“
Once I turned eighteen, I could cut myself off from everyone and finally get what I wanted, which was to be on my own, once and for all.
~Ruby, pg 38
”
”
Sarah Dessen (Lock and Key)
“
Very early in my life it was too late. It was already too late when I was eighteen. Between eighteen and twenty-five my face took off in a new direction. I grew old at eighteen. I don't know if it's the same for everyone, I've never asked. But I believe I've heard of the way time can suddenly accelerate on people when they're going through even the most youthful and highly esteemed stages of life. My ageing was very sudden. I saw it spread over my features one by one, changing the relationship between them, making the eyes larger, the expression sadder, the mouth more final, leaving great creases in the forehead. But instead of being dismayed I watched this process with the same sort of interest I might have taken in the reading of a book.
”
”
Marguerite Duras (The Lover)
“
After eighteen years of being utterly ordinary, I finally found that I can shine
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
I gulped, then stepped over the threshold into the house where I'd lived as a boy. After eighteen long years of wandering, I had finally come home.
”
”
Darren Shan (Sons of Destiny (Cirque du Freak, #12))
“
I am, and always have been - first, last, and always - a child of America.
You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand.
I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House.
You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down.
Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too.
The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms.
We were not afforded that liberty.
But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice.
Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us.
If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election.
And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
I’ve loved your daughter for six years,” Joey finally broke his silence by saying. “I can easily love her for another eighteen.
”
”
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
“
When I started school I thought that people in sixth class were so old
and knowledgeable even though they were no older than twelve. When I
reached twelve I reckoned the people in sixth year, at eighteen years of age,
must have known it all. When I reached eighteen I thought that once I finished
college then I would really be mature. At twenty-five I still hadn’t made
it to college, was still clueless and had a seven-year-old daughter. I was convinced that when I reached my thirties I was going to have at least some clue as to what was going on.
Nope, hasn’t happened yet.
So I’m beginning to think that when I’m fifty, sixty, seventy, eighty,
ninety years old I still won’t be any closer to being wise and knowledgeable.
Perhaps people on their deathbed, who have had long, long lives, seen it all,
traveled the world, have had kids, been through their own personal traumas,
beaten their demons, and learned the harsh lessons of life will be thinking,
“God, people in heaven must really know it all.”
But I bet that when they finally do die they’ll join the rest of the crowds
up there, sit around, spying on the loved ones they left behind and still be
thinking that in their next lifetime, they’ll have it all sussed.
But I think I have it sussed Steph, I’ve sat around for years thinking
about it and I’ve discovered that no one, not even the big man upstairs has
the slightest clue as to what’s going on.
”
”
Cecelia Ahern (Love, Rosie)
“
Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should've gotten more."
"Seventeen," Gus corrected.
"I'm assuming you've got some time, you interrupting bastard.
"I'm telling you," Isaac continued, "Augustus Waters talked so much that he'd interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness.
"But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him." [...]
"And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed."
Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he'd recovered his composure, he added, "I would cut the bit about seeing through girls' shirts."
Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, "Goddamn it, Augustus, editing your own eulogy.
”
”
John Green (The Fault in Our Stars)
“
Exactly one month after he was convicted, when the lights were dimmed and the detention officers made a final sweep of the catwalk, Peter reached down and tugged off his right sock. He turned on his side in the lower bunk, so that he was facing the wall. He fed the sock into his mouth, stuffing it as far back as it would go.
When it got hard to breathe, he fell into a dream. He was still eighteen, but it was the first day of kindergarten. He was carrying his backpack and his Superman lunch box. The orange school bus pulled up and, with a sigh, split open its gaping jaws. Peter climbed the steps and faced the back of the bus, but this time, he was the only student on it. He walked down the aisle to the very end, near the emergency exit. He put his lunch box down beside him and glanced out the rear window. It was so bright he thought the sun itself must be chasing them down the highway.
'Almost there,' a voice said, and Peter turned around to look at the driver. But just as there had been no passengers, there was no one at the wheel.
Here was the amazing thing: in his dream, Peter wasn't scared. He knew, somehow, that he was headed exactly where he'd wanted to go.
”
”
Jodi Picoult (Nineteen Minutes)
“
And each year, more gunters called it quits, concluding that Halliday had indeed made the egg impossible to find. And another year went by. And another. Then, on the evening of February 11, 2045, an avatar’s name appeared at the top of the Scoreboard, for the whole world to see. After five long years, the Copper Key had finally been found, by an eighteen-year-old kid living in a trailer park on the outskirts of Oklahoma City. That kid was me. Dozens of books, cartoons, movies, and miniseries have attempted to tell the story of everything that happened next, but every single one of them got it wrong. So I want to set the record straight, once and for all.
”
”
Ernest Cline (Ready Player One (Ready Player One, #1))
“
One longs and longs to be grown up, doesn't one?," she said, "I dreamed of being eighteen and having a Season and meeting handsome gentlemen even apart from Dominic and falling in love with them and marrying him and living happily ever after. But life is not nearly as that simple when one finally does grow up.
”
”
Mary Balogh (The Devil's Web (Web, #3))
“
I was eighteen, baby! I could finally... vote and buy all those cartons of cigarettes I'd been pining for. Yippee
”
”
Jenn Bennett (The Anatomical Shape of a Heart)
“
So will your father object to me? Because I'm not American? I mean, not fully American? He's not one of those mad, patriotic nuts,is he?"
"No.He'll love you,because you make me happy.He's not always so bad."
St. Clair raises his dark eyebrows.
"I know! But I said not always. He still is the majority of the time.It's just...he means well. He thought he was doing good,sending me here."
"And was it? Good?"
"Look at you,fishing for compliments."
"I wouldn't object to a compliment."
I play with a strand of his hair. "I like how you pronounce 'banana.' Ba-nah-na. And sometimes you trill your r's. I love that."
"Brilliant," he whispers in my ear. "Because I've spent loads of time practicing."
My room is dark,and Etienne wraps his arms back around me.We listen to the opera singer in a peaceful silence.I'm surprised by how much I'll miss France. Atlanta was home for almost eighteen years,and though I've only know Paris for the last nine months,it's changed me.I have a new city to learn next year,but I'm not scared.
Because I was right.For the two of us, home isn't a place.It's a person.
And we're finally home.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
What is a Gallagher Girl?” Liz asked.
She looked nervously down at the papers in her hand even though I knew for a fact she had memorized every word.
“When I was eleven I thought I knew the answer to that question. That was when the recruiters came to see me. They showed me brochures and told me they were impressed by my test scores and asked if I was ready to be challenged. And I said yes. Because that was what a Gallagher Girl was to me then, a student at the toughest school in the world.”
She took a deep breath and talked on.
“What is a Gallagher Girl?” Liz asked again. “When I was thirteen I thought I knew the answer to that question. That was when Dr. Fibs allowed me to start doing my own experiments in the lab. I could go anywhere—make anything. Do anything my mind could dream up. Because I was a Gallagher Girl. And, to me, that meant I was the future.”
Liz took another deep breath.
“What is a Gallagher Girl?” This time, when Liz asked it, her voice cracked. “When I was seventeen I stood on a dark street in Washington, D.C., and watched one Gallagher Girl literally jump in front of a bullet to save the life of another. I saw a group of women gather around a girl whom they had never met, telling the world that if any harm was to come to their sister, it had to go through them first.”
Liz straightened. She no longer had to look down at her paper as she said, “What is a Gallagher Girl? I’m eighteen now, and if I’ve learned anything, it’s that I don’t really know the answer to that question. Maybe she is destined to be our first international graduate and take her rightful place among Her Majesty’s Secret Service with MI6.”
I glanced to my right and, call me crazy, but I could have sworn Rebecca Baxter was crying.
“Maybe she is someone who chooses to give back, to serve her life protecting others just as someone once protected her.”
Macey smirked but didn’t cry. I got the feeling that Macey McHenry might never cry again.
“Who knows?” Liz asked. “Maybe she’s an undercover journalist.” I glanced at Tina Walters. “An FBI agent.” Eva Alvarez beamed. “A code breaker.” Kim Lee smiled. “A queen.” I thought of little Amirah and knew somehow that she’d be okay.
“Maybe she’s even a college student.” Liz looked right at me. “Or maybe she’s so much more.”
Then Liz went quiet for a moment. She too looked up at the place where the mansion used to stand.
“You know, there was a time when I thought that the Gallagher Academy was made of stone and wood, Grand Halls and high-tech labs. When I thought it was bulletproof, hack-proof, and…yes…fireproof. And I stand before you today happy for the reminder that none of those things are true. Yes, I really am. Because I know now that a Gallagher Girl is not someone who draws her power from that building. I know now with scientific certainty that it is the other way around.”
A hushed awe descended over the already quiet crowd as she said this. Maybe it was the gravity of her words and what they meant, but for me personally, I like to think it was Gilly looking down, smiling at us all.
“What is a Gallagher Girl?” Liz asked one final time. “She’s a genius, a scientist, a heroine, a spy. And now we are at the end of our time at school, and the one thing I know for certain is this: A Gallagher Girl is whatever she wants to be.”
Thunderous, raucous applause filled the student section.
Liz smiled and wiped her eyes. She leaned close to the microphone.
“And, most of all, she is my sister.
”
”
Ally Carter (United We Spy (Gallagher Girls, #6))
“
In Russia the government is autocracy tempered by strangulation,” quipped the French woman of letters Madame de Staël. It was a dangerous job. Six of the last twelve tsars were murdered—two by throttling, one by dagger, one by dynamite, two by bullet. In the final catastrophe in 1918, eighteen Romanovs were killed. Rarely was a chalice so rich and so poisonous. I
”
”
Simon Sebag Montefiore (The Romanovs: 1613-1918)
“
In the past eighteen years, I have learned two things about pain. First: I can feel everything and survive. What I thought would kill me, didn’t. Every time I said to myself: I can’t take this anymore—I was wrong. The truth was that I could and did take it all—and I kept surviving. Surviving again and again made me less afraid of myself, of other people, of life. I learned that I’d never be free from pain but I could be free from the fear of pain, and that was enough. I finally stopped avoiding fires long enough to let myself burn, and what I learned was that I am like that burning bush: The fire of pain won’t consume me. I can burn and burn and live. I can live on fire. I am fireproof. Second: I can use pain to become. I am here to keep becoming truer, more beautiful versions of myself again and again forever. To be alive is to be in a perpetual state of revolution. Whether I like it or not, pain is the fuel of revolution. Everything I need to become the woman I’m meant to be next is inside my feelings of now. Life is alchemy, and emotions are the fire that turns me to gold. I will continue to become only if I resist extinguishing myself a million times a day. If I can sit in the fire of my own feelings, I will keep becoming.
”
”
Glennon Doyle (Untamed)
“
Hear me now or regret it later: Everything you write must be read aloud. Once all the context items are in place, this is the final test for any written piece...Do not neglect your sense of hearing in the process of writing and reading. As a longtime teacher of English as a foreign language, I can tell you on good authority that you have been listening to the English language at least five or six years longer than you have been writing and reading. And, most probably, your ears also had eighteen or more years of familiarity with the language before you began to read or write with a writer's sensibility. For these reasons, your ears know when things sound okay, good, beautiful, strange, awkward, or just plain bad, before your eye can pick up on such things...Your written voice should burn with the fire of fervent prayer, soothe like a friend's voice during a late-night phone call, alure like a lover's whisper. You must, through your accessible, infinitely read-aloudable voice, make your audience into an insatiable reader of your words.
”
”
Jiro Adachi
“
Hear me now or regret it later: Everything you write must be read aloud. Once all the context items are in place, this is the final test for any written piece...
Do not neglect your sense of hearing in the process of writing and reading. As a longtime teacher of English as a foreign language, I can tell you on good authority that you have been listening to the English language at least five or six years longer than you have been writing and reading. And, most probably, your ears also had eighteen or more years of familiarity with the language before you began to read or write with a writer's sensibility. For these reasons, your ears know when things sound okay, good, beautiful, strange, awkward, or just plain bad, before your eye can pick up on such things...
Your written voice should burn with the fire of fervent prayer, soothe like a friend's voice during a late-night phone call, alure like a lover's whisper. You must, through your accessible, infinitely read-aloudable voice, make your audience into an insatiable reader of your words.
”
”
Jiro Adachi
“
She went to her room and curled into a ball of misery and decided that she would die of a broken heart. Minstrels would write songs about how she had turned her face to the wall and died of the false-heartedness of men.
She could not quite make up her mind whether she wanted to be a ghost who would haunt the convent or not. It would be very satisfying to be a sad-eyed, beautiful ghost who drifted through the halls, gazing up at the moon and weeping silently, as a warning to other young women. On the other hand, she was still short and round-faced and sturdy, and there were very few ghost stories about short, sturdy women. Marra had not managed to be pale and willowy and consumptive at any point in eighteen years of life and did not think she could achieve it before she died. Possibly it would be better to just have songs made about her.
The Sister Apothecary came to her, the nun who doctored all the residents of the convent for various ailments, and who compounded medicines and salves and treatments for the farmer’s wives who lived nearby. She studied Marra intensely for a few minutes. “It’s a man, is it?” she said finally.
Marra grunted. It occurred to her about an hour earlier that she did not know how the minstrels would find out that she existed in order to write the sad songs in the first place, and her mind was somewhat occupied by this problem. Did you write them letters?
”
”
T. Kingfisher (Nettle & Bone)
“
I need you to be serious right now.”
“Probably you shouldn’t have drugged me, then.”
She rolls her eyes and waves in dismissal. “It was chloroform. You’ll be fine.”
“And Rayna?”
She knows what I’m asking, and she nods. “She should be waking up right about now.” Mom sits back in her chair. “That girl has the personality of a mako shark.”
“Says the nut job who chloroformed her own daughter.”
She sighs. “One day you’ll understand why I did that. Today is obviously not that day.”
“No, no, no,” I say, palming the air with the universal “don’t even” sign. “You don’t get to play the responsible parent card. Let’s not forget the little matter of the last eighteen-freaking-years, Nalia.” There. I said it. This conversation is finally going to happen.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Sabriel met his gaze and her eyes were not the uncertain, flickering beacons of adolescence.
'I am only eighteen years old on the outside,' she said, touching her palm against her breast with an almost wistful motion. 'But I first walked in Death when I was twelve. I encountered a Fifth Gate Rester when I was fourteen and banished it beyond the Ninth Gate. When I was sixteen I stalked and banished a Mordicant that came near the school. A weakened Mordicant, but still... A year ago, I turned the final page of The Book of the Dead. I don't feel young anymore.
”
”
Garth Nix (Sabriel (Abhorsen, #1))
“
How did you finally manage to get expelled?” He flashes me that scrumptiously wicked smirk. “Expelled? I like the way you think. But I didn’t have to get expelled. I turned eighteen yesterday and before the wax could even melt on my birthday candles, I dropped out, and voila! Here I am.
”
”
Jessica Brody (In Some Other Life)
“
So, once again, I'm practicing trying to follow my own admonitions, the lessons the Hell Room has taught me: to trust myself. Keep less, use more. Be imperfect. Doing these things feels like stepping off a cliff into thin air, but it's paid off before when, after ten years, I finally took the medication; when after eighteen years, I finally opened the Hell Room door in earnest and decided to tell the world my ugly secret; and when, every single time over the last year, I made a decision to keep (what if I'm a hoarder?) or a decision to discard (what if I'm filled with regret?). No decision that we make about anything in life is 100 percent safe, and I know now *that's* was kills me.
”
”
Eve O. Schaub (Year of No Clutter)
“
When the past is allowed to remain what it is, the past, when a person leaves it by stepping onto the good path and does not look back too often, he himself is changed little by little, and the past is imperceptibly changed at the same time, and eventually they do not, so to speak, suit each other. The past fades away into a less definite form, becomes a recollection, and the recollection becomes less and less terrifying. It becomes quieter, it becomes gentle, it becomes sad, and in each of these attributes it is becoming more and more distanced . Finally the past becomes almost alien to him; he does not comprehend how he could possibly have gone astray in that way, and he hears recollection's account of it just as the traveler hears a legend in a distant land.
”
”
Søren Kierkegaard (Eighteen Upbuilding Discourses)
“
But why not? What objection do you find?’ ‘Firstly, he is at least forty years old—considerably more, I should think—and I am but eighteen; secondly, he is narrow-minded and bigoted in the extreme; thirdly, his tastes and feelings are wholly dissimilar to mine; fourthly, his looks, voice, and manner are particularly displeasing to me; and, finally, I have an aversion to his whole person that I never can surmount.
”
”
Anne Brontë (The Tenant of Wildfell Hall)
“
I later read a survey about Southerners' knowledge of the War; only half of those aged eighteen to twenty-four could name a single battle, and only one in eight knew if they had a Confederate ancestor.
This was a long way from the experience of earlier generations, smothered from birth in the thick gravy of Confederate culture and schooled on textbooks that were little more than Old South propaganda. In this sense, ignorance might prove a blessing. Knowing less about the past, kids seemed less attached to it. Maybe the South would finally exorcise its demons by simply forgetting the history that created them.
But Alabaman's seemed to have also let go of the more recent and hopeful history embodied in Martin Luther King's famous speech. "I have a dream," he said, of an Alabama where "black boys and black girls will be able to join hands with white boys and white girls as sisters and brothers.
”
”
Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
“
You become eligible for the reaping the day you turn twelve. That year, your name is entered once. At thirteen, twice. And so on and so on until you reach the age of eighteen, the final year of eligibility, when your name goes into the pool seven times. That’s true for every citizen in all twelve districts in the entire country of Panem. But here’s the catch. Say you are poor and starving as we were. You can opt to add your name more times in exchange for tesserae.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
How did you even get in here?” I asked him. “Would you believe they leave the door open all night?” Gus asked. “Um, no,” I said. “As well you shouldn’t.” Gus smiled. “Anyway, I know it’s a bit self-aggrandizing.” “Hey, you’re stealing my eulogy,” Isaac said. “My first bit is about how you were a self-aggrandizing bastard.” I laughed. “Okay, okay,” Gus said. “At your leisure.” Isaac cleared his throat. “Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should have gotten more.” “Seventeen,” Gus corrected. “I’m assuming you’ve got some time, you interrupting bastard. “I’m telling you,” Isaac continued, “Augustus Waters talked so much that he’d interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. “But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.” I was kind of crying by then. “And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed.” Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he’d recovered his composure, he added, “I would cut the bit about seeing through girls’ shirts.” Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, “Goddamn it, Augustus, editing your own eulogy.” “Don’t swear in the Literal Heart of Jesus,” Gus said. “Goddamn it,” Isaac said again. He raised his head and swallowed. “Hazel, can I get a hand here?” I’d forgotten he couldn’t make his own way back to the circle. I got up, placed his hand on my arm, and walked him slowly back to the chair next to Gus where I’d been sitting. Then I walked up to the podium and unfolded the piece of paper on which I’d printed my eulogy. “My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should. I’d hoped that he’d be eulogizing me, because there’s no one I’d rather have…” I started crying. “Okay, how not to cry. How am I—okay. Okay.” I took a few breaths and went back to the page. “I can’t talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There’s .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set.
”
”
John Green (The Fault in Our Stars)
“
Eight Years Old, Eighteen Years Old
Cassidy was barely conscious when the March Hare, finally finished, gingerly lifted her onto her stump and gently slid a teacup onto her finger. She strained her senses and thought she heard a long sigh and the creak of old bones as he settled at the other end of the table. He stayed there with her through the night. Every time she struggled to open her eyes, she'd see him, the ghostly outline of white ears against the threatening shadows.
Perhaps he had killed her after all. Perhaps he hadn't. There was only one thing Cassidy Evans knew for sure: It had been a marvelous tea party.
”
”
Carrie Ryan (Slasher Girls & Monster Boys)
“
But with Moore’s law spewing out new generations of computers every eighteen months, sooner or later the old pessimism of the past generation will be gradually forgotten and a new generation of bright enthusiasts will take over, creating renewed optimism and energy in the once-dormant field. Thirty years after the last AI winter set in, computers have advanced enough so that the new generation of AI researchers are again making hopeful predictions about the future. The time has finally come for AI, say its supporters. This time, it’s for real. The third try is the lucky charm. But if they are right, are humans soon to be obsolete?
”
”
Michio Kaku (Physics of the Future: How Science Will Shape Human Destiny and Our Daily Lives by the Year 2100)
“
Anyway, my dad gave me a whole birth-control kit for college, so we don’t even have to worry about it.”
Peter nearly chokes on his sandwich. “A birth-control kit?”
“Sure. Condoms and…” Dental dams. “Peter, do you know what a dental dam is?”
“A what? Is that what dentists use to keep your mouth open when they clean it?”
I giggle. “No. It’s for oral sex. And here I thought you were this big expert and you were going to be the one to teach me everything at college!”
My heart speeds up as I wait for him to make a joke about the two of us finally having sex at college, but he doesn’t. He frowns and says, “I don’t like the thought of your dad thinking we’re doing it when we’re not.”
“He just wants us to be careful is all. He’s a professional, remember?” I pat him on the knee. “Either way, I’m not getting pregnant, so it’s fine.”
He crumples up his napkin and tosses it in the paper bag, his eyes still on the road. “Your parents met in college, didn’t they?”
I’m surprised he remembers. I don’t remember telling him that. “Yeah.”
“So how old were they? Eighteen? Nineteen?” Peter’s headed somewhere with this line of questioning.
“Twenty, I think.”
His face dims but just slightly. “Okay, twenty. I’m eighteen and you’ll be eighteen next month. Twenty is just two years older. So what difference does two years make in the grand scheme of things?” He beams a smile at me. “Your parents met at twenty; we met at--”
“Twelve,” I supply.
Peter frowns, annoyed that I’ve messed up his argument. “Okay, so we met when were kids, but we didn’t get together until we were seventeen--”
“I was sixteen.”
“We didn’t get together for real until we were both basically seventeen. Which is basically the same thing as eighteen, which is basically the same thing as twenty.” He has the self-satisfied look of a lawyer who has just delivered a winning closing statement.
“That’s a very long and twisty line of logic,” I say. “Have you ever thought about being a lawyer?”
“No, but now I’m thinking maybe?
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
former U.S. senator Alan Simpson from Wyoming. Simpson had spent eighteen years in the Senate, including ten as the Republican whip, the second-ranking senator in his party. He had also been a former juvenile felon. He had been adjudicated as a juvenile delinquent when he was seventeen, for multiple convictions for arson, theft, aggravated assault, gun violence, and, finally, assaulting a police officer. He later confessed: “I was a monster.” His life didn’t begin to change until he found himself imprisoned in “a sea of puke and urine” following another arrest. Senator Simpson knew firsthand that you cannot judge a person’s full potential by his juvenile misconduct.
”
”
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
“
I clutch to William’s hand. “I can do this.”
He nods and pulls me tight into his arms. “I know you can. I believe in you.”
I hug him tightly. I don’t want to lose this … I don’t want this to change anything; I still want to love this man when this is over. “Take care of the others.”
He whispers in my ear. “I will.” He picks me up and kisses me, deeply and desperately, for a long time. When we finally release our lip lock, we’re both in tears. His voice is barely a whisper. “I love you, Alanna.”
I stroke his cheek. “I love you.” It’s the first time we’ve both said it out loud at the same time. Something about that makes me feel very hopeful, despite the circumstances.
”
”
Don A. Martinez (Infernal Eighteen (Phantom Squadron #4))
“
She said that there was more than one type of perfectionist. And that I qualified because the kind of perfectionist I was, was the kind that abandoned everything if I wasn't good enough at it. And that's why I couldn't finish tasks. Meanwhile, I thought you had to be Natalie Portman from Black Swan to be a perfectionist, all shivering from malnourishment and eighteen-hour practices, but she's right. I'd rather fail outright than be imperfect. It's why last year, when I was on academic probation, I couldn't bring myself to cram for finals and end up with a C average. I just kinda gave up There's nothing more humiliating than trying so hard for everyone to see and still ending up a loser.
”
”
Mary H.K. Choi (Yolk)
“
Just beyond the edge of our property in 1985 a farmer crossing a field found a rare, impossible-to-misconstrue Roman phallic pendant. To me this was, and remains, an amazement: the idea of a man in a toga, standing on what is now the edge of my land, patting himself all over, and realizing with consternation that he has lost his treasured keepsake, which then lay in the soil for seventeen or eighteen centuries - through endless generations of human activity; through the rise of the English language, the birth of the English nation, the development of continuous monarch and all the rest - before finally being picked up by a late-twentieth-century farmer, presumably with a look of consternation of his own.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
Patriotism comes from the same Latin word as father. Blind patriotism is collective transference. In it the state becomes a parent and we citizens submit our loyalty to ensure its protection. We may have been encouraged to make that bargain from our public school education, our family home, religion, or culture in general. We associate safety with obedience to authority, for example, going along with government policies. We then make duty, as it is defined by the nation, our unquestioned course. Our motivation is usually not love of country but fear of being without a country that will defend us and our property. Connection is all-important to us; excommunication is the equivalent of death, the finality we can’t dispute. Healthy adult loyalty is a virtue that does not become blind obedience for fear of losing connection, nor total devotion so that we lose our boundaries. Our civil obedience can be so firm that it may take precedence over our concern for those we love, even our children. Here is an example: A young mother is told by the doctor that her toddler is allergic to peanuts and peanut oil. She lets the school know of her son’s allergy when he goes to kindergarten. Throughout his childhood, she is vigilant and makes sure he is safe from peanuts in any form. Eighteen years later, there is a war and he is drafted. The same mother, who was so scrupulously careful about her child’s safety, now waves goodbye to him with a tear but without protest. Mother’s own training in public school and throughout her life has made her believe that her son’s life is expendable whether or not the war in question is just. “Patriotism” is so deeply ingrained in her that she does not even imagine an alternative, even when her son’s life is at stake. It is of course also true that, biologically, parents are ready to let children go just as the state is ready to draft them. What a cunning synchronic-ity. In addition, old men who decide on war take advantage of the timing too. The warrior archetype is lively in eighteen-year-olds, who are willing to fight. Those in their mid-thirties, whose archetype is being a householder and making a mark in their chosen field, will not show an interest in battlefields of blood. The chiefs count on the fact that young braves will take the warrior myth literally rather than as a metaphor for interior battles. They will be willing to put their lives on the line to live out the collective myth of societies that have not found the path of nonviolence. Our collective nature thus seems geared to making war a workable enterprise. In some people, peacemaking is the archetype most in evidence. Nature seems to have made that population smaller, unfortunately. Our culture has trained us to endure and tolerate, not to protest and rebel. Every cell of our bodies learned that lesson. It may not be virtue; it may be fear. We may believe that showing anger is dangerous, because it opposes the authority we are obliged to appease and placate if we are to survive. This explains why we so admire someone who dares to say no and to stand up or even to die for what he believes. That person did not fall prey to the collective seduction. Watching Jeopardy on television, I notice that the audience applauds with special force when a contestant risks everything on a double-jeopardy question. The healthy part of us ardently admires daring. In our positive shadow, our admiration reflects our own disavowed or hidden potential. We, too, have it in us to dare. We can stand up for our truth, putting every comfort on the line, if only we can calm our long-scared ego and open to the part of us that wants to live free. Joseph Campbell says encouragingly, “The part of us that wants to become is fearless.” Religion and Transference Transference is not simply horizontal, from person to person, but vertical from person to a higher power, usually personified as God. When
”
”
David Richo (When the Past Is Present: Healing the Emotional Wounds that Sabotage our Relationships)
“
How times changed, between the older ages and the new! Some seventeen or eighteen centuries ago, the ignorant men of Rome were wont to put Christians in the arena of the Coliseum yonder, and turn the wild beasts in upon them for a show. It was for a lesson as well. It was to teach the people to abhor and fear the new doctrine the followers of Christ were teaching. The beasts tore the victims limb from limb and made poor mangled corpses of them in the twinkling of an eye. But when the Christians came into power, when the holy Mother Church became mistress of the barbarians, she taught them the error of their ways by no such means. No, she put them in this pleasant Inquisition and pointed to the Blessed Redeemer, who was so gentle and so merciful toward all men, and they urged the barbarians to love him; and they did all they could to persuade them to love and honor him--first by twisting their thumbs out of joint with a screw; then by nipping their flesh with pincers--red-hot ones, because they are the most comfortable in cold weather; then by skinning them alive a little, and finally by roasting them in public. They always convinced those barbarians. The true religion, properly administered, as the good Mother Church used to administer it, is very, very soothing. It is wonderfully persuasive, also. There is a great difference between feeding parties to wild beasts and stirring up their finer feelings in an Inquisition. One is the system of degraded barbarians, the other of enlightened, civilized people. It is a great pity the playful Inquisition is no more.
”
”
Mark Twain (The Innocents Abroad)
“
People say Seattle is one of the toughest cities in which to make friends. They even have a name for it, the “Seattle freeze.” I’ve never experienced it myself, but coworkers claim it’s real and has to do with all the Scandinavian blood up here. Maybe it was difficult at first for Bernadette to fit in. But eighteen years later, to still harbor an irrational hatred of an entire city? I have a very stressful job, Dr. Kurtz. Some mornings, I’d arrive at my desk utterly depleted by having to endure Bernadette and her frothing. I finally started taking the Microsoft Connector to work. It was an excuse to leave the house an hour earlier to avoid the morning broadsides. I really did not intend for this letter to go on so long, but looking out airplane windows makes me sentimental. Let me jump to the incidents of yesterday which have prompted me to write.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
There’s the early marriage that ended in divorce when she was eighteen. Then the studio-setup courtship and tumultuous marriage to Hollywood royalty Don Adler. The rumors that she left him because he beat her. Her comeback in a French New Wave film. The quickie Vegas elopement with singer Mick Riva. Her glamorous marriage to the dapper Rex North, which ended in both of them having affairs. The beautiful love story of her life with Harry Cameron and the birth of their daughter, Connor. Their heartbreaking divorce and her very quick marriage to her old director Max Girard. Her supposed affair with the much younger Congressman Jack Easton, which ended her relationship with Girard. And finally, her marriage to financier Robert Jamison, rumored to have at least been inspired by Evelyn’s desire to spite former costar—and Robert’s sister—Celia St. James. All of her husbands have passed away, leaving Evelyn as the only one with insight into those relationships.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing.
A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback?
The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at.
I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting.
It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.”
“Emma, run!” Mom yells.
Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing.
Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.”
Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another.
I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that.
Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs.
He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack.
Mom has never been girlie.
Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.”
Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
You're trying to kiss Emma?" Rayna says, incredulous. "But you haven't even sifted yet, Galen."
"Sifted?" Emma asks.
Toraf laughs. "Princess, why don't we go for a swim? You know that storm probably dredged up all sorts of things for your collection." Galen nods a silent thank you to Toraf as he ushers his sister into the living room. For once, he's thankful for Rayna's hoard of human relics. He almost had to drag her to shore by her fin to get past all the old shipwrecks along this coast.
"We'll split up, cover more ground," Rayna's saying as they leave.
Galen feels Emma looking at him, but he doesn't acknowledge her. Instead, he watches the beach as Toraf and Rayna disappear in the waves, hand in hand. Galen shakes his head. No one should feel sorry for Toraf. He knows just exactly what he's doing. Something Galen wishes he could say of himself.
Emma puts a hand on his arm-she won't be ignored. "What is that? Sifted?"
Finally he turns, meets her gaze. "It's like dating to humans. Only, it goes a lot faster. And it has more of a purpose than humans sometimes do when they date."
"What purpose?"
"Sifting is our way of choosing a life mate. When a male turns eighteen, he usually starts sifting to find himself a companion. For a female whose company he will enjoy and ho will be suitable for producing offspring."
"Oh," she says, thoughtful. "And...you haven't sifted yet?"
He shakes his head, painfully aware of her hand still on his arm. She must realize it at the same time, because she snatches it away. "Why not?" she says, clearing her throat. "Are you not old enough to sift?"
"I'm old enough," he says softly.
"How old are you, exactly?"
"Twenty." He doesn't mean to lean closer to her-or does he?
"Is that normal? That you haven't sifted yet?"
He shakes his head. "It's pretty much standard for males to be mated by the time they turn nineteen. But my responsibilities as ambassador would take me away from my mate too much. It wouldn't be fair to her."
"Oh, right. Keeping a watch on the humans," she says quickly. "You're right. That wouldn't be fair, would it?"
He expects another debate. For her to point out, as she did last night, that if there were more ambassadors, he wouldn't have to shoulder the responsibility alone-and she would be right. But she doesn't debate. In fact, she drops the subject altogether.
Backing away from him, she seems intent on widening the space he'd closed between them. She fixes her expression into nonchalance. "Well, are you ready to help me turn into a fish?" she says, as if they'd been talking about this the whole time.
He blinks. "That's it?"
"What?"
"No more questions about sifting? No lectures about appointing more ambassadors?"
"It's not my business," she says with an indifferent shrug. "Why should I care whether or not you mate? And it's not like I'll be sifting-or sifted. After you teach me to sprout a fin, we'll be going our separate ways. Besides, you wouldn't care if I dated any humans, right?" With that, she leaves him there staring after her, mouth hanging open. At the door, she calls over her shoulder, "I'll meet you on the beach in fifteen minutes. I just have to call my mom and check in and change into my swimsuit." She flips her hair to the side before disappearing up the stairs.
He turns to Rachel, who's hand-drying a pan to death, eyebrows reaching for her hairline. He shrugs to her in askance, mouth still ajar. She sighs. "Sweet pea, what did you expect?"
"Something other than that.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
At this point in your Total Money Makeover, you are debt-free except for the house, and you have three to six months of expenses ($10,000+/–) saved for emergencies. At this point in your Total Money Makeover, you are putting 15 percent of your income into retirement savings and you are investing for your kid’s college education with firm goals in sight on both. You are now one of the top 5 to 10 percent of Americans because you have some wealth, have a plan, and are under control. At this point in your Total Money Makeover, you are in grave danger! You are in danger of settling for “Good Enough.” You are at the eighteen-mile mark of a marathon, and now that it is time to reach for the really big gold ring, the final two Baby Steps could seem out of your reach. Let me assure you that many have been at this point. Some have stopped and regretted it; others have stayed gazelle-intense long enough to finish the race. The latter have looked and seen just one major hurdle left, after which they can walk with pride among the ultra-fit who call themselves financial marathoners. They can count themselves among the elite who have finished The Total Money Makeover.
”
”
Dave Ramsey (The Total Money Makeover: A Proven Plan for Financial Fitness)
“
Peter Jackson and Fran Walsh have promised to continue to fund efforts to prove the convicted men’s innocence, including more scientific “evidence testing and further investigation which will hopefully lead to the unmasking of the actual killer.”246 Because the West Memphis Three were released before the evidentiary hearing could be held, the new evidence already gathered was never given its day in court. This evidence, in addition to the evidence that Misskelley’s confession was false, now constitutes the bulk of the West Memphis Three’s case for exoneration. Despite all of the new scientific evidence, which wholly discredits the Salem Witch Trial–like “evidence” used to convict them, Echols, Baldwin, and Misskelley remain convicted murderers today. They are free of their prison cells, yet they remain imprisoned by their legal status as convicted murderers. Jason Baldwin once said, “I know one thing, and that is how long is too long to keep an innocent person in prison: one minute! One minute is too long to deny an innocent person his freedom.”247 When they were finally released, on August 19, 2011, eighteen years and seventy-eight days after they were arrested, Echols, Baldwin, and Misskelley had each
”
”
Damien Echols (Life After Death)
“
They entered the summer parlor, where the Ravenels chatted amiably with his sisters, Phoebe and Seraphina.
Phoebe, the oldest of the Challon siblings, had inherited their mother's warm and deeply loving nature, and their father's acerbic wit. Five years ago she had married her childhood sweetheart, Henry, Lord Clare, who had suffered from a chronic illness for most of his life. The worsening symptoms had gradually reduced him to a shadow of the man he'd once been, and he'd finally succumbed while Phoebe was pregnant with their second child. Although the first year of mourning was over, Phoebe hadn't yet returned to her former self. She went outdoors so seldom that her freckles had vanished, and she looked wan and thin. The ghost of grief still lingered in her gaze.
Their younger sister, Seraphina, an effervescent eighteen-year-old with strawberry-blonde hair, was talking to Cassandra. Although Seraphina was old enough to have come out in society by now, the duke and duchess had persuaded her to wait another year. A girl with her sweet nature, her beauty, and her mammoth dowry would be targeted by every eligible man in Europe and beyond. For Seraphina, the London Season would be a gauntlet, and the more prepared she was, the better.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Every entry, whether revised or reviewed, goes through multiple editing passes. The definer starts the job, then it’s passed to a copy editor who cleans up the definer’s work, then to a bunch of specialty editors: cross-reference editors, who make sure the definer hasn’t used any word in the entry that isn’t entered in that dictionary; etymologists, to review or write the word history; dating editors, who research and add the dates of first written use; pronunciation editors, who handle all the pronunciations in the book. Then eventually it’s back to a copy editor (usually a different one from the first round, just to be safe), who will make any additional changes to the entry that cross-reference turned up, then to the final reader, who is, as the name suggests, the last person who can make editorial changes to the entry, and then off to the proofreader (who ends up, again, being a different editor from the definer and the two previous copy editors). After the proofreaders are done slogging through two thousand pages of four-point type, the production editors send it off to the printer or the data preparation folks, and then we get another set of dictionary pages (called page proofs) to proofread. This process happens continuously as we work through a dictionary, so a definer may be working on batches in C, cross-reference might be in W, etymology in T, dating and pronunciation in the second half of S, copy editors in P (first pass) and Q and R (second pass), while the final reader is closing out batches in N and O, proofreaders are working on M, and production has given the second set of page proofs to another set of proofreaders for the letter L. We all stagger our way through the alphabet until the last batch, which is inevitably somewhere near G, is closed. By the time a word is put in print either on the page or online, it’s generally been seen by a minimum of ten editors. Now consider that when it came to writing the Collegiate Dictionary, Eleventh Edition, we had a staff of about twenty editors working on it: twenty editors to review about 220,000 existing definitions, write about 10,000 new definitions, and make over 100,000 editorial changes (typos, new dates, revisions) for the new edition. Now remember that the 110,000-odd changes made were each reviewed about a dozen times and by a minimum of ten editors. The time given to us to complete the revision of the Tenth Edition into the Eleventh Edition so production could begin on the new book? Eighteen months.
”
”
Kory Stamper (Word by Word: The Secret Life of Dictionaries)
“
CHAPTER EIGHTEEN Roads to Safe Places PERHAPS THE GREATEST FACULTY our minds possess is the ability to cope with pain. Classic thinking teaches us of the four doors of the mind, which everyone moves through according to their need. First is the door of sleep. Sleep offers us a retreat from the world and all its pain. Sleep marks passing time, giving us distance from the things that have hurt us. When a person is wounded they will often fall unconscious. Similarly, someone who hears traumatic news will often swoon or faint. This is the mind’s way of protecting itself from pain by stepping through the first door. Second is the door of forgetting. Some wounds are too deep to heal, or too deep to heal quickly. In addition, many memories are simply painful, and there is no healing to be done. The saying “time heals all wounds” is false. Time heals most wounds. The rest are hidden behind this door. Third is the door of madness. There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind. Last is the door of death. The final resort. Nothing can hurt us after we are dead, or so we have been told.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
In his book, Nothing Ever Dies: Vietnam and the Memory of War, Viet Thanh Nguyen writes that immigrant communities like San Jose or Little Saigon in Orange County are examples of purposeful forgetting through the promise of capitalism: “The more wealth minorities amass, the more property they buy, the more clout they accumulate, and the more visible they become, the more other Americans will positively recognize and remember them. Belonging would substitute for longing; membership would make up for disremembering.” One literal example of this lies in the very existence of San Francisco’s Chinatown. Chinese immigrants in California had battled severe anti-Chinese sentiment in the late 1800s. In 1871, eighteen Chinese immigrants were murdered and lynched in Los Angeles. In 1877, an “anti-Coolie” mob burned and ransacked San Francisco’s Chinatown, and murdered four Chinese men. SF’s Chinatown was dealt its final blow during the 1906 earthquake, when San Francisco fire departments dedicated their resources to wealthier areas and dynamited Chinatown in order to stop the fire’s spread. When it came time to rebuild, a local businessman named Look Tin Eli hired T. Paterson Ross, a Scottish architect who had never been to China, to rebuild the neighborhood. Ross drew inspiration from centuries-old photographs of China and ancient religious motifs. Fancy restaurants were built with elaborate teak furniture and ivory carvings, complete with burlesque shows with beautiful Asian women that were later depicted in the musical Flower Drum Song. The idea was to create an exoticized “Oriental Disneyland” which would draw in tourists, elevating the image of Chinese people in America. It worked. Celebrities like Humphrey Bogart, Lauren Bacall, Ronald Reagan and Bing Crosby started frequenting Chinatown’s restaurants and nightclubs. People went from seeing Chinese people as coolies who stole jobs to fetishizing them as alluring, mysterious foreigners. We paid a price for this safety, though—somewhere along the way, Chinese Americans’ self-identity was colored by this fetishized view. San Francisco’s Chinatown was the only image of China I had growing up. I was surprised to learn, in my early twenties, that roofs in China were not, in fact, covered with thick green tiles and dragons. I felt betrayed—as if I was tricked into forgetting myself. Which is why Do asks his students to collect family histories from their parents, in an effort to remember. His methodology is a clever one. “I encourage them and say, look, if you tell your parents that this is an academic project, you have to do it or you’re going to fail my class—then they’re more likely to cooperate. But simultaneously, also know that there are certain things they won’t talk about. But nevertheless, you can fill in the gaps.” He’ll even teach his students to ask distanced questions such as “How many people were on your boat when you left Vietnam? How many made it?” If there were one hundred and fifty at the beginning of the journey and fifty at the end, students may never fully know the specifics of their parents’ trauma but they can infer shadows of the grief they must hold.
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control?
”
”
Nick Harkaway (Gnomon)
“
Hurry up!” everyone in the room seemed to shriek at the same time. It didn’t matter to us that all over Pittsburgh, in every house and in every bar, thousands of others were undoubtedly carrying out their own rituals, performing their own superstitions. Hats were turned backward and inside out, incantations spoken and sung, talismans rubbed and chewed and prayed to. People who had the bad fortune of arriving at their gathering shortly before the Orioles’ first run were treated like kryptonite and banished willingly to the silence of media-less dining rooms and bathrooms, forced to follow the game through the reactions of their friends and family. And every one of those people believed what we believed: that ours was the only one that mattered, the only one that worked. Ruthie fumbled through the pages. Johnson fouled one off. “Got it!” Ruthie called. She stood and held Dock Ellis’s picture high over her head, Shangelesa’s scribbled hearts like hundreds of clear bubbles through which her father could watch the fate of his teammates. “He’s no batter, he’s no batter!” Ruthie sang. Johnson grounded the next pitch to shortstop Jackie Hernandez, who threw to Bob Robertson at first, and the threat was over. We yelled until we were hoarse. We were raucous and ridiculous and unashamed, and I have no better childhood memory than the rest of that afternoon. Blass came back out for the ninth, heroically shrugging off his wobbly eighth and, with Ruthie still standing behind us, holding the program shakily aloft for the entirety of the inning, he induced a weak grounder from Boog Powell, an infield pop-up from Frank Robinson, and a Series-ending grounder to short from Rettenmund. For the second inning in a row, Hernandez threw to Robertson for the final out, and all of us (or those who were able) jumped from our seats just as Blass leaped into Robertson’s arms, straddling his teammate’s chest like a frightened acrobat. Any other year, Blass would have been named the Most Valuable Player, and his performance remains one of the most dominant by a pitcher in Series history: eighteen innings, two earned runs, thirteen strikeouts, just four walks, and two complete game victories. But this Series belonged to Clemente. To put what he did in perspective, no Oriole player had more than seven hits. Clemente had twelve, including two doubles, a triple and two homeruns. He was relentless and graceful and indomitable. He had, in fact, made everyone else look like minor leaguers. The rush
”
”
Philip Beard (Swing)
“
At some point I tried willing things along, mentally focusing on a rapid delivery. That didn't work. I got up to walk around-walking is supposed to help you progress-then quickly got back in the chair.
“Argh!!!!!” I groaned. And other stuff.
The way I saw it, my baby should have been out by now, shaking hands with his dad and passing around cigars to the nurses. But he apparently had other plans. Labor continued very slowly.
Very slowly.
We were in that room for eighteen hours. That was a lot of contractions. And a lot of PG versions of curse words, along with the X-rated kind. I may have invented a whole new language.
Somewhere around the twelve-hour mark, Chris asked if I’d mind if he changed the music, since our songs had been playing on repeat for what surely seemed like a millennium.
“Sure,” I said.
He switched to the radio and found a country station. That lasted a song or two.
“I’m so sorry,” I told him. “I need Enya. I’m tuned in to it, and it calms me…ohhhhh!”
“Okay. No problem,” he said calmly, though not quite cheerfully. I’m sure it was torture.
Chris would take short breaks, walking out into the waiting room where both sides of our family were waiting to welcome their first grandchild and nephew. He’d look at his dad and give a little nod.
“She’s okay,” he told everyone. Then he’d wipe a little tear away from his eye and walk back to me.
Chris said later that watching me give birth was probably the most powerless feeling he’d ever had. He knew I was in pain and yet couldn’t do a whit about it. “It’s like watching your wife get stabbed and not being able to do anything to help.”
But when he came into the room with me, his eyes were clear and he seemed confident and even upbeat. It was the thing he did when talking to me from the combat zone, all over again: he wasn’t about to do anything that would make me worry.
I, on the other hand, made no secret of what I was feeling. An alien watermelon was ripping my insides out. And it hurt.
Whoooh!
Suddenly one of the contractions peaked way beyond where the others had been. Bubba had finally decided it was time to say hello to the world.
I grabbed the side rail on the bed and struggled to remain conscious, if not exactly calm.
Part of me was thinking, You should remember this, Taya. This is natural childbirth. This is beautiful. This is what God intended. You should enjoy this precious moment and remember it always.
Another part of me was telling that part to shut the bleep up.
I begged for mercy-for painkillers.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
If a season like the Great Rebellion ever came to him again, he feared, it could never be in that same personal, random array of picaresque acts he was to recall and celebrate in later years at best furious and nostalgic; but rather with a logic that chilled the comfortable perversity of the heart, that substituted capability for character, deliberate scheme for political epiphany (so incomparably African); and for Sarah, the sjambok, the dances of death between Warmbad and Keetmanshoop, the taut haunches of his Firelily, the black corpse impaled on a thorn tree in a river swollen with sudden rain, for these the dearest canvases in his soul's gallery, it was to substitute the bleak, abstracted and for him rather meaningless hanging on which he now turned his back, but which was to backdrop his retreat until he reached the Other Wall, the engineering design for a world he knew with numb leeriness nothing could now keep from becoming reality, a world whose full despair he, at the vantage of eighteen years later, couldn't even find adequate parables for, but a design whose first fumbling sketches he thought must have been done the year after Jacob Marengo died, on that terrible coast, where the beach between Luderitzbucht and the cemetery was actually littered each morning with a score of identical female corpses, an agglomeration no more substantial-looking than seaweed against the unhealthy yellow sand; where the soul's passage was more a mass migration across that choppy fetch of Atlantic the wind never left alone, from an island of low cloud, like an anchored prison ship, to simple integration with the unimaginable mass of their continent; where the single line of track still edged toward a Keetmanshoop that could in no conceivable iconology be any part of the Kingdom of Death; where, finally, humanity was reduced, out of a necessity which in his loonier moments he could almost believe was only Deutsch-Sudwestafrika's (actually he knew better), out of a confrontation the young of one's contemporaries, God help them, had yet to make, humanity was reduced to a nervous, disquieted, forever inadequate but indissoluble Popular Front against deceptively unpolitical and apparently minor enemies, enemies that would be with him to the grave: a sun with no shape, a beach alien as the moon's antarctic, restless concubines in barbed wire, salt mists, alkaline earth, the Benguela Current that would never cease bringing sand to raise the harbor floor, the inertia of rock, the frailty of flesh, the structural unreliability of thorns; the unheard whimper of a dying woman; the frightening but necessary cry of the strand wolf in the fog.
”
”
Thomas Pynchon (V.)
“
Imagine you are Emma Faye Stewart, a thirty-year-old, single African American mother of two who was arrested as part of a drug sweep in Hearne, Texas.1 All but one of the people arrested were African American. You are innocent. After a week in jail, you have no one to care for your two small children and are eager to get home. Your court-appointed attorney urges you to plead guilty to a drug distribution charge, saying the prosecutor has offered probation. You refuse, steadfastly proclaiming your innocence. Finally, after almost a month in jail, you decide to plead guilty so you can return home to your children. Unwilling to risk a trial and years of imprisonment, you are sentenced to ten years probation and ordered to pay $1,000 in fines, as well as court and probation costs. You are also now branded a drug felon. You are no longer eligible for food stamps; you may be discriminated against in employment; you cannot vote for at least twelve years; and you are about to be evicted from public housing. Once homeless, your children will be taken from you and put in foster care. A judge eventually dismisses all cases against the defendants who did not plead guilty. At trial, the judge finds that the entire sweep was based on the testimony of a single informant who lied to the prosecution. You, however, are still a drug felon, homeless, and desperate to regain custody of your children. Now place yourself in the shoes of Clifford Runoalds, another African American victim of the Hearne drug bust.2 You returned home to Bryan, Texas, to attend the funeral of your eighteen-month-old daughter. Before the funeral services begin, the police show up and handcuff you. You beg the officers to let you take one last look at your daughter before she is buried. The police refuse. You are told by prosecutors that you are needed to testify against one of the defendants in a recent drug bust. You deny witnessing any drug transaction; you don’t know what they are talking about. Because of your refusal to cooperate, you are indicted on felony charges. After a month of being held in jail, the charges against you are dropped. You are technically free, but as a result of your arrest and period of incarceration, you lose your job, your apartment, your furniture, and your car. Not to mention the chance to say good-bye to your baby girl. This is the War on Drugs. The brutal stories described above are not isolated incidents, nor are the racial identities of Emma Faye Stewart and Clifford Runoalds random or accidental. In every state across our nation, African Americans—particularly in the poorest neighborhoods—are subjected to tactics and practices that would result in public outrage and scandal if committed in middle-class white neighborhoods.
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Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
“
In a 1963 performance entitled "Who R U?" at the San Francisco Museum of Art, Stern and Callahan added highway sounds to the mix, moving them from speaker to speaker in the showroom. They also had individuals placed in booths around a central auditorium, miked their conversations, and replayed them simultaneously in an eighteen-channel remix. By 1965 this show had morphed into a program called "We R All One," in which USCO deployed slide and film projections, oscilloscopes, music, strobes, and live dancers to create a sensory cacophony. At the end of the performance, the lights would go down, and for ten minutes the audience would hear multiple "Om's" from the speakers. According to Stern, the show was designed to lead viewers from "overload to spiritual meditation."19 In the final moments, the audience was to experience the mystical unity that ostensibly bound together USCO's members.
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Fred Turner (From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism)
“
Perhaps I’ve just mounted the initial stamp on a page that used to be blank. Perhaps I’ve filled the final space on that page. Or, as is more often the case, perhaps I’ve added a fifteenth stamp to a page, thus reducing its number of blank spaces from nineteen to eighteen. In any event, I’m looking at progress—and I take a moment to enjoy it.
”
”
Lawrence Block (Generally Speaking)
“
Because Aristotle’s was the accepted lens on the universe, centuries of medieval scientists and thinkers went to great lengths to make epicycles work. It wasn’t until the sixteenth century, with one simple but profound observation, that Renaissance astronomer Nicolaus Copernicus reframed our view of the universe. The planets revolved not around the earth, but around the sun. Finally, understanding that provided a foundation for some of the most important advances in history and the foundation for modern astronomy and calculus. Of course, it took eighteen centuries for someone like Copernicus to see and articulate the flaws in Aristotle’s logic. And even he died without knowing that the world would accept he was right. Changing a well-established view of the world rarely happens overnight—and even when it happens, it still takes time to refine and perfect the right new perspective. In the world of innovation, many companies are stuck in a world of creating “epicycles”: elaborate approximations, estimations, and extrapolations. Because we gather, fine-tune, and cross-reference all manner of data, it seems like we should be getting better and better at predicting success. But if we fail to understand why customers make the choices they make, we’re just getting better and better at a fundamentally flawed process. Without the right understanding of the causal mechanism at the center of the innovation universe, companies are trying to make sense of the universe revolving around the earth. They’re forced to rely on an array of borrowed best practices, probabilistic tools, and tips and tricks that have worked for other companies, but which can’t guarantee success. As you look at innovation through the lenses of the Jobs Theory, what you see is not the customer at the center of the innovation universe, but the customer’s Job to Be Done. It may seem like a small distinction—just a few minutes of arc—but it matters a great deal. In fact, it changes everything.
”
”
Clayton M. Christensen (Competing Against Luck: The Story of Innovation and Customer Choice)
“
there’s dozens of stories about some kid from our world falling into a different, magical one, being the chosen one or the close companion of the chosen one and saving the world, and then going home where they’re delighted to see their family again and have a new appreciation of their own life. but what about someone who didn’t miss it? what if you save the world and you’re given your medal and stripped of the magic you learned and put back in a world you never missed? and you’re furious.
maybe you gave up a few years of your life. you have callouses and muscles and a few scars and maybe a missing eye or something. you definitely have some blood on your hands. you might have PTSD you can’t talk to anyone about. and suddenly you’re fifteen again, in a body that’s too soft and too short and too complete. you’re always cold because there’s no magic burning in your veins anymore, and even as you grow up the feeling of not fitting doesn’t go away because when you look in the mirror at eighteen you look all wrong: this is not what you’re supposed to look like at eighteen. the sky clouds and you rub at the phantom ache of injuries this body never received. you wake up screaming sometimes remembering the sorcerer who burnt your hand to ashes, or the final battle you almost didn’t make it through, or the moment you felt the magic in you go out.
but here’s the thing: they took you and made you into a weapon that was determined enough and powerful enough to save a whole world. they can put you back where they found you but they can’t undo everything. and there’s this, too: the place between worlds clings to you. you can’t tease fire out of the air but you can feel the pull of the doorways all the time, although none of them so far go to your world.
but you try to make it work for a decade, anyway. you’re dutiful. but one night you leave work late and for the thousandth time you catch yourself searching the sky for firebirds. and you break. of the three portals within five hundred miles, one is a howling, frozen wasteland and one is a deep violet void, but one opens into a misty forest that you step into and don’t look back. it’s not your world, but if you keep going long enough, you’ll get there.
(and maybe much, much later, hundreds of worlds later, you climb through a window, or a door of woven branches int he middle a field, or push aside a curtain, and as you set foot on new land you feel the fire in your veins and sparks at your fingertips and finally, finally, you’re home)
”
”
charminglyantiquated (@tumblr)
“
It is one of the eternal stories that are told about soccer: when Brazil gets knocked out of a World Cup, Brazilians jump off apartment blocks. It can happen even when Brazil wins. One writer at the World Cup in Sweden in 1958 claims to have seen a Brazilian fan kill himself out of “sheer joy” after his team’s victory in the final. Janet Lever tells that story in Soccer Madness, her eye-opening study of Brazilian soccer culture published way back in 1983, when nobody (and certainly not female American social scientists) wrote books about soccer. Lever continues: Of course, Brazilians are not the only fans to kill themselves for their teams. In the 1966 World Cup a West German fatally shot himself when his television set broke down during the final game between his country and England. Nor have Americans escaped some bizarre ends. An often cited case is the Denver man who wrote a suicide note—”I have been a Broncos fan since the Broncos were first organized and I can’t stand their fumbling anymore”—and then shot himself. Even worse was the suicide of Amelia Bolaños. In June 1969 she was an eighteen-year-old El Salvadorean watching the Honduras–El Salvador game at home on TV. When Honduras scored the winner in the last minute, wrote the great Polish reporter Ryszard Kapuscinski, Bolaños “got up and ran to the desk which contained her father’s pistol in a drawer. She then shot herself in the heart.” Her funeral was televised. El Salvador’s president and ministers, and the country’s soccer team walked behind the flag-draped coffin. Within a month, Bolaños’s death would help prompt the “Soccer War” between El Salvador and Honduras.
”
”
Simon Kuper (Soccernomics: Why England Loses, Why Germany and Brazil Win, and Why the U.S., Japan, Australia, Turkey--and Even Iraq--Are Destined to Become the Kings of the World's Most Popular Sport)
“
Do you want to be a professor too?”
He shrugs. “Maybe one day. I’d like to travel more first though, work on dig sites in places like Greece or Central America. Ancient civilizations are buried everywhere. It’s, like, no matter where you walk, you never know what could be under your feet. I want a job that lets me see all the things I want to see before I get stuck behind a desk.”
“I know what you mean. I can’t wait to see the world and document it, photojournalist style.” An image of the two of us traveling together pops into my mind: him digging up the world and me taking pictures of it. I squash those butterflies too.
“Yeah?” he asks, his smile finally revealing teeth. “I can see you doing that, like for National Geographic or something.”
“You haven’t even seen any of my pictures,” I scoff. “ Besides, can you imagine how competitive a job that would be? Those photographers are incredible. They have years of experience under their belts. I’m not even eighteen years old yet.”
“Doesn’t matter. You’ve got time,” he says. “You know what someone said to me once? Figure out what you love doing, then figure out how to make money doing it.”
I turn the thought over in my head. “I like that.”
He smiles, plunging his hands into his pockets. “So tell me about you. Who is Pippa, in the broad scheme of things?” He winks.
I return the smile. “Well, I’m an only child, born and raised in Chicago--”
“Ah, Chicago. That’s the accent.”
“I told you before, I don’t have an accent.”
“To your ears you don’t.” He laughs. “But it’s definitely there to the rest of us.”
“Is that a bad thing?”
“No,” he says. “It’s cute.”
Oh, I might die. A boy used the word “cute.” And when describing something about me. I can’t look at him.
”
”
Kristin Rae (Wish You Were Italian (If Only . . . #2))
“
Our family had waited so long for this moment and had spent so many years being told we were undeserving of this basic right. But for me there was a sense of validation because after eighteen years, I was finally able to stand with my two dads when they legally wed.
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Natalie Perry (Dad #1, Dad #2: A Queerspawn View from the Closet)
“
She said that there was more than one type of perfectionist. And that I qualified because the kind of perfectionist I was, was the kind that abandoned everything if I wasn’t good enough at it. And that’s why I couldn’t finish tasks. Meanwhile, I thought you had to be Natalie Portman from Black Swan to be a perfectionist, all shivering from malnourishment and eighteen-hour practices, but she’s right. I’d rather fail outright than be imperfect. It’s why last year, when I was on academic probation, I couldn’t bring myself to cram for finals and end up with a C average. I just kinda gave up. There’s nothing more humiliating than trying so hard for everyone to see and still ending up a loser. Right now I have As and Bs, and I like to think that’s due to Gina.
”
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Mary H.K. Choi (Yolk)
“
In the past eighteen years, I have learned two things about pain. First: I can feel everything and survive. What I thought would kill me, didn’t. Every time I said to myself: I can’t take this anymore—I was wrong. The truth was that I could and did take it all—and I kept surviving. Surviving again and again made me less afraid of myself, of other people, of life. I learned that I’d never be free from pain but I could be free from the fear of pain, and that was enough. I finally stopped avoiding fires long enough to let myself burn, and what I learned was that I am like that burning bush: The fire of pain won’t consume me. I
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Glennon Doyle (Untamed)
“
In the past eighteen years, I have learned two things about pain. First: I can feel everything and survive. What I thought would kill me, didn’t. Every time I said to myself: I can’t take this anymore—I was wrong. The truth was that I could and did take it all—and I kept surviving. Surviving again and again made me less afraid of myself, of other people, of life. I learned that I’d never be free from pain but I could be free from the fear of pain, and that was enough. I finally stopped avoiding fires long enough to let myself burn, and what I learned was that I am like that burning bush: The fire of pain won’t consume me. I can burn and burn and live. I can live on fire. I am fireproof. Second: I can use pain to become.
”
”
Glennon Doyle (Untamed)
“
She said that there was more than one type of perfectionist. And that I qualified because the kind of perfectionist I was, was the kind that abandoned everything if I wasn't good enough at it. And that's why I couldn't finish tasks. Meanwhile, I thought you had to be Natalie Portman from Black Swan to be a perfectionist, all shivering from malnourishment and eighteen-hour practices, but she's right. I'd rather fail outright than be imperfect. It's why last year, when I was on academic probation, I couldn't bring myself to cram for finals and end up with a C average. I just kinda gave up There's nothing more humiliating than trying so hard for everyone to see and still ending up a loser.
”
”
Mary H.K. Choi (Yolk)
“
Impressionists, Cubists, and Surrealists who had stunned the world between 1870 and 1960 by entirely redefining art. VAN GOGH… SEURAT… PICASSO… MUNCH… MATISSE… MAGRITTE… KLIMT… KANDINSKY… JOHNS… HOCKNEY… GAUGUIN… DUCHAMP… DEGAS… CHAGALL… CÉZANNE… CASSATT… BRAQUE… ARP… ALBERS… This section terminated at one last architectural rib, and Langdon moved past it, finding himself in the final section of the library. The volumes here appeared to be dedicated to the group of artists that Edmond, in Langdon’s presence, liked to call “the school of boring dead white guys”—essentially, anything predating the modernist movement of the mid-nineteenth century. Unlike Edmond, it was here that Langdon felt most at home, surrounded by the Old Masters. VERMEER… VELÁZQUEZ… TITIAN… TINTORETTO… RUBENS… REMBRANDT… RAPHAEL… POUSSIN… MICHELANGELO… LIPPI… GOYA… GIOTTO… GHIRLANDAIO… EL GRECO… DÜRER… DA VINCI… COROT… CARAVAGGIO… BOTTICELLI… BOSCH… The last few feet of the final shelf were dominated by a large glass cabinet, sealed with a heavy lock. Langdon peered through the glass and saw an ancient-looking leather box inside—a protective casing for a massive antique book. The text on the outside of the box was barely legible, but Langdon could see enough to decrypt the title of the volume inside. My God, he thought, now realizing why this book had been locked away from the hands of visitors. It’s probably worth a fortune. Langdon knew there were precious few early editions of this legendary artist’s work in existence. I’m not surprised Edmond invested in this, he thought, recalling that Edmond had once referred to this British artist as “the only premodern with any imagination.” Langdon disagreed, but he could certainly understand Edmond’s special affection for this artist. They are both cut from the same cloth. Langdon crouched down and peered through the glass at the box’s gilded engraving: The Complete Works of William Blake. William Blake, Langdon mused. The Edmond Kirsch of the eighteen hundreds. Blake had been an idiosyncratic genius—a prolific luminary whose painting style was so progressive that some believed he had magically glimpsed the future in his dreams. His symbol-infused religious illustrations depicted angels, demons, Satan, God, mythical creatures, biblical themes, and a pantheon of deities from his own spiritual hallucinations
”
”
Dan Brown (Origin (Robert Langdon, #5))
“
We’ll start with these. I want you to listen carefully to the allegro in Mozart’s Piano Concerto No. Twenty-one in C, Kochel 467, and the adagio in Brahms Piano Concerto No. One, and the moderato in Rachmaninoff’s Piano Concerto No. Two in C Minor, Opus Eighteen, and finally, the romanze in Chopin’s Piano Concerto No. One. They’re all marked.
”
”
Sidney Sheldon (The Stars Shine Down)
“
I know we agreed not to tell anyone--”
“Yes, we did,” he snapped, walking over to my desk, not meeting my eyes. This was so uncharacteristic of him that I knew I had to proceed very carefully.
“Please listen. We agreed not to tell anyone, but she’s my mother. She won’t breathe a word.”
“How can you be sure?”
I almost laughed, confused as to how he could question that. “Because she’s my mother! She raised me, Narian. I’ve always been able to trust her. Just believe me.”
I paused, expecting him to respond, but he did not. Instead he feigned interest in the papers lying atop my desk.
“Would you please look at me?” I gently prodded.
His eyes found mine, but they were steely, skeptical and almost defiant, as though I had challenged him.
“Narian,” I murmured, hoping something in my voice would drive away whatever instinct had awakened. Again and again, I was forced to acknowledge the extent of the Overlord’s reach; his shadow fell on Narian even now. It wasn’t Narian’s fault, though it was easy to become discouraged by it; eighteen years of someone’s tyranny was not easy to overcome, and was impossible to forget.
“I’m sorry if this bothers you,” I said, stepping closer to him. “But there’s really no danger in her knowing.”
“There is danger in her knowing.” He walked past me to the hearth, increasing the distance between us. “There always is when the information itself is dangerous. You didn’t have to tell her, Alera. I don’t understand why you did.”
I bridled, feeling like he was scolding me. “I’m not a fool. I would never knowingly put us or this kingdom at risk. Don’t speak to me like you’re the only one who understands the need for discretion. I made a decision that you obviously don’t agree with, but that doesn’t make it wrong.”
We stared at each other, our postures stiff, neither of us breaking the hush that had fallen over the room.
“I didn’t mean to imply,” he finally muttered, without change in his expression.
I hesitated, unable to determine if he were being sarcastic or sincere. When he glanced to the floor, I knew it was the latter. He approached me, stopping a few feet away--just out of reach.
“But I don’t understand it, Alera. I honestly don’t.”
I closed the remaining gap between us, not letting him maintain either physical or emotional distance, then laid a hand upon his chest, lightly scrunching the fabric of his shirt.
“Haven’t you ever wanted to confide in someone?”
He didn’t reply, disconcerted. He had, in fact, shared confidences with me, but it was always a struggle against his nature--against his training--to do so. After a few moments, he nodded, still not understanding, but unwilling to prolong the argument.
“Can I take that as agreement to accompany me to my mother’s tea?” I teased, bringing a slight smile to his face. “Now that she knows about us, your willingness to come would mean a great deal to her. When we are married, you will, in her eyes, become her son.”
He sighed, then nodded once more. By my guess, he was perplexed and intrigued enough by this last notion to risk an hour or two in the former Queen’s presence.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
Year after year, bill after bill, Wilberforce spent his entire career introducing an endless series of legislative proposals to his colleagues in the British Parliament in his efforts to end slavery, only to have them defeated, one after the other. From 1788 to 1806, he introduced a new anti-slavery motion and watched it fail every single year, for eighteen years in a row. Finally the water wore down the rock: three days before Wilberforce’s death in 1833, Parliament passed a bill to abolish slavery not only in England but also throughout its colonies. Three decades later, a similar bill passed in the United States, spearheaded by another man of conscience who had also spent much of his life failing, a patient Illinois lawyer named Abraham. Deus ex machina? Far from it. These weren’t solutions that dropped out of the blue sky. They were the “sudden” result of long patient years of tireless repeated effort. There was no fictional deus ex machina happening here; these were human problems, and they had human solutions. But the only access to them was through the slight edge. Of course Wilberforce and Lincoln were not the sole figures in this heroic struggle, and even after their bills were passed into law on both sides of the Atlantic, the evils of slavery and racism were far from over. Rome wasn’t rehabilitated in a day, or even a century. But their efforts—like Mother Teresa’s efforts to end poverty, Gandhi’s to end colonial oppression, or Martin Luther King’s and Nelson Mandela’s to end racism—are classic examples of what “breakthrough” looks like in the real world. All of these real-life heroes understood the slight edge. None of them were hypnotized by the allure of the “big break.” If they had been, they would never have continued taking the actions they took—and what would the world look like today?
”
”
Jeff Olson (The Slight Edge: Turning Simple Disciplines into Massive Success and Happiness)
“
The temporary father, the pretend father, was out of my life, taking my mother with him. I’d looked forward to leaving for so long, and now I felt robbed of the statement I’d hoped to make even though the end result was the same. It was an anticlimax to years of misery. To be released with a shrug. I didn’t think it was possible for my mother to raise a child from birth to eighteen years of age, and once I was gone it was easier for her to wash her hands of the responsibility. Easier for her to forget I existed. Most of the time. She’d done so with my older brother, and now she’d let me go, and she would probably do the same with Jude. The freedom was almost too much. I was like some wild bird that had been kept in a cage, then finally released. I flew and flew, and
”
”
Theresa Weir (The Man Who Left)
“
Sighing, I scooted down in the booth and pulled away my hand. “You can’t control everything. It’s like you’re a finished product and I’m a brand new idea. You’re making all the decisions about who I can be and what I can do, but I can’t make any decisions about who you are.”
“Well, for one thing, I’m not eighteen. For another, you have control over how I feel and that’s still power. Finally, maybe you grew up with a boot on the back of your neck so you need all of this independence to feel like you’ve accomplished shit, but you need to get over that. I take care of the people I love. My money can make your life easier and that makes my life easier. I’m not molding you and I don’t think you need molding anyway. The only difference between us is that I know I’m a finished product and you think you still need to change. You don’t and working this weekend so you can buy new clothes you don’t need won’t make you better. It won’t make you stronger or smarter. It’ll wear you down and give you a false sense of accomplishment. In the long run, your grades will suffer and you’ll hate your job and school and, God forbid, me.”
“I’ve dreamed of this life for a long time and I want it to be like my dream.”
“Dream bigger, baby.”
“You mean dream of you.”
“A dream with me in it, yes, but I know you want to be a teacher. I see on your face what that means to you. I’m not saying give up everything for me and be my bitch. I’m saying live your dream along with being my bitch.”
“Fuck you,” I hissed, grinning.
Cooper shared my smile. “I have to protect you. I have to feel like I’m doing right by you because my heart hurts when you aren’t happy. The last day sucked worse than any time in my life. I just couldn’t give two shits about anything because I’d lost you.”
“I don’t know. I still feel like I should work this weekend.”
Cooper sighed for nearly a minute then shook his head. “Healthy relationships are about compromise. Don’t work this weekend and go to the fair with me and I’ll buy you new clothes. See, compromise?”
“You get everything you want. How is that compromise?”
“I’m buying you new clothes that I don’t think you need,” he said, grinning. “I’m wasting money on your delusion. You’re welcome.”
Laughing, I finished my soda then stood up. “I’ll think about it.”
“And say yes when I take you home later.
”
”
Bijou Hunter (Damaged and the Beast (Damaged, #1))
“
Tree was lonesome, and the adjustment to campus life was not proving to be an easy one for her. She missed the intimacy of her neighborhood back in Columbia, where she knew everyone she passed on the street. She had the typical freshman sensation of being overwhelmed. The lectures were hard to follow, a lot of the terms and subjects were new to her, and she struggled to take notes at the collegiate pace. She tried to keep up as best she could, but it seemed like she was always behind. She studied for two weeks for her first biology test. She was afraid of failing. Semeka Randall, in the next bed, heard Tree weeping. Semeka slid out of bed and padded back to Tamika and Ace’s room—she was about to cry herself. She said, “Tree’s crying and it’s her birthday. We have to do something.” The three of them spent all afternoon planning a surprise. They bought a vanilla cake with white icing; they blew up eighteen balloons and decorated the back bedroom with them; they strung crepe paper, and ordered pizzas. Word got back to me that Tree was having a hard day. In the afternoon, I called the freshmen suite. I sang “Happy Birthday” to Tree, in my voice that was hoarse from yelling at her. That cheered her up some. That evening, Ace, Semeka, and Tamika acted like it was just another night in their dorm room. They talked about going out, and decided against it. Semeka said, “Let’s just eat pizzas.” Tree thought, “There goes my birthday.” When the pizza arrived, Tamika told Tree to stay in the front room. After a minute, they called Tree into the back. She walked into a room darkened except for a flaming birthday cake. It was the final icebreaker. Tree beamed. The three freshmen circled Tree, and began to sing. Semeka started first. But she didn’t sing “Happy Birthday.” She sang their favorite song from the film Waiting to Exhale. As Semeka sang a verse, the others joined in. “Count on Me,” they sang. Tree, touched, started crying again.
”
”
Pat Summitt (Raise the Roof: The Inspiring Inside Story of the Tennessee Lady Vols' Groundbreaking Season in Women's College Basketball)
“
Author’s Note Writing about a suicidal character is one of the most challenging things I’ve ever done, but also one of the most important. Suicide is always tragic, but it has become an epidemic among American active-duty service members and veterans alike. The statistics are staggering and heart-wrenching. In the U.S. Army, which has the highest suicide rate among the branches (48.7 percent of all military suicides in 2012), the suicide rate in 2012 was thirty per hundred thousand, compared with fourteen per hundred thousand among civilians and eighteen per hundred thousand in 2008. In 2012, 841 active-duty service members attempted or committed suicide. Among veterans, as of November 2013, twenty-two committed suicide every day. Every. Day. A frightening 30 percent of veterans say they’ve considered suicide, and 45 percent say they know an Iraq or Afghanistan veteran who has attempted or committed suicide. In a study of veterans, combat-related guilt was the most significant predictor of suicide attempts and of preoccupation with suicide after discharge. Veterans’ suicidal thoughts are also related to feelings that one does not belong with other people or has become a burden. Couple these sad realities with the fact that veterans are less likely to seek care than active-duty military or civilians, and you begin to understand why statistics like these exist. Suicide is a process that begins with ideas and thoughts, followed by planning, and finally followed by a suicidal act. If you or someone you love is experiencing these thoughts, please seek immediate medical help or call the Suicide Prevention Hotline at 1-800-273-8255 (TALK). This service works with civilians of all ages, active-duty military, and veterans. I hope Easy’s story raises awareness of the problems these brave men and women—and our country as a whole—face. But awareness is not enough. Therefore, I will be donating all of my proceeds from the first two weeks’ sales of this book (8/19/14 – 9/1/14) to a national non-profit that assists wounded veterans. Because I don’t want anyone else’s Edward “Easy” Cantrell to be one of the twenty-two, either.
”
”
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
“
I looked at her with a little bit of surprise. I had forgotten that she was eighteen, and rumored to be bright. Perhaps whatever drugs they had given her were wearing off, and maybe she was just glad to have somebody to talk to for the first time in quite a while. Whatever the case, she was finally showing a little bit of depth, which at least removed one small layer of torture from durance vile.
”
”
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
“
Finally, after several days of this, he began chanting Bhagavad-gita. So for eighteen mornings, a chapter every morning, he chanted Bhagavad-gita. He said that this sound vibration is so powerful that wherever we chant Bhagavad-gita, that place becomes a tirtha. So powerful. So chant Bhagavad-gita.
”
”
Dinatarini Devi (Yamuna Devi: A Life of Unalloyed Devotion: Part 1:Preparing an Offering of Love)
“
When I turned eighteen, she sent Walker a card that joked "'He's finally legal!'" Walker was completely horrified, but Mom's sense of humor often depended on someone else's horror.
”
”
Kirk Read (How I Learned to Snap: A Small Town Coming-Out and Coming-of-Age Story)
“
Walking to Cooper, I asked, “Are you taking me home now?”
Cooper took the beer from my hand. “There’s pizza in the kitchen. Are you hungry?”
“I’d like to go home.”
“Maybe your boyfriend can take you,” he said, glaring at Nick who ignored him.
“Is that your way of saying you won’t take me?”
Cooper finally pulled his gaze away from Nick and focused it on me. “Who gave you this drink?”
“I don’t know. Some guy.”
“Your boyfriend?”
“No, some guy.”
“Did you drink it?”
“I’m eighteen and it’s illegal for me to drink alcohol.”
Cooper laughed. “You’re kidding, right?”
“No,” I said, crossing my arms. “I take the law very seriously.”
“Nerd.”
Laughing, I tightened my arms and studied him. “Did someone mess with the drink? Like a roofie?”
“Maybe. These guys are idiots. Always fucking with stupid freshmen girls because you bitches don’t know any better,” Cooper said, his gaze locking onto someone behind me. I turned to find the guy who handed me the beer now standing near the door with his friends. “Should I drink this shit?” Cooper hollered at the guy. “Huh, asshole? What happens if I drink it?”
When Cooper lifted the beer to his lips, the guy looked ready to run. Only a second passed before the beer went flying and smashed against the guy’s head.
”
”
Bijou Hunter (Damaged and the Beast (Damaged, #1))
“
Nimitz kept avoiding the hands that attempted to steer him off the wing and into a crash boat. Finally, an eighteen-year-old seaman second class lost patience with the white-haired gentleman, and knowing neither his identity nor his rank, he shouted out, “Commander, if you would only get the hell out of the way, maybe we could get something done around here.” Nimitz merely nodded and finally clambered into the waiting boat.
”
”
Walter R. Borneman (The Admirals: Nimitz, Halsey, Leahy, and King--The Five-Star Admirals Who Won the War at Sea)
“
Back in Beijing, it was 9:56 A.M.—four minutes before the race’s start—and Phelps stood behind his starting block, bouncing slightly on his toes. When the announcer said his name, Phelps stepped onto the block, as he always did before a race, and then stepped down, as he always did. He swung his arms three times, as he had before every race since he was twelve years old. He stepped up on the blocks again, got into his stance, and, when the gun sounded, leapt. Phelps knew that something was wrong as soon as he hit the water. There was moisture inside his goggles. He couldn’t tell if they were leaking from the top or bottom, but as he broke the water’s surface and began swimming, he hoped the leak wouldn’t become too bad.4.18 By the second turn, however, everything was getting blurry. As he approached the third turn and final lap, the cups of his goggles were completely filled. Phelps couldn’t see anything. Not the line along the pool’s bottom, not the black T marking the approaching wall. He couldn’t see how many strokes were left. For most swimmers, losing your sight in the middle of an Olympic final would be cause for panic. Phelps was calm. Everything else that day had gone according to plan. The leaking goggles were a minor deviation, but one for which he was prepared. Bowman had once made Phelps swim in a Michigan pool in the dark, believing that he needed to be ready for any surprise. Some of the videotapes in Phelps’s mind had featured problems like this. He had mentally rehearsed how he would respond to a goggle failure. As he started his last lap, Phelps estimated how many strokes the final push would require—nineteen or twenty, maybe twenty-one—and started counting. He felt totally relaxed as he swam at full strength. Midway through the lap he began to increase his effort, a final eruption that had become one of his main techniques in overwhelming opponents. At eighteen strokes, he started anticipating the wall. He could hear the crowd roaring, but since he was blind, he had no idea if they were cheering for him or someone else. Nineteen strokes, then twenty. It felt like he needed one more. That’s what the videotape in his head said. He made a twenty-first, huge stroke, glided with his arm outstretched, and touched the wall. He had timed it perfectly. When he ripped off his goggles and looked up at the scoreboard, it said “WR”—world record—next to his name. He’d won another gold. After the race, a reporter asked what it had felt like to swim blind. “It felt like I imagined it would,” Phelps said. It was one additional victory in a lifetime full of small wins.4.19
”
”
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
“
Remember, it’s still a mystery to be an adult. If you knew it all before eighteen, you’d have nothing to look forward to. Besides, to be wise and eighteen is as possible as catching lightning in a bottle…
”
”
Carew Papritz (The Legacy Letters: his Wife, his Children, his Final Gift)
“
Rikli, Arnold. 1861. "Rikli's Bett-Dampfbad (Rikli's Bed-Steambath)."Der Wasserfreund. Supplement to No. 6:87-90. --------. 1868. "Auflösung, Aufsaugung, Ausscheidung—die letzten Wirkungen aller Richtungen des Naturheilverfahrens (Dissolution, Absorption, Elimination as the Final Ends of All Nature Cure Methods)." Der Naturarzt 7(4):25-31. --------. 1869. Die Thermodiatetik oder das tägliche thermoelectrische Licht und Luftbad in Verbindung mit naturgemässer Diät als zukünftige Heilmethode (The Thermodietetics or the Daily Thermoelectric Light and Airbath in Combination with Natural Diet as the Future Healing Method). Vienna (Austria): Braumüller. --------. 1879. "Meine Erfahrungen, Beobachtungen und Schlüsse über Vegetabildiat nach achtzehnjahriger Praxis (My Experiences, Observations and Conclusions about Vegetarian Diet after Eighteen Years of Practice)."Der Naturarzt 18(5):72-75,86-88. --------. 1896. "Die Sonne—der Urquell alles Lebens (The Sun—Primary Source of All Life)." Zeitschrift für Erziehung und Unterricht 10:171-178. ---------. 1903. "Abschiedsworte an meine verehrten Kollegen und Gesinnungsgenossen (Words of Farewell to My Esteemed Colleagues and Followers)." Zeitschrift für Geschichte und Unterricht 17:205-212. --------. 1911. Die Grundlehren der Naturheilkunde einschliesslich "Die atmosphärische Kure," "Eswerde Licht" und "Abschiedsworte" (The Fundamental Doctrines of Nature Cure including "The Atmospheric Cure," "Let There Be Light," and "Words of Farewell"). 9th revised edition. Wolfsberg, G. Rikli
”
”
Anonymous
“
Remember, it's still a mystery to be an adult. If you knew it all before eighteen, you'd have nothing to look forward to.
”
”
Carew Papritz (The Legacy Letters: his Wife, his Children, his Final Gift)
“
I have not danced the waltz in several years, and what memories I have of it are few and dim. Perhaps you’d take pity on a lame soldier and see whether he can recall it?” He expected her to laugh. On his bad days he was lame, and most days he was at least unsound, as an old horse might be unsound. He had not danced the waltz since being injured, had never hoped to again because it required grace, balance, and a little derring-do. Also a willing partner. Louisa put her bare hand in his and rose. “The pleasure would be mine.” Her lips quirked as she stood, but she didn’t drop his hand. “You must not allow me to lead.” He’d watched a hundred couples dancing a hundred waltzes, and had enjoyed the dance himself when it was first becoming popular on the Continent. The steps were simple. What was not simple at all was the feel of Louisa Windham, matter-of-factly stepping quite close, clasping his palm to her own. “I like to just listen for a moment,” she said, “to feel the music inside, feel the way it wants to move you, to lift your steps and infuse you with lightness.” She slipped in closer, so close her hair tickled Joseph’s jaw. Her hand settled on his shoulder, and he felt her swaying minutely as the orchestra launched into the opening bars. She moved with the rhythm of the music, let it shift her even as she stood virtually in his embrace. What he felt inside was a marvelous sense of privilege, to be holding Louisa Windham close to his body, to have the warm, female shape of her there beneath his hands. Her scent, clean and a little spicy, was sweeter when she was this close. She wasn’t as tall in his embrace as she was in his imagination. Against his body, she fit… perfectly. And with the sense of privilege and wonder, there lurked a current of arousal. Louisa Windham was lovely, dear, smart, and brave, but she was also a grown woman whom Joseph had found desirable from the moment he’d laid eyes on her. He waited until the phrasing felt right, closed his fingers gently around hers, then moved off with his partner. She shifted with him, the embodiment of grace, as weightless as sunshine, as fluid as laughter. “You lead well,” she whispered, her eyes half closed. “You’re a natural.” He was a man plagued by a bad knee and a questionable hip, but with Louisa Windham for a partner and the music of an eighteen-piece orchestra to buoy him, Joseph Carrington danced. The longer they moved together, the better they danced. Louisa let him lead, let him guide her this way and that, let him decide how much sweep to give the turns and how closely to enfold her. She gave herself up to the music, and thus a little to him, as well, and yet, she anchored him too. Dancing with a woman who enjoyed the waltz this much gave a man some bodily confidence. He brought her closer, wonderfully closer, and realized what gave him such joy was not simply the physical pleasure of holding her but the warmth in his heart generated by her trust. She was dancing with a lame soldier, with a pig farmer, and enjoying it. All too soon, the music wound to a sweet final cadence, but Louisa did not sink into the closing curtsy. She instead stood in the circle of Joseph’s arms and dropped her forehead to his shoulder. “Sir Joseph, thank you.” What
”
”
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
“
mama who I got away from when I was in New York I was finally away raw eighteen all hell has broken loose inside me don't go to bed before six a.m each night the whole year feel like I'm going crazy, I am crazy, I can't tell anybody, any school counselor, what the inside of my head feels like, it'll be Prozac Xanax it'll be back home failure not let me out again you got one ticket to ride, kid, don't blow it, the last thing I want is to be back in that house. If I get back in that house I'm never gonna be let out I'm gonna be some famous loser trapped fighting with her folks forever til they die. Everything feels like a TV program.
”
”
Leah Lakshmi Piepzna-Samarasinha (Dirty River: A Queer Femme of Color Dreaming Her Way Home)
“
If a man begins his sacrifice when the flames are luminous,
and considers for the offerings the signs of heaven, then
the holy offerings lead him on the rays of the sun where
the Lord of all gods has his high dwelling.
But unsafe are the boats of sacrifice to go to the farthest
shore; unsafe are the eighteen books where the lower
actions are explained. The unwise who praise them as the
highest end go to old age and death again.
Abiding in the midst of ignorance, but thinking them-
selves wise and learned, fools aimlessly go hither and
thither, like blind led by the blind.
Wandering in the paths of unwisdom, 'We have attained
the end of life', think the foolish. Clouds of passion conceal
to them the beyond, and sad is their fall when the reward
of their pious actions has been enjoyed.
Imagining religious ritual and gifts of charity as the final
good, the unwise see not the Path supreme. Indeed they have
in high heaven the reward of their pious actions ; but thence
they fall and come to earth or even down to lower regions.
But those who in purity and faith live in the solitude of
the forest, who have wisdom and peace and long not for
earthly possessions, those in radiant purity pass through
the gates of the sun to the dwelling-place supreme where
the Spirit is in Eternity.
”
”
Juan Mascaró (The Upanishads)
“
She’s always been mine, when we were eight and when I reunited with her again at sixteen and when I finally got her at eighteen. I was lucky to find her and I’ll spend the rest of my life making her feel like the queen she has always been. Now and forever.
”
”
Rina Kent (Royal Elite Epilogue (Royal Elite, #7))
“
It had already been a long Thursday morning, but we’d finally made it to the lunch hour. Our three interrogations with gangster wannabes and their smart-mouthed public defenders had been tiring, and we’d only just begun. Last night during a two-car drive-by shooting, four young men between the ages of eighteen and twenty-two were gunned down on the sidewalk in front of their apartment building. They were needless deaths but only in the
”
”
C.M. Sutter (Run For Your Life (Mitch Cannon Savannah Heat #1))
“
was in the final year of high school, having turned eighteen that summer, and wanted to move out of my parents' house.
”
”
Jade Swallow (Breeding the Babysitter (Forbidden Daddies))
“
If I told my eighteen-year-old self that I’d be standing here today, he wouldn’t believe me. Natalie, you were the dream just out of reach. But I never stopped believing, never stopped hoping that someday something would change between us. I can picture the day I met you for the first time, the smiling girl with the baby. You’ve captivated me since that day, lighting up every room you walk into. Now you’re the smiling girl with my baby, and I’m the luckiest man in the world. Long before you returned my affection, I realized I didn’t want to live my life without you. You became a part of my life, irreplaceable. You’ve since granted me access to the most secret parts of your life—allowed me to see you at your most vulnerable, and in doing so, allowed me to do the same. Not only are you intelligent, beautiful, funny, and a fantastic mom, but you’re easily one of the most selfless people I’ve ever met. You take care of everyone else before yourself, even at the cost of your own happiness. It’s now my job to take care of you so that you can be happy. There’s no one more deserving of happiness than you. You’ve given me the most incredible gift—our children. In giving me Charlie, you gave me Amelia, Jameson, and Beau, my favorite people. Some days, I have to remind myself that this is real. That you’re with me, and we have this amazing family together. I never thought it could be mine, but I’m so grateful I waited, and you found your way to me in your own time. You always have been and always will be my everything. You’re all I’ll ever need.”
Leaning in, he dropped his forehead to mine, his final words only for me. “I love you, Natalie.
”
”
Siena Trap (Scoring the Princess (The Remington Royals, #1))
“
So, girls, how does it feel, finally being eighteen?"
"About the same as seventeen," says Maisie. "Except now you can't give me curfew."
"Still my castle, still my rules.
”
”
Aimee Carter (Royal Blood (Royal Blood, #1))
“
It only took two hundred and fourty days
seven hours
twenty-six minutes
and eighteen seconds
But I can finally say it:
I'm over you.
I no longer thing about the way your hips move when you walk
the way your lips move when you read
the way you always took your glove off before you held my hand so you could feel me
I've completly forgotten about texts in the middle of the night, saying you love me, miss me
inside jokes no one else thinks are funny
songs that made you want to pull your car over and kiss me immediately
I can't remember
how your voice sounds
how your mouth tastes
how your bedroom looks when the sun first comes up.
I can't recall
exactly what you said that day
what I was wearing
how long it took me to start crying.
It only took two hundred and fourty days
seven hours
twenty-six minutes
and eighteen seconds
to wipe you from my memory.
But if you said you wanted me again
today
or tomorrow
or two hundred and fourty days
seven hours
twenty-six minutes
and eighteen seconds from now,
I'm sure it would all come back to me.
”
”
Tamara Ireland Stone
“
There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The
”
”
Nick Harkaway (Gnomon)
“
So tell me. Why’d we fall behind?” “The corporation. Plain and simple.” “The corporation?” “The Romans created the corporation. It enabled them to protect assets from being redistributed after an owner’s death. Which meant money could have the time to really grow, take on its own center of gravity. We had no way to do that. Muslim inheritance laws are very clear. After death, the estate has to be divided among the wives and heirs. Because there was no loophole to get around it, businesses didn’t outlive their founders. Everyone wrote short-term contracts with each other, because you were always afraid parties in a deal would die, and you’d have to go to the wives and kids to be made whole. One-off deals were the rule, as there was no good way to shelter long-term ventures. Which meant no path to long-term material investments.” “We didn’t have any correlate for the corporation? I didn’t know that.” He shook his head: “Complete liquidation of assets in every generation until the late eighteen hundreds. Do you have any idea what that meant for private enterprise? And it only changed once we finally took a page from the Europeans and built a corporate concept of our own. But at that point, their money’d been growing for six hundred years! That’s banks and industries with a half millennium of accrued capital.
”
”
Ayad Akhtar (Homeland Elegies)
“
Dr. Longo studied the body’s natural ability to clean itself through a process called autophagy. The man is not a Christian, at least not that I know of, so he doesn’t always give credit where credit is due. However, his research brings to light the magnificent design the Creator used when He made us. “Autophagy essentially means self-eating. Autophagy kicks in after a period of not eating for between eighteen and twenty-four hours. After that, the body begins to consume itself for food.
”
”
Mark Goodwin (The Final Solution (American Wasteland Book 3))
“
Why would anyone want movie-goers to pay eighteen dollars when they might pay twenty-seven dollars?’ he finally asked, his face still betraying nothing. Everyone tried to process what he was saying. Why were they talking about ticket prices? Had they started their own game of riddles? ‘So I don’t get this at all,’ Shaye continued, ‘why would you make two films when there are three books?
”
”
Ian Nathan (Anything You Can Imagine: Peter Jackson and the Making of Middle-earth)
“
JD was born in Poland in 1894. When he was eighteen years old, he immigrated to the United States, where he worked in a ball-bearing factory. In August 1940, a severe form of lymphoma invaded the entire right side of his neck. He could barely open his mouth, turn his head, swallow, or sleep. In February 1941, he was referred to the Yale Medical Center for radiation therapy. After two weeks of daily radiation, he improved. But the improvement was short-lived. By August 1942, he had trouble breathing, couldn’t eat, and had lost a substantial amount of weight. On August 27 at 10 a.m., JD became the first person in history to receive a medicine to treat cancer. Every day, for ten consecutive days, he received an injection of nitrogen mustard. After the fifth dose, his tumor regressed; finally, he was able to move his head and eat. One month later, however, his tumor came back, necessitating another three-day course of nitrogen mustard; again, the response was short-lived. So, he received a six-day course, without effect. On December 1, 1942, ninety-six days after he had received his first dose of nitrogen mustard, JD died. Because this was a covert operation run by the OSRD, the phrase “nitrogen mustard” never appeared in his medical chart. Instead, doctors referred to it as “substance X.” The first paper describing nitrogen mustard’s effects on cancer wasn’t published until 1946, four years after JD was treated. On October 6, 1946, the New York Times, under the headline “War Gases Tried in Cancer Therapy,” wrote, “The possibility that deadly blister gases prepared for wartime use may aid victims of cancer will be investigated by the Army Chemical Corps’ Medical Division.” Nitrogen mustard had provided the first ray of hope in the fight against cancer. The modern age of chemotherapy had begun.
”
”
Paul A. Offit (You Bet Your Life: From Blood Transfusions to Mass Vaccination, the Long and Risky History of Medical Innovation)
“
In New York City on a February morning nearly fifty years later, the faintest pale light begins to limn the buildings. A movie, a romantic adventure. It still plays that way in my imagination. And yet, unlike in a movie, I will now pay the consequences of my foolish actions. So many years later, when I have finally begun to offer something of value to the world, something that heals the wounds of time and life, I will have to flee, leave it all behind. I can’t bear it. Worse, though, how can I bear prison? Either way, I will no longer live the life I so love. A tear stings my eye. I don’t want to give this up. This home, these nieces of mine, my Instagram world, this full and satisfying life. Wallowing has never been my style. But . . . where will I go? Who will be there when I arrive? In the dark, I let myself shed tears of regret. My phone rings in my hand, startling me. The screen says Asher. My heart drops. “Asher? Is everything all right?” “Sam is in the hospital. Intensive care.” And suddenly the vistas of faraway lands disappear, and I see myself in prison gray, because I cannot leave my niece. I won’t. “I’ll be right there.” Chapter Eighteen Sam The next time I awaken, my headache is vaguely less horrific. It’s still there, pulsing around the skin of my brain, and I feel dizzy and strange, but I can also actually see a little bit. There are no windows, so I can’t tell what time it is. An IV pumps drugs into my arm, and a machine beeps my heartbeat. I swing my head carefully to the right, and there is Asher, sound asleep. He looks terrible, his skin pale and greasy, his hair unkempt. The vision from my dream pops up, of him balding and older, our two little boys,
”
”
Barbara O'Neal (Write My Name Across the Sky)
“
Finally, Diana had worked her way down to the Abbey, an upscale restaurant with a small but lush courtyard that featured a tinkling fountain, a pair of wooden benches, flowering bushes and stands of tall grasses, and a statue resembling Rodin's The Thinker (one of the few things she did remember from the art history class she'd taken). She'd never eaten there, but she remembered Dr. Levy mentioning it as one of the places she and her husband visited for date night at least once every summer. She sat on the bench for a minute to rest her feet and peruse the menu. Tuna sushi tempura (eighteen dollars for an appetizer). Almond-crusted cod with a mandarin-citrus beurre blanc (twenty-eight dollars) and butter-poached lobster (market price). The list of cocktails and special martinis ran two pages, and when she walked up the curved stone steps and stepped into the dining room, the views of the bay were gorgeous.
”
”
Jennifer Weiner (That Summer)
“
Rhys cringed. “My mother was low-born,” he told me, “and worked as a seamstress in one of their many mountain war-camps. When females come of age in the camps—when they have their first bleeding—their wings are … clipped. Just an incision in the right place, left to improperly heal, can cripple you forever. And my mother—she was gentle and wild and loved to fly. So she did everything in her power to keep herself from maturing. She starved herself, gathered illegal herbs—anything to halt the natural course of her body. She turned eighteen and hadn’t yet bled, to the mortification of her parents. But her bleeding finally arrived, and all it took was for her to be in the wrong place, at the wrong time, before a male scented it on her and told the camp’s lord. She tried to flee—took right to the skies. But she was young, and the warriors were faster, and they dragged her back. They were about to tie her to the posts in the center of camp when my father winnowed in for a meeting with the camp’s lord about readying for the War. He saw my mother thrashing and fighting like a wildcat, and …” He swallowed. “The mating bond between them clicked into place. One look at her, and he knew what she was. He misted the guards holding her.
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Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
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Ever since Roman married Emily, things have been a little different around here. The photos are a perfect example. Most of them are from their wedding. They’d said their vows at the penthouse, right out on the rooftop terrace, and all our smiling faces greet me as I step off the elevator. It’s a nice change. A little over a year ago, Roman’s sister was taken by sex traffickers, and we’ve put all our focus on finding her. She never did outgrow her crush on Matvey, and once she turned eighteen, that crush was finally starting to develop into something more between them, but then she just disappeared. It nearly destroyed all of us. Finding Alina is at the forefront of everything we do, and we will find her, but it’s nice to have moments where we can laugh and enjoy life. Emily has helped us remember that.
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Sonja Grey (Paved in Venom (Melnikov Bratva, #2))
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Whenever someone tells me they’re expecting their first baby and they’re nervous, I tell them the following: “Oh my goodness, that’s wonderful. I am so happy for you. Listen, of course you’re nervous but here’s the deal: you’re ready for all the bad stuff. You’ve been very tired before. You’ve been in pain before. You’ve been worried about money before. You’ve felt like an incapable moron before. So you’ll be fine with the difficult parts! You’re already a pro. What you’re NOT ready for is the wonderful parts. NOTHING can prepare you for how amazing this will be. There is no practice for that. There is no warm-up version. You are about to know joy that will blow your fucking mind apart. Happiness before this? HA HA. Mystery? LOL. Wonder? Fuck off! You are about to see something magical and new that you have no map for! None! This is it. Are you ready for that? Are you? No! No, you’re not! Also, please let me babysit when you’re finally ready to let someone else hold your beautiful little nugget! First time’s free, second time is eighteen bucks an hour.” This speech is particularly good for dads-to-be, since they’re usually more nervous than the moms-to-be.
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Rob Delaney (A Heart That Works)
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It is little remembered that there was a second Pearl Harbor. Ten hours after being alerted to the first, Japanese planes struck Clark Field in the Philippines, destroying one hundred and two planes, including all but three of General Brereton’s B-17s. He had pleaded with MacArthur to attack Japanese air bases in Formosa. MacArthur replied through his aide, Major General Richard K. Sutherland, that he had been ordered not to make “the first overt act.” What was Pearl Harbor if not an overt act? Brereton demanded. While the debate went on, the Japanese, at first delayed by fog, hit near high noon, finding MacArthur’s planes nearly lined up in rows like the shooting gallery it was. “What the hell!” roared Air Corps chief Hap Arnold when he heard about it. • • • • • At 1458 in Honolulu, Tadeo Fuchikami finally made his delivery of Marshall’s alert to the “Commanding General” at Fort Shafter. It was thrown in a wastebasket without carrying out the request to pass it on to the Navy. “For a while I thought the Day of Infamy had been my fault,” Fuchikami mused many years later. Then I realized I was just one of the sands of time.” The Pearl Harbor attack had left eighteen warships sunk or damaged, including five battleships, and one hundred and eighty-eight planes destroyed. The raid killed two thousand four hundred and three Americans. The Japanese lost twenty-nine planes and fifty-five fliers. Kido butai returned home with three hundred and twenty-four surviving planes.
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Associated Press (Pearl Harbor)