Final Decision Quotes

We've searched our database for all the quotes and captions related to Final Decision. Here they are! All 100 of them:

She finally understood that, no matter how hard you try, you can't make someone love you. You can't stop them from making the wrong decision. There's no magic for that.
Sarah Addison Allen (First Frost (Waverley Family, #2))
It is better to lock up your heart with a merciless padlock, than to fall in love with someone who doesn't know what they mean to you.
Michael Bassey Johnson (The Infinity Sign)
No matter whether you believe in luck or chance, the final decision is from yourself.
Stephen Richards
All our final decisions are made in a state of mind that is not going to last.
Marcel Proust (In the Shadow of Young Girls in Flower)
I have finally accepted that there are consequences to every action. I earned them and they are rightfully mine. There is no time to make bad decisions. Every step is precious. The definition of living is mine.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
i wish i could freeze this moment, somehow delay my final decision, and just hang here in the balance between two places, two worlds, two loves.
Emily Giffin (Love the One You're With)
When we find the natural rhythm and strike a perfect cord, we can sing our “own” song that will tune the signature of our life. ("The final decision" )
Erik Pevernagie
Let us not focus on the chink in the canvas of the darkness but look at the light piercing through it. ("The final decision" )
Erik Pevernagie
Autumn finally arrived. And when it did, I came to a decision. Something had to give: I couldn't keep on living like this.
Haruki Murakami (South of the Border, West of the Sun)
The decision to kiss for the first time is the most crucial in any love story. It changes the relationship of two people much more strongly than even the final surrender; because this kiss already has within it that surrender.
Emil Ludwig
Choosing to be with you isn't a difficult decision, Jacqueline," he breathed, pulling back one final time to stare into my eyes. "It's easy. Incredibly easy.
Tammara Webber (Easy (Contours of the Heart, #1))
Life forces enough final decisions on us. We should have the sense to avoid as many of the unnecessary ones as we can.
John Irving (Until I Find You)
If we put the sterile mechanism of our brain on hold, we can view an ocean of enticing eye-opening perspectives. Life offers us an array of choices allowing us to discover a spray of overpowering colors, and hear overwhelming new sounds, and smell the intense fragrances of nature. ("The final decision" )
Erik Pevernagie
Even though conditions such as lack of sleep, insufficient food and various mental stresses may suggest that the inmates were bound to react in certain ways, in the final analysis it becomes clear that the sort of person the prisoner became was the result of an inner decision, and not the result of camp influences alone.
Viktor E. Frankl (Man’s Search for Meaning)
Tell him solitude is creative if he is strong and the final decisions are made in silent rooms. Tell him to be different from other people if it comes natural and easy being different. Let him have lazy days seeking his deeper motives. Let him seek deep for where he is a born natural. Then he may understand Shakespeare and the Wright brothers, Pasteur, Pavlov, Michael Faraday and free imaginations Bringing changes into a world resenting change. He will be lonely enough to have time for the work he knows as his own.
Carl Sandburg (The People, Yes)
one of the most courageous decisions you'll ever make is to finally let go of what is hurting your heart and soul.
Brigitte Nicole
For a witch stands on the very edge of everything, between the light and the dark, between life and death, making choices, making decisions so that others may pretend no decisions have even been needed. Sometimes they need to help some poor soul through the final hours, help them to find the door, not to get lost in the dark.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
There was a time,” he finally said, “when I would have acknowledged your reticence and given you time and space to reach your own decision.” He tipped my head down again and slid his fingers to the back of my neck, sending shivers down my spine. Then he lowered his lips to my ear. “This is not that time, Merit.” And then his mouth was on mine, and he took my breath away again. He kissed me like a man possessed, like a man with nothing more on his mind but the taste and feel of me. Like a man returned to life.
Chloe Neill (Drink Deep (Chicagoland Vampires, #5))
Anything is one of a million paths. Therefore you must always keep in mind that a path is only a path; if you feel you should not follow it, you must not stay with it under any conditions. To have such clarity you must lead a disciplined life. Only then will you know that any path is only a path and there is no affront, to oneself or to others, in dropping it if that is what your heart tells you to do. But your decision to keep on the path or to leave it must be free of fear or ambition. I warn you. Look at every path closely and deliberately. Try it as many times as you think necessary. This question is one that only a very old man asks. Does this path have a heart? All paths are the same: they lead nowhere. They are paths going through the bush, or into the bush. In my own life I could say I have traversed long long paths, but I am not anywhere. Does this path have a heart? If it does, the path is good; if it doesn't, it is of no use. Both paths lead nowhere; but one has a heart, the other doesn't. One makes for a joyful journey; as long as you follow it, you are one with it. The other will make you curse your life. One makes you strong; the other weakens you. Before you embark on any path ask the question: Does this path have a heart? If the answer is no, you will know it, and then you must choose another path. The trouble is nobody asks the question; and when a man finally realizes that he has taken a path without a heart, the path is ready to kill him. At that point very few men can stop to deliberate, and leave the path. A path without a heart is never enjoyable. You have to work hard even to take it. On the other hand, a path with heart is easy; it does not make you work at liking it.
Carlos Castaneda (The Teachings of Don Juan: A Yaqui Way of Knowledge)
In a traditional German toilet, the hole into which shit disappears after we flush is right at the front, so that shit is first laid out for us to sniff and inspect for traces of illness. In the typical French toilet, on the contrary, the hole is at the back, i.e. shit is supposed to disappear as quickly as possible. Finally, the American (Anglo-Saxon) toilet presents a synthesis, a mediation between these opposites: the toilet basin is full of water, so that the shit floats in it, visible, but not to be inspected. [...] It is clear that none of these versions can be accounted for in purely utilitarian terms: each involves a certain ideological perception of how the subject should relate to excrement. Hegel was among the first to see in the geographical triad of Germany, France and England an expression of three different existential attitudes: reflective thoroughness (German), revolutionary hastiness (French), utilitarian pragmatism (English). In political terms, this triad can be read as German conservatism, French revolutionary radicalism and English liberalism. [...] The point about toilets is that they enable us not only to discern this triad in the most intimate domain, but also to identify its underlying mechanism in the three different attitudes towards excremental excess: an ambiguous contemplative fascination; a wish to get rid of it as fast as possible; a pragmatic decision to treat it as ordinary and dispose of it in an appropriate way. It is easy for an academic at a round table to claim that we live in a post-ideological universe, but the moment he visits the lavatory after the heated discussion, he is again knee-deep in ideology.
Slavoj Žižek (The Plague of Fantasies (Wo Es War Series))
Finally, I sat up. "So, I suppose you should do something, wolfie. Hunt maybe?" A grunt, the tone saying no. "Run? Get some exercise?" Another grunt, less decisive, more like a maybe. He pushed to his feet, wobbly, still adjusting to his new center of gravity. He gingerly moved one fore paw, then the next, one rear paw, then the other. He picked up the pace, but still slow as he circled the clearing. A snort, like he'd figured it out, and broke into a lope, stumbled and plowed muzzle first into the undergrowth. I stifled a laugh, but not very well, and he glowered at me. "Forget running, a nice, leisurely stroll might be more your speed." He snorted and turned fast. When I fell back, he gave a growling chuckle. "Still cant resist throwing your weight around, can you?
Kelley Armstrong
One of the most courageous decisions you will ever make is to finally let go of whatever is hurting your heart and soul.
Brigitte Nicole
My parents will be sad for a while, and they may even blame themselves, the way they do now. Eventually they'll come to peace with my decision. I hope they'll realize I'm finally at peace.
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
In the love scene’s final shot, Johnny gets out of bed and walks bare-assed to the bathroom. Tommy thought long and hard about his decision to show his ass. “I need to do it,” he told me. “I have to show my ass or this movie won’t sell.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
Yamamoto sensed a feeling of culmination about the huge success of the first strike, and the same incisive intuition that guided his brilliant moves at the gaming tables told him what the next move on the bridge of Akagi would be. In (Vice Admiral) Nagumo he knew his man. Nagumo had never been committed to the Pearl Harbor mission. He had not been Yamamoto’s choice to command the Striking Force; his assignment was the decision of the Navy Ministry in Tokyo, based on seniority. While the exultation of the officers and sailors on his staff swirled around him, Yamamoto sat quietly. Finally, he fixed a steely gaze on his chief of staff, and in a low, intense voice: “Admiral Nagumo is going to withdraw.
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
My life will end someday, but it will end at my convenience.
Michael Bassey Johnson
No misery or bad situation is ever infinite or final until we make a conscious decision for it to be so. ~ Inferno
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
Arrived at an age when others had already long been married and had children and held important positions, and were obliged to produce the best that was in them with all their energy, I still regarded myself as youthful, a beginner who faced immeasurable time, and I was hesitant about final decisions of any kind.
Stefan Zweig (The World of Yesterday)
Your trouble is that reaching final conclusions just isn't your thing. You're afraid the decision you make will deprive you of further choice, so that paralyzes your will.
Evgenij Vodolazkin (Laurus)
Not unnaturally, many elevators imbued with intelligence and precognition became terribly frustrated with the mindless business of going up and down, up and down, experimented briefly with the notion of going sideways, as a sort of existential protest, demanded participation in the decision-making process and finally took to squatting in basements sulking. An impoverished hitch-hiker visiting any planets in the Sirius star system these days can pick up easy money working as a counsellor for neurotic elevators.
Douglas Adams
I have always loved Naoko, and I still love her. But there is a decisive finality to what exists between Midori and me. It has an irresistible power that is bound to sweep me into the future. What I feel for Naoko is a tremendously quiet and gentle and transparent love, but what I feel for Midori is a wholly different emotion. It stands and walks on its own, living and breathing and throbbing and shaking me to the roots of my being.
Haruki Murakami (Norwegian Wood)
I am, and always have been - first, last, and always - a child of America. You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand. I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House. You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down. Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too. The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms. We were not afforded that liberty. But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice. Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us. If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election. And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
Casey McQuiston (Red, White & Royal Blue)
We are not living in a world where all roads are radii if a circle and where all, if followed long enough, will therefore draw gradually nearer and finally meet at the centre: rather in a world where every road, after a few miles, forks into two, and each of those into two again, and at each fork you must make a decision.
C.S. Lewis (The Great Divorce)
There are three things that robots cannot do," wrote Maxon. Then beneath that on the page he wrote three dots, indented. Beside the first dot he wrote "Show preference without reason (LOVE)" and then "Doubt rational decisions (REGRET)" and finally "Trust data from a previously unreliable source (FORGIVE).
Lydia Netzer (Shine Shine Shine)
Because I could do this. I could do it well. I had to. I had to prove, finally, that I could lead, make decisions.
Kiera Cass (The Prince (The Selection, #0.5))
Recent brain scans have shed light on how the brain simulates the future. These simulation are done mainly in the dorsolateral prefrontal cortex, the CEO of the brain, using memories of the past. On one hand, simulations of the future may produce outcomes that are desirable and pleasurable, in which case the pleasure centers of the brain light up (in the nucleus accumbens and the hypothalamus). On the other hand, these outcomes may also have a downside to them, so the orbitofrontal cortex kicks in to warn us of possible dancers. There is a struggle, then, between different parts of the brain concerning the future, which may have desirable and undesirable outcomes. Ultimately it is the dorsolateral prefrontal cortex that mediates between these and makes the final decisions. (Some neurologists have pointed out that this struggle resembles, in a crude way, the dynamics between Freud's ego, id, and superego.)
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
Just as ceremonial fasting was a legitimate means for getting God's attention (Mt 6:16-18; Ac 13:2-3; 14:23), the casting of lots was a legitimate means for inviting God to intercede on a matter. (Pr 18:18) It was not expected that God should intervene every time (1Sam 28:6), but the ceremonial casting of lots was an invitation for God to participate in the final decision.
Michael Ben Zehabe (A Commentary on Jonah)
Hope is that tiny light that the gods have given us so that we can find our way through our darkest hours. And while we might stub our toes and bruise our knees, if we keep moving forward, even when our progress is slow and painful, we will overcome and be made better by our journey. … No misery or bad situation is ever infinite or final until we make a conscious decision for it to be so.
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
When I arrived at the house in the suburbs that night I seriously contemplated suicide for the first time in my life. But as I thought about it, the idea became exceedingly tiresome, and I finally decided it would be a ludicrous business. I had an inherent dislike of admitting defeat. Moreover, I told myself, there's no need for me to take such decisive action myself, not when I'm surrounded by such a bountiful harvest of death—death in an air raid, death at one's post of duty, death in the military service, death on the battlefield, death from being run over, death from disease—surely my name has already been entered in the list for one of these: a criminal who has been sentenced to death does not commit suicide. No—no matter how I considered, the season was not auspicious for suicide. Instead I was waiting for something to do me the favor of killing me. And this, in the final analysis, is the same as to say that I was waiting for something to do me the favor of keeping me alive.
Yukio Mishima (Confessions of a Mask)
The more choices you give people, the more help with decision making you need to provide.
Richard H. Thaler (Nudge: The Final Edition)
People will go through their entire lives justifying every damn decision…they’ll fight for all the wrong things, until finally the right thing stares at them square in the face. That’s when the choices start to matter. Because in the end, you’re a creature of habit. So you may want to choose right, but choose wrong in the end — because you’re so damn used to it. It’s tragic, then again, life’s tragic
Rachel Van Dyken (Toxic (Ruin, #2))
What can I expect here? You know the fairy tale about the man who died, don’t you? He was waiting in Eternity to find out what the Lord had decided to do with him. He waited and waited, for one year, ten years, a hundred years. He begged and pleaded for a decision. Finally he couldn’t bear the waiting any longer. Then they said to him: ‘What do you think you’re waiting for? You’ve been in Hell for a long time already.
Anna Seghers (Transit)
people may give words of suggestion but in the end your words will the final
rojade silva
But it's there. Dread. Every day is an opportunity to fuck up. Every decision, every meeting, every report. There's no success, only the temporary aversion of failure. Dread. From the buzz and jingle of my alarm until I finally get back to sleep. Dread.
Natasha Brown (Assembly)
I never will forget this. I went and threw myself across my daughter’s bed, and I cried and I cried and I cried and I cried, because I felt like that I had been so faithful and that there was no financial breakthrough for us. You ever have one of those days where you are tired of hearing everybody else’s testimony? But, I made a decision that day, and I think we all have to come to this point in many different areas of our life. And, as I lay across that bed and cried, when I finally got done crying I said this out loud, it was like my declaration, “God, I am going to tithe and give offerings until the day I die whether I ever see anything from it or not!” And, you know what, from that day forward we began to prosper and increase. And, I believe with all of my heart that was a test for me.
Joyce Meyer
Do you keep pace with those around you, or do you decide yourself just how you will live your life? The truth is...only you are qualified to set your standards. Only you can determine how you should live and what you will finally expect from yourself.
Steve Goodier
There's a great difficulty in making choices if you have any imagination at all. Faced with such a multitude of desireable choices, no one choice seems satisfactory for very long by comparison with the aggregate desirability of all the rest, though compared to any *one* of the others it would not be found inferior. All equally attractive but none finally inviting.
John Barth (The End of the Road)
I do know what to do, just never more than one moment at a time. I stop explaining myself, because I learn that making decisions is never about doing the right thing or the wrong thing. It's about doing the precise thing. The precise thing is always incredibly personal and often makes no sense to anyone else. God speaks to folks directly ad one at a time, so I just listen and follow directions. And when I need to work anything out, I turn to the blank page. There, no one can steal my pain or try to poison my knowing, and there I always have the final word in my own story.
Glennon Doyle Melton (Love Warrior)
My marriage to Jamie had been for me like the turning of a great key, each small turn setting in the intricate fall of tumblers within me. Bree had been able to turn that key as well, edging closer to the unlocking of the door of myself. But the final turn of the lock was frozen--until I had walked into the print shop in Edinburgh, and the mechanism had sprung free with a final, decisive click.
Diana Gabaldon (Voyager (Outlander, #3))
There aren't many berry bushes where I'm from." "And just where would that be?" His hand paused on a berry like it was a monumental decision whether to pluck it or not. He finally pulled and explained he was from a small town in the southernmost part of Morringhan. When I asked the name, he said it was very small and had no name.... "A town with no name? Really? How very odd." I waited for him to scramble, and he didn't disappoint me. "It's only a region. A few scattered dwellings at most. We're farmers there. Mostly farmers. And you? Where are you from?"... I took the berry still poised in his fingers and popped it in my mouth. Where was I from? I narrowed my eyes and smiled. "A small town in the northernmost part of Morrighan. Mostly farmers. Only a regions, really. A few scattered dwellings. At most. No name." He couldn't restrain a chuckle. "Then we come from opposite but similar worlds, don't we?
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
No matter how old or how sick you are, how much or little you have done, your business in life not only isn’t finished, but hasn’t yet received its final, decisive meaning until your very last breath.
Leo Tolstoy (War and Peace)
It is the first visit in many years for your son, finally a citizen of his new country and free to travel, and you try to suppress your undercurrent of resentment at his decision to absent himself from your presence in so devastatingly severe a manner. You feel a love you know you will never be able to adequately explain or express to him, a love that flows one way down the generations, not in reverse, and is understood and reciprocated only when time has made of a younger generation an older one.
Mohsin Hamid (How to Get Filthy Rich in Rising Asia)
I fell in love with the wrong person who was exactly the right guy. And I had made decisions time and time again that make it worse and never made it better. And I'd finally pushed myself right over the edge.
Taylor Jenkins Reid (Daisy Jones & The Six)
Every brush stroke on the canvas, every dab of color introduced, the fine textures impressed in the paint—this accumulation of many small acts combines to shape a final work of art.  And so it is with life; each step, each deed, each brief choice builds gradually, day by day, to shape both character and destiny.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
He clutched to these names, repeating each one in his head, holding them like precious gemstones. The names mattered. The men mattered. Perhaps Kaladin would die in the next bridge run, or perhaps he would break under the strain, and give Amaram one final victory. But as he settled down on the ground to plan, he felt that tiny warmth burning steadily within him. It was the warmth of decisions made and purpose seized. It was responsibility.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Even the early droplets of selfish decisions suggest a direction. Then the little inflecting rivulets come, merging into small brooks and soon into larger streams; finally one is swept along by a vast river which flows into the “gulf of misery and endless wo” (Hel. 5:12).
Neal A. Maxwell
So that's it?" asked the expendable. "Final decision," said Ram. "And it's the right one." "Why do you think so?" "Because we live or die, we'll learn something important from jumping into the fold. Thousands of future travelers will either follow us or not. But if we don't make the jump, we'll learn nothing, have no new options." "A lovely speech. It has been sent back to Earth. It will inspire millions." "Shut up," said Ram.
Orson Scott Card (Pathfinder (Pathfinder, #1))
There is something in the depths of our being that hungers for wholeness and finality. Because we are made for eternal life, we are made for an act that gathers up all the powers and capacities of our being and offers them simultaneously and forever to God. The blind spiritual instinct that tells us obscurely that our owns lives have a particular importance and purpose, and which urges us to find out our vocation, seeks in so doing to bring us to a decision that will dedicate our lives irrevocably to their true purpose. The man who loses this sense of his own personal destiny, and who renounces all hope of having any kind of vocation in life has either lost all hope of happiness or else has entered upon some mysterious vocation that God alone can understand.
Thomas Merton (No Man Is an Island)
The trial of Jesus of Nazareth, the trial and rehabilitation of Joan of Arc, any one of the witchcraft trials in Salem during 1691, the Moscow trials of 1937 during which Stalin destroyed all of the founders of the 1924 Soviet REvolution, the Sacco-Vanzetti trial of 1920 through 1927- there are many trials such as these in which the victim was already condemned to death before the trial took place, and it took place only to cover up the real meaning: the accused was to be put to death. These are trials in which the judge, the counsel, the jury, and the witnesses are the criminals, not the accused. For any believer in capital punishment, the fear of an honest mistake on the part of all concerned is cited as the main argument against the final terrible decision to carry out the death sentence. There is the frightful possibility in all such trials as these that the judgement has already been pronounced and the trial is just a mask for murder.
Katherine Anne Porter (The Never-Ending Wrong)
Intuition is the language of silence, the Existential language. The word "in-tuition" means to listen within yourself. Intuition is the silent voice within, which is already in contact with the Existence. Intuition is the voice of God. The more you come in contact with the inner silence, the inner emptiness, the more you have access to your intuition. Silence is the nourishment for intuition. If something increases your love, joy and silence, it is the criterion that it is the right path for you. If something decreases your love, joy and silence, it is a sign that you are on the wrong path. Do not compare yourself with others when it comes to take a decision about what you should do, follow the love, joy and silence of your heart and inner being. When you are in contact with your inner silence, you just know what you should do - you do not have to think about it, and you do not need not compare the pros and cons - you just know. You can listen to the advice of others, but always listen to your intuition, to your inner teacher and guide in life, when you take the final decision. The intuition, the language of silence, will always lead your right.
Swami Dhyan Giten
We are all capable of believing things which we know to be untrue, and then, when we are finally proved wrong, impudently twisting the facts so as to show that we were right. Intellectually, it is possible to carry on this process for an indefinite time: the only check on it is that sooner or later a false belief bumps up against solid reality, usually on a battlefield. —George Orwell, 1946
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
In the course of my intellectual life I experienced very acutely the problem of whether it isn't actually presumptuous to say that we can know the truth - in the face of all our limitations. I also asked myself to what extent it might not be better to suppress this category. In pursuing this question, however, I was able to observe and also to grasp that relinquishing truth doesn't solve anything but, on the contrary, leads to the tyranny of caprice. In that case, the only thing that can remain is really what we decide on and can replace at will. Man is degraded if he can't know truth, if everything, in the final analysis, is just the product of an individual or collective decision. In this way it became clear to me how important it is that we don't lose the concept of truth, in spite of the menaces and perils that it doubtless carries with it. It has to remain as a central category. As a demand on us that doesn't give us rights but requires, on the contrary, our humility and our obedience and can lead us to the common path.
Pope Benedict XVI
Those, then, who want to find themselves at the starting point of a truly free philosophy, have to depart even from God. Here the motto is: whoever wants to preserve it will lose it, and whoever abandons it will find it. Only those have reached the ground in themselves and have become aware of the depths of life, who have at one time abandoned everything and have themselves been abandoned by everything, for whom everything has been lost, and who have found themselves alone, face-to-face with the infinite: a decisive step which Plato compared with death. That which Dante saw written on the door of the inferno must be written in a different sense also at the entrance to philosophy: ‘Abandon all hope, ye who enter here.’ Those who look for true philosophy must be bereft of all hope, all desire, all longing. They must not wish anything, not know anything, must feel completely bare and impoverished, must give everything away in order to gain everything. It is a grim step to take, it is grim to have to depart from the final shore.
Friedrich Wilhelm Joseph Schelling
Destiny pulls us forward while the disappointments of our past try to drag us back; back into the mud of mediocrity and complacency. Our life soon becomes a tug-of-war of mental and emotional anguish, until the final decision is made. We must resolve within our soul the question; do I go forward, retreat and give up, or simply stand still? My friend, there is only one logical answer to this question, that has plagued the minds of every human on earth – go forward! Embrace the passion that burns within your soul, because the pursuit of happiness is really the pursuit of Destiny.
James A. Jimason
The Bible speaks of the Word of God as added. Sometimes it's planted by the wayside, and nothing grows there. Sometimes it's sown among the thorns and represents the person who makes the decision an then goes back to his old life of bars and chasing women or whatever. A third seed is sown among the rocks. There's sand and dirt between the rocks, and when it rains you'll see a stalk of green coming up. But on the first day with sunshine it wilts because there is no room for roots. The fourth seed is planted on fertile soil, and finally it takes hold and has a chance to grow and live. That's what happened to me.
Louis Zamperini (Devil at My Heels: A Heroic Olympian's Astonishing Story of Survival as a Japanese POW in World War II)
We are always held in the love of God. We are never wholly at the mercy of other people - they are only “second causes,” and no matter how many second or third or fiftieth causes seem to be in control of what happens to us, it is God who is in charge, He who holds the keys, He who casts the lot finally into the lap. Trusting Him, then, requires that I leave some things to be decided by others. I must learn to relinquish the control I might wield over somebody else if the decision properly belongs to him. I must resist my urge to manipulate him, needle and prod and pester until he capitulates. I must trust God in him, trust God to do for both of us better than I know.
Elisabeth Elliot (Passion and Purity: Learning to Bring Your Love Life Under Christ's Control)
I finally understood that history wasn’t just written on walls and in books but made in a thousand daily decisions, and some of them went wrong, some went right, and some decisions just had to be made because time was running out. Waiting for someone else to write your history was no way to live. Sometimes it was only a certain way to die.
Mary E. Pearson (Vow of Thieves (Dance of Thieves, #2))
Back then, Layla remembered thinking that humiliation was a deeper wound than heartache. She had wanted to protect them all from it. Now, as they stood beneath the spotlight on the stage, before the remaining guests who surely must be whispering to one another—where is their son, does he not care for them enough to stay for the family photograph?—she knew better. Knew that it did not matter what anyone thought if her own heart were not at peace. Only after her worst fears were confirmed did she realize there had been no use in letting her fears determine her decisions. She was finally free of them. She finally knew: she wanted Amar there in any state, under any circumstance, regardless of what anyone had to say about it.
Fatima Farheen Mirza (A Place for Us)
Here's an idea, Rosie. Why don't you just tell Alex how you feel? Why don't you just finally get all of those feelings out in the open, and clear your messed-up little head? At least then he'll know that you're not going over not because you don't care about him, but that in fact you love him, more than he knows, but that you need to stay here for Katie. Then that will put the ball in his court. He can make the decision whether to come to you or not.
Cecelia Ahern
The more one concentrates on breathing, the more the external stimuli fade into the background... In due course one even grows immune to larger stimuli, and at the same time detachment from them becomes easier and quicker. Care has only to be taken that the body is relaxed whether standing, sitting or lying, and if one then concentrates on breathing one soon feels oneself shut in by impermeable layers of silence. One only knows and feels that one breathes. And, to detach oneself from this feeling and knowing, no fresh decision is required, for the breathing slows down of its own accord, becomes more and more economical in the use of breath, and finally, slipping by degrees into a blurred monotone, escapes one's attention altogether.
Eugen Herrigel (Zen in the Art of Archery)
Better is being my friend and my partner and realizing that you don't get to make decisions for me. Better is the way you make me see myself as a person who's capable of anything. I would jump out of a plane with you, Jameson, snowboard down the side of a volcano with you, bet everything that I have on you - on us, against the world. You don't get to run off and take risks and expect me to stay behind in a gilded cage of your making. That isn't who you are, and it's not what I want.
Jennifer Lynn Barnes (The Final Gambit (The Inheritance Games, #3))
From the heart arise unknowable impulses as well as conscious feelings, moods, and wishes. The heart, too, has its reasons and is the center of perception and understanding. Finally, the heart is the seat of the will: it makes plans and comes to good decisions. Thus the heart is the central and unifying organ of our personal life. Our heart determines our personality, and is therefore not only the place where God dwells but also the place to which Satan directs his fiercest attacks. It is this heart that is the place of prayer. The prayer of the heart is a prayer that directs itself to God from the center of the person and thus affects the whole of our humanness.
Henri J.M. Nouwen (The Way of the Heart: The Spirituality of the Desert Fathers and Mothers)
To love, to forgive, to lose, to live - it was always a choice, and thus, the fact that he was a mortal was finally one worth celebrating. Because it would end! Maybe that was the entire secret, and therefore the whole thing was actually astonishingly simple. That over and over, he was presented with the same impossible decision - live and suffer, love and grieve - but still, every time, with all his being, his answer was and would always be yes. It would be difficult and painful, and however it ended, it would end - but still, he could choose it. To live, to love; it was always a choice, and inherently a brave one, to face down certain doo, with open arms.
Olivie Blake (Masters of Death)
But, if you've decided to go out on a limb and kill one, for goodness' sake, be prepared. We all read, with dismay, the sad story of a good woman wronged in south Mississippi who took that option and made a complete mess of the entire thing. See, first she shot him. Well, she saw right off the bat that that was a mistake because then she had this enormous dead body to deal with. He was every bit as much trouble to her dead as he ever had been alive, and was getting more so all the time. So then, she made another snap decision to cut him up in pieces and dispose of him a hunk at a time. More poor planning. First, she didn't have the proper carving utensils on hand and hacking him up proved to be just a major chore, plus it made just this colossal mess on her off-white shag living room carpet. It's getting to be like the Cat in the Hat now, only Thing Two ain't showing up to help with the clean-up. She finally gets him into portable-size portions, and wouldn't you know it? Cheap trash bags. Can anything else possible go wrong for this poor woman? So, the lesson here is obvious--for want of a small chain saw, a roll of Visqueen and some genuine Hefty bags, she is in Parchman Penitentiary today instead of New Orleans, where she'd planned to go with her new boyfriend. Preparation is everything.
Jill Conner Browne (The Sweet Potato Queens' Book of Love: A Fallen Southern Belle's Look at Love, Life, Men, Marriage, and Being Prepared)
...then he comes to the brink of a precipitous fall; that is, he comes to the point where he himself will have to be taken as standing-reserve. Meanwhile man, precisely as the one so threatened, exalts himself to the posture of lord of the earth. In this way the impression comes to prevail that everything man encounters exists only insofar as it is his construct. This illusion gives rise in turn to one final delusion: It seems as though man everywhere and always encounters only himself... In truth, however, precisely nowhere does man today any longer encounter himself, i.e. his essence. Man stands so decisively in attendance on the challenging-forth of Enframing that he does not apprehend Enframing as a claim, that he fails to see himself as the one spoken to, and hence also fails in every way to hear in what respect he ek-sists, from out of his essence, in the realm of an exhortation or address, and thus can never encounter only himself.
Martin Heidegger (The Question Concerning Technology and Other Essays)
You don't know shit, man," he said finally. He was brisk and sad at the same time. "I hate to get on you for this. I'm not getting on you for this, but I'm just telling you. This is the first... negative thing that happened to you in your life. And you can't be overreacting to it and making big-ass expensive decisions based on it. I'm just saying. People die. Other people do stupid shit. I’m surrounded by family members doing stupid shit. I used to think I had to do shit for them. I still wanna do shit for them. But you gotta live your own life. You gotta take care of your own shit before you get started doing things for errybody else.
Jesse Andrews (Me and Earl and the Dying Girl)
Unerringly locating Riley's dick in his loose dress pants, Jack grabbed it forcefully and leaned close to Riley's ear, hearing the quick indrawn breath from his husband. A spark of lust flashed through his own body as he contemplated what to do next. Finally he decided. He was tired of all the pussy-footing around, and the darkness of the hallway invited sin. He moved his hand on Riley's hard dick, listening to the groan in Riley's throat. Riley, you know who this belongs to? This belongs to me." He gentled the touch, twisting his hand. "I saw you flirting and sharing with those girls out there, and I'm telling you now, I don't share. No one else gets to see this. No one else gets to touch it. No one else gets to taste it. Just me. It's mine for one whole year, and I have the contract to prove it." Riley tried to form a reply as Jack moved his hand again. It was good to see the other man speechless for once. "Don't worry though, husband.I'm gonna treat it so good. I've decided that I'm gonna make it,and you, feel so damn good you'll never look at another woman again. You only have to say the word, and I'll show you what you signed up for." His voice fell into a heated whisper, the words low and drawled. Now do we need to get out of here? I'm thinking I might need to take you home and show you who you belong to." Riley's eyes widened, his dick fully hard, iron in Jack's clever hands. "I can make you scream. You wouldn't even know your name when I finished with you." "Jack—please." Riley's voice was broken. Everything Jack wanted to hear. "Please?" Riley blinked, unconsciously pushing his groin into Jack's hold. Jack knew what followed next was certainly not a decision Riley made with his upstairs brain. "Fuck, Jack. Let's get the hell out of here.
R.J. Scott (The Heart of Texas (Texas, #1))
When you’re young, experiencing new relationships and first loves, nobody really knows what they’re doing. We chase the butterflies and try to capture the perfect moments. But the more you grow, the more you realize that’s not what it’s all about. Love becomes real when the ideal fades away. When that one person becomes more important than yourself. When you make the decision that no matter the cost, you’ll never stop fighting for them. When you can face each other, scarred and unashamed in this dark, lonely world, and feel like you’re finally home. Until we are ready to love with all our hearts, all our minds, and all our souls, we are nothing but lonesome people, just looking to use somebody.
Riley Jean (Use Somebody)
I’d taken everyone I loved and killed them off in my heart, one by one. I’d long been tending their graves—secretly visiting and mourning during the day, going out and erecting a cross on starry nights, lying inside and awaiting my own death on starless nights. That was my Atlantis, the kingdom I’d built in the name of separation. I’d never before unearthed so much of myself, and so suddenly at that. Inside the world of my tomb, everyone else was dead, I alone survived, and that was the reason for my sorrow. It didn’t take long to spot the largest sarcophagus. It was the one in which Shui Ling had been entombed, and across the front, it read: This woman is madly in love with me. And then reality finally hit me. I had my old schema (which offered a peephole, really) to blame for my decision to leave this woman, to kill her and preserve her body in this sarcophagus, where she’d stay mine forever. I’d evaded the perils of real relationships and robbed her of the ability to change with time. These two prospects had given rise to “my deep-rooted fear of a real separation, which in turn yielded the avoidant mentality that had only hastened it.
Qiu Miaojin (Notes of a Crocodile)
That’s the hardest thing about being a parent,” she explains. “Living through heartache, bearing your struggles, learning the hard lessons the hard way, and enduring years of climbing a wall only to fall back down and have to start all over again . . .” She holds my eyes, and her voice is weighted with sadness. “The tears, the waiting, the zero sense of who the hell you are, and then one day . . .” Her voice grows lighter and she looks happy. “You wake up, and finally you’re exactly the person you’ve always wanted to be. Strong, decisive, resolute, kind, brave . . . But then you also look in the mirror and you’re fifty-eight.” An
Penelope Douglas (Next to Never (Fall Away, #4.5))
stop asking for advice and pretending I don’t know what to do. I do know what to do, just never more than one moment at a time. I stop explaining myself, because I learn that making decisions is never about doing the right thing or the wrong thing. It’s about doing the precise thing. The precise thing is always incredibly personal and often makes no sense to anyone else. God speaks to folks directly and one at a time, so I just listen and follow directions. And when I need to work anything out, I turn to the blank page. There, no one can steal my pain or try to poison my knowing, and there I always have the final word in my own story.
Glennon Doyle Melton (Love Warrior)
I had grown up thinking of life as a series of linear decisions that if made properly would land me on some distant safe shore where I would finally enjoy the fruits of my labor. Now that I was getting a glimpse of that shore I was struck by the inanity of such an equation. My mother was never going to get another chance to do anything else. She did not have the capacity for regrets, nor was she even able to enjoy the comfort of nostalgia or fond memories--her mind had leaked away too imperceptibly to allow for the clarity to look back on her life and wish she had done things differently. As I continued to worry over what sort of future I was setting myself up for, she seemed a painful cautionary tale that life was not a savings plan, accrued now for enjoyment later. I was alive now. My responsibility was to live now as fully as possible.
Glynnis MacNicol (No One Tells You This)
There was a time you longed for people to love you. You prayed that they’d see or hear you. You wished they could see the depth, truth, and message in front of them. Their words, actions, and mindsets pushed you away, but you always pulled yourself back. You made excuses like: “But I love her/him/them” “But that’s family” “But they’ve been in my life for so long” Until you finally told yourself “I can’t.” There are some pains, tactics, and revelations you can’t bounce back from or unsee—so you don’t. You just never come back. To the person that has removed themselves from that group, friendship, or relationship—trust and believe that sometimes the right decision doesn’t always feel good and is seldom understood by the masses. Choose your peace, well-being, and self-love anyway. Some roads are difficult to leave behind but destructive to stay on.
Morgan Richard Olivier (The Tears That Taught Me)
I have that old sinking feeling. I've been overly available, sickeningly sweet and forever enabling all in the name of being 'liked.' I've compromised myself. I've suffered fools, idiots and dullards. I've gone on far too many dates with men because I felt guilty that they liked me more than I liked them. I've fallen deeply and madly I'm love with men I've never met just because I thought they looked 'deep.' I've built whole futures with men I hardly knew; I've planned weddings and named invisible children based on a side glance. I've made chemistry where there was none. I've forced intimacy while building higher Walls. I've been alone in a two year relationship. I've faked more orgasms than I can count while being comfortable with no affection at all. I realise I have to make a decision right here and now. Do I go back to the sliver of a person I was before or do I, despite whatever bullshit happened tonight, hold on to this... This authenticity? If I go back to the the way I was before tonight, I'll have to compromise myself, follow rules with men who have none, hold my tongue, be quiet and laugh at shitty jokes. I have to never be challenged, yet be called challenging when I have an opinion or, really, speak at all. I'll never be torched by someone and get goosebumps again. I'll never be outside of myself. I'll never let go. I'll never lose myself. I'll never know what real love is - both for someone else and for me. I'll look back on this life and wish I could do it all over again. I finally see the consequences of that life. The path more travelled only led to someone else's life: an idealised, saturated world of White picket fences and gingham tablecloths. A life where the real me is locked away. Sure i had a plus-one but at what price? No. No matter how awkward and painful this gets, I can't go back.
Liza Palmer (More Like Her)
This Christian claim [of universal validity] is naturally offensive to the adherents of every other religious system. It is almost as offensive to modern man, brought up in the atmosphere of relativism, in which tolerance is regarded almost as the highest of the virtues. But we must not suppose that this claim to universal validity is something that can quietly be removed from the Gospel without changing it into something entirely different from what it is... Jesus' life, his method, and his message do not make sense, unless they are interpreted in the light of his own conviction that he was in fact the final and decisive word of God to men... For the human sickness there is one specific remedy, and this is it. There is no other.
Stephen Neill (Christian faith and other faiths: The Christian dialogue with other religions (Oxford paperbacks, 196))
[Knowing God]... call it love, yes, only that can sound too emotional, or call it faith, and that can sound too cerebral. And what is it? Both, and neither... [its] the decision to be faithful, the patient refusal of easy gratifications... of Jesus' prayer in Gethsemane and on the cross, that bloody crown of love and faith. That is how I learn finally of a God who will not be fitted into my catergories and expectations... the living truth too great for me to see, trusting that He will see and judge and yet not turn me away... That is the mercy which will never give us, or even let us be content with less than itself and less than the truth... we have seen the truth enacted in our own world as mercy, grace and hope, as Jesus, the only-begotten, full of grace and truth..
Rowan Williams (Tokens of Trust)
What rules, then, can one follow if one is dedicated to the truth? First, never speak falsehood. Second, bear in mind that the act of withholding the truth is always potentially a lie, and that in each instance in which the truth is withheld a significant moral decision is required. Third, the decision to withhold the truth should never be based on personal needs, such as a need for power, a need to be liked or a need to protect one’s map from challenge. Fourth, and conversely, the decision to withhold the truth must always be based entirely upon the needs of the person or people from whom the truth is being withheld. Fifth, the assessment of another’s needs is an act of responsibility which is so complex that it can only be executed wisely when one operates with genuine love for the other. Sixth, the primary factor in the assessment of another’s needs is the assessment of that person’s capacity to utilize the truth for his or her own spiritual growth. Finally, in assessing the capacity of another to utilize the truth for personal spiritual growth, it should be borne in mind that our tendency is generally to underestimate rather than overestimate this capacity. All this might seem like an extraordinary task, impossible to ever perfectly complete, a chronic and never-ending burden, a real drag. And it is indeed a never-ending burden of self-discipline, which is why most people opt for a life of very limited honesty and openness and relative closedness, hiding themselves and their maps from the world. It is easier that way. Yet the rewards of the difficult life of honesty and dedication to the truth are more than commensurate with the demands. By virtue of the fact that their maps are continually being challenged, open people are continually growing people. Through their openness they can establish and maintain intimate relationships far more effectively than more closed people. Because they never speak falsely they can be secure and proud in the knowledge that they have done nothing to contribute to the confusion of the world, but have served as sources of
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
The staying and doing it, in spite of everything. In spite of the bears and the rattlesnakes and the scat of the mountain lions I never saw; the blisters and scabs and scrapes and lacerations. The exhaustion and the deprivation; the cold and the heat; the monotony and the pain; the thirst and the hunger; the glory and the ghosts that haunted me as I hiked eleven hundred miles from the Mojave Desert to the state of Washington by myself. And finally, once I’d actually gone and done it, walked all those miles for all those days, there was the realization that what I’d thought was the beginning had not really been the beginning at all. That in truth my hike on the Pacific Crest Trail hadn’t begun when I made the snap decision to do it. It had begun before I even imagined it, precisely four years, seven months, and three days before, when I’d stood in a little room at the Mayo Clinic in Rochester, Minnesota, and learned that my mother was going to die.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Modern elevators are strange and complex entities. The ancient electric winch and “maximum-capacity-eight-persons" jobs bear as much relation to a Sirius Cybernetics Corporation Happy Vertical People Transporter as a packet of mixed nuts does to the entire west wing of the Sirian State Mental Hospital. This is because they operate on the curious principle of “defocused temporal perception.” In other words they have the capacity to see dimly into the immediate future, which enables the elevator to be on the right floor to pick you up even before you knew you wanted it, thus eliminating all the tedious chatting, relaxing and making friends that people were previously forced to do while waiting for elevators. Not unnaturally, many elevators imbued with intelligence and precognition became terribly frustrated with the mindless business of going up and down, up and down, experimented briefly with the notion of going sideways, as a sort of existential protest, demanded participation in the decision-making process and finally took to squatting in basements sulking. An impoverished hitchhiker visiting any planets in the Sirius star system these days can pick up easy money working as a counselor for neurotic elevators.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
...the ultimately possible attitudes toward life are irreconcilable, and hence their struggle can never be brought to a final conclusion. Thus it is necessary to make a decisive choice. Whether, under such conditions, science is a worth while 'vocation' for somebody, and whether science itself has an objectively valuable 'vocation' are again value judgments about which nothing can be said in the lecture-room. To affirm the value of science is a presupposition for teaching there. I personally by my very work answer in the affirmative, and I also do so from precisely the standpoint that hates intellectualism as the worst devil, as youth does today, or usually only fancies it does. In that case the word holds for these youths: 'Mind you, the devil is old; grow old to understand him.' This does not mean age in the sense of the birth certificate. It means that if one wishes to settle with this devil, one must not take flight before him as so many like to do nowadays. First of all, one has to see the devil's ways to the end in order to realize his power and his limitations.
Max Weber (From Max Weber: Essays in Sociology)
These two poles, the unconditional and the conditional, are absolutely heterogeneous, and must remain irreducible to one another. They are nonetheless indissociable: if one wants, and it is necessary, forgiveness to become effective, concrete, historic; if one wants it to arrive, to happen by changing things, it is necessary that this purity engage itself in a series of conditions of all kinds (psychosociological, political, etc.). It is between these two poles, irreconcilable but indissociable, that decisions and responsibilities are to be taken. Yet despite all the confusions which reduce forgiveness to amnesty or to amnesia, to acquittal or prescription, to the work of mourning or some political therapy of reconciliation, in short to some historical ecology, it must never be forgotten, nevertheless, that all of that refers to a certain idea of pure and unconditional forgiveness, without which this discourse would not have the least meaning. What complicates the question of ‘meaning’ is again what I suggested a moment ago: pure and unconditional forgiveness, in order to have its own meaning, must have no ‘meaning’, no finality, even no intelligibility. It is a madness of the impossible.
Jacques Derrida (On Cosmopolitanism and Forgiveness)
What happened isn't your fault." "Maybe. But maybe this wouldn't have happened if I'd run away with you." "You still can." "No, I can't." I shook my head. "I have so much I need to do here. I can't just leave it all behind. But you can stay here. I will grant you amnesty." "Mmm, I knew it." He smiled. "You'd miss me too much if I left." I laughed. "Hardly." "Hardly?" Loki smirked. He'd lowered his arm, so his hand was on my waist. Loki was incredibly near, and his muscles pressed against me. I knew that I should move away, that I had no justifiable reason to be this close to him, but I didn't move. "Would you?" Loki asked, his voice low. "Would I what?" "Would you run away with me, if you didn't have all the responsibilities and the palace and all that?" "I don't know," I said. "I think you would." "Of course you do." I looked away from him, but I didn't move away. "Where did you get the pajamas, by the way? You didn't bring anything with you when you came." "I don't want to tell you." "Why not?" I looked sharply at him. "Because. I'll tell you, and it will ruin this whole mood," Loki said. "Can't we just sit here and look longingly into each other's eyes until we fall into each other's arms, kissing passionately?" "No," I said and finally started to pull away from him. "Not if you don't tell me-" "Tove," Loki said quickly, trying to hang on to me. He was much stronger than me, but he let me push him off. "Of course." I stood up. "That's exactly the kind of thing my fiancé would do. He's always thinking of other people." "It's just pajamas!" Loki insisted, like that would mean something. "Sure, he's a terrifically nice guy, but that doesn't matter." "How does that not matter?" I asked. "Because you don't love him." "I care about him," I said, and he shrugged. "And it's not like I love you." "Maybe not," he allowed. "But you will." "You think so?" I asked. "Mark my words, Princess," Loki said. "One day, you'll be madly in love with me." "Okay." I laughed, because I didn't know how else to respond. "But I should go. If I've given you amnesty, that means I have to go about enacting it, and getting everyone to agree that it's not a suicidal decision." "Thank you." "You're welcome," I said and opened the door to go. "It was worth it," Loki said suddenly. "What was?" I turned back to him. "Everything I went through," he said. "For you. It was worth it.
Amanda Hocking (Ascend (Trylle, #3))
put it up for sale at an asking price of $25 million. I first looked at Mar-a-Lago while vacationing in Palm Beach in 1982. Almost immediately I put in a bid of $15 million, and it was promptly rejected. Over the next few years, the foundation signed contracts with several other buyers at higher prices than I’d offered, only to have them fall through before closing. Each time that happened, I put in another bid, but always at a lower sum than before. Finally, in late 1985, I put in a cash offer of $5 million, plus another $3 million for the furnishings in the house. Apparently, the foundation was tired of broken deals. They accepted my offer, and we closed one month later. The day the deal was announced, the Palm Beach Daily News ran a huge front-page story with the headline MAR-A-LAGO’S BARGAIN PRICE ROCKS COMMUNITY. Soon, several far more modest estates on property a fraction of Mar-a-Lago’s size sold for prices in excess of $18 million. I’ve been told that the furnishings in Mar-a-Lago alone are worth more than I paid for the house. It just goes to show that it pays to move quickly and decisively when the time is right. Upkeep
Donald J. Trump (Trump: The Art of the Deal)
Now it's serious. At last it's becoming serious. So I've grown older. Was I the only one who wasn't serious? Is it our times that are not serious? I was never lonely neither when I was alone, nor with others. But I would have liked to be alone at last. Loneliness means I'm finally whole. Now I can say it as tonight, I'm at last alone. I must put an end to coincidence. The new moon of decision. I don't know if there's destiny but there's a decision. Decide! We are now the times. Not only the whole town - the whole world is taking part in our decision. We two are now more than us two. We incarnate something. We're representing the people now. And the whole place is full of those who are dreaming the same dream. We are deciding everyone's game. I am ready. Now it's your turn. You hold the game in your hand. Now or never. You need me. You will need me. There's no greater story than ours, that of man and woman. It will be a story of giants... invisible... transposable... a story of new ancestors. Look. My eyes. They are the picture of necessity, of the future of everyone in the place. Last night I dreamt of a stranger... of my man. Only with him could I be alone, open up to him, wholly open, wholly for him. Welcome him wholly into me. Surround him with the labyrinth of shared happiness. I know... it's you.
Wim Wenders
The President is at liberty, both in law and conscience, to be as big a man as he can. His capacity will set the limit; and if Congress be overborne by him, it will be no fault of the makers of the Constitution, – it will be from no lack of constitutional powers on its part, but only because the President has the nation behind him, and the Congress has not.” “The chief instrumentality by which the law of the Constitution has been extended to cover the facts of national development has of course been judicial interpretation, – the decisions of the courts. The process of formal amendment of the Constitution was made so difficult by provisions of the Constitution itself that it has seldom been feasible to use it; and the difficulty of formal amendment has undoubtedly made the courts more liberal, not to say lax, in their interpretation than they would otherwise have been. The whole business of adaptation has been theirs, and they have undertaken it with open minds, sometimes even with boldness and a touch of audacity...” “The old theory of the sovereignty of the States, which used so to engage our passions, has lost its vitality. The war between the States established at least this principle, that the federal government is, through its courts, the final judge of its own powers... We are impatient of state legislatures because they seem to us less representative of the thoughtful opinion of the country than Congress is. We know that our legislatures do not think alike, but we are not sure that our people do not think alike...
Woodrow Wilson (Constitutional Government in the United States (Library of Liberal Thought))
There had been a time, once, when he had not lived like this, a .32 under his pillow, a lunatic in the back yard firing off a pistol for God knew what purpose, some other nut or perhaps the same one imposing a brain-print of his own shorted-out upstairs on an incredibly expensive and valued cephscope that everyone in the house, plus all their friends, loved and enjoyed. In former days Bob Arctor had run his affairs differently: there had been a wife much like other wives, two small daughters, a stable household that got swept and cleaned and emptied out daily, the dead newspapers not even opened carried from the front walk to the garbage pail, or even, sometimes, read. But then one day, while lifting out an electric corn popper from under the sink, Arctor had hit his head on the corner of a kitchen cabinet directly above him. The pain, the cut in his scalp, so unexpected and undeserved, had for some reason cleared away the cobwebs. It flashed on him instantly that he didn't hate the kitchen cabinet: he hated his wife, his two daughters, his whole house, the back yard with its power mower, the garage, the radiant heating system, the front yard, the fence, the whole fucking place and everyone in it. He wanted a divorce; he wanted to split. And so he had, very soon. And entered, by degrees, a new and somber life, lacking all of that. Probably he should have regretted his decision. He had not. That life had been one without excitement, with no adventure. It had been too safe. All the elements that made it up were right there before his eyes, and nothing new could ever be expected. It was like, he had once thought, a little plastic boat that would sail on forever, without incident, until it finally sank, which would be a secret relief to all. But in this dark world where he now dwelt, ugly things and surprising things and once in a long while a tiny wondrous thing spilled out at him constantly; he could count on nothing.
Philip K. Dick (A Scanner Darkly)
It's like Romeo & Juliet,' I say. 'You can't separate them. Otherwise, there would be no Shakespeare.' Silence. I decide to be more straightforward. I tell him, 'Nothing frightens me anymore. I am not even afraid to die.' Bussey's eyes, already wide open, grow even wider. My death is the last thing he needs. I have the strange feeling that there are two of me. One observes the conversation while the other does the talking. Everything is abnormal, especially this extreme calm that has taken me over. I try to explain to Bussey that if I decide to die, it will be without bitterness. I know I did everything I possibly could, so it will be respectful farewell. I will bow to life like an actor, who, having delivered his lines, bends deeply to his audience & retires. I tell Bussey that this decision has nothing to do with him, that it is entirely mine. I will choose either to live or to die, but I cannot allow myself to live in the in-between. I do not want to go through life like a ghost. 'Do you think you'll find Danny this way?' Bussey asks. My mind sifts through all available theories on the afterlife. It is as if this metaphysical question has become as real as the air we breathe. Buddhism teaches that life is an eternal cycle without beginning or end. I recall the metaphor: "Our individual lives are like waves produced from the great ocean that is the universe. The emergence of a wave is life, and its abatement is death. This rhythm repeats eternally." Finally I answer Bussey, 'No, I don't think so.' Bussey seems relieved, but I'm more panicky, because I had never thought that I could wind up alone. In my mind, whatever the odds, Danny & I were & would be together forever.
Mariane Pearl (A Mighty Heart: The Brave Life and Death of My Husband Danny Pearl)
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?” Ben snorted. “He deserved it.” “I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.” I pinched my nose. “Ugh, don’t remind me.” Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.” Then everyone had a story. Our funeral became a wake. The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye. I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.” Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.” The boys glanced at each other. Their smiles faded. Something passed between them. Abruptly, both looked at me. I could see a question in their eyes. A resolve to see something through. They talked. Oh God, they talked about me. They’re going to make me choose. In a flash of dread, I realized I could delay this no longer. With another jolt, I realized I didn’t need to. There was no point putting it off. There was also no decision to make. My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully. I smiled. Even as my heart pounded. Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall. But my second foot successfully followed the first. I walked over to Ben’s side. Slipped my hand inside his. Squeezed for dear life. Ben’s eyes widened. He gasped quietly, his chest rising and falling. I met his startled gaze. Smiled through my blushes. A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine. No decision to make. Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips. Chance nodded slightly. Not one word spoken. Volumes exchanged. The silence stretched, like a living breathing force. Finally, Hi cleared his throat. “Um.” My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace. Still no one said a word. This was the most painful moment of my life. “So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
Kathy Reichs (Terminal (Virals, #5))
I had never been so close to death before. For a long time, as I lay there trying to clear my mind, I couldn't think coherently at all, conscious only of a terrible, blind bitterness. Why had they singled me out? Didn't they understand? Had everything I'd gone through on their behalf been utterly in vain? Did it really count for nothing? What had happened to logic, meaning and sense? But I feel much calmer now. It helps to discipline oneself like this, writing it down to see it set out on paper, to try and weigh it and find some significance in it. Prof Bruwer: There are only two kinds of madness one should guard against, Ben. One is the belief that we can do everything. The other is the belief that we can do nothing. I wanted to help. Right. I meant it very sincerely. But I wanted to do it on my terms. And I am white, and they are black. I thought it was still possible to reach beyond our whiteness and blackness. I thought that to reach out and touch hands across the gulf would be sufficient in itself. But I grasped so little, really: as if good intentions from my side could solve it all. It was presumptuous of me. In an ordinary world, in a natural one, I might have succeeded. But not in this deranged, divided age. I can do all I can for Gordon or scores of others who have come to me; I can imagine myself in their shoes, I can project myself into their suffering. But I cannot, ever, live their lives for them. So what else could come of it but failure? Whether I like it or not, whether I feel like cursing my own condition or not -- and that would only serve to confirm my impotence -- I am white. This is the small, final, terrifying truth of my broken world. I am white. And because I am white I am born into a state of privilege. Even if I fight the system that has reduced us to this I remain white, and favored by the very circumstances I abhor. Even if I'm hated, and ostracized, and persecuted, and in the end destroyed, nothing can make me black. And so those who are cannot but remain suspicious of me. In their eyes my very efforts to identify myself with Gordon, whit all the Gordons, would be obscene. Every gesture I make, every act I commit in my efforts to help them makes it more difficult for them to define their real needs and discover for themselves their integrity and affirm their own dignity. How else could we hope to arrive beyond predator and prey, helper and helped, white and black, and find redemption? On the other hand: what can I do but what I have done? I cannot choose not to intervene: that would be a denial and a mockery not only of everything I believe in, but of the hope that compassion may survive among men. By not acting as I did I would deny the very possibility of that gulf to be bridged. If I act, I cannot but lose. But if I do not act, it is a different kind of defeat, equally decisive and maybe worse. Because then I will not even have a conscience left. The end seems ineluctable: failure, defeat, loss. The only choice I have left is whether I am prepared to salvage a little honour, a little decency, a little humanity -- or nothing. It seems as if a sacrifice is impossible to avoid, whatever way one looks at it. But at least one has the choice between a wholly futile sacrifice and one that might, in the long run, open up a possibility, however negligible or dubious, of something better, less sordid and more noble, for our children… They live on. We, the fathers, have lost.
André P. Brink (A Dry White Season)
Moral for psychologists. -- Not to go in for backstairs psychology. Never to observe in order to observe! That gives a false perspective, leads to squinting and something forced and exaggerated. Experience as the wish to experience does not succeed. One must not eye oneself while having an experience; else the eye becomes "an evil eye." A born psychologist guards instinctively against seeing in order to see; the same is true of the born painter. He never works "from nature"; he leaves it to his instinct, to his camera obscura, to sift through and express the "case," "nature," that which is "experienced." He is conscious only of what is general, of the conclusion, the result: he does not know arbitrary abstractions from an individual case. What happens when one proceeds differently? For example, if, in the manner of the Parisian novelists, one goes in for backstairs psychology and deals in gossip, wholesale and retail? Then one lies in wait for reality, as it were, and every evening one brings home a handful of curiosities. But note what finally comes of all this: a heap of splotches, a mosaic at best, but in any case something added together, something restless, a mess of screaming colors. The worst in this respect is accomplished by the Goncourts; they do not put three sentences together without really hurting the eye, the psychologist's eye. Nature, estimated artistically, is no model. It exaggerates, it distorts, it leaves gaps. Nature is chance. To study "from nature" seems to me to be a bad sign: it betrays submission, weakness, fatalism; this lying in the dust before petit faits [little facts] is unworthy of a whole artist. To see what is--that is the mark of another kind of spirit, the anti-artistic, the factual. One must know who one is. Toward a psychology of the artist. -- If there is to be art, if there is to be any aesthetic doing and seeing, one physiological condition is indispensable: frenzy. Frenzy must first have enhanced the excitability of the whole machine; else there is no art. All kinds of frenzy, however diversely conditioned, have the strength to accomplish this: above all, the frenzy of sexual excitement, this most ancient and original form of frenzy. Also the frenzy that follows all great cravings, all strong affects; the frenzy of feasts, contests, feats of daring, victory, all extreme movement; the frenzy of cruelty; the frenzy in destruction, the frenzy under certain meteorological influences, as for example the frenzy of spring; or under the influence of narcotics; and finally the frenzy of will, the frenzy of an overcharged and swollen will. What is essential in such frenzy is the feeling of increased strength and fullness. Out of this feeling one lends to things, one forces them to accept from us, one violates them--this process is called idealizing. Let us get rid of a prejudice here: idealizing does not consist, as is commonly held, in subtracting or discounting the petty and inconsequential. What is decisive is rather a tremendous drive to bring out the main features so that the others disappear in the process. In this state one enriches everything out of one's own fullness: whatever one sees, whatever one wills, is seen swelled, taut, strong, overloaded with strength. A man in this state transforms things until they mirror his power--until they are reflections of his perfection. This having to transform into perfection is--art. Even everything that he is not yet, becomes for him an occasion of joy in himself; in art man enjoys himself as perfection.
Friedrich Nietzsche (Twilight of the Idols / The Anti-Christ)