Filthy Sentiments Quotes

We've searched our database for all the quotes and captions related to Filthy Sentiments. Here they are! All 6 of them:

It felt like a form of surrender, and for a few minutes at least, it seemed like I could give everything over to him—not just the path I walked, not just my body, but these stupid tangled up sentiments dwelling inside of me. I could give him my anger. I could give him my embarrassment. I could give him my hurt. And maybe he didn’t know any better what to do with them than I did, but for however long he held them, I wouldn’t have to feel them. And what an amazing gift that could be. That alone would be worth staying for.
Laurelin Paige (Dirty Filthy Rich Men (Dirty Duet, #1))
He could not consent to allow himself to be insulted, still less to allow himself to be treated as a rag, and, above all, to allow a thoroughly vicious man to treat him so. No quarrelling, however, no quarrelling! Possibly if some one wanted, if some one, for instance, actually insisted on turning Mr. Golyadkin into a rag, he might have done so, might have done so without opposition or punishment (Mr. Golyadkin was himself conscious of this at times), and he would have been a rag and not Golyadkin - yes, a nasty, filthy rag; but that rag would not have been a simple rag, it would have been a rag possessed of dignity, it would have been a rag possessed of feelings and sentiments, even though dignity was defenceless and feelings could not assert themselves, and lay hidden deep down in the filthy folds of the rag, still the feelings there...
Fyodor Dostoevsky (The Double)
She merely wiped the floor with paper towels and said nothing, brushing her free hand against my shoulder blade—my shoulder blade!—as she carried the soaked paper to the trash can, never holding me fast, refraining not out of lack of humanity but out of fear of being drawn into a request for further tenderness, a request that could only bring her face-to-face with some central revulsion, a revulsion of her husband or herself or both, a revulsion that had come from nowhere, or from her, or perhaps from something I’d done or failed to do, who knew, she didn’t want to know, it was too great a disappointment, far better to get on with the chores, with the baby, with the work, far better to leave me to my own devices, as they say, to leave me to resign myself to certain motifs, to leave me to disappear guiltily into a hole of my own digging. When the time came to stop her from leaving, I did not know what to think or wish for, her husband who was now an abandoner, a hole-dweller, a leaver who had left her to fend for herself, as she said, who’d failed to provide her with the support and intimacy she needed, she complained, who was lacking some fundamental wherewithal, who no longer wanted her, who beneath his scrupulous marital motions was angry, whose sentiments had decayed into a mere sense of responsibility, a husband who, when she shouted, “I don’t need to be provided for! I’m a lawyer! I make two hundred and fifty thousand dollars a year! I need to be loved!” had silently picked up the baby and smelled the baby’s sweet hair, and had taken the baby for a crawl in the hotel corridor, and afterward washed the baby’s filthy hands and soft filthy knees, and thought about what his wife had said, and saw the truth in her words and an opening, and decided to make another attempt at kindness, and at nine o’clock, with the baby finally drowsy in his cot, came with a full heart back to his wife to find her asleep, as usual, and beyond waking. In short, I fought off the impulse to tell Rachel to go fuck herself.
Joseph O'Neill (Netherland)
Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit. But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep. He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works… It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody. Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality. This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.
Margaret Irwin (Bloodstock and Other Stories)
I’ll no longer be an unknown killer, a knife plunging out of the pea soup fog and darkness, slashing at whores’ throats, sagging udders and hungry bellies, and filthy flea-crawling cunts; now I have a name. Mothers will caution their kiddies: Jack the Ripper’s going to get you if you don’t watch out; Jack the Ripper’s going to get you if you don’t come inside right now; Jack the Ripper’s going to get you if you don’t eat all your vegetables, mind your manners, and say your prayers. They’ll never forget me; they’ll forget Michael’s jolly jack-tar, but they’ll never forget me! You can take all your sea chanteys, sentimental ballads, and humble hymns, Michael, and shove them up your arse along with Fred Weatherly’s prick. This name, taken with my medicine, will make me invincible. NOTHING can stop me now! I’m Jack, Jack the Ripper, my knife is my scepter, and I reign as the Red King over this Autumn of Terror. Long live King Jack; long may he hack!
Brandy Purdy (The Ripper's Wife)
I'd never understood the sentiment making love, or how it differed from sex, but in this moment, I do.
Kendall Ryan (Filthy Beautiful Love (Filthy Beautiful Lies, #2))