Fife Quotes

Out, damned spot! out, I say!—One, two; why, then ‘tis time to do’t.—Hell is murky!—Fie, my lord, fie! a soldier, and afeard? What need we fear who knows it, when none can call our power to account?—Yet who would have thought the old man to have so much blood in him? The thane of Fife had a wife; where is she now?—What, will these hands ne’er be clean?—No more o’that, my lord, no more o’that: you mar all with this starting. Here’s the smell of the blood still: all the perfumes of Arabia will not sweeten this little hand. Oh, oh, oh!

Regular maps have few surprises: their contour lines reveal where the Andes are, and are reasonably clear. More precious, though, are the unpublished maps we make ourselves, of our city, our place, our daily world, our life; those maps of our private world we use every day; here I was happy, in that place I left my coat behind after a party, that is where I met my love; I cried there once, I was heartsore; but felt better round the corner once I saw the hills of Fife across the Forth, things of that sort, our personal memories, that make the private tapestry of our lives.

Most of all I remember that what begins with drums and fife, flags and bunting, becomes too swiftly a long and grey winter of the spirit.

We beat the drum slowly and played the fife lowly, and bitterly wept as we bore him along. For we all loved our comrade so brave, young and handsome, we all loved our comrade although he'd done wrong." The Cowboy's Lament

Fife... simply walked off by himself, into the jungle to look at all the things which would continue to exist after he had ceased to. There were a lot of them. Fife looked at them all. They remained singularly unchanged by his scrutiny.

Before I could turn to look up, a voice boomed from the heavens: "What the heck is going on down there?

Why there isn't any drama in my life So I'll crawl on the cottonfield with a fife Why to have a dream in vain my life begs Am a house gecko, I eat flies and lay eggs My death surely doesn't yield a headline and all I'll break law by pissing on a castle's wall For my death there wouldn't be a weeping meni From the name of Lady Canning there's ledikeni One foot on heaven and one foot on hell, hanging One cannon and two cannonballs dangling.

It is a curious subject of observation and inquiry, whether hatred and love be not the same thing at bottom. Each, in its utmost development, supposes a high degree of intimacy and heart-knowledge; each renders one individual dependent for the food of his affections and spiritual fife upon another: each leaves the passionate lover, or the no less passionate hater, forlorn and desolate by the withdrawal of his subject. Philosophically considered, therefore, the two passions seem essentially the same, except that one happens to be seen in a celestial radiance, and the other in a dusky and lurid glow.

Come on, Jack. Be reasonable. Let’s run this up the chain of command.” “Acker will never approve, and even if he does, we would have to deal with some Barney Fife type cop up in Manistee, and he would never agree. I’m screwed either way.” “Who’s Barney Fife?” “He’s an old television character…oh…never mind . . .

Those who live no more, whom we loved, echo still within our thoughts, our words, our hearts. And what they did and who they were becomes a part of all we are, forever.

You might have a little trouble waking me," Fife told Adelaide. "I'm a very sound sleeper." "No worries," Adelaide said sweetly. "I'll just kick your face till you come to.

She realized now that she had been expecting old-fashioned instruments – pipes, fifes, fiddles and tinny drums. Instead there came the cocksure, brassy warble of a saxophone, the blare of a cornet and the squeak and trill of a clarinet being made to work for its living. Not-Triss had heard jazz with neatly wiped shoes and jazz with gritty soles and a grin. And this too was jazz, but barefoot on the grass and blank-eyed with bliss, its musical strands irregular as wind gusts and unending as ivy vines.

Why should this one wolf be shut up for an individual crime, when mass crimes go unpunished? When all society can turn into a wolf and be celebrated with fife and drum and with flags curling in the wind? Why then shouldn’t this dog have his day too?

The greatest battle is not physical but psychological. The demons telling us to give up when we push ourselves to the limit can never be silenced for good. They must always be answered by the quiet the steady dignity that simply refuses to give in. Courage. We all suffer. Keep going.

Yes You Are! Like the Blossoming rose, Like the Rays of hope. Like a deer in the forest, Like an athlete full of zest. Like a lamp in temple, Like the life feeling ample. Like the feel of the dawn, Like the grace of the swan. Like the melody of sitar, Like the rage of guitar. Like a group of angels in the sky, Like the pot that makes you high. Like the peacock's dance, Like she is the romance. Like the silent talk, Like the wine from Medoc. Like the colors of life, Like the music from the fife. Like the calmness of the cold wind Like the beauty of the hind.

The voice of protest, of warning, of appeal is never more needed than when the clamor of fife and drum, echoed by the press and too often by the pulpit, is bidding all men fall in and keep step and obey in silence the tyrannous word of command. Then, more than ever, it is the duty of the good citizen not to be silent.

Trumpets, fifes, hautboys, drums, and cannon made music such as Hell itself had never heard. The cannons first of all laid flat about six thousand men on each side; the muskets swept away from this best of worlds nine or ten thousand ruffians who infested its surface. The bayonet was also a sufficient reason for the death of several thousands. The whole might amount to thirty thousand souls. Candide, who trembled like a philosopher, hid himself as well as he could during this heroic butchery.

Out of communion with Me comes creativity. Creativity is My life force, giving release to new potential and new things.4

There was never anything so gallant, so spruce, so brilliant, and so well disposed as the two armies. Trumpets, fifes, hautboys, drums, and cannon made music such as Hell itself had never heard. The cannons first of all laid flat about six thousand men on each side; the muskets swept away from this best of worlds nine or ten thousand ruffians who infested its surface. The bayonet was also a sufficient reason for the death of several thousands. The whole might amount to thirty thousand souls. Candide, who trembled like a philosopher, hid himself as well as he could during this heroic butchery.

The ordination of women is not a matter of adaptation to changed social conditions. It has to do with new fife from the beginnings of the Christian church: life out of the fellowship of the Holy Spirit.

Flags were everywhere, and in the Square the band was playing “Yankee Doodle.” The fifes tooted and the flutes shrilled and the drums came in with rub-a-dub-dub. Yankee Doodle went to town, Riding on a pony, He stuck a feather in his hat And called it macaroni!

Sing of disappointments more repeated than the batter of the sea, of lives embittered by resentments so ubiquitous the ocean’s salt seems thinly shaken, of letdowns local as the sofa where I copped my freshman’s feel, of failures as frequent as first love, first nights, last stands; do not warble of arms or adventurous deeds or shepherds playing on their private fifes, or of civil war or monarchies at swords; consider rather the slightly squinkered clerk, the soul which has become as shabby and soiled in its seat as worn-out underwear, a life lit like a lonely room and run like a laddered stocking.

King Barf isn’t actually named King Barf. His real name is King Bartholomew Archibald Reginald Fife, a fine, kingly name—a name with a great destiny, of course. But I don’t care how handsome or powerful that name makes you. It’s a mouthful. So for short I call him King Barf, though I’d never say it out loud.

Lakes, carillonst, Pools and bells, Fifes and freshets, Harps and wells; Flutes and rivers, Streams, bassoons, Geysers, trumpets, Chimes lagoons, Hear the music, Drink the water, As we poor lambs All go to slaughter. I love you Eliot. Good-bye. I cry. Tears and violins. Hearts and flowers, Flowers and tears. Rosewater, good-bye.

The Mad Gardener's Song He thought he saw an Elephant, That practised on a fife: He looked again, and found it was A letter from his wife. 'At length I realise,' he said, 'The bitterness of Life!' He thought he saw a Buffalo Upon the chimney-piece: He looked again, and found it was His Sister's Husband's Niece. 'Unless you leave this house,' he said, 'I'll send for the Police!' He thought he saw a Rattlesnake That questioned him in Greek: He looked again, and found it was The Middle of Next Week. 'The one thing I regret,' he said, 'Is that it cannot speak!' He thought he saw a Banker's Clerk Descending from the bus: He looked again, and found it was A Hippopotamus. 'If this should stay to dine,' he said, 'There won't be much for us!' He thought he saw a Kangaroo That worked a coffee-mill: He looked again, and found it was A Vegetable-Pill. 'Were I to swallow this,' he said, 'I should be very ill!' He thought he saw a Coach-and-Four That stood beside his bed: He looked again, and found it was A Bear without a Head. 'Poor thing,' he said, 'poor silly thing! It's waiting to be fed!' He thought he saw an Albatross That fluttered round the lamp: He looked again, and found it was A Penny-Postage Stamp. 'You'd best be getting home,' he said: 'The nights are very damp!' He thought he saw a Garden-Door That opened with a key: He looked again, and found it was A Double Rule of Three: 'And all its mystery,' he said, 'Is clear as day to me!' He thought he saw a Argument That proved he was the Pope: He looked again, and found it was A Bar of Mottled Soap. 'A fact so dread,' he faintly said, 'Extinguishes all hope!

migraine

What, are there masques? Hear you me, Jessica: Lock up my doors; and when you hear the drum And the vile squealing of the wry-neck'd fife, Clamber not you up to the casements then, Nor thrust your head into the public street To gaze on Christian fools with varnish'd faces, But stop my house's ears, I mean my casements: Let not the sound of shallow foppery enter

Which homily brings me directly to a brace of the most finished little fiends that ever banged drum or tootled fife in the Band of a British Regiment. They ended their sinful career by open and flagrant mutiny and were shot for it. Their names were Jakin and Lew — Piggy Lew and they were bold, bad drummer-boys, both of them frequently birched by the Drum-Major of the Fore and Aft.

I heard how you got your name ..." Ahmed shrugged. "The man had poisoned the water. The only well for twenty miles. That killed five men, seven women, thirteen children and thirty-one camels. And some of them were very valuable camels, mark you. I had evidence from the man who sold him the poison and a trustworthy witness who had seen him near the well on the fateful night. Once I had testimony from his servant, why wait an hour?" "Sometimes we have trials," said Vimes brightly. "Yes. Your Lord Vetinari decides. Well, fife hundred miles from anywhere the law is me." Ahmed waved a hand. "Oh, no doubt the man would suggest there were mitigating circumstances, that he had an unhappy childhood or was driven by Compulsive Well-Poisoning Disorder. But I have a compulsion to behead cowardly murderers." Vimes gave up. The man had a point.

Men don't know when to stop, she's told me over and over. You have to cut them off or they'll eat 'til their bellies ache—just like a baby or Mr. Davis's dog. I figure all this sweet, cutesy stuff works about the same as dessert—except if you don't cut them off from the cutesy stuff you end up with a whole different kind of tummy ache. At any rate, I'm pretty sure Logan Kilgore doesn't know when to quit. Case in point, Barney Fife and the speeding ticket debacle.

Mr. Kaplan smiled back and answered promptly, “Vell, I´ll tell you about Prazidents United States. Fife Prazidents United States is Abram Lincohen, he vas freeink de neegers; Hodding, Coolitch, Judge Vashington, an´ Banjamin Franklin.” Futher encouragement revealed that Mr. Kaplan´s literary Valhalla the “most famous tree American wriders” were Jeck Laundon, Valt Viterman, and the author of “Hawk l. Barry-Feen,” one Mock- tvain. Mr. Kaplan took pains to point out that he did not mention Relfvaldo Amerson because “He is a poyet, an´I´m talkink about wriders.

Well, after this man had come to believe that no more ways of forming tones could possibly exist- after having observed, in addition to all the things already mentioned, a variety of organs, trumpets, fifes, stringed instruments, and even that little tongue of iron which is placed between the teeth and which makes strange use of the oral cavity for sounding box and of the breath for vehicle of sound when, I say, this man believed he had seen everything, he suddenly found himself once more plunged deeper into ignorance and bafflement than ever. For having captured in his hands a cicada, he failed to diminish its strident noise either by closing its mouth or stopping its wings, yet he could not see it move the scales that covered its body, Or any other thing. At last be lifted up the armor of its chest and there he saw some thin hard ligaments beneath; thinking the sound might come from their vibration, he decided to break them in order to silence it. But nothing happened until his needle drove too deep, and transfixing the creature be took away its life with its voice, so that he was still unable to determine whether the song had originated in those ligaments. And by this experience his knowledge was reduced to diffidence, so that when asked how sounds were created be used to answer tolerantly that although he knew a few ways, he was sure that many more existed which were not only unknown but unimaginable.

What does the symbol of Light stand for? At the core, the symbol is meant to represent a balance of a sort, a union between both good and evil. You see… good cannot exist without evil and vice versa. The white chain represents the Light, the forces of good, while the black chain represents evil, the forces of the Dark. The white chain is solid and pure because we of the Light acknowledge the presence of the Dark and strive to maintain the proper balance. However, the black chain, warped with escaping tendrils of dark flame, symbolizes the Dark’s desire to overthrow that balance. Evil does not know boundaries, Danny. The forces of the Dark will work tirelessly to unravel everything, even at the risk of their own destruction.

At length the whole of the combined fleet was under way: even their jury-rigged capture, the Hannibal, towed by the French frigate Indienne, was creeping out to the point. And now the shrill squealing fife and fiddle broke out aboard the Caesar as her people manned the capstan bars and began to warp her out of the mole, taut, trim and ready for war. A thundering cheer ran all along the crowded shore, from the batteries, walls and hillside black with spectators; and when it died away there was the garrison band playing Come cheer up my lads, ’tis to glory we steer as loud as ever they could go, while the Caesar’s marines answered with Britons strike home. Through the cacophony the fife could still be heard: it was most poignantly moving.

And off she went with a crock of marmalade and a bottle of red currant wine tied up in colored tissue paper. She reached the Blairs' as the last shard of blue daylight turned plummy. What had been the storefront window was now lit with candles. A woolly fir tree stood tall in the middle, its needled boughs drooping ever so slightly under the weight of twinkling glass ornaments, candy canes, and small pears balanced on top of them. An army of guests' presents, in every color of paper and ribbon, had been stacked beneath. one of the little Pye boys stole a peppermint off the tree and raced to the corner to devour it. A fiddle and a fife trilled out carols, and from the sway of the crowd inside, Marilla knew they were already dancing. She took in the night: home and friends and all that she cherished.

Well, after this man had come to believe that no more ways of forming tones could possibly exist- after having observed, in addition to all the things already mentioned, a variety of organs, trumpets, fifes, stringed instruments, and even that little tongue of iron which is placed between the teeth and which makes strange use of the oral cavity for sounding box and of the breath for vehicle of sound when, I say, this man believed he had seen everything, he suddenly found himself once more plunged deeper into ignorance and bafflement than ever. For having captured in his hands a cicada, he failed to diminish its strident noise either by closing its mouth or stopping its wings, yet he could not see it move the scales that covered its body, Or any other thing. At last be lifted up the armor of its chest and there he saw some thin hard ligaments beneath; thinking the sound might come from their vibration, he decided to break them in order to silence it. But nothing happened until his needle drove too deep, and transfixing the creature he took away its life with its voice, so that he was still unable to determine whether the song had originated in those ligaments. And by this experience his knowledge was reduced to diffidence, so that when asked how sounds were created he used to answer tolerantly that although he knew a few ways, he was sure that many more existed which were not only unknown but unimaginable.

Well, after this man had come to believe that no more ways of forming tones could possibly exist- after having observed, in addition to all the things already mentioned, a variety of organs, trumpets, fifes, stringed instruments, and even that little tongue of iron which is placed between the teeth and which makes strange use of the oral cavity for sounding box and of the breath for vehicle of sound when, I say, this man believed he had seen everything, he suddenly found himself once more plunged deeper into ignorance and bafflement than ever. For having captured in his hands a cicada, he failed to diminish its strident noise either by closing its mouth or stopping its wings, yet he could not see it move the scales that covered its body, Or any other thing. At last be lifted up the armor of its chest and there he saw some thin hard ligaments beneath; thinking the sound might come from their vibration, he decided to break them in order to silence it. But nothing happened until his needle drove too deep, and transfixing the creature he took away its life with its voice, so that he was still unable to determine whether the song had originated in those ligaments. And by this experience his knowledge was reduced to diffidence, so that when asked how sounds were created be used to answer tolerantly that although he knew a few ways, he was sure that many more existed which were not only unknown but unimaginable.

Awake ye muses nine, sing me a strain divine, Unwind the solemn twine, and tie my Valentine! Oh the Earth was made for lovers, for damsel, and hopeless swain, For sighing, and gentle whispering, and unity made of twain. All things do go a courting, in earth, or sea, or air, God hath made nothing single but thee in His world so fair! The bride, and then the bridegroom, the two, and then the one, Adam, and Eve, his consort, the moon, and then the sun; The life doth prove the precept, who obey shall happy be, Who will not serve the sovereign, be hanged on fatal tree. The high do seek the lowly, the great do seek the small, None cannot find who seeketh, on this terrestrial ball; The bee doth court the flower, the flower his suit receives, And they make merry wedding, whose guests are hundred leaves; The wind doth woo the branches, the branches they are won, And the father fond demandeth the maiden for his son. The storm doth walk the seashore humming a mournful tune, The wave with eye so pensive, looketh to see the moon, Their spirits meet together, they make their solemn vows, No more he singeth mournful, her sadness she doth lose. The worm doth woo the mortal, death claims a living bride, Night unto day is married, morn unto eventide; Earth is a merry damsel, and heaven a knight so true, And Earth is quite coquettish, and beseemeth in vain to sue. Now to the application, to the reading of the roll, To bringing thee to justice, and marshalling thy soul: Thou art a human solo, a being cold, and lone, Wilt have no kind companion, thou reap'st what thou hast sown. Hast never silent hours, and minutes all too long, And a deal of sad reflection, and wailing instead of song? There's Sarah, and Eliza, and Emeline so fair, And Harriet, and Susan, and she with curling hair! Thine eyes are sadly blinded, but yet thou mayest see Six true, and comely maidens sitting upon the tree; Approach that tree with caution, then up it boldly climb, And seize the one thou lovest, nor care for space, or time! Then bear her to the greenwood, and build for her a bower, And give her what she asketh, jewel, or bird, or flower — And bring the fife, and trumpet, and beat upon the drum — And bid the world Goodmorrow, and go to glory home!

  "Sound, sound the clarion, fill the fife!   To all the sensual world proclaim,   One crowded hour of glorious life   Is worth an age without a name". Do not then (concludes the Stoic) take good words in your mouth, and prate before applauding citizens of honour, duty, and so forth, while you make your private lives a mere selfish calculation of expediency. We were surely born for nobler ends than this, and none who is worthy the name of a man would subscribe to doctrines which destroy all honour and all chivalry. The heroes of old time won their immortality not by weighing pleasures and pains in the balance, but by being prodigal of their lives, doing and enduring all things for the sake of their fellow-men.

Scotland’s intellectuals mostly have plebeian, non-metropolitan roots: the poet’s father is probably a retired Fife miner, the professor’s grandmother carried peats on her back,

George Rogers Clark (1752-1818) was the highest ranking military officer on the western frontier in the American Revolution.  He was also the brother of famed Freemason William Clark (of the Lewis and Clark expedition).  A Freemason, George Rogers Clark's Lodge is unknown, but Abraham Lodge 8, Louisville conducted his Masonic funeral.  In 1809, at age 57, Brother Clark suffered a stroke and fell into a fireplace, burning his leg so badly it required amputation. When Dr. Richard Ferguson, Master of Abraham Lodge, performed the amputation, the only anesthetic Brother Clark received  was music from a fife and drum corps playing in the background.

Do you understand, son? Today's lesson is on being. I made you to be with Me, to enjoy Me, and to walk with Me. Everything flows out of intimacy with Me. Purpose, meaning, goals, even creativity - all these things are a result of your relationship with Me, and are enhanced by the time you spend with Me. My nature is 'I AM', not 'I DO'. Without Me, you can do nothing. You are a human being, not a human doing. You must learn how to be.

Many believe that they must discover their purpose for living, that life is about purpose. But, in truth, life is purpose. Meaning is found in the fact of life itself. So many people try to find fulfillment in what they do, instead of who they are and who I am.

She realized now that she had been expecting old-fashioned instruments – pipes, fifes, fiddles and tinny drums. Instead there came the cocksure, brassy warble of a saxophone, the blare of a cornet and the squeak and trill of a clarinet being made to work for its living. Not-Triss had heard jazz with neatly wiped shoes and jazz with gritty soles and a grin. And this too was jazz, but barefoot on the grass and blank-eyed with bliss, its musical strands irregular as wind gusts and unending as ivy vines.

When he was barely six, his mother found him trying to blow the nozzle of her douche like a horn. Mortified but amused, she responded by giving the boy a small fife to play with.

The Eccentric Earl Great Scotland Yard behind us was the site of the old Scottish embassy and still has a theoretical claim to be considered Scottish territory. This corner of Horse Guards Avenue just past the St Margaret’s boundary mark is really Scottish because we are walking on Scottish soil (though it is covered by English tarmac). In 1760, this site was bought by the Earl of Fife for his London house. The Jacobite Rising had taken place only fifteen years before and, as a result of the repressive measures taken after Culloden, the Earl had developed a deep hatred of England and the English. To avoid suspicion of disloyalty, he had to attend the House of Lords but resolved not to tread on English soil unless he had to. He ordered a shipload of soil and gravel to be sent to London, covered this area with it and had a house built on top. When it was completed he came down by sea, landed at the jetty and, except for his compulsory attendance at the House of Lords, spent his entire time in London here – on Scottish soil.

For fifty years I plodded through the vale of lust and strife, Then through my dreams there flashed a ray of the old sweet peaceful life. No scarlet-tasseled hat of state can vie with soft repose; Grand mansions do not taste the joys that the poor man’s cabin knows. I hate the threatening clash of arms when fierce retainers throng, I loathe the drunkard’s revels and the sound of fife and song; But I love to seek a quiet nook, and some old volume bring Where I can see the wildflowers bloom and hear the birds in spring.

where the pleasure subsists in the simple fact that you are doing it, that you can do it, that the challenge you never set yourself before has presented itself whereat the joy of embracing it, meeting it and surmounting it is supreme.

He was holding out his hand. What the hell was I going to do? I couldn't get out of it this time. And here we have our next lot, the soul of Mervyn Kirby. An exquisite one this. A few cracks here and there but in excellent condition. So who'll start the bidding? "I have dermatitis," I blurted. He took a step closer. "That's not contagious." My back against the door, I fumbled for the handle. "A swan just died of bird flu in Fife. If we're not careful, we could be next." "You're eccentric." He was coming straight for me, hand extended. "I like that." "Think of the children, Dennis. Think of the swans.

The bands were everywhere, close and faraway, a blend of discordant noise. He passed close to one now, a half-dozen drummers pounding away, a sergeant leading them in a rhythm that was no rhythm at all, and behind, men with fifes, squealing out something that had no resemblance to a song.

Our virtues are, for the most part, no more than vices in disguise.’ One of his maxims addresses one of the major themes of this book: the fear of success. ‘It takes far greater inner strength to endure good fortune than bad.

Coconut oil, being a highly saturated fat, is the least vulnerable of all the dietary oils to oxidation and free-radical formation and therefore is the safest to use in cooking.

At length the whole of the combined fleet was under way: even their jury-rigged capture, the Hannibal, towed by the French frigate Indienne, was creeping out to the point. And now the shrill squealing fife and fiddle broke out aboard the Caesar as her people manned the capstan bars and began to warp her out of the mole, taut, trim and ready for war. A thundering cheer ran all along the crowded shore, from the batteries, walls and hillside black with spectators; and when it died away there was the garrison band playing Come cheer up my lads, ’tis to glory we steer as loud as ever they could go, while the Caesar’s marines answered with Britons strike home. Through the cacophony

Washington valued well-played music in army life and assigned a band to each brigade. At one point he chided a fife and drum corps for playing badly and insisted that they practice more regularly; a year later, after the drummers took this admonition to an extreme, Washington restricted their practice to one hour in the morning, a second in the afternoon. He was also irked by the improvisations of some drummers and, amid the misery of Valley Forge, took the trouble to issue this broadside to wayward drummers: “The use of drums are as signals to the army and, if every drummer is allowed to beat at his pleasure, the intention is entirely destroy[e]d, as it will be impossible to distinguish whether they are beating for their own pleasure or for a signal to the troops.”44

You may put this in your interview, Miss Fife, that Robert Frost believes in civilization—which is to say the Caucasian civilization.” “But,

The archbishop of St. Andrews threatened that if Knox preached, he would be shot on sight. Knox preached anyway, from Perth to Fife and beyond. As a result, the summer of 1559 saw an extraordinary revival spread throughout Scotland.59

age. Andrew had once shown us pictures of his mother as a young woman: young Andrea McDougal at the 1921 Ashes, a toothy smile framed by blonde curls, white skin bright even in the sepia photograph. Thomas had said that she had been, in her time, “a tall drink of water.” I wouldn’t admit this to Thom or anybody else but personally I thought Lady Fife was actually more striking now. She seemed more serious, no more toothy grins, her curls pinned back in a no-nonsense style, but she had a knowing quality that I couldn’t help but be drawn to. Lady Fife came to us, smiling. Her smile dropped when she saw the shattered statue. Whispers stated that Andrea McDougal was a scryer, a foreseer, a practitioner of the illegal art of divination. I was grimly pleased that she seemed surprised by this turn of events. Next to me the maid sucked in her breath through clenched teeth. I certainly didn’t envy her having Lady Fife as a mistress. I might have had to deal with her frosty acquaintance, but we were merely that—acquaintances. The laws of decorum demanded that we be polite and civil to each other regardless of our

Marin hesitated. It was time to leave, time to be at the meeting. Yet he didn’t want to go. If they brought David Burnley back to fife, he wanted to be present. The boy might say things that would arouse suspicion. Over at the desk young Burnley stirred. Marin didn’t think of it as a life movement but as an unbalancing of a dead weight. He jumped to catch the body before it could fall to the floor. As he grasped the youth’s arm, he felt the muscles tugging under the skin. The swiftness of the reintegration that followed nullified any advance thought about it. David Burnley sat up, looked blank for a moment, and then said in a frightened tone, “What was that thing in my mind?” Unexpected remark. Marin drew back. “Thing!” he said. “Something came into my mind and took control I could feel it I—” He stopped. Tears came into his eyes. The officer strode over. “Anything I can do?” Marin waved him away. “Get that doctor!” he said. It was a defensive action. He needed time here to grasp a new idea. He was remembering what Slater had said, about the use of electronic circuits directly into the brains of human beings as a method of control from a distance. . . . That boy was dead, Marin thought tensely. Dead without visible cause. Was it possible that, as the “circuit” connection was broken, or even dissolved, death resulted? Again, he had no time to think about it clearly. It seemed to mean that young Burnley was a victim, not a traitor. It seemed to mean that the “death” might have broken the connection, though that was not certain. Marin said gently, “How do you feel, David?” “Why, all right, sir.” He stood up, swayed, and then righted himself, smiling warmly. He braced himself visibly. “All right,” he said again.

Dear Queen, of course you don’t know me, but could you be the quiet, sore-footed woman who rode with the Raiders in Oromondo? I played the fife and you sang? I fell in love with you but was too much of a coward to admit it? By the way, I saw you die from the Magi’s fireball so how did you get to Cascada and on the throne?

In the Adventurers Guild we have a saying,” Fife said. “Horses is for eating, not riding.

Buchan was brought up in Kirkcaldy, Fife, and enjoyed many summer holidays with his grandparents in Broughton, in the Scottish Borders, where he developed a fascination of Scottish history and tales of old heroes, much like how his great idol Sir Walter Scott had done a century before. The young Buchan also developed a love of the local scenery and wildlife, which often feature in detail throughout his novels.

As one of the leading electrical contractors in the North East of Fife, Daniel Gardner Electrical Contractor’s commitment to reliability, safety, customer service and, above all, quality of work has seen our reputation grow from strength to strength. Operating across Fife including Cupar and St Andrews, Tayside, Perthshire, Clackmannanshire and the Lothians we serve the Domestic, Commercial, Agricultural and Industrial markets. We are also available for emergency call-outs.

The Book of the Grotesque The writer, an old man with a white mustache, had some difficulty in getting into bed. The windows of the house in which he lived were high and he wanted to look at the trees when he awoke in the morning. A carpenter came to fix the bed so that it would be on a level with the window. Quite a fuss was made about the matter. The carpenter, who had been a soldier in the Civil War, came into the writer’s room and sat down to talk of building a platform for the purpose of raising the bed. The writer had cigars lying about and the carpenter smoked. For a time the two men talked of the raising of the bed and then they talked of other things. The soldier got on the subject of the war. The writer, in fact, led him to that subject. The carpenter had once been a prisoner in Andersonville prison and had lost a brother. The brother had died of starvation, and whenever the carpenter got upon that subject he cried. He, like the old writer, had a white mustache, and when he cried he puckered up his lips and the mustache bobbed up and down. The weeping old man with the cigar in his mouth was ludicrous. The plan the writer had for the raising of his bed was forgotten and later the carpenter did it in his own way and the writer, who was past sixty, had to help himself with a chair when he went to bed at night. In his bed the writer rolled over on his side and lay quite still. For years he had been beset with notions concerning his heart. He was a hard smoker and his heart fluttered. The idea had got into his mind that he would some time die unexpectedly and always when he got into bed he thought of that. It did not alarm him. The effect in fact was quite a special thing and not easily explained. It made him more alive, there in bed, than at any other time. Perfectly still he lay and his body was old and not of much use any more, but something inside him was altogether young. He was like a pregnant woman, only that the thing inside him was not a baby but a youth. No, it wasn’t a youth, it was a woman, young, and wearing a coat of mail like a knight. It is absurd, you see, to try to tell what was inside the old writer as he lay on his high bed and listened to the fluttering of his heart. The thing to get at is what the writer, or the young thing within the writer, was thinking about. The old writer, like all of the people in the world, had got, during his long fife, a great many notions in his head. He had once been quite handsome and a number of women had been in love with him. And then, of course, he had known people, many people, known them in a peculiarly intimate way that was different from the way in which you and I know people. At least that is what the writer thought and the thought pleased him. Why quarrel with an old man concerning his thoughts? In the bed the writer had a dream that was not a dream. As he grew somewhat sleepy but was still conscious, figures began to appear before his eyes. He imagined the young indescribable thing within himself was driving a long procession of figures before his eyes. You see the interest in all this lies in the figures that went before the eyes of the writer. They were all grotesques. All of the men and women the writer had ever known had become grotesques. The grotesques were not all horrible. Some were amusing, some almost beautiful, and one, a woman all drawn out of shape, hurt the old man by her grotesqueness. When she passed he made a noise like a small dog whimpering. Had you come into the room you might have supposed the old man had unpleasant dreams or perhaps indigestion. For an hour the procession of grotesques passed before the eyes of the old man, and then, although it was a painful thing to do, he crept out of bed and began to write. Some one of the grotesques had made a deep impression on his mind and he wanted to describe it.

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Glasgow can be uncommonly dreich, smirr blurring the architectural mishmash of the city's skyline. The east coast plays host to some truly cruel gales, eroding the sharp edges off fishermen's cottages in Fife and Angus. In the winter months it can feel like the country takes any opportunity to grind to a halt. The faintest threat of snow causes chaos across road, rail and air.

This, said Moray, who was himself in Fife and saw none of the events he so boldly claimed to be describing,

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As one of the leading electrical contractors in the North East of Fife, Daniel Gardner Electrical Contractor’s commitment to reliability, safety, customer service and, above all, quality of work has seen our reputation grow from strength to strength. Operating across Fife including Cupar and St Andrews, Tayside, Perthshire, Clackmannanshire and the Lothians we serve the Domestic, Commercial, Agricultural and Industrial markets. We are also available for emergency call-outs.

She turned next to Moray’s base in Fife, cutting his supply lines.

Through the other he could see the hazy, white-topped hills of Fife in the distance, the austere, dark blue calm of the Forth, and the snow-specked slate rooftops of Leith. In between there was a corpse in blood-drenched pyjama trousers, with most of its nose bitten off, two severed fingers stuffed up what remained of its nostrils, the rest of its face a swollen mass of bruising, and a wide gash around half the circumference of its neck. It was lying on the missing door, which sat at thirty degrees to the horizontal, propped up by the twisted metal frame of what had recently been a cheesy smoked-glass coffee table. The blood had run off the door and collected on the polished wood below, and might have lapped its way gently down to meet the postman’s spew if much of it had not drained through a gap in the floorboards, from where it ran along an electrical flex into the main-door flat underneath, dripping off the end of the living room light-fitting. The police would find the unconscious Mrs Angus a few hours later amidst the damp fragments of a broken tea-set, and once revived she would swear never to let her clairvoyant sister-in-law bring the ouija board round again, before phoning a Catholic priest to come out and exorcise the place. And so what if she was C of S, when it came to this sort of thing, nothing less than a Tim would do.

song is as necessary to sailors as the drum and fife to a soldier. They can’t pull in time, or pull with a will, without it. Many a time, when a thing goes heavy, with one fellow yo-ho-ing, a lively song, like “Heave, to the girls!” “Nancy oh!” “Jack Crosstree,” etc., has put life and strength into every arm. We often found a great difference in the effect of the different songs in driving in the hides. Two or three songs would be tried, one after the other, with no effect;—not an inch could be got upon the tackles—when a new song, struck up, seemed to hit the humor of the moment, and drove the tackles “two blocks” at once.

West-central Fife could use a spot of communion itself. It would drink the wine and pawn the chalice.

If men can do so much for a corruptible crown, how much more should you do for one which is incorruptible! Awake to a sense of the misery of being a slave. For fife, and happiness, and liberty, arise and fight. Fear not to begin and enlist under Christ’s banner. The great Captain of your salvation rejects none that come to Him. Like David in the cave of Adullam, He is ready to receive all who apply to Him, however unworthy they may feel themselves. None who repent and believe are too bad to be enrolled in the ranks of Christ’s army. All who come to Him by faith are admitted, clothed, armed, trained, and finally led on to complete victory. Fear not to begin this very day. There is yet room for you. Fear not to go on fighting, if you once enlist. The more thorough and whole-hearted you are as a soldier, the more comfortable will you find your warfare. No doubt you will often meet with trouble, fatigue, and hard fighting, before your warfare is accomplished. But let none of these things move you. Greater is He that is for you than all they that be against you. Everlasting liberty or everlasting captivity are the alternatives before you. Choose liberty, and fight to the last.

On the plantations the slave owners would take their slaves’ drums away because they didn’t want them communicating with other slaves. They were afraid that the drum was some kind of magic signal system, a primal, coded language, which it was. And is. When the drums were taken away, other instruments were taken up—fifes and fiddles and the rest, and they were used for celebration and lamentation both, and a new kind of song sprung up, a work song, to document the labor in the fields, to pass the time, to pass on the content of the time, so that people would know what had happened.

Yep,” I said proudly, and kind of sniffed like Barney Fife when he was allowed to load his pistol.

When William Harness, a regular soldier, was recruiting in Sheffield, he set off with three or four other officers, as he told his wife Bessy: Then follows a Cart with a Barrel of ale with fidlers and a Man with a Surloin of Roast Beef upon a pitch fork, then my Colours of yellow silk with a blue shield with a reath of oak leaves and trophies, and in Silver letters on one side ‘Capt. Harness’s Rangers’, on the other ‘Capt. Harness’s Saucy Sheffielders’.8 The sergeant, corps, drums and fifes followed. ‘You can conceive the stir in a prosperous place like this all this noise must make. I am become very popular.’ Harness was one of many officers recruiting their own companies. He had been in the army for thirteen years, saving money to marry his ‘adored Bessy’, Elizabeth Biggs, in 1791. During her long wait Bessy took up botany, tried to run a book club in her home town of Aylesbury, and loyally made him shirts.

11 — I have explained where Wagner belongs—not in the history of music. What does he signify nevertheless in that history? The emergence of the actor in music: a capital event that invites thought, perhaps also fear. In a formula: "Wagner and Liszt."— Never yet has the integrity of musicians, their "authenticity," been put to the test so dangerously. One can grasp it with one's very hands: great success, success with the masses no longer sides with those who are authentic,—one has to be an actor to achieve that!— Victor Hugo and Richard Wagner—they both prove one and the same thing: that in declining civilizations, wherever the mob is allowed to decide, genuineness becomes superfluous, prejudicial, unfavorable. The actor, alone, can still kindle great enthusiasm.— And thus it is his golden age which is now dawning—his and that of all those who are in any way related to him. With drums and fifes, Wagner marches at the head of all artists in declamation, in display and virtuosity. He began by convincing the conductors of orchestras, the scene-shifters and stage-singers, not to forget the orchestra:—he "redeemed" them from monotony .... The movement that Wagner created has spread even to the land of knowledge: whole sciences pertaining to music are rising slowly, out of centuries of scholasticism. As an example of what I mean, let me point more particularly to Riemann's [Hugo Riemann (1849-1919): music theoretician] services to rhythmic; he was the first who called attention to the leading idea in punctuation—even for music (unfortunately he did so with a bad word; he called it "phrasing"). All these people, and I say it with gratitude, are the best, the most respectable among Wagner's admirers—they have a perfect right to honor Wagner. The same instinct unites them with one another; in him they recognize their highest type, and since he has inflamed them with his own ardor they feel themselves transformed into power, even into great power. In this quarter, if anywhere, Wagner's influence has really been beneficial. Never before has there been so much thinking, willing, and industry in this sphere. Wagner endowed all these artists with a new conscience: what they now exact and obtain from themselves, they had never extracted before Wagner's time—before then they had been too modest. Another spirit prevails on the stage since Wagner rules there: the most difficult things are expected, blame is severe, praise very scarce—the good and the excellent have become the rule. Taste is no longer necessary, nor even is a good voice. Wagner is sung only with ruined voices: this has a more "dramatic" effect. Even talent is out of the question. Expressiveness at all costs, which is what the Wagnerian ideal—the ideal of décadence—demands, is hardly compatible with talent. All that is required for this is virtue—that is to say, training, automatism, "self-denial." Neither taste, voices, nor gifts: Wagner's stage requires one thing only—Teutons! ... Definition of the Teuton: obedience and long legs ... It is full of profound significance that the arrival of Wagner coincides in time with the arrival of the "Reich": both actualities prove the very same thing: obedience and long legs.— Never has obedience been better, never has commanding. Wagnerian conductors in particular are worthy of an age that posterity will call one day, with awed respect, the classical age of war. Wagner understood how to command; in this, too, he was the great teacher. He commanded as the inexorable will to himself, as lifelong self-discipline: Wagner who furnishes perhaps the greatest example of self-violation in the history of art (—even Alfieri, who in other respects is his next-of-kin, is outdone by him. The note of a Torinese). 12 The insight that our actors are more deserving of admiration than ever does not imply that they are any less dangerous ... But who could still doubt what I want,—what are the three demands for which my my love of art has compelled me?

John’s Other Wife was such a perfect title for a soap opera that it was lampooned by Fred Allen (as Duncan’s Other Fife, etc.) and other comics for years. The main point of contention was the romantic triangle—store owner John Perry, his wife Elizabeth, and John’s secretary, Annette, who became fixed in Elizabeth’s mind as “John’s other wife.” While Elizabeth wrung her hands and fretted, John was trying to survive the furious competition from Sullivan’s luxurious department store across the street. At one point in the serial, John’s assistant, Martha, came in for the brunt of Elizabeth’s “other wife” jealousies.

Ich feif dich uhn. I fife my horn at you. I do not care for you or for your orders or your requests or desires, and so I blow my whistle at you. I shoot a burst of hot air in your face. Because you are nothing to me.

Do you know that nice poem: ‘The days passed slowly one by one. I fed the ducks, reproved my wife, played Handel’s Largo on the fife and took the dog a run.