Fiery Red Quotes

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I used to shrink at harsh tones, used to be afraid. Until I learned it takes nothing to be hostile. Nothing. It is easy to be the one yelling, chucking words that burn like coals, neon red, meant to harm. I have learned I am water. The coals sizzle, extinguishing when they reach me. I see how, those fiery coals are just black stones, sinking to the bottom.
Chanel Miller (Know My Name)
[The Old Astronomer to His Pupil] Reach me down my Tycho Brahe, I would know him when we meet, When I share my later science, sitting humbly at his feet; He may know the law of all things, yet be ignorant of how We are working to completion, working on from then to now. Pray remember that I leave you all my theory complete, Lacking only certain data for your adding, as is meet, And remember men will scorn it, 'tis original and true, And the obloquy of newness may fall bitterly on you. But, my pupil, as my pupil you have learned the worth of scorn, You have laughed with me at pity, we have joyed to be forlorn, What for us are all distractions of men's fellowship and smiles; What for us the Goddess Pleasure with her meretricious smiles. You may tell that German College that their honor comes too late, But they must not waste repentance on the grizzly savant's fate. Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night. What, my boy, you are not weeping? You should save your eyes for sight; You will need them, mine observer, yet for many another night. I leave none but you, my pupil, unto whom my plans are known. You 'have none but me,' you murmur, and I 'leave you quite alone'? Well then, kiss me, -- since my mother left her blessing on my brow, There has been a something wanting in my nature until now; I can dimly comprehend it, -- that I might have been more kind, Might have cherished you more wisely, as the one I leave behind. I 'have never failed in kindness'? No, we lived too high for strife,-- Calmest coldness was the error which has crept into our life; But your spirit is untainted, I can dedicate you still To the service of our science: you will further it? you will! There are certain calculations I should like to make with you, To be sure that your deductions will be logical and true; And remember, 'Patience, Patience,' is the watchword of a sage, Not to-day nor yet to-morrow can complete a perfect age. I have sown, like Tycho Brahe, that a greater man may reap; But if none should do my reaping, 'twill disturb me in my sleep So be careful and be faithful, though, like me, you leave no name; See, my boy, that nothing turn you to the mere pursuit of fame. I must say Good-bye, my pupil, for I cannot longer speak; Draw the curtain back for Venus, ere my vision grows too weak: It is strange the pearly planet should look red as fiery Mars,-- God will mercifully guide me on my way amongst the stars.
Sarah Williams (Twilight Hours: A Legacy of Verse)
What, in the end, makes advertisements superior to criticism? Not what the moving red neon says—but the fiery pool reflecting it in the asphalt.
Walter Benjamin (One Way Street And Other Writings)
Flint
 An emerald is as green as grass, A ruby red as blood; A sapphire shines as blue as heaven; A flint lies in the mud. A diamond is a brilliant stone, To catch the world’s desire; An opal holds a fiery spark; But a flint holds fire.
Christina Rossetti
Red onions are especially divine. I hold a slice up to the sunlight pouring in through the kitchen window, and it glows like a fine piece of antique glass. Cool watery-white with layers delicately edged with imperial purple...strong, humble, peaceful...with that fiery nub of spring green in the center...
Mary Hayes-Grieco (Kitchen Mystic: Spiritual Lessons Hidden in Everyday Life)
I hear the question upon your lips: What is it to be a colour? Colour is the touch of the eye, music to the deaf, a word out of the darkness. Because I’ve listened to souls whispering – like the susurrus of the wind – from book to book and object to object for tens or thousands of years, allow me to say that my touch resembles the touch of angels. Part of me, the serious half, calls out to your vision while the mirthful half sours through the air with your glances. I’m so fortunate to be red! I’m fiery. I’m strong. I know men take notice of me and that I cannot be resisted. I do not conceal myself: For me, delicacy manifests itself neither in weakness nor in subtlety, but through determination and will. So, I draw attention to myself. I’m not afraid of other colours, shadows, crowds or even of loneliness. How wonderful it is to cover a surface that awaits me with my own victorious being! Wherever I’m spread, I see eyes shine, passions increase, eyebrows rise and heartbeats quicken. Behold how wonderful it is to live! Behold how wonderful to see. I am everywhere. Life begins with and returns to me. Have faith in what I tell you.
Orhan Pamuk (My Name Is Red)
I look down at myself, but I don't need to. I can feel it. My hot blood is pounding through my body, flooding capillaries and lighting up cells like Fourth of July fireworks. I can feel the elation of every atom in my flesh, brimming with gratitude for the second chance they never expected to get. The chance to start over, to live right, to love right, to burn up in a fiery cloud and never again be buried in the mud. I kiss Julie to hide the fact that I'm blushing. My face is bright red and hot enough to melt steel. Okay, corpse, a voice in my head says, and I feel a twitch in my belly, more like a gentle nudge than a kick. I'm going now. I'm sorry I couldn't be here for your battle; I was fighting my own. But we won, right? I can feel it. There's a shiver in our legs, a tremor like the Earth speeding up, spinning off into uncharted orbits. Scary, isn't it? But what wonderful thing didn't start out scary? I don't know what the next page is for you, but whatever it is for me I swear I'm not going to fuck it up. I'm not going to yawn off in the middle of a sentence and hide it in a drawer. Not this time. Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness. Okay. Okay, R. Here it comes.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
His fingers painted my skin with ruby red patterns of desire. In Keahi’s kiss I could taste the red burn of chili encrusted in the rich sweetness of melted chocolate. I breathed in his scent and it spoke to me of vanilla. The ink of my malu tattoo began to burn, searing markings of fiery joy.
Lani Wendt Young (When Water Burns (Telesa, #2))
With a bound, the sun of a molten fiery red cam above the horizon, and immediately thousands of little birds sang out for joy, and a soft chorus of mysterious, glad murmurs came forth from the earth; the low whispering wind left its hiding-place among the clefts and hollows of the hills, and wandered among the rustling herbs and trees, waking the flower-buds to the life of another day.
Elizabeth Gaskell (Ruth)
To this day I still do not know why red shoes are sooo me. I think it might be that in a way the color demonstrates that though I am not much of a dresser I do have a fiery element in me and sometimes I even run with it.
Gisela Hausmann
Purple is such a twisted, complex color - it conveys the passion of red, the sadness of blue, the depravity of black. Purple is neither happy nor sad. It is pain and despair but longing, too - fiery desire, beaten and bruised but struggling onward, determined to overcome, to move forward rather than retreat.
James Patterson (Invisible (Invisible, #1))
October made the leaves on Main Street fit for a crown. They dripped from the trees in jewel-toned shades: yellow and orange and fiery red. The cool wind sent a confetti-cluster of leaves down around us.
Natalie Lloyd (Over the Moon)
Sometimes love is pastel. Sometimes love is black. And sometimes love is fiery red and you feel as if you are going to burn in the flames.
Chloe Thurlow (Katie in Love)
He yearned for a thousand tremulous dreams, for cool and delicate images, transparent tints, fleeting scents, and exquisite music from streams of highly strung, tensely drawn silvery strings — and then silence, the innermost heart of silence, where the waves of air never bore a single stray tone, but where all was rest unto death, steeped in the calm glow of red colors and the languid warmth of fiery fragrance.
Jens Peter Jacobsen (Niels Lyhne)
The day had begun sombrely in grey cloud and mist, but had ended in a pomp of scarlet and gold. Over the western hills beyond the harbour were amber deeps and crystalline shadows, with the fire of sunset below. The north was a mackerel sky of little, fiery golden clouds. The red light flamed on the white sails of a vessel gliding down the channel, bound to a Southern port in a land of palms. Beyond her, it smote upon and incarnadined the shining, white, grassless faces of the sand-dunes.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
The life spills over, some days. She cannot be at rest, Wishes she could explode Like that red tree— The one that bursts into fire All this week. Senses her infinite smallness But can’t seize it, Recognizes the folly of desire, The folly of withdrawal— Kicks at the curb, the pavement, If only she could, at this moment, When what she’s doing is plodding To the bus stop, to go to school, Passing that fiery tree—if only she could Be making love, Be making a painting, Be exploding, be speeding through the universe Like a photon, like a shower Of yellow flames— She believes if she could only catch up With the riding rhythm of things, of her own electrons, Then she would be at rest— If she could forget school, Climb the tree, Be the tree, burn like that.
Alicia Suskin Ostriker
She’s got a fiery temperament that matches the red hair atop her head.
Tricia Levenseller (Daughter of the Pirate King (Daughter of the Pirate King, #1))
Know this: I, Mercurius, have here set down a full, true and infallible account of the Great Work. But I give you fair warning that unless you seek the true philosophical gold and not the gold of the vulgar, unless you heart is fixed with unbending intent on the true Stone of the Philosophers, unless you are steadfast in your quest, abiding by God’s laws in all faith and humility and eschewing all vanity, conceit, falsehood, intemperance, pride, lust and faint-heartedness, read no farther lest I prove fatal to you. For I am the watery venomous serpent who lies buried at the earth’s centre; I am the fiery dragon who flies through the air. I am the one thing necessary for the whole Opus. I am the spirit of metals, the fire which does not burn, the water which does not wet the hands. If you find the way to slay me you will find the philosophical mercury of the wise, even the White Stone beloved of the Philosophers. If you find the way to raise me up again, you will find the philosophical sulphur, that is, the Red Stone and Elixir of Life. Obey me and I will be your servant; free me and I will be your friend. Enslave me and I am a dangerous enemy; command me and I will make you mad; give me life and you will die.
Patrick Harpur (Mercurius: The Marriage of Heaven and Earth)
Angeline’s gaze swiveled to Zoe. “Why didn’t you have us pick up something?” “Because that’s not my job!” Zoe lifted her head up high. “We’re here to keep Jill’s cover and make sure she stays off the radar. It’s not my job to feed you guys.” “In which sense?” I asked. I knew perfectly well that was a mean thing to say to her but couldn’t resist. It took her a moment to pick up the double meaning. First she paled; then she turned an angry red. “Neither! I’m not your concierge. Neither is Sydney. I don’t know why she always takes care of that stuff for you. She should only be dealing with things that are essential for your survival. Ordering pizza isn’t one of them.” I faked a yawn and leaned back into the couch. “Maybe she figures if we’re well fed, you two won’t look that appetizing.” Zoe was too horrified to respond, and Eddie shot me a withering look.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Why are you being so cruel?' 'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.' 'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.' 'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now. With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-' He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before. 'Jacks, please, don't use the stones tonight. Come with me instead.' He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged. Evangeline took a step closer. He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.' 'What if you're wrong?' Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer. 'Evangeline, you need to go.' A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet. 'Get out of here.' Jacks said. She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.' 'I don't want another ending,' Jacks said flatly. 'I just want you to leave.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
After class, I wandered downstairs in a dream, my head spinning, but acutely, achingly conscious that I was alive and young on a beautiful day; the sky a deep deep painful blue, wind scattering the red and yellow leaves in a whirlwind of confetti. Beauty is terror. Whatever we call beautiful, we quiver before it. That night I wrote in my journal: 'Trees are schizophrenic now and beginning to lose control, enraged with the shock of their fiery new colors. Someone – was it van Gogh? – said that orange is the color of insanity. Beauty is terror. We want to be devoured by it, to hide ourselves in that fire which refines us.
Donna Tartt (The Secret History)
I am so fortunate to be red! I'm fiery. I'm strong. I know men take notice of me and that I cannot be resisted.
Orhan Pamuk (My Name Is Red)
The steel reddens, warming under Cal's fiery touch, and bits of the gilded hilt melt between his fingers. Gold and silver and iron, dripping from his hands like tears.
Victoria Aveyard (Red Queen (Red Queen, #1))
Jacob and Whistler bumped into Taberah as she charged down the corridor, her hair a fiery halo, as if the hordes of Hell were behind her.
Dean F. Wilson (Lifemaker (The Great Iron War, #2))
Now even the war hero, the King of Mesmerizers who ended the war with a four-minute speech, comes into her nightmares with glaring red eyes and fiery hair.
Misba (The Oldest Dance (Wisdom Revolution, #2))
Lilith blinked, making out what looked like a dark cave at sunset, the sky fiery with streaks of red and orange.
Lauren Kate (Unforgiven (Fallen, #5))
Together with his fiery soul, Julien possessed one of those stunning memories so often linked to stupidity.
Stendhal (The Red and the Black)
Imagine this: Instead of waiting in her tower, Rapunzel slices off her long, golden hair with a carving knife, and then uses it to climb down to freedom. Just as she’s about to take the poison apple, Snow White sees the familiar wicked glow in the old lady’s eyes, and slashes the evil queen’s throat with a pair of sewing scissors. Cinderella refuses everything but the glass slippers from her fairy godmother, crushes her stepmother’s windpipe under her heel, and the Prince falls madly in love with the mysterious girl who dons rags and blood-stained slippers. Imagine this: Persephone goes adventuring with weapons hidden under her dress. Persephone climbs into the gaping chasm. Or, Persephone uses her hands to carve a hole down to hell. In none of these versions is Persephone’s body violated unless she asks Hades to hold her down with his horse-whips. Not once does she hold out on eating the pomegranate, instead biting into it eagerly and relishing the juice running down her chin, staining it red. In some of the stories, Hades never appears and Persephone rules the underworld with a crown of her own making. In all of them, it is widely known that the name Persephone means Bringer of Destruction. Imagine this: Red Riding Hood marches from her grandmother’s house with a bloody wolf pelt. Medusa rights the wrongs that have been done to her. Eurydice breaks every muscle in her arms climbing out of the land of the dead. Imagine this: Girls are allowed to think dark thoughts, and be dark things. Imagine this: Instead of the dragon, it’s the princess with claws and fiery breath who smashes her way from the confines of her castle and swallows men whole.
theappleppielifestyle
Purple is such a twisted, complex color—it conveys the passion of red, the sadness of blue, the depravity of black. Purple is neither happy nor sad. It is pain and despair but longing, too—fiery desire, beaten and bruised but struggling onward, determined to overcome, to move forward rather than retreat.
James Patterson (Invisible)
But we are spirits of another sort: I with the morning's love have oft made sport, And, like a forester, the groves may tread, Even till the eastern gate, all fiery-red, Opening on Neptune with fair blessed beams, Turns into yellow gold his salt green streams.
William Shakespeare (A Midsummer Night’s Dream)
You've won," Jack said softly. He looked at Mimi with such fiery hatred that she almost cowered at his words. But she was no weakling. She was Azrael, and Azrael did not cower, not even to Abbadon. "I've won nothing," Mimi replied coldly. "Please remember that almost all of the Elders are dead, that the Dark Prince is ascendant, and what is left of the Conclave is being led by a broken man who used to be the strongest of us all. And yet all you seem to care about, my darling, is that you no longer get to play with your little love toy." Instead of answering her, Jack flew across the room and slapped her hard across the face, sending her crashing to the floor. But before he could wield another blow, Mimi leaped up and slammed him against the window, knocking him completely out of breath. "Is this what you want?" she hissed as she lifted him up by his shirt collar, his face turning a ghastly shade of red. "Don't let me destroy you," he sneered. "Just try, my sweet." Jack twisted out of her grasp and flipped her over, kicking her down the length of the room. She sprung up with her hands clenched, her nails sharp as claws, and fangs bared. They met halfway in the air, and Jack put a hand on her throat and began to squeeze. But she scratched at his eyes and wrenched her body so that she was rolling on top of him, her sword at his throat, with the upper hand. SUBMIT. Mimi sent. NEVER.
Melissa de la Cruz
Summer in Honolulu brings the sweet smell of mangoes, guava, and passionfruit, ripe for picking; it arbors the streets with the fiery red umbrellas of poincianta trees and decorates the sidewalks with the pink and white puffs of blossoming monkeypods. Cooling trade winds prevail all summer, bringing what the old Hawaiians called makani 'olu' 'olu--- "fair wind".
Alan Brennert (Honolulu)
Our Lord has sovereignly ordained that our refining process take place as we go through difficulties, not around them. The Bible is filled with examples of those who overcame as they passed through the desert, the Red Sea, the fiery furnace and ultimately the cross. God doesn’t protect Christians from their problems — he helps them walk victoriously through their problems.”4
Gary L. Thomas (Sacred Marriage: What If God Designed Marriage to Make Us Holy More Than to Make Us Happy?)
He was staring off across the long broad fields, raising his eyes above the red clay soil to the horizon, looking across the fiery-red plains of Hell with its endless gauntlet of dead-brown imps---the cotton, the cotton, cotton, cotton---closing his eyes to them and seeing only the horizon and its towering ranks of derricks. Steel giants, snorting and chuckling amongst themselves; sneering wonderingly at the cotton and the bent-backed pigmies admist it. Huffing and puffing and belching up gold.
Jim Thompson (Cropper's Cabin)
frantically. Where was his backpack? “Go!” said a guard, giving him a push. Jack went. Down they marched, down the long, dark hallway. Squinty, Annie, Mustache, Jack, and Red. Down a narrow, winding staircase. Jack heard Annie shouting at the guards. “Dummies! Meanies! We didn’t do anything!” The guards laughed. They didn’t take her seriously at all. At the bottom of the stairs was a big iron door with a bar across it. Squinty pushed the bar off the door. Then he shoved at the door. It creaked open. Jack and Annie were pushed into a cold, clammy room. The fiery torch lit the dungeon. There were chains hanging from the filthy walls. Water dripped from the ceiling, making puddles on the stone floor. It was
Mary Pope Osborne (Magic Tree House: #1-4 [ebook Collection: Mystery of the Tree House])
I have always loved the many moods of the sky at Rocky Flats. Turquoise and teal in summer, fiery red at sunset, iron gray when snow is on the way. The land rolls in waves of tall prairie grass bowed to the wind, or sprawling mantles of white frosted with a thin sheath of ice in winter.
Kristen Iversen (Full Body Burden: Growing Up in the Nuclear Shadow of Rocky Flats)
She slapped him, quick and hard. His head turned slightly with the blow, but other than that his only reaction was the narrowing of his eyes. Her chest was heaving as if she were running. “No! You must go to London. You must get him out. You must save my brother because if you don’t, I swear upon everything I hold holy that I’ll ruin both you and your illustrious name. I’ll—” “Little bitch,” he breathed, his face turned fiery red, and he slammed his mouth against hers. There was no softness in him. He claimed her lips like a marauder: hard and angry. If she’d once thought him cold as ice, well, that ice was burned away now by the fire of his rage.
Elizabeth Hoyt (Duke of Midnight (Maiden Lane, #6))
Ugly and futile: lean neck and thick hair and a stain of ink, a snail’s bed. Yet someone had loved him, borne him in her arms and in her heart. But for her the race of the world would have trampled him underfoot, a squashed boneless snail. She had loved his weak watery blood drained from her own. Was that then real? The only true thing in life? His mother’s prostrate body the fiery Columbanus in holy zeal bestrode. She was no more: the trembling skeleton of a twig burnt in the fire, an odour of rosewood and wetted ashes. She had saved him from being trampled underfoot and had gone, scarcely having been. A poor soul gone to heaven: and on a heath beneath winking stars a fox, red reek of rapine in his fur, with merciless bright eyes scraped in the earth, listened, scraped up the earth, listened, scraped and scraped.
James Joyce (Ulysses)
Here and there, set into the somber red, were rivers of bright yellow—incandescent Amazons, meandering for thousands of miles before they lost themselves in the deserts of this dying sun. Dying? No—that was a wholly false impression, born of human experience and the emotions aroused by the hues of sunset, or the glow of fading embers. This was a star that had left behind the fiery extravagances of its youth, had raced through the violets and blues and greens of the spectrum in a few fleeting billions of years, and now had settled down to a peaceful maturity of unimaginable length. All that had gone before was not a thousandth of what was yet to come; the story of this star had barely begun.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
Occultism teaches that it is the presence of the liver which distinguishes the animal from the plant and that mystically certain small creatures having power of motion but no liver are actually plants in spiritual consciousness. The liver is under the control of the Planet Mars, which is the dynamo of this solar system and which sends a red animating ray to all the evolving creatures within this solar scheme. The philosophers taught that the planet Mars, under the control of its regent Samael, was the transmuted "Sin-Body" of the Solar Logos which originally had been the "Dweller on the Threshold" of the Divine Creature whose energies are now distributed through the fire of the sun. Samael, incidentally, was the fiery father of Cain, through whom a part of human icy has received the flame of aspiration and are thus separate from the sons of Seth, whose father was Jehovah.
Manly P. Hall (Melchizedek and the Mystery of Fire)
used to shrink at harsh tones, used to be afraid. Until I learned it takes nothing to be hostile. Nothing. It is easy to be the one yelling, chucking words that burn like coals, neon red, meant to harm. I have learned I am water. The coals sizzle, extinguishing when they reach me. I see now, those fiery coals are just black stones, sinking to the bottom.
Chanel Miller (Know My Name: A Memoir)
Love, the deepest red with one fiery blow did behead the slithering Satanic entities as it said it would, even if instead, some particles remain undead.
Lavinia Valeriana (Adrift in Acheron)
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
Remembering the words of Ranko, her first teacher, the toothpick jutting out from the side of his mouth, his fiery red, stalklike hair—a scarecrow whose hair caught fire, as he once described himself.
Bill Clinton (The President Is Missing)
A fire burns in the evening sky Breaking like an egg in a pan A sea of yellowish orange spreads In accordance with divine plan.  Vibrant paint drips to the edge Of ashen clouds drifting past The sun is a messy painter Every brush stroke massive and vast. The clouds are like matches Starting as fiery flame Then fading to ashes  A burning passion, tamed.  The red, orange, yellow leaves On the ground in this season Reflect the colors of the sky, and The sunlight that used to feed them.  A September sunset beaming  Down as a sailor's last call A herald for the coming winter A message, enjoy the fleeting fall. 
Justin Wetch (Bending The Universe)
But there, in a little boat in Venice, as I watched the sun set—a fiery, hellish, red ball turning the water and sky into shades of heaven—my eyes had filled up with tears at the violent beauty of it all. In that moment, I realized I wanted to live again. For the first time in a long time, I was glad to be alive.
Amy Harmon (The Song of David (The Law of Moses, #2))
As I feel less overwhelmed, my fear softens and begins to subside. I feel a flicker of hope, then a rolling wave of fiery rage. My body continues to shake and tremble. It is alternately icy cold and feverishly hot. A burning red fury erupts from deep within my belly: How could that stupid kid hit me in a crosswalk? Wasn’t she paying attention? Damn her! A blast of shrill sirens and flashing red lights block out everything. My belly tightens, and my eyes again reach to find the woman’s kind gaze. We squeeze hands, and the knot in my gut loosens. I hear my shirt ripping. I am startled and again jump to the vantage of an observer hovering above my sprawling body. I watch uniformed strangers methodically attach electrodes to my chest. The Good Samaritan paramedic reports to someone that my pulse was 170. I hear my shirt ripping even more. I see the emergency team slip a collar onto my neck and then cautiously slide me onto a board. While they strap me down, I hear some garbled radio communication. The paramedics are requesting a full trauma team. Alarm jolts me. I ask to be taken to the nearest hospital only a mile away, but they tell me that my injuries may require the major trauma center in La Jolla, some thirty miles farther. My heart sinks.
Peter A. Levine (In an Unspoken Voice: How the Body Releases Trauma and Restores Goodness)
We drove through Utah, the Crossroads of the West, bordered by all the mountain states, except for Montana. Laying rooted in the backcountry we saw some of the most awe-inspiring groove gulleys we’d ever seen, but it was the intensity of Zion National Park that held our attention; The red rock backdrop dazzled us as brutal rapids nose-dived off the cliffs into pools surrounded by abundant green piñon-juniper forests and fiery peach and coral sandstone canyons carved by flowing rivers and streams. It would honestly not have surprised me to see Butch Cassidy and the Sundance Kid plunging from an unforgiving precipice into the river below.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Promethea has awakened in me dreams extinguished for thousands of years; sometimes one catches on fire even through so many icy layers. Promethea has rekindled dreams of fire in me, dreams of abysses, they are terribly dangerous dreams: as long as they are dreams alone, as long as one dreams alone, one can fool around with dreaming, because afterward one forgets. But now, ever since I learned how Promethea brings the fire of all dreams up into reality, how she climbs back up through the shaft of the Red Cows, bearing the first fire, how she crosses the Chamber of the Mares, how she goes through every epoch of existence reawakening along the walls memories of times so fragile and so inflammable, and comes out in 1982 still carrying in her hands the primitive spark, I feel myself wavering between exultation and terror. Formerly, I too sucked satiny coals. Once I burned my tongue. (That only happens if someone makes you lose faith.) Ever since I have no longer dared suck real fire; for a long time I lived on electricity. But I have never forgotten the fiery taste of eternity. I just was sure that I could live with my tongue extinguished until the end of my days. I was not even tempted. I was calm. I had firm definitions. I called happiness the absence of unhappiness. I wrote in ink and I dedicated my dreams to the Moons.
Hélène Cixous (The Book of Promethea)
And her heart sprang in Iseult, and she drew With all her spirit and life the sunrise through And through her lips the keen triumphant air Sea-scented, sweeter than land-roses were, And through her eyes the whole rejoicing east Sun-satisfied, and all the heaven at feast Spread for the morning; and the imperious mirth Of wind and light that moved upon the earth, Making the spring, and all the fruitful might And strong regeneration of delight That swells the seedling leaf and sapling man, Since the first life in the first world began To burn and burgeon through void limbs and veins, And the first love with sharp sweet procreant pains To pierce and bring forth roses; yea, she felt Through her own soul the sovereign morning melt, And all the sacred passion of the sun; And as the young clouds flamed and were undone About him coming, touched and burnt away In rosy ruin and yellow spoil of day, The sweet veil of her body and corporal sense Felt the dawn also cleave it, and incense With light from inward and with effluent heat The kindling soul through fleshly hands and feet. And as the august great blossom of the dawn Burst, and the full sun scarce from sea withdrawn Seemed on the fiery water a flower afloat, So as a fire the mighty morning smote Throughout her, and incensed with the influent hour Her whole soul's one great mystical red flower Burst, and the bud of her sweet spirit broke Rose-fashion, and the strong spring at a stroke Thrilled, and was cloven, and from the full sheath came The whole rose of the woman red as flame: And all her Mayday blood as from a swoon Flushed, and May rose up in her and was June. So for a space her hearth as heavenward burned: Then with half summer in her eyes she turned, And on her lips was April yet, and smiled, As though the spirit and sense unreconciled Shrank laughing back, and would not ere its hour Let life put forth the irrevocable flower. And the soft speech between them grew again
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
Martin thought of the iron El trestles winding and stretching across the city, of department store windows and hotel lobbies, of electric elevators and street-car ads, of the city pressing its way north on both sides of the great park, of dynamos and electric lights, of ten-story hotels, of the old iron tower near the depot at West Brighton with its two steam-driven elevators rising and falling in the sky--and in his blood he felt a surge of restlessness, as if he were a steam train spewing fiery coal smoke into the black night sky as he roared along a trembling El track, high above the dark storefronts, the gaslit saloons, the red-lit doorways, the cheap beer dives, the dance halls, the gambling joints, the face in the doorway, the sudden cry in the night.
Steven Millhauser (Martin Dressler: The Tale of an American Dreamer)
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I finished grating a root and dropped the stub into a jar on the desk. Bloodroot is aptly named; the scientific name is Sanguinaria, and the juice is red, acrid, and sticky. The bowl in my lap was full of oozy, moist shavings, and my hands looked as though I had been disemboweling small animals.
Diana Gabaldon (The Fiery Cross (Outlander, #5))
I was filled with electric thunder, simmering water, fiery red and gold, but all I had to do was smile and nod and the world would take me for easy breezy blue. Sometimes I wondered if I wasn’t the only one using her skin to contain herself. Maybe we are all fire wrapped in skin, trying to look cool.
Glennon Doyle Melton (Untamed)
My skin grew freckled, my nails bleached, and I began to feel a rare happiness at the simple pleasures of existing here – of walking on a beach, eating unfamiliar foods, swimming in warm, clear water where black fish gazed shyly from under volcanic rocks, or watching the sun sink fiery red into the horizon.
Jojo Moyes (Me Before You (Me Before You, #1))
Winter-Time" Late lies the wintry sun a-bed, A frosty, fiery sleepy-head; Blinks but an hour or two; and then, A blood-red orange, sets again. Before the stars have left the skies, At morning in the dark I rise; And shivering in my nakedness, By the cold candle, bathe and dress. Close by the jolly fire I sit To warm my frozen bones a bit; Or with a reindeer-sled, explore The colder countries round the door. When to go out, my nurse doth wrap Me in my comforter and cap; The cold wind burns my face, and blows Its frosty pepper up my nose. Black are my steps on silver sod; Thick blows my frosty breath abroad; And tree and house, and hill and lake, Are frosted like a wedding-cake.
Robert Louis Stevenson
I used to shrink at harsh tones, used to be afraid. Until I learned it takes nothing to be hostile. Nothing. It is easy to be the one yelling, chucking words that burn like coals, neon red, meant to harm. I have learned I am water. The coals sizzle, extinguishing when they reach me. I see now, those fiery coals are just black stones, sinking to the bottom.
Chanel Miller (Know My Name)
After splashing icy water on their faces and rubbing them fiery red with one of the rough sweet-smelling towels, they came in and took their places at the big kitchen table. This morning the table wore a bright red-and-white checked cloth and a pot of red geraniums. Mrs. Campbell handed the girls their plates, each with a slice of ham and half of a crisp, tan waffle.
Betty MacDonald (Nancy and Plum)
The first warp-spasm seized Cúchulainn, and made him into a monstrous thing, hideous and shapeless, unheard of. His shanks and his joints, every knuckle and angle and organ from head to foot, shook like a tree in the flood or a reed in the stream. His body made a furious twist inside his skin, so that his feet and shins and knees switched to the rear and his heels and calves switched to the front. The balled sinews of his calves switched to the front of his shins, each big knot the size of a warrior’s bunched fist. On his head the temple-sinews stretched to the nape of his neck, each mighty, immense, measureless knob as big as the head of a month-old child. His face and features became a red bowl: he sucked one eye so deep into his head that a wild crane couldn’t probe it onto his cheek out of the depths of his skull; the other eye fell out along his cheek. His mouth weirdly distorted: his cheek peeled back from his jaws until the gullet appeared, his lungs and liver flapped in his mouth and throat, his lower jaw struck the upper a lion-killing blow, and fiery flakes large as a ram’s fleece reached his mouth from his throat.
Thomas Kinsella (The T?in: From the Irish epic Táin Bó Cuailnge)
Gary and Betsy Ricucci point out, “Our Lord has sovereignly ordained that our refining process take place as we go through difficulties, not around them. The Bible is filled with examples of those who overcame as they passed through the desert, the Red Sea, the fiery furnace and ultimately the cross. God doesn’t protect Christians from their problems—he helps them walk victoriously through their problems.”1
Gary L. Thomas (Sacred Marriage: What If God Designed Marriage to Make Us Holy More Than to Make Us Happy?)
Your wide eyes are the only light I know from extinguished constellations; your skin throbs like the streak of a meteror through rain. Your hips were that much of the moon for me; and deep mouth and its delights, that much sun; your heart, fiery with its long red rays, was that much ardent light, like honey in the shade. So I pass across your burning form, kissing you—compact and planetary, from Love Sonnet “XVI
Pablo Neruda (100 Love Sonnets)
Now her hair is like the nights of disunion and separation and her face like the days of union and delectation; She hath a nose like the edge of the burnished blade and cheeks like purple wine or anemones blood-red: her lips as coral and carnelian shine and the water of her mouth is sweeter than old wine; its taste would quench Hell's fiery pain. Her tongue is moved by wit of high degree and ready repartee: her breast is a seduction to all that see it (glory be to Him who fashioned it and finished it!); and joined thereto are two upper arms smooth and rounded; She hath breasts like two globes of ivory, from whose brightness the moons borrow light, and a stomach with little waves as it were a figured cloth of the finest Egyptian linen made by the Copts, with creases like folded scrolls, ending in a waist slender past all power of imagination; based upon back parts like a hillock of blown sand, that force her to sit when she would fief stand, and awaken her, when she fain would sleep, And those back parts are upborne by thighs smooth and round and by a calf like a column of pearl, and all this reposeth upon two feet, narrow, slender and pointed like spear-blades, the handiwork of the Protector and Requiter, I wonder how, of their littleness, they can sustain what is above them.
Richard Burton (The Arabian Nights)
Nothing helped. The seas kept boiling. Whole islands were destroyed. The sky turned into a red-and-black boiling mass. Every so often Typhoeus would stomp on the earth, open a huge crevice and reach inside to pull out some magma-like yolk from the inside of an egg. He’d throw fiery globs of lava all over the earth, setting fields on fire, melting cities and writing burning graffiti on the sides of mountains like ZEUS SUX and TYPHOEUS WUZ HERE.
Rick Riordan (Percy Jackson's Greek Gods)
Oregon October, when the fields of timothy and rye-grass stubble are being burned, the sky itself catches fire. Flocks of wrens rush up from the red alder thickets like sparks kicked from a campfire, the salmon jumps again, and the river rolls molten and slow . . . Down river, from Andy’s Landing, a burned-off cedar snag held the sun spitted like an apple, hissing and dripping juices against a grill of Indian Summer clouds. All the hillside, all the drying Himalaya vine that lined the big river, and the sugar-maple trees farther up, burned a dark brick and over-lit red. The river split for the jump of a red-gilled silver salmon, then circled to mark the spot where it fell. Spoonbills shoveled at the crimson mud in the shallows, and dowitchers jumped from cattail to cattail, frantically crying “Kleek! Kleek!” as though the thin reeds were as hot as the pokers they resembled. Canvasback and brant flew south in small, fiery, faraway flocks. And in the shabby ruin of broken cornfields rooster ringnecks clashed together in battle so bright, so gleaming polished-copper bright, that the fields seemed to ring with their fighting. This is Hank’s bell.
Ken Kesey (Sometimes a Great Notion)
I often think about this, that is, I imagine to myself that here is Vera, dead, totally motionless, lying on the table, in a coffin... and I too, of course can no longer live. But for some reason this gives me pleasure, a terrible amount of pleasure to imagine so the one I love: earlier I imagined grandmother and then my fiance in this manner, even my favorite animals, Sparky our cat with the fiery bursts of red on his gray-black fur. ("Thirty-Three Abominations")
Lydia Zinovieva-Annibal (Silver Age of Russian Culture (An Anthology))
Когда рыжеволосый Самозванец Тебя схватил — ты не согнула плеч. Где спесь твоя, княгинюшка? — Румянец, Красавица? — Разумница, — где речь? Как Пётр-Царь, презрев закон сыновний, Позарился на голову твою — Боярыней Морозовой на дровнях Ты отвечала Русскому Царю. Не позабыли огненного пойла Буонапарта хладные уста. Не в первый раз в твоих соборах — стойла. Всё вынесут кремлёвские бока. 9 декабря 1917 When the red-haired impostor, fell Dmitri, laid hold of you, you did not bow the knee. Where is your pride, my princess? - Where, my beauty? The rosy cheeks? the voice once wise and free? And when Tsar Peter, coveting your beauty, made to ride roughshod over filial law - Morozova showed you the path of duty: she was your answer to the Russian Tsar. And Bonaparte's cold lips cannot forget still The fiery draught you set before him then. Once more now your cathedrals serve for stables. The Kremlin's flanks will soldier to the end.
Marina Tsvetaeva (The Demesne of the Swans)
But Promethea cares carnally about what she says. Watch out for words with her! Because Promethea is the person who has not cut the cord binding words to her body. Everything she says is absolutely fresh. Comes straight from the flesh of her lungs, the fibers of her heart. She doesn't know any other way of speaking. That is why her words are few and fiery. And all her sentences are strong and young and incandescent, because they are caused by a convulsion of her whole earthly body. Promethea's thought is of quivering red lava. And all her remarks date from the beginnings of life. Even concerning details she is cosmogonic. She moves easily to the ends of the earth, the places where life takes on form or loses it.
Hélène Cixous (The Book of Promethea)
your skin throbs like the streak of a meteror through rain. Your hips were that much of the moon for me; and deep mouth and its delights, that much sun; your heart, fiery with its long red rays, was that much ardent light, like honey in the shade. So I pass across your burning form, kissing you—compact and planetary, — Pablo Neruda, from Love Sonnet “XVI,” One Hundred Love Sonnets, trans. Stephen Tapscott, The Poetry of Pablo Neruda, ed. Ilan Stavans (Farrar, Straus, and Giroux, 2005)
Pablo Neruda (The Poetry of Pablo Neruda)
Jamie reached across and took my right hand in his, his fingers linking with mine, and the silver of my ring shone red in the glow of the flames. I looked up into his face and saw the promise spoken in his eyes, as it was in mine. “As long as we both shall live.
Diana Gabaldon (The Fiery Cross (Outlander, #5))
For the Earth, the future lies in fire. In five or so billion years we will have the last nice day on our home planet, then the sun will exhaust its hydrogen fuel and expand into a red giant star. Eventually the sun will set the sky on fire. The oceans will boil and the mountains will melt. The Earth will be engulfed by the sun, and will orbit like a burnt-out cinder within its fiery atmosphere. There is a biblical reference that says, from ashes to ashes, dust to dust. Physicists say, from stardust we came, to stardust we will return.
Michio Kaku (The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality, and Our Destiny BeyondEarth)
He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone’s pearly whiteness, and the broken rainbow of the milky opal.
Oscar Wilde (The Picture of Dorian Gray)
I was afraid of what was inside me. It felt powerful enough to destroy every bit of the lovely life I’d built. Like how I never feel safe on a balcony because: What if I jump? It’s okay, I told myself. I’ll keep myself and my people safe by keeping my insides hidden. I was amazed at how easy this was. I was filled with electric thunder, simmering water, fiery red and gold, but all I had to do was smile and nod and the world would take me for easy breezy blue. Sometimes I wondered if I wasn’t the only one using her skin to contain herself. Maybe we are all fire wrapped in skin, trying to look cool.
Glennon Doyle Melton (Untamed)
Euroclydon! says old Dives, in his red silken wrapper (he had a redder one afterwards) pooh, pooh! What a fine frosty night; how Orion glitters; what northern lights! Let them talk of their oriental summer climes of everlasting conservatories; give me the privilege of making my own summer with my own coals. But what thinks Lazarus? Can he warm his blue hands by holding them up to the grand northern lights? Would not Lazarus rather be in Sumatra than here? Would he not far rather lay him down lengthwise along the line of the equator; yea, ye gods! go down to the fiery pit itself, in order to keep out this frost?
Herman Melville (Moby-Dick or, The Whale)
During a famine, the father and stepmother of Hansel and Gretel abandon them in a forest so that they will starve to death. The children stumble upon an edible house inhabited by a witch, who imprisons Hansel and fattens him up in preparation for eating him. Fortunately Gretel shoves the witch into a fiery oven, and “the godless witch burned to death in a horrible way.” 41 • Cinderella’s stepsisters, when trying to squeeze into her slippers, take their mother’s advice and cut off a toe or heel to make them fit. Doves notice the blood, and after Cinderella marries the prince, they peck out the stepsisters’ eyes, punishing them “for their wickedness and malice with blindness for the rest of their lives.” Snow White arouses the jealousy of her stepmother, the queen, so the queen orders a hunter to take her into the forest, kill her, and bring back her lungs and liver for the queen to eat. When the queen realizes that Snow White has escaped, she makes three more attempts on her life, two by poison, one by asphyxiation. After the prince has revived her, the queen crashes their wedding, but “iron slippers had already been heated up for her over a fire of coals.... She had to put on the red-hot iron shoes and dance in them until she dropped to the ground dead.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
You probably don’t remember this, and I’m not bringing it up now to embarrass you, but last night you told me that you’d fantasized about me. Well, the feeling’s mutual. You’ve been driving me crazy since the day you moved in. I have made love to you in my mind more than I’m comfortable admitting. But it’s not just about sex. I want to take you out. I want to tuck Annie into her bed at night and read her a bedtime story. I want to sit across from you at the table and watch you smile at something I’ve said. In case I’m not making myself clear, I want to date you, Miracle Emily Grant. You and your daughter.” “Oh.” Emily blushed a fiery red, but didn’t comment further.
Susan Stoker (Rescuing Emily (Delta Force Heroes, #2))
Shocked, she uttered a hoarse protest and shifted beneath him, but he soothed her with his hands, stroking her legs and hips, resettling her on the mattress. "Lie still. You don't have to do anything, my love. Let me take care of you. Yes. You can touch me if you... mmm, yes..." He purred as he felt her trembling fingers touch his glistening hair, the back of his neck, the hard slope of his shoulders. He moved lower, his hair-roughened legs sliding along the insides of hers, and she realized that his face was just above the triangle of fiery red curls. Flooded with embarrassment, she automatically reached down to cover the private area with her hand. St. Vincent's erotic mouth lowered to her hip, and she felt him smile against her tender skin. "You shouldn't do that," he whispered. "When you hide something from me, I want it all the more. I'm afraid you're filling my head with the most lascivious ideas... you'd better take your hand away, sweet, or I might do something really depraved." As her shaking hand withdrew, he let one fingertip wander into the springy hair, delicately searching the cushiony softness. "That's right... obey your husband," he whispered wickedly, stroking farther, deeper, until he had separated the cluster of curls. "Especially in bed. How beautiful you are. Open your legs, my love. I'm going to touch inside you. No, don't be afraid. Will it help if I kiss you here? Be still for me..." Evie sobbed as his mouth searched through the triangle of brilliant red hair. His warm, ruthlessly patient tongue found the little peak half concealed beneath the vulnerable hood. His long, agile finger probed the entrance of her body, but he was momentarily dislodged as she jerked in surprise. Whispering reassurances against her swollen flesh, St. Vincent slid his finger inside her again, deeper this time. "Innocent darling," came his soft murmur, and his tongue tickled a place so excruciatingly sensitive that she quivered and moaned. At the same time, his finger stroked her inner softness with a languid rhythm.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
This confirms what we have said about rta as the source of libido where the god dwells and whence he is brought forth in the sacred ceremonies. Agni is the positive manifestation of the latent libido; he is accomplisher or fulfiller of rta, its “charioteer”; he harnesses the two long-maned red mares of rta.100 He even holds rta like a horse, by the bridle.101 He brings the gods to mankind, their power and blessing; they represent definite psychological states in which the vital feelings and energies flow with greater freedom and joy. Nietzsche has captured this state in his verses: You with your fiery lances Shatter the ice-bound soul of me, Till with high hope it advances Rushing and roaring into the sea.102
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung Book 38))
I love the handful of the earth you are. Because of its meadows, vast as a planet, I have no other star. You are my replica of the multiplying universe. Your wide eyes are the only light I know from extinguished constellations; your skin throbs like the streak of a meteor through rain. Your hips were that much of the moon for me; your deep mouth and its delights, that much sun; your heart, fiery with its long red rays, was that much ardent light, like honey in the shade. So I pass across your burning form, kissing you—compact and planetary, my dove, my globe. — Pablo Neruda, “XVI,” transl. Stephen Tapscott, from One Hundred Love Sonnets, The Poetry of Pablo Neruda, ed. Ilan Stavans (Farrar, Straus, and Giroux, 2003)
Pablo Neruda (100 Love Sonnets)
Affraig’s eyes moved to the oak tree that towered above her, its branches like antlers against the white sky. Her gaze travelled up to the weathered web that hung from one of the higher boughs, the slender noose swinging inside. In her mind she saw herself weaving it while she chanted words against Malachy’s wrathful curse. She remembered the lord’s hand settling on her shoulder, the hiss of the fire, his breath on her neck and, outside, stars falling like fiery rain. Her gaze moved west towards Turnberry. Her memory clouded with thoughts of the earl, but as she thought of his son her mind cleared. The stars had been falling too on the night he was born. She remembered seeing Mars, full and red, a bloody eye winking in the black.
Robyn Young (Insurrection (The Insurrection Trilogy, #1))
Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.
Clementine Paddleford
Valyria. It was written that on the day of Doom every hill for five hundred miles had split asunder to fill the air with ash and smoke and fire, blazes so hot and hungry that even the dragons in the sky were engulfed and consumed. Great rents had opened in the earth, swallowing palaces, temples, entire towns. Lakes boiled or turned to acid, mountains burst, fiery fountains spewed molten rock a thousand feet into the air, red clouds rained down dragonglass and the black blood of demons, and to the north the ground splintered and collapsed and fell in on itself and an angry sea came rushing in. The proudest city in all the world was gone in an instant, its fabled empire vanished in a day, the Lands of the Long Summer scorched and drowned and blighted.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
EPH6.11 Put on the whole armour of God, that ye may be able to stand against the wiles of the devil. EPH6.12 For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places. EPH6.13 Wherefore take unto you the whole armour of God, that ye may be able to withstand in the evil day, and having done all, to stand. EPH6.14 Stand therefore, having your loins girt about with truth, and having on the breastplate of righteousness;  EPH6.15 And your feet shod with the preparation of the gospel of peace;  EPH6.16 Above all, taking the shield of faith, wherewith ye shall be able to quench all the fiery darts of the wicked. EPH6.17 And take the helmet of salvation, and the sword of the Spirit, which is the word of God:
Anonymous (KING JAMES BIBLE with VerseSearch - Red Letter Edition)
No direct evidence yet documents Earth’s tidal cycles more than a billion years ago, but we can be confident that 4.5 billion years ago things were a lot wilder. Not only did Earth have five-hour days, but the nearby Moon was much, much faster in its close orbit, as well. The Moon took only eighty-four hours—three and a half modern days—to go around Earth. With Earth spinning so fast and the Moon orbiting so fast, the familiar cycle of new Moon, waxing Moon, full Moon, and waning Moon played out in frenetic fast-forward: every few five-hour days saw a new lunar phase. Lots of consequences follow from this truth, some less benign than others. With such a big lunar obstruction in the sky and such rapid orbital motions, eclipses would have been frequent events. A total solar eclipse would have occurred every eighty-four hours at virtually every new Moon, when the Moon was positioned between Earth and the Sun. For some few minutes, sunlight would have been completely blocked, while the stars and planets suddenly popped out against a black sky, and the Moon’s fiery volcanoes and magma oceans stood out starkly red against the black lunar disk. Total lunar eclipses occurred regularly as well, almost every forty-two hours later, like clockwork. During every full Moon, when Earth lies right between the Sun and the Moon, Earth’s big shadow would have completely obscured the giant face of the bright shining Moon. Once again the stars and planets would have suddenly popped out against a black sky, as the Moon’s volcanoes put on their ruddy show. Monster tides were a far more violent consequence of the Moon’s initial proximity. Had both Earth and the Moon been perfectly rigid solid bodies, they would appear today much as they did 4.5 billion years ago: 15,000 miles apart with rapid rotational and orbital motions and frequent eclipses. But Earth and the Moon are not rigid. Their rocks can flex and bend; especially when molten, they swell and recede with the tides. The young Moon, at a distance of 15,000 miles, exerted tremendous tidal forces on Earth’s rocks, even as Earth exerted an equal and opposite gravitational force on the largely molten lunar landscape. It’s difficult to imagine the immense magma tides that resulted. Every few hours Earth’s largely molten rocky surface may have bulged a mile or more outward toward the Moon, generating tremendous internal friction, adding more heat and thus keeping the surface molten far longer than on an isolated planet. And Earth’s gravity returned the favor, bulging the Earth-facing side of the Moon outward, deforming our satellite out of perfect roundness.
Robert M. Hazen (The Story of Earth: The First 4.5 Billion Years, from Stardust to Living Planet)
Sara noticed that his white teeth were slightly snaggled, giving his smile the appearance of a friendly snarl. It was then that she understood why so many women had been seduced by him. His grin held a wickedly irresistible appeal. She stared at his chest as he untied the laces and positioned her cap correctly. "Thank you," she murmured, and tried to take the strings of the cap from his fingers. But he didn't let go. He held the laces at her chin, his fingers tightening. Glancing up at him in confusion, Sara saw that his smile had vanished. In a decisive motion he pulled the concealing lace from her hair and let it fall. The cap fluttered to a patch of mud and rested there limply. Sara lifted her hand to the loose braided coil of her hair, which threatened to tumble from its pins. The chestnut locks gleamed with fiery highlights, escaping in delicate wisps around her face and throat. "Mr. Craven," she scolded breathlessly. "I find your behavior untoward and a-and offensive, not to mention-oh!" She stammered in astonishment as he reached for her spectacles and plucked them from her face. "Mr. Craven, h-how dare you..." She fumbled to retrieve them. "I... I need those..." Derek held them out of reach as he stared at her uncovered face. This was what she had kept hidden beneath the old-maid disguise... pale, luminous skin, a mouth shaped with surprising lushness, a pert little nose, marked at the delicate bridge where the edge of her spectacles had pressed. Angel-blue eyes, pure and beguiling, surmounted by dark winged brows. She was beautiful. He could have devoured her in a few bites, like a fragrant red apple. He wanted to touch her, take her somewhere and pull her beneath him, as if he could somehow erase a lifetime of sin and shame within the sweetness of her body.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
There was Bonnie, the rabbit. His fur was a bright blue, his squared-off muzzle held a permanent smile, and his wide and chipped pink eyes were thick-lidded, giving him a perpetually worn-out expression. His ears stuck up straight, crinkling over at the top, and his large feet splayed out for balance. He held a red bass guitar, blue paws poised to play, and around his neck was a bow tie that matched the instrument’s fiery color. Chica the Chicken was more bulky and had an apprehensive look, thick black eyebrows arching over her purple eyes and her beak slightly open, revealing teeth, as she held out a cupcake on a platter. The cupcake itself was somewhat disturbing, with eyes set into its pink frosting and teeth hanging out over the cake, a single candle sticking out the top. “I always expected the cupcake to jump off the plate.” Carlton gave a half laugh and cautiously stepped up to Charlie’s side. “They seem taller than I remember,” he added in a whisper. “That’s because you never got this close as a kid.” Charlie smiled, at ease, and stepped closer. “You were busy hiding under tables,” Jessica said from behind them, still some distance away. Chica wore a bib around her neck with the words LET’S EAT! set out in purple and yellow against a confetti-covered background. A tuft of feathers stuck up in the middle of her head. Standing between Bonnie and Chica was Freddy Fazbear himself, namesake of the restaurant. He was the most genial looking of the three, seeming at ease where he was. A robust, if lean, brown bear, he smiled down at the audience, holding a microphone in one paw, sporting a black bow tie and top hat. The only incongruity in his features was the color of his eyes, a bright blue that surely no bear had ever had before him. His mouth hung open, and his eyes were partially closed, as though he had been frozen in song.
Scott Cawthon (The Silver Eyes: Five Nights at Freddy’s (Original Trilogy Book 1) (Five Nights At Freddy's))
The Bronze Serpent 4From Mount Hor  a they set out by the way to the Red Sea,  b to go around the land of Edom. And the people became impatient on the way. 5And the people  c spoke against God and against Moses,  d “Why have you brought us up out of Egypt to die in the wilderness? For there is no food and no water, and  e we loathe this worthless food.” 6 f Then the LORD sent fiery serpents among the people, and  g they bit the people, so that many people of Israel died. 7 h And the people came to Moses and said, “We have sinned, for we have spoken against the LORD and against you.  i Pray to the LORD, that he take away the serpents from us.” So Moses prayed for the people. 8And the LORD said to Moses, “Make a fiery serpent and set it on a pole, and everyone who is bitten, when he sees it, shall live.” 9So  j Moses made a bronze [3] serpent and set it on a pole. And if a serpent bit anyone, he would look at the bronze serpent and live.
Anonymous (The Holy Bible: English Standard Version)
Mumtaz has six moles. Two are black: behind her ear and on her hip, in the trough of the wave that crests at her pelvis. Three are the color of rust: knuckle, corner of jaw, behind knee. And one is red, fiery, at the base of her spine, where a tail might grow. I touch them and know them because I watch her like a man in a field stares up at the stars, and I love her constellation because it contains her story and our story, and I wonder which mole is the beginning and which is the end.
Mohsin Hamid (Moth Smoke)
Instead, I gave them the only salute I could think of. Two middle fingers. Held high for emphasis. The six fiery orbs winked out at once. Hopefully, they’d died from affront. Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?” “Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.” Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me. “Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!” I flinched, surprised by his reaction. Ben, cracking up at a time like this? He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more. In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed. Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.” Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb. I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells. Did he just . . . what did he mean when . . . Oh crap. Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks. I shifted uncomfortably in my seat. Shifted again. Debated going over the side. Did he really mean to say he . . . loved me? Like, for real? The awkward moment stretched longer than any event in human history. He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.” Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out. Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time. Is that what I want? For Ben to walk it back? A part of me was astounded by the chaos a single four-word utterance could create. Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system. “I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort. Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—
Kathy Reichs (Terminal (Virals, #5))
But the thing was not leaves but a great red fox, brightened by the sun. As if eager for her to see him, he stood still among the red leaves, head turned toward her, fiery-tipped brush lifted, mouth open, happily, pleasantly, like a dog. He looked at her and she at him; he was so close she could see the hairs in his eyebrows, the teeth shining in his half-open mouth, and the green fire in his coolly appraising eyes; with the red sunlight playing on his lifted tail, his back and shoulders, his pointed ears, he looked big, big as a half-grown cow; she looked more closely and saw the nicked left ear. King Devil it was, the fox Nunn had chased in hatred and in anger for the last five years; he had stolen from every family in the country, led many hounds to their death; every hunter was sworn to kill him; many had seen him long enough to learn his mark, but never had he stood so still and close as this. With a last cool glance, he dropped his head and picked up a hen, one of Nancy's White Rocks, fresh-dead and limber.
Harriette Simpson Arnow (Hunter's Horn)
When he gained the crest of the Magazine Hill he halted and looked along the river towards Dublin, the lights of which burned redly and hospitably in the cold night. He looked down the slope and, at the base, in the shadow of the wall of the Park, he saw some human figures lying. Those venal and furtive loves filled him with despair. He gnawed the rectitude of his life; he felt that he had been outcast from life’s feast. One human being had seemed to love him and he had denied her life and happiness: he had sentenced her to ignominy, a death of shame. He knew that the prostrate creatures down by the wall were watching him and wished him gone. No one wanted him; he was outcast from life’s feast. He turned his eyes to the grey gleaming river, winding along towards Dublin. Beyond the river he saw a goods train winding out of Kingsbridge Station, like a worm with a fiery head winding through the darkness, obstinately and laboriously. It passed slowly out of sight; but still he heard in his ears the laborious drone of the engine reiterating the syllables of her name.
James Joyce (Dubliners)
My kin would sooner have a badger in their house than a Campbell." Alan saw his mother open hermouth and shook his head to silence her. He not only knew Shelby could hold her own but wanted to see her do it. "Most MacGregors were comfortable enough with badgers in the parlor." "Barbarians!" Daniel sucked in his breath. "The Campbells were barbarians, each and every one of them." Shelby tilted her head as if to study him from a new angle. "The MacGregors have a reputation for being sore losers." Instantly Daniel's face went nearly as red as his hair. "Losers? Hah! There's never been a Campbell born who could stand up to a MacGregor in a fair fight. Backstabbers." "We'll have Rob Roy's biography again in a minute," Shelby heard Caine mutter. "You don't have a drink, Dad," he said, hoping to distract him. "Shelby?" "Yes." She shifted her gaze to him, noting he was doing his best to maintain sobriety. "Scotch," she told him, with a quick irrepressible wink. "Straight up.If the MacGregors had been wiser," she continued without missing a beat, "perhaps they wouldn't have lost their land and their kilts and the name.Kings," she went on mildly as Daniel began to huff and puff, "have a habit of getting testy when someone's trying to overthrow them." "Kings!" Daniel exploded. "An English king, by God! No true Scotsman needed an English king to tell him how to live on his land." Shelby's lips curved as Caine handed her a glass. "That's a truth I can drink to." "Hah!" Daniel lifted his glass and drained it in one swallow before he thumped it onto the table at his side. Cocking a brow,Shelby eyed the Scotch in her glass,then proceeded to follow Daniel's example. For a moment,he frowned at the empty glass beside his. Slowly,with the room deadly silent,he shifted his gaze back to Shelby.His eyes were fierce, hers insolent. Heaving himself out of his chair, he towered over here, a great bear of a man with fiery hair.She put both hands on her hips, a willow-slim woman with curls equally dramtic. Alan wished fleetingly he could paint. Daniel's laugh, when he threw back his head and let it loose,was rich and loud and long. "Aye,by God,here's a lass!" Shelby found herself swept off her feet in a crushing hug that held welcome.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Elle’s chin lifted. “I just told you how you could put your hands on me. One night. None of this dating bullshit.” A harsh noise came out of my throat, because the woman could be infuriating. I’d never thrown out an offer like this and having it pitched back in my face sucked ass. “Tell me why. What’s your hang up, woman? I get that I’m fucked up in a helluva lot of ways, but I’m not a bad guy. I don’t even deserve a shot?” The ice in her expression melted a degree. “It’s not you—” My laugh was gravelly. “Let me guess, it’s you?” That ice? It was back, in spades. She pivoted for the door, but I moved faster. I trapped her against it, a hand pressed to the wood on either side of her fiery red hair. “You’re going to tell me why before you leave this room.” “You’re not a bad guy? Just the kind that traps women against their will in a room they want to leave?” I smiled. “Not women—just you.” This time it was Elle who growled. She shoved against my chest, but I was an immovable rock where she was concerned. I didn’t budge. “You’re a caveman too, just like your brother, aren’t you? I’ve heard the stories. Is this a genetic issue?
Meghan March (Beneath These Chains (Beneath, #3))
The bast, dispersing in shreds in the sunset whispered "Time has begun." The son, Adam, stripped naked, descended into the Old Testament of his native land and arrayed himself in bast; a wreath of roadside field grass he placed upon his brow, a staff, not a switch, he pulled from the ground, flourishing the birch branch like a sacred palm. On the road he stood like a guard. The dust-gray road ran into the sunset. And a crow perched there, perched and croaked, there where the celestial fire consumed the earth. There were blind men along the dust-gray road running into the twilight. Antique, crooken, they trailed along, lonely and sinister silhouettes, holding to one another and to their leader's cane. They were raising dust. One was beard-less, he kept squinting. Another, a little old man with a protruding lip, was whispering and praying. A third, covered with red hair, frowned. Their backs were bent, their heads bowed low, their arms extended to the staff. Strange it was to see this mute procession in the terrible twilight. They made their way immutable, primordial, blind. Oh, if only they could open their eyes, oh if only they were not blind! Russian Land, awake! And Adam, rude image of the returned king, lowered the birch branch to their white pupils. And on them he laid his hands, as, groaning and moaning they seated themselves in the dust and with trembling hands pushed chunks of black bread into their mouths. Their faces were ashen and menacing, lit with the pale light of deadly clouds. Lightning blazed, their blinded faces blazed. Oh, if only they opened their eyes, oh, if only they saw the light! Adam, Adam, you stand illumined by lightnings. Now you lay the gentle branch upon their faces. Adam, Adam, say, see, see! And he restores their sight. But the blind men turning their ashen faces and opening their white eyes did not see. And the wind whispered "Thou art behind the hill." From the clouds a fiery veil began to shimmer and died out. A little birch murmured, beseeching, and fell asleep. The dusk dispersed at the horizon and a bloody stump of the sunset stuck up. And spotted with brilliant coals glowing red, the bast streamed out from the sunset like a striped cloak. On the waxen image of Adam the field grass wreaths sighed fearfully giving a soft whistle and the green dewy clusters sprinkled forth fiery tears on the blind faces of the blind. He knew what he was doing, he was restoring their sight. ("Adam")
Andrei Bely (Silver Age of Russian Culture (An Anthology))
I took a glass retort, capable of containing eight ounces of water, and distilled fuming spirit of nitre according to the usual method. In the beginning the acid passed over red, then it became colourless, and lastly again all red: no sooner did this happen, then I took away the receiver; and tied to the mouth of the retort a bladder emptied of air, which I had moistened in its inside with milk of lime lac calcis, (i.e. lime-water, containing more quicklime than water can dissolve) to prevent its being corroded by the acid. Then I continued the distillation, and the bladder gradually expanded. Here-upon I left every thing to cool, tied up the bladder, and took it off from the mouth of the retort.— I filled a ten-ounce glass with this air and put a small burning candle into it; when immediately the candle burnt with a large flame, of so vivid a light that it dazzled the eyes. I mixed one part of this air with three parts of air, wherein fire would not burn; and this mixture afforded air, in every respect familiar to the common sort. Since this air is absolutely necessary for the generation of fire, and makes about one-third of our common air, I shall henceforth, for shortness sake call it empyreal air, [literally fire-air] the air which is unserviceable for the fiery phenomenon, and which makes abut two-thirds of common air, I shall for the future call foul air [literally corrupted air].
Carl Wilhelm Scheele (Chemische Abhandlung von der Luft und dem Feuer (German Edition))
Under the Sun by Maisie Aletha Smikle The year was seventeen ten When I turned ten I played with Maggy my hen And wrote a skit for a friend I fed Maggy corn That was fetched from the barn And milked the goats For breakfast I made porridge from oats On a bench I sat Eating my Pop When out flew Maggy my hen From her pen I left my meal This was unreal The hen had left her coop So I got some grain and stooped Then called out to Maggy my hen Maggy O Maggy come back to your pen The hen flapped her wings Her leg was caught between two strings Two men got my poor hen They grabbed me and my hen And stuffed us in a pen Then sold us for a stipend My precious hen they took Made fire slaughter and cook Then gulped water from a nearby brook My poor neck was hooked In chains like a crook It must be a nightmare The crooks were here To get more than their share Have I died and gone to hell I simply couldn’t tell I always do good And was never misunderstood Are these vultures One could not tell Their skin looked like the skin of bald head vultures O dear me roaming wingless vultures Are these aliens from hell One could not tell They looked like me head hands and feet They don't have four feet O Lord I did not make it to heaven Even though I had forgiven Heated red hot metal pierced my body Steam gushed from my broiling flesh There is no doubt these are the demons of hell Brandishing fiery stones and red hot iron Burning those who did not make it to heaven Shoving them into hell’s decked unlit pit The year was seventeen ten When I turned ten Maggy my hen flew from her pen And the sun stopped shining at half past ten
Maisie Aletha Smikle
In judging of that tempestuous wind called Euroclydon," says an old writer—of whose works I possess the only copy extant—"it maketh a marvellous difference, whether thou lookest out at it from a glass window where the frost is all on the outside, or whether thou observest it from that sashless window, where the frost is on both sides, and of which the wight Death is the only glazier." True enough, thought I, as this passage occurred to my mind—old black-letter, thou reasonest well. Yes, these eyes are windows, and this body of mine is the house. What a pity they didn't stop up the chinks and the crannies though, and thrust in a little lint here and there. But it's too late to make any improvements now. The universe is finished; the copestone is on, and the chips were carted off a million years ago. Poor Lazarus there, chattering his teeth against the curbstone for his pillow, and shaking off his tatters with his shiverings, he might plug up both ears with rags, and put a corn-cob into his mouth, and yet that would not keep out the tempestuous Euroclydon. Euroclydon! says old Dives, in his red silken wrapper (he had a redder one afterwards) pooh, pooh! What a fine frosty night; how Orion glitters; what northern lights! Let them talk of their oriental summer climes of everlasting conservatories; give me the privilege of making my own summer with my own coals. But what thinks Lazarus? Can he warm his blue hands by holding them up to the grand northern lights? Would not Lazarus rather be in Sumatra than here? Would he not far rather lay him down lengthwise along the line of the equator; yea, ye gods! go down to the fiery pit itself, in order to keep out this frost?
Herman Melville (Moby-Dick or, The Whale)
I. The Burial of the Dead April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. [...] (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you, I will show you fear in a handful of dust. [...] Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. [...] II. A Game of Chess [...] Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still. III. The Fire Sermon [...] The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. [...] At the violet hour, the evening hour that strives Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins. [...] I Tiresias, old man with dugs Perceived the scene, and foretold the rest-- I too awaited the expected guest. [...] IV. Death by Water [...] A current under sea Picked his bones in whispers. As he rose and fell He passed the stages of his age and youth Entering the whirlpool. [...] V. What the Thunder Said [...] A woman drew her long black hair out tight And fiddled whisper music on those strings And bats with baby faces in the violet light Whistled, and beat their wings And crawled head downward down a blackened wall And upside down in air were towers Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells.
T.S. Eliot (The Waste Land)
An impressive gentleman,” he remarked casually. “The general’s kinsman, I mean. Wouldn’t think they were related to look at, would you?” Caught up in dying hope and tearing grief, William had barely noticed Colonel Fraser before the latter had so suddenly given him the hat—and been too startled to notice much about him then. He shook his head in agreement, though, having a vague recollection of a tall figure kneeling down by the bed, the firelight touching the crown of his head briefly with red. “Looks more like you than like the brigadier,” Grant added offhandedly, then laughed, a painful creak. “Sure you haven’t a Scottish branch in your family?” “No, Yorkshiremen back to the Flood on both sides, save one French great-grandmother,” William replied, grateful for the momentary distraction of light conversation. “My stepfather’s mother is half Scotch—that count, do you think?
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
BEAUTY I was charged with finding Beauty. The order whispered as I slept. A voice said it was my duty. Then quietly it wept. Filled with purpose, I set out. I was honored with my quest. In my mind there was no doubt I was up to this great test. In my garden I stopped first. My roses were in bloom. Their bright red glory burst With others mixed on Nature’s loom. Then a lady drew my gaze. She was gliding o’er the grass. Her features would gods amaze. I sighed deep and let her pass. A cathedral’s spire reached to the sky, Man-made wonder to behold. No sight more pleasing to the eye Than such a work both grand and bold. I came upon a mighty mountain, Snowcap glistening against blue sky. My eyes were drinking from beauty’s fountain. Yet I knew I could do better with another try. My journey lengthened. I crossed the earth. My will strengthened. To place beauty’s birth. Witness I was to the wonders Of beauty’s many layers. Fiery sunsets, tropic thunders, Children at their prayers. But each time I thought me near To beauty’s absolute, Something better would appear Even closer to the root. I wandered thus for many years. Despaired to ever reach my goal. I often found myself in tears. I had searched from pole to pole. Until one day on a dusty street In a poor part of the world, I found a woman begging at my feet, Her fingers gnarled and curled. I fished my pocket for a coin, Thinking good luck could be bought. Her eyes raised up to my eyes join. And I saw the woman owned what I sought. She let me pass into her soul. Into the garden there. Never in my life whole Had I conceived a sight so fair. I saw the Holy Face of God, From whose smile all beauty is born. All the steps that I had trod Were redeemed on that sweet morn
Carl Johnson
It was not difficult to find. One floor down, pandemonium reigned. Somebody (and Harry had a very shrewd idea who) had set off what seemed to be an enormous crate of enchanted fireworks. Dragons comprised entirely of green and gold sparks were soaring up and down the corridors, emitting loud fiery blasts and bangs as they went; shocking-pink Catherine wheels five feet in diameter were whizzing lethally through the air like so many flying saucers; rockets with long tails of brilliant silver stars were ricocheting off the walls; sparklers were writing swear words in midair of their own accord; firecrackers were exploding like mines everywhere Harry looked, and instead of burning themselves out, fading from sight or fizzling to a halt, these pyrotechnical miracles seemed to be gaining in energy and momentum the longer he watched. Filch and Umbridge were standing, apparently transfixed in horror, halfway down the stairs. As Harry watched, one of the larger Catherine wheels seemed to decide that what it needed was more room to manoeuvre; it whirled towards Umbridge and Filch with a sinister ‘wheeeeeeeeee’. They both yelled with fright and ducked, and it soared straight out of the window behind them and off across the grounds. Meanwhile, several of the dragons and a large purple bat that was smoking ominously took advantage of the open door at the end of the corridor to escape towards the second floor. ‘Hurry, Filch, hurry!’ shrieked Umbridge, ‘they’ll be all over the school unless we do something – Stupefy!’ A jet of red light shot out of the end of her wand and hit one of the rockets. Instead of freezing in midair, it exploded with such force that it blasted a hole in a painting of a soppy-looking witch in the middle of a meadow; she ran for it just in time, reappearing seconds
J.K. Rowling (Harry Potter: The Complete Collection (1-7))