Fidelity Wendell Berry Quotes

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What marriage offers - and what fidelity is meant to protect - is the possibility of moments when what we have chosen and what we desire are the same. Such a convergence obviously cannot be continuous. No relationship can continue very long at its highest emotional pitch. But fidelity prepares us for the return of these moments, which give us the highest joy we can know; that of union, communion, atonement (in the root sense of at-one-ment)... To forsake all others does not mean - because it cannot mean - to ignore or neglect all others, to hide or be hidden from all others, or to desire or love no others. To live in marriage is a responsible way to live in sexuality, as to live in a household is a responsible way to live in the world. One cannot enact or fulfill one's love for womankind or mankind, or even for all the women or men to whom one is attracted. If one is to have the power and delight of one's sexuality, then the generality of instinct must be resolved in a responsible relationship to a particular person. Similarly, one cannot live in the world; that is, one cannot become, in the easy, generalizing sense with which the phrase is commonly used, a "world citizen." There can be no such think as a "global village." No matter how much one may love the world as a whole, one can live fully in it only by living responsibly in some small part of it. Where we live and who we live there with define the terms of our relationship to the world and to humanity. We thus come again to the paradox that one can become whole only by the responsible acceptance of one's partiality. (pg.117-118, "The Body and the Earth")
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
The two families, sundered in the ruin of a friendship, were united again first in new friendship and then in mariage. My grandfather made a peace here that has joined many who would otherwise have been divided. I am the child of his forgiveness.
Wendell Berry (Fidelity: Five Stories)
But he learned what he had to, and he changed, and so he made himself exceptional.
Wendell Berry (Fidelity: Five Stories)
The forsaking of all others is a keeping of faith, not just with the chosen one, but with the ones forsaken. The marriage vow unites not just a woman and a man with each other; it unites each of them with the community in a vow of sexual responsibility toward all others. The whole community is married, realizes its essential unity, in each of its marriages... Marital fidelity, that is, involves the public or institutional as well as the private aspect of marriage. One is married to marriage as well as to one's spouse. But one is married also to something vital of one's own that does not exist before the marriage: one's given word. It now seems to me that the modern misunderstanding of marriage involves a gross misunderstanding and underestimation of the seriousness of giving one's word, and of the dangers of breaking it once it is given. Adultery and divorce now must be looked upon as instances of that disease of word-breaking, which our age justifies as "realistic" or "practical" or "necessary," but which is tattering the invariably single fabric of speech and trust. (pg.117, "The Body and the Earth")
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
A purposeless virtue is a contradiction in terms. Virtue, like harmony, cannot exist alone; a virtue must lead to harmony between one creature and another. To be good for nothing is just that. If a virtue has been thought a virtue long enough, it must be assumed to have practical justification - though the very longevity that proves its practicality may obscure it. That seems to be what happened with the idea of fidelity... Our age could be characterized as a manifold experiment in faithlessness, and if it has as yet produced no effective understanding of the practicalities of faith, it has certainly produced massive evidence of the damage and disorder of its absence. (pg.115-116, "The Body and the Earth")
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
He could see. And he walked along, feeling the joy of a man who sees, a joy that a man tends to forget in sufficient light.
Wendell Berry (Fidelity: Five Stories)
No relationship can continue very long at its highest emotional pitch. But fidelity prepares us for the return of these moments,
Wendell Berry (The Art of the Commonplace: The Agrarian Essays of Wendell Berry)
But, my dear boy, you don’t eat or drink the law, or sit in the shade of it or warm yourself by it, or wear it, or have your being in it. The law exists only to serve.
Wendell Berry (Fidelity: Five Stories)
For what seemed a long time Mat knelt there with his father's dead wrist in his hand, while his mind arrived and arrived and yet arrived at that place and time and that body lying still on the soiled and bloodied stones.
Wendell Berry (Fidelity: Five Stories)
And yet in Port William, as everywhere else, it was already the second decade of the twentieth century. And in some of the people of the town and the community surrounding it, one of the characteristic diseases of the twentieth century was making its way: the suspicion that they would be greatly improved if they were someplace else.
Wendell Berry (Fidelity: Five Stories)
This is the man who will be my grandfather—the man who will be the man who was my grandfather. The tenses slur and slide under the pressure of collapsed time.
Wendell Berry (Fidelity: Five Stories)
Tell you,” he said, “there ain’t a way in this world to know what a human creature is going to do next.
Wendell Berry (Fidelity: Five Stories)
When they returned on yet another visit and found the old body still as it had been, a mere passive addition to the complicated machines that kept it minimally alive, they saw finally that in their attempt to help they had not helped but only complicated his disease beyond their power to help. And they thought with regret of the time when the thing that was wrong with him had been simply unknown, and there had been only it and him and him and them in the place they had known together. Loving him, wanting to help him, they had given him over to “the best of modern medical care”—which meant, as they now saw, that they had abandoned him.
Wendell Berry (Fidelity: Five Stories)
She thought it strange and wonderful that she had been given all these to love She thought it a blessing that she had loved them to the limit of her grief at parting with them, and that grief had only deepened and clarified her love. Since her first grief had brought her fully to birth and wakefulness in this world, an unstinting compassion had moved in her, like a live stream flowing deep underground, by which she knew herself and other and the world. It was her truest self, that stream always astir inside her that was at once pity and love, knowledge and faith, forgiveness, grief, and joy. It made her fearful, and it made her unafraid.
Wendell Berry (Fidelity: Five Stories)
That she was his half, she had no doubt at all. He needed her. At times she knew with a joyous ache that she completed him, just as she knew with the same joy that she needed him and he completed her. How beautiful a thing it was, she thought, to be a half, to be completed by such another half! When had there ever been such a yearning of halves toward each other, such a longing, even in quarrels, to be whole? And sometimes they would be whole. Their wholeness came upon them as a rush of light, around them and within them, so that she felt they must be shining in the dark.
Wendell Berry (Fidelity: Five Stories)
Danny’s mother, Kate Helen Branch, had been the love of Burley Coulter’s life. They were careless lovers, those two, and Danny came as a surprise—albeit a far greater surprise to Burley than to Kate Helen. Danny was born to his mother’s name, a certified branch of the Branches, and he grew up in the care of his mother and his mother’s mother in a small tin-roofed, paper-sided house on an abandoned corner of Thad Spellman’s farm, not far from town by a shortcut up through the woods. As the sole child in that womanly household,
Wendell Berry (Fidelity: Five Stories)
The man of whom I once was pleased to say, “He is my grandfather,” has become the dead man who was my grandfather. He was, and is no more. And this is a part of the great mystery we call time.
Wendell Berry (Fidelity: Five Stories)
When my grandfather was dying, I was not thinking about the past. My grandfather was still a man I knew, but as he subsided day by day he was ceasing to be the man I had known. I was experiencing consciously for the first time that transformation in which the living, by dying, pass into the living, and I was full of grief and love and wonder. And so when I
Wendell Berry (Fidelity: Five Stories)