Fiery Girl Quotes

We've searched our database for all the quotes and captions related to Fiery Girl. Here they are! All 100 of them:

First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
Rowena Clark and I had met on the first day of our mixed media class. I’d sat down at her table and said, “Mind if I join you? Figure the best way to learn about art is to sit with a masterpiece.” Maybe I was in love, but I was still Adrian Ivashkov. Rowena had fixed me with a flat look. “Let’s get one thing straight. I can see through crap a mile away, and I like girls, not guys, so if you can’t handle me telling you what’s what, then you’d better take your one-liners and hair gel somewhere else. I don’t go to this school to put up with pretty boys like you. I’m here to face dubious employment options with a painting degree and then go get a Guinness after class.” I’d scooted my chair closer to the table. “You and I are going to get along just fine.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Escape plan #5: Open an alpaca ranch in Texas, one that requires all blond-haired, brown-eyed, brainy girls to wear sexy cowgirl outfits.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
What's up?" Christian asked. "Need some hairstyling tips?" "Tips you stole from me? No thanks. But I hear you've got a really good bacon meatloaf recipe." It was worth it then and there to see his complete and total surprise. "Since when do you cook?" he finally managed to stammer. "Oh, you know. I'm a Renaissance man. I do it all. Send it if you've got it, and I'll give it a try. I'll let you know if I make any improvements." His smirk returned. "Are you trying to impress a girl?" "With cooking?" I pointed at my face. "This is all it takes, Ozera.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
ONCE UPON A time, there was a king who had three beautiful daughters. He loved each of them dearly. One day, when the young ladies were of age to be married, a terrible, three-headed dragon laid siege to the kingdom, burning villages with fiery breath. It spoiled crops and burned churches. It killed babies, old people, and everyone in between. The king promised a princess’s hand in marriage to whoever slayed the dragon. Heroes and warriors came in suits of armor, riding brave horses and bearing swords and arrows. One by one, these men were slaughtered and eaten. Finally the king reasoned that a maiden might melt the dragon’s heart and succeed where warriors had failed. He sent his eldest daughter to beg the dragon for mercy, but the dragon listened to not a word of her pleas. It swallowed her whole. Then the king sent his second daughter to beg the dragon for mercy, but the dragon did the same. Swallowed her before she could get a word out. The king then sent his youngest daughter to beg the dragon for mercy, and she was so lovely and clever that he was sure she would succeed where the others had perished. No indeed. The dragon simply ate her. The king was left aching with regret. He was now alone in the world. Now, let me ask you this. Who killed the girls? The dragon? Or their father?
E. Lockhart (We Were Liars)
Once in a while, right in the middle of an ordinary life, love gives us a fairy tale.” ~ Anonymous quotation
Lila DiPasqua (The Duke's Match Girl (Fiery Tales, #3))
This was the first house where I'd unpacked every single box, wanting to stay. All because of a girl with a fiery attitude and a blush that let me know exactly what she thought of me. That's all it took, and I was hers.
Rebecca Donovan (Out of Breath (Breathing, #3))
It’s almost funny, in a tragic way, that the fiery thing at the center of my universe did die and that I, a girl whose name is synonymous with summer, am expected to live without it.
Emily Henry (A Million Junes)
The fiery tickle of outrage burned up her throat. “How the hell would you know that when you never gave me a chance?” Something dark and scorching flickered behind his eyes. “Because no other girl has ever made me want to forget all my own rules for them.
Airicka Phoenix (Games of Fire)
What happened when you were twelve?” “Oh, Mom offered to take us all out for dinner—us girls, Dad was out of town—to celebrate, but I didn’t want to. This book I’d been waiting for had just come out, and the only thing I wanted to do was read it all night.” “My God,” I said, touching the top of her nose. “You’re adorable.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Blaze your own glittery, sparkly, fiery, shimmering path. Surround yourself with the things that make you shine. Create your bubble and thrive in it.
Cara Alwill Leyba (Sparkle: The Girl's Guide to Living a Deliciously Dazzling, Wildly Effervescent, Kick-Ass Life)
Is it that by its indefiniteness it shadows forth the heartless voids and immensities of the universe, and thus stabs us from behind with the thought of annihilation, when beholding the white depths of the milky way? Or is it, that as in essence whiteness is not so much a color as the visible absence of color; and at the same time the concrete of all colors; is it for these reasons that there is such a dumb blankness, full of meaning, in a wide landscape of snows- a colorless, all-color of atheism from which we shrink? And when we consider that other theory of the natural philosophers, that all other earthly hues — every stately or lovely emblazoning — the sweet tinges of sunset skies and woods; yea, and the gilded velvets of butterflies, and the butterfly cheeks of young girls; all these are but subtile deceits, not actually inherent in substances, but only laid on from without; so that all deified Nature absolutely paints like the harlot, whose allurements cover nothing but the charnel-house within; and when we proceed further, and consider that the mystical cosmetic which produces every one of her hues, the great principle of light, for ever remains white or colorless in itself, and if operating without medium upon matter, would touch all objects, even tulips and roses, with its own blank tinge — pondering all this, the palsied universe lies before us a leper; and like wilful travellers in Lapland, who refuse to wear colored and coloring glasses upon their eyes, so the wretched infidel gazes himself blind at the monumental white shroud that wraps all the prospect around him. And of all these things the Albino whale was the symbol. Wonder ye then at the fiery hunt?
Herman Melville (Moby-Dick or, The Whale)
I love all of you Ember—the ferocious, beautiful girl I first laid eyes on, the fiery girl who punched me in the face when I threw off her sheets, the penitent girl I found curled up in the shower, the curious girl who questioned a wanted man’s guilt, the brave girl who pushed me down when she saw a gun, and the secretive girl who thinks she needs to carry the world on her shoulders.
Laura Thalassa (The Vanishing Girl (The Vanishing Girl, #1))
I look into Julie's face. Not just at it, but into it. Every pore, every freckle, every faint gossamer hair. And then the layers beneath them. The flesh and bones, the blood and brain, all the way down to the unknowable energy that swirls in her core, the life force, the soul, the fiery will that makes her more than meat, coursing through every cell and binding them together in millions to form her. Who is she, this girl? What is she? She is everything. Her body contains the history of life, remembered in chemicals. Her mind contains the history of the universe, remembered in pain, in joy and sadness, hate and hope and bad habits, every thought of God, past-present-future, remembered, felt, and hoped for all at once.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
I told her if she really cared about me, then she’d let me do whatever I wanted for my birthday, just like Mom did when I was twelve.” “What happened when you were twelve?” “Oh, Mom offered to take us all out for dinner—us girls, Dad was out of town—to celebrate, but I didn’t want to. This book I’d been waiting for had just come out, and the only thing I wanted to do was read it all night.” “My God,” I said, touching the top of her nose. “You’re adorable.” She swatted me away. “Anyway, Carly and Zoe really wanted to go out so that they could score a meal, but Mom just said, ‘It’s her birthday. Let her do whatever she wants.’” “Your mom is cool.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
He would never challenge her or scare her or infuriate her or stir up any of those fiery emotions that made it worthwhile to put up with a man’s bullshit. “Why
Karin Slaughter (Pretty Girls)
I’d never seen anything like the girl in my arms. Beautiful. Strong. Fierce and Fiery. A force greater than any storm and twice as destructive.
T.M. Frazier (All the Rage)
It's a simple choice! We can all be good boys and wear our letter sweaters around and get our little degrees and find some nice girl to settle, you know, down with... Take up what a friend of ours calls the hearty challenges of lawn care... Or we can blaze! Become legends in our own time, strike fear in the hearts of mediocre talent everywhere! We can scald dogs, put records out of reach! Make the stands gasp as we blow into an unearthly kick from three hundred yards out! We can become God's own messengers delivering the dreaded scrolls! We can race satan himslef till he wheezes fiery cinders down the back straight away... They'll speak our names in hushed tones, 'those guys are animals' they'll say! We can lay it on the line, bust a guy, show them a clean pair of heels. We can sprint the turn on a spring breeze and feel the winter leave our feet! We can, by god, let out demons loose and just wail on!
John L. Parker Jr. (Once a Runner)
Imagine this: Instead of waiting in her tower, Rapunzel slices off her long, golden hair with a carving knife, and then uses it to climb down to freedom. Just as she’s about to take the poison apple, Snow White sees the familiar wicked glow in the old lady’s eyes, and slashes the evil queen’s throat with a pair of sewing scissors. Cinderella refuses everything but the glass slippers from her fairy godmother, crushes her stepmother’s windpipe under her heel, and the Prince falls madly in love with the mysterious girl who dons rags and blood-stained slippers. Imagine this: Persephone goes adventuring with weapons hidden under her dress. Persephone climbs into the gaping chasm. Or, Persephone uses her hands to carve a hole down to hell. In none of these versions is Persephone’s body violated unless she asks Hades to hold her down with his horse-whips. Not once does she hold out on eating the pomegranate, instead biting into it eagerly and relishing the juice running down her chin, staining it red. In some of the stories, Hades never appears and Persephone rules the underworld with a crown of her own making. In all of them, it is widely known that the name Persephone means Bringer of Destruction. Imagine this: Red Riding Hood marches from her grandmother’s house with a bloody wolf pelt. Medusa rights the wrongs that have been done to her. Eurydice breaks every muscle in her arms climbing out of the land of the dead. Imagine this: Girls are allowed to think dark thoughts, and be dark things. Imagine this: Instead of the dragon, it’s the princess with claws and fiery breath who smashes her way from the confines of her castle and swallows men whole.
theappleppielifestyle
Once in a while, right in the middle of an ordinary life, love gives us a fairy tale.
Lila DiPasqua (The Duke's Match Girl (Fiery Tales, #3))
They’re girls,” she replied briefly. “They were born in danger and will live their lives in that condition, regardless of circumstance.” But
Diana Gabaldon (The Outlander Series 7-Book Bundle: Outlander / Dragonfly in Amber / Voyager / Drums of Autumn / The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone)
So it was that when a fiery wisp of a girl presented herself before an adroit, much older man of the world, credit for the seduction fell to her.
Stacy Schiff (Cleopatra)
Miss Peyton,” Lillian Bowman asked, “what kind of man would be the ideal husband for you?” “Oh,” Annabelle said with irreverent lightness, “any peer will do.” “Any peer?” Lillian asked skeptically. “What about good looks?” Annabelle shrugged. “Welcome, but not necessary.” “What about passion?” Daisy inquired. “Decidedly unwelcome.” “Intelligence?” Evangeline suggested. Annabelle shrugged. “Negotiable.” “Charm?” Lillian asked. “Also negotiable.” “You don’t want much,” Lillian remarked dryly. “As for me, I would have to add a few conditions. My peer would have to be dark-haired and handsome, a wonderful dancer…and he would never ask permission before he kissed me.” “I want to marry a man who has read the entire collected works of Shakespeare,” Daisy said. “Someone quiet and romantic—better yet if he wears spectacles— and he should like poetry and nature, and I shouldn’t like him to be too experienced with women.” Her older sister lifted her eyes heavenward. “We won’t be competing for the same men, apparently.” Annabelle looked at Evangeline Jenner. “What kind of husband would suit you, Miss Jenner?” “Evie,” the girl murmured, her blush deepening until it clashed with her fiery hair. She struggled with her reply, extreme bashfulness warring with a strong instinct for privacy. “I suppose…I would like s-s-someone who was kind and…” Stopping, she shook her head with a self-deprecating smile. “I don’t know. Just someone who would l-love me. Really love me.” The words touched Annabelle, and filled her with sudden melancholy. Love was a luxury she had never allowed herself to hope for—a distinctly superfluous issue when her very survival was so much in question. However, she reached out and touched the girl’s gloved hand with her own. “I hope you find him,” she said sincerely. “Perhaps you won’t have to wait for long.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Nastes and Amphimachus, the illustrious sons of Nomion - but Nastes, chilldish fool that he was, Went into battle decked out in gold like a girl. But gold could not help him escape a horrible death at the hands of Aeacus' grandson, the swift Achilles, In the bed of the river, and Achilles, fierce ad fiery, Took care of all his gold.
Homer (The Iliad)
Sweet for a little even to fear, and sweet, O love, to lay down fear at love’s fair feet; Shall not some fiery memory of his breath Lie sweet on lips that touch the lips of death? Yet leave me not; yet, if thou wilt, be free; Love me no more, but love my love of thee. Love where thou wilt, and live thy life; and I, One thing I can, and one love cannot—die. Pass from me; yet thine arms, thine eyes, thine hair, Feed my desire and deaden my despair. Yet once more ere time change us, ere my cheek Whiten, ere hope be dumb or sorrow speak, Yet once more ere thou hate me, one full kiss; Keep other hours for others, save me this. Yea, and I will not (if it please thee) weep, Lest thou be sad; I will but sigh, and sleep. Sweet, does death hurt? thou canst not do me wrong: I shall not lack thee, as I loved thee, long. Hast thou not given me above all that live Joy, and a little sorrow shalt not give? What even though fairer fingers of strange girls Pass nestling through thy beautiful boy’s curls As mine did, or those curled lithe lips of thine Meet theirs as these, all theirs come after mine; And though I were not, though I be not, best, I have loved and love thee more than all the rest. O love, O lover, loose or hold me fast, I had thee first, whoever have thee last; Fairer or not, what need I know, what care? To thy fair bud my blossom once seemed fair. Why am I fair at all before thee, why At all desired? seeing thou art fair, not I. I shall be glad of thee, O fairest head, Alive, alone, without thee, with thee, dead; I shall remember while the light lives yet, And in the night-time I shall not forget. Though (as thou wilt) thou leave me ere life leave, I will not, for thy love I will not, grieve; Not as they use who love not more than I, Who love not as I love thee though I die; And though thy lips, once mine, be oftener prest To many another brow and balmier breast, And sweeter arms, or sweeter to thy mind, Lull thee or lure, more fond thou wilt not find.
Algernon Charles Swinburne (Poems and Ballads)
It’s not like when we were little and everything was magic. Now, it seems like so few things in this life are awesome. The truest moments are scarce and instantaneously gone, so you should maybe try to appreciate them, not squash their fiery beauty into the ground like cigarette butts.
Marie Jaskulka (The Lost Marble Notebook of Forgotten Girl and Random Boy)
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
There’s something about this girl—she’s as sweet as she is fiery. I could have some fun finding all the ways to make her feel good, and I know I’d love every single second of it.
Sara Cate (Highest Bidder (Salacious Players Club, #5))
To the girl who wants a man to treat her gently, burn the world for her, and fuck her like a whore. This pyromaniac is exceptional at multitasking.
Avina St. Graves (Fiery Little Thing)
The music continues its fiery revolution all around us and there is a girl inside of me that wants to give in to the fanatical beat—she wants to dance wild and free all around the thumping, but unfortunately, that girl's in me, not me.
Jandy Nelson (The Sky Is Everywhere)
The music continues its fiery revolution all around us and there is a girl inside of me that wants to give in to the fanatical beat - she wants to dance wild and free all around the thumping room, but unfortunately that girl's in me, not me.
Jandy Nelson (The Sky Is Everywhere)
These fans were excited to see your mother perform, but more than that it was as if she was taking her audience to church like a fiery, foul-mouthed preacher who offered up profane salvation. There was the new mom who was enjoying her first night out after giving birth a month prior. There are fans who dress up like your mother, imitating the outfits she wore when you were both in her belly There are mothers who bring their daughters. There are those who travel from across the country, and sometimes across the world. They talk about your mother being their spirit animal. Their eyes are lit up, their faces relaxed and smiling, their postures open and welcoming. Watching this magical effect on her fans keeps me manning the merch table to this day.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
The other words Tate didn't say were his feelings for her that seemed tangled up between the sweet love for a lost sister and the fiery love for a girl. He couldn't come close to sorting it out himself, but he'd never been hit by a stronger wave. A power of emotions as painful as pleasurable
Delia Owens (Where the Crawdads Sing)
I wonder what Lena is doing now. I always wonder what Lena is doing. Rachel, too: both my girls, my beautiful, big-eyed girls. But I worry about Rachel less. Rachel was always harder than Lena, somehow. More defiant, more stubborn, less feeling . Even as a girl, she frightened me—fierce and fiery-eyed, with a temper like my father’s once was. But Lena . . . little darling Lena, with her tangle of dark hair and her flushed, chubby cheeks. She used to rescue spiders from the pavement to keep them from getting squashed; quiet, thoughtful Lena, with the sweetest lisp to break your heart. To break my heart: my wild, uncured, erratic, incomprehensible heart. I wonder whether her front teeth still overlap; whether she still confuses the words pretzel and pencil occasionally; whether the wispy brown hair grew straight and long, or began to curl. I wonder whether she believes the lies they told her.
Lauren Oliver (Annabel (Delirium, #0.5))
What were you doing with her?” The words burst from my lips. Before I can take them back, he stares at me. I stare back at him as the silence stretches onwards. We’re both stiff. He says nothing. “Maybe I should ask you the same thing.” I shake my head, my nails digging into my palms. Then before I can react, he has pushed me roughly up the wall, his eyes now dark and fiery, like a storm ready to unleash itself. Good. He’s mad too. His hands force me to the wall as he presses his body against mine. The intensity of the move, the feel of him makes my breath hitch. “Get off me,” I seethe, pounding my fists into his chest but Adrian keeps me locked in place, so that his breath caresses my ear. “Were you guys too rushed?’ He mocks. “Too desperate to book a hotel room?” I can barely stifle a disgusted snort. “What are you talking about?” Fury pumps through my head. “A hotel room? What kind of girl do you think I am—mmf?” He moves against me, moving to kiss me. The moment where his lips meet mine hard and unyielding. He tastes of smoke and lipgloss—and I’m reminded of the scene earlier where he and Lauren got out of the closet together. Disgust fills me as I squirm in his arms. He groans, fire burning in his voice. “You want me, you’re trying to hide from it.” “No,” I try to bite the words at him but it comes out strangled. I try to push him away but before I have to, he releases me. I try to put as much distance between him and myself, shaking. Loathing is my voice. "Get away from me. I hate you." He swallows and looks away, his breathing slowing. He pushes himself from the wall, still very pale. Then closing his eyes and turning, he starts walking away, heading towards the parking lot. "I hate you!" I scream again behind him. Adrian stops for a moment, his back to me. “I’ve told you from the very beginning. You should.” He keeps on walking, never glancing back.
L. Jayne (Chasing After Infinity)
After splashing icy water on their faces and rubbing them fiery red with one of the rough sweet-smelling towels, they came in and took their places at the big kitchen table. This morning the table wore a bright red-and-white checked cloth and a pot of red geraniums. Mrs. Campbell handed the girls their plates, each with a slice of ham and half of a crisp, tan waffle.
Betty MacDonald (Nancy and Plum)
I looked sadly at my final note on the page: July. Five whole months. An eternity. But what did it matter? Holmes and I would go ahead as we were - as we had been before I stood on a London pier and, seeing him resurrected from a fiery death, literally embraced an unexpected future. Patience, Russelll. And yet, I was afraid. That real life would intervene. That doubts would chew at our feet, causing one or both of us to edge away from the brink. That neither of us had really meant it, and the memory of those dockside sensations would turn to threat. That my gift to him was nothing but selfish impulse of an uncertain young girl. I felt his gaze on me, and put on a look of good cheer before raising my face. "Of course. July will do nicely-and will give us plenty of time to arrange a distraction to get your cousin and his shot-guns away from the house." He did not reply. Under his gaze, my smile faltered a bit. "It's fine, Holmes. You have commitments in Europe next month. I have much to do in Oxford. I will be here when you get back." Abruptly, he jumped to his feet and swept across the room to the door. I watched him thrust his long arms into the sleeves of his overcoat. "Thursday, Russell," he said, clapping his hat onto his head. "Be ready on Thursday." "For what?" I asked, but he was gone. For anything, knowing him.
Laurie R. King (The Marriage of Mary Russell (Mary Russell and Sherlock Holmes, #2.5))
I’m crying, and it’s not nice little girl crying. Powerful, terrible feelings take me over and explode out of my body, feelings I’ve always been scared to let out because they’re so strong. The crying is huge and snotty and loud. I hit everything around me, grabbing a tree and banging my head on it, kicking bushes that lash back at me. The pain feels good, soothing the bone-deep grief and fiery burning rage as all the things that are wrong with my world erupt all at once.
T.W. Neal (Freckled: A Memoir of Growing Up Wild in Hawaii)
But behind each player stood a line of ghosts unable to win. Eve. Ashputtel. Marilyn Monroe. Rapunzel slashing wildly at her hair. Bessie Smith unloved and down and out. Bluebeard's wives, Henry VIII's, Snow White cursing the day she left the seven dwarves, Diana, Princess of Wales. The Sheepish Beast came in with a tray of schnapps at the end of the game and we stood for the toast -"fay wray"- then tossed our fiery drinks to the back of our crimson throats. Bad girls. Serious ladies. Mourning our dead.
Carol Ann Duffy (The World's Wife)
Kore stood amidst the the sheaves of barley to wave Demeter over, then crouched again and poked her finger into the soil. Dark green leaves shot out in every direction, and she circled her wrist upward, raising a stalk out of the earth. She stood slowly. The plant crept toward her hand. Kore splayed her fingers wide and a purple blossom sprang from the thorny stalk. "Oh, Kore, if you grow a thistle in the barley field, someone might prick their finger." "Wait," Kore said, smiling. "Just watch." A fiery copper butterfly fluttered on the warm breeze and alighted on the blossom. Demeter smiled. "You see? I saw her wandering in the barley and made her a home. You don't mind, do you?" "My sweet, clever girl, of course I don't." Demeter hugged Kore. The butterfly folded its wings, fed and content. "My thistle won't interfere with the harvest, will it?" Kore knit her brows. "Not in the slightest." The butterfly spread its wings, sunlight catching them as they fanned. "I don't think she will be alone for long. Surely a good mate will come looking for her.
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
Do you hear me? I only knew I had to have you.” Not only have her, but keep her. Make her his own. Even now, the thought of letting her walk away . . . he couldn’t bear it. No. He wouldn’t allow it. This wasn’t tenderness that filled him with a fiery resolve. It was possession. Pure, raw, wild. If she could glimpse the brutish, primal impulses coursing through him, she would run like a rabbit flees a ravening wolf. And he would catch her. “You’re mine,” he said hoarsely, lifting his head and staring deep into her eyes, willing her to believe. “If you leave, I will follow. Do you hear me? I will follow and find you and cart you home.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
But no literature grows in isolation, and looking at the history of Indian writing in English is like looking at a silent movie made up of static postcards of Delhi, or Mumbai, or any other thronged Indian city: the life, the colour, the hubbub of hundreds of eager new writers and high-minded editors, peacocking poets and fiery-eyed pamphleteers, all of that has been bled out of collective memory. In the same year that Dean Mahomet wrote his Travels, the Madras Hircarrah (1794) started up, joining Hicky’s Bengal Gazette (1780) and the India Gazette (1781); the first in a flood of periodicals and journals that would breathlessly, urgently take the news of India running along from one province to another. The
Nilanjana Roy (The Girl Who Ate Books: Adventures in Reading)
Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.
Clementine Paddleford
I had many things to say, I did not have the words to say them. Painfully aware of my limitations, I watched helplessly as language became an obstacle. It became clear that it would be necessary to invent a new language. But how was one to rehabilitate and transform words betrayed and perverted by the enemy? Hunger—thirst—fear—transport—selection—fire—chimney: these words all have intrinsic meaning, but in those times, they meant something else. Writing in my mother tongue—at that point close to extinction—I would pause at every sentence, and start over and over again. I would conjure up other verbs, other images, other silent cries. It still was not right. But what exactly was "it"? "It" was something elusive, darkly shrouded for fear of being usurped, profaned. All the dictionary had to offer seemed meager, pale, lifeless. Was there a way to describe the last journey in sealed cattle cars, the last voyage toward the unknown? Or the discovery of a demented and glacial universe where to be inhuman was human, where disciplined, educated men in uniform came to kill, and innocent children and weary old men came to die? Or the countless separations on a single fiery night, the tear- ing apart of entire families, entire communities? Or, incredibly, the vanishing of a beautiful, well-behaved little Jewish girl with golden hair and a sad smile, murdered with her mother the very night of their arrival? How was one to speak of them without trembling and a heart broken for all eternity?
Elie Wiesel (Night)
AUTUMN WAS COMING; the evergreens might not have noticed, but the sycamores did. They flashed thousands of golden leaves across slate-gray skies. Late one afternoon, after the lesson, Tate lingering when he should have left, he and Kya sat on a log in the woods. She finally asked the question she’d wanted to ask for months. “Tate, I appreciate your teaching me to read and all those things you gave me. But why’d you do it? Don’t you have a girlfriend or somebody like that?” “Nah—well, sometimes I do. I had one, but not now. I like being out here in the quiet and I like the way you’re so interested in the marsh, Kya. Most people don’t pay it any attention except to fish. They think it’s wasteland that should be drained and developed. People don’t understand that most sea creatures—including the very ones they eat—need the marsh.” He didn’t mention how he felt sorry for her being alone, that he knew how the kids had treated her for years; how the villagers called her the Marsh Girl and made up stories about her. Sneaking out to her shack, running through the dark and tagging it, had become a regular tradition, an initiation for boys becoming men. What did that say about men? Some of them were already making bets about who would be the first to get her cherry. Things that infuriated and worried him. But that wasn’t the main reason he’d left feathers for Kya in the forest, or why he kept coming to see her. The other words Tate didn’t say were his feelings for her that seemed tangled up between the sweet love for a lost sister and the fiery love for a girl. He couldn’t come close to sorting it out himself, but he’d never been hit by a stronger wave. A power of emotions as painful as pleasurable.
Delia Owens (Where the Crawdads Sing)
Xavier looked at Shane's outfit of pants, pistol, and no shirt, and then glanced up at the porch. "You sleep outside?" Shane turned and looked through the screen door. There was no sign of Agnes or the sheets that had been tumbled there. A woman who could wake up fast and then remove evidence slightly. His kind of girl. "Yep. I like fresh air." Xavier nodded, his exasperation evaporating into amusement. "Right. Miss Agnes up yet?" "I wouldn't know." "Right." Xavier gave a lazy grin and walked around Shane. "Quite a woman, that Miss Agnes." "Yep," Shane said, following him up the walk. "Bit sharp-tempered, though." "I'd call her fiery." Xavier turned his head toward Shane and nodded amiably. "Fiery. That's good." They walked up the path, Rhett ambling with them. Xavier trooped up the steps to the porch and spared a glance at the air mattress and Shane's T-shirt, crumpled in a ball. "Restless night, son?" "Slept like a baby." "I bet you did," Xavier said, and went into the kitchen.
Jennifer Crusie (Agnes and the Hitman (The Organization, #0))
There comes a terrible moment to many souls when the great movements of the world, the larger destinies of mankind, which have lain aloof in newspapers and other neglected reading, enter like an earthquake into their own lives—where the slow urgency of growing generations turns into the tread of an invading army or the dire clash of civil war, and gray fathers know nothing to seek for but the corpses of their blooming sons, and girls forgot all vanity to make lint and bandages which may serve for the shattered limbs of their betrothed husbands. Then it is as if the Invisible Power that had been the object of lip-worship and lip-resignation became visible, according to the imagery of the Hebrew poet, making the flames his chariot, and riding on the wings of the wind, till the mountains smoke and the plains shudder under the rolling fiery visitations. Often the good cause seems to lie prostrate under the thunder of relenting force, the martyrs live reviled, they die, and no angel is seen holding forth the crown and the palm branch. Then it is that the submission of the soul to the Highest is tested, and even in the eyes of frivolity life looks out from the scene of human struggle with the awful face of duty, and a religion shows itself which is something else than a private consolation.
George Eliot (Daniel Deronda)
The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen
Tina Fey (Bossypants)
From the moment I had first understood that my brother Richard was a boy and I was a girl, I had wanted to exchange his future for mine. My future was motherhood; his, fatherhood. They sounded similar but they were not. To be one was to be a decider. To preside. To call the family to order. To be the other was to be among those called. I knew my yearning was unnatural. This knowledge, like so much of my self-knowledge, had come to me in the voice of people I knew, people I loved. All through the years that voice had been with me, whispering, wondering, worrying. that i was not right. That my dreams were perversions. That voice had many timbres, many tones. Sometimes it was my father's voice; more often it was my own. I carried the books to my room and read through the night. I loved the fiery pages of Mary Wollstonecraft, but there was a single line written by John Stuart Mill that, when I read it, moved the world: "It is a subject on which nothing final can be known." The subject Mill had in mind was the nature of women. Mill claimed that women have been coaxed, cajoled, shoved and squashed into a series of feminine contortions for so many centuries, that it is now quite impossible to define their natural abilities or aspirations. Blood rushed to my brain; I felt an animating surge of adrenaline, of possibility, of a frontier being pushed outward. Of the nature of women, nothing final can be known. Never had I found such comfort in a void, in the black absence of knowledge. It seemed to say: whatever you are, you are woman.
Tara Westover (Educated)
In her eyes, he could see the fear, but also the love. The need. Time to show her, that to him, she meant everything. “Before you shower me with kisses for saving you –” “I think it could be argued that I played a part.” “Not when I retell the story you won’t. But we can argue about that later, naked. As I was saying, I have something for you.” Remy pulled the sheet of paper out of his back pocket and unfolded it. Initially he’d worried about it being too short. But as Lucifer assured him when he made the contract and binding, the less clauses he put in, the more his promise would stick out. Handing it to her, he waited. Fidgeted when she didn’t say a word. Almost tore it from her grasp. Then stumbled back as she threw herself at him. I, Remy, the most awesome demon in Hell, do declare to love the witch Ysabel, fiery temper and all, for an eternity. I will never stray. Never betray her trust. Never do anything to cause her pain upon penalty of permanent death. This I do swear in blood, Remy A simple contract, which in its very lack of clauses and sub items, awed her. “You love me that much?” He peered at her with incredulity on his face. “Of course I love you that much. Would I have done all the things I did if I didn’t?” “Well, you are related to a mad woman.” “Yes, and maybe it’s madness for me to love you, but I do. Do you think just any woman would inspire me enough to take on a bloody painful curse. Or put up with the fact you have a giant, demon eating cat. I know you have trust issues, and that I might not have led the kind of life that inspires confidence, but I will show you that you can believe in me. I want you to love me.” “I know you do. And I do love you. Only for you would I come to the rescue wearing nothing to cover my bottom.” His eyebrows shot up. “You came to battle in a skirt without any underwear?” A slow nod was her answer. He grinned, then scowled. “You will not do that again. Do you know how many demons live in the sewer and could have looked up your skirt? I won’t have them looking at what’s mine. On second thought. Throw out all your underwear. I’ll lead the purge on the sewers myself so you can stroll around with your girl parts unencumbered for my enjoyment.” “You’re insane,” she laughed. “Crazy in love with you,” he agreed. “But I do warn you, we’ll have to have dinner with my crazy mother at least once a month.” “Or more often. I quite like your mom. She’s got a refreshing way of viewing the world.” “Oh fuck. Don’t tell me she’s already rubbing off,” he groaned, as he pulled her into his arms. She snuggled against him. This was where she belonged. But she did have a question. “As my new… what should I call you anyway? Boyfriend? Demon I sleep with?” “The following terms are acceptable to me. Yours. Mate. Husband. Divine taster of your –” She slapped a hand over his mouth. “I’ll stick to mate.” “And I’m going with my super, sexy, touch her and die, fabulous cougar, ass kicking witch.” “I dare you shout that five times in a row without stumbling.” He did to her eye popping disbelief. “I told you, I have a very agile tongue.” “I remember.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
Closing the distance between them, he had saved the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
I’ll never forget this one night when Daddy had taken us way out to a little church up on a high ridge. There was no kind of instrumentation, and the hymns were all sung a cappella. During the preaching, there was a little more shouting from the congregation than usual. When it came time for us to sing, we were introduced by the preacher, a wiry little man with kind of a fiery look in his eyes. We stepped to the front and took our places on the old wood-plank platform to one side of the pulpit. Softly, I sung a note to get us started because it was decided I could come closest to hitting a key that we could all sing in. We began our songs, just as we had planned. I was aware that the pastor was on the stage behind us, but I didn’t think anything of it. After a while, I could feel Stella nudging me in the ribs, trying not to be noticed. I looked at her, and she motioned with her head slightly back toward where the preacher was standing. He seemed to be totally wrapped up in the spirit, nearly in a trance. I didn’t think too much of it, until I spotted a familiar sight—the back markings of a snake, a cottonmouth moccasin. I had seen them in the woods, usually scurrying across the path toward cover. They were afraid of me, and I was afraid of them. And up to now, we had always managed to keep our distance from each other. Here, apparently, they were a part of the worship service. I could see now, out of my peripheral vision, that the preacher had a full grown cottonmouth by the back of the head and it was twisting and coiling all around his forearm. Some members of the congregation were reaching out as if they wanted to touch it. The preacher was getting more and more worked up, and he reached into a wooden crate by the pulpit and took out two more snakes. This time he seemed to be holding them much more carelessly. He lifted them near his face as if daring them to strike. We sisters just kept on singing, unconsciously moving away from the snakes until we were very near the front of the platform. Just then, I noticed something that struck a note of fear in my heart much greater than that inspired by the snakes. My father had stepped into the back of the church to hear his little girls sing. Whatever he had been drinking didn’t impair his ability to see exactly what the preacher had in his hands. Just at that moment, the man and his snakes took a step toward the congregation, thus toward us. Daddy had seen enough. He charged down the aisle like a wild boar through a thicket. “You get them Goddamn snakes away from my kids!” Daddy bellowed with a force in his voice I had never heard before. It was amazing how quickly that preacher broke his trance and paid heed. He had heard the voice of a higher power, in this case a really pissed-off redneck. Daddy swooped us up and out the front door before we had time to think about what was happening. We didn’t even stop singing until we were almost down the steps into the churchyard. We were glad to be out of there, and I at least was proud that Daddy had come to our rescue. But Daddy obviously felt terrible about it. On the way home in the car, he got to feeling especially bad. “Goddamn! I can’t believe I said Goddamn in church!” he muttered to himself. He finally got so upset he had to stop the car and get out in the woods and, in his way, ask God’s forgiveness. I couldn’t help thinking how badly Mama had always wanted Daddy to walk down the church aisle and declare himself. Now he had certainly done that, although not I’m sure the way Mama had in mind.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
Though fully armed and uniformed, the row of Highlanders was relaxed; imposing, to be sure, but no longer threatening. Small boys—and not a few wee girls—scampered to and fro among them, impudently flicking the hems of the soldiers’ kilts or dashing in, greatly daring, to touch the gleaming muskets, dangling canteens, and the hilts of dirks and swords.
Diana Gabaldon (The Fiery Cross (Outlander, #5))
I hate to hear people talk of knowing their hearts. My idea is that, if you like a young man, and he asks you to marry him, you ought to have him — that is, if there’s enough to live on. I don’t know what more is wanted. But girls are getting to talk and think as though they were to send their hearts through some fiery furnace of trial before they give them up to a husband’s keeping. I’m not at all sure that the French fashion is not the best, and that these things shouldn’t be managed by the fathers and mothers, or perhaps by the family lawyers.
Anthony Trollope (Christmas at Thompson Hall: And Other Christmas Stories)
The other words Tate didn't say were his feelings for her that seemed tangled up between the sweet love for a lost sister and the fiery love for a girl. He couldn't come close to sorting it out himself, but he'd never been hit by a stronger wave. A power of emotions as painful as pleasurable.
Delia Owens (Where the Crawdads Sing)
Did everything go okay with Penny?” If by okay, he meant she hated me with a fiery passion and wanted to stab one of her sexy heels through my scrotum, then yeah, we were super-duper.
Cindi Madsen (Big Dick Energy)
The other words Tate didn't say were his feelings for her that seemed tangled up between the sweet love for a lost sister and the fiery love for a girl. He couldn't come close to sorting it out humself, but he'd never been hit by a stronger wave. A power of emotions as painful as pleasurable.
Delia Owens (Where the Crawdads Sing)
My view from the window consists of mounds of clay dried to dust. I see delicate girls wrapped in brightly colored hijabs bent over in the fiery heat, carrying heavy bundles on their heads like people in a primeval time and place. Burqa-clad beggars sit with their babies beside bombed-out roads, waiting for those passing by to throw a coin or a bottle of water their way.
Hollie McKay (Afghanistan: The End of the U.S. Footprint and the Rise of the Taliban Rule)
pleaded with my mom to straighten my hair. I didn’t want the aggressive nature of my natural kinks to intimidate my peers and teachers. I repressed parts of my personality. No longer would I be a fiery Jamaican. I noticed quickly that classmates and teachers were afraid of me for no reason. Once during coloring time in art class a girl wanted to ask me for a crayon, but she struggled to muster up the words and the courage to ask. It wasn’t that I was hoarding all the crayons,
Danielle Small (Confessions of a Token Black Girl)
When he finished he had a magnificent house, perched on the edge of a precipice at whose feet the ocean thundered, but it was a house that knew no happiness, for shortly after Whip had moved in with his third wife, the Hawaiian-Chinese beauty Ching-ching, who was pregnant at the time, she had caught him fooling around with the brothel girls that flourished in the town of Kapaa. Without even a scene of recrimination, Ching-ching had simply ordered a carriage and driven back to the capital town of Lihune, where she boarded an H & H steamer for Honolulu. She divorced Whip but kept both his daughter Iliki and his yet-unborn son John. Now there were two Mrs. Whipple Hoxworths in Honolulu and they caused some embarrassment to the more staid community. There was his first wife, Iliki Janders Hoxworth, who moved in only the best missionary circles, and there was Ching-ching Hoxworth who lived within the Chinese community. The two never met, but Howxworth & Hale saw to it that each received a monthly allowance. The sums were generous, but not so much so as those sent periodically Wild Whip's second wife, the fiery Spanish girl named Aloma Duarte Hoxworth, whose name frequently appeared in New York and London newspapers... p623 When the polo players had departed, when the field kitchens were taken down, and when the patient little Japanese gardeners were tending each cut in the polo turf as if it were a personal wound, Wild Whip would retire to his sprawling mansion overlooking the sea and get drunk. He was never offensive and never beat anyone while intoxicated. At such times he stayed away from the brothels in Kapaa and away from the broad lanai from which he could see the ocean. In a small, darkened room he drank, and as he did so he often recalled his grandfather's words: "Girls are like stars, and you could reach up and pinch each one on the points. And then in the east the moon rises, enormous and perfect. And that's something else, entirely different." It was now apparent to Whip, in his forty-fifth year, that for him the moon did not intend to rise. Somehow he had missed encountering the woman whom he could love as his grandfather had loved the Hawaiian princess Noelani. He had known hundreds of women, but he had found none that a man could permanently want or respect. Those who were desirable were mean in spirit and those who were loyal were sure to be tedious. It was probably best, he thought at such times, to do as he did: know a couple of the better girls at Kapaa, wait for some friend's wife who was bored with her husband, or trust that a casual trip through the more settled camps might turn up some workman's wife who wanted a little excitement. It wasn't a bad life and was certainly less expensive in the long run than trying to marry and divorce a succession of giddy women; but often when he had reached this conclusion, through the bamboo shades of the darkened room in which he huddled a light would penetrate, and it would be the great moon risen from the waters to the east and now passing majestically high above the Pacific. It was an all-seeing beacon, brillant enough to make the grassy lawns on Hanakai a sheet of silver, probing enough to find any mansion tucked away beneath the casuarina trees. When this moon sought out Wild Whip he would first draw in his feet, trying like a child to evade it, but when it persisted he often rose, threw open the lanai screens, and went forth to meet it. p625
James A. Michener (Hawaii)
Endless tunnels, twisting and turning, a girl with silver eyes brighter than the moon, a stream of tarot cards then a pair of fiery wings that twisted up into the sky. A necklace of thorns then a girl with lilac hair covered in mud. A huge palace reached above me then a Dragon with jade green scales landed on its roof, two babies lying in a cot, then two dark haired twin girls clutching hands at the bottom of a darkened pit. “Gabriel!” someone was shouting and I tried to wrangle
Caroline Peckham (Vicious Fae (Ruthless Boys of the Zodiac, #3))
brought me in yesterday. I was in there for probably an hour with my dad. I think it wore him out too much, I had to take him back home.” Her attention is split—I can tell she’s thinking about something else while trying to hold on to the conversation. It’s something she used to do when we were kids too. “How is your dad?” I ask. “Still fiery as ever?” That brings her back and she shakes her head. “No, he’s calmed down in the past few years. I think when Jessica never came back it began to take a toll on him. And I wasn’t enough to keep him going.” “Jude, that’s not true,” I say. “Your dad loved you.” She gives me a sardonic smile.
Alex Sigmore (The Girl In The Wall (Emily Slate #9))
I am old now, or at least I'm no longer young. And everything I see reminds me of something else I've seen such that I see nothing for the first time. A bonny girl, her hair fiery red, reminds me only of another hundred such lasses I've seen and their mothers and what they were when they grew and what they looked like when they died. It is the curse of age that all things are reflections of other things.
Neil Gaiman (The Truth Is a Cave in the Black Mountains)
[A]s often happens to assertive women, the men in the federation considered her abrasive, overbearing. They whispered privately that she was 'emotionally volatile' and did not have a 'second gear' in her public manner. Strong men are considered fiery, strong women are volatile.
Jere Longman (The Girls of Summer: The U.S. Women's Soccer Team and How It Changed the World)
Eighteen years ago, Lydia had told her that the problem with Paul Scott was that he didn’t see Claire as a normal, imperfect human being. He was blind to her faults. He covered her missteps. He would never challenge her or scare her or infuriate her or stir up any of those fiery emotions that made it worthwhile to put up with a man’s bullshit.
Karin Slaughter (Pretty Girls)
I could only see shades of men and woman moving outside the fiery circle, almost as ghosts who were banished to a darker world.
Cherry Gregory (The Girl from Ithaca)
What do you want that couldn’t wait until the morning?” Arik asked as he led the way inside. The Pride’s king headed to the bar he’d had installed in the corner of his living room. He pulled a bottle of whiskey from a shelf. He poured them each a generous dollop. “I want permission to go after the Northern Lakes Pack.” “Am I going to regret asking why?” “They’re threatening Arabella.” “Who’s that?” “Jeoff’s sister.” Arik tossed back the fiery liquid before asking with a frown, “Why the fuck would I let you start a war over Jeoff’s sister?” “Because those pricks attacked us on home turf.” A snort escape Arik. “Ah yes, that puny attempt at a kidnapping. You caused quite a stir with your antics. Part of your stunt even made it onto YouTube before we could squash it. I had to have our PR department spin a Twitter thread on how it was part of a scene being taped for a movie.” “You can’t blame me for that. I had to stop them.” He did, but what he didn’t tell Arik was he’d never once thought of the repercussions of his actions. He saw Arabella in danger and had to go to her rescue. Bystanders and witnesses be damned. “I can see why you’d feel like you had to act. I mean, they made you look silly by catching you off guard like that, but, next time, could you be a little more discreet?” “No.” Why lie? The reply took his leader aback. “What do you mean no? Discretion is a fact of life. One girl isn’t worth drawing undue attention to ourselves.” “One girl might not be, but my mate is.” Want to stop conversation dead? Drop a bombshell. “Close your mouth, Arik, before you catch flies.” Only Arik’s mate could hope to tease him like that and get away with it. Dressed in yoga pants and a sweatshirt, Kira emerged from the bedroom and perched on a barstool. “Did you hear what he said?” a still astonished Arik demanded. “Yes. He’s fallen victim to the love bug. I think it’s cute.” “I would have said impossible,” Arik muttered. “You and me both, old friend. But, the fact of the matter is, I’m like ninety-nine percent sure that Arabella is supposed to be mine.” “And the one percent that isn’t sure?” “Is going to get eaten by my lion.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
Methuselah swung the pear-shaped mace down toward the skull of his adversary, a fifteen-year old girl named Edna. She raised her shield and blocked it effectively, then parried with her own mace. He barked, “Excellent, runt!” Methuselah was a strapping twenty-year old handsome young man. His unusual blue eyes often drew the teasing of his companions, saying that he was a Bene ha Elohim, or more likely a product of their union with the daughters of men. It was not true, but he played along with it because he liked standing out from the crowd. He was a fiery lad with a passion for arguing, not the best of traits for an apkallu in training, since their order was marked by restraint and listening. But Methuselah hungered for knowledge, and loved to study and learn about everything.
Brian Godawa (Enoch Primordial (Chronicles of the Nephilim #2))
Seventeen years ago a fiery car crash in Seattle, Washington claimed the lives of David Stranson and his two-year-old daughter. The mother, Camilla, survived with severe injuries. Attached to the police
Karpov Kinrade (Vampire Girl (Vampire Girl, #1))
Oh my God!” she yelled suddenly, and sat straight up. “What?” I’d been slowing for a red light but slammed on the breaks at her outburst. “I have something for you at home! I almost forgot!” “You . . . Jesus Christ, Rach! I thought we were about to get hit or I was about to run over someone!” “Well, get over it! We didn’t. Come on light, turn green, go, go, go, come on we have to get home!” She bounced up and down in her seat and looked at the empty streets around us. “Fuck, swear to God you’re going to be the death of me.” She stopped bouncing and turned to face me. Her dark blue eyes narrowed as she crossed her arms. “Keep being an asshole and you won’t get it.” I couldn’t help it. A massive smile crossed my face. I put the car in park, unclicked her seat belt, and pulled her across the seat to me. “There’s my fiery girl. You’re such a cute little monster when you wake up.” “I will cut you.” “I said cute.” “I hate you.” “Liar.
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
Is there a bathroom I can use?” As soon as I asked, a bunch of guys started chanting and I turned to see what the fuss was about. My eyes about bulged out of my head when I did. The same guy I’d last bumped into on the dance floor was now taking shots out of a girl with fiery red hair’s mouth, running his tongue and lips all over her neck and chest between each one. When he sprinkled more salt on her, I realized why he’d been licking her. After the third one he looked right into my eyes and winked before putting his mouth to the fourth glass. I shook my head and didn’t even wait for Drew to respond, I went off to find the bathroom on my own.
Molly McAdams (Taking Chances (Taking Chances, #1))
He straightened and crossed his arms. He wanted her to forget: forget about her family and what she’d left behind. He wanted her sass, not her sorrow. And he wasn’t above baiting her to get it. He fixed a stern expression on his face and jutted a chin at the car. “Get busy, little girl. As much as I’d love to clean out this garbage pit of a car, I don’t have a Dumpster available. Trash bags alone won’t get the job done.” She shot up, planting her hands on her hips. “What did you say?” Yes, there it was: the fire she hid under those layers of Catholic guilt. He cocked a brow. “What’s your objection? That I called you little girl, or messy?” She threw her shoulders back, thrusting out breasts that were almost lost in Gracie’s too-big T-shirt. “Both!” “I call it like I see it.” He shrugged a shoulder. “What are you going to do about it?” Her mouth fell open, and her eyes flashed all sorts of interesting variations of green. She stepped forward and poked him in the center of his chest. “You . . . you . . . ,” she sputtered. He leaned in close, sucking in the scent of lavender, breathing in her hint of wildness. Jesus, he wanted her. He needed every ounce of control to not take her mouth in a hard, brutal fuck-you-where-you-stand kiss. Instead he whispered, “You what?” With another hard jab of her sharp, white-tipped nail, she stomped a foot, temper riled. “You, you jerk!” “Come on, you can do better than that, can’t you?” He paused, waiting one delicious beat that made her lean in closer. “Little girl?” “You arrogant, egotistical . . .” With a strangled scream, she hauled back and punched him in the chest, hard enough that some of the air in his lungs whooshed out. Before she could strike again, he snagged her wrist, caught her around the waist with his free hand, and pulled her close. Her cheeks were flushed a pretty pink. Body rigid, she met his gaze with fiery defiance. He searched her face and found what he was looking for under her righteous, indignant temper: excitement. Hunger. He tightened his hold, pressing along her spine to force her the last couple of inches she needed to be flush against him. He needed one taste of that mouth. But before he could give in to the impulse that was riding him hard, a police cruiser pulled into the parking lot and flashed its lights. “Ah, fuck.” He dropped his hold. Impeccable timing.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Yuguo fell apart, into a thousand little pieces. He felt it happen, fragments of his mind detaching from the rest, splitting off, becoming their own, being mapped by Nexus. Here was Yuguo’s knowledge of coding, his comprehension of data structures, of objects and methods, of intents and game players, of threads and loops and conditions. Here was football Yuguo, the precise way his left foot grounded into the grass and his hips swiveled and his arm balanced as his right foot shot forward to kick the checked ball at the goal. Here was Yuguo’s shy lust for girls, the patterns his eyes drew over their curves when he saw them, the anxiety that struck him dumb when they were near. Here was Yuguo’s despair that had led him to this room, his quiet dread that his country and the world were getting worse instead of better, that the future was one of slow strangulation at the electronic hands of smiling tame AIs with famous faces, their forked tongues lapping out of the viewscreens to feed saccharine to the masses, the old men who’d always ruled China laughing and holding their leashes. Here were the words a young woman had said to him just minutes ago. “Critical mass. Weak apart, strong together.” Here were her eyes, fiery eyes, hanging in space. Here was her name: Lifen. Then those pieces fell apart, into smaller pieces, which fell apart into fragments even smaller: Yuguo’s sensation of red. Yuguo’s concept of 1 and 0. Yuguo’s left thumb. The sound in Yuguo’s head when he heard the third note of his favorite pop song. Yuguo’s yes. Yuguo’s no. Yuguo’s and. Yuguo’s or. Yuguo’s xor. Yuguo’s now. Yuguo’s future. Yuguo’s past. He could see himself now. He was a golden statue of Yuguo, immobile, one foot in front of the other, standing in a space of white light. But the statue wasn’t solid, it was made of grains, millions of grains, flecks of gold dust, millions of parts of him. And as he watched they were separating, pulling gradually apart, so that he was no longer a single entity but a cloud, a fog, a fog of Yuguo, and if a strong wind came, he would just blow away, and if the pieces split any more he knew there wouldn’t be any such thing as Yuguo left at all. Yuguo’s fear. Yuguo’s end. And then the pieces rushed together, and he was inside that statue, he was that statue, and he was all of it, 1 and 0, yes and no, future and past, sound and sight, football and coding. He was all of it. He was whole. He was a mind. I’m Yuguo, he realized. I’m him. I’m me. I’m Yuguo! His eyes snapped open. He was in his body. His body made of molten gold. No, not gold, flesh and blood.
Ramez Naam (Apex (Nexus, #3))
I wanna hear about yer brothers," Mira said.  "Are they all like Lucien?" Charles made a noise of amusement.  "Thank God, no.  I'm the second oldest, and then there's Gareth.  He's the black sheep of the family and leads a group of ne'er do wells who've styled themselves after the Hellfire Club and call themselves the Den of Debauchery.  Gareth is irresponsible and dissolute, and Lucien despairs of him ever making anything of himself besides a general public nuisance — but I have rather more faith in him than that." "And what do the villagers call him?" "The Wild One." "He sounds fun," Mira said.  "Is he betrothed?" Charles laughed.  "No mama in her right mind would want their daughter married to Gareth.  His reputation is not undeserved."  He leaned back, his elbows sinking into the sand, the sun warming his upturned face.  "And then of course there's Andrew, my youngest brother, who aspires to be an inventor and is, according to the last letter I received from him, hoping to construct a flying machine." "A flying machine?" cried both girls in unison. "Yes.  A preposterous notion, isn't it?  However, I suppose that if anyone can do it, Andrew can.  He has a clever brain, and did very well at Oxford." "What's his nickname?" "The Defiant One." "Why?" "Because he is fiery and independent, and is ever at odds with Lucien." There was long silence.  And then, softly, Amy said, "And what did the villagers call you, Charles?" Everything stilled inside him.  He sat up, feeling a sudden rush of self-loathing and loss.  "The Beloved One," he said quietly.  Head bent, he picked up a handful of sand, letting it trickle out through his fingers.  "Because I always did everything right, always lived up to what everyone expected of me, always succeeded at whatever I put my mind to — and never let anyone down."  He turned his face toward the salty breeze.  "Until now." Even
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
The Phoenix is a mythical creature from Greek lore often portrayed as a fiery and noble bird. It is said the Phoenix could live thousands of years before succumbing to death, and typically it died and was reborn through fire. The sentiment is not uncommon. The idea of a second chance, of rebirth, of renewing one’s hopes and dreams. One could say it is our destiny, our fate within the human condition to always hold onto hope of redemption even if it is the last thread that connects us to life.
Joe Hart (The Last Girl (The Dominion Trilogy, #1))
I am going to the City myself, human girl. After my mother was widowed, my siblings and I went each our separate ways: M-Through-S to be a governess, T-Through-Z to be a soldier, and I to seek our old grandfather—the Municipal Library of Fairyland, which owns all the books in all the world. I hope that he will accept me and love me as a grandson and teach me to be a librarian, for every creature must know a trade. I know I have bad qualities that stand against me—a fiery breath being chief among these—but I am a good beast, and I enjoy alphabetizing, and perhaps, I may get some credit for following in the family business.” The Wyverary pursed his great lips. “Perhaps we might travel together for a little while? Those beasts with unreliable fathers must stick together after all. And I may be a good deal of help in the arena of Locating Suppers.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
[…] Under such auspices, in 1835, he went to Canaan Academy, at Canaan, New Hampshire, Rev. William Scales, principal; he was kindly received into the family of George Kimball, Esq. There he first met Miss Julia Williams, formerly a pupil of Miss Prudence Crandall, Canterbury, Connecticut, who was imprisoned for teaching colored girls; Miss Williams subsequently became his wife. Among the pupils at the Academy were his old schoolmates, Alexander Crummell and Thomas S. Sydney. They joyfully entered upon their studies, penetrated with the hopes of a race to whom the higher branches of human learning had hitherto been a sealed book. But the spirit of caste, which we have already spoken of, as being, in the rural districts, still stronger against the education of colored youth than in the cities, soon concentrated its malign influence upon this Academy. In August of the same year (1835) a mob assembled in Canaan, and with the aid of ninety-five yoke of oxen and two days’ hard labor, finally succeeded in removing the Academy from its site and afterwards they destroyed it by fire. The same mob surrounded the house of Mr Kimball and fired shot into the room occupied by Garnet: to add to the mean atrocity of the act, he was at that time, in consequence of increasing lameness, obliged to use a crutch in walking, and was confined to his room by a fever. But neither sickness, nor infirmity, nor the howling of the mob could subdue his fiery spirit; he spent most of the day in casting bullets in anticipation of the attack, and when the mob finally came he replied to their fire with a double-barrelled shot-gun, blazing from his window, and soon drove the cowards away. Henry Highland Garnet, A memorial discourse; delivered in the hall of the House of Representatives, Washington City, D.C. on Sabbath, February 12, 1865. With an introduction by James McCune Smith, M.D. (Philadelphia: Joseph M. Wilson, 1865), pp 29-30 [The quote is from Smith's biographical sketch of Garnet]
James McCune Smith (A Memorial Discourse By Reverend Henry Highland Garnet (1865))
It seemed to Hunter that every time he turned around, Bright Star hovered nearby, fluttering her lashes and blushing, making such an obvious play for Hunter’s affections that he knew it couldn’t escape his wife’s notice for long. Hunter didn’t want to shame Bright Star by scorning her. At the same time, he didn’t want Loretta to believe he was encouraging the girl. He already had enough problems. While he mulled the situation over, trying to think of a kind way to discourage Bright Star, the young maiden intensified her campaign, and, as Hunter had feared, Loretta at last realized what was going on. When she did, Hunter took the brunt. “Who is that girl?” Loretta demanded one evening. “What girl?” Hunter felt heat rising up his neck and avoided meeting his wife’s flashing blue gaze. “That girl, the one who seems to have something in her eye.” Hunter obliged Loretta by giving Bright Star a bored glance. “She is sister to my woman who is dead.” He bent back over the arrowhead he was sharpening. “She is called Bright Star.” “She doesn’t look very bright. Is that a tic, or does she always blink that way?” Hunter smothered a snort of laughter. “She makes eyes, yes?” “At you?” He straightened and lifted a dark brow. “You think she makes eyes for you?” Loretta’s spine stiffened. “You think this is funny? Doesn’t she realize that you’re a married--” The flash in her eyes grew more fiery. “Oh, yes, how remiss of me. I forgot that you can have an entire herd of wives.” Hunter sighed and set aside the arrowhead. “This Comanche has no wish for a herd of wives. One is sure enough plenty trouble.” “Are you saying I make your life miserable? If that’s the case, why did you marry me? Why didn’t you marry her?” Hunter knew jealousy when he saw it. Everything else had failed. New tactics were called for. “I could have. Bright Star thinks I would be a fine husband, yes?” “She can have you.” That wasn’t exactly the response Hunter had been hoping for.
Catherine Anderson (Comanche Moon (Comanche, #1))
Who is that girl?” Loretta demanded one evening. “What girl?” Hunter felt heat rising up his neck and avoided meeting his wife’s flashing blue gaze. “That girl, the one who seems to have something in her eye.” Hunter obliged Loretta by giving Bright Star a bored glance. “She is sister to my woman who is dead.” He bent back over the arrowhead he was sharpening. “She is called Bright Star.” “She doesn’t look very bright. Is that a tic, or does she always blink that way?” Hunter smothered a snort of laughter. “She makes eyes, yes?” “At you?” He straightened and lifted a dark brow. “You think she makes eyes for you?” Loretta’s spine stiffened. “You think this is funny? Doesn’t she realize that you’re a married--” The flash in her eyes grew more fiery. “Oh, yes, how remiss of me. I forgot that you can have an entire herd of wives.” Hunter sighed and set aside the arrowhead. “This Comanche has no wish for a herd of wives. One is sure enough plenty trouble.” “Are you saying I make your life miserable? If that’s the case, why did you marry me? Why didn’t you marry her?” Hunter knew jealousy when he saw it. Everything else had failed. New tactics were called for. “I could have. Bright Star thinks I would be a fine husband, yes?” “She can have you.” That wasn’t exactly the response Hunter had been hoping for. “You have me, one unto the other, forever until we die and rot. It was your wish.” She sputtered for a moment, trying to speak. “I wasforced into this farce of a marriage!” He shrugged again. “And you do not want your man. It is sure enough a sad thing.” He thumbed his hand at Bright Star, who was still fluttering her lashes. “She wants what you do not. Yet you are angry? It is boisa, Blue Eyes.” Loretta flew to her feet, hands clenched at her sides. “It sounds as if you’ve been cheated all the way around, you poor man. Well, let me tell you something!” “I am here.” She jutted her small chin at him. “As long as you have wandering eyes, this woman wouldn’t have you in her buffalo robes if you crawled on your knees and begged. Is that clear?” She swung her arm toward Bright Star. “You can have her! You can have every woman in the village! Be my guest. But you can’t have me as well, make no mistake in that!” With that, Loretta spun and ran into the lodge. Hunter sat there a moment, listening to the muffled sounds that drifted from the doorway. Sobbing. With a snarl, he picked up the nearly finished arrowhead he had been sharpening and threw it into some nearby brush.
Catherine Anderson (Comanche Moon (Comanche, #1))
Ada had impressed Karl the moment he’d seen her and heard her speak. Her presence had drawn a small pencil mark upon his mind that grew into an entire book of drawings as the week progressed. He gave a great deal of thought to what her life might entail. Could she be Finkelstein’s wife or girlfriend? Karl thought he'd had contact with all of the inhabitants of the ghetto at one time or another when he’d sold his black market goods, but he’d never seen Ada before. If he had, he would certainly have remembered. Everywhere he went he kept watch for the lovely girl with the fiery-red hair. But he never saw her, and could not even speculate on who to ask concerning her whereabouts. So Karl continued to wonder. One
Roberta Kagan (All My Love, Detrick)
I just want to spend the rest of today and tonight with the only girl who makes my heart race.” And that was exactly what Trinity did. She calmed me and excited me all at once. I was a tattooed, buzzed haircut, cop who gave off a badass cocky feel, but inside, this woman made me feel like a lost boy seeking the security only she could give. It was still so unbelievable how one smile or a simple touch from her could make me feel whole. “Yes,” she whispered. “You should definitely spend the night with me.” She tossed me a mischievous smile and I couldn’t help but feel relief that my fiery girl had returned.
C.A. Harms (Trinity's Trust (Sawyer Brothers #5))
That such horror can be beautiful is hard to imagine, but it was. Light and sound collided against the firmament like shooting stars and swooping dragons with flaming breath and fiery tails. Perhaps it was the quaking of both earth and sky and the contrast of being more alive and nearer to death than I had ever been. I was living the Book of Revelation, and I could not avert my eyes.
Amy Harmon (A Girl Called Samson)
An hour after the game, I stood with Jace, Landon, and Kai in Landon’s basement, waiting for the girls to show up because fiery Imani was bound to run in here with that mouth of hers, shouting about how we shouldn’t have done that. On cue, the basement door swung open, and a furious Imani barreled down the stairs.
Emilia Rose (Poison (Bad Boys of Redwood Academy, #2))
I felt small, pathetic, laid bare for all of these assholes and stripped of every cocky, fiery part of me until all that was left was the girl who had never had any parents and always wondered what that kind of love would have felt like.
Caroline Peckham (The Awakening (Zodiac Academy, #1))
If any other girl dared try that they’d be in serious shit. But with her, I kind of like it. I like the fact she’s fiery and not in the least bit afraid of me; won’t take shit from me. And doesn’t cower to me. No, this bitch wants to challenge me. “Be lucky I didn’t mean it.” she winks. Fuck this girl is driving me crazy.
C.B. Halliwell (Gabriel's Salvation: small town, misunderstood MMC, overcoming trauma, first love romance (Fire and Ice Trilogy Book 1))
But Celeste doesn’t know me well enough yet. If I don’t get the cards that I need to win the hand, I fucking take them. Too many years were spent at the mercy of fucked-up dealing. I’m not the guy who makes the best of shitty hands. I’m the guy who swindles the dealer, shuffles the cards in my favor, and claims the goddamn ace. She’s mine now. Whether she accepts it or not. The thing is, I can’t simply take her. She’s too fiery and obstinate. Well, I could—and will if necessary. But she grasps for control in everything because she has none. I’d like my girl to feel empowered to choose me rather than coerced to let go of her fucked-up rescue mission—a plight her family should not be forcing on her.
Brandy Hynes (Carving Graves (KORT, #2))
Being realistic about the effects of speculation matters. Perez knew that outing Lance Bass or launching his “blame Samantha” campaign would drop these stars into the fiery, mean-spirited pits of the culture wars (which they did). Conversely, if Taylor Swift—or any of the celebrities who are widely speculated about today, like Harry Styles or Shawn Mendes—came out as queer, she’d be praised voraciously by her fans for being out and queer.
Jill Gutowitz (Girls Can Kiss Now: Essays)
Scarlett …” The alarming voice of Nickolas sounded from behind her. This girl was looking for her own execution. As much as he dreaded admitting it they had lost. The rebellion failed many and young people sacrificed their lives for this failure. Scarlett was a victim he was not willing to sacrifice. She only turned to him without saying a word. Her gaze was invincible. He saw literal flames burning in her blue eyes. He recognized the emotion immediately. Scarlett’s eyes were burning with rage! Was he seeing things, or were these actual flames? “It’s time for this bastard to pay for being such a treacherous ass!” she spoke. With every word, it was as if the fire in her eyes whirled around her pupils like a vortex. She felt her whole body start to burn. The blood in her veins was boiling like never before. Smoke began to emerge from her skin. It hurt her, she felt as if her whole body had set itself on fire. The pain could not be compared to the first time it happened with her palms. She was fighting the urge to scream as loud as she could, but could not afford even the slightest distraction. Nickolas’s life, as well as Chris’, depended on her. The men around her looked stunned at what was happening. Pratcher realized that nothing had played with his sanity when the soldiers, along with Hammerdell, took a step back after the girl’s body had begun emitting smoke. It was all very real indeed. What the hell was going on? “Get away from her! She will set herself on fire!” Christopher grabbed the man’s shoulders and pulled him back. He knew what was going to happen. He had seen Scarlett burn her palms, but never her whole body. He was afraid for her! The telekinesis with the jeep was a step away from killing her, and with that burning, her death could be inevitable. There was not enough energy in her body to escape without consequences. Scarlett did not stop focusing on her anger. She had to maintain it if she wanted to achieve the desired result. The pain was taking over her, she felt exhausted and gave out smoke. Her eyes did not go down from Hammerdell. At first, her hands were ablaze, and fire spread all over her body as if it had been covered with gas. Her clothes became ash. Scarlett remained naked under the tongues of the red flames. She fell to her knees on the pebble track - the fire swirled, and the pain was growing even more intolerable. “Shoot!” The mayor screamed in a voice full of fear. He had never seen such a thing. What was that hat girl? Definitely not an ordinary person! Seconds before they pulled the trigger, the guns jumped off from the hands of the soldiers all by themselves. A cone of fire separated from Scarlett and flew towards them, enclosing them in a perfect circle. She sacrificed her last drop of strength to create a fiery dome above them, which trapped her enemies and became a lid from which they could not get away. They burned alive with the last shrieking screams of panic, fear, and despair. It was over. Hammerdell had earned his merit. Now, the rebels could finally rest easy. In pain and exhaustion, she left herself get swallowed by the darkness.
I. G. Lilith
Torture" is a big word to involve in a conversation about doing dishes; most people, when they hear it, will think of knives and needles and fiery brands pressed against unprotected skin. But the truth is, torture will take different forms for different people. Sometimes it can be hunger, or thirst, or cruel words. In Zib's case, it was the denial of adventure and the forced adherence to a part she had been refusing to play since the first time someone had spoken the word "girl" in her hearing.
A. Deborah Baker (Along the Saltwise Sea (The Up-and-Under, #2))
No one loved him. His head burnt up lies and licentiousness in twilit rooms. The blue rustling of a woman's dress turned him into a pillar of stone and in the doorway stood the night-dark figure of his mother. Over his head reared the shadow of Evil. O, you nights and stars. At evening he walked by the mountain with the cripple; upon the icy summit lay the roseate gleam of sunset and his heart rang quietly in the twilight. The stormy pines sank heavily over them and the red huntsman stepped out of the forest. When night fell, his heart broke like crystal and darkness beat his brow. Beneath bare oak trees with icy hands he strangled a wild cat. At the right hand appeared the white form of an angel lamenting, and in the darkness the cripple's shadow grew. But he took up a stone and threw it at the man that he fled howling, and sighing the gentle countenance of the angel vanished in the shadow of the tree. Long he lay on the stony field and gazed astonished at the golden canopy of the stars. Pursued by bats he plunged into darkness. Breathless he stepped into the derelict house. In the courtyard he, a wild animal, drank from the blue waters of the well till he felt the chill. Feverish he sat on the icy steps, raging against God that he was dying. O, the grey countenance of terror, as he raised his round eyes over the slit throat of a dove. Hastening over strange stairways he encountered a Jewish girl and clutched at her black hair and he took her mouth. A hostile force followed him through gloomy streets and an iron clash rent his ear. By autumnal walls he, now an altar boy, quietly followed the silent priest; under arid trees in ecstasy he breathed the scarlet of that venerated garment. O, the derelict disc of the sun. Sweet torments consumed his flesh. In a deserted half-way house a bleeding figure appeared to him rigid with refuse. He loved the sublime works of stone more deeply; the tower which assails the starry blue firmament with fiendish grimace; the cool grave in which Man's fiery heart is preserved. Woe to the unspeakable guilt which declares all this. But since he walked down along the autumn river pondering glowing things beneath bare trees, a flaming demon in a mantle of hair appeared to him, his sister. On awakening, the stars about their heads went out.
Georg Trakl (Poems and Prose)
Did everything go okay with Penny?” If by okay, he meant she hated me with a fiery passion and wanted to stab one of her sexy heels through my scrotum, then yeah, we were super-duper.
Cindi Madsen, Big Dick Energy
Aileen had always felt so sorry for Mildred – too tall, that fiery hair, no money, a domineering personality that meant she wouldn’t, couldn’t, perhaps, stoop and draw herself in and down so as to be appealing and fragile, someone a young man would want to protect and care for. Aileen had only ever seen the ways these things made Mildred a bad proposition for marriage –
Emily Hourican (The Guinness Girls: A Hint of Scandal)
Somewhere along the next three blocks my thoughts jump from anger straight to terror: Taryn Anderson. If Taryn knows about the sex, my miserable life will plunge into the fiery depths of hell. She will verbally tear me to shreds, publicly humiliate me and do everything in her power to ruin my life. I’ve seen her do it to other girls; girls who didn’t even have sex with her boyfriend.
K.M. Walton (Empty)
I love you, and I hope you are safe and happy and that wherever you are, someone (Akiva?) is making you cakewalks, too, or whatever it is that fiery angel boys do for their girls. kiss/punch Zuze
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
The world told you that you had to hide your pain, to be small and quiet, so you wouldn't rock the boat. And you believed. Then one day you saw the silent pain in the eyes of a small and quiet girl in a boat bound for nowhere. And a warrior awoke. You freed the girl from the silent shackles and told her that her story mattered, to tell it deep and wide and loud, to set the boat ablaze with every fierce and fiery word so all the world could hear and heal. And you believed.
L.R. Knost
Even if that were true,” I said, struggling to keep my own voice level, “why the bloody hell would I marry you? Let alone why you would want to marry me, which I don’t believe for an instant.” “Believe it,” he advised me briefly. “I will do it because it is the last service I can render Jamie Fraser. I can protect you; as my wife, no one can touch you. And you will do it because …” He cast a bleak glance behind me, raising his chin, and I looked around to see all four of Fergus’s children huddled in the doorway, the girls and Henri-Christian watching me with huge, round eyes. Germain was looking straight at Lord John, fear and defiance plain on his long, handsome face. “Them, too?” I asked, taking a deep breath and turning to meet his gaze. “You can protect them, too?” “Yes.
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
Part Two: When St. Kari Met Darth Vader, Star Wars Dark Lord of the Sith  “What are those?” Kari shouted grasping Luke’s arm as her eyes jolted nervously into the air. “I’ve never seen such pretty planets before.” Luke tracked her line of vision and grimmed as he spotted three Corellian Imperial Star Destroyers coming out of hyperspace into the same vortex that his own damaged ship was whirlpooled into. They appeared to be stabilizing the vortex opening by their anti-gravity wells maintaining their relative positional orbit. “Hey’st, what are those white things? They look like men. Surely they are not ghosters, are they?” pawed Kari at Luke to get him to see. “Imperial troopers,” shot Luke, grabbing her arm back. “There’s too many of them C’mon, we got to hide.” “What’s does that mean? And what are those red light-thingy’s coming toward us?” Instantly Kari and Luke were inundated by a barrage of suppressing E-11 blaster rifle fire. Luke flinched out of reaction while Kari stood upright seemingly oblivious to the inherent danger. He was struck to see the girl-entity pluck a laser bolt out of the air and examine it with an other worldly look, as if it were a rare flower in a garden. “I like this,” she smiled. “I’ll pin it to my cloak.” And doing so she did, it maintaining its fiery penetrating redness that did nothing more than to adorn the girl’s wardrobe for quite some time momentarily puzzling Luke. Usually they burnt out quickly. “Can I get some more of these?” she politely asked Luke. “Not right now,” drawled Luke peering over a boulder. “If they capture us we’ve had it.” “Had what?” asked Kari naïvely. “Them ghost-men you mean’st? Oh, don’t worry, Walker of the Skies, just leave it to me,” and with that Kari pulled her blade and sashayed toward the Imperial clones humming her favorite Top 10 battle hymns. “Wait!” Luke shouted trying to snatch her back but it was too late. Luke never saw anything such as this. Like Han, he had seen a lot of strange galactic stuff in his time. Kari had become a misty blur and was skipping across the battlefield as some sort of sword-brandishing luminescence, hovering for a short time over those she slain. “Hey, Walkersky, these spirits don’t have any souls,” she yelled looking up from her blood soaked garments. What do you want me to do with the rest, kill ’em?” “I, uh ,” was all he managed to get out of his mouth as he rubbed his jaw. Kari shrugged and went back to work, picking off the whole brigade by herself. “See’st? I told’st thou not to worry” Kari said panting, coming up to Luke and sitting besides him. “What now?” “We gotta get outta here before more Imperials arrive.” “Untruth oats?” (Nether Trans. “art thou nuts?”) “Run from battle?—is that that what means?” “It means Vader’s coming—.” go to part ii con't
Douglas M. Laurent
There was something picturesque about the scene, the fiery maples and the headstones planted in meticulous rows and the girl in the middle of all of it, sitting cross-legged at the grave that wasn't hers to mind.
Savannah Brown (The Truth About Keeping Secrets)
The other words Tate didn’t say were his feelings for her that seemed tangled up between the sweet love for a lost sister and the fiery love for a girl. He couldn’t come close to sorting it out himself, but he’d never been hit by a stronger wave. A power of emotions as painful as pleasurable.
Delia Owens (Where the Crawdads Sing)