Fierce Attachments Quotes

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He's like six hundred years younger than you are. I refuse to be the moral compass of our cell! Most weekends I have an intoxispell bong attached to my mouth like a respirator. I love scatological humor, and I list 'pranks involving nuclear waste' and 'making demons eat things' as my hobbies.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Dependency may appear to be love because it is a force that causes people to fiercely attach themselves to one another. But in actuality it is not love; it is a form of antilove. It has its genesis in a parental failure to love and it perpetuates the failure. It seeks to receive rather than to give. It nourishes infantilism rather than growth. It works to trap and constrict rather than to liberate. Ultimately it destroys rather than builds relationships, and it destroys rather than builds people.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
Since the notion that we should all forsake attachment to race and/or cultural identity and be “just humans” within the framework of white supremacy has usually meant that subordinate groups must surrender their identities, beliefs, values, and assimilate by adopting the values and beliefs of privileged-class whites, rather than promoting racial harmony this thinking has created a fierce cultural protectionism.
bell hooks (Killing Rage: Ending Racism)
You’re growing old together,” she said to me. “You and what frightens you.
Vivian Gornick (Fierce Attachments)
All lovers in the world are alike: they fall in love by chance; they see each other, and are attached to each other by the features of their faces; they illuminate each other by the fierce preference which is akin to madness; they assert the reality of illusions; and for a moment they change falsehood into truth.
Henri Barbusse (Hell)
In depression this faith in deliverance, in ultimate restoration, is absent. The pain is unrelenting, and what makes the condition intolerable is the foreknowledge that no remedy will come- not in a day, an hour, a month, or a minute. If there is mild relief, one knows that it is only temporary; more pain will follow. It is hopelessness even more than pain that crushes the soul. So the decision-making of daily life involves not, as in normal affairs, shifting from one annoying situation to another less annoying- or from discomfort to relative comfort, or from boredom to activity- but moving from pain to pain. One does not abandon, even briefly, one’s bed of nails, but is attached to it wherever one goes. And this results in a striking experience- one which I have called, borrowing military terminology, the situation of the walking wounded. For in virtually any other serious sickness, a patient who felt similar devistation would by lying flat in bed, possibly sedated and hooked up to the tubes and wires of life-support systems, but at the very least in a posture of repose and in an isolated setting. His invalidism would be necessary, unquestioned and honorably attained. However, the sufferer from depression has no such option and therefore finds himself, like a walking casualty of war, thrust into the most intolerable social and family situations. There he must, despite the anguish devouring his brain, present a face approximating the one that is associated with ordinary events and companionship. He must try to utter small talk, and be responsive to questions, and knowingly nod and frown and, God help him, even smile. But it is a fierce trial attempting to speak a few simple words.
William Styron (Darkness Visible: A Memoir of Madness)
…the art of writing has for backbone some fierce attachment to an idea…. It is on the back of an idea, something believed in with conviction or seen with precision and thus compelling words to a shape…. You have not finished with it because you have read it, any more than friendship is ended because it is time to part. Life wells up and alters and adds. Even things in a book-case change if they are alive; we find ourselves wanting to meet them again; we find them altered. So we look back upon essay after essay by Mr. Beerbohm, knowing that, come September or May, we shall sit down with them and talk.
Virginia Woolf
We were all indulging ourselves. Nettie wanted to seduce, Mama wanted to suffer, I wanted to read. None of us knew how to discipline herself to the successful pursuit of an ideal, normal woman's life. And indeed, none of us ever achieved it.
Vivian Gornick (Fierce Attachments)
There is no doubt that as one nears the penultimate depths of depression—which is to say just before the stage when one begins to act out one’s suicide instead of being a mere contemplator of it—the acute sense of loss is connected with a knowledge of life slipping away at accelerated speed. One develops fierce attachments. Ludicrous things—my reading glasses, a handkerchief, a certain writing instrument—became the objects of my demented possessiveness. Each momentary misplacement filled me with a frenzied dismay, each item being the tactile reminder of a world soon to be obliterated.
William Styron (Darkness Visible: A Memoir of Madness)
Fue en la cocina donde empecé a comprender el significado de la palabra "esposa”. Ahí estábamos, una pareja de 24 años: un día éramos una estudiante de doctorado y un artista, y al día siguiente éramos marido y mujer. Antes siempre habíamos puesto juntos sobre la mesa las rudimentarias comidas que tomábamos. Ahora, de pronto, Stefan estaba cada noche en su taller, dibujando o leyendo y yo estaba en la cocina, esforzándome por preparar y servir una comida que ambos pensábamos que debía ser adecuada. Recuerdo pasar me cobra y media preparando algún espantoso plato de cuchara sacado de una revista femenina para terminar engulléndolo los dos en 10 minutos, pasarme después una hora limpiando los cacharros y quedarme mirando el fregadero, pensando: "¿Será esto así durante los siguientes cuarenta años?”.
Vivian Gornick (Fierce Attachments)
And I—the girl growing in their midst, being made in their image—I absorbed them as I would chloroform on a cloth laid against my face. It has taken me thirty years to understand how much of them I understood.
Vivian Gornick (Fierce Attachments: A Memoir (FSG Classics))
She thought of running through the forest on her birthday, the fierce desire deep in her gut to live. That’s what she felt from the sentinel, from the Wilderwood it was attached to. A deep, reckless determination to live.
Hannah F. Whitten (For the Wolf (Wilderwood, #1))
It may interest you that, a day or so ago, attempting to discuss your ideas with regard to sex and religion, my eccentric friend, fixing his eyes rather fiercely upon me, growled abruptly: "Semen is God." Unwilling to excite him further, I replied: Sir, though I understand perfectly what you mean by Semen, I am unacquainted with the connotation which you attach to the term "God".
Aleister Crowley
Nettie, it quickly developed, had no gift for mothering. Many women have no gift for it. They mimic the recalled gestures and mannerisms of the women they’ve been trained to become and hope for the best.
Vivian Gornick (Fierce Attachments)
I have a colleague who often tells people, “Look, allowing yourself to be dependent on another person is the worst possible thing you can do to yourself. You would be better off being dependent on heroin. As long as you have a supply of it, heroin will never let you down; if it’s there, it will always make you happy. But if you expect another person to make you happy, you’ll be endlessly disappointed.” As a matter of fact, it is no accident that the most common disturbance that passive dependent people manifest beyond their relationships to others is dependency on drugs and alcohol. Theirs is the “addictive personality.” They are addicted to people, sucking on them and gobbling them up, and when people are not available to be sucked and gobbled, they often turn to the bottle or the needle or the pill as a people-substitute. In summary, dependency may appear to be love because it is a force that causes people to fiercely attach themselves to one another.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
That space. It begins in the middle of my forehead and ends in the middle of my groin. It is, variously, as wide as my body, as narrow as a slit in a fortress wall. On days when thought flows freely or better yet clarifies with effort, it expands gloriously. On days when anxiety and self-pity crowd in, it shrinks, how fast it shrinks! When the space is wide and I occupy it fully, I taste the air, feel the light. I breathe evenly and slowly. I am peaceful and excited, beyond influence or threat. Nothing can touch me. I’m safe. I’m free. I’m thinking. When I lose the battle to think, the boundaries narrow, the air is polluted, the light clouds over. All is vapor and fog, and I have trouble breathing.
Vivian Gornick (Fierce Attachments)
Una mujer sabe si ama a un hombre", decía. "Si no está segura, es que no lo ama
Vivian Gornick (Fierce Attachments)
It is only the present she hates; as soon as the present becomes the past, she immediately begins loving it. (On her mother)
Vivian Gornick (Fierce Attachments)
Durante años me dije: "Por la mañana". Lo que, claro está, nunca ocurrió.
Vivian Gornick (Fierce Attachments)
When was the first I knew something about her in a world where men were sex, but women?—weren’t we just supposed to get out of the way when we saw it coming?
Vivian Gornick (Fierce Attachments)
She seemed never to be troubled by the notion that there might be two sides to a story, or more than one interpretation of an event. She
Vivian Gornick (Fierce Attachments: A Memoir (FSG Classics))
She liked to talk about things that mattered. She was wholehearted, and fierce.
Rainbow Rowell (Attachments: Is there such a thing as love before first sight? The romantic comedy we all need to read in 2025)
-No lo sé. Lo único que sé es que es lista, que se merece una formación y que la va a tener. Éstos son los Estados Unidos. Las chicas no son vacas que pacen a la espera de que las crucen con un toro.
Vivian Gornick (Fierce Attachments)
On September 29, as they closed on her at the Capes of Virginia, Blackbeard donned his new, terrifying battle attire. He wore a silk sling over his shoulders, to which were attached “three brace of pistols, hanging in holsters like bandaliers.” Under his hat, he tied on lit fuses, allowing some of them to dangle down on each side of his face, surrounding it with a halo of smoke and fire. So adorned, a contemporary biographer reported, “his eyes naturally looking fierce and wild, [that he] made altogether such a figure that imagination cannot form an idea of a fury from Hell to look more frightful.
Colin Woodard (The Republic of Pirates: Being the true and surprising story of the Caribbean pirates and the man who brought them down)
The imaginable had always been problematic. When I was a child the feel of things went into me: deep, narrow, intense. The grittiness of the street, the chalk-white air of the drugstore, the grain of the wooden floor in the storefront library, the blocks of cheese in the grocery-store refrigerator. I took it all so seriously, so literally. I was without imagination. I paid a kind of idiot attention to the look and feel of things, leveling an intent inner stare at the prototypic face of the world. These streets were all streets, these buildings all buildings, these women and men all women and men. I could imagine no other than that which stood before me. That child’s literalness of the emotions continued to exert influence, as though a shock had been administered to the nervous system and the flow of imagination had stopped. I could feel strongly, but I could not imagine. The granite gray of the street, the American-cheese yellow of the grocery store, the melancholy brownish tint of the buildings were all still in place, only now it was the woman on the couch, the girl hanging out the window, the confinement that sealed us off, on which I looked with that same inner intentness that had always crowded out possibility as well as uncertainty. It would be years before I learned that extraordinary focus, that excluding insistence, is also called depression.
Vivian Gornick (Fierce Attachments)
The live, warm presence of my mother had disappeared. In its place stood this remoteness posing as Mama. Her anxiety was unbearable to me. It made me crazy. I needed her to respond, to be there with me. I needed it. Not getting what I needed, I fell into an anxiety of my own that rendered me nearly speechless.
Vivian Gornick (Fierce Attachments: A Memoir (FSG Classics))
If she would work he wouldn’t have to keep her in the house. She wouldn’t be crazy, and she could tell him to go to hell. Did you ever think about that, my brilliant daughter? That maybe she’s crazy because she can’t tell him to go to hell? When a woman can’t tell a man to go to hell, I have noticed, she is often crazy.
Vivian Gornick (Fierce Attachments)
The empty-mindedness of chi sao applies to all activities we may perform, such as dancing. If the dancer has any idea at all of displaying his art well, he ceases to be a good dancer, for his mind stops with every movement he goes through. In all things, it is important to forget your mind and become one with the work at hand. When the mind is tied up, it feels inhibited in every move it makes and nothing will be accomplished with any sense of spontaneity. The wheel revolves when it is not too tightly attached to the axle. When it is too tight, it will never move on. As the Zen saying goes: “Into a soul absolutely free from thoughts and emotion, even the tiger finds no room to insert its fierce claws.” In chi sao the mind is devoid of all fear, inferiority complexes, viscous feeling, etc., and is free from all forms of attachment, and it is master of itself, it knows no hindrances, no inhibitions, no stoppages, no clogging, no stickiness. It then follows its own course like water; it is like the wind that blows where it lists.
Bruce Lee (Bruce Lee The Tao of Gung Fu: Commentaries on the Chinese Martial Arts)
What you describe is parasitism, not love. When you require another individual for your survival, you are a parasite on that individual. There is no choice, no freedom involved in your relationship. It is a matter of necessity rather than love. Love is the free exercise of choice. Two people love each other only when they are quite capable of living without each other but choose to live with each other. We all-each and every one of us-even if we try to pretend to others and to ourselves that we don't have dependency needs and feelings, all of us have desires to be babied, to be nurtured without effort on our parts, to be cared for by persons stronger than us who have our interests truly at heart. No matter how strong we are, no matter how caring and responsible and adult, if we look clearly into ourselves we will find the wish to be taken care of for a change. Each one of us, no matter how old and mature, looks for and would like to have in his or her life a satisfying mother figure and father figure. But for most of us these desires or feelings do not rule our lives; they are not the predominant theme of our existence. When they do rule our lives and dictate the quality of our existence, then we have something more than just dependency needs or feelings; we are dependent. Specifically, one whose life is ruled and dictated by dependency needs suffers from a psychiatric disorder to which we ascribe the diagnostic name "passive dependent personality disorder." It is perhaps the most common of all psychiatric disorders. People with this disorder, passive dependent people, are so busy seeking to be loved that they have no energy left to love…..This rapid changeability is characteristic of passive dependent individuals. It is as if it does not matter whom they are dependent upon as long as there is just someone. It does not matter what their identity is as long as there is someone to give it to them. Consequently their relationships, although seemingly dramatic in their intensity, are actually extremely shallow. Because of the strength of their sense of inner emptiness and the hunger to fill it, passive dependent people will brook no delay in gratifying their need for others. If being loved is your goal, you will fail to achieve it. The only way to be assured of being loved is to be a person worthy of love, and you cannot be a person worthy of love when your primary goal in life is to passively be loved. Passive dependency has its genesis in lack of love. The inner feeling of emptiness from which passive dependent people suffer is the direct result of their parents' failure to fulfill their needs for affection, attention and care during their childhood. It was mentioned in the first section that children who are loved and cared for with relative consistency throughout childhood enter adulthood with a deep seated feeling that they are lovable and valuable and therefore will be loved and cared for as long as they remain true to themselves. Children growing up in an atmosphere in which love and care are lacking or given with gross inconsistency enter adulthood with no such sense of inner security. Rather, they have an inner sense of insecurity, a feeling of "I don't have enough" and a sense that the world is unpredictable and ungiving, as well as a sense of themselves as being questionably lovable and valuable. It is no wonder, then, that they feel the need to scramble for love, care and attention wherever they can find it, and once having found it, cling to it with a desperation that leads them to unloving, manipulative, Machiavellian behavior that destroys the very relationships they seek to preserve. In summary, dependency may appear to be love because it is a force that causes people to fiercely attach themselves to one another. But in actuality it is not love; it is a form of antilove. Ultimately it destroys rather than builds relationships, and it destroys rather than builds people.
M. Scott Peck
So this was her condition: here in the kitchen she knew who she was, here in the kitchen she was restless and bored, here in the kitchen she functioned admirably, here in the kitchen she despised what she did. She would become angry over the 'emptiness of a woman's life' as she called it, then laugh with a delight I can still hear when she analysed some complicated bit of business going on in the alley. Passive in the morning, rebellious in the afternoon, she was made and unmade daily. She fastened hungrily on the only substance available to her, became affectionate toward her own animation, then felt like a collaborator. How could she not be devoted to a life of such intense division? And how could I not be devoted to her devotion?
Vivian Gornick (Fierce Attachments)
The child was a boy – beautiful in the face, with a great mop of silky black hair. He was perfectly formed, but there was something attached to his back. Estelle gasped with horror when she discovered the baby had black, leathery wings, like those of a bat, neatly folded on his back. The Fae did not have wings! Somewhere she had heard that they used to have – long ago. Maybe her child was a throwback? But what would her father think of a baby with wings? She tried again to call Griff, to tell him his child was born. There was a terrible sharp pain in her head, then a fierce whisper that seemed to fill her mind. ‘Don't call HIM! I forbid you to call HIM ever!’ The child's eyes had opened. They were beautiful Faen eyes – an impossible colour of violet-black and much too intelligent for a new-born baby. Worse than that – they were evil!
Bernie Morris (The Fury of the Fae)
Pero no lo pilla. No sabe que estoy siendo irónica. Ni tampoco sabe que me ha dejado hecha polvo. No sabe que me tomo su angustia de manera personal, que me siento aniquilada por su depresión. ¿Cómo puede saberlo? Ni siquiera sabe que estoy delante de ella. Si le contase que para mí es como la muerte que ni siquiera sepa que estoy ahí, me miraría desde esos ojos en los que se agolpa una aflicción desconcertada, esta niña de setenta y siete años, y gritaría airada: –¡ No lo entiendes! ¡No lo has entendido nunca!
Vivian Gornick (Fierce Attachments)
Actually, her unexpected widowhood made Nettie safely pathetic and safely other. It was as though she had been trying, long before her husband died, to let my mother know that she was disenfranchised in a way Mama could never be, perched only temporarily on a landscape Mama was entrenched in, and when Rick obligingly got himself killed this deeper truth became apparent. My mother could now sustain Nettie’s beauty without becoming unbalanced, and Nettie could help herself to Mama’s respectability without being humbled.
Vivian Gornick (Fierce Attachments)
We arrive at 69th Street, turn the corner, and walk toward the entrance to the Hunter auditorium. The doors are open. Inside, two or three hundred Jews sit listening to the testimonials that commemorate their unspeakable history. These testimonials are the glue that binds. They remind and persuade. They heal and connect. Let people make sense of themselves. ... 'Come inside,' she says softly to me, thinking to do me a good turn. 'Come, you'll feel better.' I shake my head no. 'Being Jewish can't help me anymore,' I tell her.
Vivian Gornick (Fierce Attachments)
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh. "Uh, too tight." He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy. The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner. After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust. He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them. Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked. "Archibald's going to love your costume," he initiated. She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever. She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
Kate Angell (The Cottage on Pumpkin and Vine)
Viví en aquel bloque de pisos entre los seis y los veintiún años. En total había veinte apartamentos, cuatro por planta, y lo único que recuerdo es un edificio lleno de mujeres. Apenas recuerdo a ningún hombre. Estaban por todas partes, claro está –maridos, padres, hermanos–, pero sólo recuerdo a las mujeres. Y las recuerdo a todas tan toscas como la señora Drucker o tan feroces como mi madre. Nunca hablaban como si supiesen quiénes eran, como si comprendieran el trato que habían hecho con la vida, pero a menudo actuaban como si lo supiesen. Astutas, irascibles, iletradas, parecían sacadas de una novela de Dreiser. Había años de aparente calma y, de repente, cundían el pánico y la locura: dos o tres vidas marcadas (quizá arruinadas) y el tumulto se apagaba. De nuevo calma silenciosa, letargo erótico, la normalidad de la abnegación cotidiana. Y yo –la niña que crecía entre todas ellas, formándose a su imagen y semejanza– me empapaba de ellas como de cloroformo impregnado en un paño apretado contra mi cara. He tardado treinta años en entender cuánto entendí de ellas.
Vivian Gornick (Fierce Attachments)
What did you hope to get out of killing Win’s doctor?” “Enjoyment.” “No doubt you would have. Win didn’t seem to be enjoying it, however.” “Why is Harrow here?” Kev asked fiercely. “I can answer that one,” Leo said, leaning a shoulder against the wall with casual ease. “Harrow wants to become better acquainted with the Hathaways. Because he and my sister are … close.” Kev abruptly felt a sickening weight in his stomach, as if he’d swallowed a handful of river stones. “What do you mean?” he asked, even though he knew. No man could be exposed to Win and not fall in love with her. “Harrow is a widower,” Leo said. “A decent enough fellow. More attached to his clinic and patients than anything else. But he’s a sophisticated man, widely traveled, and wealthy as the devil. And he’s a collector of beautiful objects. A connoisseur of fine things.” Neither of the other men missed the implication. Win would indeed be an exquisite addition to a collection of fine things. It was difficult to ask the next question, but Kev forced himself to. “Does Win care for him?” “I don’t believe Win knows how much of what she feels for him is gratitude, and how much is true affection.” Leo gave Kev a pointed glance. “And there are still a few unresolved questions she has to answer for herself.” “I’ll talk to her.” “I wouldn’t, if I were you. Not until she cools a bit. She’s rather incensed with you.” “Why?” Kev asked, wondering if she had confided to her brother about the events of the previous night. “Why?” Leo’s mouth twisted. “There’s such a dazzling array of choices, I find myself in a quandary about which one to start with. Putting the subject of this morning aside, what about the fact that you never wrote to her?” “I did,” Kev said indignantly. “One letter,” Leo allowed. “The farm report. She showed it to me, actually. How could one forget the soaring prose you wrote about fertilizing the field near the east gate? I’ll tell you, the part about sheep dung nearly brought a tear to my eye, it was so sentimental and—” “What did she expect me to write about?” Kev demanded. “Don’t bother to explain, my lord,” Cam interceded as Leo opened his mouth. “It’s not the way of the Rom to put our private thoughts on paper.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Lo amaba, de verdad lo amaba. Pero sólo hasta cierto punto. Más allá de ese punto, había algo opaco en mí que no cedía. Podía ver la opacidad. Podía palparla y saborearla.
Vivian Gornick (Fierce Attachments)
Sus deseos son simples, pero innegociables. Los experimenta como necesidades.
Vivian Gornick (Fierce Attachments)
If Merripen had decided on a goal, no detail was too small, no task beneath him. No amount of adversity would deter him. The workmanlike quality that Leo had derided in the past had found its perfect outlet. God or the devil help anyone who got in Merripen’s way. But Merripen had a weakness. By now everyone in the family had become aware of the fierce and impossible attachment between Merripen and Win. And they all knew that to mention it would earn them nothing but trouble. Leo had never seen two people battle their mutual attraction so desperately.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
My mother was kind,” she said. “She had a kind heart. Your mother? She was organized. My mother would sit up with her own kids when they were sick, and she’d sit up with you, too. Your mother would march into the kitchen like a top sergeant and say to my mother, ‘Levinson, stop crying, put on a brassiere, fix yourself up.
Vivian Gornick (Fierce Attachments)
The thundering inscription over the oracle at Delphi—“Know thyself!”—does not seem to mean “Know what you personally enjoy most at breakfast.” It seems rather to mean “Be aware that you are a limited human being and that you lack godlike powers.” So, too, Plato’s Socrates seeks to know how a human being could be both a fleshy animal, subject to sleepiness, sickness, and death, and yet also the locus of insight into eternal realities. To seek after self-knowledge is to seek to understand the kind of thing one is—that is, the kind of thing a human being is. Augustine does not deny us a view of the shape of his intimate individuality: his compulsive attachment to sex, his fierce competitive egoism, his haunted inner thirst for understanding. But he is careful to embed these elements in philosophical discussions of general interest and to lead us through them into yet more universal considerations. He suggests that these discussions and considerations have shaped him as an individual, and he describes his life in order to display its general human elements.
Zena Hitz (Lost in Thought: The Hidden Pleasures of an Intellectual Life)
Vivian Gornick’s memoir Fierce Attachments
Judith Barrington (Writing the Memoir: From Truth to Art, Second Edit)
Those with avoidant attachment styles feel unfulfilled in their relationships with their spouses, their girlfriends or boyfriends, as well as with their families and friends. Often, they may feel depressed, ambivalent, anxious or a combination of attachment styles. Some claim they don’t need close relationships, but that is seriously doubtful, as every human has a need to belong – even if they limit their social needs to just a few. These are those with dismissive avoidant style.   Do you feel lonely and then cast that feeling aside because it’s painful? Do you assiduously avoid others? Do you feel that intimacy is too risky? Do you long to be more secure? Do you avoid others in an attempt to protect yourself? Or, do you dig in and claim that you’d rather be fiercely independent? Are you afraid that you, too, have an avoidant attachment style? Perhaps you’ve been hurt before and eschew more rejection. Do you feel that love has been overrated and no one can meet your needs?
Taha Zaid (Avoidant Attachment No More! : Discover The Effective Strategy To Strive Towards Secure Attachment Style In Relationships)
I have agreed to walk with my mother late in the day but I’ve come uptown early to wander by myself, feel the sun, take in the streets, be in the world without the interceding interpretations of a companion as voluble as she. At Seventy-third Street I turn off Lexington and head for the Whitney, wanting a last look at a visiting collection. As I approach the museum some German Expressionist drawings in a gallery window catch my eye. I walk through the door, turn to the wall nearest me, and come face to face with two large Nolde watercolors, the famous flowers. I’ve looked often at Nolde’s flowers, but now it’s as though I am seeing them for the first time: that hot lush diffusion of his outlined, I suddenly realize, in intent. I see the burning quality of Nolde’s intention, the serious patience with which the flowers absorb him, the clear, stubborn concentration of the artist on his subject. I see it. And I think, It’s the concentration that gives the work its power. The space inside me enlarges. That rectangle of light and air inside, where thought clarifies and language grows and response is made intelligent, that famous space surrounded by loneliness, anxiety, self-pity, it opens wide as I look at Nolde’s flowers. In the museum lobby I stop at the permanent exhibit of Alexander Calder’s circus. As usual, a crowd is gathered, laughing and gaping at the wonderfulness of Calder’s sighing, weeping, triumphing bits of cloth and wire. Beside me stand two women. I look at their faces and I dismiss them: middle-aged Midwestern blondes, blue-eyed and moony. Then one of them says, “It’s like second childhood,” and the other one replies tartly, “Better than anyone’s first.” I’m startled, pleasured, embarrassed. I think, What a damn fool you are to cut yourself off with your stupid amazement that she could have said that. Again, I feel the space inside widen unexpectedly. That space. It begins in the middle of my forehead and ends in the middle of my groin. It is, variously, as wide as my body, as narrow as a slit in a fortress wall. On days when thought flows freely or better yet clarifies with effort, it expands gloriously. On days when anxiety and self-pity crowd in, it shrinks, how fast it shrinks! When the space is wide and I occupy it fully, I taste the air, feel the light. I breathe evenly and slowly. I am peaceful and excited, beyond influence or threat. Nothing can touch me. I’m safe. I’m free. I’m thinking. When I lose the battle to think, the boundaries narrow, the air is polluted, the light clouds over. All is vapor and fog, and I have trouble breathing. Today is promising, tremendously promising. Wherever I go, whatever I see, whatever my eye or ear touches, the space radiates expansion. I want to think. No, I mean today I really want to think. The desire announced itself with the word “concentration.” I go to meet my mother. I’m flying. Flying! I want to give her some of this shiningness bursting in me, siphon into her my immense happiness at being alive. Just because she is my oldest intimate and at this moment I love everybody, even her.
Vivian Gornick (Fierce Attachments)
El mundo es un espacio acotado lleno de obsesiones. Recorro su extensión con aire lúgubre y ojos fijos, una mujer moderna condenada a saber que la experiencia del amor se volverá a reproducir repetidamente a una escala cada vez menor, pero siempre con un complemento íntegro de fiebre y náusea, intensidad y negación.
Vivian Gornick (Fierce Attachments)
They finished the experiment and the attached quiz in silence. As the class came to a close, and the students filed out, Maggie hung back, waiting for the room to empty. When Mr. Marshall saw that she remained behind, he scampered out, as if fearful that the whole embarrassing episode would repeat itself. Johnny sank down on a stool and looked at her stonily. He knew she was going to scold him, apparently. “You can’t defend me from the whole cruel world,” she said softly. “True. But I can defend you in my tiny corner of it.” “My knight.” “My lady.” Maggie smiled at his rejoinder. “Just…please… be careful. What if people start to talk?” “About what? Ghosts? I’m not worried about that, Maggie.” “Please don’t do that again. I almost felt bad for that awful little man.” “That awful little man has been pulling stuff like that for decades, and his father pulled similar stuff for decades before him.” Johnny stood and captured her hands in his. “I can’t stand by while people are cruel to you. I can’t watch you suffer and do nothing. Don’t ask me to.” His expression was fierce and unyielding. They locked gazes for several long seconds. Maggie surrendered first. “Will you kiss me, please?” Maggie whispered, lifting her hands to clasp them against the nape of his neck and pulling his glorious face to hers. “Someone could walk in.” His mouth hovered just above hers, his breath tickling her parted lips. “I don’t care.” And at that moment, neither did he.
Amy Harmon (Slow Dance in Purgatory (Purgatory, #1))
we feel guilty because we realize that we are completely dependent on the various social structures that make us so inauthentic. We remain attached to workplaces that give us deadening work, patterns of consumption that deliver us manufactured authenticity, and other social relations that make us feel distanced from our true selves. And to gain some sense of distance from these structures, a nagging guilt develops about our relationship with them. But at the very same time as this guilt allows a sense of distance, it also binds us ever more fiercely to dominant symbolic structures. In short, being guilty allows us to experience authenticity. But at the very same time, it binds us to fake selves. This makes authenticity into a kind of trap that is difficult to escape.
André Spicer (Guilty lives: The authenticity trap at work)
But you’re not even bonded,” Sylvan protested as he engaged the shuttle’s engines. “You think that matters to me?” Baird frowned at him fiercely. “I love her, Sylvan, bonded or not. Wouldn’t you have done the same for Feenah if you’d had to?” “Of course,” Sylvan said instantly. “Even though she didn’t want what I had to offer I still would have given everything I had to make her safe.” “Then you know how I feel.” Baird sighed and ran a hand through his hair as the shuttle lifted off. “Don’t you get it, Sylvan? This is what the priestess was talking about. I thought after all that trouble in the unmated males section that the danger was over. Thought the sacrifice I had to make was letting them see me mark my female.” Sylvan nodded thoughtfully. A public marking like the one Baird had done was considered a humiliation but his brother had taken it in stride despite his bride’s defiant attitude. Not his bride anymore, he reminded himself. They’re not even bonded and still he’s willing to give up everything to save her. “I see,” he said neutrally, piloting the shuttle out of the docking bay. “But that wasn’t it,” Baird continued as they left the Kindred ship behind. “This is. I can see it now and I’m fine with it. I want it.” “How can you say that?” Sylvan burst out. “You’re going to your death.” Baird shrugged, his broad shoulders rolling under the crimson uniform shirt. “I was dead anyway—the minute I saw her leave I felt it. At least this way it won’t take as long.” “Baird, listen to me,” Sylvan said evenly. “I know how you feel—no one could know it better. But there is life after a failed bonding.” “Yeah, but what kind of life?” Baird gave him a long, searching look. “I’ve seen you, Brother. Ached for your pain and admired your strength. But I just don’t want to go through that. If I can’t be with Olivia…” He shook his head. Sylvan knew what he was saying. If I can’t be with Olivia, I don’t want to be at all. Baird would rather die than live in a universe where his love was denied him. It saddened Sylvan but didn’t surprise him. A Kindred male’s attachment to his female often bordered on the extreme and many warriors didn’t survive the loss of their chosen mate.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
So here’s the dealio; I was trying to think of what I could get for your birthday that would mean something, not just the usual Barbie crap. And I was thinking—you and me are Indian. Your mom’s not, but we are. And I’ve always liked Indian symbols. Know what a symbol is?” She shook her head. “Shit that stands for shit. So let’s see if I remember this right.” Sitting on the bed, he plucked the bird card out of her hand, turning it around in his fingers. “Okay, this guy is magic. He’ll protect you from bad spells and other kinds of weirdness you might not even be aware of.” Carefully he unwound the wire ties that attached the small charm to its plastic card and placed the bird on her bedside table. Then he picked up the teddy bear. “This fierce animal is a protector.” She laughed. “No, really. It may not look like it, but appearances can be deceiving. This dude is a fearless spirit. And with that fearless spirit, he signals bravery to those who require it.” He freed the bear from the card and set it on the table next to the bird. “All right. Now the fish. This one might be the best of all. It gives you the power to resist other people’s magic. How cool is that?” She thought
Christina Baker Kline (Orphan Train)
La infelicidad está tan viva hoy en día
Vivian Gornick (Fierce Attachments)
Fierce Attachments is a brilliant description of seeing but not really seeing. Here are two smart, dynamic, highly verbal women in lifelong communication who are never quite able to understand each other.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
—Sigues eligiendo a tipos marginales como este, idealizándolos y luego no te entra en la cabeza que no sepan a lo que están. Te asombra que te hagan esto a ti. ¿No se dan cuenta de que deberías ser tú la que los dejara a ellos, no ellos a ti? Y luego actúas con superioridad.
Vivian Gornick (Fierce Attachments)
Mourning Papa became her profession, her identity, her persona. Years later, when I was thinking about the piece of politics inside of which we had all lived (Marxism and the Communist Party), and I realized that people who worked as plumbers, bakers, or sewing-machine operators had thought of themselves as thinkers, poets, and scholars because they were members of the Communist Party, I saw that Mama had assumed her widowhood in much the same way. It elevated her in her own eyes, made of her a spiritually significant person, lent richness to her gloom and rhetoric to her speech. Papa’s death became a religion that provided ceremony and doctrine. A woman-who-has-lost-the-love-of-her-life was now her orthodoxy: she paid it Talmudic attention. Papa had never been so real to me in life as he was in death. Always a somewhat shadowy figure, benign and smiling, standing there behind Mama’s dramatics about married love, he became and remained what felt like the necessary instrument of her permanent devastation. It was almost as though she had lived with Papa in order that she might arrive at this moment. Her distress was so all-consuming it seemed ordained.
Vivian Gornick (Fierce Attachments: A Memoir (FSG Classics))
Prospector Base was a cluster of five ten-meter-diameter inflatable domes, arranged in a tight pentagonal formation. Each dome touched two others on either side for mutual support against the fierce spring winds of the southern hemisphere. The void in the center of the pentagon was filled with a smaller dome, seven-and-a-half meters in diameter. The only equipment the central dome contained was the base water recycler unit. The recycler received wastewater from the galley, and from the shower and sink. Dubbed “the hall” by the EPSILON engineers, hatches connected the smaller central dome with each of the larger five domes that surrounded it. Each large dome was accessible to the others only via the hall. The larger dome closest to the landing party’s direction of travel possessed an airlock to the outside atmosphere. Known as the common room, it housed the main base computer, the communications equipment, the primary electrical supply panels, the CO2 scrubber, the oxygen generator and the backup oxygen supply tanks. The oxygen generator electrolyzed water collected from dehumidifiers located in all domes except the greenhouse and from the CO2 scrubber. It released molecular oxygen directly back into the air supply. The hydrogen it generated was directed to the carbon dioxide scrubber. By combining the Sabatier Reaction with the pyrolysis of waste product methane, the only reaction products were water—which was sent back to the oxygen generator—and graphite. The graphite was removed from a small steel reactor vessel once a week and stored in the shop where Dave and Luis intended to test the feasibility of carbon fiber manufacture. Excess heat generated by the water recycler, the oxygen generator, and the CO2 scrubber supplemented the heat output from the base heating system. The dome to the immediate left contained the crew sleeping quarters and a well-provisioned sick bay. The next dome housed the galley, food storage, and exercise equipment. The table in the galley doubled as the base conference table. The fourth large dome served as the greenhouse. It also housed the composting toilet and a shower. The final dome contained the shop, an assay bench, and a small smelter. The smelter was intended to develop proof-of-concept smelting processes for the various rare earth elements collected from the surrounding region. Subsequent Prospector missions would construct and operate a commercial smelter. A second manual airlock was attached to the shop dome to allow direct unloading of ore and loading of ingots for shipment to Earth.
Brian H. Roberts (Crimson Lucre (EPSILON Sci-Fi Thriller #1))
Things. Cosas. Things attach themselves like leeches to the human soul, then they bleed out the sweetness and the music and the primordial joy of being unencumbered upon the land. Comprende? People feel tremendous pressure to settle down in some sort of permanent space and fill it up with stuff, but deep inside they resent those structures, and they’re scared to death of that stuff because they know it controls them and restricts their movements. That’s why they relish the boom-boom cinema. On a symbolic level, it annihilates their inanimate wardens and blows away the walls of their various traps.
Tom Robbins (Fierce Invalids Home from Hot Climates)
Si mi madre no era capaz de identificar en otra mujer reacciones a un marido o un amante que duplicasen las suyas, no lo consideraba amor. Y el amor, decía, lo era todo. La vida de una mujer estaba determinada por el amor. Cualquier indicio que probase lo contrario —y las pruebas, de hecho, abundaban— era descartado e ignorado por sistema, tachado de su discurso y vetado por su intelecto.
Vivian Gornick (Fierce Attachments)
Fierce Attachments is a brilliant description of seeing but not really seeing. Here are two smart, dynamic, highly verbal women in lifelong communication who are never quite able to understand each other. Gornick’s book is so good because it illustrates that even in cases where we’re devoted to a person, and know a lot about them, it’s still possible to not see them. You can be loved by a person yet not be known by them.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
She wrote similarly about the identity labels so many of us have come to heap on ourselves. As a political theorist, hooks believed fiercely in the power of naming systems—her recurring phrase, in defining what we are up against, was “white supremacist capitalist patriarchy.” But she was far more ambivalent about the impulse to attach identity signifiers to our beings, to brand ourselves as a this, or a that. In her landmark 1984 book, Feminist Theory: From Margin to Center, hooks cautioned readers to “avoid using the phrase ‘I am a feminist’” and opt instead for “I advocate feminism,” explaining that unlike the “I am” label, which triggers the listener’s prior beliefs about what and who is a feminist, the latter is far more likely to begin a conversation about what concrete changes feminism is trying to achieve and “does not engage us in the either/or dualistic thinking that is the central ideological component of all systems of domination in Western society.
Naomi Klein (Doppelganger: a Trip into the Mirror World)
I was fighting the wrong battle, I was ignorant of the enemy within, I was my own hidden enemy, I was my own misery and suffering, I was fierce in pointing out the darkness outside, I was unaware of the inward darkness, I was searching for my truth elsewhere, I was just looking at reality in the wrong way, I was lost because I was looking somewhere, I was found because I looked at I, I was attached to the world, So I couldn’t see the I, I was detached from my reality, I was enveloped in the body, I would not have found I, If I wouldn’t have got beloved’s grace upon I!
Aiyaz Uddin (The Inward Journey)
A friend tells me that the experiences we have in other countries are untranslatable. I think this also applies to miscarriage. It is hard to describe what it’s like to lose someone I never saw outside of my body, never held, never grew to know or love, but whom I felt intimately attached to and who was already connected to my husband and son. As a Korean adoptee, raised in a white family, I longed to have babies that were related to me. I could only imagine what it would be like to finally look at another person’s face and see myself reflected back. When I miscarried, I experienced yet another loss of a person who was a part of me. It is challenging to articulate and impossible to find words in any language to describe what it’s like to long for a family that was supposed to be, when I am grateful for and fiercely love the family I have. It is the incompleteness that I struggle with. It is missing someone I never knew, but whom I wanted desperately to be a part of my life.
Shannon Gibney (What God Is Honored Here?: Writings on Miscarriage and Infant Loss by and for Native Women and Women of Color)
Feel the fear and do it anyway. Fear is just part of the process of doing something new. We need to feel it, drop stories attached to it, and step through it.
Susie Caldwell Rinehart (Fierce Joy: Choosing Brave over Perfect to Find My Inner Voice)
Entonces nos sentamos juntas, en silencio, sin implicarnos la una con la otra, solo dos mujeres que escrutan la oscuridad de toda esa vida perdida. Mi madre no parece ni joven ni vieja, solo profundamente absorta por lo terrible de lo que ve ante sí. Y yo no sé qué soy a sus ojos.
Vivian Gornick (Fierce Attachments)
Stop doing this,” she cried fiercely. “You’ll drive me mad. You want to behave as if I belong to you, but I don’t, and I never will. Your worst nightmare is becoming a husband and father, and so you seem determined to form some kind of lesser attachment that I do not want. Even if I were pregnant and you felt duty-bound to propose, I would still refuse you, because I know it would make you as unhappy as it would make me.” Devon’s intensity didn’t lessen, but it changed from anger into something else. He held her with a gaze of hot blue infinity. “What if I said I loved you?” he asked softly. The question drove a spike of pain through her chest. “Don’t.” Her eyes smarted with tears. “You’re not the kind of man who could ever say that and mean it.” “It’s not who I was.” His voice was steady. “But it’s who I am now. You’ve shown me.” For at least a half minute, the only sound was the crackling, shivering fire on the hearth. She didn’t understand what he truly thought or felt. But she would be a fool to believe him. “Devon,” she eventually said, “when it comes to love…neither you nor I can trust your promises.” She couldn’t see through the glittering film of misery, but she was aware of him moving, bending to pick up the coat he had tossed aside, rummaging for something. He came to her, catching her arm lightly in his hand, drawing her to the bed. The mattress was so high that he had to fit his hands around her waist and hoist her upward to sit on it. He set something on her lap. “What is this?” She looked down at a small wooden box. His expression was unfathomable. “A gift for you.” Her sharp tongue got the better of her. “A parting gift?” Devon scowled. “Open it.” Obeying, she lifted the lid. The box was lined with red velvet. Pulling aside a protective layer of cloth, she uncovered a tiny gold pocket watch on a long chain, the casing delicately engraved with flowers and leaves. A glass window on the hinged front cover revealed a white enamel dial and black hour and minute markers. “It belonged to my mother,” she heard Devon say. “It’s the only possession of hers that I have. She never carried it.” Irony edged his voice. “Time was never important to her.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
People have a right to their lives,' she says softly.
Vivian Gornick (Fierce Attachments)
We cannot depend on change, but we can depend on surprise.
Vivian Gornick (Fierce Attachments)