Finals Basketball Quotes

We've searched our database for all the quotes and captions related to Finals Basketball. Here they are! All 37 of them:

but I want to tell them that all of this shit is just debris leftover when we finally decide to smash all the things we thought we used to be and if you can’t see anything beautiful about yourself get a better mirror look a little closer stare a little longer because there’s something inside you that made you keep trying despite everyone who told you to quit you built a cast around your broken heart and signed it yourself you signed it “they were wrong” because maybe you didn’t belong to a group or a click maybe they decided to pick you last for basketball or everything maybe you used to bring bruises and broken teeth to show and tell but never told because how can you hold your ground if everyone around you wants to bury you beneath it you have to believe that they were wrong they have to be wrong
Shane L. Koyczan
Finally, the last point that can kill your spark is Isolation. As you grow older you will realize you are unique. When you are little, all kids want Ice cream and Spiderman. As you grow older to college, you still are a lot like your friends. But ten years later and you realize you are unique. What you want, what you believe in, what makes you feel, may be different from even the people closest to you. This can create conflict as your goals may not match with others. And you may drop some of them. Basketball captains in college invariably stop playing basketball by the time they have their second child. They give up something that meant so much to them. They do it for their family. But in doing that, the spark dies. Never, ever make that compromise. Love yourself first, and then others.
Chetan Bhagat
In the movie White Men Can’t Jump, the final boss duo that the two street hustlers must defeat are called King and Duck. I felt that, because I’m The Duck King, and I didn’t have to win a basketball game for the title—I was elected via unanimous and cacophonous quack.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
Well. Um. The thing is…” I inhale, then continue with rapid-fire speed. “Imnotahockeyfan.” A wrinkle appears in his forehead. “What?” I repeat myself, slowly this time, with actual pauses between each word. “I’m not a hockey fan.” Then I hold my breath and await his reaction. He blinks. Blinks again. And again. His expression is a mixture of shock and horror. “You don’t like hockey?” I regretfully shake my head. “Not even a little bit?” Now I shrug. “I don’t mind it as background noise—” “Background noise?” “—but I won’t pay attention to it if it’s on.” I bite my lip. I’m already in this deep—might as well deliver the final blow. “I come from a football family.” “Football,” he says dully. “Yeah, my dad and I are huge Pats fans. And my grandfather was an offensive lineman for the Bears back in the day.” “Football.” He grabs his water and takes a deep swig, as if he needs to rehydrate after that bombshell. I smother a laugh. “I think it’s awesome that you’re so good at it, though. And congrats on the Frozen Four win.” Logan stares at me. “You couldn’t have told me this before I asked you out? What are we even doing here, Grace? I can never marry you now—it would be blasphemous.” His twitching lips make it clear that he’s joking, and the laughter I’ve been fighting spills over. “Hey, don’t go canceling the wedding just yet. The success rate for inter-sport marriages is a lot higher than you think. We could be a Pats-Bruins family.” I pause. “But no Celtics. I hate basketball.” “Well, at least we have that in common.” He shuffles closer and presses a kiss to my cheek. “It’s all right. We’ll work through this, gorgeous. Might need couples counseling at some point, but once I teach you to love hockey, it’ll be smooth sailing for us.” “You won’t succeed,” I warn him. “Ramona spent years trying to force me to like it. Didn’t work.” “She gave up too easily then. I, on the other hand, never give up
Elle Kennedy (The Mistake (Off-Campus, #2))
So here’s the final Wine Cellar Team: ’77 Kareem, ’03 Duncan, ’86 Bird, ’92 Jordan, ’85 Magic (starters); ’86 McHale, ’92 Pippen, ’09 Wade, ’77 Walton, ’10 LeBron, ’09 Paul, ’01 Allen (bench).
Bill Simmons (The Book of Basketball: The NBA According to The Sports Guy)
Ironic, I guess. He was a humanitarian, my father. He survived going against the wishes of despots and dictators in some of the most dangerous and war-torn jungles in the world. He finally settled back in the relative safety of the United States and dies in a car crash driving me to a basketball game. It
Harlan Coben (Shelter (Micky Bolitar, #1))
Carter: "Dude, I don't know why it works, it just does. [...] Just pretend you're not into 'em and then ask a question. What's the worst that could happen?" EJ makes eye contact with the smallest one, off to the side. [...] She looks up at EJ and gives him the nicest smile. He pulls the trigger and yells, "You think you're hot stuff, don't you?" What the...? Where are you going with this? "Excuse me?" she replies, kind of sweetly. EJ asks, "You think you're cool, don't you? Where did you get that shirt, the Salvation Army? What the hell is with your hair? My eyes are as big as basketballs as he fires one mean-ass question after another at her. "You don't have a boyfriend, do you?" he continues. It's like he's armed with self-esteem killer. "Did your parents have any kids that lived?" EJ asks. The girls starts to buckle, and tears are on the way. "Are these your friends, or are they like, counselors here to observe you?" EJ shouts. [...] He asks, "Does your grandma know you borrowed her shoes?" as I drag him away. The girl is crying pretty hard, and her friends are trying to console her. [...] "Man, that didn't do very well. What do you think I did wrong?" EJ asks. "Are you serious?" I ask "I was just doing what you told me to," he replies. "I-I-I told you to go up to that girl and start abusing her?" I ask. "You said to ask her questions and pretend I didn't like her!" he yells back. "Pretend YOU'RE NOT INTO HER!" I clarify. "Not that you hate her and wish she would die! Good God, that girl thought she was gonna get a boyfriend when you walked up, not years of therapy." "Do you think I still have a shot?" he asks "NO, I don't!" I bark
Brent Crawford (Carter Finally Gets It (Carter Finally Gets It, #1))
I still suffer hate and pain in my heart every time I see the word "Duke" on a TV screen, and that rotten Thing happened nine years ago when that Swine Christian Laettner hit that impossible last-second shot against Kentucky. I still have a Memory Block about it -- but as I recall it was in the East Regional final that is still known as "the Best basketball game ever played." Geez, it Was and remains the Worst Shock I've experienced in my Life.
Hunter S. Thompson (Hey Rube: Blood Sport, the Bush Doctrine, and the Downward Spiral of Dumbness: Modern History from the ESPN.com Sports Desk)
... you know what was really messing me up when I got down there to Pittsburgh? Was how young he seemed. He kept asking me things like what did I think of Kanye West's music, and did I think he should hold on to Kevin Garnett in this fantasy basketball league he was in or trade him. And how he wasn't just in this league; he was commissioner of it. Like that was some big mark of distinction: commissioner of make-believe. And I wanted to slam him, one-handed, against the wall, the way he used to do to me, and scream in his face, 'Stop it! Act your age!' ... I didn't do it, though. I wanted to, but I couldn't. 'Honor thy father,' you know what I'm saying? So instead, I grabbed my car keys, got out of there, and took off. It was messing with my head, you know? You get out of there alive, more or less, wait for your father to come see you at the hospital you're stuck at, and when you finally go to see him, he's younger than you are.
Wally Lamb (The Hour I First Believed)
I remember sitting here," he said, "and watching you over there." He pointed, but I didn't have to look. Before Cameron and I got close, I spent a lot of lunches the same way, starting off eating and reading on my special bench on the other side of the yard, followed by walking the perimeter of the playground, balancing on the small cement curb that separated the blacktop from the landscaping, around and around and around, hoping I looked busy and like it didn't matter that I had no friends. I sat next to Cameron on the bench. "What did you think when you used to watch me?" He leaned his head against the building. "That I understood you. That you'd understand me." "Do you remember the first time you talked to me? Because I don't. I've been trying to remember for years and I can't get it." "You don't remember? Wasn't me that talked to you. You talked to me." I scooted forward on the bench and looked at him. "I did?" "You walked right across the yard here at recess," he said, pointing. "Came straight up to me." He laughed. "You looked so determined. I was scared you were gonna kick me in the shins or something." I didn't remember this at all, any of it. "You said you were starting a club," he continued. "Asked me if I wanted to join." "Wait..." Something was there, at the very edge of my memory, coming into focus. "Do you remember if it happened to be May Day?" "That the one with the pole and all the ribbons?" "Yes!" "Yep. All the girls had ribbons in their hair but you." Jordana wouldn't let me wear ribbons. She said my hair was too greasy and I might give someone lice, and somehow I submitted to her logic. "I do remember," I said softly. "I haven't thought of that in forever. I kept thinking that you were the one to make friends with me first." "Nope." He smiled. "You started this whole thing. I wanted to, but you were the one with the guts to actually do it." "I think of myself as being a coward, and a baby, scared all the time." He got quiet. We watched kids in the schoolyard playing basketball. "You're not," he finally said. "You know that." He got up suddenly. "Let's go. We got one more stop.
Sara Zarr (Sweethearts)
Melinda was still stuck on the 24 thing. “And I don’t see you grabbing the remote away from me when that countdown clock starts chiming,” she said to Pete. “Unless it’s to get a quick check of the scores on Monday nights.” Nick’s ears perked up at the mention of scores. Sports. Now there was a topic upon which he could wax poetic. “Too bad Monday night football is over,” he lamented to Pete. “But there’s always basketball. Who are you eying for the Final Four?” Pete looked mildly embarrassed as he gestured to Melinda. “She’s, um, referring to the scores on Dancing with the Stars.” “He likes it when they do the paso doblé,” Melinda threw in. “The dance symbolizes the drama, artistry, and passion of a bullfight. It’s quite masculine,” Pete said. “Except for the sequins and spray tans,” Melinda added. Pete clapped his hands together, ignoring this. “How about you, Nick? Are you a fan of the reality television performing arts?
Julie James (A Lot like Love (FBI/US Attorney, #2))
belligerent, bellowing partisans, the astute man with the curly blond hair and the jocular, no-discipline approach to running a team was shouting at his charges and reminding them how to break a full-court press, and before the boys put their right hands on top of Lenny’s right hand for a last Let’s go!, the thirty-four-year-old husband and father of two pointed to an exit door in the side wall of the gym and told the boys that no matter what happened in the next ten seconds, whether they won the game or lost the game, at the instant the final buzzer sounded they should all run for that door and jump into his station wagon parked at the curb because, as he put it, things are getting a little nuts in here, and he didn’t want anyone to be injured or killed in the mayhem that was sure to follow. Then the five hands and the one hand came together, Lenny barked the last Let’s go!, and Ferguson and the other starters trotted back onto the court. They
Paul Auster (4 3 2 1)
Baseball may be called the national pastime, but it survives on the sentimentality of middle-age men who wistfully dream of playing catch with their fathers and sons. Football, with its dull stoppages, lost its military-industrial relevance with the end of the Cold War, and has become as tired and predictable in performance as it is in political metaphor. The professional game floats on an ocean of gambling, the players' steroid-laced bodies having outgrown their muscular and skeletal carriages. Biceps rip from their moorings, ankles break on simple pivots. Achilles' tendons shrivel like slugs doused with salt. Soccer and basketball are the only mainstream sports that truly plug into the modem-pulse of a dot-com society. Soccer is perfectly suited for a country of the hamster-treadmill pace, the remote-control zap and the national attention deficit—two 45-minute halves, the clock never stops, no commercial interruptions, the final whistle blows in less than two hours. It is a fluid game of systemized chaos that, no matter how tightly scripted by coaches, cannot be regulated any more than information can be truly controlled on the Internet.
Jere Longman (The Girls of Summer: The U.S. Women's Soccer Team and How It Changed the World)
Everything’s awful,” said Jessie, picking at a corner of her bedroom wallpaper that was peeling. She explained to her grandmother about the trial yesterday and the basketball game and Scott kicking the ball into the swamp. She told her how Evan had to hunt for the ball for half an hour before finally finding it, and how he told all his friends to just go home, he’d find it himself, just go home. So they did. And how Evan and Jessie were left to look for the ball, and how Evan didn’t talk the whole time they did. “And today he’s not even eating, or anything,” said Jessie. “Did you know that it’s Yom Kippur?” “Yom Kippur, is that the one where the kids dress up?” asked Jessie’s grandmother. “No, that’s Purim.” Grandma was always mixing up things like that, things that sounded kind of the same, but were different. During their last phone call, she was talking with Jessie about the sequoia trees in California, but she kept using the word sequester instead. “Yom Kippur is the day when the Jewish people ask for forgiveness and they don’t eat.” “Is Evan Jewish now?” asked Grandma. “No, but he’s not eating. He says he’s not hungry,” said Jessie. “Sometimes that happens to me,” Grandma said. “I practically forget to eat.” “But Evan’s always hungry,” said Jessie. “Mom says he’s a bottomless pit.” “He’ll eat when he’s ready,” said Grandma. “Let it go.” Jessie hated it when her grandmother said that. She was always telling Jessie to let it go and be the tree. Crazy yoga grandma. How could anyone be a tree? “But
Jacqueline Davies (The Lemonade Crime (The Lemonade War Series Book 2))
5. Move toward resistance and pain A. Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.
Robert Greene (Mastery)
Do you know what I remember?” I ask suddenly. “What?” “The time Trevor’s shorts split open when you guys were playing basketball. And everybody was laughing so hard that Trevor started getting mad. But not you. You got on your bike and you rode all the way home and brought Trevor a pair of shorts. I was really impressed by that.” He has a faint half smile on his face. “Thanks.” Then we’re both quiet and still dancing. He’s an easy person to be quiet with. “John?” “Hmm?” I look up at him. “I have to tell you something.” “What?” “I’ve got you. I mean, I have your name. In the game.” “Seriously?” John looks genuinely disappointed, which makes me feel guilty. “Seriously. Sorry.” I press my hands against his shoulders. “Tag.” “Well, now you have Kavinsky. I was really looking forward to taking him out, too. I had a whole plan and everything.” All eagerness I ask, “What was your plan?” “Why should I tell the girl who just tagged me out?” he challenges, but it’s a weak challenge, just for show, and we both know he’s going to tell me. I play along. “Come on, Johnny, I’m not just the girl who tagged you out. I’m your pen pal.” John laughs a little. “All right, all right. I’ll help you.” The song ends and we step apart. “Thanks for the dance,” I say. After all this time, I finally know what it’s like to dance with John Ambrose McClaren. “So what would you have asked for if you won?” He doesn’t hesitate even one beat. “Your peanut butter chocolate cake with my name written in Reese’s Pieces.” I stare at him in surprise. That’s what he would have wished for? He could have anything and he wants my cake? I give him a curtsy. “I’m so honored.” “Well, it was a really good cake,” he says.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
How do you build peaks? You create a positive moment with elements of elevation, insight, pride, and/ or connection. We’ll explore those final three elements later, but for now, let’s focus on elevation. To elevate a moment, do three things: First, boost sensory appeal. Second, raise the stakes. Third, break the script. (Breaking the script means to violate expectations about an experience—the next chapter is devoted to the concept.) Moments of elevation need not have all three elements but most have at least two. Boosting sensory appeal is about “turning up the volume” on reality. Things look better or taste better or sound better or feel better than they usually do. Weddings have flowers and food and music and dancing. (And they need not be superexpensive—see the footnote for more.IV) The Popsicle Hotline offers sweet treats delivered on silver trays by white-gloved waiters. The Trial of Human Nature is conducted in a real courtroom. It’s amazing how many times people actually wear different clothes to peak events: graduation robes and wedding dresses and home-team colors. At Hillsdale High, the lawyers wore suits and the witnesses came in costume. A peak means something special is happening; it should look different. To raise the stakes is to add an element of productive pressure: a competition, a game, a performance, a deadline, a public commitment. Consider the pregame jitters at a basketball game, or the sweaty-hands thrill of taking the stage at Signing Day, or the pressure of the oral defense at Hillsdale High’s Senior Exhibition. Remember how the teacher Susan Bedford said that, in designing the Trial, she and Greg Jouriles were deliberately trying to “up the ante” for their students. They made their students conduct the Trial in front of a jury that included the principal and varsity quarterback. That’s pressure. One simple diagnostic to gauge whether you’ve transcended the ordinary is if people feel the need to pull out their cameras. If they take pictures, it must be a special occasion. (Not counting the selfie addict, who thinks his face is a special occasion.) Our instinct to capture a moment says: I want to remember this. That’s a moment of elevation.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
can be horribly fallible, and is over-rated in courts of law. Psychological experiments have given us some stunning demonstrations, which should worry any jurist inclined to give superior weight to ‘eye-witness’ evidence. A famous example was prepared by Professor Daniel J. Simons at the University of Illinois. Half a dozen young people standing in a circle were filmed for 25 seconds tossing a pair of basketballs to each other, and we, the experimental subjects, watch the film. The players weave in and out of the circle and change places as they pass and bounce the balls, so the scene is quite actively complicated. Before being shown the film, we are told that we have a task to perform, to test our powers of observation. We have to count the total number of times balls are passed from person to person. At the end of the test, the counts are duly written down, but – little does the audience know – this is not the real test! After showing the film and collecting the counts, the experimenter drops his bombshell. ‘And how many of you saw the gorilla?’ The majority of the audience looks baffled: blank. The experimenter then replays the film, but this time tells the audience to watch in a relaxed fashion without trying to count anything. Amazingly, nine seconds into the film, a man in a gorilla suit strolls nonchalantly to the centre of the circle of players, pauses to face the camera, thumps his chest as if in belligerent contempt for eye-witness evidence, and then strolls off with the same insouciance as before (see colour page 8). He is there in full view for nine whole seconds – more than one-third of the film – and yet the majority of the witnesses never see him. They would swear an oath in a court of law that no man in a gorilla suit was present, and they would swear that they had been watching with more than usually acute concentration for the whole 25 seconds, precisely because they were counting ball-passes. Many experiments along these lines have been performed, with similar results, and with similar reactions of stupefied disbelief when the audience is finally shown the truth. Eye-witness testimony, ‘actual observation’, ‘a datum of experience’ – all are, or at least can be, hopelessly unreliable. It is, of course, exactly this unreliability among observers that stage conjurors exploit with their techniques of deliberate distraction.
Richard Dawkins (The Greatest Show on Earth: The Evidence for Evolution)
I firmly believe in my heart that the U.S. must lead women's soccer and create change on the field and socially.' But, referring to American coaches, he said, 'The whole men's side doesn't respect the women's game,' believing it to be on a level of teenage boys. 'There may be some jealousy,' he said, adding that the men's national team was competing against 200 other countries, most with superior soccer cultures, while the American women were competing 'against five other countries.' This was a frequently made, but entirely specious, argument against the American women. First of all, only seven countries have ever won a men's World Cup, and only 11 have ever reached the finals in 70 years of competition. The power in the men's game is just as concentrated as it is in the women's game. A lack of competition was used to diminish the achievements of the American women, but of course it was a double standard. No one complained about the weak tournament fields when UCLA began its basketball dynasty or when the San Francisco 49ers won a handful of Super Bowls after playing against execrable regular-season competition in the NFC West division.
Jere Longman (The Girls of Summer: The U.S. Women's Soccer Team and How It Changed the World)
Only Sampson and Walton failed to play more than four quality seasons, although Walton did win an MVP and Finals MVP and reinvent himself as the sixth man on an iconic team.
Bill Simmons (The Book of Basketball: The NBA According to The Sports Guy)
Russell stopped by to congratulate West, and Russell said, “I’m just glad to see this finally happen to him.
Jack McCallum (Golden Days: West's Lakers, Steph's Warriors, and the California Dreamers Who Reinvented Basketball)
What We Know For NBA 2K18 So Far One of the most valuable series of sport games of nowadays is, without a doubt, NBA 2K. As you can easily see from impressions of last year's edition NBA 2K18, the series has reached a simply brutal level so this 2017/18 edition will have an increased level of demand. NBA 2K18 still finds the first steps but has already received weight news. In recent years, the NBA 2K series has managed to become the most valuable game related to the biggest basketball competition in the world, the NBA. All those who follow the NBA minimally, will be accustomed to watching brutal television productions with high levels of spectacular and show-off. In fact, this can be confirmed today with the final of the current edition of this year. With 2K Games NBA 2K Games transposed in a very well achieved all this spectacular for the digital. However, it is not only this that the game feeds and another strong point of the game is the great diversity of modes that makes available to the player. This is both singleplayer and multiplayer. This year, however, the series will be back and with it comes an increased responsibility: to maintain the high levels of quality, increasing them even more. For now, little is known about NBA 2K18, but here's what we know. Firstly, NBA 2K18 already has a cover, you already have the player that will cover. It is Kyrie Irving, the player of the Cleveland Cavaliers that is to be the cover of the NBA 2K18 Standard Edition of this time. About the choice to fall on the cover of the game, Kyrie revealed that he feel a great honor at being chosen for the cover. Meanwhile, Shaquille O'Neal feels great pleasure as the cover of this year's Legend Edition. The pe-odering reward is huge, too. Then, NBA 2K18 will hit stores on September 19 for Xbox One, Xbox 360, PlayStation 3, PlayStation 4, Nintendo Switch and PC. We hope that during the E3 of this year 2017 we know a little more about the innovations that are incorporated in the delivery of this year and we can enjoy its gameplay.
Bunnytheis
Jimmy Valvano was a legendary college basketball coach and broadcaster. In June of 1992, he was diagnosed with metastatic cancer. In March of the following year, Jimmy gave a powerful speech at the first ever ESPY awards, presented by ESPN. His message was just as simple as it was moving: “Don’t give up. Don’t ever give up.” Eight weeks later, he passed away. In his speech, he also said this:   To me, there are three things we all should do every day. We should do this every day of our lives. Number one is laugh. You should laugh every day. Number two is think. You should spend some time in thought. And number three is, you should have your emotions moved to tears―could be happiness or joy. But think about it. If you laugh, you think, and you cry, that's a full day. That's a heck of a day. You do that seven days a week, you're going to have something special.   And finally, this:   Cancer can take away all of my physical abilities. It cannot touch my mind, it cannot touch my heart, and it cannot touch my soul. And those three things are going to carry on forever.   There is no other reason to be alive than to enjoy it. So laugh, think, cry. Work hard. Celebrate your victories. Embrace the day. And don’t ever give up.
Jesse Tevelow (Hustle: The Life Changing Effects of Constant Motion)
Frazier’s resume includes three extremes: one of the best big-game guards ever; one of the best defensive guards ever; and one of the single greatest performances ever (Game 7 of the ’70 Finals, when he notched 36 points, 19 assists, 7 rebounds and 5 steals and outclutched the actual Mr. Clutch).
Bill Simmons (The Book of Basketball: The NBA According to The Sports Guy)
He played for six championship teams. He reached ten Finals and fourteen Conference Finals. His
Bill Simmons (The Book of Basketball: The NBA According to The Sports Guy)
the Lakers unleashed an all-time Keyser Söze run in April, winning 23 of their last 24 and coming within an OT loss in the Finals of sweeping the entire playoffs.41 So if we’re trying to find the most invincible team of all time,
Bill Simmons (The Book of Basketball: The NBA According to The Sports Guy)
OCTOBER I’m so excited for the school year to finally begin that even the unfinished classrooms and dearth of supplies can’t dampen my spirits. My senior year! Even though we’re not in San Francisco anymore, there will still be clubs, sports (I hear Joe Tanaka is a star basketball player, and I can’t wait to cheer him on, although we don’t have a gymnasium yet), and, best of all, dances! There’s already a “Halloween Spook-tacular” planned for this Saturday in Dining Hall 1, provided the administration can engage a band for the evening, and although Joe hasn’t asked me for a dance yet, I’m saving room
Traci Chee (We Are Not Free)
Quintus stared at me. ‘My boy, you need lessons from your friend on seeing clearly. I am Daedalus.’ There were a lot of answers I might’ve given, from ‘I knew that’ to ‘LIAR!’ to ‘Yeah right, and I’m Zeus.’ The only thing I could think to say was, ‘But you’re not an inventor! You’re a swordsman!’ ‘I am both,’ Quintus said. ‘And an architect. And a scholar. I also play basketball pretty well for a guy who didn’t start until he was two thousand years old. A real artist must be good at many things.’ ‘That’s true,’ Rachel said. ‘Like I can paint with my feet as well as my hands.’ ‘You see?’ Quintus said. ‘A girl of many talents.’ ‘But you don’t even look like Daedalus,’ I protested. ‘I saw him in a dream, and…’ Suddenly a horrible thought dawned on me. ‘Yes,’ Quintus said. ‘You’ve finally guessed the truth.’ ‘You’re an automaton. You made yourself a new body.’ ‘Percy,’ Annabeth said uneasily, ‘that’s not possible. That – that can’t be an automaton.
Rick Riordan (Percy Jackson: The Complete Series (Percy Jackson and the Olympians, #1-5))
And where were you when the girls were hiking?” I was sitting on a basketball player’s face. “Studying.” “You were studying? After your finals?” “Yeah.” Shit. “I was studying ropes and stuff for camp.” I was tied to a bed. “Plus they’re a couple, Mom. They don’t want me third-wheeling on their date.
Hannah Grace (Wildfire (Maple Hills, #2))
But I also thought of all the games I’d seen through the years—football, basketball, baseball—when one team had a big lead in the final seconds, or innings, and relaxed. Or tightened. And therefore lost. I told myself to stop looking back, keep my gaze forward.
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
She transferred the baby and his Tupperware into the playpen for safety, stormed into the well-equipped garage, and searched frantically for a screwdriver. With an exultant cry of victory, she punched the button to the garage door opener and waited impatiently for it to rise. Resolutely, Aggie charged out of the gaping hole left by the door only to return moments later for a ladder. This posed a bigger problem than she’d anticipated. There wasn’t a ladder in sight. She searched corners and behind cabinets. In sheer exasperation, she threw her hands into the air and looked up as if to say, “I can’t take much more, Lord,” but the sight of a ladder hanging horizontally from the rafters halted her internal ranting. Now, she spoke aloud, her voice tinged with disgust. “Who would put a ladder up so high that you need a ladder to get the ladder down in the first place?” After a moment’s pause, she dashed into the kitchen and banged around the room, searching for the step stool. Ian squealed his slobbery encouragement as Aggie dragged the stool through the room, ruffling the few ruddy curls atop his bald little baby head. She teetered on the step stool, barely avoiding a collapse, and finally managed to jerk the ladder from its hooks. Hauling her prize out the garage door, Aggie surveyed the tattered basketball net she had remembered hanging deserted over the garage. The uncooperative ladder fought her at every step. After several frustrating minutes, where every swear word she’d ever heard filled her brain and threatened to overtake her self-control, Aggie realized that the ladder was upside down. Righting it, she climbed to the mounting bracket, the ladder teetering with every step. She eventually managed to unscrew one side of the apparatus and then the other. With a few jerky movements, the backboard lay on the ground beneath the swaying ladder, hardly worse for the fall. Aggie felt like a housekeeping genius as she wobbled through the house carrying her conquest upstairs to the wall above the hamper at the end of the hallway. The backboard was heavy and cumbersome; she found it difficult to hold in place and screw it into the wall at the same time, but several minutes later, she stood back and surveyed the results of her efforts. Though nearly satisfied, the lid on the hamper mocked her brilliant idea. Undaunted, she gave a swift jerk and ripped the cover off the offending hamper. “There. That’ll work,” she muttered as she trudged back downstairs, fighting the compulsion to pick up all the dirty laundry herself.
Chautona Havig (Ready or Not (Aggie's Inheritance, #1))
There are national championship banners, Final Four banners, ACC Tournament championship banners, ACC regular season championship banners, NCAA Tournament banners, NIT banners, and “honored”—not retired—numbers. It appears that about half the players who ever put on a Carolina uniform are “honored.” Valvano looked at all the banners and pointed at one that said “ACC Champions” in huge letters. “What’s that writing at the bottom?” he asked. “I can’t read it.” The writing at the bottom said “Regular Season Tie.” “So let me get this straight,” Valvano said. “They tie for a regular season title and they put up a banner?” When this was confirmed, Valvano smiled. “Okay, now I’ve figured out what I’m going to do. I’m going to put up a banner for 1985 that says ‘National Champions!’ Then at the bottom, in tiny little letters, I’ll put ‘almost.’ After that, I’ll do the same thing for 1986. Damn, I just won my third national championship…almost.
John Feinstein (The Legends Club: Dean Smith, Mike Krzyzewski, Jim Valvano, and an Epic College Basketball Rivalry)
Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.
Robert Greene (Mastery (The Modern Machiavellian Robert Greene Book 1))
Logan shoulders his way past me and glares at her. “I’m not leaving again,” he says to her. She nods. “I know.” “No matter what you say,” he goes on. “I just needed to do something. I wanted it to be a surprise.” She holds her hand out to him. “I meant to do it later, but time got away from me, and then I realized that I hadn’t done it yet, and I was almost out of time. And so Friday helped me with it.” She motions for him to take her hand again. “But first we had to wash that stupid basketball off.” A grin tugs at the corners of my lips when she lifts her hospital gown and I see that the ball is gone. She’s wearing a pair of Logan’s boxer shorts for now, but her belly is huge and she looks like the timer on her chicken has popped. Across her belly are the words, “My name is Catherine. And I’m my daddy’s girl.” “You finally picked a name?” Logan asks. He puts his hand on her belly and draws out the letters. It’s made like his tattoo that says, “My name is Emily.” It’s the one he got when he found out her real name. “That name was your favorite, right?” she asks. I know it’s more than just his favorite. Catherine was our mom’s name. He nods, and I see him swallow really hard. “Kit,” he says. “Kit,” she repeats. Her voice cracks. There’s so much history between them with regard to that nickname.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Some years ago I took a copy of God’s “whoever” policy to California. I wanted to show it to my Uncle Billy. He’d been scheduled to visit my home, but bone cancer had thwarted his plans. My uncle reminded me much of my father: squared like a blast furnace, ruddy as a leather basketball. They shared the same West Texas roots, penchant for cigars, and blue-collar work ethic. But I wasn’t sure if they shared the same faith. So after several planes, two shuttles, and a rental-car road trip, I reached Uncle Billy’s house only to learn he was back in the hospital. No visitors. Maybe tomorrow. He felt better the next day. Good enough to come home. I went to see him. Cancer had taken its toll and his strength. The recliner entombed his body. He recognized me yet dozed as I chatted with his wife and friends. He scarcely opened his eyes. People came and went, and I began to wonder if I would have the chance to ask the question. Finally the guests stepped out onto the lawn and left me alone with my uncle. I slid my chair next to his, took his skintaut hand, and wasted no words. “Bill, are you ready to go to heaven?” His eyes, for the first time, popped open. Saucer wide. His head lifted. Doubt laced his response: “I think I am.” “Do you want to be sure?” “Oh yes.” Our brief talk ended with a prayer for grace. We both said “amen,” and I soon left. Uncle Billy died within days. Did he wake up in heaven? According to the parable of the eleventh-hour workers, he did.
Max Lucado (3:16: The Numbers of Hope)
This has been the century of strangers, brown, yellow and white. This has been the century of the great immigrant experiment. It is only this late in the day that you can walk into a playground and find Isaac Leung by the fish pond, Danny Rahman in the football cage, Quang O’Rourke bouncing a basketball, and Irie Jones humming a tune. Children with first and last names on a direct collision course. Names that secrete within them mass exodus, cramped boats and planes, cold arrivals, medical checks. It is only this late in the day, and possibly only in Willesden, that you can find best friends Sita and Sharon, constantly mistaken for each other because Sita is white (her mother liked the name) and Sharon is Pakistani (her mother thought it best – less trouble). Yet, despite all the mixing up, despite the fact that we have finally slipped into each other’s lives with reasonable comfort (like a man returning to his lover’s bed after a midnight walk), despite all this, it is still hard to admit that there is no one more English than the Indian, no one more Indian than the English. There are still young white men who are angry about that
Zadie Smith (White Teeth)