File Name With Single Quotes

The world is getting weirder. Darker every single day. Things are spinning around faster and faster, and threatening to go completely awry. Falcons and falconers. The center cannot hold. But in my corner of the country, I'm trying to nail things down. I don't want to live in Victor's jungle, even if it did eventually devour him. I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.

Work" I laid telephone line, then cable when it came along. I pulled T-shirts off a silk-screen press. I cleaned offices in buildings thirty-five floors high. I filed the metal edges of grease fryers hot off a welding line. I humped sod in townhouse complexes, and when it became grass I cut it. I sorted mail. I washed police cars, and then I changed their oil. I installed remotes on gas meters so a truck could simply drive down the street and get the readings. I set posts and put up fences, wood and chain link. Five a.m. at the racetrack, I walked hot horses after their exercise. I bathed them. I mopped and swept aisles in a grocery store. Eventually, I stocked shelves. I corrected errors on mortgage papers for a bank. I racked tables in a pool hall. There’s more I’m not telling you. All of this befell me as an adult. As a kid, I cut neighbors’ lawns and delivered newspapers, and I watched after little kids while their parents worked. I painted houses. I collected frogs from ponds and sold them to pet stores. And so on. At fifteen, I went for a busboy position at an all-night diner, but they told me to come back when I turned sixteen. I did. Sometimes, on top of one, I took a second job. It gave me just enough time to sleep between the two. And eat. My father worked, harder than I did, and then he died. Then I worked harder. My mother said, “You’re the man of the house now.” I was seventeen. She kept an eye on me, to make sure I worked. I did. You've just read about all that. Eventually she died, too. I watched my social security numbers grow. I have a pretty good lump. I could leave it to somebody, a spouse or dependent. But there's no one. I have no plan to spend it, but I’ve paid into it. Today I quit my job, my jobs. I had them all written down, phone numbers too, and I called them. You should have seen me, dialing and dialing, crossing names off the list as I went. Some of them I called sounded angry. Some didn’t remember me, and a few didn’t answer. Others had answering machines, but I told the machines I quit anyway. I think about my father. How he worked. I sit by the phone now, after quitting all my jobs, and wish he could see this. A blank calendar on the wall. A single bulb hanging over my head, from a single cord, like the one he wrapped around his neck just before he died.

Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly. One, two, three, four, five, and turn . . . Fourteen hours of walking: to master this art of endless movement, he’d learned to keep his head down, hands behind his back, stepping neither too fast nor too slow, every stride the same length. He’d also learned to chew tobacco and smear the nicotined saliva on his face and neck to keep the mosquitoes away. One, two, three, four, five, and turn . . . The heat was so stifling, he needed to take off his clothes, but he couldn’t. He wrapped even more towels around his head and looked up as the guard’s shadow hit the wall. He felt like an animal in a pit, watched by the hunter who had just ensnared him. One, two, three, four, five, and turn . . . Far away, he could hear the ocean breaking on the rocks of San Juan’s harbor and the screams of demented inmates as they cried and howled in the quarantine gallery. A tropical rain splashed the iron roof nearly every day. The dungeons dripped with a stifling humidity that saturated everything, and mosquitoes invaded during every rainfall. Green mold crept along the cracks of his cell, and scarab beetles marched single file, along the mold lines, and into his bathroom bucket. The murderer started screaming. The lunatic in dungeon seven had flung his own feces over the ceiling rail. It landed in dungeon five and frightened the Puerto Rico Upland gecko. The murderer, of course, was threatening to kill the lunatic. One, two, three, four, five, and turn . . . The man started walking again. It was his only world. The grass had grown thick over the grave of his youth. He was no longer a human being, no longer a man. Prison had entered him, and he had become the prison. He fought this feeling every day. One, two, three, four, five, and turn . . . He was a lawyer, journalist, chemical engineer, and president of the Nationalist Party. He was the first Puerto Rican to graduate from Harvard College and Harvard Law School and spoke six languages. He had served as a first lieutenant in World War I and led a company of two hundred men. He had served as president of the Cosmopolitan Club at Harvard and helped Éamon de Valera draft the constitution of the Free State of Ireland.5 One, two, three, four, five, and turn . . . He would spend twenty-five years in prison—many of them in this dungeon, in the belly of La Princesa. He walked back and forth for decades, with wet towels wrapped around his head. The guards all laughed, declared him insane, and called him El Rey de las Toallas. The King of the Towels. His name was Pedro Albizu Campos.

The Lance deHaven-Smith book Conspiracy Theory in America (published by the University of Texas) reveals that the phrase “conspiracy theory” was invented by the CIA to discredit doubters of the Warren Commission, which claims that John F. Kennedy’s assassination was carried out alone by a single “lone gunman.” Distraught by the murder of President Kennedy, a Beverly Hills housewife named Mae Brussell took it upon herself to buy all 26 printed volumes issued by the Warren Commission report, and attempt to make sense of the thing by cross-indexing the entire work. Mae was disturbed by the contradictory information and unreported realities she discovered in those volumes. As a result, she started subscribing to many major newspapers and magazines, whose stories she filed and organized, uncovering disquieting connections and patterns behind government and corporate malfeasance.

two forms of distribution, each release has a PGP signature file associated withit.* Prior to V8.11, this was a single signature file used to verify the uncompressed file, meaning that you needed to uncompress the tar(1) file before verifying it. Beginning with V8.11, there is a signature file for each of the compressed files, so there is no need to uncompress either first. The signature file has the same name as the distribution file but with a literal . sig suffix added.sendmail.8.14.1. tar.gz ← the distribution file sendmail.8.14.1. tar.gz.sig ← the signature file for this distribution file sendmail.8.14.1. tar.Z ← the distribution file sendmail.8.14.1. tar.Z.sig ← the signature file for this distribution file If you have not already done so for an earlier sendmail distribution, you must now download and install the PGPKEYS file from sendmail.org: ftp://ftp.sendmail.org/pub/sendmail/P... After downloading this file, add the keys in it to your PGP key ring with a command like this: pgp -ka PGPKEYS ← for pgp version 2. x pgpk -a PGPKEYS ← for pgp version 5. x gpg --import PGPKEYS ← for gpg If you use gpg(1), your output may look something like this: % gpg --import PGPKEYS gpg: key 16F4CCE9: "Sendmail Security " 22 new signatures gpg: key 7093B841: public key "Sendmail Signing Key/2007 " imported gpg: key AF959625: "Sendmail Signing Key/2006 " 7 new signatures gpg: key 1EF99251: "Sendmail Signing Key/2005 " 9 new signatures gpg: key 95F61771: "Sendmail Signing Key/2004 " 7 new signatures gpg: key 396F0789: "Sendmail Signing Key/2003 " 27 new signatures gpg: key 678C0A03: "Sendmail Signing Key/2002 " 13 new signatures * How public key cryptography is used to sign a file is described in §5.2 on page 1992.2 Download the Source | 43 This is the Title of the Book, eMatter Edition Copyright © 2007 O’Reilly & Associates, Inc. All rights reserved.

to transfer. In addition to the two forms of distribution, each release has a PGP signature file associated withit.* Prior to V8.11, this was a single signature file used to verify the uncompressed file, meaning that you needed to uncompress the tar(1) file before verifying it. Beginning with V8.11, there is a signature file for each of the compressed files, so there is no need to uncompress either first. The signature file has the same name as the distribution file but with a literal . sig suffix added.sendmail.8.14.1. tar.gz ← the distribution file sendmail.8.14.1. tar.gz.sig ← the signature file for this distribution file sendmail.8.14.1. tar.Z ← the distribution file sendmail.8.14.1. tar.Z.sig ← the signature file for this distribution file If you have not already done so for an earlier sendmail distribution, you must now download and install the PGPKEYS file from sendmail.org: ftp://ftp.sendmail.org/pub/sendmail/P... After downloading this file, add the keys in it to your PGP key ring with a command like this: pgp -ka PGPKEYS ← for pgp version 2. x pgpk -a PGPKEYS ← for pgp version 5. x gpg --import PGPKEYS ← for gpg If you use gpg(1), your output may look something like this: % gpg --import PGPKEYS

Most mods are single-player only mods. Knowing how to install single player mods helps in installing multiplayer mods. You must first download the mod that you want. Go to a reliable website and download. If the mod that you want is missing and cannot be found, this usually means that it is discontinued.   Windows   First you will need an archive utility application, such as WinZip, WinRAR, 7-Zip, or something similar.   Locate you Minecraft application. Go to the start menu, and type “minecraft” in the search bar. Click on this option to open the folder in a new window.   Your Minecraft application data can be found within your .minecraft folder.   Back-up your Minecraft save files before installing any mod. To do this simply copy your saves folder and paste it into another folder. Copy the previous saves folder back into your .minecraft folder to restore.   Extract the mod you downloaded with WinRAR or any archive utility application.   Locate the minecraft.jar file. This file can be found in the bin folder in .minecraft.   Back-up your minecraft.jar file. Copy minecraft.jar in the same folder as the mods.   Open the minecraft.jar file with WinRAR.   Copy all the mod files into the minecraft.jar file and select "Add and replace files”   Lastly delete the folder named META-INF.

Networking was already a sore subject at Microsoft. A standard feature of minicomputers and workstations, networking had been slow to arrive in the world of PCs. Aside from Apple, whose Macintosh contained a simple and effective means of sharing files and printers between machines, customers had yet to find a standard way of linking together different brands of PCs. A Utah company named Novell had grabbed the lead with a program called Netware, which made it possible for many PCs to both share a single printer and handle a set of files located on one PC. Print and file services, though mundane, were the lifeblood of PC networking. Novell’s lead stemmed largely from its fast delivery of these services: Microsoft was unable to better or even match Novell’s products. At the moment Rubin led a large group that was building a networking attachment to OS/2 called Lan Man, which was Microsoft’s latest hope in the attempt to overtake Novell. Cutler

And then it actually becomes the most interesting thing in the world. A single word is embossed in fancy calligraphy letters. A single word that makes it feel like the whole room is spinning. Harksbury. What in God’s name? “What is this?” I point at it and shout in Mindy’s ear. She scrunches her eyebrows. “A coaster?” I groan. “No, I mean, the name. Harksbury.” “Oh. It’s the name of the club. I don’t know what it means, though.” I do. It’s the name of a dukedom. I wonder if that means some relative of Alex’s invested in this place or something. Or if someone borrowed their name. Or what. But it has to mean Harksbury is real, that it existed. I stare down at the word again. If the shoes weren’t enough…It has to be real. And seeing it like this reminds me of how I felt there. How it felt to be Rebecca. I tuck the coaster into my back pocket and try to ignore the stare Angela is giving me. She probably thinks I’m totally nuts, stealing a paper coaster. But it’s the closest I’ll get to a souvenir of my time-bending trip. And having it on me makes me feel stronger, somehow, like I can always be that girl at the ball. I look up when the boys file in and sit down on a bright orange couch shaped like a slug. “Ladies. This is Grant, Tim, and Alex,” door-boy says. He doesn’t even introduce himself. I guess I’m supposed to know who he is. I smile at Grant and nod at Tim, but when I get to Alex, I only stare. Alex. The Alex. No, no it can’t be. His hair is shorter, his skin smooth and shaven. He’s got on a green button-up, left open at the collar, which brings out the intense emerald shade of his eyes. There’s something different. The contour of his lips, the line of his nose. It’s almost him, but not quite. And he’s staring back at me. Does he know who I am? No, that’s silly. It’s not really him. Not Alex Thorton-Hawke, the Duke of Harksbury. Just Alex, the twenty-first-century guy standing in front of me. In a nightclub. In real life. Mindy jabs me with her elbow. “This is--” “Callie,” I say, standing and reaching my hand out. “My name is Callie.” It feels so good to say that. To be me. I grin involuntarily at the realization. He smiles and shakes it. “Hey.” For a second neither of us says anything else. We just keep shaking hands and staring at each other. My heart hammers out of control. I feel sweaty already. But it’s adrenaline. Excitement. I’m not terrified anymore. Not of Angela, not of Alex. I can do this. “Do you want to dance?” I ask. Did I really just say that out loud? That couldn’t have been me. That was someone else. “Huh?” He can’t hear me over the music. “Do you want to dance?” I say, louder this time, with a little more conviction. For emphasis, I nod my head toward the floor. I’m really doing this. “Yeah.” I’m not sure I’ve heard him correctly, but then he grabs my hand and leads me away, and I risk a glance back at the group. They’re just staring. For once in my life, I’ve upstaged them. I grin back and then turn my attention to Alex. I’ve thought about getting close to him for a month. I’m about to get my chance.

In particular, we can combine the chain() function with the contextlib.ExitStack() method to process a collection of files as a single iterable sequence of values. We can do something like this: from contextlib import ExitStack import csv def row_iter_csv_tab(*filenames): with ExitStack() as stack: files = [stack.enter_context(open(name, 'r', newline='')) for name in filenames] readers = [csv.reader(f, delimiter='\t') for f in files] readers = map(lambda f: csv.reader(f, delimiter='\t'), files) yield from chain(*readers)

As Graedon scrutinized the FDA’s standards for bioequivalence and the data that companies had to submit, he found that generics were much less equivalent than commonly assumed. The FDA’s statistical formula that defined bioequivalence as a range—a generic drug’s concentration in the blood could not fall below 80 percent or rise above 125 percent of the brand name’s concentration, using a 90 percent confidence interval—still allowed for a potential outside range of 45 percent among generics labeled as being the same. Patients getting switched from one generic to another might be on the low end one day, the high end the next. The FDA allowed drug companies to use different additional ingredients, known as excipients, that could be of lower quality. Those differences could affect a drug’s bioavailability, the amount of drug potentially absorbed into the bloodstream. But there was another problem that really drew Graedon’s attention. Generic drug companies submitted the results of patients’ blood tests in the form of bioequivalence curves. The graphs consisted of a vertical axis called Cmax, which mapped the maximum concentration of drug in the blood, and a horizontal axis called Tmax, the time to maximum concentration. The resulting curve looked like an upside-down U. The FDA was using the highest point on that curve, peak drug concentration, to assess the rate of absorption into the blood. But peak drug concentration, the point at which the blood had absorbed the largest amount of drug, was a single number at one point in time. The FDA was using that point as a stand-in for “rate of absorption.” So long as the generic hit a similar peak of drug concentration in the blood as the brand name, it could be deemed bioequivalent, even if the two curves reflecting the time to that peak looked totally different. Two different curves indicated two entirely different experiences in the body, Graedon realized. The measurement of time to maximum concentration, the horizontal axis, was crucial for time-release drugs, which had not been widely available when the FDA first created its bioequivalence standard in 1992. That standard had not been meaningfully updated since then. “The time to Tmax can vary all over the place and they don’t give a damn,” Graedon emailed a reporter. That “seems pretty bizarre to us.” Though the FDA asserted that it wouldn’t approve generics with “clinically significant” differences in release rates, the agency didn’t disclose data filed by the companies, so it was impossible to know how dramatic the differences were.

Around about this time, stuck as we are without a breath of wind in the doldrums, Casino cons his way into writing an entertainment column for a newspaper back in Norway. He files his columns every Friday, which is handy because the London music papers come out on Thursday and that allows him to steal every single sentence, so the wheeze doesn’t have to take up a great deal of his time. What a scam. He gets paid plus he gets journalist credentials, so every week the record companies send all their new releases for him to review. This, of course, he never does. Instead, he takes each week’s stack down the street and sells them to a record shop. Another angle he’s working is that, since he’s using his maiden name for the newspaper byline, he can drop the handle ‘Casino Steel’ into his columns every now and again, mentioning this up-and-coming musician who’s really making waves in London. So it turns out Casino Steel is making quite a name for himself, especially for a man who’s not making quite a name for himself.

Amor Mašović, the president of the Bosnian government’s Commission for Tracing Missing Persons, confirms that there are hundreds of undiscovered mass graves. To this day, the International Commission on Missing Persons (ICMP) is helping identify dead bodies from such mass graves, using technologies such as DNA testing. As many as 150 prisoners were killed every single night in Omarska Camp. Estimates from the United States also suggest that, at a minimum, several hundreds of civilians were murdered during the camp’s evacuation period. Actual numbers are likely to be much higher. All the toilets in the camp were blocked. There were human feces throughout the area. The prisoners’ extremely deplorable and terrifying conditions were confirmed by a British journalist named Ed Vulliamy in a testimony. He also mentioned that the detainees consumed water from an industrially polluted river causing them severe diarrhea and intestinal diseases. There were zero criminal reports filed against the Serb perpetrators. The victims were constantly subjected to abuse resulting in serious psychological and physical deterioration.

ON THURSDAY EVENING, November 13, the day after the My Lai story ran in newspapers across the country, more than forty thousand people began gathering at Arlington National Cemetery for what was called a “March of Death.” For thirty-eight straight hours and in the face of biting cold and gusts of driving rain, they streamed in single file across the Arlington Bridge and on into the heart of the nation’s capital. A placard hung from each marcher’s neck bearing the name of someone who had been killed in the war, and when they passed the White House they shouted it out. Most marchers were young, but here and there were older people—parents or family members, presumably—who had asked for particular names. (Thirty-odd names had tactfully been withdrawn when families objected to their being displayed.) The long procession ended at the Capitol, where each placard was slipped into a wooden coffin.