“
Um, thanks,” she said. It was nice to see one woman finally immune to that accent. That wasn’t to say Rose wasn’t a sucker for accents. She just preferred hers from the other side of Europe.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
I have lived through war, and lost much. I know what's worth the fight, and what is not. Honor and courage are matters of the bone, and what a man will kill for, he will sometimes die for, too. And that, O kinsman, is why a woman has broad hips; that bony basin will harbor a man and his child alike. A man's life springs from his woman's bones, and in her blood is his honor christened. For the sake of love alone, I would walk through fire again.
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
Men go where they will, they do as they must; it is not a woman's part to bid them to stay, nor yet to reproach them for being what they are-or for not coming back.
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
I carried the books to my room and read through the night. I loved the fiery pages of Mary Wollstonecraft, but there was a single line written by John Stuart Mill that, when I read it, moved the world: "It is a subject on which nothing final can be known." The subject Mill had in mind was the nature of women. Mill claimed that women have been coaxed, cajoled, shoved and squashed into a series of feminine contortions for so many centuries, that it is now quite impossible to define their natural abilities or aspirations.
Blood rushed to my brain; I felt an animating surge of adrenaline, of possibility, of a frontier being pushed outward. Of the nature of women, nothing final can be known. Never had I found such comfort in a void, in the black absence of knowledge. It seemed to say: whatever you are, you are woman.
”
”
Tara Westover (Educated)
“
The Winter Woman is as wild as a blizzard, as fresh as new snow. While some see her as cold, she has a fiery heart under that ice-queen exterior. She likes the stark simplicity of Japanese art and the daring complexity of Russian literature. She prefers sharp to flowing lines, brooding to pouting, and rock and roll to country and western. Her drink is vodka, her car is German, her analgesic is Advil. The Winter Woman likes her men weak and her coffee strong. She is prone to anemia, hysteria, and suicide.
”
”
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
“
She shook Neil's hand. "I'm Rose."
"Neil," he said, with a formal bow of his head. "It's a great honor to meet you. Your heroics with Dimitri Belikov are legendary."
"Um, thanks," she said. It was nice to see one woman finally immune to that accent. That wasn't to say Rose wasn't a sucker for accents. She just preferred hers from the other side of Europe.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
I had no more alphabet
than the journeying of the swallows,
the pure and tiny water
of the small, fiery bird
that dances rising from the pollen.
”
”
Pablo Neruda (Full Woman, Fleshly Apple, Hot Moon: Selected Poems)
“
I opine-I think you're a woman of your world,' he said from the far end of the couch. 'I would have a hard time seeing you pressed and powdered, dreading a life of servitude under the name of marriage. You'd die in that mold. I like you as you are, fiery and ill tempered.
”
”
Kim Harrison (Black Magic Sanction (The Hollows, #8))
“
I’ve only ever looked at Marissa and seen an elegant, statuesque, gorgeous woman. But this morning, I find myself wishing she was a cute, rumpled, fiery brunette instead.
Shit! That’s not good!
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
You are a white. The Imperial Wizard. Now, if you don't think this is logic you can burn me on the fiery cross. This is the logic: You have the choice of spending fifteen years married to a woman, a black woman or a white woman. Fifteen years kissing and hugging and sleeping real close on hot nights. With a black, black woman or a white, white woman. The white woman is Kate Smith. And the black woman is Lena Horne. So you're not concerned with black or white anymore, are you? You are concerned with how cute or how pretty. Then let's really get basic and persecute ugly people!
”
”
Lenny Bruce
“
Then I remembered how she was - fiery, ruthless, smart, and despite herself very caring, not a person who hurts anyone.
”
”
Mike Bond (Killing Maine (Pono Hawkins #2))
“
I was in this exact spot when you gave me the best and hottest verbal lashing of my life. You were all wild eyes and fighting words. I thought I’d never seen a more heart-stopping fiery woman in my life. You were . . . well . . . you were mean. But I appreciated your spunk. That was the night I knew I wanted you.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
Did that mean she had not cared deeply for any of her husbands? I wondered. Or only that she was a woman of great strength, capable of overcoming grief, not once, but over and over again?
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
I like the Cyclostyle ink; it is so inky. I do not think there is anyone who takes quite such a fierce pleasure in things being themselves as I do. The startling wetness of water excites and intoxicates me: the fieriness of fire, the steeliness of steel, the unutterable muddiness of mud. It is just the same with people.... When we call a man "manly" or a woman "womanly" we touch the deepest philosophy.
”
”
G.K. Chesterton
“
But there was something else going on here. He had to admit even to himself that the woman challenged his intellect and his beliefs with her own, and she wasn’t afraid to disagree with him or to disapprove of his views. Nor did she make any attempt to school her sentiments behind the polite, prim, and proper demeanor of the typical English noblewoman. She was fierce. She was passionate. She was fiery and intense. She was like no other woman he had ever met.
And suddenly, just like that, he was under her spell once again.
”
”
Anna Durbin (King of Wands)
“
Your aunt’s a handsome woman, Fraser, but she could freeze the ballocks off the King o’ Japan, and she wanted to.
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
She was the kind of elegance
That would never tarnish.
A mixture of lace and mesh,
Like a classic heirloom that begged to be worn.
She was sharp intellect and quick wit.
The type of woman that spoke her mind,
Even if it shook.
(Or even if no one was listening.)
She was beautiful.
But not someone you’d see in magazines,
Her hips were too wide, her hair a mess of wispy tendrils,
(Rather, she was actually very ordinary.)
My, was she stubborn! She’d drive you mad!
(Sometimes, you’d probably call her crazy.)
But mostly, her laughter was a joyful moments.
Like a warm towel fresh from the dryer,
Or finding a twenty-dollar bill in your winter coat.
And that was the true revelation.
That magic does exist,
It ran through her like a wild, fiery current.
”
”
M.J. Abraham
“
She has a fiery soul that cannot be tamed.
She has free spirit that cannot be maimed.
She moves with the wind and flows with the river.
She howls at the moon and smiles at the sun.
Just when you think she is finished, she declares, “I’ve just begun.”
Like wild flowers, she grows where she decides to push through fallow ground.
Like wild fires, she spreads with speed that can’t be drowned.
She has mystery in her blood, magic in her touch and regardless of her frame
she can be too much-wild woman.
She is not predictable, controllable nor the people pleasing kind.
That’s why she is called wild woman and can never be defined.
”
”
Mishi McCoy
“
-Well, well, look what you dragged up. You could’ve saved yourself the money on the flowers and just brought me him. Been a while since I entertained a handsome young Moroi
-It’s been a while since I’ve met a woman who appreciates roses as much as I do, said Adrian, ever quick on his feet. Not that my experience has always been great with them. I’ve got to say, though, I’ve never seen such excellent decorating taste. You go for pink too, huh? I told them that when they got the flowers, but would they listen to me? No. They insisted on burgundy.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
I have lived through war, and lost much. I know what’s worth the fight, and what is not. Honor and courage are matters of the bone, and what a man will kill for, he will sometimes die for, too. And that, O kinsman, is why a woman has broad hips; that bony basin will harbor a man and his child alike. A man’s life springs from his woman’s bones, and in her blood is his honor christened. For the sake of love alone, would I walk through fire again.
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
Lenni, wherever you are. Whatever wonderful world you find yourself in now. Wherever that fiery heart is, that quick wit, that disabling charm. Know that I love you. For the brief lifetime that we knew each other, I loved you like you were my very own daughter. You found an old woman worthy of your immense friendship and for that I am forever in your debt. So I have to say thank you.
”
”
Marianne Cronin (The One Hundred Years of Lenni and Margot)
“
I am made up of light and shadows. I am both mother & inner child. Healing and evolving. I run with the wolves and dive deep with salty sea queens. I am captivated by fiery skies and phases of the moon. I am her and she is me. Together we are wise, wild and free.
”
”
Ríonach
“
A nation's not a child, for God's sake. ... It's like a wild horse you tame by breaking it. Or a fiery woman you slap till she sees sense and warms your bed.
”
”
David Hewson (Macbeth)
“
When a good man loves a good woman, God smiles. When a good man loves a good woman, God smiles so broad and bright that the angel guarding the gate to Eden puts down his fiery sword. I've been to busy to get to Eden. What kind of man is too busy to make God smile?
”
”
Alice Randall (Ada's Rules: A Sexy Skinny Novel)
“
Her knee caught him between the legs with pitiless accuracy, driving the wind from his chest, making him teeter for a breathless moment, then bringing him down like a sledgehammer to a house of cards. As he slid groaning to the carpet in that special, shooting agony that only a blow to the fruits can produce, it was little consolation that he had been right.
His Queen was quite evidently a woman of rare and fiery passion.
”
”
Joe Abercrombie (Last Argument of Kings (The First Law, #3))
“
have always kent what it is to love a man—be he husband or brother, lover or son. A dangerous business; that’s what it is. Men go where they will, they do as they must; it is not a woman’s part to bid them stay, nor yet to reproach them for being what they are—or for not coming back.
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
A Black woman isn't justifiably upset, she's angry. A Latinx person confronts someone, they're fiery or feisty. I don't like raising my voice in public, Max. There's too much baggage associated with it. A woman gets emotional in the workplace, she's irrational and not fit for leadership. I was fired for being overly emotional in a male-dominated space.
”
”
Mia Sosa (The Worst Best Man)
“
If being here is sinful, then this woman is sin, wrapped in a fiery bow.
”
”
Emily McIntire (Crossed (Never After, #5))
“
This woman is everything I never knew I needed—a sarcastic, fiery spitfire, a challenge. Different.
”
”
B.J. Alpha (Oscar (Secrets and Lies #5))
“
The Feminine, in my version, was fiery and substantial, taking up real space with her real expression of self and demanding to be encountered rather than imagined.
”
”
Vicki Noble (Shakti Woman: Feeling Our Fire, Healing Our World - The New Female Shamanism)
“
I think you’ll find that when you let Him, God is a good defense attorney. Trust it to Him. And then you can turn your focus to the real enemy.” “The real enemy?” “The one that wants to remain hidden. The one that wants to distract you, deceive you, and divide you from the Lord and from your husband. That’s how he works. Satan comes to steal, kill, and destroy. And he is stealing your joy, killing your faith, and trying to destroy your family.” The old woman was fiery now, like an old-time preacher just getting wound up and ready to pound the pulpit. “If I were you, I would get my heart right with God. And you need to do your fightin’ in prayer. You need to kick the real enemy out of your home with the Word of God.
”
”
Chris Fabry (War Room: Prayer Is a Powerful Weapon)
“
The decades that she devoted to conserving her husband’s legacy made Eliza only more militantly loyal to his memory, and there was one injury she could never forget: the exposure of the Maria Reynolds affair, for which she squarely blamed James Monroe. In the 1820s, after Monroe had completed two terms as president, he called upon Eliza in Washington, D.C., hoping to thaw the frost between them. Eliza was then about seventy and staying at her daughter’s home. She was sitting in the backyard with her fifteen-year-old nephew when a maid emerged and presented the ex-president’s card. Far from being flattered by this distinguished visitor, Eliza was taken aback. “She read the name and stood holding the card, much perturbed,” said her nephew. “Her voice sank and she spoke very low, as she always did when she was angry. ‘What has that man come to see me for?’” The nephew said that Monroe must have stopped by to pay his respects. She wavered. “I will see him,” she finally agreed. So the small woman with the upright carriage and the sturdy, determined step marched stiffly into the house. When she entered the parlor, Monroe rose to greet her. Eliza then did something out of character and socially unthinkable: she stood facing the ex-president but did not invite him to sit down. With a bow, Monroe began what sounded like a well-rehearsed speech, stating “that it was many years since they had met, that the lapse of time brought its softening influences, that they both were nearing the grave, when past differences could be forgiven and forgotten.” Eliza saw that Monroe was trying to draw a moral equation between them and apportion blame equally for the long rupture in their relationship. Even at this late date, thirty years after the fact, she was not in a forgiving mood. “Mr. Monroe,” she told him, “if you have come to tell me that you repent, that you are sorry, very sorry, for the misrepresentations and the slanders and the stories you circulated against my dear husband, if you have come to say this, I understand it. But otherwise, no lapse of time, no nearness to the grave, makes any difference.” Monroe took in this rebuke without comment. Stunned by the fiery words delivered by the elderly little woman in widow’s weeds, the ex-president picked up his hat, bid Eliza good day, and left the house, never to return.
”
”
Ron Chernow (Alexander Hamilton)
“
As I feel less overwhelmed, my fear softens and begins to subside. I feel a flicker of hope, then a rolling wave of fiery rage. My body continues to shake and tremble. It is alternately icy cold and feverishly hot. A burning red fury erupts from deep within my belly: How could that stupid kid hit me in a crosswalk? Wasn’t she paying attention? Damn her!
A blast of shrill sirens and flashing red lights block out everything. My belly tightens, and my eyes again reach to find the woman’s kind gaze. We squeeze hands, and the knot in my gut loosens. I hear my shirt ripping. I am startled and again jump to the vantage of an observer hovering above my sprawling body. I watch uniformed strangers methodically attach electrodes to my chest. The Good Samaritan paramedic reports to someone that my pulse was 170. I hear my shirt ripping even more. I see the emergency team slip a collar onto my neck and then cautiously slide me onto a board. While they strap me down, I hear some garbled radio communication. The paramedics are requesting a full trauma team. Alarm jolts me. I ask to be taken to the nearest hospital only a mile away, but they tell me that my injuries may require the major trauma center in La Jolla, some thirty miles farther.
My heart sinks.
”
”
Peter A. Levine (In an Unspoken Voice: How the Body Releases Trauma and Restores Goodness)
“
On the one side there were those who claimed that love, if it be allowed bat all, must be kept tame by marriage vows and family ties so that its fiery heat warms the hearth but does not burn down the house.
On the other there were those who believed that only passion freed the soul from its mud-hut, and that only by loosing the heart like a coursing hare and following it until sundown could a man or woman sleep quietly at night.
”
”
Jeanette Winterson (Sexing the Cherry)
“
Merrill Hartweiss scales a rocky incline toward Renna. The noon sun bakes the hillside as Merrill's boots dig into the broiling sands. Yet another gypsy tune enters his head. It starts off slowly. A lone guitar, its strings strummed with the lustful passion of a young man brushing his fingertips softly against the breasts of his lover. Another guitar joins, like a second hand, exploring her hot flesh, stroking the side of her bare abdomen, and gradually moving upward toward her chest. Then, a female voice joins the guitars; it is slightly raspy, yet sultry; filled with a fiery allure. The guitars pick up in intensity and tempo. There is a rhythmic clapping now, in synchronization with the strumming. The man has entered his lover.
Sweat begins to form on Merrill's forehead, then quickly turns to vapor, dissipating into the blistering heat from the sunlight reflecting off the sands. Steady clapping, louder still. The tempo quickens, progressively and with a vigorous intensity. The man arches his back, cresting then falling; cresting, arching, rising and falling deeper again and again into his lover. The clapping, now faster, still rhythmic, but so much more intense. The guitars keep pace with increasing ferocity. In the woman's voice, short, quick breaths form words as she cries out her lover's name from deep within the throes of a forbidden love
”
”
Angel Rosa
“
She silently excepted his challenge to the tournament so often held between man and woman- a tournament where the keen tongue is the lance, pride the shield, passion the fiery steed, and the hardest heart the winner of the prize.
”
”
Louisa May Alcott (Behind a Mask: The Unknown Thrillers of Louisa May Alcott)
“
There was a diabolical effrontery in her fiery eyes, the heavy eyelids that drooped suggestively, persuasively, and the young man felt himself weakening beneath the silent willpower of this woman who was asking him to commit a crime.
”
”
Gustave Flaubert (Madame Bovary)
“
Refusing to lean back against him, Colleen sat ramrod straight until they reached the road. “I guess I should say thank you for saving my life,” she muttered then turned and slapped Faolán hard across the face. “And that’s for you having to save it in the first place. And I’m not your woman, you big, arrogant, lying, betraying…faery loving…” She searched for the perfect insult and couldn’t find one, “…Scot.” She gave a very unladylike snort. “Happy now? That fiery enough for you?
”
”
Shannon MacLeod (Rogue on the Rollaway)
“
And her heart sprang in Iseult, and she drew
With all her spirit and life the sunrise through
And through her lips the keen triumphant air
Sea-scented, sweeter than land-roses were,
And through her eyes the whole rejoicing east
Sun-satisfied, and all the heaven at feast
Spread for the morning; and the imperious mirth
Of wind and light that moved upon the earth,
Making the spring, and all the fruitful might
And strong regeneration of delight
That swells the seedling leaf and sapling man,
Since the first life in the first world began
To burn and burgeon through void limbs and veins,
And the first love with sharp sweet procreant pains
To pierce and bring forth roses; yea, she felt
Through her own soul the sovereign morning melt,
And all the sacred passion of the sun;
And as the young clouds flamed and were undone
About him coming, touched and burnt away
In rosy ruin and yellow spoil of day,
The sweet veil of her body and corporal sense
Felt the dawn also cleave it, and incense
With light from inward and with effluent heat
The kindling soul through fleshly hands and feet.
And as the august great blossom of the dawn
Burst, and the full sun scarce from sea withdrawn
Seemed on the fiery water a flower afloat,
So as a fire the mighty morning smote
Throughout her, and incensed with the influent hour
Her whole soul's one great mystical red flower
Burst, and the bud of her sweet spirit broke
Rose-fashion, and the strong spring at a stroke
Thrilled, and was cloven, and from the full sheath came
The whole rose of the woman red as flame:
And all her Mayday blood as from a swoon
Flushed, and May rose up in her and was June.
So for a space her hearth as heavenward burned:
Then with half summer in her eyes she turned,
And on her lips was April yet, and smiled,
As though the spirit and sense unreconciled
Shrank laughing back, and would not ere its hour
Let life put forth the irrevocable flower.
And the soft speech between them grew again
”
”
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
“
I’m sorry,” he interrupted, his arm sliding around her waist. He pulled her into the shelter of his body, her back fitting against his hairy chest. “I didn’t mean to nettle you. Here, rest against me.” He nuzzled into the pale streamers of her hair. “What a fiery little wench you are.”
“I’m not fiery,” Lottie protested, for that quality was hardly something that befitted a ladylike graduate of Maidstone’s.
“Yes, you are.” His hand curved possessively over her hip. “I’ve known it from the moment we met. It’s one of the reasons I wanted you.”
“You said you wanted me merely for convenience.”
“Well, there is that,” he said with a grin, and reacted swiftly as she tried to elbow him. “But in truth, convenience had nothing to do with it. I wanted you more than any woman I’ve ever met.”
“Why did you insist on marriage, when I offered to be your mistress?”
“Because being a mistress wasn’t good enough for you.” He paused before adding quietly, “You deserve everything I can give you, including my name.”
-Nick & Lottie
”
”
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Years have passed since that day
And I have long since forgotten
the crush I had on that one
beautiful, young
flaming woman.
I guess it goes to show that we can't
get what we please
if we always did
Well then
where would we be? (Fiery Princess, A Short Sonic Poem)
”
”
Logan Pethtel
“
A young woman with fiery hair stood on a hill dominated by an oak, the smoking ruins of an estate to her left. To her right was an abyss. Tiny flecks of blue and green touched her gray eyes. Tears stood on each cheek, but her jaw was set, eyes fixed on some point in the distance.
”
”
Brent Weeks (The Broken Eye (Lightbringer, #3))
“
No man has stood in a great place who has not, by the grace of God, stood in lesser ones before. If a person cannot stand faithful in a lesser place, how will he be able to stand in the center of his own culture in front of the twentieth century’s own kind of fiery furnace? To be a man or woman of faith requires training.
”
”
Francis A. Schaeffer (No Little People)
“
Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!”
“You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!”
Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned.
Cecily wasn’t backing down an inch. Neither was Tate. He’d gone from lazy affection and indulgent amusement to bristling antagonism in the space of weeks. Lately he flew into a rage if Cecily’s name was mentioned, but Colby hadn’t told her that.
“You have no right to make that kind of insinuation about me,” she said through her teeth. “I don’t get jobs lying on my back, and you know it!”
Tate’s black eyes narrowed. He looked formidable, but Cecily wasn’t intimidated by him. She never had been. He glanced at her hands, which were clenched on her cup, and then back to her rigid features. It had infuriated him to be the object of televised ridicule at the political dinner, and Audrey’s comments had only made things worse. He was carrying a grudge. But as he looked at Cecily, he felt an emptiness in his very soul. This woman had been a thorn in his side for years, ever since an impulsive act of compassion had made her his responsibility. In those days, she’d been demure and sweet and dependent on him, and her shy hero worship had been vaguely flattering. Now, she was a fiery, independent woman who didn’t give a damn about his disapproval or, apparently, his company, and she had done everything expect leave town to keep out of his way.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
It seemed as if, first in her own fire within the house, and then in the fiery haze without, she tried to discover what kind of woof Old Time, that greatest and longest-established Spinner of all, would weave from the threads he had already spun into a woman. But, his factory is a secret place, his work is noiseless, and his Hands are mutes.
”
”
Charles Dickens (Hard Times)
“
I have suckled the wolf's lip of anger and I have used it for illumination, laughter, protection, fire when there was no fire, no food, no sisters, no quarter. We are not goddesses or matriarchs or edifices of forgiveness; we are not fiery fingers of judgement or instruments of flagellation; we are women forced back always upon our woman's power.
”
”
Audre Lorde (Sister Outsider: Essays and Speeches)
“
February 3 The Recognised Ban of Relationship We are made as the filth of the world. 1 Corinthians 4:13 These words are not an exaggeration. The reason they are not true of us who call ourselves ministers of the gospel is not that Paul forgot the exact truth in using them, but that we have too many discreet affinities to allow ourselves to be made refuse. “Filling up that which is behind of the afflictions of Christ” is not an evidence of sanctification, but of being “separated unto the gospel.” “Think it not strange concerning the fiery trial which is to try you,” says Peter. If we do think it strange concerning the things we meet with, it is because we are craven-hearted. We have discreet affinities that keep us out of the mire—“I won’t stoop; I won’t bend.” You do not need to, you can be saved by the skin of your teeth if you like; you can refuse to let God count you as one separated unto the gospel. Or you may say—“I do not care if I am treated as the offscouring of the earth as long as the Gospel is proclaimed.” A servant of Jesus Christ is one who is willing to go to martyrdom for the reality of the gospel of God. When a merely moral man or woman comes in contact with baseness and immorality and treachery, the recoil is so desperately offensive to human goodness that the heart shuts up in despair. The marvel of the Redemptive Reality of God is that the worst and the vilest can never get to the bottom of His love. Paul did not say that God separated him to show what a wonderful man He could make of him, but “to reveal His son in me.
”
”
Oswald Chambers (My Utmost for His Highest)
“
She is fragile as the morning dew
melting in the warmth of a child's smile;
stirring at the lonely, lovely waft
of a butterfly's wings;
tender as the curve
of a wildflower petal.
She is fierce as a summer storm
now raging against the fiery sky;
now raining tears to soothe
the sun-scorched earth.
She is soft as a midnight breeze
swaying to the sound of waves breaking
on distant shores;
whispering comfort to a world
steeped in the dark night of inhumanity.
She is brilliant as the rising Phoenix
lifting the suffering from the ashes;
her own suffering woven into wings of fire
in the long watches of the night.
She is serene and turbulent as the silvered water
hiding currents unknown beneath the gentle gaze
of a human who has walked a thousand miles and still has more to go.
”
”
L.R. Knost
“
And then he saw her burning eyes. They gazed at him calmly and he saw in them benediction.
He fell to his knees before her, pressing his face to her purple-velvet-clad-belly. "Séraphine, Séraphine, Séraphine. O most beloved of women, most fiery of saints, never leave me, please. I'll erect columns of white marble to you, build gardens of delight for you, cause ships to sail and warriors to rise for you, if you'll only remain by my side."
She smiled down at him and cupped his cheeks. "Valentine, do you love me?"
Ah, God, it was like a shot to the gut.
He squeezed tight his eyes. To come so close and lose her because of this. "If I were able I would love you as no man has ever loved a woman since the beginning of time."
She knelt then to face him and whispered, "But you are able."
He clutched her. He wouldn't let her go, no, not even when she realized... "Séraphine, my darling, burning one, do you not remember? I told you, so long ago now, that I lacked that part. I cannot-"
"But you can, Valentine." She touched a finger to his cheek and then showed it to him.
He blinked.
Her finger was wet. His eyes were wet.
She smiled at him, his burning Séraphine, and it was as if the night sky were ablaze. "You love me."
"I love you," he said in wonder, and felt his chest fill with warmth. "I love you."
"And I love you," she whispered, her hands cupping his face.
So he kissed her until she was limp and pliable and so very hot against him, and then he purred into her ear, "Does that mean you'll become my duchess, darling Bridget Crumb?"
And when she sighed back, "Oh, yes, Val," he picked her up and carried her off to have his wicked, wicked way with her.
Because he might have a heart now but some things weren't ever going to change.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
I am a Negro and I know, being dark, I have been due in the past to see dark days, but them days is passing. All the fiery crosses in the world is not going to scare me back into where I were before the Harlem riots, Martin Luther King, Adam Powell, and Malcolm X. Also, I might include that lady, Annie Lee Cooper, who hit Sheriff Clark in the eye in Alabama. When a Southern colored woman hits a Southern white sheriff in the eye in a public place like Selma, a new day has come.
”
”
Langston Hughes (The Return of Simple)
“
Jess Pepper's review of the Avalon Strings:
'In a land so very civilized and modern as ours, it is unpopular to suggest that the mystical isle of Avalon ever truly existed. But I believe I have found proof of it right here in Manhattan.
To understand my reasoning, you must recall first that enchanting tale of a mist-enshrouded isle where medieval women--descended from the gods--spawned heroic men. Most notable among these was the young King Arthur. In their most secret confessions, these mystic heroes acknowledged Avalon, and particularly the music of its maidens, as the source of their power.
Many a school boy has wept reading of Young King Arthur standing silent on the shore as the magical isle disappears from view, shrouded in mist.
The boy longs as Arthur did to leap the bank and pilot his canoe to the distant, singing atoll. To rejoin nymphs who guard in the depths of their water caves the meaning of life. To feel again the power that burns within.
But knowledge fades and memory dims, and schoolboys grow up. As the legend goes, the way became unknown to mortal man. Only woman could navigate the treacherous blanket of white that dipped and swirled at the surface of the water.
And with its fading went also the music of the fabled isle.
Harps and strings that heralded the dawn and incited robed maidens to dance evaporated into the mists of time, and silence ruled.
But I tell you, Kind Reader, that the music of Avalon lives. The spirit that enchanted knights in chain mail long eons ago is reborn in our fair city, in our own small band of fair maids who tap that legendary spirit to make music as the Avalon Strings.
Theirs is no common gift. Theirs is no ordinary sound. It is driven by a fire from within, borne on fingers bloodied by repetition. Minds tormented by a thirst for perfection.
And most startling of all is the voice that rises above, the stunning virtuoso whose example leads her small company to higher planes.
Could any other collection of musicians achieve the heights of this illustrious few? I think not.
I believe, Friends of the City, that when we witnes their performance, as we may almost nightly at the Warwick Hotel, we witness history's gift to this moment in time. And for a few brief moments in the presence of these maids, we witness the fiery spirit that endured and escaped the obliterating mists of Avalon.
”
”
Bailey Bristol (The Devil's Dime (The Samaritan Files #1))
“
She had her head down, her back half turned to me. But even from that partial view, I could see that she was, as David had said, a striking woman: creamy skin, a glossy fall of obsidian hair, which she wore unbound and uncovered. Even in her loose robe it was possible to discern long, slender legs, a supple rounding of hips, and generous breasts, against which the baby lay, his thick shock of hair bearing fiery witness to his paternity. When David presented her she looked up, and I took a step backward. Her eyes were unexpected: a luminous blue. Also shocking: despite her tall, full figure, the face that gazed up at me was the face of a child. She was very young.
”
”
Geraldine Brooks
“
Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile.
As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes.
His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen.
His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place.
Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things.
'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
”
”
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
“
Ah! but even then, even now, had it been — not Raphael, perhaps, who was one of the Shaksperian men, without passion, who do the work of gods as if they were the humanest, commonest of labourers — but such a fiery soul as that of Michelangelo whom this woman had mated! But it was not so. She could have understood the imperfection which is full of genius; what she was slow to understand was the perfection in which no genius was. But she was calmed and changed by all she had gone through, and had learned how dearly such excellence may be bought, and that life is too feeble to bear so vast a strain. Accordingly, fortified and consoled by the one gleam of glory which had crowned his brows, Helen smiled upon her painter, and took pleasure in his work, even when it ceased to be glorious. That
”
”
Mrs. Oliphant (The Works of Margaret Oliphant)
“
Xavier looked at Shane's outfit of pants, pistol, and no shirt, and then glanced up at the porch. "You sleep outside?"
Shane turned and looked through the screen door. There was no sign of Agnes or the sheets that had been tumbled there. A woman who could wake up fast and then remove evidence slightly. His kind of girl.
"Yep. I like fresh air."
Xavier nodded, his exasperation evaporating into amusement. "Right. Miss Agnes up yet?"
"I wouldn't know."
"Right." Xavier gave a lazy grin and walked around Shane. "Quite a woman, that Miss Agnes."
"Yep," Shane said, following him up the walk.
"Bit sharp-tempered, though."
"I'd call her fiery."
Xavier turned his head toward Shane and nodded amiably. "Fiery. That's good."
They walked up the path, Rhett ambling with them. Xavier trooped up the steps to the porch and spared a glance at the air mattress and Shane's T-shirt, crumpled in a ball. "Restless night, son?"
"Slept like a baby."
"I bet you did," Xavier said, and went into the kitchen.
”
”
Jennifer Crusie (Agnes and the Hitman (The Organization, #0))
“
My kin would sooner have a badger in their house than a Campbell."
Alan saw his mother open hermouth and shook his head to silence her. He not only knew Shelby could hold her own but wanted to see her do it.
"Most MacGregors were comfortable enough with badgers in the parlor."
"Barbarians!" Daniel sucked in his breath. "The Campbells were barbarians, each and every one of them."
Shelby tilted her head as if to study him from a new angle. "The MacGregors have a reputation for being sore losers."
Instantly Daniel's face went nearly as red as his hair. "Losers? Hah! There's never been a Campbell born who could stand up to a MacGregor in a fair fight. Backstabbers."
"We'll have Rob Roy's biography again in a minute," Shelby heard Caine mutter. "You don't have a drink, Dad," he said, hoping to distract him. "Shelby?"
"Yes." She shifted her gaze to him, noting he was doing his best to maintain sobriety. "Scotch," she told him, with a quick irrepressible wink. "Straight up.If the MacGregors had been wiser," she continued without missing a beat, "perhaps they wouldn't have lost their land and their kilts and the name.Kings," she went on mildly as Daniel began to huff and puff, "have a habit of getting testy when someone's trying to overthrow them."
"Kings!" Daniel exploded. "An English king, by God! No true Scotsman needed an English king to tell him how to live on his land."
Shelby's lips curved as Caine handed her a glass. "That's a truth I can drink to."
"Hah!" Daniel lifted his glass and drained it in one swallow before he thumped it onto the table at his side. Cocking a brow,Shelby eyed the Scotch in her glass,then proceeded to follow Daniel's example.
For a moment,he frowned at the empty glass beside his. Slowly,with the room deadly silent,he shifted his gaze back to Shelby.His eyes were fierce, hers insolent. Heaving himself out of his chair, he towered over here, a great bear of a man with fiery hair.She put both hands on her hips, a willow-slim woman with curls equally dramtic. Alan wished fleetingly he could paint.
Daniel's laugh, when he threw back his head and let it loose,was rich and loud and long. "Aye,by God,here's a lass!"
Shelby found herself swept off her feet in a crushing hug that held welcome.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Elle’s chin lifted. “I just told you how you could put your hands on me. One night. None of this dating bullshit.”
A harsh noise came out of my throat, because the woman could be infuriating. I’d never thrown out an offer like this and having it pitched back in my face sucked ass. “Tell me why. What’s your hang up, woman? I get that I’m fucked up in a helluva lot of ways, but I’m not a bad guy. I don’t even deserve a shot?”
The ice in her expression melted a degree. “It’s not you—”
My laugh was gravelly. “Let me guess, it’s you?”
That ice? It was back, in spades. She pivoted for the door, but I moved faster. I trapped her against it, a hand pressed to the wood on either side of her fiery red hair.
“You’re going to tell me why before you leave this room.”
“You’re not a bad guy? Just the kind that traps women against their will in a room they want to leave?”
I smiled. “Not women—just you.”
This time it was Elle who growled. She shoved against my chest, but I was an immovable rock where she was concerned. I didn’t budge. “You’re a caveman too, just like your brother, aren’t you? I’ve heard the stories. Is this a genetic issue?
”
”
Meghan March (Beneath These Chains (Beneath, #3))
“
And capitalizing on diversity is perhaps even more important when it comes to the characters of the oarsmen. A crew composed entirely of eight amped-up, overtly aggressive oarsmen will often degenerate into a dysfunctional brawl in a boat or exhaust itself in the first leg of a long race. Similarly, a boatload of quiet but strong introverts may never find the common core of fiery resolve that causes the boat to explode past its competitors when all seems lost. Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That’s the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. But it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.
”
”
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
“
You seem surprised to find us here,’ the man said.
‘I am,’ I said. ‘I wasn’t expecting to find anyone.’
‘We are everywhere,’ the man said. ‘We are all over the country.’
‘Forgive me,’ I said, ‘but I don’t understand. Who do you mean by we?’
‘Jewish refugees.’
[...]
‘Is this your land?’ I asked him.
‘Not yet,’ he said.
‘You mean you are hoping to buy it?’
He looked at me in silence for a while. Then he said, ‘The land is at present owned by a Palestinian farmer but he has given us permission to live here. He has also allowed us some fields so that we can grow our own food.’
‘So where do you go from here?’ I asked him. ‘You and all your orphans?’
‘We don’t go anywhere,’ he said, smiling through his black beard. ‘We stay here.’
‘Then you will all become Palestinians,’ I said. ‘Or perhaps you are that already.’
He smiled again, presumably at the naïvety of my questions.
‘No,’ the man said, ‘I do not think we will become Palestinians.’
‘Then what will you do?’
‘You are a young man who is flying aeroplanes,’ he said, ‘and I do not expect you to understand our problems.’
‘What problems?’ I asked him. The young woman put two mugs of coffee on the table as well as a tin of condensed milk that had two holes punctured in the top. The man dripped some milk from the tin into my mug and stirred it for me with the only spoon. He did the same for his own coffee and then took a sip.
‘You have a country to live in and it is called England,’ he said. ‘Therefore you have no problems.’
‘No problems!’ I cried. ‘England is fighting for her life all by herself against virtually the whole of Europe! We’re even fighting the Vichy French and that’s why we’re in Palestine right now! Oh, we’ve got problems all right!’ I was getting rather worked up. I resented the fact that this man sitting in his fig grove said that I had no problems when I was getting shot at every day. ‘I’ve got problems myself’, I said, ‘in just trying to stay alive.’
‘That is a very small problem,’ the man said. ‘Ours is much bigger.’
I was flabbergasted by what he was saying. He didn’t seem to care one bit about the war we were fighting. He appeared to be totally absorbed in something he called ‘his problem’ and I couldn’t for the life of me make it out. ‘Don’t you care whether we beat Hitler or not?’ I asked him.
‘Of course I care. It is essential that Hitler be defeated. But that is only a matter of months and years. Historically, it will be a very short battle. Also it happens to be England’s battle. It is not mine. My battle is one that has been going on since the time of Christ.’
‘I am not with you at all,’ I said. I was beginning to wonder whether he was some sort of a nut. He seemed to have a war of his own going on which was quite different to ours.
I still have a very clear picture of the inside of that hut and of the bearded man with the bright fiery eyes who kept talking to me in riddles. ‘We need a homeland,’ the man was saying. ‘We need a country of our own. Even the Zulus have Zululand. But we have nothing.’
‘You mean the Jews have no country?’
‘That’s exactly what I mean,’ he said. ‘It’s time we had one.’
‘But how in the world are you going to get yourselves a country?’ I asked him. ‘They are all occupied. Norway belongs to the Norwegians and Nicaragua belongs to the Nicaraguans. It’s the same all over.’
‘We shall see,’ the man said, sipping his coffee. The dark-haired woman was washing up some plates in a basin of water on another small table and she had her back to us.
‘You could have Germany,’ I said brightly. ‘When we have beaten Hitler then perhaps England would give you Germany.’
‘We don’t want Germany,’ the man said.
‘Then which country did you have in mind?’ I asked him, displaying more ignorance than ever.
‘If you want something badly enough,’ he said, ‘and if you need something badly enough, you can always get it.’ [...]‘You have a lot to learn,’ he said. ‘But you are a good boy. You are fighting for freedom. So am I.
”
”
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
“
Amazing Grace” Amazing grace, how sweet the sound, That saved a wretch like me! I once was lost, but now am found; Was blind, but now I see. ’Twas grace that taught my heart to fear, And grace my fears relieved; How precious did that grace appear, The hour I first believed. Through many dangers, toils and snares, I have already come; ’Tis grace hath brought me safe thus far, And grace will lead me home. The Lord has promised good to me, His Word my hope secures; He will my Shield and Portion be, As long as life endures. Yea, when this flesh and heart shall fail, And mortal life shall cease, I shall possess, within the veil, A life of joy and peace. The earth shall soon dissolve like snow, The sun forbear to shine; But God, who called me here below, Will be forever mine. When we’ve been there ten thousand years, Bright shining as the sun, We’ve no less days to sing God’s praise, Than when we’d first begun. Lyrics by John Newton, 1779 “Swing Low, Sweet Chariot” (Chorus) Swing low, sweet chariot, Coming for to carry me home. Swing low, sweet chariot, Coming for to carry me home. I looked over Jordan, and what did I see? (Coming for to carry me home) A band of angels coming after me. (Coming for to carry me home) (Chorus) If you get there before I do, (Coming for to carry me home) Tell all of my friends, that I'm coming there too. (Coming for to carry me home) (Chorus) Traditional lyrics Wallis Willis, circa 1865 “Battle Hymn of the Republic” Mine eyes have seen the glory of the coming of the Lord; He is trampling out the vintage where the grapes of wrath are stored; He hath loosed the fateful lightning of His terrible swift sword: His truth is marching on. (Chorus) Glory, Glory, hallelujah! Glory, glory, hallelujah! Glory, glory, hallelujah! His truth is marching on. I have seen Him in the watch-fires of a hundred circling camps, They have builded Him an altar in the evening dews and damps; I can read His righteous sentence in the dim and flaring lamps: His day is marching on. (Chorus) I have read a fiery gospel writ in burnished rows of steel: "As ye deal with my contemners, so with you my grace shall deal"; Let the Hero, born of woman, crush the serpent with his heel, Since God is marching on. (Chorus) He has sounded forth the trumpet that shall never call retreat; He is sifting out the hearts of men before His judgment-seat; Oh, be swift, my soul, to answer Him! Be jubilant, my feet! Our God is marching on. (Chorus) In the beauty of the lilies Christ was born across the sea, With a glory in His bosom that transfigures you and me. As He died to make men holy, let us die to make men free, While God is marching on. Lyrics by Julia Ward Howe, 1861
”
”
Dyrk Ashton (Wrath of Gods (The Paternus Trilogy, #2))
“
A flamenco dancer, lurking under a shadow, prepares of the terror of her dance. Somebody has wounded her with words, alluding to the fact that she has no fire, or ‘duende’. She knows she has to dance her way past her limitations, and that this may destroy her forever. She has to fail, or she has to die. I want to dwell for a little while on this dancer because, though a very secular example, she speaks very well for the power of human transcendence. I want you to imagine this frail woman. I want you to see her in deep shadow, and fear. When the music starts, she begins to dance, with ritual slowness. Then she stamps out the dampness from her soul. Then she stamps fire into her loins. She takes on a strange enchanted glow. With a dark tragic rage, shouting, she hurls her hungers, her doubts, her terrors, and her secular prayer for more light into the spaces around her. All fire and fate, she spins her enigma around us, and pulls into the awesome risk of her dance.
She is taking herself apart before our sceptical gaze.
She is disintegrating, shouting and stamping and dissolving the boundaries of her body. Soon, she becomes a wild unknown force, glowing in her death, dancing from her wound, dying in her dance.
And when she stops – strangely gigantic in her new fiery stature – she is like one who has survived the most dangerous journey of all. I can see her now as she stands shining in celebration of her own death. In the silence that follows, no one moves. The fact is that she has destroyed us all.
Why do I dwell on this dancer? I dwell on her because she represents for me the courage to go beyond ourselves. While she danced she became the dream of the freest and most creative people we had always wanted to be, in whatever it is we do. She was the sea we never ran away to, the spirit of wordless self-overcoming we never quite embrace. She destroyed us because we knew in our hearts that rarely do we rise to the higher challenges in our lives, or our work, or our humanity. She destroyed us because rarely do we love our tasks and our lives enough to die and thus be reborn into the divine gift of our hidden genius. We seldom try for that beautiful greatness brooding in the mystery of our blood.
You can say in her own way, and in that moment, that she too was a dancer to God.
That spirit of the leap into the unknown, that joyful giving of the self’s powers, that wisdom of going beyond in order to arrive here – that too is beyond words.
All art is a prayer for spiritual strength. If we could be pure dancers in spirit, we would never be afraid to love, and we would love with strength and wisdom. We would not be afraid of speech, and we would be serene with silence. We would learn to live beyond words, among the highest things. We wouldn't need words. Our smile, our silences would be sufficient. Our creations and the beauty of our functions would be enough. Our giving would be our perpetual gift.
”
”
Ben Okri (Birds of Heaven)
“
From the moment I had first understood that my brother Richard was a boy and I was a girl, I had wanted to exchange his future for mine. My future was motherhood; his, fatherhood. They sounded similar but they were not. To be one was to be a decider. To preside. To call the family to order. To be the other was to be among those called.
I knew my yearning was unnatural. This knowledge, like so much of my self-knowledge, had come to me in the voice of people I knew, people I loved. All through the years that voice had been with me, whispering, wondering, worrying. that i was not right. That my dreams were perversions. That voice had many timbres, many tones. Sometimes it was my father's voice; more often it was my own.
I carried the books to my room and read through the night. I loved the fiery pages of Mary Wollstonecraft, but there was a single line written by John Stuart Mill that, when I read it, moved the world: "It is a subject on which nothing final can be known." The subject Mill had in mind was the nature of women. Mill claimed that women have been coaxed, cajoled, shoved and squashed into a series of feminine contortions for so many centuries, that it is now quite impossible to define their natural abilities or aspirations.
Blood rushed to my brain; I felt an animating surge of adrenaline, of possibility, of a frontier being pushed outward. Of the nature of women, nothing final can be known. Never had I found such comfort in a void, in the black absence of knowledge. It seemed to say: whatever you are, you are woman.
”
”
Tara Westover (Educated)
“
In her eyes, he could see the fear, but also the love. The need. Time to show her, that to him, she meant everything.
“Before you shower me with kisses for saving you –”
“I think it could be argued that I played a part.”
“Not when I retell the story you won’t. But we can argue about that later, naked. As I was saying, I have something for you.” Remy pulled the sheet of paper out of his back pocket and unfolded it.
Initially he’d worried about it being too short. But as Lucifer assured him when he made the contract and binding, the less clauses he put in, the more his promise would stick out. Handing it to her, he waited.
Fidgeted when she didn’t say a word. Almost tore it from her grasp. Then stumbled back as she threw herself at him.
I, Remy, the most awesome demon in Hell, do declare to love the witch Ysabel, fiery temper and all, for an eternity. I will never stray. Never betray her trust. Never do anything to cause her pain upon penalty of permanent death.
This I do swear in blood,
Remy
A simple contract, which in its very lack of clauses and sub items, awed her. “You love me that much?”
He peered at her with incredulity on his face. “Of course I love you that much. Would I have done all the things I did if I didn’t?”
“Well, you are related to a mad woman.”
“Yes, and maybe it’s madness for me to love you, but I do. Do you think just any woman would inspire me enough to take on a bloody painful curse. Or put up with the fact you have a giant, demon eating cat. I know you have trust issues, and that I might not have led the kind of life that inspires confidence, but I will show you that you can believe in me. I want you to love me.”
“I know you do. And I do love you. Only for you would I come to the rescue wearing nothing to cover my bottom.”
His eyebrows shot up. “You came to battle in a skirt without any underwear?”
A slow nod was her answer.
He grinned, then scowled. “You will not do that again. Do you know how many demons live in the sewer and could have looked up your skirt? I won’t have them looking at what’s mine. On second thought. Throw out all your underwear. I’ll lead the purge on the sewers myself so you can stroll around with your girl parts unencumbered for my enjoyment.”
“You’re insane,” she laughed.
“Crazy in love with you,” he agreed. “But I do warn you, we’ll have to have dinner with my crazy mother at least once a month.”
“Or more often. I quite like your mom. She’s got a refreshing way of viewing the world.”
“Oh fuck. Don’t tell me she’s already rubbing off,” he groaned, as he pulled her into his arms.
She snuggled against him. This was where she belonged. But she did have a question. “As my new… what should I call you anyway? Boyfriend? Demon I sleep with?”
“The following terms are acceptable to me. Yours. Mate. Husband. Divine taster of your –”
She slapped a hand over his mouth. “I’ll stick to mate.”
“And I’m going with my super, sexy, touch her and die, fabulous cougar, ass kicking witch.”
“I dare you shout that five times in a row without stumbling.”
He did to her eye popping disbelief. “I told you, I have a very agile tongue.”
“I remember.
”
”
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
“
Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back.
As if he sensed Bram’s predicament, Colin started to laugh.
“What’s so amusing?”
“Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.”
“You keep saying that like I should know the name. I don’t.”
“You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.”
“And so…?”
“And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.”
“There have to be men. There’s no such thing as a village with no men.”
“Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.”
Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler.
And then, only then, did he turn to his yammering cousin. “What were you saying?”
“We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.”
Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?”
“These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.”
“Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.”
“You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.”
“These women aren’t my concern.”
Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
I see her on TV, screaming into a microphone.
Her head is shaved and she is beautiful
and seventeen, and her high school was just shot up,
she's had to walk by friends lying in their own blood,
her teacher bleeding out,
and she's my daughter, the one I never had,
and she's your daughter and everyone's daughter
and she's her own woman, in the fullness of her young fire,
calling bullshit on politicians who take money from the gun-makers.
Tears rain down her face but she doesn't stop shouting
she doesn't apologize she keeps calling them out,
all of them all of us
who didn't do enough to stop this thing.
And you can see the gray faces of those who have always held power
contort, utterly baffled
to face this new breed of young woman,
not silky, not compliant,
not caring if they call her a ten or a troll.
And she cries but she doesn't stop
yelling truth into the microphone,
though her voice is raw and shaking
and the Florida sun is molten brass.
I'm three thousand miles away, thinking how
Neruda said The blood of the children
ran through the streets
without fuss, like children's blood.
Only now she is, they are
raising a fuss, shouting down the walls of Jericho,
and it's not that we road-weary elders
have been given the all-clear exactly,
but our shoulders do let down a little,
we breathe from a deeper place,
we say to each other,
Well, it looks like the baton
may be passing
to these next runners and they are
fleet as thought,
fiery as stars,
and we take another breath
and say to each other, The baton
has been passed, and we set off then
running hard behind them.
”
”
Alison Luterman
“
I. The Burial of the Dead
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
[...]
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you,
I will show you fear in a handful of dust.
[...]
Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
[...]
II. A Game of Chess
[...]
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.
III. The Fire Sermon
[...]
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
[...]
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
[...]
I Tiresias, old man with dugs
Perceived the scene, and foretold the rest--
I too awaited the expected guest.
[...]
IV. Death by Water
[...]
A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
[...]
V. What the Thunder Said
[...]
A woman drew her long black hair out tight
And fiddled whisper music on those strings
And bats with baby faces in the violet light
Whistled, and beat their wings
And crawled head downward down a blackened wall
And upside down in air were towers
Tolling reminiscent bells, that kept the hours
And voices singing out of empty cisterns and exhausted wells.
”
”
T.S. Eliot (The Waste Land)
“
BEAUTY
I was charged with finding Beauty.
The order whispered as I slept.
A voice said it was my duty.
Then quietly it wept.
Filled with purpose, I set out.
I was honored with my quest.
In my mind there was no doubt
I was up to this great test.
In my garden I stopped first.
My roses were in bloom.
Their bright red glory burst
With others mixed on Nature’s loom.
Then a lady drew my gaze.
She was gliding o’er the grass.
Her features would gods amaze.
I sighed deep and let her pass.
A cathedral’s spire reached to the sky,
Man-made wonder to behold.
No sight more pleasing to the eye
Than such a work both grand and bold.
I came upon a mighty mountain,
Snowcap glistening against blue sky.
My eyes were drinking from beauty’s fountain.
Yet I knew I could do better with another try.
My journey lengthened.
I crossed the earth.
My will strengthened.
To place beauty’s birth.
Witness I was to the wonders
Of beauty’s many layers.
Fiery sunsets, tropic thunders,
Children at their prayers.
But each time I thought me near
To beauty’s absolute,
Something better would appear
Even closer to the root.
I wandered thus for many years.
Despaired to ever reach my goal.
I often found myself in tears.
I had searched from pole to pole.
Until one day on a dusty street
In a poor part of the world,
I found a woman begging at my feet,
Her fingers gnarled and curled.
I fished my pocket for a coin,
Thinking good luck could be bought.
Her eyes raised up to my eyes join.
And I saw the woman owned what I sought.
She let me pass into her soul.
Into the garden there.
Never in my life whole
Had I conceived a sight so fair.
I saw the Holy Face of God,
From whose smile all beauty is born.
All the steps that I had trod
Were redeemed on that sweet morn
”
”
Carl Johnson
“
The man was impossible. To her every retort,he had a counter. "A beak you may want to avoid for I will use it."
His dimples turned into craters. "Aye, my lady,that you most certainly are not afraid of using. I think I actually see the small scars along your wrists and hands from where you missed your intended target and clipped yourself."
Edythe opened her mouth,ready to send out another assualt, when the sparkle in his hazel eyes captured her attention. Tyr was not making fun of her. Rather,he was truly enjoying their conversation, and if she was being honest, so was she. Inclining her head in agreement, she curled her lips mischievously and said, "Inflictions all finches must learn to endure."
"Indeed they must," Tyr replied with a bow. "You,Lady Finch,are a genuine surprise. These past few days,your elder sister has been gracious, kind, and all things a lady should be when welcoming a guest, but it seems that only my friend Ranulf can turn her into a fiery tempest. And each time she does, it pulls him farther in.I see now why he is susceptible to such treatment."
Edythe briefly closed her eyes and gave a quick shake to her head. "You enjoy being insulted?"
"You have not insulted me, you couldn't. You don't know me well enough.Nor I you. We just merely sparred and I am finding that I like wit in a woman, a most uncommon trait where I have been. If I were not so decided in my ways,you,dear Finch, would be in trouble."
"Well,then I thank the Lord you are decided, for I am not easily swayed by a pretty face and you have a ways to go before you seem even moderately charming. And before you try to convince me otherwise,I must go see to Lily for she is looking overly animated and all too often the results of such excitement negatively affect me.Excuse me,sir."
Tyr bowed and stared as Edythe left his side and headed toward her younger sister. He had not lied. She was probably the most intriguing woman he had ever encountered.But it changed nothing.Marriage was not for him. Still,a pretty redhead with a cunning mind and a sharp tongue would be fun to pass the time with until he had to leave.
”
”
Michele Sinclair (The Christmas Knight)
“
Closing the distance between them, he had saved the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile.
As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes.
His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen.
His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place.
Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things.
'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
”
”
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
“
He was but three-and-twenty, and had only just learned what it is to love—to love with that adoration which a young man gives to a woman whom he feels to be greater and better than himself. Love of this sort is hardly distinguishable from religious feeling. What deep and worthy love is so, whether of woman or child, or art or music. Our caresses, our tender words, our still rapture under the influence of autumn sunsets, or pillared vistas, or calm majestic statues, or Beethoven symphonies all bring with them the consciousness that they are mere waves and ripples in an unfathomable ocean of love and beauty; our emotion in its keenest moment passes from expression into silence, our love at its highest flood rushes beyond its object and loses itself in the sense of divine mystery. And this blessed gift of venerating love has been given to too many humble craftsmen since the world began for us to feel any surprise that it should have existed in the soul of a Methodist carpenter half a century ago, while there was yet a lingering after-glow from the time when Wesley and his fellow-labourer fed on the hips and haws of the Cornwall hedges, after exhausting limbs and lungs in carrying a divine message to the poor.
That afterglow has long faded away; and the picture we are apt to make of Methodism in our imagination is not an amphitheatre of green hills, or the deep shade of broad-leaved sycamores, where a crowd of rough men and weary-hearted women drank in a faith which was a rudimentary culture, which linked their thoughts with the past, lifted their imagination above the sordid details of their own narrow lives, and suffused their souls with the sense of a pitying, loving, infinite Presence, sweet as summer to the houseless needy. It is too possible that to some of my readers Methodism may mean nothing more than low-pitched gables up dingy streets, sleek grocers, sponging preachers, and hypocritical jargon—elements which are regarded as an exhaustive analysis of Methodism in many fashionable quarters.
That would be a pity; for I cannot pretend that Seth and Dinah were anything else than Methodists—not indeed of that modern type which reads quarterly reviews and attends in chapels with pillared porticoes, but of a very old-fashioned kind. They believed in present miracles, in instantaneous conversions, in revelations by dreams and visions; they drew lots, and sought for Divine guidance by opening the Bible at hazard; having a literal way of interpreting the Scriptures, which is not at all sanctioned by approved commentators; and it is impossible for me to represent their diction as correct, or their instruction as liberal. Still—if I have read religious history aright—faith, hope, and charity have not always been found in a direct ratio with a sensibility to the three concords, and it is possible—thank Heaven!—to have very erroneous theories and very sublime feelings. The raw bacon which clumsy Molly spares from her own scanty store that she may carry it to her neighbour’s child to “stop the fits,” may be a piteously inefficacious remedy; but the generous stirring of neighbourly kindness that prompted the deed has a beneficent radiation that is not lost.
Considering these things, we can hardly think Dinah and Seth beneath our sympathy, accustomed as we may be to weep over the loftier sorrows of heroines in satin boots and crinoline, and of heroes riding fiery horses, themselves ridden by still more fiery passions.
”
”
George Eliot
“
Silain sat up straighter. She had heard tales of the headwoman of the People of the Tree. She was a warrior so ferocious the Yxtrang revered her as a hero; a lover so skilled that she had captured the heart and hoard of a Dragon; a woman who gave her word but rarely, and always kept her promises.
It was that last which concerned Silain; after all, there were irresistible lovers and fiery warriors in plenty among the Bedel. But promise-keeping, that was dangerous.
”
”
Sharon Lee (Dragon in Exile (Liaden Universe, #18))
“
I lied to you,” she said with a belligerent edge. He hid a smile. “I lied to you.” “I’m domineering and used to getting my own way.” “I like a woman who knows her own mind.” “I’m stubborn and opinionated.” “If I’m contemplating a lifetime with a lassie, I want her to show a bit of spirit.” “I have no society polish. A countess should be sophisticated, whereas I’ve never had a season. I’ve never even been to London.” “Aye, you’ll settle into the Highlands well, then. My home is a long journey from the bright lights of Edinburgh—a wee wife who pines for city life would never be happy with me.” She narrowed her eyes. “I kissed you like there’s no tomorrow.” “Are you trying to convince me for or against?” Her lips twisted in self-denigration. “I’m clearly a woman of wayward morals.” He couldn’t contain his laughter. “Is that right?” Her cheeks were fiery now. “You don’t want to marry a flirt.” “If I’m the only laddie my wife flirts with, I have no objection.” Her expression was a mixture of defiance and shame. “How do you know I don’t kiss every gentleman the way I…I kissed you?” He smiled gently. “Have you ever kissed anyone else like that?” “No.” Her long eyelashes, darker honey than her hair, flickered down. “But that doesn’t mean I won’t.” She was bewitching. He’d admitted to being besotted. Every moment in her company only deepened his enchantment. “I’ll take my chances.” “Surely you want a wife you can trust.” “Apart from your…waywardness and propensity for impersonating fairytale characters, I believe you’re an admirable creature.” “Hardly.” The compliment didn’t please her. “I let you take liberties.” “As your future husband, I’d like to place it on record that I intend to take liberties at every opportunity.” He paused. “Scotland’s a gey chilly place, especially in the winter. I don’t want a cold marriage bed.” She stiffened. “There remains one insurmountable obstacle.” “What’s that?” Her delicate jaw set in an obstinate line. “I don’t want to marry you.” With
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
At length, one evening towards the end of March, the mental clearness of Orange somewhat revived, and he felt himself compelled to get up and put on his clothes. The nurse, thinking that the patient was resting quietly, and fearing the shine of the lamp might distress him, had turned it low and gone away for a little: so it was without interruption, although reeling from giddiness, and scorched with fever, that Rupert groped about till he found some garments, and his evening suit. Clad in these, and throwing a cloak over his shoulders, he went downstairs. Those whom he met, that recognized him, looked at him wonderingly and with a vague dread; but he appeared to have his understanding as well as they, and so he passed through the hall without being stopped; and going into the bar, he called for brandy. The bar-tender, to whom he was known, exclaimed in astonishment; but he got no reply from Orange, who, pouring himself out a large quantity of the fiery liquor found it colder than the coldest iced water in his burning frame. When he had taken the brandy, he went into the street. It was a bleak seasonable night, and a bitter frost-rain was falling: but Orange went through it, as if the bitter weather was a not unwelcome coolness, although he shuddered in an ague-fit. As he stood on the corner of Twenty-third Street, his cloak thrown open, the sleet sowing down on his shirt, and the slush which covered his ankles soaking through his thin shoes, a member of his club came by and spoke to him.
"Why, good God! Orange, you don't mean to say you're out on a night like this! You must be much better--eh?" he broke off, for Orange had given him a grey look, with eyes in which there was no speculation; and the man hurried away scared and rather aghast. "These poet chaps are always queer fishes," he muttered uneasily, as he turned into the Fifth Avenue Hotel.
Of the events of terror and horror which happened on that awful night, when a human soul was paying the price of an astonishing violation of the order of the universe, no man shall ever tell. Blurred, hideous, and enormous visions of dives, of hells where the worst scum of the town consorted, of a man who spat on him, of a woman who struck him across the face with her umbrella, calling him the foulest of names--visions such as these, and more hateful than these, presented themselves to Orange, when he found himself, at three o'clock in the morning, standing under a lamp-post in that strange district of New York called "The Village."
("The Bargain Of Rupert Orange")
”
”
Vincent O'Sullivan (The Supernatural Omnibus- Being A Collection of Stories)
“
Christ,” he said in an undertone, bending down so I could hear him. “And she’s been a woman less than a full day, too! Have ye been givin’ her lessons, Sassenach, or are women just born wi’ it?” “Natural talent, I expect,
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
She had disapproved, audibly, repeatedly, and eventually to my face, of my habit of going about with my head uncovered, it being her opinion that it was unseemly for a woman of my age not to wear either cap or kerch, reprehensible for the wife of a man of my husband’s position—and furthermore, that only “backcountry sluts and women of low character” wore their hair loose upon their shoulders. I had laughed, ignored her, and given her a bottle of Jamie’s second-best whisky, with instructions to have a wee nip with her breakfast and another after supper. A
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
The heart of a woman is really strange.
There are days we long for a fireplace where we can warm our hearts through the night. If we don't have one we grumble, but we take solace in the company of family and friends.
Yet through it all, we yearn for that fiery hearth that we can tend to all through the night.
Though summer is already here and the summer solstice is just around the corner, my heart aches and I feel cold. I long for that someone and I feel cold...For no apparent reason, I feel cold.
”
”
Kim Dong Hwa (The Color of Water (Color Trilogy, #2))
“
Pray your words, old man.”
The priest licked his lips and glanced fearfully at the crowd of savages around them. Perhaps it was the stark contrast of black robes against pallid flesh, but Loretta thought he was losing color at an alarming rate. Indeed, he looked as if he might faint.
“Say the God words, old man!” Hunter snarled again.
“Don’t you dare bully him,” Loretta hissed. “He’s a man of God, Hunter! You don’t roar at a man of God.”
“It’s qu-quite all right, child, quite all right.” The priest, his face dripping sweat, made haste to open his Bible. “Merciful Father,” he muttered, clearly praying for deliverance. With a strangled cough, he began leafing through pages, turning slightly so the light from the fire was thrown across the small print. “I beg your forgiveness. I don’t usually need to use the book--” He coughed again and waved away smoke. “For some reason, the words have fled my mind. Ah, yes, here we are.”
Infuriated, Loretta jerked her arm from Hunter’s grasp. “Father, there’s absolutely nothing to be afraid of, I assure you.”
Hunter reclaimed her arm in a biting grip that made her swing around to face him. Bending his head, he whispered, “Blue Eyes, you test my temper. I will blow hard at you like the wind.”
“Blow, then!” She tried to twist her arm free. “You’re hurting me.”
“I will beat you. Then you will know a hurt. Now be silent!”
Loretta’s eyes flared to a fiery blue. “I’m not going to marry you. Beat me senseless! Go ahead.”
Hunter sent her a look that would have scared her to death a month ago. “Loh-rhett-ah, you will be silent and let him say the God words.”
“He can say the God words until snowballs melt in--” She broke off and blushed. “I’m the one who has to say the words, Hunter, and I won’t. Do you understand?”
“My dear child,” the priest inserted, “it’s not often one of these”--he threw a meaningful glance at Hunter--“gentlemen offers to make an honorable woman of a captive. Wouldn’t it be wise to accept?”
“I’m in no need of matrimony, Father. I still have my honor.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body?
Waving his friends away, Hunter hunkered down and scooped a handful of dirt, pressing it to the shallow cut on his shoulder. Loretta stared at the blood trailing down his arm. If not for his quick thinking, it could have been her own. Survival instinct and common sense warred within her. She knew death might be preferable to what was in store for her, but she couldn’t help being glad she was alive.
As if he felt her staring at him, the Comanche lifted his head. When his eyes met hers, the fury and loathing in them chilled her. He stood and jerked the feathers from his braid, wrapping them in his shirt. Never taking his gaze off her, he stuffed the bundle into a parfleche hanging from his surcingle.
“Keemah,” he growled.
Uncertain what he wanted and afraid of doing the wrong thing, Loretta stayed where she was. He caught her by the arm and hauled her to her feet.
“Keemah, come!” He gave her a shake for emphasis, his eyes glittering. “Listen good, and learn quick. I have little patience with stupid women.”
Grasping her waist, he tossed her on the horse and scooted her to the back of the blanket saddle. The hem of her nightgown rode high. She could feel all the men staring at her. Had he no decency? With trembling hands, she tugged at the gown and tried to cover her thighs. There wasn’t enough material to stretch. And it was so thin from years of wear, it was nearly transparent. The morning breeze raised gooseflesh on her naked arms and back.
With a grim set to his mouth, her captor opened a second parfleche, withdrawing a length of braided wool and a leather thong. Before she realized what he was about to do, he knotted the wool around one of her ankles, looped it under his horse’s belly, and swiftly bound her other foot.
“We must ride like the wind!” he yelled to the others. “Meadro! Let’s go!”
The other men ran for their horses. Grasping the stallion’s mane, Hunter vaulted to its back and settled himself in front of her. When he reached for her arms and pulled them around him, she couldn’t stifle a gasp. Her breasts were flattened against his back.
“Your woman does not like you, cousin,” someone called in English. Loretta turned to see who spoke and immediately recognized the brave who had encouraged Hunter to kill her that first day. His scarred face was unforgettable. He flashed her a twisted smile that seemed more a leer, his black eyes sliding insolently down her body to rest on her naked thighs. Then he laughed and wheeled his chestnut horse. “She won’t be worth the trouble she will make for you.”
Hunter glanced over his shoulder at her. The fiery heat of his anger glowed like banked embers in his eyes. “She will learn.” With an expertise born of long practice, he lashed her wrists together with the leather. “She will learn quick.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Even the red-eyed young woman whom I recognized from Fergus’s story as Isaiah Morton’s inamorata
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
The final betrayal would come from the original traitor, her own body. Odysseus would not dare strip a woman to prove her a boy, but once Damia revealed her, she would no doubt be held down and stripped of her tunic and underclothes, and the miserable dangling appendage that no treatment of herbs could remove would be her undoing. Odysseus’s pleasant ignorance would be more deadly than Kheiron’s cruelty. On the journey to Agamemnon’s army, she would have none of the herbs that had spared her the indignities of manhood, and the process would resume. Hair would sprout on her chest and shoulders and back as it had on Odysseus; a beard would follow; she would lose the fiery curls on her head; she would stink like a bull; her skin would roughen and bulge with veins; it would be worse than death.
”
”
Maya Deane (Wrath Goddess Sing)
“
As a self-proclaimed loud Black woman, I long for the day when my loudness doesn’t have to be armor that protects me from the fiery darts of white supremacy. I long to just be.
”
”
Ally Henny (I Won't Shut Up: Finding Your Voice When the World Tries to Silence You (An Unvarnished Perspective on Racism That Calls Black Women to Find Their Voice))
“
If they were not all Klansmen, surely they sympathized with the Klan. Their neighbors were Klan. Their kin were Klan. Their ministers were Klan. They attended churches where Klan values were preached and Klan members blessed. They shopped in stores with “TWK” stickers. They subscribed to the Fiery Cross. They voted the straight Klan ticket, following the guidance on clothespin-clipped ballots sent out by the man on trial for murder. They boycotted Catholics, berated Jews, shunned Blacks, feared immigrants.
”
”
Timothy Egan (A Fever in the Heartland: The Ku Klux Klan's Plot to Take Over America, and the Woman Who Stopped Them)
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Kokomo has seen with its own eyes the class of people who comprise the Klan,” the Fiery Cross wrote in its report of the biggest day in the history of the Ku Klux Klan. “It saw staunch American farmers with their wives; merchants of repute; bankers of integrity; honest and hard-working mechanics, and ministers and devout church members.
”
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Timothy Egan (A Fever in the Heartland: The Ku Klux Klan's Plot to Take Over America, and the Woman Who Stopped Them)
“
Mud of the gods, woman, what are you doing?’
Abrastal looked up. ‘What does it look as if I’m doing, Spax?’
Her fiery tresses lay heaped on the tent floor. She was wrapped in her blanket and as far as he could tell, naked underneath. He watched as she resumed slashing long lengths away with her knife. ‘I witness,’ he said, ‘the death of my lust.’
‘Good. It’s about time. I was never going to bed you, Barghast.’
‘Not the point. It was the desire I took so much pleasure in.’
‘That’s pathetic.’
Spax shrugged. ‘I am an ugly man. This is how ugly men get through each damned day.’
‘You’ve been bedding my daughter.’
‘She only does it to infuriate you, Highness.’
Abrastal paused with her knife, looked up at him. ‘And has it succeeded?’
Grinning, Spax said, ‘So I tell her every night. All about your rants, your foaming mouth, your outrage and fury.’
‘Ugly and clever, a deadly combination in any man.
”
”
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
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For this reason shall a woman leave her father’s house, and cleave unto her husband, and the two shall be one flesh.
”
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Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
When he finished he had a magnificent house, perched on the edge of a precipice at whose feet the ocean thundered, but it was a house that knew no happiness, for shortly after Whip had moved in with his third wife, the Hawaiian-Chinese beauty Ching-ching, who was pregnant at the time, she had caught him fooling around with the brothel girls that flourished in the town of Kapaa. Without even a scene of recrimination, Ching-ching had simply ordered a carriage and driven back to the capital town of Lihune, where she boarded an H & H steamer for Honolulu. She divorced Whip but kept both his daughter Iliki and his yet-unborn son John. Now there were two Mrs. Whipple Hoxworths in Honolulu and they caused some embarrassment to the more staid community. There was his first wife, Iliki Janders Hoxworth, who moved in only the best missionary circles, and there was Ching-ching Hoxworth who lived within the Chinese community. The two never met, but Howxworth & Hale saw to it that each received a monthly allowance. The sums were generous, but not so much so as those sent periodically Wild Whip's second wife, the fiery Spanish girl named Aloma Duarte Hoxworth, whose name frequently appeared in New York and London newspapers... p623
When the polo players had departed, when the field kitchens were taken down, and when the patient little Japanese gardeners were tending each cut in the polo turf as if it were a personal wound, Wild Whip would retire to his sprawling mansion overlooking the sea and get drunk. He was never offensive and never beat anyone while intoxicated. At such times he stayed away from the brothels in Kapaa and away from the broad lanai from which he could see the ocean. In a small, darkened room he drank, and as he did so he often recalled his grandfather's words: "Girls are like stars, and you could reach up and pinch each one on the points. And then in the east the moon rises, enormous and perfect. And that's something else, entirely different." It was now apparent to Whip, in his forty-fifth year, that for him the moon did not intend to rise. Somehow he had missed encountering the woman whom he could love as his grandfather had loved the Hawaiian princess Noelani. He had known hundreds of women, but he had found none that a man could permanently want or respect. Those who were desirable were mean in spirit and those who were loyal were sure to be tedious. It was probably best, he thought at such times, to do as he did: know a couple of the better girls at Kapaa, wait for some friend's wife who was bored with her husband, or trust that a casual trip through the more settled camps might turn up some workman's wife who wanted a little excitement. It wasn't a bad life and was certainly less expensive in the long run than trying to marry and divorce a succession of giddy women; but often when he had reached this conclusion, through the bamboo shades of the darkened room in which he huddled a light would penetrate, and it would be the great moon risen from the waters to the east and now passing majestically high above the Pacific. It was an all-seeing beacon, brillant enough to make the grassy lawns on Hanakai a sheet of silver, probing enough to find any mansion tucked away beneath the casuarina trees. When this moon sought out Wild Whip he would first draw in his feet, trying like a child to evade it, but when it persisted he often rose, threw open the lanai screens, and went forth to meet it. p625
”
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James A. Michener (Hawaii)
“
Many chances have been given to end the suffering in this land. But you and your fathers ignored it in favour of your blinding hate.” The stars hissed and spat like a raging fire beneath my flesh. “The bond has tested you and you were both found wanting. But now you stand as allies upon this hill, and we cannot ignore the question you ask of us.” “What question?” Dante gritted out and I managed to raise my eyes again, finding him just in front of me, on his knees, his back bowed as he faced the same wrath as I did. “You ask for the bond to be changed,” the stars answered, their anger seeming to simmer a little as the pain in my body eased. I knew what they said was true, but I wasn’t really sure how. I’d never asked for things to change, never thought I wanted it. But now I knelt before the man who’d saved me, who loved the woman I loved, who reflected me in so many ways it was suddenly impossible to ignore. “So what’s your answer to that question?” I forced out, feeling Dante’s gaze on me as I looked to the sky. The stars were silent and the pain ran out of my body like water from a shattered dam. My head tilted down to look at Inferno and I almost stopped breathing as I found two glimmering lights floating between us, like tiny stars had dropped from above. They pulsed and flickered, one deepest blue and the other a fiery red. “Blue is hate, red is love. Choose. But if you do not choose the same, the answer will be hate,” the stars whispered, then their power released me from their grip.
”
”
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
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lips “Come on. It’s okay.” But it wasn’t; none of this was. I knew my grandmother. He’d never met her. In all the time we’d been together, even in high school, not once had I ever introduced them. And while I needed answers, now wasn’t the time to try to get them. I had no clue why my grandmother would have temporary custody of a five-year-old, nor why she would have been living with his mother—the woman who’d slept with James years ago. The realization struck her the moment her attention pulled away from Legend to greet us. Before she could speak, James stuck his hand out to introduce himself. “I’m James Carpenter, and this is my wife, Cora.” Her eyes were glued to mine when I identified her first. “Gwendolyn Chase,” I spoke with malice and discontent. And refused to extend my hand as my husband had done. “Cora.” It was a whisper the waves could have carried in with the wind. Her eyes were filled with something akin to remorse, while mine remained hardened. “Dottie, watch!” Legend drew our attention toward him as he did a flip off the bar and landed on his feet in the sand just before he bottomed out. The little boy was captivating and charming and a temporary reprieve from the woman behind me. His fiery-red mop was overgrown and a tad shaggy, and the way the sun reflected off the slightly curled ends made him appear angelic. I couldn’t help but notice his large, brown irises and the smattering
”
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Stephie Walls (Unexpected Arrivals: A Geneva Key Beach Novel)
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Swift released the bowl in a strong drive. It sped obediently down the green, perfectly reproducing Daisy’s shot, though with more calculated momentum. Hitting Daisy’s bowl cleanly off the grass, it took her place right in front of the jack.
“He knocked my bowl into the ditch,” Daisy protested. “Is that legal?”
“Oh, yes,” Lord Llandrindon said. “A bit ruthless, but perfectly legal. Now it is properly referred to as a ‘dead bowl.’”
“My bowl is dead?” Daisy asked indignantly.
Swift returned her scowl with an implacable glance. “Never do an enemy a small injury.”
“Only you would quote Machiavelli during lawn bowling,” Daisy said through gritted teeth.
“Pardon,” Lord Llandrindon said politely, “but I believe it’s my turn.” Seeing that neither of them were paying attention, he shrugged and went to the delivery line. His bowl careened down the green and ended just beyond the jack.
“I always play to win,” Swift said to Daisy.
“Good God,” Daisy said in exasperation, “you sound exactly like my father. Have you ever considered the possibility that some people play just for the fun of it? As a pleasant activity to pass the time? Or must everything be brought down to life-and-death conflict?”
“If you’re not out to win, the game is pointless.”
Seeing that she had completely slipped from Swift’s notice, Cassandra Leighton sought to intervene. “I fancy it’s my shot now, Mr. Swift. Would you please be so kind as to retrieve a bowl for me?”
Swift complied with barely a glance at her, his attention riveted on Daisy’s small, tense face.
“Here,” he said brusquely, thrusting the bowl into Miss Leighton’s hands.
“Perhaps you could advise me…” Miss Leighton began, but her voice faded as Swift and Daisy continued to bicker.
“All right, Mr. Swift,” Daisy said coolly. “If you can’t enjoy a simple game of bowls without making it into a war, you’ll have a war. We’ll play for points.”
She wasn’t quite certain if she had moved forward or if he had, but suddenly they were standing very close, his head bent over hers.
“You can’t beat me,” Swift said in a low voice. “You’re a novice, and a woman besides. It wouldn’t be fair unless I was assigned a handicap.”
“Your teammate is Miss Leighton,” she whispered sharply. “In my opinion, that’s enough of a handicap. And are you implying that women can’t bowl as well as men?”
“No. I’m saying straight out they can’t.”
Daisy felt a rush of outrage, augmented by a fiery desire to pound him into the ground. “War,” she repeated, stalking back to her side of the green.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
You were a physician before you became a vampire, so I will allow this…distraction to run its course.” Alex inclined his head. “Thank you.” “I am surprised I must remind you after all this time of your obligation to me. You would be long in your human grave if not for me. I am your maker. You swore your fealty to me in return for your making.” “I have not forgotten.” The words fell stiffly from his lips. The facts of his making and the duties required of him were emblazoned in his mind in fiery emphasis. “But I would remind you that in this human world we live you are my wife and should honor me as a good woman would. I provide you with the leverage you need to fulfill your ambitions. Before you met me, you were a hunted witch living in the most desperate circumstances. As your husband, I give you a cloak of legitimacy and respectability. It would do you well not to forget that.” This time, Anna’s surprise held her speechless. She stared at him, a frown marring the flesh between her thick brows. “I
”
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Tracy Cooper-Posey (Time Kissed Moments (Kiss Across Time #2.5))
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She is going to be the death of me.
“Lucien! You’re not even listening to me, are you? I’m in desperate need of a new valet and you’ve been woolgathering rather than offering suggestions. I daresay you have enough for a decent coat and a pair of mittens by now.”
Lucien Russell, the Marquess of Rochester, looked to his friend Charles. They were walking down Bond Street, Lucien keeping careful watch over one particular lady without her knowledge and Charles simply enjoying the chance for an outing. The street was surprisingly crowded for so early in the day and during such foul wintry weather.
“Admit it,” Charles prodded.
Lucien fought to focus on his friend. “Sorry?”
The Earl of Lonsdale fixed him with a stern glare which, given that his usual manner tended towards jovial, was a little alarming.
“Where is your head? You’ve been out of sorts all morning.”
Lucien grunted. He had no intention of explaining himself. His thoughts were sinful ones, ones that would lead him straight to a fiery spot in Hell, assuming one wasn’t already reserved for him. All because of one woman: Horatia Sheridan.
-Charles & Lucien
”
”
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
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I could only see shades of men and woman moving outside the fiery circle, almost as ghosts who were banished to a darker world.
”
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Cherry Gregory (The Girl from Ithaca)
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While Judge Darcy avoided meditating on the very great pleasure a pair of fine eyes in the face of a pretty woman can bestow, he could not help but notice that Elizabeth had a streak of determination that some might call “fiery.
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Sara Angelini (The Trials of the Honorable F. Darcy: A Modern Pride & Prejudice)
“
I’m having a hard time concentrating at work. Why in the world did I give the task force members offices on my floor? It seemed like a good idea at the time . . . to evict the old guard and move in the staff that represented the company’s one hope for the future. I regret it now, though, because I can’t go an hour without seeing Kathleen Burke. I can’t remember when I’ve felt this frustrated, and that’s saying a lot because I have two preschoolers at home. I noticed Kathleen’s attractiveness the day we met. I noticed it the same way that I might notice that a woman’s hair is gray. It was just a fact. It didn’t matter to me or affect me. A month and a half has passed since then. A month and a half of me sitting in the board room during task force meetings, watching Kathleen give presentations on newfound information she feels passionately about. She always feels passionately about the information she presents. A month and a half of looking up from my desk and seeing her slender body pass by my office in tailored skirts and silky shirts. A month and a half of disagreeing with her over new computer software. When she thinks I’m being pig-headed, her nose scrunches and her brown eyes blaze. My mom told me that her family is Irish. It’s obviously true. Kathleen has the fiery will and the red glint in her hair to prove it. She can’t seem to understand that I’m not being pig-headed about new computer software. I’m just being right. A month and a half of running into her in the break room. She tilts her head when she refills her coffee mug, which causes her long hair to slide over her shoulder and upper arm. A month and a half of hearing her laughter from a distance. A month and a half of receiving correspondence from her signed “Respectfully, Kathleen E. Burke.” Why the E? There are no Kathleen R. or B. or K. Burkes who work at Bradford Shipping. The E is pretentious. A month and a half of looking back every evening when I leave and seeing her office light on. Kathleen’s attractiveness is more than a fact to me now. She’s annoyingly pretty, she’s persistent, and she’s impossible to ignore. For more than two years, I’ve been loyal to Robin’s memory. That’s how I want things to continue. That’s how I like it. Willow and Nora are my life. I spend every hour outside of work with them, and I’m exhausted at the end of each day. There’s no room in my schedule or in my emotions for a relationship. I’m even more certain that I’m not meant to be a boyfriend or a husband now than I was when Robin died. So the distraction of Kathleen makes me feel like I’m betraying a commitment I made to myself. Which, in turn, makes me angry. I’ve been asking God to take away this stupid pull I feel toward Kathleen. Or better yet, to give her a new job in another city or state. My
”
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Becky Wade (Then Came You (A Bradford Sisters Romance, #0.5))
“
I will still help ye, lass,” he said and winced at the desperate note in his voice. Firmer, he said, “Did ye hear me, Malina? I said I will keep my word to you.” Determined to face her wrath like the warrior he was, he caught her arm. She spun around, and to his dismay, tears stained her cheeks. She swatted at them and wouldn’t look him in the eye. His stomach contracted with regret. Och, he’d never meant to make her weep. He shouldna have pretended ire with her, even if it meant angering Steafan. “Malina—” Her shiny eyes flashed. “Don’t you call me that ever again! You bastard!” He nearly recoiled from the whip of her anger, but he’d faced enough Gunn and MacKay to stand his ground against a wee, fiery woman. “Haud your wheesht, wife,” he growled as he pulled her to him. She’d draw the attention of the whole village, and the last thing he wanted were more witnesses to the debacle he’d landed himself in. Come to think of it, he was not some repentant mutt who ought to be whimpering for his sins. He didn’t regret keeping her and her unborn bairn safe from Steafan’s stocks tonight. He didn’t regret taking full and permanent responsibility for a woman with child lost in a strange land. He didn’t exactly expect her thanks, but he didn’t appreciate his bride calling him a bastard on their wedding night, either. “I willna have ye maligning me for the whole of Ackergill to hear.” “Oh, you willna, will you? And just how do you plan to stop me? Will you dole out your husbandly discipline and make your uncle proud?” “Och, woman. I am not your enemy.” He darted a glance around the road to make sure no one was gawking at them. “You’re not my friend, either, Darcy Keith,” she said in a respectable volume, though the sparks in her eyes suggested she’d prefer yelling at him some more. “You betrayed me. You told me I had to meet the laird in order to spend the night here. You made it sound like a formality. You didn’t say anything about ending up married. Married! Damn it, Darcy.
”
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Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
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For generations, the Stafford men had been known throughout the ton for their appearance—the epitome of tall, dark, and handsome. Alex’s father was a mere six feet tall, and was teased relentlessly by his brothers and cousins as “the diminutive duke.” His sons did not suffer the same fate—all standing taller than six feet, four inches, proving that the next crop of Staffords would reclaim their statuesque heritage. The sons in question—William, twenty-three, Nicholas, twenty-one, and Christopher, nineteen—shared other familial qualities with their father, however: They were devilishly handsome, with the dark-as-midnight hair, strong jaws, regal noses, and full lips that had made the Staffords legendary since the early days of the kingdom. But it wasn’t their good looks that stopped women in their tracks. It was the famous Stafford eyes. For as long as anyone could remember, Stafford men had been blessed with eyes the color of clearest emeralds. One could get lost in those eyes—they were windows on emotion, glittering with humor, flashing with anger, fiery with passion. These were eyes that wreaked havoc on the women around them—unless the woman in question was a sister. In which case, they served to simply exasperate.
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Sarah MacLean (The Season)
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She thought about the old woman’s words as a smile broke out on her pale white face. She played with a lock of her fiery red hair, and her slender eyes, shaped like the body of the graceful dyran, the rainbow-scaled, ribbon-tailed flying fish, stared into the distance. There was something about this young man who tried to do good without seeming to be too good. She wanted to know him better.
”
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Ken Liu (The Grace of Kings (The Dandelion Dynasty, #1))
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And capitalizing on diversity is perhaps even more important when it comes to the characters of the oarsmen. A crew composed entirely of eight amped-up, overtly aggressive oarsmen will often degenerate into a dysfunctional brawl in a boat or exhaust itself in the first leg of a long race. Similarly, a boatload of quiet but strong introverts may never find the common core of fiery resolve that causes the boat to explode past its competitors when all seems lost. Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That's the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. Bit it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.
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Daniel James Brown
“
And who e'er said I wanted such a fiery-tongued woman to wife?"
"I'll wait until the two of you are married to tell Trulie you said that.
”
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Maeve Greyson (My Highland Lover (Highland Hearts, #1))