said, ‘and I am sure this cannot be insisted on too often, for it is the key to the enjoyment of literature.

Poppy was busy with needlework, stitching a pair of men’s slippers with bright wool threads, while Beatrix played solitaire on the floor near the hearth. Noticing the way her youngest sister was riffling through the cards, Amelia laughed. “Beatrix,” she said after Win had finished a chapter, “why in heaven’s name would you cheat at solitaire? You’re playing against yourself.” “Then there’s no one to object when I cheat.” “It’s not whether you win but how you win that’s important,” Amelia said. “I’ve heard that before, and I don’t agree at all. It’s much nicer to win.” Poppy shook her head over her embroidery. “Beatrix, you are positively shameless.” “And a winner,” Beatrix said with satisfaction, laying down the exact card she wanted.

As she looked into all the hopeful but weary eyes of the magical community, Brystal was reminded of her final moments with Madame Weatherberry, and she knew exactly what she wanted to say. "Hello, everyone," she said. "I can only imagine what you've all been through to get here - both in life and on the road. This historic day is possible thanks to a long history of brave men and women making tremendous sacrifices. And although the fight for acceptance and freedom may seem like it's over, our work isn't finished. The world will never be a better place for us until we make it a better place for all. And no matter what challenges await us, no matter whose favor we've yet to earn, we cannot allow anyone's hate to rob us of our compassion or dampen our ambition along the way." "The truth is," Brystal continued, "there will always be a fight, there will always be bridges to cross and stones to turn, but we must never forfeit our joy to the times we live in. When we surrender our ability to be happy, we become as flawed as the battles we face. And too many lives have already been lost for us to lose sight of what we're fighting for now. So let's honor the people who gave their lives for this moment to happen - let's cherish their memory by living each and every day as freely, as proudly, and as joyfully as they would have wanted us to. Together let's begin a new chapter for our community, so when they tell our story years in the future, the tale of magic has a happy and prosperous ending.

It feels so strange, being here, at this place and in this circumstance. Years ago, we removed one child from Tatooine, thinking him to be the galaxy’s greatest hope. Now I have returned one – with the same goal in mind. I hope it goes better this time. Because the path to this moment has been filled with pain. For the whole galaxy, for my friends – and for me. I still can’t believe the Jedi Order is gone – and the Republic, corrupted and in the hands of Palpatine. And Anakin, corrupted as well. The holovids I saw of him slaughtering the Jedi younglings in the Temple still haunt my dreams... and shatter my heart into pieces, over and over again. But after the horror of children’s deaths, a child may bring hope, as well. It's as I said: the delivery is made. I’m standing on a ridge with my riding beast – a Tatooine eopie – looking back at the Lars homestead. Owen and Beru Lars are outside, holding the child. The last chapter is finished: a new one has begun.

That this exceptionally scholarly man whose judgments, always rich and sensitive, though sometimes austere, should have embarked on an intensely romantic retelling of the old Cornish legend of that famous pair of tragic lovers, Tristan and Queen Iseult, is intriguing in itself. But what makes it even more fascinating is that Daphne du Maurier, asked by “Q” ’s daughter long after her father’s death to finish this novel that he had set aside “near the end of a chapter, halfway through,” did so in such a skillful fashion that it is impossible to guess with any certainty the exact point at which she began to write. She says, in a modest foreword, that she “could not imitate ‘Q’’s style… that would have been robbing the dead,” but she had known him when she was a child, remembered him as a genial host at many a Sunday supper, and “by thinking back to conversations long forgotten” she could recapture something of the man himself and trust herself to “fall into his mood.

Yes! Yes!” she cried. “Like a library! We could put a system in place where they borrow books. And they return them, we could have cards as well. Oh my God! Why didn’t I think of it before?” “Why would they borrow books from us when there are so many book shops around?” “Yes, but they’re shops, where they would have to pay for the books. They could borrow from us though … Think of how many people don’t have time to read these days. They’ve probably forgotten that reading is the thing missing from their lives. We could remind them, and reacquaint them with the magic of books. They get their hair done and they have some adventure or romance as well. It makes sense.” “So, tell me … Would we also have a sign that says “Quiet, please”? Would we have to tone down the music or completely turn it off? And would the other clients who don’t feel like reading have to keep their mouths shut? Perhaps we would have to wait for them to finish their chapter before we could even turn on the taps or the hairdryer …

Eliot's own reflections on the primitive mind as a model for nondualistic thinking and on the nature and consequences of different modes of consciousness were informed by an excellent education in the social sciences and philosophy. As a prelude to our guided tour of the text of The Waste Land, we now turn to a brief survey of some of his intellectual preoccupations in the decade before he wrote it, preoccupations which in our view are enormously helpful in understanding the form of the poem. Eliot entered Harvard as a freshman in 1906 and finished his doctoral dissertation in 1916, with one of the academic years spent at the Sorbonne and one at Oxford. At Harvard and Oxford, he had as teachers some of modern philosophy's most distinguished individuals, including George Santayana, Josiah Royce, Bertrand Russell, and Harold Joachim; and while at the Sorbonne, he attended the lectures of Henri Bergson, a philosophic star in Paris in 1910-11. Under the supervision of Royce, Eliot wrote his dissertation on the epistemology of F. H. Bradley, a major voice in the late-nineteenth-, early-twentieth-century crisis in philosophy. Eliot extended this period of concentration on philosophical problems by devoting much of his time between 1915 and the early twenties to book reviewing. His education and early book reviewing occurred during the period of epistemological disorientation described in our first chapter, the period of "betweenness" described by Heidegger and Ortega y Gasset, the period of the revolt against dualism described by Lovejoy. 2 Eliot's personal awareness of the contemporary epistemological crisis was intensified by the fact that while he was writing his dissertation on Bradley he and his new wife were actually living with Bertrand Russell. Russell as the representative of neorealism and Bradley as the representative of neoidealism were perhaps the leading expositors of opposite responses to the crisis discussed in our first chapter. Eliot's situation was extraordinary. He was a close student of both Bradley and Russell; he had studied with Bradley's friend and disciple Harold Joachim and with Russell himself. And in 1915-16, while writing a dissertation explaining and in general defending Bradley against Russell, Eliot found himself face to face with Russell across the breakfast table. Moreover, as the husband of a fragile wife to whom both men (each in his own way) were devoted, Eliot must have found life to be a kaleidoscope of brilliant and fluctuating patterns.

There are perhaps no days of our childhood we lived so fully as those . . . we spent with a favorite book. Everything that filled them for others, so it seemed, and that we dismissed as a vulgar obstacle to a divine pleasure: the game for which a friend would come to fetch us at the most interesting passage; the troublesome bee or sun ray that forced us to lift our eyes from the page or to change position; the provisions for the afternoon snack that we had been made to take along and that we left beside us on the bench without touching, while above our head the sun was diminishing in force in the blue sky; the dinner we had to return home for, and during which we thought only of going up immediately afterward to finish the interrupted chapter, all those things with which reading should have kept us from feeling anything but annoyance, on the contrary they have engraved in us so sweet a memory (so much more precious to our present judgment than what we read then with such love), that if we still happen today to leaf through those books of another time, it is for no other reason than that they are the only calendars we have kept of days that have vanished, and we hope to see reflected on their pages the dwellings and the ponds which no longer exist.

It was a familiar feeling, to be hurrying someplace without really knowing what is going on. When I was a child, this happened all the time, because when you are a child, nothing is your business, and you are constantly being yanked one place or another with no satisfying explanation provided by the adults doing the yanking, and so you soon get used to being in a constant state of bewilderment. You are yanked awake in the morning, often before you want to get out of bed, and you are yanked toward breakfast and away from the table before you are done. You are probably yanked toward school, whether or not you are in the mood, and it might be a school in which you are yanked from one room to another to learn about different things, or one in which you stay in one room and your brain is yanked from subject to subject no matter what you might be thinking about. Sometimes you have a good time and sometimes you do not, but never is there a satisfying answer if you ask Why can’t I stay in bed a little longer and read the poem about the sea being “all a case of knives”? or Couldn’t I please instead just eat a little more toast and finish this chapter? or What reason could there possibly be that I must face the blackboard instead of looking out the window at the rain making quick tiny circles everywhere on the ground? and even now, when I am an adult and sometimes find myself being asked questions like these, as my hand reaches out to yank someone someplace, I have no good answer.

they felt like they were informed. It was a fine line--too much information led to more interrogation and too little information leads to major snooping. Thrace believed that I had developed the rare ability to express something while revealing nothing. However, I couldn’t shake the feeling that a sorcerer with laughing hazel eyes might have the ability to see beyond all my fine lines. I smiled at that whimsical thought as I finished my pot roast and parental interrogation.   Chapter 2: Mortal Combat   I woke up groggy because I set my alarm for a half hour earlier than usual to get ready to work out. I don’t know why I did that. Ok. I might know why I did that, but 6:00am was too early for rational thought. I kept my outfit simple with black yoga pants and a retro Offspring tee. It was much more difficult to get my thick auburn hair to calm down after a night of restless sleep. Luckily, I didn’t get any zits overnight which would have been just my luck. After some leave-in conditioner and some shine spray, I hoped my hair no longer looked like a bird’s nest. I headed downstairs just in time to see my dad coming from the kitchen with his coffee, my Mt. Dew, and Zone bar. Hello, my name is Calliope, and I am an addict. My drug is caffeine. I like my caffeine cold usually in the fountain pop variety—Mt. Dew in the morning and Diet Dr. Pepper in the afternoon. I like the ice and carbonation, but in the morning on the way to work out, I’ll take what I can get. I thanked my dad for my version of breakfast as we walked to the car. He only grunted his reply. We slid into the white Taurus and headed to the YMCA. I actually started to get nervous, as we got closer. We were at the Y before I was mentally prepared. I sighed and lumbered out of the car. As we walked in and headed toward opposite locker rooms, dad announced, “Meet you back here in an hour, Calli.

In all your travels around Alagaësia, with Angela and without, you’ve never found anything that might explain this mystery? Or even just something that might be of use against Galbatorix.” I found you, didn’t I? “That’s not funny,” growled Eragon. “Blast it, you have to know something more.” I do not. “Think, then! If I can’t find some sort of help against Galbatorix, we’ll lose, Solembum. We’ll lose, and most of the Varden, including the werecats, will die.” Solembum hissed again. What do you expect of me, Eragon? I cannot invent help where none exists. Read the book. “We’ll be at Urû’baen before I can finish it. The book might as well not exist.” Solembum’s ears flattened again. That is not my fault. “I don’t care if it is. I just want a way to keep us from ending up dead or enslaved. Think! You have to know something else!” Solembum uttered a low, warbling growl. I do not. And-- “You have to, or we’re doomed!” Even as Eragon uttered the words, he saw a change come over the werecat. Solembum’s ears swiveled until they were upright, his whiskers relaxed, and his gaze softened, losing its hard-edged brilliance. At the same time, the werecat’s mind grew unusually empty, as if his consciousness had been stilled or removed. Eragon froze, uncertain. Then he felt Solembum say, with thoughts that were as flat and colorless as a pool of water beneath a wintry, cloud-ridden sky: Chapter forty-seven. Page three. Start with the second passage thereon. Solembum’s gaze sharpened, and his ears returned to their previous position. What? he said with obvious irritation. Why are you gaping at me like that? “What did you just say?” I said that I do not know anything else. And that-- “No, no, the other thing, about the chapter and page.” Do not toy with me. I said no such thing. “You did.” Solembum studied him for several seconds. Then, with thoughts that were overly calm, he said, Tell me exactly what you heard, Dragon Rider. So, Eragon repeated the words as closely as he could. When he finished, the werecat was silent for a while. I have no memory of that, he said. “What do you think it means?” It means that we should look and see what’s on page three of chapter forty-seven.

I am in no rush. Let Life happen to me just as Life has planned. Because at the end of the day, when the sun sets there is always a horizon somewhere waiting to call forth another sun, in a paradox of Time. Because at the end of each chapter, the story walks towards its culmination. But just like it is not in the setting or rising of the sun but in the sunshine that one basks, just like it is not the finishing line but the voyage through the storyline where one finds the true understanding of the book, Life is about exploring the voyage all the while knowing full well that each chapter shall find its beginning middle and end just how it's meant to be. It is about the truth that Life is but a dream in Time's illusion and the only sharp truth is to love and be loved, and through that assemble moments in Time that smile beyond Time, to make a garden of experiences through lessons and understandings that Life puts at our journey only to walk us closer to our destination. It is not about the destination rather about the journey, and perhaps about who we share the journey with at each crossroad. And no matter how Time walks by, until and unless we cross all the alleys along the way, until and unless we climb up the peak bit by bit, we cannot reach that destination where we belong. But if we tread along the mountain peak or a winding alley soaking in all the freshness of the air enjoying the crispness of our walk, the journey becomes even more enriching not just to our soul but to all of our senses and our very heart. While if we try to run along the way, we might actually topple down a bad turn, taking in a scar that might demand another cup of our soul's portion to heal. Such is Life. A journey that takes smiles and tears, a voyage that bathes in hope and hopelessness, but in all of it, it never stays stagnant, always tiptoeing to exactly where we are meant to be, at any point of our journey. So when something seems to go stagnant or few things make no sense, I tell myself to pause and pat my soul acknowledging each and every decision or detour of mine as part and parcel of Life's plan. I close my eyes and breathe in the freshness of air that flows in every part of my soul to know, to feel alive to all that this journey has shared with me, while believing in the grace and magnanimity of Time who takes Time but eventually shows and leads us to where we belong. And I hear my heart smiling, Let Life happen to me just as Life has planned. I am in no rush.

Matt takes some time to settle himself before he speaks. When he does, he shares an anecdote about how Julie had written a book for him to have after she was gone, and she titled it, The Shortest Longest Romance: An Epic Love and Loss Story. He loses it here, then slowly composes himself and keeps going. He explains that in the book, he was surprised to find that near the end of the story—their story—Julie had included a chapter on how she hoped Matt would always have love in his life. She encouraged him to be honest and kind to what she called his “grief girlfriends”—the rebound girlfriends, the women he’ll date as he heals. Don’t mislead them, she wrote. Maybe you can get something from each other. She followed this with a charming and hilarious dating profile that Matt could use to find his grief girlfriends, and then she got more serious. She wrote the most achingly beautiful love letter in the form of another dating profile that Matt could use to find the person he’d end up with for good. She talked about his quirks, his devotion, their steamy sex life, the incredible family she inherited (and that, presumably, this new woman would inherit), and what an amazing father he’d be. She knew this, she wrote, because they got to be parents together—though in utero and for only a matter of months. The people in the crowd are simultaneously crying and laughing by the time Matt finishes reading. Everyone should have at least one epic love story in their lives, Julie concluded. Ours was that for me. If we’re lucky, we might get two. I wish you another epic love story. We all think it ends there, but then Matt says that he feels it’s only fair that Julie have love wherever she is too. So in that spirit, he says, he’s written her a dating profile for heaven. There are a few chuckles, although they’re hesitant at first. Is this too morbid? But no, it’s exactly what Julie would have wanted, I think. It’s out-there and uncomfortable and funny and sad, and soon everyone is laugh-sobbing with abandon. She hates mushrooms, Matt has written to her heavenly beau, don’t serve her anything with mushrooms. And If there’s a Trader Joe’s, and she says that she wants to work there, be supportive. You’ll also get great discounts. He goes on to talk about how Julie rebelled against death in many ways, but primarily by what Matt liked to call “doing kindnesses” for others, leaving the world a better place than she found it. He doesn’t enumerate them, but I know what they are—and the recipients of her kindnesses all speak about them anyway.

a serious contender for my book of year. I can't believe I only discovered Chris Carter a year ago and I now consider him to be one of my favourite crime authors of all time. For that reason this is a difficult review to write because I really want to show just how fantastic this book is. It's a huge departure from what we are used to from Chris, this book is very different from the books that came before. That said it could not have been more successful in my opinion. After five books of Hunter trying to capture a serial killer it makes sense to shake things up a bit and Chris has done that in best possible way. By allowing us to get inside the head of one of the most evil characters I've ever read about. It is also the first book based on real facts and events from Chris's criminal psychology days and that makes it all the more shocking and fascinating. Chris Carter's imagination knows no bounds and I love it. The scenes, the characters, whatever he comes up with is both original and mind blowing and that has never been more so than with this book. I feel like I can't even mention the plot even just a little bit. This is a book that should be read in the same way that I read it: with my heart in my mouth, my eyes unblinking and in a state of complete obliviousness to the world around me while I was well and truly hooked on this book. This is addictive reading at its absolute best and I was devastated when I turned the very last page. Robert Hunter, after the events of the last few books is looking forward to a much needed break in Hawaii. Before he can escape however his Captain calls him to her office. Arriving, Hunter recognises someone - one of the most senior members of the FBI who needs his help. They have in custody one of the strangest individuals they have ever come across, a man who is more machine than human and who for days has uttered not a single word. Until one morning he utters seven: 'I will only speak to Robert Hunter'. The man is Hunter's roommate and best friend from college, Lucien Folter, and found in the boot of his car are two severed and mutilated heads. Lucien cries innocence and Hunter, a man incredibly difficult to read or surprise is played just as much as the reader is by Lucien. There are a million and one things I want to say but I just can't. You really have to discover how this story unfolds for yourself. In this book we learn so much more about Hunter and get inside his head even further than we have before. There's a chapter that almost brought me to tears such is the talent of Chris to connect the reader with Hunter. This is a character like no other and he is now one of my favourite detectives of all time. We go back in time and learn more about Hunter when he was younger, and also when he was in college with Lucien. Lucien is evil. The scenes depicted in this book are some of the most graphic I've ever read and you know what, I loved it. After five books of some of the scariest and goriest scenes I've ever read I wondered whether Chris could come up with something even worse (in a good way), but trust me, he does. This book is horrifying, terrifying and near impossible to put down until you reach its conclusion. I spent my days like a zombie and my nights practically giving myself paper cuts turning the pages. If when reading this book you think you have an idea of where it will go, prepare to be wrong. I've learnt never to underestimate Chris, keeping readers on their toes he takes them on an absolute rollercoaster of a ride with the twistiest of turns and the biggest of drops you will finish this book reeling. I am on a serious book hangover, what book can I read next that can even compare to this? I have no idea but if you are planning on reading An Evil Mind I cannot reccommend it enough. Not only is this probably my book of the year it is probably the best crime fiction book I have ever read. An exaggeration you might say but my opinion is my own and this real

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This is just the present chapter of my life. How can I give up when God isn't finished writing my story yet?

When we read the Bible, we discover that God’s plan for us is much better than we could ever imagine, but it does involve pain, struggle, and suffering. As we explored in the previous chapter, God wants to remake us into the image of Christ. That is his great goal for us. And we don’t develop the character of Christ without pain, struggle, and suffering. That’s why James told his readers: “Consider it pure joy, my brothers and sisters, whenever you face trials of many kinds, because you know that the testing of your faith produces perseverance. Let perseverance finish its work so that you may be mature and complete, not lacking anything” (James 1:2-4).

The trick is not to kill the Monkey—which is impossible—but to tame it. Here’s how: Realize that everything we do is a choice. Reward the Monkey. Say, ‘If we finish studying this chapter in the next one hour, we’ll have an ice cream.’ Aim for slow and steady progress. Study one chapter every day, instead of studying the whole book on the eve of the exam. This way, not only are you growing academically, but are also keeping your Monkey happy.

INTRODUCTION AND CHAPTER ONE IN ONE PAGE The Four Villains of Decision Making 1. Danny Kahneman: “A remarkable aspect of your mental life is that you are rarely stumped.” • Should Shannon fire Clive? We form opinions effortlessly. 2. What’s in our spotlight = the most accessible information + our interpretation of that information. But that will rarely be all that we need to make a good decision. 3. Our decision “track record” isn’t great. Trusting our guts or conducting rigorous analysis won’t fix it. But a good process will. • Study: “Process mattered more than analysis—by a factor of six.” 4. We can defeat the four villains of decision making by learning to shift our spotlights. 5. Villain 1: Narrow framing (unduly limiting the options we consider)     •  HopeLab had five firms work simultaneously on stage 1; “Can I do this AND that?” 6. Villain 2: The confirmation bias (seeking out information that bolsters our beliefs) • The tone-deaf American Idol contestant … • Lovallo: “Confirmation bias is probably the single biggest problem in business.” 7. Villain 3: Short-term emotion (being swayed by emotions that will fade) • Intel’s Andy Grove got distance by asking, “What would our successors do?”     8. Villain 4: Overconfidence (having too much faith in our predictions) • “Four-piece groups with guitars, particularly, are finished.” 9. The pros-and-cons process won’t correct these problems. But the WRAP process will. • Joseph Priestley conquered all four villains. 10. To make better decisions, use the WRAP process: Widen Your Options. Reality-Test Your Assumptions. Attain Distance Before Deciding. Prepare to Be Wrong.

how a person ought to weigh their special obligations to kin against their obligations to society as a whole. Then I began to write, weaving the strands I’d found in Hume’s Principles of Morals with filaments from Mill’s The Subjection of Women. It was good work, I knew it even as I wrote it, and when I’d finished I set it aside. It was the first chapter of my PhD.

To choose the right dog,” he said, “you’ll need to do your homework.” “I finished my homework,” said Amelia Bedelia.