Fig Leaves Quotes

A man doesn't have time in his life to have time for everything. He doesn't have seasons enough to have a season for every purpose. Ecclesiastes Was wrong about that. A man needs to love and to hate at the same moment, to laugh and cry with the same eyes, with the same hands to throw stones and to gather them, to make love in war and war in love. And to hate and forgive and remember and forget, to arrange and confuse, to eat and to digest what history takes years and years to do. A man doesn't have time. When he loses he seeks, when he finds he forgets, when he forgets he loves, when he loves he begins to forget. And his soul is seasoned, his soul is very professional. Only his body remains forever an amateur. It tries and it misses, gets muddled, doesn't learn a thing, drunk and blind in its pleasures and its pains. He will die as figs die in autumn, Shriveled and full of himself and sweet, the leaves growing dry on the ground, the bare branches pointing to the place where there's time for everything.

Why tinker with the plain truth that we hurry the darker races to their graves in order to take their land & its riches? Wolves don’t sit in their caves, concocting crapulous theories of race to justify devouring a flock of sheep! “Intellectual courage”? True “intellectual courage” is to dispense with these fig leaves & admit all peoples are predatory, but White predators, with our deadly duet of disease dust & firearms, are examplars of predacity par excellence, & what of it?

When a poor soul is somewhat awakened by the terrors of the Lord, then the poor creature, being born under the covenant of works, flies directly to a covenant of works again. And as Adam and Eve hid themselves… and sewed fig leaves… so the poor sinner, when awakened, flies to his duties and to his performances, to hide himself from God, and goes to patch up a righteousness of his own. Says he, I will be mighty good now–I will reform–I will do all I can; and then certainly Jesus Christ will have mercy on me.

I imagine us in Eden— two black boys in Paradise, naked, no fig leaves. Adam and Eve are long gone, so Kieran and Michael inherit the garden and the serpent is forgotten and the fruit on the tree of knowledge has gone rotten

Turning to his right, Danny saw a great fig tree sparkle in many places inside its dark canopy of leaves, like a thing that knew its own heart.

Oh yes, In Love, that demented rose-red circus tent whose half-light forgives all visuals, fig-leaves our lovers, and softens our own brains and the pain of our sawdust pratfalls.   So tempting, that midway faux-marble arch, both funfair and classical— so Greek, so Barnum, such a beacon, with a sign in gas-blue neon:   Love! This way! In!

The world is tremendously busy trying to cover up its nakedness, trying to get back again the glory that has been lost.

Adam and Eve covered their privates with fig leaves; the first Indians covered their privates with their tiny hands.

Morality is like the famous fig leaves that Adam and Eve used to cover their genitals after they first sinned. But what morality really covers up is will, which is our true nature.

You leave me much against my will.

I imagine us in Eden— two black boys in Paradise, naked, no fig leaves. Adam and Eve are long gone, so Kieran and Michael inherit the garden and the serpent is forgotten and the fruit on the tree of knowledge has gone rotten.” ― Dean Atta, The Black Flamingo

All down the stone steps on either side were periwinkles in full flower, and she could now see what it was that had caught at her the night before and brushed, wet and scented, across her face. It was wistaria. Wistaria and sunshine . . . she remembered the advertisement. Here indeed were both in profusion. The wistaria was tumbling over itself in its excess of life, its prodigality of flowering; and where the pergola ended the sun blazed on scarlet geraniums, bushes of them, and nasturtiums in great heaps, and marigolds so brilliant that they seemed to be burning, and red and pink snapdragons, all outdoing each other in bright, fierce colour. The ground behind these flaming things dropped away in terraces to the sea, each terrace a little orchard, where among the olives grew vines on trellises, and fig-trees, and peach-trees, and cherry-trees. The cherry-trees and peach-trees were in blossom--lovely showers of white and deep rose-colour among the trembling delicacy of the olives; the fig-leaves were just big enough to smell of figs, the vine-buds were only beginning to show. And beneath these trees were groups of blue and purple irises, and bushes of lavender, and grey, sharp cactuses, and the grass was thick with dandelions and daisies, and right down at the bottom was the sea. Colour seemed flung down anyhow, anywhere; every sort of colour piled up in heaps, pouring along in rivers....

Under the twinkling trees was a table covered with Guatemalan fabric, roses in juice jars, wax rose candles from Tijuana and plates of food — Weetzie's Vegetable Love-Rice, My Secret Agent Lover Man's guacamole, Dirk's homemade pizza, Duck's fig and berry salad and Surfer Surprise Protein Punch, Brandy-Lynn's pink macaroni, Coyote's cornmeal cakes, Ping's mushu plum crepes and Valentine's Jamaican plantain pie. Witch Baby's stomach growled but she didn't leave her hiding place. Instead, she listened to the reggae, surf, soul and salsa, tugged at the snarl balls in her hair and snapped pictures of all the couples.

eyes of them both were opened, and they knew that they were naked; and they sewed fig leaves together, and made themselves aprons.

Adam and Eve, in their shame, tried to cover themselves with fig leaves (Gen. 3:7). You, though, are covered completely by Christ. Christ fully covers us in all of our shame. Christ

It's decorated with fig leaves and, for some reason, fish. I never look too closely when raiding it; the fish that makes up the handle always seem to be giving me the serious malocchio.

Lack of self-awareness renders us transparent. A soul that knows itself is opaque; like Adam after he ate from the tree of knowledge it uses words as fig leaves to cover its nakedness and shame.

But you are gazing at me the way God gazed at Adam and I am embarrassed by your look of love and possession and pride. I want to go now and cover myself with fig leaves. It’s a sin this not being ready, this not being up to it.

In the moonlight David saw that Thoresby had become very peculiar indeed. Figs nestled among the leaves of beech-trees. Elder-trees were bowed down with pomegranates. Ivy was almost torn from walls by the weight of ripe blackberries growing upon it. Anything which had ever possessed any sort of life had sprung fruitfulness. Ancient, dried up frames had become swollen with sap and we putting out twigs, leaves, blossoms and fruit. Door-frames and doors were so distorted that bricks had been pushed out of place and some houses were in danger of collapsing altogether. The cart in the middle of the high street was a grove of silver birches. Its broken wheels put forth briar roses and nightingales sang on it.

But she only wanted to scare Fig enough to ensure she'd never do anything like this again. Not scare her so much that she’d be retroactively traumatized by all she’d had the grace to avoid. If we had to worry about all our mothers’ fears, who among us would ever leave the house?

The lace curtains fluttered, and the sweet rich smell of Outdoors pushed through the open sash window- eucalyptus and lemon myrtle and overripe mangoes starting to boil on her father's prized tree. Vivien folded the papers back into the drawer and jumped to her feet. The sky was cloudless, blue as the ocean and drum-skin tight. Fig leaves glittered in the bright sunlight, frangipanis sparkled pink and yellow, and birds called to one another in the thick rain forest behind the house. It was going to be a stinker, Vivien realized with satisfaction, and later there'd be a storm. She loved storms: the angry clouds and the first fat drops, the rusty smell of thirsty red dirt, and the lashing rain against the walls as Dad paced back and forth on the veranda with his pipe in his mouth and a shimmer in his eyes, trying to keep his thrill in check as the palm trees wailed and flexed.

And then the leaves break out on the trees, and the petals drop from the fruit trees and carpet the earth with pink and white. The centers of the blossoms swell and grow and color: cherries and apples, peaches and pears, figs which close the flower in the fruit. All California quickens with produce, and the fruit grows heavy, and the limbs bend gradually under the fruit so that little crutches must be placed under them to support the weight.

It's morning in Bethany and God is hungry God wants His breakfast. He comes to a fig tree. It's not the season for figs so the tree has no figs. God is peeved. The Son mutters "May you never bear fruit again " and instantly the fig tree withers. So says Matthew backed up by Mark. I ask you is it the fig tree's fault that it's not the season for figs What kind of thing is that to do to an innocent fig tree whither it instantly I couldn't get Him out of my head. Still can't. I spent three solid days thinking about Him. The more He bothered me the less I could forget Him. And the more I learned about Him the less I wanted to leave Him.

There is one very serious defect to my mind in Christ's moral character, and that is that He believed in hell. I do not myself feel that any person who is really profoundly humane can believe in everlasting punishment... ... There are other things of less importance. There is the instance of the Gadarene swine where it certainly was not very kind to the pigs to put devils into them and make them rush down the hill to the sea. You must remember that He was omnipotent, and He could have made the devils simply go away; but he chooses to send them into the pigs. Then there is the curious story of the fig-tree, which always rather puzzled me. You remember what happened about the fig-tree. 'He was hungry; and seeing a fig-tree afar off having leaves, He came if haply He might find anything thereon; and when He came to it He found nothing but leaves, for the time for figs was not yet. And Jesus answered and said unto it: "No man eat fruit of thee hereafter for ever,"...and Peter... saith unto Him: "Master, behold the fig-tree which thou cursedst is withered away".' This is a very curious story, because it was not the right time of year for figs, and you really could not blame the tree. I cannot myself feel that either in matter of wisdom or in matter of virtue Christ stands quite as high as some other people known to history. I think I should put Buddha and Socrates above Him in those respects.

There comes an end to summer, To spring showers and hoar rime; His mumming to each mummer Has somewhere end in time, And since life ends and laughter, And leaves fall and tears dry, Who shall call love immortal, When all that is must die ? Nay, sweet, let’s leave unspoken The vows the fates gainsay, For all vows made are broken, We love but while we may. Let’s kiss when kissing pleases, And part when kisses pall, Perchance, this time to-morrow, We shall not love at all. You ask my love completest, As strong next year as now, The devil take you, sweetest, Ere I make aught such vow. Life is a masque that changes, A fig for constancy! No love at all were better, Than love which is not free." -"To His Mistress

The tragedy of the world today is that it starts too near to its problems.

Their famous attempt to make clothing of fig leaves perfectly illustrates the utter inadequacy of every human device ever conceived to try to cover shame. Human religion, philanthropy, education, self-betterment, self-esteem, and all other attempts at human goodness ultimately fail to provide adequate camouflage for the disgrace and shame of our fallen state. All the man-made remedies combined are no more effective for removing the dishonor of our sin than our first parents' attempts to conceal their nakedness with fig leaves. That's because masking over shame doesn't really deal with the problem of guilt before God. Worst of all, a full atonement for guilt is far outside the possibility of fallen men and women to provide for themselves.

When He came to it, He found nothing but leaves, for it was not the season for figs. 14 In response Jesus said to it, “Let no one eat fruit from you ever again.” And His disciples heard it.

Rain it did, and that night in the atrium of the old farmhouse, they could here it hushing and pattering on the roof and among the broad leaves of the fig-tree outside; and the little breath of air from the open door that scarcely stirred the flame of the lamp on the table bore with it that most wonderful of all smells, the throat-catching heart-catching scent of rain on a hot and thirsty earth.

Once a perfect little beauty in a tartan frock, with a clatter put her heavily armed foot near me upon the bench to dip her slim bare arms into me and tighten the strap of her roller skate, and I dissolved in the sun, with my book for fig leaf, as her auburn ringlets fell all over her skinned knee, and the shadow of leaves I shared pulsated and melted on her radiant limb next to my chameleonic cheek.

It was better to die, like Eugénie and Digby, in the prime of life with all one's faculties about one. But he wasn't like that, she thought, glancing at the press cuttings. 'A man of singularly handsome presence... shot, fished, and played golf.' No, not like that in the least. He had been a curious man; weak; sensitive; liking titles; liking pictures; and often depressed, she guessed , by his wife's exuberance. She pushed the cuttings away and took up her book. It was odd how different the same person seemed to two different people, she thought. There was Martin, liking Eugénie; and she, liking Digby. She began to read. She had always wanted to know about Christianity - how it began; what it meant, originally. God is love, The kingdom of Heaven is within us, sayings like that she thought, turning over the pages, what did they mean? The actual words were very beautiful. But who said them - when? Then the spout of the tea-kettle puffed steam at her and she moved it away. The wind was rattling the windows in the back room; it was bending the little bushes; they still had no leaves on them. It was what a man said under a fig tree, on a hill, she thought. And then another man wrote it down. But suppose that what that man says is just as false as what this man - she touched the press cuttings with her spoon - says about Digby? And here I am, she thought, looking at the china in the Dutch cabinet, in this drawing-room, getting a little spark from what someone said all those years ago - here it comes (the china was changing from blue to livid) skipping over all those mountains, all those seas. She found her place and began to read.

Another time for men to go sailing is in spring when a man first sees leaves on the topmost shoot of a fig-tree as large as the foot-print that a crow makes; then the sea is passable, and this is the spring sailing time.

Aggiunsi che non volevo altri figli, che trovavo insopportabile l'isolamento in cui ero finita, che desideravo tornare a una vita attiva, che non avevo sgobbato dall'infanzia solo per finire incarcerata nei ruoli di moglie e madre.

Biting into her fig, she trailed her fingers along the rough, waxy leaves of an untrimmed hedge and pretended she was in Wallachia. Radu heard it first. “Listen,” he whispered. “Someone is crying.” “And it is not you. What a wonder.

Lo, the poor Indian, whose untutored mind Clothes him in front, but leaves him bare behind. But actually it is we, the rich and highly educated whites, who have left ourselves bare behind. We cover our anterior nakedness with some philosophy—Christian, Marxian, Freudo-Physicalist—but abaft we remain uncovered, at the mercy of all the winds of circumstance. The poor Indian, on the other hand, has had the wit to protect his rear by supplementing the fig leaf of a theology with the breechclout of transcendental experience.

People slice up tree trunks, nail the pieces together into boxy shapes, and then go inside to sleep. Trees use the wood in their trunks for a different purpose—namely, they use it to fight with other plants. From dandelions to daffodils, from ferns to figs, from potatoes to pine trees—every plant growing on land is striving toward two prizes: light, which comes from above, and water, which comes from below. Any contest between two plants can be decided in one move, when the winner simultaneously reaches higher and digs deeper than the loser. Consider the tremendous advantage that wood confers to one of the contestants during such a battle: armed with a stiff-yet-flexible, strong-yet-light prop that separates—and connects—leaves and roots, trees have dominated the tournament for more than four hundred million years.

Spring, in Brittany, is milder than spring in Paris, and bursts into flower three weeks earlier. The five birds that herald its appearance—the swallow, the oriole, the cuckoo, the quail, and the nightingale—arrive with the breezes that refuge in the bays of the Armorican peninsula.[28] The earth is covered over with daisies, pansies, jonquils, daffodils, hyacinths, buttercups, and anemones, like the wastelands around San Giovanni of Laterano and the Holy Cross of Jerusalem in Rome. The clearings are feathered with tall and elegant ferns; the fields of gorse and broom blaze with flowers that one may take at first glance for golden butterflies. The hedges, along which strawberries, raspberries, and violets grow, are adorned with hawthorn, honeysuckle, and brambles whose brown, curving shoots burst forth with magnificent fruits and leaves. All the world teems with bees and birds; hives and nests interrupt the child’s every footstep. In certain sheltered spots, the myrtle and the rose-bay flourish in the open air, as in Greece; figs ripen, as in Provence; and every apple tree, bursting with carmine flowers, looks like the big bouquet of a village bride.

Leave all the ‘wise men to mock it or tolerate.’ Let them reach the moon or the stars, they are all dead. Nothing lives outside of man. Man is the living soul, turning slowly into a life-giving Spirit. But you cannot tell it except in a parable or metaphor to excite the mind of man to get him to go out and prove it. Leave the good and evil and eat of the Tree of Life. Nothing in the world is untrue if you want it to be true. You are the truth of everything that you perceive. ‘I am the truth, and the way, the life revealed.’ If I have physically nothing in my pocket, then in Imagination I have MUCH. But that is a lie based on fact, but truth is based on the intensity of my imagination and then I will create it in my world. Should I accept facts and use them as to what I should imagine? No. It is told us in the story of the fig tree. It did not bear for three years. One said, ‘Cut it down, and throw it away.’ But the keeper of the vineyard pleaded NO’! Who is the tree? I am the tree; you are the tree. We bear or we do not. But the Keeper said he would dig around the tree and feed it ‘or manure it, as we would say today’ and see if it will not bear. Well I do that here every week and try to get the tree ‘you’ me to bear. You should bear whatever you desire. If you want to be happily married, you should be. The world is only response. If you want money, get it. Everything is a dream anyway. When you awake and know what you are creating and that you are creating it that is a different thing. The greatest book is the Bible, but it has been taken from a moral basis and it is all weeping and tears. It seems almost ruthless as given to us in the Gospel, if taken literally. The New Testament interprets the Old Testament, and it has nothing to do with morals. You change your mind and stay in that changed state until it unfolds. Man thinks he has to work himself out of something, but it is God asleep in you as a living soul, and then we are reborn as a life-giving spirit. We do it here in this little classroom called Earth or beyond the grave, for you cannot die. You can be just as asleep beyond the grave. I meet them constantly, and they are just like this. Same loves and same hates. No change. They will go through it until they finally awake, until they cease to re-act and begin to act. Do not take this story lightly which I have told you tonight. Take it to heart. Tonight when you are driving home enact a scene. No matter what it is. Forget good and evil. Enact a scene that implies you have what you desire, and to the degree that you are faithful to that state, it will unfold in your world and no power can stop it, for there is no other power. Nothing is independent of your perception of it, and this goes for that great philosopher among us who is still claiming that everything is independent of the perceiver, but that the perceiver has certain powers. It is not so. Nothing is independent of the perceiver. Everything is ‘burned up’ when I cease to behold it. It may exist for another, but not for me. Let us make our dream a noble one, for the world is infinite response to you, the being you want to be. Now let us go into the silence.

Now, what about that chocolate?" It is my recipe, and yet it is not quite familiar. A little less sugar, a little more vanilla, or cardamom, or maybe turmeric. In any case, it is sweet and good, and it smells of other places, of wonderful things to discover. But it also smells of home; of the scent of fig leaves in the sun, and Armande's peaches cooking. It smells of moonlight on the Tannes, and the scent of Roux's tattooed skin against mine. It smells of the past and the future, and suddenly I realize that I am no longer afraid of anything that future may bring. The hole in the world has somehow been filled. I am whole again, and free.

There was one vampire, however, who refused to leave… who believed that the dream of a nation of immortals was still within reach—so long as Abraham Lincoln was dead. His name was John Wilkes Booth. FIG.3E - JOHN WILKES BOOTH (SEATED) POSES FOR A PORTRAIT WITH CONFEDERATE PRESIDENT JEFFERSON DAVIS IN RICHMOND, CIRCA 1863.

A chilled pea soup of insane simplicity, garnished with creme fraiche and celery leaves. Roasted beet salad with poached pears and goat cheese. Rack of lamb wrapped in crispy prosciutto, served over a celery root and horseradish puree, with sautéed spicy black kale. A thin-as-paper apple galette with fig glaze. Everything turned out brilliantly, including Patrick, who roused himself as I was pulling the lamb from the oven to rest before carving. He disappeared into the bathroom for ten minutes and came out shiny; green pallor and under-eye bags gone like magic. Pink with health and vitality, polished and ridiculously handsome, he looked as if he could run a marathon, and I was gobsmacked. He came up behind me just as I was finishing his port sauce for the lamb with a sprinkle of honey vinegar and a bit of butter, the only changes I made to any of his recipes, finding the sauce without them a bit one-dimensional and in need of edge smoothing.

Adam, where are you?” In every respect, where are you, man? Where are you, woman? Come out of that hiding place and face the truth, for you have to. You are in God’s world. You are God’s creature, and you cannot avoid him. You cannot evade him. You have to deal with him. And if you do not listen to him in life, you will have to listen to him in death. When your name is called out at the great judgment throne in eternity, you will have to step forward and listen to the verdict.

I am a person of binges. I have never understood the phrase “too much of a good thing.” Look: it’s irrational, impossible. See fig. 1: when I was a child, I became obsessed with horses. I know, I know, all little girls are obsessed with horses. But I lived for them. I gorged on them. I begged for them in any incarnation: films, toys, patterns, photographs, posters. Once, I cut the hair off a Barbie and superglued it to the base of my spine. I thrilled to wear my pony tail under my clothes, in secret, my parents knowing nothing, thinking me merely human, but it rubbed off after two days, leaving long blond doll hairs clotting in the corners of the house. My birthday came, and my parents, who were still together then, splurged on an afternoon of horseback riding lessons. When it was time to leave, they found that I had knotted my hair into the horse’s mane so elaborately that they had to cut me away from it with a pair of rusted barn shears. I still have the clump of matted girl-and-horse hair hidden in a drawer, though after all the times I put it in my mouth, I admit that it is somewhat the worse for wear.

According to Mark 11:12-13, God's messengers were not the only ones who were incompetent: 'He [Jesus] was hungry. And on seeing in the distance a fig tree in leaf, he went to see if he could find anything on it. When he came to it, he found nothing but leaves, for it was not the season for figs.' Imagine Jesus, the divine, holy, wisest of the wise not knowing that figs were out of season. Now allegedly Jesus could have performed a miracle and made figs magically appear, but he preferred sour grapes instead: Then he said to the tree, 'May no one ever eat fruit from you again.' (Mark 11:14)

Romance Sonambulo" Green, how I want you green. Green wind. Green branches. The ship out on the sea and the horse on the mountain. With the shade around her waist she dreams on her balcony, green flesh, her hair green, with eyes of cold silver. Green, how I want you green. Under the gypsy moon, all things are watching her and she cannot see them. Green, how I want you green. Big hoarfrost stars come with the fish of shadow that opens the road of dawn. The fig tree rubs its wind with the sandpaper of its branches, and the forest, cunning cat, bristles its brittle fibers. But who will come? And from where? She is still on her balcony green flesh, her hair green, dreaming in the bitter sea. —My friend, I want to trade my horse for her house, my saddle for her mirror, my knife for her blanket. My friend, I come bleeding from the gates of Cabra. —If it were possible, my boy, I’d help you fix that trade. But now I am not I, nor is my house now my house. —My friend, I want to die decently in my bed. Of iron, if that’s possible, with blankets of fine chambray. Don’t you see the wound I have from my chest up to my throat? —Your white shirt has grown thirsty dark brown roses. Your blood oozes and flees a round the corners of your sash. But now I am not I, nor is my house now my house. —Let me climb up, at least, up to the high balconies; Let me climb up! Let me, up to the green balconies. Railings of the moon through which the water rumbles. Now the two friends climb up, up to the high balconies. Leaving a trail of blood. Leaving a trail of teardrops. Tin bell vines were trembling on the roofs. A thousand crystal tambourines struck at the dawn light. Green, how I want you green, green wind, green branches. The two friends climbed up. The stiff wind left in their mouths, a strange taste of bile, of mint, and of basil My friend, where is she—tell me— where is your bitter girl? How many times she waited for you! How many times would she wait for you, cool face, black hair, on this green balcony! Over the mouth of the cistern the gypsy girl was swinging, green flesh, her hair green, with eyes of cold silver. An icicle of moon holds her up above the water. The night became intimate like a little plaza. Drunken “Guardias Civiles” were pounding on the door. Green, how I want you green. Green wind. Green branches. The ship out on the sea. And the horse on the mountain.

They say the world will end soon. They say that the nuclear weapons made, Due to fearing 'the other', Has become a curse, a plague, a scourge On those who made them Even more than those they were made to scare... And I wonder: Will the nuclear weapons be the cause of world’s end? Or will world’s end be caused by humanity’s fear, complicity, and submission? And if what they say is true, Before the world ends and before I die, I wish to drink one last cup of cardamom-flavored tea Taste one last fig, peach, or apricot, Smell a quince, Dip one last piece of bread In Palestinian thyme and olive oil… Before the world ends, I wish to smell a few pine needles, To breathe the smell of the first rain shower After a long, hot, and dry summer… Before the world ends and before I die, I wish to read one more book Out of the thousands of books that I still want to read… Before the world ends and before I die, I ask for one more spring To smell bunches of Iraqi narcissus flowers. I want to live one more autumn, To enjoy the magical colors Of the dying leaves on the trees As they challenge death with beauty Right before falling on the grounds of indifference… But my biggest wish before I die is For my death not to be the end of the world… [Original poem published in Arabic on October 13 at ahewar.org]

Kami Castillo My Books Browse ▾ Community ▾ All down the stone steps on either side were periwinkles in full flower, and she could now see what it was that had caught at her the night before and brushed, wet and scented, across her face. It was wistaria. Wistaria and sunshine . . . she remembered the advertisement. Here indeed were both in profusion. The wistaria was tumbling over itself in its excess of life, its prodigality of flowering; and where the pergola ended the sun blazed on scarlet geraniums, bushes of them, and nasturtiums in great heaps, and marigolds so brilliant that they seemed to be burning, and red and pink snapdragons, all outdoing each other in bright, fierce colour. The ground behind these flaming things dropped away in terraces to the sea, each terrace a little orchard, where among the olives grew vines on trellises, and fig-trees, and peach-trees, and cherry-trees. The cherry-trees and peach-trees were in blossom--lovely showers of white and deep rose-colour among the trembling delicacy of the olives; the fig-leaves were just big enough to smell of figs, the vine-buds were only beginning to show. And beneath these trees were groups of blue and purple irises, and bushes of lavender, and grey, sharp cactuses, and the grass was thick with dandelions and daisies, and right down at the bottom was the sea. Colour seemed flung down anyhow, anywhere; every sort of colour piled up in heaps, pouring along in rivers....

8. Epithets for yourself: Upright. Modest. Straightforward. Sane. Cooperative. Disinterested. Try not to exchange them for others. And if you should forfeit them, set about getting them back. Keep in mind that “sanity” means understanding things—each individual thing—for what they are. And not losing the thread. And “cooperation” means accepting what nature assigns you—accepting it willingly. And “disinterest” means that the intelligence should rise above the movements of the flesh—the rough and the smooth alike. Should rise above fame, above death, and everything like them. If you maintain your claim to these epithets—without caring if others apply them to you or not—you’ll become a new person, living a new life. To keep on being the person that you’ve been—to keep being mauled and degraded by the life you’re living—is to be devoid of sense and much too fond of life. Like those animal fighters at the games—torn half to pieces, covered in blood and gore, and still pleading to be held over till tomorrow … to be bitten and clawed again. Set sail, then, with this handful of epithets to guide you. And steer a steady course, if you can. Like an emigrant to the islands of the blest. And if you feel yourself adrift—as if you’ve lost control—then hope for the best, and put in somewhere where you can regain it. Or leave life altogether, not in anger, but matter-of-factly, straightforwardly, without arrogance, in the knowledge that you’ve at least done that much with your life. And as you try to keep these epithets in mind, it will help you a great deal to keep the gods in mind as well. What they want is not flattery, but for rational things to be like them. For figs to do what figs were meant to do—and dogs, and bees … and people.

crimes at Ravensbrück and her early release, complete with German postage. Three maps, a list of approved gas stations at which to purchase fuel, and detailed travel instructions. A note apologizing for only being able to obtain one set of travel papers, and a whole package of Fig Newton cookies. I tossed the box in my suitcase and clicked the locks. Pietrik stirred in the next room. I froze for a second. Should I leave a note? I scribbled a quick goodbye on the paper from Caroline’s package and made my way down the stairs to the old turquoise car Papa loaned me now and then, the one Pietrik had kept alive for years. As Papa said, that car had more rust on it than paint, but it got us wherever we needed to go. At first, I fretted as I drove. What if it really was Herta? Would she hurt me? Would I hurt her? My head cleared a bit once I was under way, one of the few drivers on the road that early. I spread a map and the

I Have Seen Bengal’s Face - Poem by Jibanananda Das Autoplay next video I have seen Bengal’s face, that is why I do not seek Beauty of the earth any more: I wake up in the dark And see the dawn’s magpie-robin perched under the parasol-like huge leaf Of the fig tree – on all sides I see mounds of leaves of Black plum – banyan – jackfruit – oak – pipal lying still; Their shadows fall on the spurge bushes on zedoary clumps; Who knows when Chand near Champa from his madhukar boat Saw such oaks – banyans – gamboge’s blue shades Bengal’s beauty incomparable. Behula too someday floating on raft on Gangur’s water – When the fullmoon of the tenebrous twelfth night died on the river’s shoal – Saw countless pipals and banyans beside the golden corn, Alas, heard the tender songs of shama – and one day going to Amara. When she danced like a torn wagtail in Indra’s court Bengal’s river field, wild violets wept at her feet like anklet bells.

As John Shea so aptly put it: "God is not a law to be obeyed but a presence to be seized and acted on." In an analogy that comes from Jesus - "Take the fig tree as a parable; as soon as its twigs grow supple and its leaves come out, you know that summer is near" - letting God be God means undergoing the presence of God as a tree undergoes the presence of summer. The metaphor is simple and perfectly apt: a tree is brought to bloom by summer. It does not understand summer, conceptualize summer, nor is it able to project what summer will do to it; it simply acts under its presence. To let God be God is to live in openness to the mystery of God without limiting the nature or effect of his presence by any expectations or by withdrawal. The task of contemplation is not to specify what conditions must be met before we believe in God's existence, power, or goodness. Rather the task of contemplation is to let God be God, and like the fig tree, act under his presence. The proper approach to God is not to try to analyze the infinite, but to celebrate it.

He perceived too in these still hours how little he had understood her hitherto. He had been blinded, — obsessed. He had been seeing her and himself and the whole world far too much as a display of the eternal dualism of sex, the incessant pursuit. Now with his sexual imaginings newly humbled and hopeless, with a realization of her own tremendous minimization of that fundamental of romance, he began to see all that there was in her personality and their possible relations outside that. He saw how gravely and deeply serious was her fine philanthropy, how honest and simple and impersonal her desire for knowledge and understandings. There is the brain of her at least, he thought, far out of Sir Isaac's reach. She wasn't abased by her surrenders, their simplicity exalted her, showed her innocent and himself a flushed and congested soul. He perceived now with the astonishment of a man newly awakened just how the great obsession of sex had dominated him — for how many years? Since his early undergraduate days. Had he anything to put beside her own fine detachment? Had he ever since his manhood touched philosophy, touched a social question, thought of anything human, thought of art, or literature or belief, without a glancing reference of the whole question to the uses of this eternal hunt? During that time had he ever talked to a girl or woman with an unembarrassed sincerity? He stripped his pretences bare; the answer was no. His very refinements had been no more than indicative fig-leaves. His conservatism and morality had been a mere dalliance with interests that too brutal a simplicity might have exhausted prematurely. And indeed hadn't the whole period of literature that had produced him been, in its straining purity and refinement, as it were one glowing, one illuminated fig-leaf, a vast conspiracy to keep certain matters always in mind by conspicuously covering them away? But this wonderful woman — it seemed — she hadn't them in mind! She shamed him if only by her trustful unsuspiciousness of the ancient selfish game of Him and Her that he had been so ardently playing.... He idealized and worshipped this clean blindness. He abased himself before it.

This point is underlined in the well-known parable which Jotham told the men of Shechem: ‘Once upon a time the trees went out to anoint a king over them; and they said … to the vine, “Come and reign over us.” And the vine said to them: “Should I leave my wine, which cheers God and man, and go to be promoted over the trees?”’ Similarly, the fig-tree declined because of its sweetness, and the olive because of its own good qualitites. Then a bramble, a barren plant full of thorns, accepted the sovereignty which they offered, though it possessed neither a special good quality of its own, nor those of the trees that were to be subject to it (cf. Judg. 9 : 7–15). Now in this parable the trees which sought a ruler were not cultivated but wild. The vine, the fig-tree and the olive refused to rule over the wild trees, preferring to bear their own fruits rather than to occupy a position of authority. Likewise, those who perceive in themselves some fruit of virtue and feel its benefit, refuse to assume leadership even when pressed by others, because they prefer this benefit to receiving honour from men.

Take the fig tree as a parable,” he says; “as soon as its twigs grow supple and its leaves come out, you know that summer is near. So with you when you see all these things: know that [the Son of Man] is near, right at the gates. In truth I tell you, before this generation has passed away, all these things will have taken place” (Matthew 24:32-35). It’s interesting to note Jesus’ style here. He doesn’t quote Scripture; that’s why his authority is not like the authority of the scribes and the Pharisees (see Matthew 7:29). He doesn’t quote “papal encyclicals.” He most often uses nature as an authority. He points to clouds, sunsets, sparrows, lilies, corn in the field, leaves unfolding, several kinds of seeds, oxen in a ditch! Nature instructs us everywhere. Look and learn how to see. Look and see the rhythm, the seasons, the life and death of things. That’s your teaching, that’s creation’s plan in front of you. The new world is constantly coming into being as the old world passes. Nothing lives in nature unless something else dies, and it often happens slowly and is unseen—unless you learn how to see. Christians

According to Egyptian texts, to eat of this fruit was to eat of the flesh and the fluid of the Goddess, the patroness of sexual pleasure and reproduction. According to the Bible story, the forbidden fruit caused the couple's conscious comprehension of sexuality. Upon eating the fruit, Adam and Eve became aware of the sexual nature of their own bodies, "And they knew that they were naked." So it was that when the male deity found them, they had modestly covered their genitals with aprons of fig leaves. But it was vitally important to the construction of the Levite myth that they did not both decide to eat the forbidden fruit together, which would have been a more logical turn for the tale to take since the fruit symbolised sexual consciousness. No, the priestly scribes make it exceedingly clear that the woman Eve ate of the fruit first - upon the advice and counsel of the serpent. It can hardly have been chance or coincidence that it was a serpent who offerred Eve the advice. For people at that time knew that the serpent was the symbol, perhaps even the instrument, of divine counsel in the religion of the Goddess. It was surely intended in the Paradise myth, as in the Indo-European serpent and dragon myths, that the serpent, as the familiar counsellor of women, be seen as a source of evil and be placed in such a menacing and villainous role that to listen to the prophetesses of the female deity would be to violate the religion of the male deity in the most dangerous manner. {...} We are told that, by eating the fruit first, women possessed sexual consciousness before man and in turn tempted man to partake the forbidden fruit, that is, to join her sinfully in sexual pleasures. This image of Eve as a sexually tempting but god-defying seductress was surely intended as a warning to all Hebrew men to stay away from the sacred women of the temples, for if they succumb to the temptations of these women, they simultaneously accepted the female deity - Her fruit - Her sexuality and, perhaps most important, the resulting matrilineal identity for any children who might be conceived in this manner. It must also, perhaps even more pointedly, have been directed at Hebrew women, cautioning them not to take part in the ancient religion and its sexual customs, as they appear to have continued to do so, despite the warnings and punishments meted out by the Levite priests.

Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one. And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division. Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded. But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us? We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright. So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.

They say the world will end soon. They say that the nuclear weapons made, Due to fearing ‘the other’, Have become a curse, a plague, a scourge On those who made them Even more than those they were made to scare... And I wonder: Will the nuclear weapons be the cause of the world’s end? Or will the world’s end be caused by humanity’s fear, complicity, and submission? And if what they say is true, Before the world ends and before I die, I wish to drink one last cup of cardamom-flavored tea Taste one last fig, peach, or apricot, Smell a quince, Dip one last piece of bread In Palestinian thyme and olive oil… Before the world ends, I wish to smell a few pine needles, To breathe the smell of the first rain shower After a long, hot, and dry summer… Before the world ends and before I die, I wish to read one more book Out of the thousands of books that I still want to read… Before the world ends and before I die, I ask for one more spring To smell bunches of Iraqi narcissus flowers. I want to live one more autumn, To enjoy the magical colors Of the dying leaves on the trees As they challenge death with beauty Right before falling on the grounds of indifference… But my biggest wish before I die is For my death not to be the end of the world… [Original poem published in Arabic by ahewar.org on October 13, 2022]

We begin with an onion soup as smoky and fragrant as autumn leaves, with croutons and grated Gruyère and a sprinkle of paprika over the top. She serves and watches me throughout, waiting, perhaps, for me to produce from thin air an even more perfect confection that will cast her effort into the shade. Instead I eat, and talk, and smile, and compliment the chef, and the chink of crockery goes through her head, and she feels slightly dazed, not quite herself. Well, pulque is a mysterious brew, and the punch is liberally spiked with it, courtesy of Yours Truly, of course, in honor of the joyful occasion. As comfort, perhaps, she serves more punch, and the scent of the cloves is like being buried alive, and the taste is like chilies spiced with fire, and she wonders, Will it ever end? The second course is sweet foie gras, sliced on thin toast with quinces and figs. It's the snap that gives this dish its charm, like the snap of correctly tempered chocolate, and the foie gras melts so lingeringly in the mouth, as soft as praline truffle, and it is served with a glass of ice-cold Sauternes that Anouk disdains, but which Rosette sips in a tiny glass no larger than a thimble, and she gives her rare and sunny smile, and signs impatiently for more. The third course is a salmon baked en papillote and served whole, with a béarnaise sauce. Alice complains she is nearly full, but Nico shares his plate with her, feeding her tidbits and laughing at her minuscule appetite. Then comes the pièce de résistance: the goose, long roasted in a hot oven so that the fat has melted from the skin, leaving it crisp and almost caramelized, and the flesh so tender it slips off the bones like a silk stocking from a lady's leg. Around it there are chestnuts and roast potatoes, all cooked and crackling in the golden fat.

Nonna tucked each of her hands into the opposite sleeve, a wizened Confucius in a leopard bathrobe. "Michelangleo, he goes. For days and days he stays away from Elisabetta. The other girls, the prettier girls, have hope again. And then, there he goes once more, carrying only his nonno's ugly old glass-his telescope-and a bag of figs. These he lays at her feet. "'I see you,' he tells her. 'Every day for months, I watch. I see you. Where you sit, the sea is calm and dolphins swim near you. I see your mended net looks like a lady's lace. I see you dance in the rain before you run home. I see the jewel mosaic you leave to be scattered and remade again and again, piu bella than gold and pearls. You are piu bella than any other, queen of the sea. "'You do not need silk or pearls. I see that. But they are yours if you wish. I am yours if you wish.If you like what you see.' He gives her the glass. She takes it. Then she asks, 'What about the figs? My bisnonno, he laughs. 'It might take time, your looking to see if you like me. I bring lunch.'" Nonna slapped her knee again, clearly delighted with little Michelangelo's humor. "There is the love story. You like it?" I swallowed another yawn. "Si, Nonna.It's a good story." I couldn't resist. "But...a talking seagull? A dolphin guide? That kinda stretches the truth, dontcha think?" Nonna shrugged. "All truth, not all truth, does it matter? My nonno Guillermo came to Michelangelo and Elisabetta, then my papa Euplio to him, then me, your papa, you." She lowered her feet to the floor. Then pinched my cheek. Hard. Buona notte, bellissima." "Okay,Nonna." I yawned and pulled the white eyelet quilt up.I'd inked abstract swirl-and-dot patterns all over it when I redecorated my room. They're a little optic when I'm that tired. "Buona notte." As I was dozing off,I heard her rummaging in the linen cupboard next to my door. Reorganizing again, I though. She does that when Mom can't see her. They fold things completely different ways.

Sung was a land which was famous far and wide, simply because it was so often and so richly insulted. However, there was one visitor, more excitable than most, who developed a positive passion for criticizing the place. Unfortunately, the pursuit of this hobby soon lead him to take leave of the truth. This unkind traveler once claimed that the king of Sung, the notable Skan Askander, was a derelict glutton with a monster for a son and a slug for a daughter. This was unkind to the daughter. While she was no great beauty, she was definitely not a slug. After all, slugs do not have arms and legs - and besides, slugs do not grow to that size. There was a grain of truth in the traveler's statement, in as much as the son was a regrettable young man. However, soon afterwards, the son was accidentally drowned when he made the mistake of falling into a swamp with his hands and feet tied together and a knife sticking out of his back. This tragedy did not encourage the traveler to extend his sympathies to the family. Instead, he invented fresh accusations. This wayfarer, an ignorant tourist if ever there was one, claimed that the king had leprosy. This was false. The king merely had a well-developed case of boils. The man with the evil mouth was guilty of a further malignant slander when he stated that King Skan Askander was a cannibal. This was untrue. While it must be admitted that the king once ate one of his wives, he did not do it intentionally; the whole disgraceful episode was the fault of the chef, who was a drunkard, and who was subsequently severely reprimanded. .The question of the governance, and indeed, the very existence of the 'kingdom of Sung' is one that is worth pursuing in detail, before dealing with the traveler's other allegations. It is true that there was a king, his being Skan Askander, and that some of his ancestors had been absolute rulers of considerable power. It is also true that the king's chief swineherd, who doubled as royal cartographer, drew bold, confident maps proclaiming that borders of the realm. Furthermore, the king could pass laws, sign death warrants, issue currency, declare war or amuse himself by inventing new taxes. And what he could do, he did. "We are a king who knows how to be king," said the king. And certainly, anyone wishing to dispute his right to use of the imperial 'we' would have had to contend with the fact that there was enough of him, in girth, bulk, and substance, to provide the makings of four or five ordinary people, flesh, bones and all. He was an imposing figure, "very imposing", one of his brides is alleged to have said, shortly before the accident in which she suffocated. "We live in a palace," said the king. "Not in a tent like Khmar, the chief milkmaid of Tameran, or in a draughty pile of stones like Comedo of Estar." . . .From Prince Comedo came the following tart rejoinder: "Unlike yours, my floors are not made of milk-white marble. However, unlike yours, my floors are not knee-deep in pigsh*t." . . .Receiving that Note, Skan Askander placed it by his commode, where it would be handy for future royal use. Much later, and to his great surprise, he received a communication from the Lord Emperor Khmar, the undisputed master of most of the continent of Tameran. The fact that Sung had come to the attention of Khmar was, to say the least, ominous. Khmar had this to say: "Your words have been reported. In due course, they will be remembered against you." The king of Sung, terrified, endured the sudden onset of an attack of diarrhea that had nothing to do with the figs he had been eating. His latest bride, seeing his acute distress, made the most of her opportunity, and vigorously counselled him to commit suicide. Knowing Khmar's reputation, he was tempted - but finally, to her great disappointment, declined. Nevertheless, he lived in fear; he had no way of knowing that he was simply the victim of one of Khmar's little jokes.

As parents told their sons and daughters this story of the Garden, eventually the children would ask about the man and the woman standing there, awkward and embarrassed in their fig leaves. What happened to them? The parents answered, “The LORD God made for Adam and for his wife garments of skins and clothed them.” (Gen 3:21) The blood of the innocent was shed to cover the shame of the guilty. It wasn’t the man or the woman who shed this blood to make these coverings. This was the work of the Lord. And by the blood of the calf or the lamb, the man and woman would come out of hiding and stand again before their God. And this was only the beginning of the story.

The next day as they were leaving Bethany he was hungry.d 13 Seeing from a distance a fig tree in leaf, he went over to see if he could find anything on it. When he reached it he found nothing but leaves; it was not the time for figs. 14 And he said to it in reply, “May no one ever eat of your fruit again!” And his disciples heard it.

Isa. 34:4 All the host of heaven shall rot away, and the skies roll up like a scroll. All their host shall fall, as leaves fall from the vine.   Rev. 6:13-14 [An earthquake occurs] and the stars of the sky fell to the earth as the fig tree sheds its winter fruit when shaken by a gale. The sky vanished like a scroll that is being rolled up, and every mountain and island was removed from its place.   Matt. 24:29 “The stars will fall from heaven, and the powers of the heavens will be shaken.”   Job 26:11 “The pillars of heaven tremble, and are astounded at His rebuke.   2Sam. 22:8 Then the earth reeled and rocked; the foundations of the heavens trembled and quaked.   Is. 13:13 Therefore I shall make the heavens tremble, and the earth will be shaken out of its place at the wrath of the LORD of hosts.   Joel 2:10 The earth quakes before them, the heavens tremble.

When we are aware of the pain, we have to train ourselves to lean into that pain. By leaning into the pain, we resist the temptation to avoid building fig leaves that protect us from the fear we feel regarding who we are. Our feelings are critical to our spiritual development.

Behind its outer walls, the Temple of Inanna was another world. When they entered the bronze gates from the dusty barren city streets, patrons became submerged in a world of sensuality, a garden of earthly delights. Lush flora filled the open courtyard: exotic fruit trees with dates, figs, and pomegranates. Tamarisk and palm trees rose above the floor in a canopy of leaves. The complex artificial irrigation channels of the city watered this botanical paradise of flowers and vegetation. A wisp of incense mixed with perfume wafted through the air, teasing the nostrils. The temple and palace gardens replicated a memory of Eden. It was as if gods and kings sought to retain their ancestral past even as they perverted it into its mirror opposite.

According to a mystical principle, God never presents us with a problem unless he has already created its solution within the problem itself. When Adam and Eve sin by eating the forbidden fruit, they are stricken with shame from their new awareness of their nudity. The Bible tells us that their immediate solution was to cover themselves with fig leaves. According to the Midrash, the Tree of Knowledge was a fig tree, since a compassionate God had provided a cure for the consequence of their sin within the self-same object that caused it.

rhetor­i­cal gar­den paths are endemic to coun­try music, often tak­ing the form of decon­structed idiomatic expres­sions. In George Strait’s “You Look So Good in Love,” by Glen Bal­lard, Roury Michael Bourke, and Kerry Chater, the word “in” is a hinge, turn­ing from a phys­i­cal descrip­tor to a state of being. Liz Anderson’s “(My Friends Are Gonna Be) Strangers,” as sung by Merle Hag­gard, includes a line in which both the fig­u­ra­tive and lit­eral con­no­ta­tions of an idiom are simul­ta­ne­ously at play: “The only thing I can count on now is my fingers.” These phrases work by refus­ing to take a metaphor at face value. If a metaphor is a sub­sti­tu­tion of one thing for another, leav­ing the word itself absent in its own descrip­tion, the dou­ble enten­dres of coun­try songs are the return of the repressed.

32Now learn a parable of the fig tree; When his branch is yet tender, and putteth forth leaves, ye know that summer is nigh:  33So likewise ye, when ye shall see all these things, know that it is near, even at the doors.  34Verily I say unto you, This generation shall not pass, till all these things be fulfilled.  35Heaven and earth shall pass away, but my words shall not pass away.  36But of that day and hour knoweth no man, no, not the angels of heaven, but my Father only.  37But as the days of Noah were, so shall also the coming of the Son of man be.  38For as in the days that were before the flood they were eating and drinking, marrying and giving in marriage, until the day that Noah entered into the ark,  39And knew not until the flood came, and took them all away; so shall also the coming of the Son of man be.  40Then shall two be in the field; the one shall be taken, and the other left.  41Two women shall be grinding at the mill; the one shall be taken, and the other left.  42Watch therefore: for ye know not what hour your Lord doth come.  43But know this, that if the goodman of the house had known in what watch the thief would come, he would have watched, and would not have suffered his house to be broken up.  44Therefore be ye also ready: for in such an hour as ye think not the Son of man cometh.

Now learn this lesson from the fig tree: As soon as its twigs get tender and its leaves come out, you know that summer is near. Even so, when you see all these things, you know that it is near, right at the door. I tell you the truth, this generation will certainly not pass away until all these things have happened.

(Deuteronomy 30; Matthew 24). Mike Evans has written: “The fig tree has always been a symbol of the nation of Israel. The leaves of the fig tree are common ornaments on government buildings in Israel.” (The Return, Nelson, 1986).

call. A call to fall on my face. It physically hurts to see our pride, to see our sin, to quit playing good, to feel broken and to need God. And it hurts even more to let others see it. So we run from falling; we choose large fig leaves to cover up with and not God. We run from that vulnerable feeling that we may not measure up, all while aching to measure up.

The first Adam came to the fig tree for leaves, but the Second Adam looks for figs. The Withered Fig Tree, Volume 35, Sermon #2107 - Matthew 21:17-20

and using as edging some of the small stack of old bricks I found under a hummock of ivy in the corner. Another bed was earmarked for my baby Brown Turkey fig tree and I hoped the plum tree in the middle – if it was a plum – would burst into leaf and fruit eventually. It was all very exciting – to me, at any rate! And all the exercise was good for me too, because I had to go and soak the aches away in the bath afterwards, lying like a slightly strange Ophelia among a scattering of dried attar of roses-scented geranium leaves. The nicest thing about living in Sticklepond was that Poppy could drop in much more often, after meetings or whenever she had

régaler /ʀegale/ I. vtr [personne] to treat [sb] to a delicious meal • ~ qn de | (lit) to treat sb to [vin, mets]; (fig) to regale sb with [anecdotes] II. vi - ○ (payer l'addition) to pay the bill (GB) ou check (US) • laisse, c'est moi qui régale | leave it, it's my treat III. vpr 1. (de nourriture) • je me régale | it's delicious • les enfants se sont régalés avec ton dessert | the children really enjoyed your dessert • Jean fait un gâteau, je me régale à l'avance | Jean is making a cake, I can taste it already 2. • (fig) le spectacle était grandiose, ils se sont régalés | the show was stunning, they thoroughly enjoyed it • se ~ avec | to enjoy [sth] thoroughly [film, spectacle, personnage] • se ~ de | to love [anecdote, histoire, personnage] • se ~ à l'avance de qch | to look forward to sth

Sometimes I wonder what would have happened if on that particular day, because of too much caffeine or a side effect of some medication he might have taken earlier or simply nerves, Major General Peter Young's hand had shaken just a trifle... Would the border have shifted a fraction of an inch up or down, inserting here, deleting there, and if so, might this involuntary change have affected my fate or that of my relatives? Would one more fig tree have remained on the Greek side, for instance, or an extra fig tree have been included into Turkish territory? I try to imagine that inflection point in time. As transient as a scent on the breeze, the briefest pause, the slightest hesitation, the squeak of a chinagraph pencil on the shiny surface of the map, a trail of green leaving its irrevocable mark with everlasting consequences for the lives of generations past, present and yet to come. History intruding on the future. Our future...

you get forests of almond and walnut trees, casting shade as cool as a well, thick battalions of spear-like cypress and silver-trunked fig trees with leaves as large as a salver.

Puritans should wear fig leaves over their eyes.

Greece’s children, stars scattered over distant shores, connected by the one heartbeat, they dream the same dream. Distanced and sometimes displaced, yet strong enough to hold up the sky.

Your first contacts with most support agencies will put the last nails in the coffin of faintheartedness, and graft onto you a layer of scar tissue and cynicism as thick as rhino hide. There are gifted and resourceful people working in autism support, but with depressing regularity government policy appears to be about Band-Aids and fig leaves, and not about realizing the potential of children with special needs and helping them become long-term net contributors to society

Ultimately, attachments are ways of coping with the feelings of vulnerability, shame and inadequacy that lie at the core of our false ways of being. Like Adam and Eve, our first response to our awareness of nakedness is to grab whatever is closest and quickly cover our nakedness. We hide behind the fig leaves of our false self.

But God wants something better than fig leaves for us. God wants us to be aware of our helplessness so we can know that we need Divine help. God’s deepest desire for us is to replace our fig leaves with garments of durability and beauty (Genesis 3:21).

how the writer fell in love with an animated, charming, overweight man who looked like Balzac (“with his plumped-out cheeks and rolls of chin and shaggy hair and beard”), who ate Fig Newtons in bed even as he swore he would never leave her.

imagine us in Eden— two black boys in Paradise, naked, no fig leaves. Adam and Eve are long gone, so Kieran and Michael inherit the garden and the serpent is forgotten and the fruit on the tree of knowledge has gone rotten.

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

Behind them they left the very essence of their lives: stone homes furnished with couches, tables, rugs, family pictures, and clothing; their kitchens overflowing with spices, dates, pastries, and tea leaves; their olive groves, lemon trees, and fig fields. They did not know it, but they would never return.

marée /maʀe/ I. nf 1. tide • la ~ monte/descend | the tide is coming in/is going out • une ~ d'équinoxe | an equinoctial tide • les grandes ~s | the spring tides • à ~ haute/basse | at high/low tide, at high/low water • la ~ montante/descendante | the rising/ebbing tide • à ~ montante/descendante | when the tide comes in/goes out • partir avec la ~ | [bateau, pêcheur] to leave with the tide; [temps, nuage] to disappear as the tide goes out • l'odeur de la ~ | the smell of the sea • sentir la ~ | [air] to smell of the sea 2. [fig] (de personnes, sentiments, d'émotions) flood; (de voitures) mass, flood • une ~ humaine | a human tide • une ~ d'antisémitisme | a tide of antisemitism 3. (produits pêchés) fresh fish II. Idiome • contre vents et marées | (à l'avenir) come hell or high water; (dans le passé) against all odds

20:1. And the children of Israel, and all the multitude came into the desert of Sin, in the first month: and the people abode in Cades. And Mary died there, and was buried in the same place. 20:2. And the people wanting water, came together against Moses and Aaron: 20:3. And making a sedition, they said: Would God we had perished among our brethren before the Lord. 20:4. Why have you brought out the church of the Lord into the wilderness, that both we and our cattle should die? 20:5. Why have you made us come up out of Egypt, and have brought us into this wretched place which cannot be sowed, nor bringeth forth figs, nor vines, nor pomegranates, neither is there any water to drink? 20:6. And Moses and Aaron leaving the multitude, went into the tabernacle of the covenant, and fell flat upon the ground, and cried to the Lord, and said. O Lord God, hear the cry of this people, and open to them thy treasure, a fountain of living water, that being satisfied, they may cease to murmur. And the glory of the Lord appeared over them. 20:7. And the Lord spoke to Moses, saying: 20:8. Take the rod, and assemble the people together, thou and Aaron thy brother, and speak to the rock before them, and it shall yield waters. And when thou hast brought forth water out of the rock, all the multitude and their cattle shall drink. 20:9. Moses therefore took the rod, which was before the Lord, as he had commanded him, 20:10. And having gathered together the multitude before the rock, he said to them: Hear, ye rebellious and incredulous: Can we bring you forth water out of this rock? 20:11. And when Moses bad lifted up his hand, and struck the rock twice with the rod, there came forth water in great abundance, so that the people and their cattle drank, The rock... This rock was a figure of Christ, and the water that issued out from the rock, of his precious blood, the source of all our good. 20:12. And the Lord said to Moses and Aaron: Because you have not believed me, to sanctify me before the children of Israel, you shall not bring these people into the land, which I will give them. You have not believed, etc... The fault of Moses and Aaron, on this occasion, was a certain diffidence and weakness of faith; not doubting of God's power or veracity; but apprehending the unworthiness of that rebellious and incredulous people, and therefore speaking with some ambiguity.

Meg quickened her pace when she saw a meadow peek out over the next hilltop. As she got closer, the sun seemed to pull away from the clouds and the grass under her feet turned a bright green. She heard definite sounds of a party in the distance and quickened her pace. The air started to smell sweeter. Were those apricots she smelled? Or figs? And there were trees again! She hadn't realized how much she missed them till she saw them growing there along the path. They had perfect little green leaves and flowers budding on branches. And at the side of the road was a woman kneeling over a garden tending to a bed of hydrangeas blooming in rich fuchsias, blues, and whites. "Those are gorgeous!" Meg said in surprise. They were the most colorful things she'd seen in the Underworld and the vibrancy warmed her heart for a moment. "I can't believe anything like that grows down here!" The woman looked up at her and smiled, her eyes dark yet warm. "Thanks. I wasn't sure if it was possible myself, but with deep rooting and some good soil, it seems anything is." "You planted these?" Meg said in awe. The woman looked pleased as she glanced at the colorful beds of blooms in the nearby meadows. "You could say that. I love the drama of it all- the seeds being sown, the elements working for and against them, the flower erupting against all odds, then the death of the bloom. So much more exciting than my old life.

And he told this parable:a “A man had a fig tree that was planted in his vineyard. He came looking for fruit on it and found none.b 7 He told the vineyard worker, ‘Listen, for three years I have come looking for fruit on this fig tree and haven’t found any. Cut it down!a Why should it even waste the soil? ’b 8 “But he replied to him, ‘Sir,A leave it this year also, until I dig around it and fertilize it.a 9 Perhaps it will produce fruit next year, but if not, you can cut it down.

He reached the last tree of the park, a plane tree. Below him the valley swept away under a sky of wispy clouds and smoke curling up from the slate roofs of cottages hiding behind rocks like piles of stones; the figs and cherries formed another sky, of leaves; lower down thrust out the spreading branches of plums and peaches. Everything was clear and sharp, even the grass, blade by blade, all except the soil with its crawling pumpkin leaves or dotted lettuces or fuzz of crops: it was the same on both sides of the V in which the valley opened over a high funnel of sea.

Church-going, religious exercises, attention to ordinances, philanthropy and altruism are the fig leaves which many today are weaving into aprons to cover their spiritual shame. But

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from–a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

So I did a comedy story called Fig Leaves, and it got its cost back in one theater alone. And I always remembered what he said to me . . . make a picture people want to look at.

He didn’t even have the decency to leave the room! He just stood there covering himself with a small kitchen towel like it was a fucking fig leaf.

Learn a lesson from a fig tree. When its branches sprout and start putting out leaves, you know that summer is near.” ~ Jesus, Matthew 24:32

for Falasteen the boy i adored at sixteen gifted me his keffiyeh feeling guilty for living when others were killed simply for existing i haven’t seen him in sixteen years but think of him often these days his grandmother’s purse still carrying keys to their home believing they’d return in weeks can it even be called a key if what it unlocked is no longer there? we’d sneak onto mall rooftops & pretend shooting only happened with stars! 'we have a duty of memory,' he said, 'so they’ll kill us all until only the soil is witness' how could i reply? i sat in my liquid silence today there are nurseries of martyrs they bomb babies for they fear enemies hiding between pacifiers & tiny wrists bomb hospitals because enemies hide in ICU bedpans bomb schools because enemies hide in children’s bags bomb the oldest mosques & churches because enemies hide in rosary beads & votive candles they bomb journalists because enemies are hiding under their PRESS vests & helmets bomb poets because enemies hide in pages of peace poems the elderly are bombed because enemies hide under their canes the disabled are bombed because they harbour enemies in their artificial limbs they raze & burn all the ancient trees because enemies make bombs from olives they bomb water treatment plants because enemies are now water & so it goes: justification provided exoneration granted business as usual & the boy I adored has green-grey eyes the colour of fig leaves we don’t speak but i wish to tell him 'i’m sorry the world is a blade i’m sorry home is blood & bones i’m sorry music is sirens & wails i’m sorry night is infinite' but the boy I adored has grey-green eyes the colour of forgotten ash

In the early 1970s, fig trees in Cyprus were affected by a virus that killed them slowly. The symptoms were not visible at first. There was no cracking of the stems, no bleeding cankers, no mottled patterns on the leaves. Even so, something was not quite right. The fruits were dropping prematurely, they tasted sour and oozed goo like pus from a wound. One thing I noticed back then, and have never forgotten, was that remote and seemingly lone trees were not as badly affected as those living together in close proximity. Today,

Few incidents in history excel in pathos the scene of the first mother plying with heaving breast and tremulous fingers, her crude needle on the few fig leaves which her dejected husband plucked for her.

I shape the dough, all of these boules. The plain Wild Rise sourdough, though nothing about it can be considered plain- it's simply unadorned to spotlight the complex flavors- is left to proof in bannetons, the coiled willow of the basket leaving its distinctive pattern on the crust even after baking. The dark, earthy Farmhouse miche is freestanding boule, nearly four pounds, formed and left on linen 'couches.' I chop ripe pears and knead those into the third dough, along with cardamom and fresh ginger, to make the Spiced Anjou. Tomorrow I'll add a candied pear slice to the top, to bake into the crust- Xavier's idea. And finally the Sweet Chèvre, with its sharp goat cheese and fig filling.

On our return from the bush, we went straight back to work at the zoo. A huge tree behind the Irwin family home had been hit by lightning some years previously, and a tangle of dead limbs was in danger of crashing down on the house. Steve thought it would be best to take the dead tree down. I tried to lend a hand. Steve’s mother could not watch as he scrambled up the tree. He had no harness, just his hat and a chainsaw. The tree was sixty feet tall. Steve looked like a little dot way up in the air, swinging through the tree limbs with an orangutan’s ease, working the chainsaw. Then it was my turn. After he pruned off all the limbs, the last task was to fell the massive trunk. Steve climbed down, secured a rope two-thirds of the way up the tree, and tied the other end to the bull bar of his Ute. My job was to drive the Ute. “You’re going to have to pull it down in just the right direction,” he said, chopping the air with his palm. He studied the angle of the tree and where it might fall. Steve cut the base of the tree. As the chainsaw snarled, Steve yelled, “Now!” I put the truck in reverse, slipped the clutch, and went backward at a forty-five-degree angle as hard as I could. With a groan and a tremendous crash, the tree hit the ground. We celebrated, whooping and hollering. Steve cut the downed timber into lengths and I stacked it. The whole project took us all day. By late in the afternoon, my back ached from stacking tree limbs and logs. As the long shadows crossed the yard, Steve said four words very uncharacteristic of him: “Let’s take a break.” I wondered what was up. We sat under a big fig tree in the yard with a cool drink. We were both covered in little flecks of wood, leaves, and bark. Steve’s hair was unkempt, a couple of his shirt buttons were missing, and his shorts were torn. I thought he was the best-looking man I had ever seen in my life. “I am not even going to walk for the next three days,” I said, laughing. Steve turned to me. He was quiet for a moment. “So, do you want to get married?” Casual, matter-of-fact. I nearly dropped the glass I was holding. I had twigs in my hair an dirt caked on the side of my face. I’d taken off my hat, and I could feel my hair sticking to the sides of my head. My first thought was what a mess I must look. My second, third, and fourth thoughts were lists of every excuse in the world why I couldn’t marry Steve Irwin. I could not possibly leave my job, my house, my wildlife work, my family, my friends, my pets--everything I had worked so hard for back in Oregon. He never looked concerned. He simply held my gaze. As all these things flashed through my mind, a little voice from somewhere above me spoke. “Yes, I’d love to.” With those four words my life changed forever.