“
When you are in troubled and worried and sick at heart
And your plans are upset and your world falls apart,
Remember God's ready and waiting to share
The burden you find much to heavy to bear--
So with faith, "Let Go and Let GOD" lead your way
Into a brighter and less troubled day
”
”
Helen Steiner Rice
“
When you find a guy who calls you beautiful instead of hot, who calls you back when you hang up on him, who will stand in front of you when other’s cast stones, or will stay awake just to watch you sleep, who wants to show you off to the world when you are in sweats, who will hold your hand when your sick, who thinks your pretty without makeup, the one who turns to his friends and say, ‘that’s her’, the one that would bear your rejection because losing you means losing his will to live, who kisses you when you screw up, watches the stars and names one for you and will hold and rock that baby for hours so you can sleep…..you marry him all over again.
”
”
Shannon L. Alder
“
Eight full lives,” I whispered against his jaw, my voice breaking. “Eight full lives and I never found anyone I would stay on a planet for, anyone I would follow when they left. I never found a partner. Why now? Why you? You're not of my species. How can you be my partner?”
“It's a strange universe,” he murmured.
“It's not fair,” I complained, echoing Sunny's words. It wasn't fair. How could I find this, find love–now, in this eleventh hour–and have to leave it? Was it fair that my soul and body couldn't reconcile? Was it fair that I had to love Melanie, too? Was it fair that Ian would suffer? He deserved happiness if anyone did. Itwasn't fair or right or even…sane. How could I do this to him?
“I love you,” I whispered.
“Don't say that like you're saying goodbye.”
But I had to. “I, the soul called Wanderer, love you, human Ian. And that will never change, no matter what I might become.” I worded it carefully, so that there would be no lie in my voice.
“If I were a Dolphin or a Bear or a Flower, it wouldn't matter. I would always love you, always remember you. You will be my only partner.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
As you walk through forests
or the meadows of your mind,
Stop and talk to those you fear
Good friendships you may find
”
”
Stephen Cosgrove (Buttermilk Bear (Serendipity))
“
How do you bear it?” Finnick looks at me in disbelief. “I don’t, Katniss! Obviously, I don’t. I drag myself out of nightmares each morning and find there’s no relief in waking.” “The more you can distract yourself the better, ” he says. “First thing tomorrow, we’ll get you your own rope. Until then take mine.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Go out in the early days of winter, after the first cold snap of the season. Find a pool of water with a sheet of ice across the top, still fresh and new and clear as glass. Near the shore the ice will hold you. Slide out farther. Farther. Eventually you'll find the place where the surface just barely bears your weight. There you will feel what I felt. The ice splinters under your feet. Look down and you can see the white cracks darting through the ice like mad, elaborate spiderwebs. It is perfectly silent, but you can feel the sudden sharp vibrations through the bottoms of your feet.
That is what happened when Denna smiled at me.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Sure, we'd faced some things as children that a lot of kids don't. Sure, Justin had qualified for his Junior de Sade Badge in his teaching methods for dealing with pain. We still hadn't learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you're just going to get hurt again. But each time, you learn something.
Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There's the little empty pain of leaving something behind - gradutaing, taking the next step forward, walking out of something familiar and safe into the unknown. There's the big, whirling pain of life upending all of your plans and expecations. There's the sharp little pains of failure, and the more obscure aches of successes that didn't give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life they grow and learn. There's the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens.
And if you're very, very lucky, there are a very few blazing hot little pains you feel when you realized that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last - and yet will remain with you for life.
Everyone is down on pain, because they forget something important about it: Pain is for the living. Only the dead don't feel it.
Pain is a part of life. Sometimes it's a big part, and sometimes it isn't, but either way, it's a part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you're alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.
”
”
Jim Butcher
“
To my unsuspecting love.
When I look into your eyes, I lose all sense of time and place. Reason robbed, clear thought erased, I am lost in the paradise I find within your gaze.
I long to touch your blushing cheek, to whisper in your ear how I adore you, how I have lost my heart to you, how I cannot bear the thought of living without you.
To be so near to you without touching you is agony. Your blindness to my feelings is a daily torment, and I feel driven to the edge of madness by my love for you.
Where is your compassion when I need it most? Open your eyes , Love, and see what is right before you: that I am not merely a friend, but a man deeply, desperately , in love with you.
Longing for you.
”
”
Julianne Donaldson (Edenbrooke (Edenbrooke, #1))
“
Horace, who had been trying to find out the meaning of Kurokuma for some time now, was pleased to hear the translation.
"Black bear," he repeated. "It's undoubtedly because I'm so terrible in battle."
"I'd guess so," Will put in. "I've seen you in battle and you're definitely terrible.
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
What if I say I can't bear to lose you?"
A smile tugged at her lips. "I'd say you're a liar. That claims like that belong to romantic ninnies." She raised her hand and let her fingertips trace the line of his beautiful jaw. He closed his eyes. "We would go on, you and I. If I couldn't be queen, you would find a way to win this battle and save this country. You would make a sheltering place for my people. You would march an bleed and crack terrible jokes until you had done all you said you would. I suppose that's why I love you.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Everyone,” she continues, looking around at all of us, “has something to say. But not everyone can bear to say it. Your job is to find a way.
”
”
Meg Wolitzer (Belzhar)
“
Grief, I'd come to realize was like dust, When you're in the thick of a dust storm, you're completely disoriented by the onslaught, struggling to see or breathe. But as the force recedes, and you slowly find your bearing and see a path forward, the dust begins to settle into the crevices. And it will never disappear completely- as the years pass, you'll find it in unexpected places at unexpected moments.
”
”
Mikki Brammer (The Collected Regrets of Clover)
“
Learning
After some time, you learn the subtle difference between
holding a hand
and imprisoning a soul;
You learn that love does not equal sex,
and that company does not equal security,
and you start to learn….
That kisses are not contracts and gifts are not promises,
and you start to accept defeat with the head up high
and open eyes,
and you learn to build all roads on today,
because the terrain of tomorrow is too insecure for plans…
and the future has its own way of falling apart in half.
And you learn that if it’s too much
even the warmth of the sun can burn.
So you plant your own garden and embellish your own soul,
instead of waiting for someone to bring flowers to you.
And you learn that you can actually bear hardship,
that you are actually strong,
and you are actually worthy,
and you learn and learn…and so every day.
Over time you learn that being with someone
because they offer you a good future,
means that sooner or later you’ll want to return to your past.
Over time you comprehend that only who is capable
of loving you with your flaws, with no intention of changing you
can bring you all happiness.
Over time you learn that if you are with a person
only to accompany your own solitude,
irremediably you’ll end up wishing not to see them again.
Over time you learn that real friends are few
and whoever doesn’t fight for them, sooner or later,
will find himself surrounded only with false friendships.
Over time you learn that words spoken in moments of anger
continue hurting throughout a lifetime.
Over time you learn that everyone can apologize,
but forgiveness is an attribute solely of great souls.
Over time you comprehend that if you have hurt a friend harshly
it is very likely that your friendship will never be the same.
Over time you realize that despite being happy with your friends,
you cry for those you let go.
Over time you realize that every experience lived,
with each person, is unrepeatable.
Over time you realize that whoever humiliates
or scorns another human being, sooner or later
will suffer the same humiliations or scorn in tenfold.
Over time you learn to build your roads on today,
because the path of tomorrow doesn’t exist.
Over time you comprehend that rushing things or forcing them to happen
causes the finale to be different form expected.
Over time you realize that in fact the best was not the future,
but the moment you were living just that instant.
Over time you will see that even when you are happy with those around you,
you’ll yearn for those who walked away.
Over time you will learn to forgive or ask for forgiveness,
say you love, say you miss, say you need,
say you want to be friends, since before
a grave, it will no longer make sense.
But unfortunately, only over time…
”
”
Jorge Luis Borges
“
Two Kinds of People
There are two kinds of people on earth today,
Two kinds of people no more I say.
Not the good or the bad, for it's well understood,
The good are half bad, the bad are half good.
Not the happy or sad, for in the swift-flying years,
Bring each man his laughter, each man his tears.
Not the rich or the poor, for to count a man's wealth,
You must know the state of his conscience and health.
Not the humble and proud, for in life's busy span,
Who puts on vain airs is not counted a man.
No! the two kinds of people on earth I mean,
Are the people who lift, the people who lean.
Wherever you go you'll find the world's masses
Are ever divided into these two classes.
And, strangely enough, you will find, too, I mean,
There is only one lifter to twenty who lean.
In which class are you? Are you easing the load
Of the overtaxed lifters who toiled down the road?
Or are you a leaner who lets others bear,
Your portion of worry and labor and care?
”
”
Ella Wheeler Wilcox
“
Jesus can you show me
Just how far the east is from the west,
Cause I can't bear to see the man I've been
Rising up in me again.
In the arms of your mercy I find rest
Cause you know just how far the east is from the west---
From one scarred hand to the other.
”
”
Casting Crowns (Casting Crowns - The Altar and the Door (Easy Piano))
“
Commitment isn’t about being perfect, always following through, or never going astray. Commitment means that when you (inevitably) stumble or get off track, you pick yourself up, find your bearings, and carry on in the direction you want to go.
”
”
Russ Harris
“
The novelist with Christian concerns will find in modern life distortions which are repugnant to him, and his problem will be to make these appear as distortions to an audience which is used to seeing them as natural; and he may well be forced to take ever more violent means to get his vision across to this hostile audience. When you can assume that your audience holds the same beliefs you do, you can relax a little and use more normal ways of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the almost blind you draw large and startling figures.
”
”
Flannery O'Connor (Collected Works: Wise Blood / A Good Man Is Hard to Find / The Violent Bear It Away / Everything That Rises Must Converge / Essays and Letters)
“
Those only are happy (I thought) who have their minds fixed on some object other than their own happiness; on the happiness of others, on the improvement of mankind, even on some art or pursuit, followed not as a means, but as itself an ideal end. Aiming thus at something else, they find happiness by the way. The enjoyments of life (such was now my theory) are sufficient to make it a pleasant thing, when they are taken en passant, without being made a principal object. Once make them so, and they are immediately felt to be insufficient. They will not bear a scrutinizing examination. Ask yourself whether you are happy, and you cease to be so. The only chance is to treat, not happiness, but some end external to it, as the purpose of life. Let your self-consciousness, your scrutiny, your self-interrogation, exhaust themselves on that; and if otherwise fortunately circumstanced you will inhale happiness with the air you breathe, without dwelling on it or thinking about it, without either forestalling it in imagination, or putting it to flight by fatal questioning.
”
”
John Stuart Mill (Autobiography)
“
We can hardly bear to look. The shadow may carry the best of the life we have not lived. Go into the basement, the attic, the refuse bin. Find gold there. Find an animal who has not been fed or watered. It is you!! This neglected, exiled animal, hungry for attention, is a part of your self.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
Make the attempt if you want to, but you will find that trying to go through life without friendship, is like milking a bear to get cream for your morning coffee. It is a whole lot of trouble, and then not worth much after you get it.
”
”
Zora Neale Hurston (Dust Tracks on a Road)
“
Go into yourself and test the deeps in which your life takes rise; at its source you will find the answer to the question whether you must create. Accept it, just as it sounds, without inquiring into it. Perhaps it will turn out that you are called to be an artist. Then take that destiny upon yourself and bear it, its burden and its greatness, without ever asking what reward might come from outside
”
”
Rainer Maria Rilke
“
If possible, try to find a way to come downstairs that doesn't involve going bump, bump, bump, on the back of your head.
”
”
Joan Powers (Pooh's Little Instruction Book)
“
I, being born a woman and distressed
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fair, and feel a certain zest
To bear your body's weight upon my breast;
So subtly is the fume of life designed,
To clarify the pulse and cloud the mind,
And leave me once again undone, possessed.
Think not for this, however, the poor treason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn with pity, - let me make it plain:
I find this frenzy insufficient reason
For conversation when we meet again.
”
”
Edna St. Vincent Millay
“
So if you’re an introvert like me, especially a female introvert, or a person who is expected to give away your energy to everyone else on the reg, I want to encourage you to find time to be alone. Don’t be afraid to excuse yourself. Recharge for as long as you need. Lean up against a tree and take a break from the other bears. I’ll be there too, but I promise not to bother you.
”
”
Amy Schumer (The Girl with the Lower Back Tattoo)
“
She'd read once that if you ran into a bear in the woods you should avoid eye contact and you shouldn't run away, but all she knew about wolves is that you should never tell them how to find your grandmother's house.
”
”
Anne Ursu (Breadcrumbs)
“
Some things cannot be fixed; they can only be carried. Grief like yours, love like yours, can only be carried.
Survival in grief, even eventually building a new life alongside grief, comes with the willingness to bear witness, both to yourself and to the others who find themselves inside this life they didn’t see coming. Together, we create real hope for ourselves,
and for one another. We need each other to survive.
I wish this for you: to find the people you belong with, the ones who will see your pain, companion you, hold you close,
even as the heavy lifting of grief is yours alone. As hard as they may seem to find at times, your community is out there. Look
for them. Collect them. Knit them into a vast flotilla of light that can hold you.
”
”
Megan Devine (It's OK That You're Not OK)
“
In this life you have to be your own hero.
By that I mean you have to win whatever it is that matters to you by your own strength and in your own way.
Like it or not, you are alone in a forest, just like all those fairy tales that begin with a hero who’s usually stupid but somehow brave, or who might be clever, but weak as a straw, and away he goes (don’t worry about the gender), cheered on by nobody, via the castles and the bears, and the old witch and the enchanted stream, and by and by (we hope) he’ll find the treasure.
”
”
Jeanette Winterson (The PowerBook)
“
Be not the slave of your moods, but their master. But if you are so angry, so depressed and so sore that your spirit cannot find deliverance and peace even in prayer, then quickly go and give some pleasure to someone lowly or sorrowful, or to a guilty or innocent sufferer! Sacrifice yourself, your talent, your time, your rest to another, to one who has to bear a heavier load than you -- and your unhappy mood will dissolve into a blessed, contented submission to God.
”
”
Abdul'-Baha
“
…you don’t reach Serendib by plotting a course for it. You have to set out in good faith for elsewhere and lose your bearings … serendipitously.” ---The Last Voyage of Somebody the Sailor
”
”
John Barth
“
When you become a raindrop in your mind
Thunder is the closest friend you may find
Wind lashed trees, dark clouds, lightning or the dust
Everything you will bear once you adjust
”
”
Munia Khan
“
When you find yourself thinking about someone or something in the same old negative way, just stop yourself. Think. Check. Change. Refresh. Job done. Smile. Move on. Do this enough times and you will change. For the better; for the stronger.
”
”
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
“
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.'
Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile.
'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.'
He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.'
Kel nodded.
'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble.
'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
”
”
Tamora Pierce (Squire (Protector of the Small, #3))
“
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3:
ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever.
And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it:
BERTIE: Touch of indigestion, Jeeves?
JEEVES: No, Sir.
BERTIE: Then why is your tummy rumbling?
JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us.
BERTIE: Animal? What animal?
JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner.
BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?"
JEEVES: I fancy it might be judicious if you were to make an exit, Sir.
BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile.
Who can say which method is superior?"
(As reproduced in
Plum, Shakespeare and the Cat Chap
)
”
”
P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
“
Commitment” means that when you do (inevitably) stumble or get off track, you pick yourself up, find your bearings, and carry on in the direction you want to go.
”
”
Russ Harris (The Happiness Trap: How to Stop Struggling and Start Living: A Guide to ACT)
“
you have a choice. You can either let the pain overwhelm you, defining your life from that point on – perhaps even ending it or, at best, consigning you to a living death – or you can find a way to bear it, to carry it with you and still go on living.
”
”
Fiona Valpy (Sea of Memories)
“
What can I expect here? You know the fairy tale about the man who died, don’t you? He was waiting in Eternity to find out what the Lord had decided to do with him. He waited and waited, for one year, ten years, a hundred years. He begged and pleaded for a decision. Finally he couldn’t bear the waiting any longer. Then they said to him: ‘What do you think you’re waiting for? You’ve been in Hell for a long time already.
”
”
Anna Seghers (Transit)
“
The older I get, the more I find that you can only live with those who free you, who love you with an affection that is as light to bear as it is strong to feel.
Today's life is too hard, too bitter, too anemic, for us to
undergo new bondages, from whom we love (...]. This is how I am your friend, I love your happiness, your freedom, Your adventure in one word, and I would like to be for you the companion we are sure of, always.
”
”
Albert Camus (Correspondance (1945-1959) (French Edition))
“
Then his heart made up his mind.
”
”
Lindsay Mattick (Finding Winnie: The True Story of the World's Most Famous Bear (Caldecott Medal Winner))
“
It is easier to bear the worries of wandering than to find peace in your hometown, where only the sage can live in a happy house surrounded by trite troubles and daily distractions.
”
”
Hermann Hesse
“
A Kite is a Victim
A kite is a victim you are sure of.
You love it because it pulls
gentle enough to call you master,
strong enough to call you fool;
because it lives
like a desperate trained falcon
in the high sweet air,
and you can always haul it down
to tame it in your drawer.
A kite is a fish you have already caught
in a pool where no fish come,
so you play him carefully and long,
and hope he won't give up,
or the wind die down.
A kite is the last poem you've written
so you give it to the wind,
but you don't let it go
until someone finds you
something else to do.
A kite is a contract of glory
that must be made with the sun,
so you make friends with the field
the river and the wind,
then you pray the whole cold night before,
under the travelling cordless moon,
to make you worthy and lyric and pure.
Gift
You tell me that silence
is nearer to peace than poems
but if for my gift
I brought you silence
(for I know silence)
you would say
This is not silence
this is another poem
and you would hand it back to me
There are some men
There are some men
who should have mountains
to bear their names through time
Grave markers are not high enough
or green
and sons go far away to lose the fist
their father’s hand will always seem
I had a friend he lived and died
in mighty silence and with dignity
left no book son or lover to mourn.
Nor is this a mourning song
but only a naming of this mountain
on which I walk
fragrant, dark and softly white
under the pale of mist
I name this mountain after him.
-Believe nothing of me
Except that I felt your beauty
more closely than my own.
I did not see any cities burn,
I heard no promises of endless night,
I felt your beauty
more closely than my own.
Promise me that I will return.-
-When you call me close
to tell me
your body is not beautiful
I want to summon
the eyes and hidden mouths
of stone and light and water
to testify against you.-
Song
I almost went to bed
without remembering
the four white violets
I put in the button-hole
of your green sweater
and how i kissed you then
and you kissed me
shy as though I'd
never been your lover
-Reach into the vineyard of arteries for my heart.
Eat the fruit of ignorance and share with me the mist and
fragrance of dying.-
”
”
Leonard Cohen (The Spice-Box of Earth)
“
He dropped his voice, and came a couple of inches closer. "I think you're beautiful when you wear oversize hoodies and fleece pyjamas with teddy bears on them. Or when you wear thick socks and use them to slide around on marble floors when you think no one's looking at you."
"I - Oh. You know about that."
"And I think you are especially beautiful when you are giving out to me."
"In that case, you must find me constantly compelling.
”
”
Catherine Doyle (Mafiosa (Blood for Blood, #3))
“
Once upon a time there was a king who had three beautiful daughters.
No, no, wait.
Once upon a time there were three bears who lived in a wee house in the woods.
Once upon a time there were three soldiers, tramping together down the road after the war.
Once upon a time there were three little pigs.
Once upon a time there were three brothers.
No, this is it. This is the variation I want.
Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts.
Bounce, effort, and snark.
Contemplation and enthusiasm. Ambition and strong coffee.
Sugar, curiosity, and rain.
And yet, there was a witch.
There's always a witch.
This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening.
The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short.
The next boy was studious and open hearted. Though it's true, he was an outsider.
And the girl was witty, Generous, and ethical. Though it's true, she felt powerless.
The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic.
She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them.
She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it.
She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think.
Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so.
What she did instead was cursed them.
"When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame."
The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches.
There, surely, they would be safe.
There, Surely, the witch would never find them.
But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting.
The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories.
Then she gave them a box of matches.
The children were entranced, for nearly sixteen they have never seen fire.
Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen.
Go on, she said, the flames will cleanse your souls.
Go on, she said, for you are independent thinkers.
Go on, she said. What is this life we lead, if you did not take action?
And they listened.
They took the matches from her and they struck them. The witch watched their beauty burn,
Their bounce,
Their intelligence,
Their wit,
Their open hearts,
Their charm,
Their dreams for the future.
She watched it all disappear in smoke.
”
”
E. Lockhart (We Were Liars)
“
Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year.
Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself.
See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all.
Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory.
And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well.
The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth—SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants."
[Getting Into Print (The Editor magazine, March 1903)]
”
”
Jack London
“
To my unsuspecting love.
When I look into your eyes, I loose all sense of time and place. Reason robbed, clear thought erased, I am lost in the paradise I find within you gaze.
I long to touch your blushing cheek, to whisper in your ear how I adore you, how I cannot bear the thought of living without you.
To be so near you without touching you is agony. Your blindness to my feelings is a daily torment, and I feel driven to the edge of madness by my love for you
”
”
Julianne Donaldson (Edenbrooke (Edenbrooke, #1))
“
We can hardly bear to look. The shadow may carry the best of the life we have not lived. Go into the basement, the attic, the refuse bin. Find gold there. Find an animal who has not been fed or watered. It is you!! This neglected, exiled animal, hungry for attention, is a part of your self. —Marion Woodman (as quoted by Stephen Cope in The Great Work of Your Life)
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
That was the trouble. The land is too big out there, and after a while it starts to swallow you up. I reached a point when I couldn't take it anymore. All that bloody silence and emptiness. You try to find your bearings in it, but it's too big, the dimensions are too monstrous, and eventually, I don't know how else to put it, eventually it just stops being there. There's no world, no land, no nothing. It comes down to that, Fogg, in the end it's all a figment. The only place you exist is in your head.
”
”
Paul Auster (Moon Palace)
“
Mrs. Nightwing glances at the box in my hands. She clears her throat."I understand you've decided against Mr. Middleton."...
It's best to be sure, through and through," she says, keeping her eyes steadfastly on the girls running and playing on the lawn. "Else you could find yourself one day coming home to an empty house, save for a note: I've gone out. You could wait all night for him to return. Nights turn into weeks, to years. It's horrible, the waiting. You can scarcely bear it. And perhaps years later on holiday in Brighton, you see him, walking along the boardwalk as if out of some dream. No longer lost. Your heartbeat quickens. You must call out to him. Someone else calls first. A pretty young woman with a child. He stops and bends to lift the child into his arms. His child. He gives a furtive kiss to his young wife. He hands her a box of candy, which you know to be Chollier's chocolates. He and his family stroll on. Something in you falls away. You will never be as you were. What is left to you is the chance to become something new and unsure. But at least the waiting is over.
”
”
Libba Bray (Rebel Angels (Gemma Doyle, #2))
“
As a reliable compass for orientating yourself in life nothing is more useful than to accustom yourself to regarding this world as a place of atonement, a sort of penal colony. When you have done this you will order your expectations of life according to the nature of things and no longer regard the calamities, sufferings, torments and miseries of life as something irregular and not to be expected but will find them entirely in order, well knowing that each of us is here being punished for his existence and each in his own particular way. This outlook will enable us to view the so-called imperfections of the majority of men, i.e., their moral and intellectual shortcomings and the facial appearance resulting therefrom, without surprise and certainly without indignation: for we shall always bear in mind where we are and consequently regard every man first and foremost as a being who exists only as a consequence of his culpability and whose life is an expiation of the crime of being born.
”
”
Arthur Schopenhauer (On the Suffering of the World)
“
To go into yourself and see how deep the place is from which your life flows; at its source you will find the answer to the question whether you must create. Accept that answer, just as it is given to you, without trying to interpret it. Then take the destiny upon yourself, and bear it, its burden and its greatness, without ever asking what reward might come from outside. For the creator must be a world for himself and must find everything in himself and in Nature, to whom his whole life is devoted.
”
”
Rainer Maria Rilke (Letters to a Young Poet)
“
All but a prophetic few must go about God's work in very quiet, very unspectacular ways. And as you labor to know Him, and to know that He knows you; as you invest your time--and your convenience--in quiet, unassuming service, you will indeed find that "He shall give his angels charge concerning thee: and in their hands they shall bear thee up" (Matthew 4:6).
”
”
Jeffrey R. Holland (Created for Greater Things)
“
It was hard to get lost in Missoula even if you wanted to. Wherever you were, all you had to do to get your bearings was look around and find the big letter M, embossed in white halfway up the steep shoulder of grass that reared on the south bank of the Clark Fork River. Though only a hill, it was called Mount Sentinel and if you had the legs and lungs and inclination to hike the trail that zigzagged up it, you could stand by the M and gaze out across the town at a travel-brochure shot of forest and mountain dusted from early fall with snow.
”
”
Nicholas Evans (The Divide)
“
I regard you as one of those men who would stand and smile at their torturer while he cuts their entrails out, if only they have found faith or God. Find it and you will live. You have long needed a change of air. Suffering, too, is a good thing. Suffer! Maybe Nikolay is right in wanting to suffer. I know you don't believe in it—but don't be over-wise; fling yourself straight into life, without deliberation; don't be afraid—the flood will bear you to the bank and set you safe on your feet again. What bank? How can I tell? I only believe that you have long life before you.
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
You're not the one Teach!!
The man roger was waiting for,at the very least,it's not you teach
Just as there are people who inherited roger's will...
Someday one will carry ace's will...
You may eradicate their bloodline ,but their flame never dies...
For many ages , it has been passed down through the generations...
And someday,bearing the weight of all these generations,a man will appear to challenge this world...
Sengoku,you people of the World Government are living in fear of that great battle that will someday engulf the entire world...
Though it has nothing to do with me... When somebody finds that treasure... The world will be turned upside down!!...
OH yes!it will be found!That day will come!!!!
ONE PIECE!IS OUT THERE!!!!!!
”
”
Whitebeard
“
I don't really like this song," Emma had said.
"You told me it was your favourite."
"It's beautiful. But it always makes me sad."
"Why, love?" he'd asked gently. "It's about finding each other again. About someone coming home."
Emma had lifted her head from his shoulder and looked at him earnestly. "It's about losing someone, and having to wait until you're together in heaven."
"There's nothing in the lyrics about heaven," he'd said.
"But that's what it means. I can't bear the idea of being separated from you, for a lifetime or a year or even a day. So you mustn't go to heaven without me."
"Of course not," he had whispered. "It wouldn't be heaven without you.
”
”
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
“
Go out in the early days of winter, after the first cold snap of the season. Find a pool of water with a sheet of ice across the top, still fresh and new and clear as glass. Near the shore the ice will hold you. Slide out farther. Farther. Eventually you'll find the place where the surface just barely bears your weight. There you will feel what I felt. The ice splinters under your feet. Look down and you can see the white cracks darting through the ice like mad, elaborate spiderwebs. It is perfectly silent, but you can feel the sudden sharp vibrations through the bottoms of your feet.
That is what happened when Denna smiled at me.I don't mean to imply imply I felt as if I stood on brittle ice about to give way beneath me. No. I felt like the ice itself, suddenly shattered, with cracks spiraling out from where she had touched my chest. The only reason I held together was because my thousand pieces were all leaning together. If i moved, i feared I would fall apart.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Under the trees several pheasants lay about, their rich plumage dabbled with blood; some were dead, some feebly twitching a wing, some staring up at the sky, some pulsating quickly, some contorted, some stretched out—all of them writhing in agony except the fortunate ones whose tortures had ended during the night by the inability of nature to bear more. With the impulse of a soul who could feel for kindred sufferers as much as for herself, Tess’s first thought was to put the still living birds out of their torture, and to this end with her own hands she broke the necks of as many as she could find, leaving them to lie where she had found them till the gamekeepers should come, as they probably would come, to look for them a second time. “Poor darlings—to suppose myself the most miserable being on earth in the sight o’ such misery as yours!” she exclaimed, her tears running down as she killed the birds tenderly.
”
”
Thomas Hardy (Tess of the D’Urbervilles)
“
My Sabine,
I just left your room. You were so beautiful lying there sound asleep that I couldn’t bear to wake you. But I’m not feeling so great and there are things I promised to tell you that I fear I may not get the chance to.
I know you had once hoped that I would be the one to pass on your letters to Maddie once you were gone. But, as it turns out, I think it is going to be me who ends up leaving the letters behind.
Be mad at me. You should. But after that try to understand that I did what I thought was best. I wanted to tell you. So many times I snuck down to your room planning on telling you everything, but I just couldn’t.
Partly it was for you – yes. You needed time and I didn’t want to influence your choices, even once I realised what was happening between us, even more so then. Falling in love with you only made those choices more complicated and I feared that you might choose to stay for me and then, after I was gone, change your mind. I couldn’t let that happen.
Partly the choice was selfish, and for that I am sorry. For so long now people have been trying to fix me, but where they failed, you succeeded. You’ve given me more life in the last couple of weeks that I’ve had in years. Being with you, loving you, making memories with you, fearing for you, wanting to show you the beauty of life instead of the terror – it was bittersweet, but more importantly Sabine, it was real.
I know this is the part when I beg you to go on, live your life and be happy. But I don’t need to say those things. I know you. Your lives will be extraordinary. You certainly made mine feel that way.
Please find it in your heart to forgive me one day. I wish we had more time, but I want to thank you – for giving me life in my time of death.
My love for you is eternal.
Ethan.
”
”
Jessica Shirvington (Between the Lives)
“
Be not the slave of your moods, but their master. But if you are so angry, so depressed and so sore that your spirit cannot find deliverance and peace even in prayer, then quickly go and give some pleasure to someone lowly or sorrowful, or to a guilty or innocent sufferer! Sacrifice yourself, your talent, your time, your rest to another, to one who has to bear a heavier load than you—and your unhappy mood will dissolve into a blessed, contented submission to God.
”
”
Rainn Wilson (The Bassoon King: My Life in Art, Faith, and Idiocy)
“
Are you certain they never cut your member off?" Tormund gave a shrug, as if to say he would never understand such madness. "Well, you are a free man now, but if you will have the girl, best find yourself a she-bear. If a man does not use his member it grows smaller and smaller, until one day he wants to piss and cannot find it.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
I'll find his grave, and bury you together. You had no descendants, but I'll remember you. And my descendants, and their descendants, will remember you, and pray for you, at the monument I'll build to your names.
Go into your next life. Live it, and bear its suffering. Do it again with the life after that, and the next, and with each one find it easier. Until one day, in a thousand years, the force of the universe will bring you and Esen-Temur back together to start afresh.
”
”
Shelley Parker-Chan (He Who Drowned the World (The Radiant Emperor, #2))
“
So rest and relax and grow stronger, Let go and let God share your load, Your work is not finished or ended, You’ve just come to “a bend in the road”.
“When you ask God for a gift, be thankful if He sends, not diamonds, pearls or riches, but the love of real true friends.”
“It takes a Mother’s Love to make a house a home, a place to be remembered, no matter where we roam.”
“When you are in troubled and worried and sick at heart
And your plans are upset and your world falls apart,
Remember God’s ready and waiting to share
The burden you find much to heavy to bear–
So with faith, “Let Go and Let GOD” lead your way.
”
”
Helen Steiner Rice
“
What is it that makes you cry? It is only your attachments. What is it that you miss when it is lost? It is the object of your attachment. Ponder over this. Find out what it is that grips your very life, without which you feel miserable and destitute; that is the center of your attachment.
Here is what you should do: make an effort to find out what things it would hurt you to lose. Then, before they are lost, open your hands little by little, relax your grip on them. This is the method for conquering attachment. There is bound to be pain, but you must bear it; this is your penance. It is not necessary to renounce anything. It is not that you should leave your wife and run away to the Himalayas. Remain there, where you are, but gradually stop depending on her. There is no need to cause any pain; your wife need not even know it. There is no need to tell her.
Seek out the attachments. Try gradually to live without the things that you now think you cannot live without. Create such a state within yourself that if and when these things are lost, there is not the slightest tremor within you. Then you will have attained victory over these attachments. This can be possible. It has been possible. And if it has happened to even one, it can happen to all.
”
”
Osho (Bliss: Living beyond happiness and misery)
“
If your Lord calls you to suffering, do not be dismayed, for He will provide a deeper portion of Christ in your suffering. The softest pillow will be placed under your head though you must set your bare feet among thorns. Do not be afraid at suffering for Christ, for He has a sweet peace for a sufferer. God has called you to Christ's side, and if the wind is now in His face, you cannot expect to rest on the sheltered side of the hill. You cannot be above your Master who received many an innocent stroke. The greatest temptation out of hell is to live without trials. A pool of standing water will turn stagnant. Faith grows more with the sharp winter storm in its face. Grace withers without adversity. You cannot sneak quietly into heaven without a cross. Crosses form us into His image. They cut away the pieces of our corruption. Lord cut, carve, wound; Lord do anything to perfect Your image in us and make us fit for glory! We need winnowing before we enter the kingdom of God. O what I owe to the file, hammer, and furnace! Why should I be surprised at the plough that makes such deep furrows in my soul? Whatever direction the wind blows, it will blow us to the Lord. His hand will direct us safely to the heavenly shore to find the weight of eternal glory. As we look back to our pains and suffering, we shall see that suffering is not worthy to be compared to our first night's welcome home in heaven. If we could smell of heaven and our country above, our crosses would not bite us. Lay all your loads by faith on Christ, ease yourself, and let Him bear all. He can, He does, and He will bear you. Whether God comes with a rod or a crown, He comes with Himself. "Have courage, I am your salvation!" Welcome, welcome Jesus!
”
”
Samuel Rutherford
“
No! I don't want to speak of that! But I'm going to. I want you to hear. I want you to know what's in store for you. There will be days when you'll look at your hands and you'll want to take something and smash every bone in them, because they'll be taunting you with what they could do, if you found a chance for them to do it, and you can't find that chance, and you can't bear your living body because it has failed those hands somewhere. There will be days when a bus driver will snap at you as you enter a bus, and he'll be only asking for a dime, but that won't be what you hear; you'll hear that you're nothing, that he's laughing at you, that it's written on your forehead, that thing they hate you for. There will be days when you'll stand in the corner of a hall and listen to a creature on a platform talking about buildings, about the work you love, and the things he'll say will make you wait for somebody to rise and crack him open between two thumbnails; and then you'll hear people applauding him, and you'll want to scream, because you won't know whether they're real or you are, whether you're in a room full of gored skulls, or whether someone has just emptied your own head, and you'll say nothing, because the sounds you could make - they're not a language in that room any longer; but you'd want to speak, you won't anyway, because you'll be brushed aside, you who have nothing to tell them about buildings! Is that what you want?
”
”
Ayn Rand (The Fountainhead)
“
I hear You saying to me:
"I will give you what you desire. I will lead you into solitude. I will lead you by the way that you cannot possibly understand, because I want it to be the quickest way.
"Therefore all the things around you will be armed against you, to deny you, to hurt you, to give you pain, and therefore to reduce you to solitude.
"Because of their enmity, you will soon be left alone. They will cast you out and forsake you and reject you and you will be alone.
"Everything that touches you shall burn you, and you will draw your hand away in pain, until you have withdrawn yourself from all things. Then you will be all alone.
"Everything that can be desired will sear you, and brand you with a cautery, and you will fly from it in pain, to be alone. Every created joy will only come to you as pain, and you will die to all joy and be left alone. All the good things that other people love and desire and seek will come to you, but only as murderers to cut you off from the world and its occupations.
"You will be praised, and it will be like burning at the stake. You will be loved, and it will murder your heart and drive you into the desert.
"You will have gifts, and they will break you with their burden. You will have pleasures of prayer, and they will sicken you and you will fly from them.
"And when you have been praised a little and loved a little I will take away all your gifts and all your love and all your praise and you will be utterly forgotten and abandoned and you will be nothing, a dead thing, a rejection. And in that day you shall being to possess the solitude you have so long desired. And your solitude will bear immense fruit in the souls of men you will never see on earth.
"Do not ask when it will be or where it will be or how it will be: On a mountain or in a prison, in a desert or in a concentration camp or in a hospital or at Gethsemani. It does not matter. So do not ask me, because I am not going to tell you. You will not know until you are in it.
"But you shall taste the true solitude of my anguish and my poverty and I shall lead you into the high places of my joy and you shall die in Me and find all things in My mercy which has created you for this end and brought you from Prades to Bermuda to St. Antonin to Oakham to London to Cambridge to Rome to New York to Columbia to Corpus Christi to St. Bonaventure to the Cistercian Abbey of the poor men who labor in Gethsemani:
"That you may become the brother of God and learn to know the Christ of the burnt men.
”
”
Thomas Merton (The Seven Storey Mountain: A Journey of Faith and Transformation, Exploring Vulnerability, Forgiveness, and the Quest for Spiritual Fulfillment in the Midst of a Turbulent World)
“
Plus je vieillis et plus je trouve qu’on ne peut vivre qu’avec les êtres qui vous libèrent, qui vous aiment d’une affection aussi légère à porter que forte à éprouver. La vie d’aujourd’hui est trop dure, trop amère, trop anémiante, pour qu’on subisse encore de nouvelles servitudes, venues de qui on aime [...]. C’est ainsi que je suis votre ami, j’aime votre bonheur, votre liberté, votre aventure en un mot, et je voudrais être pour vous le compagnon dont on est sûr, toujours.
The older I get, the more I find that you can only live with those who free you, who love you from a lighter affection to bear as strong as you can to experience Today's life is too hard, too bitter, too anemic, for us to undergo new bondages, from whom we love [...]. This is how I am your friend, I love your happiness, your freedom, Your adventure in one word, and I would like to be for you the companion we are sure of, always.
---- Albert Camus à René Char, 17 septembre 1957 (in "Albert Camus - René Char : Correspondance 1946-1959")
---- Albert Camus to René Char, September 17, 1957 (via René Char)
”
”
Albert Camus (Correspondance (1944-1959))
“
When you find human society disagreeable and feel yourself justified in flying to solitude, you can be so constituted as to be unable to bear the depression of it for any length of time, which will probably be the case if you are young. Let me advise you, then, to form the habit of taking some of your solitude with you into society, to learn to be to some extent alone even though you are in company; not to say at once what you think, and, on the other hand, not to attach too precise a meaning to what others say; rather, not to expect much of them, either morally or intellectually, and to strengthen yourself in the feeling of indifference to their opinion, which is the surest way of always practicing a praiseworthy toleration. If you do that, you will not live so much with other people, though you may appear to move amongst them: your relation to them will be of a purely objective character. This precaution will keep you from too close contact with society, and therefore secure you against being contaminated or even outraged by it. Society is in this respect like a fire—the wise man warming himself at a proper distance from it; not coming too close, like the fool, who, on getting scorched, runs away and shivers in solitude, loud in his complaint that the fire burns.
”
”
Arthur Schopenhauer (Essays and Aphorisms)
“
So do you want to make culture? Find a community, a small group who can lovingly fuel your dreams and puncture your illusions. Find friends and form a family who are willing to see grace at work in one another's lives, who can discern together which gifts and which crosses each has been called to bear. Find people who have a holy respect for power and a holy willingness to spend their power alongside the powerless. Find some partners in the wild and wonderful world beyond church doors. And then, together, make something of the world.
”
”
Andy Crouch (Culture Making: Recovering Our Creative Calling)
“
You are looking outside, and that is what you should most avoid right now. No one can advise or help you - no one. There is only one thing you should do. Go into yourself. Find out the reason that commands you to write see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple "I must," then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse...go into yourself and see how deep the place is from which your life flows; at its source you will find the answer to, the question of whether you must create. Accept that answer, just as it is given to you, without trying to interpret it. Perhaps you will discover that you are called to be an artist. Then take that destiny upon yourself, and bear it, its burden and its greatness, without ever asking what reward might come from outside.
”
”
Rainer Maria Rilke
“
Royce saw to his horse’s needs; then, finding a suitable place, he unrolled his blanket and lay down.
“I take it we’re camping here, then?”
Royce said nothing, still refusing to acknowledge his existence.
“You could have said, ‘We’re going to bed down here for the rest of the night.’ No, wait, you’re right, too much. How about ‘sleeping here’? Two words. Even you could manage that, right? I mean, I know you can talk. You had plenty to say back in Arcadius’s office. Couldn’t keep the words from coming out then, but no, utterly impossible to indicate in any way that we’ll be stopping here for the night.”
Hadrian dismounted and began unloading Dancer. “How long were we on the road?” He paused to look up at the moon. “What? Five, six hours? Not a damn word. Getting chilly out, don’t you think, Hadrian? Moon looks like a fingernail, ain’t that right, Hadrian? That tree looks like a goddamn bear, don’t it, Hadrian? Nothing. By the way, in case you hadn’t noticed, I was attacked by a goshawk and a pig-riding dwarf that shot eggs at me with a sling. I was knocked from my horse and wrestled with the dwarf, the hawk, and the pig for what had to be half an hour. The dwarf kept smashing eggs in my face, and that ruddy pig pinned me down, licking them off. I only got away because the dwarf ran out of eggs. Then the hawk turned into a moth that became distracted by the light of the moon.”
Royce shifted to his side, hood up.
“Yeah, well … thank Maribor and Novron I didn’t need your help that time.”
“Didn’t care for my help too much in the stable,” Royce said.
“It speaks!
”
”
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
“
MY DEAR CHILDREN: I rejoice to see you before me today, happy youth of a sunny and fortunate land. Bear in mind that the wonderful things you learn in your schools are the work of many generations, produced by enthusiastic effort and infinite labor in every country of the world. All this is put into your hands as your inheritance in order that you may receive it, honor it, add to it, and one day faithfully hand it on to your children. Thus do we mortals achieve immortality in the permanent things which we create in common. If you always keep that in mind you will find a meaning in life and work and acquire the right attitude toward other nations and ages.
”
”
Albert Einstein (Ideas and Opinions)
“
A strong woman has waited patiently while her roots grew down deep into the Word of God. Over time, she becomes unshakeable in her faith. She starts bearing fruit naturally and is full of life. People are attracted to her strength and growth, and many find rest and peace as they lean on her. And when storms and trials come, as they always do, they will not be able to take her down. A few branches may be lost or pruned away, but in their place comes new growth, new life. This is what I long to be! A strong woman who is anchored in God’s promises. But it starts by setting down your roots in God’s Word. It will not happen as you stand up for yourself, and demand attention, and fight for yourself. It will happen as you stand in Christ, and demand that He gets your attention, and fight for His glory. The beautiful thing is that as we pursue this, God takes His rightful place in our lives.
”
”
Francis Chan (You and Me Forever: Marriage in Light of Eternity)
“
Do you think we mortals will find you gods easier to bear if you’re beautiful? I tell you that if that’s true we’ll find you a thousand times worse. For then (I know what beauty does) you’ll lure and entice. You’ll leave us nothing; nothing that’s worth our keeping or your taking. Those we love best—whoever’s most worth loving—those are the very ones you’ll pick out. Oh, I can see it happening, age after age, and growing worse and worse the more you reveal your beauty: the son turning his back on the mother and the bride on her groom, stolen away by this everlasting calling, calling, calling of the gods. Taken where we can’t follow. It would be far better for us if you were foul and ravening. We’d rather you drank their blood than stole their hearts. We’d rather they were ours and dead than yours and made immortal.
”
”
C.S. Lewis (Till We Have Faces: A Myth Retold)
“
Ignorant: a state of not knowing what a pronoun is, or how to find the square root of 27.4, and merely knowing childish and useless things like which of the seventy almost identical-looking species of the purple sea snake are the deadly ones, how to treat the poisonous pith of the Sago-sago tree to make a nourishing gruel, how to foretell the weather by the movements of the tree-climbing Burglar Crab, how to navigate across a thousand miles of featureless ocean by means of a piece of string and a small clay model of your grandfather, how to get essential vitamins from the liver of the ferocious Ice Bear, and other such trivial matters. It’s a strange thing that when everyone becomes educated, everyone knows about the pronoun but no one knows about the Sago-sago.
”
”
Terry Pratchett (Hogfather (Discworld, #20))
“
...the incarnation is the complete refutation of every human system and institution that claims to control, possess, and distribute God. Whatever any church or religious leader may claim in regard to their particular access to God or control over your experience of God, the incarnation is the last word: God loves the world. God came into the world in the form of the people he created, the human race (including you and me), who bear his image. God's creation of humanity in his image gives hints of who he is, since we all are marked by his fingerprints.
But as flawed humans, we give only a vague hint of God. Our broken reflection of God's image is easily drowned out by our broken humanity. then, two thousand years ago, God came in his fullness. He came to all of us in Jesus. The incarnation is not owned, trademarked, or controlled by any church. It belongs to every human being. The incarnation is not something that requires a distributor or middleman. It is a gracious gift to every person everywhere, religious or not. God gave himself to us in Jesus.
”
”
Michael Spencer (Mere Churchianity: Finding Your Way Back to Jesus-Shaped Spirituality)
“
Bear in mind that since medications do not fix anything, they allow the underlying problem to continue uncorrected and actually accelerate. Meanwhile, new symptoms and new seemingly unrelated diseases are the inevitable consequence of this biochemical faux pas. Furthermore, drug side effects are the leading cause of death. NSAIDs as an example of only one group of medications, are fatally toxic to thousands of people each year by damaging joints, lungs, kidneys, eyes, hearts, and intestines. And they are covered by insurance.
You and your doctor have been screwed into believing every symptom is a deficiency of some drug or surgery. You've been led to believe you have no control, when in truth you're the one who must take control. Unfortunately, the modus operandi in medicine is to find a drug to turn off the damaged part that is producing symptoms.
”
”
Sherry A. Rogers (Detoxify or Die)
“
All you need do is refrain from smoking, drinking and the use of drugs. Eat only wholesome,low-fat foods, with the emphasis on vegetables, grains and fish. Seek work. Work hard. Show up on time. Do more than is expected. Think of ways to make the job efficient. Don't complain. Shave, bathe and wear clean clothes. Be cheerful. Don't gamble. Live within your means. Save. And then, when you have all this in balance, study things of substance. Read to satisfy your curiosity. Don't father children out of wedlock or bear them as a single mother. Exercise. You will find that you will be promoted - perhaps not knighted, but promoted. Is that doesn't happen, look quietly for a better position. Find a husband or a wife whom you love and who has the same good habits. Invest. Assume a mortgage if you must. Teach your children the virtues. And then, having become the means of production, you will own your share of the means of production, and if you do those things, all of which are within your power, you will live your own lives."
They looked at him as if he were an armadillo that has just spoken to them in Chinese. Not having assimilated a single phrase, they all got up and went to the bus.
”
”
Mark Helprin (Freddy and Fredericka)
“
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
”
”
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
“
But you sent off that Flounder fellow," Loki said, and I rolled my eyes.
"His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning."
"Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?"
"Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you."
"But I know you had a soft spot for Finn," Loki continued.
"My feelings for him have no bearing on his ability to do his job."
I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again.
"I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?"
"No." I shook my head. "We never dated. We were never anything."
I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you."
"But I suppose you think you are?" I asked with a sarcastic laugh.
"No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough."
"You think Finn doesn't?" I asked, standing up straight.
"Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will."
The truth of his words stung harder than I'd thought they would, and I swallowed hard.
"And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even."
He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe.
"But you're wrong." I shook my head. "I don't deserve that much."
"On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give."
I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else.
"I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment.
I looked away from Loki quickly and grabbed the vacuum cleaner.
"Just get as much down there as you can," I told Duncan.
"I'll try." He scooped up another load of bedding to send downstairs.
Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone.
"You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?"
Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation.
"I'll take that as a maybe later!" Loki shouted over it.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
HOW TO REFUSE DEFEAT Life is fragile and uncertain. Sooner or later, you will experience a great loss in life, when suffering reveals that the world is not the place you think it is, and that your dreams will not come true after all. What then? Don’t blame others for what happened to you, even if it might well be their fault. This is a dead end. And don’t settle for stoic acceptance of your fate. Merely bearing up under strain is noble, but it’s wasting an opportunity for transformation. You have the power to turn your burden into a blessing. What if this pain, this heartbreak, this failure, was given to you to help you find your true self? Make adversity work for you by launching a quest inside your own heart. Find the dragons hiding there, slay them, and bring back the treasure that will help you live well.
”
”
Rod Dreher (How Dante Can Save Your Life: The Life-Changing Wisdom of History's Greatest Poem)
“
What we hadn’t known about, back then, was pain. Sure, we’d faced some things as children that a lot of kids don’t. Sure, Justin had qualified for his Junior de Sade Badge in his teaching methods for dealing with pain. We still hadn’t learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you’re just going to get hurt again. But each time, you learn something. Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There’s the little empty pain of leaving something behind—graduating, taking the next step forward, walking out of something familiar and safe into the unknown. There’s the big, whirling pain of life upending all of your plans and expectations. There’s the sharp little pains of failure, and the more obscure aches of successes that didn’t give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life as they grow and learn. There’s the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens. And if you’re very, very lucky, there are a very few blazing hot little pains you feel when you realize that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last—and yet will remain with you for life. Everyone is down on pain, because they forget something important about it: Pain is for the living. Only the dead don’t feel it. Pain is a part of life. Sometimes it’s a big part, and sometimes it isn’t, but either way, it’s part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you’re alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.
”
”
Jim Butcher (White Night (The Dresden Files, #9))
“
It just may be that the most radical act we can commit is to stay home. What does that mean to finally commit to a place, to a people, to a community?
It doesn't mean it's easy, but it does mean you can live with patience, because you're not going to go away. It also means commitment to bear witness, and engaging in 'casserole diplomacy' by sharing food among neighbors, by playing with the children and mending feuds and caring for the sick. These kinds of commitment are real. They are tangible. They are not esoteric or idealistic, but rooted in the bedrock existence of where we choose to maintain our lives.
That way we begin to know the predictability of a place. We anticipate a species long before we see them. We can chart the changes, because we have a memory of cycles and seasons; we gain a capacity for both pleasure and pain, and we find the strength within ourselves and each other to hold these lines.
That's my definition of family. And that's my definition of love.
”
”
Terry Tempest Williams
“
...And don’t tell me you don’t wish to fight; for the moment you tell me that, you are already fighting; nor that you don’t know which side to join, for while you are saying that, you have already joined a side; nor that you wish to remain neutral; for while you are thinking to be so, you are so no longer; nor that you want to be indifferent; for I will laugh at you, because on pronouncing that word you have chosen your party. Don’t tire yourself in seeking a place of security against the chances of war, for you tire yourself in vain; that war is extended as far as space, and prolonged through all time. In eternity alone, the country of the just, can you find rest, because there alone there is no combat. But do not imagine, however, that the gates of eternity shall be opened for you, unless you first show the wounds you bear; those gates are only opened for those who gloriously fought here the battles of the Lord, and were, like the Lord, crucified.
Essays on Catholicism, Liberalism, and Socialism, 1879.
”
”
Juan Donoso Cortés
“
A KING WHO PLACED MIRRORS IN HIS PALACE
There lived a king; his comeliness was such
The world could not acclaim his charm too much.
The world's wealth seemed a portion of his grace;
It was a miracle to view his face.
If he had rivals,then I know of none;
The earth resounded with this paragon.
When riding through his streets he did not fail
To hide his features with a scarlet veil.
Whoever scanned the veil would lose his head;
Whoever spoke his name was left for dead,
The tongue ripped from his mouth; whoever thrilled
With passion for this king was quickly killed.
A thousand for his love expired each day,
And those who saw his face, in blank dismay
Would rave and grieve and mourn their lives away-
To die for love of that bewitching sight
Was worth a hundred lives without his light.
None could survive his absence patiently,
None could endure this king's proximity-
How strange it was that man could neither brook
The presence nor the absence of his look!
Since few could bear his sight, they were content
To hear the king in sober argument,
But while they listened they endure such pain
As made them long to see their king again.
The king commanded mirrors to be placed
About the palace walls, and when he faced
Their polished surfaces his image shone
With mitigated splendour to the throne.
If you would glimpse the beauty we revere
Look in your heart-its image will appear.
Make of your heart a looking-glass and see
Reflected there the Friend's nobility;
Your sovereign's glory will illuminate
The palace where he reigns in proper state.
Search for this king within your heart; His soul
Reveals itself in atoms of the Whole.
The multitude of forms that masquerade
Throughout the world spring from the Simorgh's shade.
If you catch sight of His magnificence
It is His shadow that beguiles your glance;
The Simorgh's shadow and Himself are one;
Seek them together, twinned in unison.
But you are lost in vague uncertainty...
Pass beyond shadows to Reality.
How can you reach the Simorgh's splendid court?
First find its gateway, and the sun, long-sought,
Erupts through clouds; when victory is won,
Your sight knows nothing but the blinding sun.
”
”
Attar of Nishapur
“
Not caring about our own pain and the pain of others is not working. How much longer are we willing to keep pulling drowning people out of the river one by one, rather than walking to the headwaters of the river to find the source of the pain? What will it take for us to let go of that earned self-righteousness and travel together to the cradle of the pain that is throwing all of us in at such a rate that we couldn’t possibly save everyone? Pain is unrelenting. It will get our attention. Despite our attempts to drown it in addiction, to physically beat it out of one another, to suffocate it with success and material trappings, or to strangle it with our hate, pain will find a way to make itself known. Pain will subside only when we acknowledge it and care for it. Addressing it with love and compassion would take only a minuscule percentage of the energy it takes to fight it, but approaching pain head-on is terrifying. Most of us were not taught how to recognize pain, name it, and be with it. Our families and culture believed that the vulnerability that it takes to acknowledge pain was weakness, so we were taught anger, rage, and denial instead. But what we know now is that when we deny our emotion, it owns us. When we own our emotion, we can rebuild and find our way through the pain. Sometimes owning our pain and bearing witness to struggle means getting angry. When we deny ourselves the right to be angry, we deny our pain. There are a lot of coded shame messages in the rhetoric of “Why so hostile?” “Don’t get hysterical,” “I’m sensing so much anger!” and “Don’t take it so personally.” All of these responses are normally code for Your emotion or opinion is making me uncomfortable or Suck it up and stay quiet. One response to this is “Get angry and stay angry!” I haven’t seen that advice borne out in the research. What I’ve found is that, yes, we all have the right and need to feel and own our anger. It’s an important human experience.
”
”
Brené Brown (Braving the Wilderness: Reese's Book Club: The Quest for True Belonging and the Courage to Stand Alone)
“
If the evil-doing of men moves you to indignation and overwhelming distress, even to a desire for vengeance on the evil-doers, shun above all things that feeling. Go at once and seek suffering for yourself, as though you were yourself guilty of that wrong. Accept that suffering and bear it and your heart will find comfort, and you will understand that you too are guilty, for you might have been a light to the evil-doers, even as the one man sinless, and you were not a light to them. If you had been a light, you would have lightened the path for others too, and the evil-doer might perhaps have been saved by your light from his sin. And even though your light was shining, yet you see men were not saved by it, hold firm and doubt not the power of the heavenly light. Believe that if they were not saved, they will be saved hereafter. And if they are not saved hereafter, then their sons will be saved, for your light will not die even when you are dead. The righteous man departs, but his light remains.
”
”
Fyodor Dostoevsky
“
It is not your time, love. You will not die tonight.
All this time she thought herself in love with the notion of Death. His gallantry, his beautiful soul. She believed he loved her because he had spared her from his grip. But it had not been Death, but Black.
“Why?” she asked, and her body shook, knowing his sacrifice, knowing he knew her most guarded secret.
“Because I loved you,” he murmured. “I couldn’t let you go, because I knew I could no longer see you, I couldn’t live, either.”
Black had risked his life to save her from taking her own.
He rose, helped her up and clutched her in his arms. “It is too soon for you to make your decision,” he said. “Come to me when you know what you want. My wishes will remain unchanged.”
“What do you want?”
He kissed her, pressed her body into his hot, hard one. “To be inside you. To lay you out and touch you with my hands, my mouth and tongue. I want to slip deep inside you and never leave. I want to wake up in the morning and open my eyes to find you lying there next to me. I want to look at my children and see you in their little faces.”
“Jude,” she whispered, holding him, weakening.
“But I want you to want that as much as I do, Isabella.”
“We have too many secrets,” she began. “Our pasts…”
“Secrets, like passion, are meant to be spent. I will bear all my sins, all my secrets, when you come to me. It’s all I can offer. You see, little love, I’m afraid, too, but the difference between us is that I believe it’s worth it to face that fear if it means that I’ll have you.
”
”
Charlotte Featherstone (Seduction & Scandal (The Brethren Guardians, #1))
“
Under the mellowing influence of good food and good music, Adam relaxed, and I discovered that underneath that overbearing, hot-tempered Alpha disguise he usually wore was a charming, over-bearing, hot-tempered man. He seemed to enjoy finding out that I was as stubborn and disrespectful of authority as he’d always suspected.
He ordered dessert without consulting me. I’d have been angrier, but it was something I could never have ordered for myself: chocolate, caramel, nuts, ice cream, real whipped cream, and cake so rich it might as well have been a brownie.
“So,” he said, as I finished the last bit, “I’m forgiven?”
“You are arrogant and overstep your bounds,” I told him, pointing my clean fork at him.
“I try,” he said with false modesty. Then his eyes darkened and he reached across the table and ran his thumb over my bottom lip. He watched me as he licked the caramel from his skin.
I thumped my hands down on the table and leaned forward. “That is not fair. I’ll eat your dessert and like it—but you can’t use sex to keep me from getting mad.”
He laughed, one of those soft laughs that start in the belly and rise up through the chest: a relaxed, happy sort of laugh.
To change the subject, because matters were heating up faster than I was comfortable with, I said, “So Bran tells me that he ordered you to keep an eye out for me.”
He stopped laughing and raised both eyebrows. “Yes. Now ask me if I was watching you for Bran.”
It was a trick question. I could see the amusement in his eyes. I hesitated, but decided I wanted to know anyway. “Okay, I’ll bite. Were you watching me for Bran?”
“Honey,” he drawled, pulling on his Southern roots. “When a wolf watches a lamb, he’s not thinking of the lamb’s mommy.”
I grinned. I couldn’t help it. The idea of Bran as a lamb’s mommy was too funny. “I’m not much of a lamb,” I said.
He just smiled.
”
”
Patricia Briggs (Moon Called (Mercy Thompson, #1))
“
Failure to put the relationship on a slower timetable may result in an act that was never intended in the first place. Another important principle is to avoid the circumstances where compromise is likely. A girl who wants to preserve her virginity should not find herself in a house or dorm room alone with someone to whom she is attracted. Nor should she single-date with someone she has reason not to trust. A guy who wants to be moral should stay away from the girl he knows would go to bed with him. Remember the words of Solomon to his son, “Keep to a path far from her, do not go near the door of her house” (Proverbs 5:8). I know this advice sounds very narrow in a day when virginity is mocked and chastity is considered old-fashioned. But I don’t apologize for it. The Scriptures are eternal, and God’s standards of right and wrong do not change with the whims of culture. He will honor and help those who are trying to follow His commandments. In fact, the apostle Paul said, “He will not let you be tempted beyond what you can bear” (1Corinthians 10:13). Hold that promise and continue to use your head. You’ll be glad you did.
”
”
James C. Dobson (Life on the Edge: The Next Generation's Guide to a Meaningful Future)
“
Your grandparents are English?"
"Grandfather is,but Grandmere is French. And my other grandparents are American,of course."
"Wow.You really are a mutt."
St. Clair smiles. "I'm told I take after my English grandfather the most, but it's only because of the accent."
"I don't know.I think of you as more English than anything else.And you don't just sound like it,you look like it,too."
"I do?" He surprised.
I smile. "Yeah,it's that...pasty complexion. I mean it in the best possible way," I add,at his alarmed expression. "Honestly."
"Huh." St. Clair looks at me sideways. "Anyway.Last summer I couldn't bear to face my father, so it was the first time I spent the whole holiday with me mum."
"And how was it? I bet the girls don't tease you about your accent anymore."
He laughs. "No,they don't.But I can't help my height.I'll always be short."
"And I'll always be a freak,just like my dad. Everyone tells me I take after him.He's sort of...neat,like me."
He seems genuinely surprised. "What's wrong with being neat? I wish I were more organized.And,Anna,I've never met your father,but I guarantee you that you're nothing like him."
"How would you know?"
"Well,for one thing,he looks like a Ken doll.And you're beautiful."
I trip and fall down on the sidewalk.
"Are you all right?" His eyes fill with worry.
I look away as he takes my hand and helps me up. "I'm fine.Fine!" I say, brushing the grit from my palms. Oh my God, I AM a freak.
"You've seen the way men look at you,right?" he continues.
"If they're looking, it's because I keep making a fool of myself." I hold up my scraped hands.
"That guy over there is checking you out right now."
"Wha-?" I turn to find a young man with long dark hair staring. "Why is he looking at me?"
"I expect he likes what he sees."
I flush,and he keeps talking. "In Paris, it's common to acknowledge someone attractive.The French don't avert their gaze like other cultures do. Haven't you noticed?"
St. Clair thinks I'm attractive. He called me beautiful.
"Um,no," I say. "I hadn't noticed."
"Well.Open your eyes."
But I stare at the bare tree branches, at the children with balloons, at the Japanese tour group. Anywhere but at him. We've stopped in front of Notre-Dame again.I point at the familiar star and clear my throat. "Wanna make another wish?"
"You go first." He's watching me, puzzled, like he's trying to figure something out. He bites his thumbnail.
This time I can't help it.All day long, I've thought about it.Him.Our secret.
I wish St. Clair would spend the night again.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Welcome the disagreement. Remember the slogan, ‘When two partners always agree, one of them is not necessary.’ If there is some point you haven’t thought about, be thankful if it is brought to your attention. Perhaps this disagreement is your opportunity to be corrected before you make a serious mistake. Distrust your first instinctive impression. Our first natural reaction in a disagreeable situation is to be defensive. Be careful. Keep calm and watch out for your first reaction. It may be you at your worst, not your best. Control your temper. Remember, you can measure the size of a person by what makes him or her angry. Listen first. Give your opponents a chance to talk. Let them finish. Do not resist, defend or debate. This only raises barriers. Try to build bridges of understanding. Don’t build higher barriers of misunderstanding. Look for areas of agreement. When you have heard your opponents out, dwell first on the points and areas on which you agree. Be honest. Look for areas where you can admit error and say so. Apologize for your mistakes. It will help disarm your opponents and reduce defensiveness. Promise to think over your opponents’ ideas and study them carefully. And mean it. Your opponents may be right. It is a lot easier at this stage to agree to think about their points than to move rapidly ahead and find yourself in a position where your opponents can say: ‘We tried to tell you, but you wouldn’t listen.’ Thank your opponents sincerely for their interest. Anyone who takes the time to disagree with you is interested in the same things you are. Think of them as people who really want to help you, and you may turn your opponents into friends. Postpone action to give both sides time to think through the problem. Suggest that a new meeting be held later that day or the next day, when all the facts may be brought to bear. In preparation for this meeting, ask yourself some hard questions:
”
”
Dale Carnegie (How to Win Friends and Influence People)
“
I'll fix things up with George soon as she gets here," Anthony mumbled. "You may depend upon it."
"Oh,I know you will, but you'll have to hie yourself back to London to do so, since she ain't coming here. Didn't want to inflict her dour mood on the festivities, so decided it ould be best to absent herself."
Anthony looked appalled now and complained, "You didn't say she was that mad."
"Didn't I? Think you're wearing that black eye just because she's a mite annoyed?"
"That will do," Jason said sternly. "This entire situation is intolerable.And frankly, I find it beyond amazing that you have both utterly lost your finesse in dealing ith women since you married."
That,of course, hit quite below the belt where these two ex[rakes were concerned. "Ouch," James muttered, then in his own defense, "American women are an exception to any known rule, and bloody stubbron besides."
"So are Scots,for that matter," Anthony added. "They just don't behave like normal Enlgishwomen,Jason,indeed they don't."
"Regardless.You know my feelings on the entire family gathering here for Christmas.This is not the time for anyone in the family to be harboring any ill will of any sort.You both should have patched this up before the holidays began. See that you do so immediately, if you both have to return to London to do so."
Having said his peace, Jason headed for the door to leave his brothers to mull over their conduct,or rather, misconduct, but added before he left, "You both look like bloody panda bears.D'you have any idea what kind of example that sets for the children?"
"Panda bears indeed," Anthony snorted as soon as the door closed.
James looked up to reply drolly, "Least the roof is still intact.
”
”
Johanna Lindsey (The Holiday Present)
“
Always lost, always striking out in the wrong direction, always going around in circles. You have suffered from a life-long inability to orient yourself in space, and even in New York, the easiest of cities to negotiate, the city where you have spent the better part of your adulthood, you often run into trouble. Whenever you take the subway from Brooklyn to Manhattan (assuming you have boarded the correct train and are not traveling deeper into Brooklyn), you make a special point to stop for a moment to get your bearings once you have climbed the stairs to the street, and still you will head north instead of south, go east instead of west, and even when you try to outsmart yourself, knowing that your handicap will set you going the wrong way and therefore, to rectify the error, you do the opposite of what you were intending to do, go left instead of right, go right instead of left, and still you find yourself moving in the wrong direction, no matter how many adjustments you have made. Forget tramping alone in the woods. You are hopelessly lost within minutes, and even indoors, whenever you find yourself in an unfamiliar building, you will walk down the wrong corridor or take the wrong elevator, not to speak of smaller enclosed spaces such as restaurants, for whenever you go to the men’s room in a restaurant that has more than one dining area, you will inevitably make a wrong turn on your way back and wind up spending several minutes searching for your table. Most other people, your wife included, with her unerring inner compass, seem to be able to get around without difficulty. They know where they are, where they have been, and where they are going, but you know nothing, you are forever lost in the moment, in the void of each successive moment that engulfs you, with no idea where true north is, since the four cardinal points do not exist for you, have never existed for you. A minor infirmity until now, with no dramatic consequences to speak of, but that doesn’t mean a day won’t come when you accidentally walk off the edge of a cliff.
”
”
Paul Auster (Winter Journal)
“
When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me.
A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’
Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl…
For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished.
But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’
I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god.
All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.
”
”
Nikos Kazantzakis (Travels in China & Japan)
“
There's one big difference between the poor and the rich,' Kite says, taking a drag from his cigarette. We are in a pub, at lunch-time. John Kite is always, unless stated otherwise, smoking a fag, in a pub, at lunch-time.
'The rich aren't evil, as so many of my brothers would tell you. I've known rich people -- I have played on their yachts -- and they are not unkind, or malign, and they do not hate the poor, as many would tell you. And they are not stupid -- or at least, not any more than the poor are. Much as I find amusing the idea of a ruling class of honking toffs, unable to put their socks on without Nanny helping them, it is not true. They build banks, and broker deals, and formulate policy, all with perfect competency.
'No -- the big difference between the rich and the poor is that the rich are blithe. They believe nothing can ever really be so bad, They are born with the lovely, velvety coating of blitheness -- like lanugo, on a baby -- and it is never rubbed off by a bill that can't be paid; a child that can't be educated; a home that must be left for a hostel, when the rent becomes too much.
'Their lives are the same for generations. There is no social upheaval that will really affect them. If you're comfortably middle-class, what's the worst a government policy could do? Ever? Tax you at 90 per cent and leave your bins, unemptied, on the pavement. But you and everyone you know will continue to drink wine -- but maybe cheaper -- go on holiday -- but somewhere nearer -- and pay off your mortgage -- although maybe later.
'Consider, now, then, the poor. What's the worst a government policy can do to them? It can cancel their operation, with no recourse to private care. It can run down their school -- with no escape route to a prep. It can have you out of your house and into a B&B by the end of the year. When the middle-classes get passionate about politics, they're arguing about their treats -- their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives.
'Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, and animalistic. No classical music for us -- no walking around National Trust properties, or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful; dying in mines, and slums, without literacy, or the vote. Without dignity. It was all so desperate, then. That's why the present and the future is for the poor -- that's the place in time for us: surviving now, hoping for better, later. We live now -- for our instant, hot, fast treats, to prep us up: sugar, a cigarette, a new fast song on the radio.
'You must never, never forget, when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad postcode, It's a miracle when someone from a bad postcode gets anywhere, son. A miracle they do anything at all.
”
”
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
“
Oak puts a hand on my arm. I startle.
'You all right?' he asks.
'When they first took me from the mortal world to the Court of Teeth, Lord Jarel and Lady Nore tried to be nice to me. They gave me good things to eat and dressed me in fancy dresses and told me that I was their princess and would be a beautiful and beloved queen,' I tell him, the words slipping from my lips before I can call them back. I occupy myself with searching deeper in the closet so I don't have to see his face as I speak. 'I cried constantly, ceaselessly. For a week, I wept and wept until they could bear it no more.'
Oak is silent. Though he knew me as a child, he never knew me as that child, the one who still believed the world could be kind.
But then, he had sisters who were stolen. Perhaps they had cried, too.
'Lord Jarel and Lady Nore told their servants to enchant me to sleep, and the servants did. But it never lasted. I kept weeping.'
He nods, just a little, as though more movement might break the spell of my speaking.
'Lord Jarel came to me with a beautiful glass dish in which there was flavoured ice,' I tell him. 'When I took a bite, the flavour was indescribably delicious. It was as though I were eating dreams.'
'You will have this every day if you cease you're crying,' he said.
'But I couldn't stop.
'Then he came to me with a necklace of diamonds, as cold and beautiful as ice. When I put it on, my eyes shone, my hair sparkled, and my skin shimmered as though glitter had been poured over it. I looked wondrously beautiful. But when he told me to stop crying, I couldn't.
'Then he became angry, and he told me that if I didn't stop, he would turn my tears to glass that would cut my cheeks. And that's what he did.
'But I cried until it was hard to tell the difference between tears and blood. And after that, I began to teach myself how to break their curses. They didn't like that.
'And so they told me I would be able to see the humans again- that's what they called them, the humans- in a year, for a visit, but only if I was good.
'I tried. I choked back tears. And on the wall beside my bed, I scratched the number of days in the ice.
'One night I returned to my room to find the scratches weren't the way I remembered. I was sure it had been five months, but the scratches made it seem as though it had been only a little more than three.
'And that was when I realised I was never going home, but by then the tears wouldn't come, no matter how much I willed them. And I never cried again.'
His eyes shone with horror.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Oh, stop talking," I cried, in a hunted tone. "I can't bear it. If you are going to arrest me, get it over."
"I'd rather NOT arrest you, if we can find a way out. You look so young, so new to Crime! Even your excuse for being here is so naive, that I—won't you tell me why you wrote a love letter, if you are not in love? And whom you sent it to? That's important, you see, as it bears on the case. I intend," he said, "to be judgdicial[sic], unimpassioned, and quite fair."
"I wrote a love letter" I explained, feeling rather cheered, "but it was not intended for any one, Do you see? It was just a love letter."
"Oh," he said. "Of course. It is often done. And after that?"
"Well, it had to go somewhere. At least I felt that way about it. So I made up a name from some malted milk tablets——"
"Malted milk tablets!" he said, looking bewildered.
"Just as I was thinking up a name to send it to," I explained, "Hannah—that's mother's maid, you know—brought in some hot milk and some malted milk tablets, and I took the name from them."
"Look here," he said, "I'm unpredjudiced and quite calm, but isn't the `mother's maid' rather piling it on?"
"Hannah is mother's maid, and she brought in the milk and the tablets, I should think," I said, growing sarcastic, "that so far it is clear to the dullest mind."
"Go on," he said, leaning back and closing his eyes. "You named the letter for your mother's maid—I mean for the malted milk. Although you have not yet stated the name you chose; I never heard of any one named Milk, and as to the other, while I have known some rather thoroughly malted people—however, let that go."
"Valentine's tablets," I said. "Of Course, you understand," I said, bending forward, "there was no such Person. I made him up. The Harold was made up too—Harold Valentine."
"I see. Not clearly, perhaps, but I have a gleam of intellagence[sic]."
"But, after all, there was such a person. That's clear, isn't it? And now he considers that we are engaged, and—and he insists on marrying me."
"That," he said, "is realy[sic] easy to understand. I don't blame him at all. He is clearly a person of diszernment[sic]."
"Of course," I said bitterly, "you would be on HIS side. Every one is."
"But the point is this," he went on. "If you made him up out of the whole cloth, as it were, and there was no such Person, how can there be such a Person? I am merely asking to get it all clear in my head. It sounds so reasonable when you say it, but there seems to be something left out."
"I don't know how he can be, but he is," I said, hopelessly. "And he is exactly like his picture."
"Well, that's not unusual, you know."
"It is in this case. Because I bought the picture in a shop, and just pretended it was him. (He?) And it WAS."
He got up and paced the floor.
"It's a very strange case," he said. "Do you mind if I light a cigarette? It helps to clear my brain. What was the name you gave him?"
"Harold Valentine. But he is here under another name, because of my Familey. They think I am a mere child, you see, and so of course he took a NOM DE PLUME."
"A NOM DE PLUME? Oh I see! What is it?"
"Grosvenor," I said. "The same as yours.
”
”
Mary Roberts Rinehart (Bab: A Sub-Deb)
“
Why not?” I asked, letting my tears spill over. It was easy to cry. All I had to do was look at Alex’s limp body, and the tears came effortlessly. “You were happy enough to do it to me.”
There was a beat. Then John said cautiously, “What do you mean?”
“The consequences, John?” I let out a bitter laugh. “Persephone wasn’t doomed to stay in the Underworld because she ate a pomegranate. She was doomed to stay there because she did with Hades what we did last night. That’s what the pomegranate symbolizes, right?”
John stared, speechless. But I could tell I was right by the color that slowly started to suffuse his cheeks…and the fact that he didn’t try to contradict me.
And of course the fact that the whole thing was spelled out right in front of me by the statue Hope was sitting on. I didn’t get why the Rectors were so obsessed by the myth of Persephone that they’d put a statue of it in their mausoleum, but it was clear enough they were involved in an underworld of one kind or another.
“Don’t worry,” I said, lowering my voice because I didn’t want Frank to overhear. “I don’t blame you. You asked me if I was sure, despite the consequences. I said I was. But I thought by consequences you meant a baby, and I already knew that could never happen. I guess Mr. Smith must have told you last night that he found out the pomegranate symbolized something completely different than babies or death-“
“Pierce.” John grasped my hand. His fingers were like ice, but his voice and his gaze had an urgency that was anything but cold. “That isn’t why I did it. I love you. I’ve always loved you, because you’re good…you’re so good, you make me want to be good, too. But that’s the problem, Pierce. I’m not good. And I’ve always been afraid that when you find out the truth about me, you’d run away again-“
I sucked in my breath to tell him for the millionth time that this wasn’t true, but he cut me off, not allowing me to speak until he’d had his say.
“Then you almost died yesterday,” he went on, “and it was my fault. I wanted to show you how much I loved you, and things…things went further than I expected. But you didn’t stop me”-his silver eyes blazed, as if daring me to deny what he was saying-“even though I told you we could slow down if you wanted to.”
“I know,” I said softly, dropping my gaze to look down at our joined fingers. We’d each kept a hand on Alex. “I know you did.”
“I don’t want to lose you again,” he said fiercely. “I lost you once and I couldn’t bear it. I won’t go through that again. I…I know I did the wrong thing. But it didn’t feel wrong at the time.”
I raised my gaze to his. “You’re right about that, at least,” I said.
“So am I forgiven?” he asked.
I hesitated, confused by the myriad of emotions I was feeling. John had known. He’d known the whole time we had been together the night before that he was forever sealing my destiny to his.
Of course, he’d thought I’d known, too. He’d asked if I was sure it was what I wanted, despite the consequences. I might have misunderstood what those consequences were, but I’d been very adamant in my response. I’d said yes. And I’d meant it.
“Excuse me,” called Frank’s voice from the opposite wall of vaults. “But you might want to take a look at the boy.”
John and I both glanced down. Beneath the hands we’d left on Alex, he’d come back to life.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
Scared?”
Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.”
He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango.
“Curran! Let . . . “
I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow.
“Impressed yet?” he asked with a big smile.
Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right.
He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.”
I gasped, trying to draw air into my lungs.
“I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.”
As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty.
He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare.
I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me.
All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.”
His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened.
I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant.
He squared his shoulders. “Shall we continue?”
“It would be my pleasure.”
He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him.
Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human.
“Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.”
Mouse?
“I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.”
“I’m not filled with catnip.”
“Let’s find out.”
He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him.
“I can stop you with one word,” I said.
He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said.
“Wedding.”
All humor fled his eyes. He let go and just like that, the game was over.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
I wish I could answer your question. All I can say is that all of us, humans, witches, bears, are engaged in a war already, although not all of us know it. Whether you find danger on Svalbard or whether you fly off unharmed, you are a recruit, under arms, a soldier."
"Well, that seems kinda precipitate. Seems to me a man should have a choice whether to take up arms or not."
"We have no more choice in that than in whether or not to be born."
"Oh, I like choice, though," he said. "I like choosing the jobs I take and the places I go and the food I eat and the companions I sit and yarn with. Don't you wish for a choice once in a while ?"
She considered, and then said, "Perhaps we don't mean the same thing by choice, Mr. Scoresby. Witches own nothing, so we're not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs. You have to repair your balloon and keep it in good condition, and that takes time and trouble, I see that; but for us to fly, all we have to do is tear off a branch of cloud-pine; any will do, and there are plenty more. We don't feel cold, so we need no warm clothes. We have no means of exchange apart from mutual aid. If a witch needs something, another witch will give it to her. If there is a war to be fought, we don't consider cost one of the factors in deciding whether or not it is right to fight. Nor do we have any notion of honor, as bears do, for instance. An insult to a bear is a deadly thing. To us... inconceivable. How could you insult a witch? What would it matter if you did?"
"Well, I'm kinda with you on that. Sticks and stones, I'll break yer bones, but names ain't worth a quarrel. But ma'am, you see my dilemma, I hope. I'm a simple aeronaut, and I'd like to end my days in comfort. Buy a little farm, a few head of cattle, some horses...Nothing grand, you notice. No palace or slaves or heaps of gold. Just the evening wind over the sage, and a ceegar, and a glass of bourbon whiskey. Now the trouble is, that costs money. So I do my flying in exchange for cash, and after every job I send some gold back to the Wells Fargo Bank, and when I've got enough, ma'am, I'm gonna sell this balloon and book me a passage on a steamer to Port Galveston, and I'll never leave the ground again."
"There's another difference between us, Mr. Scoresby. A witch would no sooner give up flying than give up breathing. To fly is to be perfectly ourselves."
"I see that, ma'am, and I envy you; but I ain't got your sources of satisfaction. Flying is just a job to me, and I'm just a technician. I might as well be adjusting valves in a gas engine or wiring up anbaric circuits. But I chose it, you see. It was my own free choice. Which is why I find this notion of a war I ain't been told nothing about kinda troubling."
"lorek Byrnison's quarrel with his king is part of it too," said the witch. "This child is destined to play a part in that."
"You speak of destiny," he said, "as if it was fixed. And I ain't sure I like that any more than a war I'm enlisted in without knowing about it. Where's my free will, if you please? And this child seems to me to have more free will than anyone I ever met. Are you telling me that she's just some kind of clockwork toy wound up and set going on a course she can't change?"
"We are all subject to the fates. But we must all act as if we are not, or die of despair. There is a curious prophecy about this child: she is destined to bring about the end of destiny. But she must do so without knowing what she is doing, as if it were her nature and not her destiny to do it. If she's told what she must do, it will all fail; death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))