Finish School Quotes

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In my next life I want to live my life backwards. You start out dead and get that out of the way. Then you wake up in an old people's home feeling better every day. You get kicked out for being too healthy, go collect your pension, and then when you start work, you get a gold watch and a party on your first day. You work for 40 years until you're young enough to enjoy your retirement. You party, drink alcohol, and are generally promiscuous, then you are ready for high school. You then go to primary school, you become a kid, you play. You have no responsibilities, you become a baby until you are born. And then you spend your last 9 months floating in luxurious spa-like conditions with central heating and room service on tap, larger quarters every day and then Voila! You finish off as an orgasm!
Woody Allen
The most unfair thing about life is the way it ends. I mean, life is tough. It takes up a lot of your time. What do you get at the end of it? A Death! What’s that, a bonus? I think the life cycle is all backwards. You should die first, get it out of the way. Then you live in an old age home. You get kicked out when you’re too young, you get a gold watch, you go to work. You work forty years until you’re young enough to enjoy your retirement. You do drugs, alcohol, you party, you get ready for high school. You go to grade school, you become a kid, you play, you have no responsibilities, you become a little baby, you go back into the womb, you spend your last nine months floating …and you finish off as an orgasm.
George Carlin
It's no good choosing your first husband from a school for evil geniuses. Much too difficult to kill.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
...By the time I would finish school I'll be fifty? He smiled. "You're going to be fifty anyhow
Edith Eva Eger (The Choice: Embrace the Possible)
The question is not, -- how much does the youth know? when he has finished his education -- but how much does he care? and about how many orders of things does he care? In fact, how large is the room in which he finds his feet set? and, therefore, how full is the life he has before him?
Charlotte M. Mason (School Education: Developing A Curriculum (Original Homeschooling #3))
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
What?" he demanded. "Did you just...clean a dish?" Dee backed away slowly, blinking. She glanced at Daemon. "The world is going to end. And I’m still a vir—" "No!" both the brothers yelled in unison. Daemon looked like he was actually going to vomit. "Jesus, don’t ever finish that statement. Actually, don’t ever change that. Thank you." Her mouth dropped open."You expect me to never have—" "This isn’t a conversation I want to start my morning with." Dawson grabbed his book bag off the kitchen table. "I’m so leaving for school before this gets more detailed." "And why aren’t you dressed yet?" Dee demanded, her full attention concentrated on Daemon. "You’re going to be late." "I’m always late." "Punctuality makes perfect.
Jennifer L. Armentrout (Shadows (Lux, #0.5))
The second thing you have to do to be a writer is to keep on writing. Don't listen to people who tell you that very few people get published and you won't be one of them. Don't listen to your friend who says you are better that Tolkien and don't have to try any more. Keep writing, keep faith in the idea that you have unique stories to tell, and tell them. I meet far too many people who are going to be writers 'someday.' When they are out of high school, when they've finished college, after the wedding, when the kids are older, after I retire . . . That is such a trap You will never have any more free time than you do right now. So, whether you are 12 or 70, you should sit down today and start being a writer if that is what you want to do. You might have to write on a notebook while your kids are playing on the swings or write in your car on your coffee break. That's okay. I think we've all 'been there, done that.' It all starts with the writing.
Robin Hobb
Look, I know I didn't finish school but that frickin' says 'Sa ntah ah nah!
Jeff Dunham
One school is finished, and the time has come for another to begin.
Richard Bach (Jonathan Livingston Seagull)
If there is gossip to be garnered, garner it. If there are new dress styles to be imitated, imitate them. If there are hearts to be broken, break them. That's my girls.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
You build your world around someone, and then what happens when he disappears? Where do you go- into pieces, into atoms, into the arms of another man? You go shopping, you cook dinner, you work odd hours, you make love to someone else on June nights. But you're not really there, you're someplace else where there is blue sky and a road you don't recognize. If you squint your eyes, you think you see him, in the shadows, beyond the trees. You always imagine that you see him, but he's never there. It's only his spirit, that's what's there beneath the bed when you kiss your husband, there when you send your daughter off to school. It's in your coffee cup, your bathwater, your tears. Unfinished business always comes back to haunt you, and a man who swears he'll love you forever isn't finished with you until he's done.
Alice Hoffman (Here on Earth)
He ... boasted an unassuming mustache, which was perched atop his upper lip cautiously, as though it were slightly embarrassed to be there and would like to slide away and become a sideburn or something more fashionable.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
I do not giggle without purpose. Lady Linette says you should never misapply a giggle.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
What’s that?” she asked the girl, wrinkling her nose. “Oh, that? That’s just Pillover.” “And what’s a pillover, when it’s at home?” “My little brother.” “Ah, I commiserate. I have several of my own. Dashed inconvenient, brothers.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
There are two kinds of people. One kind, you can just tell by looking at them at what point they congealed into their final selves. It might be a very nice self, but you know you can expect no more suprises from it. Whereas, the other kind keep moving, changing... They are fluid. They keep moving forward and making new trysts with life, and the motion of it keeps them young. In my opinion, they are the only people who are still alive. You must be constantly on your guard against congealing.
Gail Godwin (The Finishing School)
All the best geniuses are evil,
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
She had to give her teachers credit: they were right to insist all pupils carry scissors, handkerchiefs, perfume and hair ribbons at all times. At some point she'd learn why they also required a red lace doily and a lemon.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
But I don't want to be a vampire drone.' Sophronia winced. 'They'll suck my blood and make me wear only the very latest fashions.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
It'll all end in tears and oil.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
A lady must always be prepared. Snacks are an essential part of espionage.” Sophronia
Gail Carriger (Manners & Mutiny (Finishing School, #4))
The bowl landed, in glorious perfection, atop the head of Mrs Barnaclegoose, who was not the kind of woman to appreciate the finer points of being crowned by trifle.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
Really, Sophronia, it makes me most uncomfortable how you manage to sort everything out every time I faint.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
That's a very murky position," objected Felix. "So's the weather. But this is England, we must learn to live with uncertainty.
Gail Carriger (Waistcoats & Weaponry (Finishing School, #3))
Do you know how long a year takes when it's going away?' Dunbar repeated to Clevinger. 'This long.' He snapped his fingers. 'A second ago you were stepping into college with your lungs full of fresh air. Today you're an old man.' 'Old?' asked Clevinger with surprise. 'What are you talking about?' 'Old.' 'I'm not old.' 'You're inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow down?' Dunbar was almost angry when he finished. 'Well, maybe it is true,' Clevinger conceded unwillingly in a subdued tone. 'Maybe a long life does have to be filled with many unpleasant conditions if it's to seem long. But in that event, who wants one?' 'I do,' Dunbar told him. 'Why?' Clevinger asked. 'What else is there?
Joseph Heller (Catch-22)
But we were talking about me and my problems." Sophronia looked Monique up and down gravely. "I don't think we're going to solve those in the space of one carriage ride.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
What do you want?" Sophronia was moved to exasperation. "Me? Stockings and breeches to come back in fashion. I do miss seeing a man's calves.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
Oh, now, Ria, you malign me. I'm as honest as a rose garden is beautiful." "And as full of dung," replied Sophronia without missing a beat.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
I'd rather be loyal than right.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
Sidheag could be quite crass, the result of having been raised by men, or Scots, or soldiers, or werewolves, or all four.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
I wonder if anyone really identifies as the adult they’ve morphed into. I remember being sixteen and feeling eleven. I remember thinking, how could I be a teenager? I remember finishing high school and thinking, am I grown now? Is this what it feels like? I feel the same as I did before.
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
Her hair was wild, her eyes were flashing, and her tattered underskirts floated around her. She looked like a glorious avenging goddess from some ancient erotic myth.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
How often have I warned you against fraternizing with technology?
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
Who doesn’t want an exploding wicker chicken?
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
I simply feel that world domination is not my cup of tea. Is that shortsighted?
Gail Carriger (Waistcoats & Weaponry (Finishing School, #3))
This is not a cut, Felix. I must go fix something." "Why is it always your problem to fix, Ria?" "Because I see that there is a problem when no one else does.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
Here, I stole it for you. Why don’t you tell me what it’s for.” “Aw, Sophronia, how thoughtful. You brought me a present!
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
No one said learning etiquette and espionage would be easy, my dear.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
What on earth could we girls possibly learn from a werewolf?" Sophronia wondered. "How to keep a hat on no matter what the circumstances?" hazarded Dimity.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
So, did you hold back during that test?" "Maybe a little," Sophronia admitted. Soap grinned. "That's my girl." Sophronia glared at him. He was getting familiar. "You are, miss." He continued to grin. "I'm my own girl, thank you very much.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
Captain Niall, having apparently resigned himself to losing his quarry, was savaging her horsehair petticoat into teeny, tiny shreds. "Really, what did my poor petticoat do to offend?
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
Yes, for education. An actual education, not finishing school—they’re going to squeeze me into corsets and bully me into silence.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
His eyes were jet-colored circles of perpetual disapproval.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
Isn't Bunson's training evil geniuses?" "Yes, mostly." "Well, is that wise? Having a mess of seedling evil geniuses falling in love with you willy-nilly? What if they feel spurned?" "Ah, but in the interim, think of the lovely gifts they can make you. Monique bragged that one of her boys made her silver and wood hair sticks as anti-supernatural weapons. With amethyst inlay. And another made her an exploding wicker chicken." "Goodness, what's that for?" Dimity pursed her lips. "Who doesn't want an exploding wicker chicken?
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
Lots of my dying patients say they grow in bounds and leaps, and finish all the unfinished business. But assisting a suicide is cheating them of these lessons, like taking a student out of school before final exams. That's not love, it's projecting your own unfinished business
Elisabeth Kübler-Ross
Libraries are about Freedom. Freedom to read, freedom of ideas, freedom of communication. They are about education (which is not a process that finishes the day we leave school or university), about entertainment, about making safe spaces, and about access to information.
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
How have I never noticed she only required praise to find me acceptable? wondered Sophronia, not quite realizing that this, too, was a mark of her new education. Many was the lady whose belief in another's sound judgment was based solely upon that other judging her favorably.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
To reiterate: not all things need to be finished, and free reading is a prime example of this. Writing – or the composition of words which are intended to be read – just like painting, sculpting, or composing music, is a form of art. Typically, not all art is able to resonate with each and every viewer – or, in this case, reader. If we walk through a museum and see a boring painting, or listen to an album we don’t enjoy, we won’t keep staring at said painting, nor will we listen to the album. So, if we don’t like a book, if we aren’t learning from it, dreaming about it, enjoying its descriptions, pondering its messages, or whatever else may be redeeming about a specific book, why would we waste our time to “just finish it?” Sure, we may add another book to the list of books read, but is more always better?
Colin Phelan (The Local School)
This is madness. Oh, well.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
If anyone saw Monique, a well-dressed woman of quality, dangling from the doorway, they apparently assumed everyone had difficulties in life and moved on.
Gail Carriger (Waistcoats & Weaponry (Finishing School, #3))
A girl wearing a wicker chicken and playing the harp bopped me with a book about buns and then stuffed me under a piano.
Gail Carriger (Manners & Mutiny (Finishing School, #4))
Many gentleman were unable to cope with abundant chatter, which is why they so often married it.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
Sidheag, you think like a predator.’ The Lady of Kingair glowed in pleasure. ‘Thank you very much, Sophronia. What a nice thing to say.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
The tea, once it arrived, had its customary effect—engendering comfort and loosening the tongue. That’s tea for you, thought Sophronia, the great social lubricant.
Gail Carriger (Waistcoats & Weaponry (Finishing School, #3))
Rain, in your glorious presence, Miss Temminnick? I hardly think it should dare.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
I have already told you Father, more than once: I’m not going to subject myself to a husband chosen for me, I’m not going to bury myself in some planter’s kitchen, and I’m not going to be a servant to some doctor or lawyer in Ilhéus. I want to live my own life. When I finish school at the end of the year, I want to go to work in an office
Jorge Amado (Gabriela, clavo y canela)
You can’t imagine how much I hated middle school. Remember the way people would look at you blankly and say, “Um, okaaay,” after you finished talking? Everyone just had to make it so clear that, whatever you were thinking or feeling, you were totally alone. The worst part, of course, was that I did the same thing to other people. It makes me a little nauseated just remembering that.
Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Creekwood, #1))
It's all very well to be an intellectual, but one shouldn't let other see. That's embarrassing.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
He wants to know why my marks aren’t better. Why I don’t speak fluent French. Why I can’t kill a fully grown man with a nutcracker.
Gail Carriger (Manners & Mutiny (Finishing School, #4))
My life is over. My one forever love has been snatched away, condemned by my own father's rules to die, just because he loved me. I am without a home, without a single person to love. And after having discovered love, lived for a short while surrounded by love, that is to much to bear. I am a pariah, at church, at school. The few people I once called friends have betrayed me and caused the death of my husband, our innocent child. And so they should die too. All of them. Dad. Bishop Crandall. Trevor, Becca, Emily. With the pull of a 10mm hair trigger, their lives will end at sacrament meeting. Such lovely irony! And when I finish there, I'll hide in the desert, reload, and go in search of Carmen and Tiffany, who started the rumors. And Derek, just because.
Ellen Hopkins
You read a book for the story, for each of its words," Gordy said, "and you draw your cartoons for the story, for each of the words and images. And, yeah, you need to take that seriously, but you should also read and draw because really good books and cartoons give you a boner." I was shocked: "Did you just say books should give me a boner?" "Yes, I did." "Are you serious?" "Yeah... don't you get excited about books?" "I don't think that you're supposed to get THAT excited about books." "You should get a boner! You have to get a boner!" Gordy shouted. "Come on!" We ran into the Reardan High School Library. "Look at all these books," he said. "There aren't that many," I said. It was a small library in a small high school in a small town. "There are three thousand four hundred and twelve books here," Gordy said. "I know that because I counted them." "Okay, now you're officially a freak," I said. "Yes, it's a small library. It's a tiny one. But if you read one of these books a day, it would still take you almost ten years to finish." "What's your point?" "The world, even the smallest parts of it, is filled with things you don't know." Wow. That was a huge idea. Any town, even one as small as Reardan, was a place of mystery. And that meant Wellpinit, the smaller, Indian town, was also a place of mystery. "Okay, so it's like each of these books is a mystery. Every book is a mystery. And if you read all of the books ever written, it's like you've read one giant mystery. And no matter how much you learn, you keep on learning so much more you need to learn." "Yes, yes, yes, yes," Gordy said. "Now doesn't that give you a boner?" "I am rock hard," I said.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
Is there no peace for the naked?" Sister Mattie wore a bed cap of sensible white lace. "I think you mean peace for the wicked," corrected Lady Linette... "Why would that apply?" asked Sister Mattie, before closing her door on both the problem and the noise.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
Bumbersnoot,
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
As Dimity said, “Sidheag surely does grumpy old man very well for a sixteen-year-old girl.
Gail Carriger (Waistcoats & Weaponry (Finishing School, #3))
Dimity pursed her lips. “Who doesn’t want an exploding wicker chicken?
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
Soap understood her. Soap would always understand.
Gail Carriger (Waistcoats & Weaponry (Finishing School, #3))
Coming to the ball, Mr. Plumleigh-Teignmott?” “Ball? If you insist.” Pillover slid off his trunk, and Roger jumped down to help him load it into the cart. “Ball?” said one of the Pistons with interest. “We like balls.” Dimity gave them her best, most haughty look. “Yes, but are you certain they like you?
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
Whatever shall you wear?' Torin observed, propping his chin in his hand. 'Let's see, there's the black T-shirt with black jeans. Or perhaps, if you're going for elegance over function, you could wear the black T-shirt with black jeans. Ooh!' He sat up, widening his eyes. 'Do you know what would be particularly fetching? The black-' 'T-shirt with black jeans,' I finished for him. 'Hilarious.
Rachel Hawkins (School Spirits (Hex Hall, #4))
Oh, Sophronia, thank goodness. Save me? Please? All those young girls, in pastels, talking about the weather. I shall go jump off a bridge, I swear I shall. Do you have bridges in Wiltshire? They chatter, they chatter worse than Dimity ever did. Oh, the chattering! The chattering, it haunts me.
Gail Carriger (Waistcoats & Weaponry (Finishing School, #3))
Professor Braithwope, shimmering out of his room fully clothed and dapper. His mustache was a fluffy caterpillar of curiosity, perched and ready to inquire, dragging the vampire along behind it on the investigation.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
Miss Temminnick, you are in receipt of the highest marks we have ever given in a six-month review. Your mind seems designed for espionage. Nevertheless, you veer away from perfect in matters of etiquette. Do not let these marks go to your head; there are many girls at this school who are better than you. Our biggest concern is what you get up to when we are not watching. Because, if nothing else, this test has told us you are probably spying on us, as well as everyone around you.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
No, what's a man like down there?" "Oh." Sidheag wrinkled her nose. "Unimpressive. They have - "she gestured towards her own nether regions with one hand - "a sort of dangly sausage - lacks tailoring." "Really?" "Yes, like it wasn't fitted into its casing properly. And hairy.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
Sophronia and Dimity took a vacant love seat at the front, Sophronia dislodging a large, fluffy cat with a scrunched-up face. The cat gave her a disgusted look. Or seemed to; it was hard to tell with that face.
Gail Carriger (Waistcoats & Weaponry (Finishing School, #3))
Unless Sophronia missed her guess, the poor lad was already developing romantic feelings toward her friend. Many of the sooties probably were. Dimity was so pretty and chattery, she quite overpowered the average male. Many gentlemen were unable to cope with abundant chatter, which is why they so often married it.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
That day, I tell myself that even if I am not getting anything in this life, I will go to school. I will finish my primary and secondary and university schooling and become teacher because I don’t just want to be having any kind voice... I want a louding voice.
Abi Daré (The Girl with the Louding Voice)
People think of education as something that they can finish. And what’s more, when they finish, it’s a rite of passage. You’re finished with school. You’re no more a child, and therefore anything that reminds you of school - reading books, having ideas, asking questions - that’s kid’s stuff. Now you’re an adult, you don’t do that sort of thing any more. You have everybody looking forward to no longer learning, and you make them ashamed afterward of going back to learning. If you have a system of education using computers, then anyone, any age, can learn by himself, can continue to be interested. If you enjoy learning, there’s no reason why you should stop at a given age. People don’t stop things they enjoy doing just because they reach a certain age. What’s exciting is the actual process of broadening yourself, of knowing there’s now a little extra facet of the universe you know about and can think about and can understand. It seems to me that when it’s time to die, there would be a certain pleasure in thinking that you had utilized your life well, learned as much as you could, gathered in as much as possible of the universe, and enjoyed it. There’s only this one universe and only this one lifetime to try to grasp it. And while it is inconceivable that anyone can grasp more than a tiny portion of it, at least you can do that much. What a tragedy just to pass through and get nothing out of it.
Isaac Asimov
Quietly Sophronia added, "And the soot on my dress, sir?" "I didn't see anything." Professor Braithwope smiled down at her, showing a small hint of fang. Sophronia grinned back. "I'm glad we understand each other, sir." The vampire looked out into the night. "This is the right finishing school for you, isn't it, whot?" "Yes sir, I think it might very well be." "A piece of advice, Miss Temminnick?" "Sir?" "It is a great skill to have friends in low places. They, too, have things to teach you." "Now, sir, I thought you didn't see any soot.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
What the hell does it all mean anyhow? Nothing. Zero. Zilch. Nothing comes to anything. And yet, there's no shortage of idiots to babble. Not me. I have a vision. I'm discussing you. Your friends. Your coworkers. Your newspapers. The TV. Everybody's happy to talk. Full of misinformation. Morality, science, religion, politics, sports, love, your portfolio, your children, health. Christ, if I have to eat nine servings of fruits and vegetables a day to live, I don't wanna live. I hate goddamn fruits and vegetables. And your omega 3's, and the treadmill, and the cardiogram, and the mammogram, and the pelvic sonogram, and oh my god the-the-the colonoscopy, and with it all the day still comes where they put you in a box, and its on to the next generation of idiots, who'll also tell you all about life and define for you what's appropriate. My father committed suicide because the morning newspapers depressed him. And could you blame him? With the horror, and corruption, and ignorance, and poverty, and genocide, and AIDS, and global warming, and terrorism, and-and the family value morons, and the gun morons. "The horror," Kurtz said at the end of Heart of Darkness, "the horror." Lucky Kurtz didn't have the Times delivered in the jungle. Ugh... then he'd see some horror. But what do you do? You read about some massacre in Darfur or some school bus gets blown up, and you go "Oh my God, the horror," and then you turn the page and finish your eggs from the free range chickens. Because what can you do. It's overwhelming!
Woody Allen
a rescuer appeared out of the forest. “You screamed, madam?” “Why, Lord Mersey, what are you doing here?” “Following you, of course. Spot of bother?” “Little bit of one, yes.” The young man looked with interest at Sophronia’s opponents, one holding a collapsed Dimity, one bleeding from a gash to the arm, and the third bleeding from a wound to the back. “My dear Ria, you hardly need my help.” “Hardly.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
You’re a wonderful dancer, Ria.” “Mademoiselle Geraldine’s takes such things seriously.” “Ah. And how many ways do you know to kill me, while we dance?” “Only two, but give me time.” “You have lovely eyes. Has anyone ever told you that?” “What rot. They are a muddy green. What are you about, Lord Mersey?” Felix sighed, looking genuinely perturbed. His air of ennui was shaken. “I am trying to court you. Truth be told, Miss Temminnick, you make it ruddy difficult!” “Language, Lord Mersey.” Sophronia felt her heart flutter strangely. Am I ready to be courted? “See!
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
There are a few people who are able to know of their death and use the time wisely. But when you start planning for the end, most people instinctually stop living for tomorrow. Living for the day is beautiful-too many of us don't do it enough-but to live fully, we must live for today and tomorrow. Think about it, if you knew you were going to die in six months, would you start a project you knew that you couldn't finish? Would you go to school to learn to be a doctor? Would you have a child, knowing you would leave it alone too soon? People miss out on so muchif they stop living for tomorrow." - Holiday Brandon
C.C. Hunter (Whispers at Moonrise (Shadow Falls, #4))
I sometimes give recitals in the building at number 8 Narbutt Street in Warsaw where I carried bricks and lime – where the Jewish brigade worked: the men who were shot once the flats for German officers were finished. The officers did not enjoy their fine new homes for long. The building still stands, and there is a school in it now. I play to Polish children who do not know how much human suffering and mortal fear once passed through their sunny schoolrooms. I pray they may never learn what such fear and suffering are.
Władysław Szpilman (The Pianist: The Extraordinary Story of One Man's Survival in Warsaw, 1939-45)
This kind of thing always amazed Ginny--people who just walked away from institutions. People who left school when they didn't see the point. Aunt Peg had done that. Ginny knew she never would. That either made her someone who worked hard and finished things, or someone who didn't have the guts to break away from the pack. Maybe both.
Maureen Johnson (The Last Little Blue Envelope (Little Blue Envelope, #2))
I never could read Foucault. I find philosophy tedious. All of my knowledge comes from reading novels and some history. I read Being and Nothingness and realized that I remembered absolutely nothing when I finished it. I used to go to the library every day and read every day for eight hours. I’d dropped out of high school and had to teach myself. I read Sartre without any background. I just forced myself and I learned nothing.
Michael Gira
And then he grins back, and I’m giddy and breathless and kind of unraveled. And I didn’t sleep at all last night. Not even for a second. I’ve basically been picturing this moment for ten hours, and now that it’s here, I don’t have a clue what I’m supposed to say. Probably something awesome and witty and not school-related. Probably not: “Did you finish the chapter?
Becky Albertalli (Simon vs. the Homo Sapiens Agenda)
Mummy and Daddy want him to be an evil genius, but he has his heart set on Latin verse. Don’t you, Pill?” The boy gave his sister a nasty stare. “Pillover is terribly bad at being bad, if you take my meaning. Our daddy is a founding member of the Death Weasel Confederacy, and Mummy is a kitchen chemist with questionable intent, but poor Pillover can’t even bring himself to murder ants with his Depraved Lens of Crispy Magnification. Can you, Pill?
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
When I started school I thought that people in sixth class were so old and knowledgeable even though they were no older than twelve. When I reached twelve I reckoned the people in sixth year, at eighteen years of age, must have known it all. When I reached eighteen I thought that once I finished college then I would really be mature. At twenty-five I still hadn’t made it to college, was still clueless and had a seven-year-old daughter. I was convinced that when I reached my thirties I was going to have at least some clue as to what was going on. Nope, hasn’t happened yet. So I’m beginning to think that when I’m fifty, sixty, seventy, eighty, ninety years old I still won’t be any closer to being wise and knowledgeable. Perhaps people on their deathbed, who have had long, long lives, seen it all, traveled the world, have had kids, been through their own personal traumas, beaten their demons, and learned the harsh lessons of life will be thinking, “God, people in heaven must really know it all.” But I bet that when they finally do die they’ll join the rest of the crowds up there, sit around, spying on the loved ones they left behind and still be thinking that in their next lifetime, they’ll have it all sussed. But I think I have it sussed Steph, I’ve sat around for years thinking about it and I’ve discovered that no one, not even the big man upstairs has the slightest clue as to what’s going on.
Cecelia Ahern (Love, Rosie)
Petunia Temminnick’s coming-out ball was pronounced a resounding success by all in attendance. There had been highly intoxicating punch, a variety of dances, good music, and intermission entertainment. No one knew why the beautiful Miss Pelouse had stripped, rolled about in the garden, and then chucked a cheese pie at the youngest Temminnick girl before being taken away in floods of tears, but it was surely the highlight of a most enjoyable evening.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
The boy gestured with his chin at Dimity. “She was shot.” He sounded remarkably unconcerned for a brother with any degree of affection for his sibling.“Good lord!” Sophronia climbed in to see to her new friend’s health. The bullet had grazed Dimity’s shoulder. It had ripped her dress and left a partly burned gash behind, but didn’t look all that bad. Sophronia checked to make certain Dimity had no other injuries. Then she sat back on her heels.“Is that all? I’ve had worse scrapes from drinking tea. Why has she come over all crumpled?”Pillover rolled his eyes. “Faints at the sight of blood, our Dimity. Always has. Weak nerves,father says. It doesn’t even have to be her blood.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
You, my child, will marry well. More than once." (...) The lady retrieved the cards and shuffled them back together into one stack in an attitude of dismissal. Taking this as a sign her fortune was complete, Preshea stood. Looking particularly pleased with life, she passed over a few coins and gave Madame Spetuna a nice curtsy. Mademoiselle Geraldine was fanning herself. "Oh, dear, oh, dear, Miss Buss. Let us hope it is widowhood and not" - she whispered the next word - "divorce that leads to your multiple marriages." Preshea sat and sipped from a china cup. "I shouldn't worry, Headmistress. I am tolerably certain it will be widowhood.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
Pops: Plans for the future? Justin: Not sure yet. Pops: Well, why not? You don't got much longer in school, boy. Now's the time to figure things out, not later. Didn't anyone ever tel you that you can't spell later without the word late? Justin: I promise you, I'm doing my best to figure things out. Pops: "Doing my best" is a phrase failures use. Why don't you buy a man card and finish figuring? Me: Pops! That's so rude. Justin, I'm so sorry. Pops: What? How is a valid question rude? But all right, fine, I'll move on since baby boy can't take the heat. How about you finish this sentence for me, Jason? When a girl says no, she means... Justin, looking desperately at me: No? Nana: Are you not sure? Justin, shifting uncomfortably: I'm sure. No means no. Nana: Well, look at you. You got no right. Now here's another, even tougher sentence for you to finish. Premarital sex is... Me: Nana! I'm so sorry, Justin. Nana: Unlike Pops, I'm not moving on, Justin? Pops: His name is Jason. Justin: Uh...uh... Pops: While you think about that, why don't you tell me how you feel about drinking and driving? Justin: I'm totatlly against it, I swear! Nana: Methinks he protests too much.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
We only have a few hours, so listen carefully. If you’re hearing this story, you’re already in danger. Sadie and I might be your only chance. Go to the school. Find the locker. I won’t tell you which school or which locker, because if you’re the right person, you’ll find it. The combination is 13/32/33. By the time you finish listening, you’ll know what those numbers mean. Just remember the story we’re about to tell you isn’t complete yet. How it ends will depend on you. The most important thing: when you open the package and find what’s inside, don’t keep it longer than a week. Sure, it’ll be tempting. I mean, it will grant you almost unlimited power. But if you possess it too long, it will consume you. Learn its secrets quickly and pass it on. Hide it for the next person, the way Sadie and I did for you. Then be prepared for your life to get very interesting.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Dimity said, "I wrote him poetry!" (...) "Dimity," Sophronia said, horrified by such an admission, "you didn't give him the poetry, did you?" "Certainly not." Sidheag tilted back in her chair, grinning. "Well, let's hear it." "Oh, no. I don't think that's a good idea at all." But Dimity was already dipping into her reticule and pulling out a scrap of paper. She gave it to Sidheag, who read it with a perfectly straight face, her tawny eyes dancing, and then passed it Sophronia. "My love is like a red red rose Occasionally he has a red red nose He could keep me warm in the snows I wager he has very nice toes." Sophronia could think of nothing to say except, "Oh, Dimity.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
And so we know the satisfaction of hate. We know the sweet joy of revenge. How it feels good to get even. Oh, that was a nice idea Jesus had. That was a pretty notion, but you can't love people who do evil. It's neither sensible or practical. It's not wise to the world to love people who do such terrible wrong. There is no way on earth we can love our enemies. They'll only do wickedness and hatefulness again. And worse, they'll think they can get away with this wickedness and evil, because they'll think we're weak and afraid. What would the world come to? But I want to say to you here on this hot July morning in Holt, what if Jesus wasn't kidding? What if he wasn't talking about some never-never land? What if he really did mean what he said two thousand years ago? What if he was thoroughly wise to the world and knew firsthand cruelty and wickedness and evil and hate? Knew it all so well from personal firsthand experience? And what if in spite of all that he knew, he still said love your enemies? Turn your cheek. Pray for those who misuse you. What if he meant every word of what he said? What then would the world come to? And what if we tried it? What if we said to our enemies: We are the most powerful nation on earth. We can destroy you. We can kill your children. We can make ruins of your cities and villages and when we're finished you won't even know how to look for the places where they used to be. We have the power to take away your water and to scorch your earth, to rob you of the very fundamentals of life. We can change the actual day into actual night. We can do these things to you. And more. But what if we say, Listen: Instead of any of these, we are going to give willingly and generously to you. We are going to spend the great American national treasure and the will and the human lives that we would have spent on destruction, and instead we are going to turn them all toward creation. We'll mend your roads and highways, expand your schools, modernize your wells and water supplies, save your ancient artifacts and art and culture, preserve your temples and mosques. In fact, we are going to love you. And again we say, no matter what has gone before, no matter what you've done: We are going to love you. We have set our hearts to it. We will treat you like brothers and sisters. We are going to turn our collective national cheek and present it to be stricken a second time, if need be, and offer it to you. Listen, we-- But then he was abruptly halted.
Kent Haruf (Benediction (Plainsong, #3))
Property taxes' rank right up there with 'income taxes' in terms of immorality and destructiveness. Where 'income taxes' are simply slavery using different words, 'property taxes' are just a Mafia turf racket using different words. For the former, if you earn a living on the gang's turf, they extort you. For the latter, if you own property in their territory, they extort you. The fact that most people still imagine both to be legitimate and acceptable shows just how powerful authoritarian indoctrination is. Meanwhile, even a brief objective examination of the concepts should make anyone see the lunacy of it. 'Wait, so every time I produce anything or trade with anyone, I have to give a cut to the local crime lord??' 'Wait, so I have to keep paying every year, for the privilege of keeping the property I already finished paying for??' And not only do most people not make such obvious observations, but if they hear someone else pointing out such things, the well-trained Stockholm Syndrome slaves usually make arguments condoning their own victimization. Thus is the power of the mind control that comes from repeated exposure to BS political mythology and propaganda.
Larken Rose
I don't get it?" she asked "I don't get it? Let me tell you something about what I get. You think you're so smart? I spent three years on a full academic scholarship at the best college-prep school in the country. And when they kicked me out I had to petition-petition!-to keep them from wiping out my four-point-oh transcript." Daniel moved away, but Luce pursued him, taking a step forward for every wide-eyed step he took back. Probably freaking him out, but so what? He'd been asking for it every time he condescended to her. "I know Latin and French, and in middle school, I won the science fair three years in a row." She had backed him up against the railing of the boardwalk and was trying to restrain herself from poking him in the chest with her finger. She wasn't finished. "I also do the Sunday crossword puzzle, sometimes in under an hour. I have an unerringly good sense of direction... though not always when it comes to guys." She swallowed and took a moment to catch her breath. "And someday, I'm going to be a psychiatrist who actually listens to her patients and helps people. Okay? So don't keep talking to me like I'm stupid and don't tell me I don't understand just because I can't decode your erratic, flaky, hot-one-minute-cold-the-next, frankly"-she looked up at him, letting out her breath-"really hurtful behavior." She brushed a tear away, angry with herself for getting so worked up.
Lauren Kate (Fallen (Fallen, #1))
Dunbar loved shooting skeet because he hated every minute of it and the time passed so slowly. He had figured out that a single hour on the skeet-shooting range with people like Havermeyer and Appleby could be worth as much as eleven-times-seventeen years. “I think you’re crazy,” was the way Clevinger had responded to Dunbar’s discovery. “Who wants to know?” Dunbar answered. “I mean it,” Clevinger insisted. “Who cares?” Dunbar answered. “I really do. I’ll even go as far as to concede that life seems longer i—“ “—is longer i—“ “—is longer—IS longer? All right, is longer if it’s filled with periods of boredom and discomfort, b—“ “Guess how fast?” Dunbar said suddenly. “Huh?” “They go,” Dunbar explained. “Who?” “Years.” “Years?” “Years,” said Dunbar. “Years, years, years.” “Do you know how long a year takes when it’s going away?” Dunbar asked Clevinger. “This long.” He snapped his fingers. “A second ago you were stepping into college with your lungs full of fresh air. Today you’re an old man.” “Old?” asked Clevinger with surprise. “What are you talking about?” “Old.” “I’m not old.” “You’re inches away from death every time you go on a mission. How much older can you be at your age? A half minute before that you were stepping into high school, and an unhooked brassiere was as close as you ever hoped to get to Paradise. Only a fifth of a second before that you were a small kid with a ten-week summer vacation that lasted a hundred thousand years and still ended too soon. Zip! They go rocketing by so fast. How the hell else are you ever going to slow time down?” Dunbar was almost angry when he finished. “Well, maybe it is true,” Clevinger conceded unwillingly in a subdued tone. Maybe a long life does have to be filled with many unpleasant conditions if it’s to seem long. But in that event, who wants one?” “I do,” Dunbar told him. “Why?” Clevinger asked. “What else is there?
Joseph Heller (Catch-22)
In Germany, no child finishes high school without learning about the Holocaust. Not just the facts of it but the how and the why and the gravity of it—what it means. As a result, Germans grow up appropriately aware and apologetic. British schools treat colonialism the same way, to an extent. Their children are taught the history of the Empire with a kind of disclaimer hanging over the whole thing. “Well, that was shameful, now wasn’t it?” In South Africa, the atrocities of apartheid have never been taught that way. We weren’t taught judgment or shame. We were taught history the way it’s taught in America. In America, the history of racism is taught like this: “There was slavery and then there was Jim Crow and then there was Martin Luther King Jr. and now it’s done.” It was the same for us. “Apartheid was bad. Nelson Mandela was freed. Let’s move on.” Facts, but not many, and never the emotional or moral dimension. It was as if the teachers, many of whom were white, had been given a mandate. “Whatever you do, don’t make the kids angry.
Trevor Noah (Born a Crime: Stories from a South African Childhood)
Guess what? The Nazis didn't lose the war after all. They won it and flourished. They took over the world and wiped out every last Jew, every last Gypsy, black, East Indian, and American Indian. Then, when they were finished with that, they wiped out the Russians and the Poles and the Bohemians and the Moravians and the Bulgarians and the Serbians and the Croatians--all the Slavs. Then they started in on the Polynesians and the Koreans and the Chinese and the Japanese--all the peoples of Asia. This took a long, long time, but when it was all over, everyone in the world was one hundred percent Aryan, and they were all very, very happy. Naturally the textbooks used in the schools no longer mentioned any race but the Aryan or any language but German or any religion but Hitlerism or any political system but National Socialism. There would have been no point. After a few generations of that, no one could have put anything different into the textbooks even if they'd wanted to, because they didn't know anything different. But one day, two young students were conversing at the University of New Heidelberg in Tokyo. Both were handsome in the usual Aryan way, but one of them looked vaguely worried and unhappy. That was Kurt. His friend said, "What's wrong, Kurt? Why are you always moping around like this?" Kurt said, "I'll tell you, Hans. There is something that's troubling me--and troubling me deeply." His friend asked what it was. "It's this," Kurt said. "I cannot shake the crazy feeling that there is some small thing that we're being lied to about." And that's how the paper ended.' Ishmael nodded thoughtfully. 'And what did your teacher think of that?' 'He wanted to know if I had the same crazy feeling as Kurt. When I said I did, he wanted to know what I thought we were being lied to about. I said, 'How could I know? I'm no better off than Kurt.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
The world is so big, so complicated, so replete with marvels and surprises that it takes years for most people to begin to notice that it is, also, irretrievably broken. We call this period of research “childhood.” There follows a program of renewed inquiry, often involuntary, into the nature and effects of mortality, entropy, heartbreak, violence, failure, cowardice, duplicity, cruelty, and grief; the researcher learns their histories, and their bitter lessons, by heart. Along the way, he or she discovers that the world has been broken for as long as anyone can remember, and struggles to reconcile this fact with the ache of cosmic nostalgia that arises, from time to time, in the researcher’s heart: an intimation of vanished glory, of lost wholeness, a memory of the world unbroken. We call the moment at which this ache first arises “adolescence.” The feeling haunts people all their lives. Everyone, sooner or later, gets a thorough schooling in brokenness. The question becomes: What to do with the pieces? Some people hunker down atop the local pile of ruins and make do, Bedouin tending their goats in the shade of shattered giants. Others set about breaking what remains of the world into bits ever smaller and more jagged, kicking through the rubble like kids running through piles of leaves. And some people, passing among the scattered pieces of that great overturned jigsaw puzzle, start to pick up a piece here, a piece there, with a vague yet irresistible notion that perhaps something might be done about putting the thing back together again. Two difficulties with this latter scheme at once present themselves. First of all, we have only ever glimpsed, as if through half-closed lids, the picture on the lid of the jigsaw puzzle box. Second, no matter how diligent we have been about picking up pieces along the way, we will never have anywhere near enough of them to finish the job. The most we can hope to accomplish with our handful of salvaged bits—the bittersweet harvest of observation and experience—is to build a little world of our own. A scale model of that mysterious original, unbroken, half—remembered. Of course the worlds we build out of our store of fragments can be only approximations, partial and inaccurate. As representations of the vanished whole that haunts us, they must be accounted failures. And yet in that very failure, in their gaps and inaccuracies, they may yet be faithful maps, accurate scale models, of this beautiful and broken world. We call these scale models “works of art.
Michael Chabon (The Wes Anderson Collection)