Fine Girl Quotes

We've searched our database for all the quotes and captions related to Fine Girl. Here they are! All 100 of them:

You drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
Gillian Flynn (Gone Girl)
And all at once I knew how Margo Roth Spiegelman felt when she wasn't being Margo Roth Spiegelman: she felt empty. She felt the unscaleable wall surrounding her. I thought of her asleep on the carpet with only that jagged sliver of sky above her. Maybe Margo felt comfortable there because Margo the person lived like that all the time: in an abandoned room with blocked-out windows, the only light pouring in through holes in the roof. Yes. The fundamental mistake I had always made—and that she had, in fairness, always led me to make—was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl.
John Green (Paper Towns)
...and you drink a little too much and try a little too hard. And you go home to a cold bed and think, 'That was fine'. And your life is a long line of fine.
Gillian Flynn (Gone Girl)
Try patting them on the back or shoulder and telling them everything is going to be fine. Lots of times when girls cry, they don't want you to fix the problem, they just want to be consoled.
Kiera Cass (The Selection (The Selection, #1))
The fundamental mistake I had always made - and that she had, in fairness, always led me to make - was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl.
John Green (Paper Towns)
Ah, it was a fine night, a warm night, a wine-drinking night, a moony night, and a night to hug your girl and talk and spit and be heavengoing.
Jack Kerouac (On the Road)
As she read, at peace with the world and happy as only a little girl could be with a fine book and a little bowl of candy, and all alone in the house, the leaf shadows shifted and the afternoon passed.
Betty Smith (A Tree Grows in Brooklyn)
To the girls who dream of meeting a prince but end up falling for the misunderstood villain.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
You saw my leg?" "How can a man help what he sees?" he said. "And, if I could add, you possess a very fine leg.
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl.
John Green (Paper Towns)
I turned in my seat. Will’s face was in shadow and I couldn’t quite make it out. ‘Just hold on. Just for a minute.’ ‘Are you all right?’ I found my gaze dropping towards his chair, afraid some part of him was pinched, or trapped, that I had got something wrong. ‘I’m fine. I just . . . ’ I could see his pale collar, his dark suit jacket a contrast against it. ‘I don’t want to go in just yet. I just want to sit and not have to think about . . . ’ He swallowed. Even in the half-dark it seemed effortful. ‘I just . . . want to be a man who has been to a concert with a girl in a red dress. Just for a few minutes more.’ I released the door handle. ‘Sure.’ I closed my eyes and lay my head against the headrest, and we sat there together for a while longer, two people lost in remembered music, half hidden in the shadow of a castle on a moonlit hill.
Jojo Moyes (Me Before You (Me Before You, #1))
This book probably makes it seem like I hate myself and everything I do. But that's not totally true. I mostly just hate every person I've ever been. I'm actually fine with myself right now.
Jesse Andrews (Me and Earl and the Dying Girl)
If you want to hurt me fine. Take my books. Burn down my house. Shave my head while I'm sleeping. But nobody nobody screws with my dog.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
I'm fine I said for the 2,467th time this semester. (I know. I was keeping count)
Ally Carter (Out of Sight, Out of Time (Gallagher Girls, #5))
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes. So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
Gillian Flynn (Gone Girl)
Right. I look fine. Except I don't,' said Zora, tugging sadly at her man's nightshirt. This was why Kiki had dreaded having girls: she knew she wouldn't be able to protect them from self-disgust. To that end she had tried banning television in the early years, and never had a lipstick or a woman's magazine crossed the threshold of the Belsey home to Kiki's knowledge, but these and other precautionary measures had made no difference. It was in the air, or so it seemed to Kiki, this hatred of women and their bodies-- it seeped in with every draught in the house; people brought it home on their shoes, they breathed it in off their newspapers. There was no way to control it.
Zadie Smith (On Beauty)
Rowena Clark and I had met on the first day of our mixed media class. I’d sat down at her table and said, “Mind if I join you? Figure the best way to learn about art is to sit with a masterpiece.” Maybe I was in love, but I was still Adrian Ivashkov. Rowena had fixed me with a flat look. “Let’s get one thing straight. I can see through crap a mile away, and I like girls, not guys, so if you can’t handle me telling you what’s what, then you’d better take your one-liners and hair gel somewhere else. I don’t go to this school to put up with pretty boys like you. I’m here to face dubious employment options with a painting degree and then go get a Guinness after class.” I’d scooted my chair closer to the table. “You and I are going to get along just fine.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Picturing fanfic characters having sex? Great. Fine. Sexy. But picturing myself having sex with anyone, guy, girl, whoever, didn’t interest me. No – it was more than that. It was an immediate fucking turn-off.
Alice Oseman (Loveless)
You're a fine fastidious young man, as proud as a lion, as gentle as a girl. You'd make a good catch for the devil.
Honoré de Balzac (Père Goriot)
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?" Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?" Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be." Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations." "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story." Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen." "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now." "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Just hold on. Just for a minute." "Are you all right ?" I found my gaze dropping towards his chair, afraid some part of him was pinched, or trapped, that I had got something wrong. "I'm fine. I just...I don't want to go in just yet. I just want to sit and not have to think about...I just...want to be a man who has been to a concert with a girl in a red dress. Just for a few minutes more...
Jojo Moyes (Me Before You (Me Before You, #1))
There is some delight in ale and wine And some in girls with ankles fine But my delight, yes always mine Is to dance with Jak O’ the Shadows We will toss the dice however they fall And snuggle the girls be they short or tall Then follow Lord Mat whenever he calls To dance with Jak O’ the Shadows.
Robert Jordan (Knife of Dreams (The Wheel of Time, #11))
[pitching the proposal for Mononoke-hime (1997)] There cannot be a happy ending to the fight between the raging gods and humans. However, even in the middle of hatred and killings, there are things worth living for. A wonderful meeting, or a beautiful thing can exist. We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation. What we should depict is, how the boy understands the girl, and the process in which the girl opens her heart to the boy. At the end, the girl will say to the boy, "I love you, Ashitaka. But I cannot forgive humans." Smiling, the boy should say, "That is fine. Live with me.
Hayao Miyazaki
Proverbs are all very fine when there's nothing to worry you, but when you're in real trouble, they're not a bit of help.
L.M. Montgomery (The Story Girl (The Story Girl, #1))
Boys. Listen up. We are going out for a girls’ night, where there will be dancing.” Kami did an illustrative shimmy. Angela looked resigned. Jared looked amused. “What was that?” “You’ve got to dance like nobody’s watching, Jared,” Kami informed him. “Have you considered that perhaps nobody’s watching because they’re too embarrassed for you?” “Fine,” said Kami, grinning at him. “Be a hater of dances. Be a hater of joy. I don’t care. You’re not invited!
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
And when she at last came out, her eyes were dry. Her parents stared up from their silent breakfast at her. They both started to rise but she put a hand out, stopped them. ‘I can care for myself, please,’ and she set about getting some food. They watched her closely. In point of fact, she had never looked as well. She had entered her room as just an impossibly lovely girl. The woman who emerged was a trifle thinner, a great deal wiser, and an ocean sadder. This one understood the nature of pain, and beneath the glory of her features, there was character, and a sure knowledge of suffering. She was eighteen. She was the most beautiful woman in a hundred years. She didn’t seem to care. ‘You’re all right?’ her mother asked. Buttercup sipped her cocoa. ‘Fine,’ she said. ‘You’re sure?’ her father wondered. ‘Yes,’ Buttercup replied. There was a very long pause. ‘But I must never love again.’ She never did.
William Goldman (The Princess Bride)
I asked him for it. For the blood, for the rust, for the sin. I didn’t want the pearls other girls talked about, or the fine marble of palaces, or even the roses in the mouth of servants. I wanted pomegranates— I wanted darkness, I wanted him. So I grabbed my king and ran away to a land of death, where I reigned and people whispered that I’d been dragged. I’ll tell you I’ve changed. I’ll tell you, the red on my lips isn’t wine. I hope you’ve heard of horns, but that isn’t half of it. Out of an entire kingdom he kneels only to me, calls me Queen, calls me Mercy. Mama, Mama, I hope you get this. Know the bed is warm and our hearts are cold, know never have I been better than when I am here. Do not send flowers, we’ll throw them in the river. ‘Flowers are for the dead’, ‘least that’s what the mortals say. I’ll come back when he bores me, but Mama, not today.
Daniella Michalleni
I feel like Amy wanted people to believe she really was perfect. And as we got to be friends, I got to know her. And she wasn't perfect. You know? She was brilliant and charming and all that, but she was also controlling and OCD and a drama queen and a bit of a liar. Which was fine by me. It just wasn't fine by her. She got rid of me because I knew she wasn't perfect.
Gillian Flynn (Gone Girl)
Fine," I say. "Dare accepted." Game on, Skater Girl. Game on.
Katie McGarry (Dare You To (Pushing the Limits, #2))
I would have done anything for him. But these days, I don't want to do anything. I don't want to get drunk or go to a wild party or make out with random boys-not that I've ever wanted to. I don't want to watch chick flicks or eat ice cream or get a haircut or buy out half of the mall. I don't want cold, cruel revenge. I don't want to see him suffer when karma catches up with him and kick his ass. I don't even want to talk to him right now, simply because it would be awkward and pathetic and I wouldn't know what to say to him. Yes, there is self-control, preventing me from being stupid and acting like a desperate doofus in the manner most heartbroken people do. But there is also a weary numbness threatening to consume every inch of me: Isn't there a way for me to skip straight to the part where I'm fine again?
Marla Miniano (Every Girl's Guide to Heartache)
Some days it’s fine. Others it nearly breaks me. The emptiness of the horizon, and the hunger in my body, and how will we ever survive this if we can’t survive each other? “We’re gonna make it. Tell me we’re gonna make it.
Rory Power (Wilder Girls)
Because here's the thing: I was fine on my own, and so are you. But it can be hard when you feel ready for Happy Couplehood and you seem to have missed the train.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls, and Everything in Between)
O Lord, Sula,” she cried, “girl, girl, girlgirlgirl.” It was a fine cry—loud and long—but it had no bottom and it had no top, just circles and circles of sorrow.
Toni Morrison (Sula)
- You look fine. - Right. I look fine. Except I don't, said Zora, tugging sadly at her man's nightshirt. This was why Kiki had dreaded having girls: she knew she wouldn't be able to protect them from self-disgust.
Zadie Smith (On Beauty)
Annabeth frowned. "Percy's sword is a she?" Jack laughed. "Well, duh." Percy studied Riptide, though I could've told him from experience it was almost impossible to tell a sword's gender by looking at it. "I don't know," he said. "Are you sure -?" "Percy," said Alex. "Respect the gender." "Okay, fine," he said. "It's just kinda strange that I never knew." "On the other hand," Annabeth said, "you didn't know the pen could write until last year." "That's low, Wise Girl.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
--the ethereal, fine-nerved, sensitive girl, quite unfitted by temperament and instinct to fulfil the conditions of the matrimonial relation with Phillotson, possibly with scarce any man...
Thomas Hardy (Jude the Obscure)
Tristan was looking at him again. "What are you looking at?" Gabriel snapped. Tristan was trying not to smile. "You tell me." Gabriel rolled his eyes. "Quit being a girl.
Chelsea Fine (Avow (The Archers of Avalon, #3))
I just wanted to say that it's okay if you dislike me. If you make Clary happy, I'm fine with you." He stuck his hand out, and Jace took his own hand out of Clary's and shook Simon's, a bemused look on his face. "I don't dislike you," he said. "In fact, because I actually do like you, I'm going to offer you some advice." "Advice?" Simon looked wary. "I see that you are working this vampire angle with some success," Jace said, indicating Isabelle and Maia with a nod of his head. "And kudos. Lots of girls love that sensitive-undead thing. But I'd drop the whole musician angle if I were you. Vampire rock stars are played out, and besides, you can't possibly be very good." Simon sighed. "I don't suppose there's any change you could reconsider the part where you didn't like me?" "Enough, both of you," Clary said. "You can't be complete jerks to each other forever, you know." "Technically," said Simon, "I can." Jace made an inelegant noise; after a moment Clary realized that he was trying not to laugh, and only semi-succeeding. Simon grinned. "Got you." "Well," Clary said. "This is a beautiful moment.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
L: You want me just to be your... friend? E: You want the truth? I think you're my guardian angel. L: What? E: Do you know what it's like to have someone crash into your life with no warning? When you landed in my office, I was like, Who the fuck is this? But you shook me up. You brought me back to life at a time when I was in limbo. You were just what I needed... You're just what I need. L: Well I need you too. So we're even. E: No, you don't need me. You're doing just fine. L: Ok. Maybe I don't need you. But... I want you.
Sophie Kinsella (Twenties Girl)
What an unreliable thing is time--when I want it to fly, the hours stick to me like glue. And what a changeable thing, too. Time is the twine to tie our lives into parcels of years and months. Or a rubber band stretched to suit our fancy. Time can be the pretty ribbon in a little girl's hair. Or the lines in your face, stealing your youthful colour and your hair. .... But in the end, time is a noose around the neck, strangling slowly.
Rohinton Mistry (A Fine Balance)
I’m fine, Ari. Read the book.” “If you’re sure?” He shook his head, lowering his gaze again. “Ari, guys aren’t like girls. When we say we’re fine we actually mean it.
Samantha Young (Smokeless Fire (Fire Spirits, #1))
A girl's life was defined by lines: fine lines, hairlines, bikini lines, class lines, the tightrope line between being a good girl and a slut. But there was always a moment when the lines blurred and a good girl had to decide whether to toe the line, cross the line, or stay safe behind the line that guarded her virtue.
Thea Devine
It's really best not to tell people when you feel bad. Growing up is about keeping secrets, and pretending everything is fine.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
Are you kidding?" She looked at me as if I'd just dropped from the moon. Her cheeks were bright red. "What's the problem now?" I demanded. "Me, go with you to the...the 'Thrill Ride of Love'? How embarrassing is that? What if somebody saw me?" "Who's going to see you?" But my face was burning now, too. Leave it to a girl to make everything complicated. "Fine," I told her. "I'll do it myself." But when I started down the side of the pool, she followed me, muttering about how boys always messed things up.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Fine, I'll teach you,' 'Besides, there's only so many times a girl wants to fall on her butt in front of the boy she's out to impress.
Joss Stirling (Finding Sky (Benedicts, #1))
The loveliest Muse in the world does not feed her owner; these girls make fine mistresses but terrible wives
Alfred de Vigny (Stello (Spanish Edition))
No, he's trying to worm into my mind and shackle me down with morals, so he can feel more comfortable about my existence. Too bad. I am exactly the kind of ice-blooded, rotten-hearted girl he fears I am. And I am fine with that. May he stay unsettled.
Xiran Jay Zhao (Iron Widow (Iron Widow #1))
Michael walked to the fridge and pulled out a bottle of water. "You all right?" I made my twin brother hate me. I can't try out for basketball. I gave my number to some girl who thinks I'm a thug. Gabriel looked back at his textbook. "Yeah. Fine.
Brigid Kemmerer (Spark (Elemental, #2))
Tatiana had imagined her Alexander since she was a child, before she believed that someone like him was even possible. When she was a little girl, she dreamed of a fine world in which a good man walked its winding roads, perhaps somewhere in his wandering soul searching for her.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
She's an ugly little thing. No child should look like that. Pale and sour, like a glass of milk that's turned." "And so skinny!" the cook replied. "Never finishes her supper." Crouched beside the girl, the boy turned to her and whispered, "Why don't you eat?" "Because everything she cooks tastes like mud." "Tastes fine to me." "You'll eat anything." They bent their ears back to the crack in the cupboard doors. A moment later the boy whispered, "I don't think you're ugly." "Shhhh!" the girl hissed. But hidden by the deep shadows of the cupboard, she smiled.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
I was twenty-six years old and I wasn't really sure about what I was. You probably wouldn't look at me twice. An ordinary girl, leading an ordinary life. It actually suited me fine.
Jojo Moyes (Me Before You (Me Before You, #1))
Slowly, she turned to him. It was her face—or it would be in a few years. When she Settled. But it wasn’t the slightly older features that knocked the breath from him. It was the hand on her rounded belly. She stared toward him, hair still flowing. Behind her, four small figures emerged. Rowan fell to his knees. The tallest: a girl with golden hair and pine-green eyes, solemn-faced and as proud as her mother. The boy beside her, nearly her height, smiled at him, warm and bright, his Ashryver eyes near-glowing beneath his cap of silver hair. The boy next to him, silver-haired and green-eyed, might as well have been Rowan’s twin. And the smallest girl, clinging to her mother’s legs … A fine-boned, silver-haired child, little more than a babe, her blue eyes harking back to a lineage he did not know. Children. His children. Their children. With another mere weeks from being born. His family. The family he might have, the future he might have. The most beautiful thing he’d ever seen.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
It was a fine thing indeed, Luna thought, being eleven. She loved the symmetry of it, and the lack of symmetry. Eleven was a number that was visually even, but functionally not - it looked one way and behaved in quite another. Just like most eleven-year-olds, or so she assumed.
Kelly Barnhill (The Girl Who Drank the Moon)
I totally kicked Ashman ass over there! I was all like hi-yah and you wanna piece of me? I was a super slayer! Buffy’s got nothing on me.” … “It was life and death out there, guys. Life and death. They just kept coming at me and I just kept putting them down … I mean, sure, I screamed like a girl a few times and accidentally stabbed myself at the beginning, but still.
Chelsea Fine (Avow (The Archers of Avalon, #3))
When I was very young and in the cave of Trophonius I forgot to laugh. Then, when I got older, when I opened my eyes and saw the real world, I began to laugh and I haven’t stopped since. I saw that the meaning of life was to get a livelihood, that the goal of life was to be a High Court judge, that the bright joy of love was to marry a well-off girl, that the blessing of friendship was to help each other out of a financial tight spot, that wisdom was what the majority said it was, that passion was to give a speech, that courage was to risk being fined 10 rix-dollars, that cordiality was to say ‘You’re welcome’ after a meal, and that the fear of God was to go to communion once a year. That’s what I saw. And I laughed.
Søren Kierkegaard (Either/Or: A Fragment of Life)
Don't tell anyone at the church this, but I think girls going out with girls is quite sensible. Imagine not having to do all the housework, and if you found a nice girl the same size you'd have double the wardrobe and you'd never have to shave your legs or clean whiskers out of the sink. I don't know why everyone doesn't do it. Not it's fine, provided you stay that way. It's the changing back to men that sends you mad.
Toni Jordan (Addition)
B-T-W," Heather said. "What's with the death wish?" "What are you talking about?" "I'm talking about provoking the wicked witch of the west. You look old? Are you trying to get us both killed?" "She does look old. Or at least, older than she used to." "It doesn't matter! Two things you never comment on when it comes to girls: their age and their weight. That's male survival 101. Come on!
Chelsea Fine (Avow (The Archers of Avalon, #3))
Who was your first kiss?” Heat rushed into my face. I flattered myself by thinking maybe he wanted to kiss me. I wished he wanted to kiss me. “I haven’t …” Squeezing my eyes closed, I began again. “I haven’t been kissed. Yet.” “Why?” I rolled my eyes at his innocence. “You obviously know I’m not like other girls. I’m shy and I don’t spend time with boys. My father is strict and—” “That’s not why.” He thought he knew me so well. “Fine. You tell me why I haven’t been kissed.” I regretted the words and my tone instantly. What if he told me what I already knew? That I was lacking. Not interesting or pretty enough. “You were waiting.
Gwen Hayes (Falling Under (Falling Under, #1))
Why, aren’t you just about as sweet as syrup on a sundae? I sure would appreciate that, ma’am.” He winked. “How’d you like ta stroll the deck of this fine ship with me and watch the sunset? I need a purty girl to put her arm around me and steady this bow-legged cowboy as he finds his sea legs.” I raised an eyebrow and affected a southern accent. “Why, I think you’re a pullin’ my leg there, Texas. You’ve had your sea legs a lot longer than I have.” He rubbed the stubble on his face. “You might be right at that. Well then, how about you taggin’ along to keep me warm?” “It’s about eighty degrees.” “Shoot, you’re a smart one, you are. Then how ‘bout I jes say that a feller can get pretty lonesome by hisself in a strange country and he’d like to keep compn’y with you fer a while longer.
Colleen Houck
The same thing happened to me that, according to legend, happened to Parmeniscus, who in the Trophonean cave lost the ability to laugh but acquired it again on the island of Delos upon seeing a shapeless block that was said to be the image of the goddess Leto. When I was very young, I forgot in the Trophonean cave how to laugh; when I became an adult, when I opened my eyes and saw actuality, then I started to laugh and have never stopped laughing since that time. I saw that the meaning of life was to make a living, its goal to be- come a councilor, that the rich delight oflove was to acquire a well-to-do girl, that the blessedness of friendship was to help each other in financial difficulties, that wisdom was whatever the majority assumed it to be, that enthusiasm was to give a speech, that courage was to risk being fined ten dollars, that cordiality was to say "May it do you good" after a meal, that piety was to go to communion once a year. This I saw, and I laughed.
Søren Kierkegaard (Either/Or: A Fragment of Life)
Gilbert stretched himself out on the ferns beside the Bubble and looked approvingly at Anne. If Gilbert had been asked to describe his ideal woman the description would have answered point for point to Anne, even to those seven tiny freckles whose obnoxious presence still continued to vex her soul. Gilbert was as yet little more than a boy; but a boy has his dreams as have others, and in Gilbert's future there was always a girl with big, limpid gray eyes, and a face as fine and delicate as a flower.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
What's wrong with you? I asked myself. You are a happy person. You are an upbeat sort of person. Men smile at you on the subway, women ask you what shampoo you use. Cheer up for Christ's sake, I told myself, relax, you're fine, be happy, Girl. When I talk to myself I call myself Girl.
Jennifer Belle (Going Down)
Ahem. Dear Jesus," Taylor intoned more fervently. "We just want to thank you for gettin' us here safe ---" There was a loud, gurgling groan. Somebody shouted, "Oh my gosh! Miss Delaware just died!" "--- for gettin some of us here safe," Taylor continued. "And we pray that, as we are fine, upstandin', law-abidin' girls who represent the best of the best, you will protect us from harm and keep us safe until we are rescued and can tell our story to People magazine. Amen." - "Beauty Queens
Libba Bray (Beauty Queens)
I growl with frustration at my reflection in the mirror. My hair is fifty shades messed up. Why is it so kinky and out of control? I need to stop sleeping with it wet. As I brush my long brown hair, the girl in the mirror with the brown eyes too big for her head stares back at me. Wait... my eyes are blue! It dawns on me that I've been staring at a poster of Kristen Stewart for five minutes. My own hair is fine.
Fanny Merkin (Fifty Shames of Earl Grey)
What makes a girl a girl? What makes a guy a guy? Do you have to be what they want you to be? Or do you stop and listen to that voice inside you? I know who I am. I'm Petra West. And I'm a girl. You want me to sleep somewhere else, fine. Whatever. But I'm not going to pretend to be somebody I'm not. I've done enough of that.
Libba Bray (Beauty Queens)
Ayden and Blake stared each other down. "Oh. My. God," Luna blurted from Ayden's back seat. "It's a love triangle." We all looked at her like she'd sprouted an alien from her head. "it's just like in a book. Two guys after one girl and-" I groaned. "That's ridiculous, Luna, this is not a love triangle." "Says the girl in the middle of a love triangle. Luna ignored my protests and prattled on. "Not one Hexy Boy but two. I've got to call Danica. Oooo," she squealed and clapped her hands,"We could have teams. Team Ayden and Team Blake. With T-shirt and buttons and-" "I could make a website," Lucian offered. "No!" My voice pitched with panic. "No teams. No shirts. No-" "I'll get you some headshots," Blake said, turning his profile towards Luna and Lucian. "I've been told the left is my best side. What do you think?" "Aurora's right," Ayden said. "This is buts. Blake you can follow us-" "Dude, you know no one would pick Team Ayden. You're just jealous." "That's not true. My team would be way bigger than yours." "Dare to dream, little man, dare to dream." "Care to make a wager on it?" "Absolutely." "Fine. How about-" "You two shut up!" I shoved myself out of the car.
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
Oh, wait, okay, you need my help. What do you need? Do you need practice kissing girls? That’s totally fine. I can do that. Come here, I’ll kiss you right now.” The creak of the door made Kami look away from Holly and Holly look up from the book. Ash looked as if he seriously wondered why it was always him.
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
On rainy afternoons, embroidering with a group of friends on the begonia porch, she would lose the thread of the conversation and a tear of nostalgia would salt her palate when she saw the strips of damp earth and the piles of mud that the earthworms had pushed up in the garden. Those secret tastes, defeated in the past by oranges and rhubarb, broke out into an irrepressible urge when she began to weep. She went back to eating earth. The first time she did it almost out of curiosity, sure that the bad taste would be the best cure for the temptation. And, in fact, she could not bear the earth in her mouth. But she persevered, overcome by the growing anxiety, and little by little she was getting back her ancestral appetite, the taste of primary minerals, the unbridled satisfaction of what was the original food. She would put handfuls of earth in her pockets, and ate them in small bits without being seen, with a confused feeling of pleasure and rage, as she instructed her girl friends in the most difficult needlepoint and spoke about other men, who did not deserve the sacrifice of having one eat the whitewash on the walls because of them. The handfuls of earth made the only man who deserved that show of degradation less remote and more certain, as if the ground that he walked on with his fine patent leather boots in another part of the world were transmitting to her the weight and the temperature of his blood in a mineral savor that left a harsh aftertaste in her mouth and a sediment of peace in her heart.
Gabriel García Márquez (One Hundred Years of Solitude)
Fine." I glared at him and shook my head. Stubborn idiot. "But at least try to look a little more raider-ish, okay? We don't want to attract attention." Zeke's snort sounded suspiciously like laughter. "Allie, you're a beautiful, exotic-looking vampire girl with a katana. Trust me, if anyone is going to attract attention, it's not going to be me." I didn't answer as we crossed the flimsy, creaking bridge into the lair of the vampire king. If Zeke had asked, I would've said that I was thinking of how to find everyone, but that wasn't entirely true. I was thinking of the others and how I was going to get them out alive...but I kept being distracted by the thought that Zeke had called me beautiful.
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
Nobody would commit suicide if the pain of being inside herself, the agony of the sleepless, tortured hours spent watching the world get smaller and uglier, were bearable or could be relieved by other people telling her how they wanted her to feel. A depressed person is selfish because her self, the very core of who she is, will not leave her alone, and she can no more stop thinking about this self and how to escape it than a prisoner held captive by a sadistic serial killer can forget about the person who comes in to torture her everyday. Her body is brutalized by her mind. It hurts to breathe, eat, walk, think. The gross maneuverings of her limbs are so overwhelming, so wearying, that the fine muscle movements or quickness of wit necessary to write, to actually say something, are completely out of the question.
Stacy Pershall (Loud in the House of Myself: Memoir of a Strange Girl)
I have never been a nag. I have always been rather proud of my un-nagginess. So it pisses me off, that Nick is forcing me to nag. I am willing to live with a certain amount of sloppiness, of laziness, of the lackadaisical life. I realize I am more type A than Nick, and I try not to inflict my neat-freaky, to-do-list nature on him. Nick is not the kind of guy who is going to think to vacuum or clean out the fridge. He truly doesn't see that kind of stuff. Fine. Really. But I do like a certain standard of living - I think it's fair to say the garbage shouldn't literally overflow, the plates shouldn't sit in the sink for a week with smears of bean burrito dried on them. That is just being a good grown-up roommate. And Nick's doing anything anymore, so I nag, and it pisses me off: You are turning me into what I never have been and never wanted to be, a nag because you are not living up to your end of a very basic compact. Don't do that, It's not ok to do.
Gillian Flynn (Gone Girl)
Okay, fine, kid,” Luna finally snaps, “you want me to be your fucking sherpa? Here’s my advice: Don’t tell anyone. Go find a nice girl and marry her. You're luckier than me—you can do that, and it wouldn’t even be a lie.” And what comes out of Alex’s mouth, comes so fast he has no chance to stop it, only divert it out of English at the last second in case it’s overheard: “Sería una mentira, porque no sería él.” It would be a lie, because it wouldn’t be him.
Casey McQuiston (Red, White & Royal Blue)
She had what the Victorians would call a finely shaped head. You could imagine the skull quite easily. I'd know her head anywhere. And what's inside it. I think of that, too: her mind. Her brain, all those coils, and her thoughts shuttling through those coils like fast, frantic centipedes. Like a child, I picture opening her skull, unspooling her brain and sifting through it, trying to catch and pin down her thoughts. What are you thinking, Amy?
Gillian Flynn (Gone Girl)
And then you run into Nick Dunne on the Seventh Avenue as you're buying diced cantaloupe, and pow, you are known, you are recognized, the both of you. You both find the exact same things worth remembering (Just one olive, though.) You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing and his mouth on yours. And it's so far beyond fine that you know you can never go back to fine. That fast. You think: Oh, here is the rest of my life. It's finally arrived.
Gillian Flynn (Gone Girl)
Art, literature, and philosophy are attempts to found the world anew on a human freedom: that of the creator; to foster such an aim, one must first unequivocally posit oneself as a freedom. The restrictions that education and custom impose on a woman limit her grasp of the universe...Indeed, for one to become a creator, it is not enough to be cultivated, that is, to make going to shows and meeting people part of one's life; culture must be apprehended through the free movement of a transcendence; the spirit with all its riches must project itself in an empty sky that is its to fill; but if a thousand fine bonds tie it to the earth, its surge is broken. The girl today can certainly go out alone, stroll in the Tuileries; but I have already said how hostile the street is: eyes everywhere, hands waiting: if she wanders absentmindedly, her thoughts elsewhere, if she lights a cigarette in a cafe, if she goes to the cinema alone, an unpleasant incident can quickly occur; she must inspire respect by the way she dresses and behaves: this concern rivets her to the ground and self. "Her wings are clipped." At eighteen, T.E. Lawrence went on a grand tour through France by bicycle; a young girl would never be permitted to take on such an adventure...Yet such experiences have an inestimable impact: this is how an individual in the headiness of freedom and discovery learns to look at the entire world as his fief...[The girl] may feel alone within the world: she never stands up in front of it, unique and sovereign.
Simone de Beauvoir (The Second Sex)
I shut up everything inside. Everything." Words ground out through clenched teeth. "I thought if I could hold it, just hold it, it would be fine. But it's not." "Why?" she asked. "Why are you losing control so badly?" The answer, when it came, broke Sascha's heart. "Hawke." It was an almost soundless whisper. "Oh, Sienna." She stroked her hand over the girl's hair, even as her mind worked at piercing speed. "Has it been cumulative?" Sienna nodded. "The second I met him, everything crumbled, my shields, my conditioning, everything!
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
The girl says "Oh uh-uh, wait a minute! Wait a minute! Just because I'm dressed this way does not make me a whore!" Which is true, Gentlemen, that is true. Just because they dress a certain way doesn't mean they are a certain way. Don't even forget it. But ladies, you must understand that is fucking confusing. It just is. Now that would be like me, Dave Chappelle, the comedian, walking down the street in a cop uniform. Somebody might run up on me saying, "Oh, thank God. Officer, help us! Come on. They're over here. Help us!" "Oh-hoh! Just because I'm dressed this way does not make me a police officer!" See what I mean? All right, ladies, fine. You are not a whore. But you are wearing a whore's uniform.
Dave Chappelle
She sang, as requested. There was much about love in the ballad: faithful love that refused to abandon its object; love that disaster could not shake; love that, in calamity, waxed fonder, in poverty clung closer. The words were set to a fine old air -- in themselves they were simple and sweet: perhaps, when read, they wanted force; when well sung, they wanted nothing. Shirley sang them well: she breathed into the feeling, softness, she poured round the passion, force: her voice was fine that evening; its expression dramatic: she impressed all, and charmed one. On leaving the instrument, she went to the fire, and sat down on a seat -- semi-stool, semi-cushion: the ladies were round her -- none of them spoke. The Misses Sympson and the Misses Nunnely looked upon her, as quiet poultry might look on an egret, an ibis, or any other strange fowl. What made her sing so? They never sang so. Was it proper to sing with such expression, with such originality -- so unlike a school girl? Decidedly not: it was strange, it was unusual. What was strange must be wrong; what was unusual must be improper. Shirley was judged.
Charlotte Brontë (Shirley)
On the girl’s brown legs there were many small white scars. I was thinking, Do those scars cover the whole of you, like the stars and moons on your dress? I thought that would be pretty too, and I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars a s beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, ‘I survived’. In a few breaths’ time I will speak some sad words to you. But you must hear them as we have agreed to see scars now. Sad words are just another beauty. A sad story means the storyteller is alive. The next thing you know, something fine will happen to her, something marvellous, and then she will turn round and smile.
Chris Cleave (Little Bee)
The Doctor: Amy, what are you doing? Amy: That gravestone, Rory's, there's room for one more name isn't there? The Doctor: What are you talking about? Back away from the Angel. Come back to the TARDIS, we'll figure something out. Amy: The Angel, would it send me back to the same time, to him? The Doctor: I don't know. Nobody knows. Amy: But it's my best shot, yeah? The Doctor: No! River: Doctor, shut up! Yes, yes, it is! The Doctor: Amy— Amy: Well then. I just have to blink, right? The Doctor: No! Amy: It'll be fine. I know it will. I'll be with him like I should be. Me and Rory together. {calling River over} Melody. The Doctor: Stop it! Just, just, stop it! Amy: You look after him. And you be a good girl and you look after him. The Doctor: You are creating fixed time. I will never be able to see you again. Amy: I'll be fine. I'll be with him. The Doctor: Amy. Please. Just come back into the TARDIS, Come along, Pond. Please. Amy: Raggedy Man, goodbye. -Doctor Who
Steven Moffat
The tapping grows insistent, and I turn, intending to tell off the Cadet. Instead, I'm faced with a slave-girl looking up at me through impossibly long eyelashes. A heated, visceral shock flares through me at the clarity of her dark gold eyes. For a second, I forget my name. I've never seen her before, because if I had, I'd remember. Despite the heavy silver cuffs and high, painful-looking bun that mark all of Blackcliff's drudges, nothing about her says slave. Her black dress fits her like a glove, sliding over every curve in a way that makes more than one head turn. Her full lips and fine, straight nose would be the envy of most girls, Scholar or not. I stare at her, realize I'm staring, tell myself to stop staring, and then keep staring. My breath falters, and my body, traitor that is, tugs me forward until there are only inches between us. “Asp-aspirant Veturius.” It's the way she says my name—like it's something to fear—that brings me back to myself. Pull it together, Veturius. I step away, appalled at myself when I see the terror in her eyes. “What is it?” I ask calmly.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
It's a strange thing, but somehow we expect more of girls than of boys. It is the sisters and wives and mothers, you know, Caddie, who keep the world sweet and beautiful. What a rough world it would be if there were only men and boys in it, doing things in their rough way! A woman's task is to teach them gentleness and courtesy and love and kindness. It's a big task, too, Caddie--harder than cutting trees or building mills or damming rivers. It takes nerve and courage and patience, but good women have those things. They have them just as much as the men who build bridges and carve roads through the wilderness. A woman's work is something fine and noble to grow up to, and it is just as important as a man's.
Carol Ryrie Brink (Caddie Woodlawn (Caddie Woodlawn, #1))
I'm not worried about me," I whispered viciously. And as sono as I said it, I knew it was the truth. Apparently, the surefire antidiote for your own fear is concern for someone else. Pritkin looked surprised, the way he always did at the idea that anyone might actually care about him. It made me want to hit him. Of course, right then I wanted to do that anyway. "Nothing is going to happen," he repeated. "But even if it did, you don't need me. You don't need -" "That isn't true!" "Yes, it is." He looked at me and his lips quirked. "You can't fire a gun worth a damn. You hit like a girl. Your knowledge of magic is rudimentary at best. And you act like I'm torturing you if I make you run more than a mile." I blinked at him. "But I've known mages who aren't as resilient, who aren't as brave, who aren't -" he looked away for a moment. And then he looked back at me, green eyes burning. "You're the strongest person I know. And you will be fine.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.” Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.” “It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?” “I already told you that I don’t feel well.” “You look fine to me.” He skillfully shuffled the deck. “Just one game.” “Don’t you pay people to entertain you?” He glowered, breaking the deck. “You should be honored by my company.” “I’d be honored if you would leave.” “For someone who relies on my good graces, you’re very bold.” “Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest. He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.” She moaned into her pillow. “Go away. I feel like dying.” “No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?” She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?” “Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!” “Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Just as if I was one of those true knights you love so well, yes. What do you think a knight is for, girl? You think it's all taking favours from ladies and looking fine in gold plate? Knights are for killing...I killed my first man at twelve. I've lost count of how many I've killed since then. High lords with old names, fat rich men dressed in velvet, knights puffed up like bladders with their honours, yes, and women and children too - they're all meat, and I'm the butcher. Let them have their lands and their gods and their gold. Let them have their sers.' Sandor Clegane spat at her feet to show what he thought of that. 'So long as I have this,' he said, lifting the sword from her throat, 'there's no man on earth I need fear.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
He held her and rocked her, believing, rightly or wrongly, that Ellie wept for the very intractability of death, its imperviousness to argument or to a little girl’s tears; that she wept over its cruel unpredictability; and that she wept because of the human being’s wonderful, deadly ability to translate symbols into conclusions that were either fine and noble or blackly terrifying. If all those animals had died and been buried, then Church could die (any time!) and be buried; and if that could happen to Church, it could happen to her mother, her father, her baby brother. To herself. Death was a vague idea; the Pet Sematary was real. In the texture of those rude markers were truths which even a child’s hands could feel.
Stephen King (Pet Sematary)
What was so important that I had to risk my friends' safety to sneak out here?" I demanded. "Huh? What was so -" "I had to see you." He closed the space between us. His hands were warm from his pockets as they closed around my fingers. "I had to know that you were okay. I had to see you and touch you and... know." He brushed my hair away from my face, his fingers light against my skin. "In London..." He trailed off. "After D.C. ..." "I'm fine," I said, easing away. "CAT scans and X-rays were normal. No lasting damage." Most people believe me when I lie. I've learned how to say the words just right.I have a trusting kind of face. But the boy in front of me was a trained operative, so Zach knew better. And besides, Zach knew me. "Really?" He touched my face again. "Cause I'm not.
Ally Carter (Only the Good Spy Young (Gallagher Girls, #4))
The gotta, as in: “I think I’ll stay up another fifteen-twenty minutes, honey, I gotta see how this chapter comes out.” Even though the guy who says it spent the day at work thinking about getting laid and knows the odds are good his wife is going to be asleep when he finally gets up to the bedroom. The gotta, as in: “I know I should be starting supper now — he’ll be mad if it’s TV dinners again — but I gotta see how this ends.” I gotta know will she live. I gotta know will he catch the shitheel who killed his father. I gotta know if she finds out her best friend’s screwing her husband. The gotta. Nasty as a hand-job in a sleazy bar, fine as a fuck from the world’s most talented call-girl. Oh boy it was bad and oh boy it was good and oh boy in the end it didn’t matter how rude it was or how crude it was because in the end it was just like the Jacksons said on that record — don’t stop til you get enough.
Stephen King (Misery)
America," he begged. I turned to Maxon. "They're fine. The rebels were slow, and everyone here knows what to do in an emergency." I nodded. We stood there quietly for a minute, and I could tell he was about to move on. "Maxon," I whispered. He turned back, a little surprised to be addressed so casually. "About last night. Let me explain. When they came to prep us, to get us ready to come here, there was a man who told me that I was never to turn you down. No matter what you asked for. Not ever." He was dumbfounded. "What?" "He made it sound like you might ask for certain things. And you said yourself that you hadn't been around many women. After eighteen years...and then you sent the cameras away. I just got scared when you got that close to me." Maxon shook his head, trying to process all this. Humiliation, rage, and disbelief all played across his typically even-tempered face. "Was everyone told this?" he asked, sounding appalled at the idea. "I don't know. I can't imagine many girls would need such a warning. They're probably waiting to pounce on you," I noted, nodding my head toward the rest of the room. He gave a dark chuckle. "But you're not, so you had absolutely no qualms about kneeing me in the groin, right?" "I hit your thigh!" "Oh, please. A man doesn't need that long to recover from a knee to the thigh," he replied, his voice full of skepticism. A laugh escaped me. Thankfully, Maxon join in. Just then another mass hit the windows, and we stopped in unison. For a moment I had forgotten where I was. "So how are you handling a roomful of crying women?" I asked. There was a comical bewilderment in his expression. "Nothing in the world is more confusing!" he whispered urgently. "I haven't the faintest clue how to stop it." This was the man who was going to lead our country: the guy rendered useless by tears. It was too funny.
Kiera Cass (The Selection (The Selection, #1))
Now, my dear little girl, you have come to an age when the inward life develops and when some people (and on the whole those who have most of a destiny) find that all is not a bed of roses. Among other things there will be waves of terrible sadness, which last sometimes for days; irritation, insensibility, etc., etc., which taken together form a melancholy. Now, painful as it is, this is sent to us for an enlightenment. It always passes off, and we learn about life from it, and we ought to learn a great many good things if we react on it right. (For instance, you learn how good a thing your home is, and your country, and your brothers, and you may learn to be more considerate of other people, who, you now learn, may have their inner weaknesses and sufferings, too.) Many persons take a kind of sickly delight in hugging it; and some sentimental ones may even be proud of it, as showing a fine sorrowful kind of sensibility. Such persons make a regular habit of the luxury of woe. That is the worst possible reaction on it. It is usually a sort of disease, when we get it strong, arising from the organism having generated some poison in the blood; and we mustn't submit to it an hour longer than we can help, but jump at every chance to attend to anything cheerful or comic or take part in anything active that will divert us from our mean, pining inward state of feeling. When it passes off, as I said, we know more than we did before. And we must try to make it last as short as time as possible. The worst of it often is that, while we are in it, we don't want to get out of it. We hate it, and yet we prefer staying in it—that is a part of the disease. If we find ourselves like that, we must make something ourselves to some hard work, make ourselves sweat, etc.; and that is the good way of reacting that makes of us a valuable character. The disease makes you think of yourself all the time; and the way out of it is to keep as busy as we can thinking of things and of other people—no matter what's the matter with our self.
William James
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled. "Nah, I'm fine. I'm more than fine." A sly grin bloomed as he mouthed, ain't that the truth. "Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?" As he nodded, she rolled her eyes. "I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep." John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks. " Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that." Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred. She purred. The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness. " Oh, John..." And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha. " You are a bastard, " she said on a laugh. He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind. "I'm not surrendering , you know." He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass. "Where do you think you're going ?
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
You’re thinking, maybe it would be easier to let it slip let it go say ”I give up” one last time and give him a sad smile. You’re thinking it shouldn’t be this hard, shouldn’t be this dark, thinking love could flow easily with no holding back and you’ve seen others find their match and build something great together, of each other, like two halves fitting perfectly and now they achieve great things one by one, always together, and it seems grand. But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle. You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden but that’s not yours. This is yours. The cracks and the faults, the ugly words in the winter walking home alone and angry but falling asleep thinking you love him. This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you like you need me and maybe it’s not a Jane Austen novel but this is your novel and your castle and you can run from it your whole life but this is here in front of you. Maybe nurture it? Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him. That’s your fairy tale. This is your castle. Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so. Welcome home, sweet girl, it will be all be fine.
Charlotte Eriksson
You’re so cute when you’re jealous,” I say. She looks at me, her resolve melting with my words. I take her face in my hands and gently press my lips to hers. She sighs a quiet, defeated sigh into my mouth and relents, parting her lips for me. I run my hands down her arms and to her waist, then pull her out of the chair and on top of me as I lean back onto the bed. I place one hand on the small of her back, pressing her into me, and my other hand I run through her hair, grabbing the back of her head. I kiss her hard as I roll her onto her back, proving to her that she has absolutely nothing to be jealous of. As soon as I’m on top of her, she places her hands on my cheeks and forces my face apart from hers. “So your lips touched someone else’s lips? After our first kiss?” I fall back onto the bed beside her. “Lake, stop it. Stop thinking about it,” I say. “I can’t, Will.” She turns to me and makes that damn pouty face she knows I can’t refuse. “I need to know. In my head all I can picture is you taking some girl out on this perfect date and making her grilled cheese sandwiches and playing “would you rather” with her and sharing seriously intense moments with her, then kissing the hell out of her at the end of the night.” Her description of our first date causes me to laugh. I lean over and press my lips to her ear and whisper, “Is that what I did to you? I kissed the hell out of you?” She pulls her neck away and shoots me a glare, letting me know she isn’t backing down until she gets her way. “Fine,” I say, pulling back. “If I tell you all about it will you promise to let me kiss the hell out of you again?” “Promise,” she says.
Colleen Hoover (This Girl (Slammed, #3))
Pops: Plans for the future? Justin: Not sure yet. Pops: Well, why not? You don't got much longer in school, boy. Now's the time to figure things out, not later. Didn't anyone ever tel you that you can't spell later without the word late? Justin: I promise you, I'm doing my best to figure things out. Pops: "Doing my best" is a phrase failures use. Why don't you buy a man card and finish figuring? Me: Pops! That's so rude. Justin, I'm so sorry. Pops: What? How is a valid question rude? But all right, fine, I'll move on since baby boy can't take the heat. How about you finish this sentence for me, Jason? When a girl says no, she means... Justin, looking desperately at me: No? Nana: Are you not sure? Justin, shifting uncomfortably: I'm sure. No means no. Nana: Well, look at you. You got no right. Now here's another, even tougher sentence for you to finish. Premarital sex is... Me: Nana! I'm so sorry, Justin. Nana: Unlike Pops, I'm not moving on, Justin? Pops: His name is Jason. Justin: Uh...uh... Pops: While you think about that, why don't you tell me how you feel about drinking and driving? Justin: I'm totatlly against it, I swear! Nana: Methinks he protests too much.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
I always wondered what your type was, but I never imagined it would be a hard-core rocker!” Here we go. I had been hoping he'd be too sleepy for this conversation. “He's not my type. If I had a type it would be...nice. Not some hotheaded, egocentric male slut.” “Did you just call him a male slut?” Jay laughed. “Dang, that's, like, the worst language I've ever heard you use.” I glowered at him, feeling ashamed, and he laughed even harder. “Oh, hey, I've got a joke for you. What do you call someone who hangs out with musicians?” He raised his eyebrows and I shrugged. “I don't know. What?” “A drummer!” I shook my head while he cracked up at his joke for another minute before hounding me again about Kaidan. “All right, so you talked about my CDs, you had some cultural confusion with some of his lingo, then you talked about hot dogs? That can't be everything. You looked seriously intense.” “That's because he was intense, even though we weren't really talking about anything. He made me nervous.” “You thought he was hot, didn't you?” I stared out my window at the passing trees and houses. We were almost to school. “I knew it!” He smacked the steering wheel, loving every second of my discomfort. “This is so weird. Anna Whitt has a crush.” “Fine, yes. He was hot. But it doesn't matter, because there's something about him I don't like. I can't explain it. He's...scary.” “He's not the boy next door, if that's what you mean. Just don't get the good-girl syndrome.” “What's that?” “You know. When a good girl falls for a bad boy and hopes the boy will fall in love and magically want to change his ways. But the only one who ends up changing is the girl.
Wendy Higgins (Sweet Evil (Sweet, #1))
I left Abnegation because I wasn't selfless enough,no matter how hard I tried to be." "That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend,who hit my dad with a belt to protect me-that selfless girl,that's not you?" He's figured out more about me than I have. And even though it seems impossible that he could feel something for me,given all that I'm not...maybe it isn't.I frown at him. "You've been paying close attention,haven't you?" "I like to observe people." "Maybe you were cut out for Candor, Four, because you're a terrible liar." He puts his hand on the rock next to him, his fingers lining up with mine. I look down at our hands. He has long, narrow fingers. Hands made for mine, deft movements.Not Dauntless hands, which should be thick and tough and ready to break things. "Fine." He leans his face closer to mine, his eyes focusing on my chin, and my lips,and my nose. "I watched you because I like you." He says it plainly, boldly, and his eyes flick up to mine. "And don't call me 'Four," okay? It's nice to hear my name again." Just like that,he has finally declared himself, and I don't know how to respond. My cheeks warm,and all I can think to say is, "But you're older than I am...Tobias." He smiles at me. "Yes,that whopping two-year gap really is insurmountable, isn't it?" "I'm not trying to be self-deprecating," I say, "I just don't get it. I'm younger. I'm not pretty.I-" He laughs,a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple. "Don't pretend," I say breathily. "You know I'm not. I'm not ugly,but I am certainly not pretty." "Fine.You're not pretty.So?" He kisses my cheek. "I like how you look. You're deadly smart.You're brave. And even though you found out about Marcus..." His voice softens. "You aren't giving me that look.Like I'm a kicked puppy or something." "Well," I say. "You're not." For a second his dark eyes are on mine, and he's quiet. Then he touches my face and leans in close, brushing my lips with his.The river roars and I feel its spray on my ankles.He grins and presses his mouth to mine. I tense up at first,unsure of myself, so when he pulls away,I'm sure I did something wrong,or badly.But he takes my face in his hands,his figners strong against my skin,and kisses me again, firmer this time, more certain. I wrap an arm around him,sliding my hand up his nack and into his short hair. For a few minutes we kiss,deep in the chasm,with the roar of water all around us. And when we rise,hand in hand, I realize that if we had both chosen differently,we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.
Veronica Roth (Divergent (Divergent, #1))
Tristan’s Mom: What are these? Tristan: Your granddaughters. Tristan’s Dad: Don’t worry honey, you don’t look old enough to be a mother let alone a grandmother. Tristan’s Mom: Again with the flattery, thank you dear. Where did they come from? Tristan: Camie gave birth last night. Jeff: I didn’t know she was pregnant. Tristan: She wasn’t. It was a miracle. Tristan’s Mom: Do they have names? Tristan: Phineas and Ferb. Jeff: From the cartoon? Tristan’s Dad: That figures, he named the dog Scooby. Tristan’s Mom: They sound like boy names. Tristan: Mom! Shhh, you’ll give them a complex. Jeff: If that Ferb one climbs my legs again I’m drop kicking it. Tristan: That’s child abuse and I’ll press charges. Besides, they just miss their mom. Jeff: I’m calling CPS (cat protective services)… Tristan: What for? Jeff: Because you’re making your kids live in a broken home unnecessarily. Tristan: I’m not talking to you anymore. Jeff: Fine, as long as you to talk to her. Tristan: Back off. Jeff: Nope, not gonna do it. Tristan: I’m warning you man. Jeff: You miss her too. Tristan: Yeah, so? Jeff: So do something about it. Tristan: Happy? Last night was miserable and I think it’s too late. Jeff: You still have a 12 year old ace in the hole. Tristan: Saving it as a last resort. Tristan’s Dad: Honey, do you have a clue as to what they’re talking about? Tristan’s Mom: No and I don’t want one. Jeff: I’m just helping my nieces get their parents back together. Dude, it’s time. Make the call. Tristan: Alright, I did it. But I get the feeling I’m about to do business with the mob. I hope I don’t wake up with the head of my horse in bed with me tonight. Jeff: Well, a good father will do anything he can to protect his family, even if that means he runs the risk of sleeping with the fishes. Tristan: Okay girls, your aunt helped Daddy come up with a plan and if it works you should get to see Mommy today. Cross your paws, or claws, or whatever…just cross something for luck.
Jenn Cooksey (Shark Bait (Grab Your Pole, #1))
Because I kissed you? Seriously? You only like me because I’m a good kisser? That’s it. We’re not doing this. I’m not letting you risk your life just because you can’t think with your upstairs brain.” “No, you twit.” Ryan laughed. “Because you kissed me that day. I expected the ice queen and got a funny, go-with-the-flow girl that didn’t care what anyone thought about her. A girl willing to stir up gossip just so that I could win a date with someone else. “You didn’t have to help me. In fact, you probably should have been insulted, but you weren’t. You kissed me, you smiled, and then you wished me good luck. No one’s ever surprised me like that. I couldn’t figure out why you did it, and I just had to get to know you after that.” I had no idea that stupid kiss had that kind of effect on him. Charged him up like a battery, sure, but do all that? All this time I really thought it was just the superkissing that kept him coming back. I looked down at my lunch, feeling a little ashamed of my lack of faith in him, but Ryan couldn’t stop there. Oh, no, not Ryan Miller. “After that day, every time I was with you I got brief glimpses of the real Jamie, the one who is dying to break out, and she was this fun, relaxed, smart, funny, caring girl. Finding out the truth about you only made you that much more incredible. You’re so strong. You’ve gone through so much, you’re going through so much, but you never stop trying. You’re amazing.” I was surprised when I felt Ryan’s hand lift my chin up. I didn’t want to look at him, I knew what would happen to my heart if I did, but I couldn’t stop myself. I craved him too much. When we made eye contact, his face lit up and he whispered, “I love you, Jamie Baker.” It came out of nowhere, and it stole the breath from me, leaving me speechless. Ryan stared at me, just waiting for some kind of reaction, and then I was the one who broke the no-kissing rule. It wasn’t my fault. He totally cheated! Like anyone could resist Ryan Miller when he’s touching your face and saying he loves you? I threw myself at him so fast that I startled him for a change, and he was the one who had to pull me off him when his hair started to stick up. “Sorry,” I breathed as he pulled away. “Don’t be sorry,” he teased. “Just stop.” “Sorry,” I said again when I noticed that his leg was now bouncing under the table. “Yeah. Looks like I don’t get to sleep through economics today.” “On the bright side, Coach could make you run laps all practice long and you’d be fine.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
William: What are you looking for in a woman? Reyes: I’ve found my angel, Danika. She’s all I need. William: Really? That’s, like, weird to me. Men should need many girls. No one girl should be so important. Reyes: How sad for you. William: I’m not sad. You’re sad! Reyes: Why are you so defensive about this? William: Let’s move on. Favorite outfit? Reyes: First, you said girls rather than women. Why is that, I wonder? Because you care about one girl in particular? Anyway, clothes are clothes. I don’t have any favorites. William: Go to hell. I care about no one and I’m proud to admit that! Favorite moment in the series so far? Reyes: The first time Danika looked at me with trust and acceptance in her eyes. I’m still reeling. William: And just so you know, girl was a slip of the tongue. Now. Least favorite moment in the series? Reyes: Every time I had to kill Maddox. William: Really? That would have been my favorite. Anyway, hobbies? Reyes: Do you really have to ask? Yes? Fine. Cutting myself. I’ve started to draw shapes. Like hearts. William: You actually admitted that aloud. [snicker] [..] Reyes: Happy for the first time in what seems an eternity. William: Not that you deserve it. Really, I didn’t say girl for any particular reason. So what do you think of the fact that your home has been invaded by women? Reyes: As long as I have Danika, I don’t care who lives with us. William: Who do you think is the smartest Lord? Reyes: Me. Look who I picked to spend eternity with. William: I think you’re the dumbest! Seriously, girl was meant to encompass everyone old enough to be bedded by me. Now, if you knew you only had twenty-four hours before the Hunters found Pandora’s box and killed you, what would you do in the time you had left to live? Reyes: Not even death can keep me away from my angel. I would find a way to change such a fate. Again. William: What kind of underwear are you wearing? Note from William: Bastard flipped me off and left. Final thoughts from William: Reyes’s thoughts about me and my slip of the tongue were ridiculous and unfounded!
Gena Showalter (Into the Dark (Lords of the Underworld, #0.5,3.5; Atlantis #4.5))
He slouches,' DeeDee contributes. 'True--he needs to work on his posture,' Thelma says. 'You guys,' I say. 'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?' 'You guys. We are not getting married!' 'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?' 'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?' I swat her. "I'm not having Mitchell's children!' 'I'm sorry--what?' Thelma says. Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl! But I don't care. If they're going to embarrass me, then I'll embarrass them right back. 'I said'--I raise my voice--'I am not having Mitchell Truman's children!' Jolene turns beet red, and she and DeeDee dissolve into mad giggles. 'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous. 'Okaaay, I think maybe I won't turn around,' I announce. A person of the male persuasion clears his throat. 'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me. 'If you change your mind, we might be able to work something out,' the person of the male persuasion says. 'About the children?' DeeDee asks. 'Or the turning around?' 'DeeDee!' Jolene says. 'Both,' says the male-persuasion person. I shrink in my chair, but I raise my hand over my head and wave. 'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.' Warm fingers clasp my own. 'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.' 'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!' I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants. Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter. He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line. Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder. 'Did you see!' Thelma gasps. 'Did you see how proud he was?' 'You improve his posture!' Jolene says. 'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.' 'I can't believe you waved at him,' DeeDee says. 'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.' 'It was a surrender flag. I was surrendering myself to abject humiliation.' 'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
Lauren Myracle (Bliss (Crestview Academy, #1))