Fiberglass Quotes

I was a beautiful vampire princess loved, worshiped and admired by all. I lived in a luxurious gothic castle and I have no idea how I ended up at this fiberglass table with you losers.

Oh, I would like to live in an empty house, with vines for walls, and a carpet of grass. No planks, no plastic, no fiberglass.

I ate fiberglass insulation. It wasn’t cotton candy like the guy said… my tummy itches.

I personally have my own idea of an efficient house. It would be totally concrete with a big drain in the middle, a large fiberglass tree for my kids to swing from and a hose hanging in the corner.

If God had meant for us to have fiberglass boats, he would have planted fiberglass trees.

Ivar grabbed hold of my shoulders, swung me into a strung-up fishing net, and then smashed me into a set of shelves. Clutter rained down on me, and I fought my way to the surface, clawing free of the net. Ivar's fingers curled around my shirt and lifted me until I was eye level with her. "I'm going to enjoy killing you," she sneered. "And when you come back, I'll enjoy killing you again. If the Enshi doesn't eat your soul, I'll gladly eat your heart." Instead of replying, I stabbed her in the gut with a Khopesh. Her eyes bulged and she dropped me. I pulled the flaming sword out and slashed, but she caught my wrist before my blade could catch her skin, and she hissed, pulling her lips back viciously. "Wrong move." Her flesh healed shut with only an ugly marbled scar left behind. She lashed her black power at me, striking me across the chest like a whip, and I staggered back. I shook off the blow and saw her lunge for me through the smoky remains of her attack. My own power detonated in a deafening explosion of white and collided with her. It blew her through the cabin, and she crashed through the wall and flew back out on the other side of the deck in a storm of fiberglass and steel.

When Candida blew, she’d really blew, so the falling debris had mostly been too small to do any real damage to the rest of the boats in the marina. Other than a few minor cuts and bruises suffered by those folks stupid enough to look up at the sky and wait for it to rain wood and fiberglass and aluminum down on them rather than run for cover, no one had been hurt; no one ever said being able to afford a boat and marina fees made a person smart.

They buried him in dirt that smelled like broken batteries, and crouched in a fiberglass shed while the acid rain poured down to dissolve his flesh and bleach his bones.

Sure, there were a few more duct-taped tears in the vinyl seats, a few new dings in the fiberglass surfboards lining the walls, but the bacon was still crisp and pancakes were available twenty-four hours a day, the way the good Lord intended.

Impossible to believe we need so much as the world wants us to buy. I have more clothes, lamps, dishes, paper clips than I could possibly use before I die. Oh, I would like to live in an empty house, with vines for walls, and a carpet of grass. No planks, no plastic, no fiberglass. And I suppose sometime I will. Old and cold I will lie apart from all this buying and selling, with only the beautiful earth in my heart.

That was true, Iris would sometimes think, about marriage: it was only a boat, too. A wooden boat, difficult to build, even more difficult to maintain, whose beauty derived at least in part from its unlikelihood. Long ago the pragmatic justifications for both marriage and wooden-boat building had been lost or superseded. Why invest countless hours, years, and dollars in planing and carving, gluing and fastening, caulking and fairing, when a fiberglass boat can be had at a fraction of the cost? Why struggle to maintain love and commitment over decades when there were far easier ways to live, ones that required no effort or attention to prevent corrosion and rot? Why continue to pour your heart into these obsolete arts? Because their beauty, the way they connect you to your history and to the living world, justifies your efforts. A long marriage, like a classic wooden boat, could be a thing of grace, but only if great effort was devoted to its maintenance. At first your notions of your life with another were no more substantial than a pattern laid down in plywood. Then year by year you constructed the frame around the form, and began layering memories, griefs, and small triumphs like strips of veneer planking bent around the hull of everyday routine. You sanded down the rough edges, patched the misunderstandings, faired the petty betrayals. Sometimes you sprung a leak. You fell apart in rough weather or were smashed on devouring rocks. But then, as now, in the teeth of a storm, when it seemed like all was lost, the timber swelled, the leak sealed up, and you found that your craft was, after all, sea-kindly.

Part of it was a feminist streak and the other part of it was the ultimate in antifeminism: a deeply rooted need in me to be accepted by my dad and by other men. If I could do the same things as them, I would be accepted into their world.

This could, quite possibly, be the dumbest thing she’d ever done: pursuing a poisonous basilisk into a cave during an earthquake in the company of a bunch of dead guys, armed with a potato cannon and a six-pack of lye. Never mind her soggy pink fiberglass armor. This was going to be an epic way to die. The

Television cabinets are a poster boy example. They can be made locally of metal, glass fiberglass-glass composites, cast basalt, ceramic or combinations thereof. In doing so frontier industrial designers can determine the finish styling. But we challenge them to come up with cabinets and casings that can both stand as made, but also support after-market customization.

Corn is what feeds the steer that becomes the steak. Corn feeds the chicken and the pig, the turkey, and the lamb, the catfish and the tilapia and, increasingly, even the salmon, a carnivore by nature that the fish farmers are reengineering to tolerate corn. The eggs are made of corn. The milk and cheese and yogurt, which once came from dairy cows that grazed on grass, now typically comes from Holsteins that spend their working lives indoors tethered to machines, eating corn. Head over to the processed foods and you find ever more intricate manifestations of corn. A chicken nugget, for example, piles up corn upon corn: what chicken it contains consists of corn, of course, but so do most of a nugget's other constituents, including the modified corn starch that glues the things together, the corn flour in the batter that coats it, and the corn oil in which it gets fried. Much less obviously, the leavenings and lecithin, the mono-, di-, and triglycerides, the attractive gold coloring, and even the citric acid that keeps the nugget "fresh" can all be derived from corn. To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn. Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup (HFCS) -- after water, corn sweetener is their principal ingredient. Grab a beer for you beverage instead and you'd still be drinking corn, in the form of alcohol fermented from glucose refined from corn. Read the ingredients on the label of any processed food and, provided you know the chemical names it travels under, corn is what you will find. For modified or unmodified starch, for glucose syrup and maltodextrin, for crystalline fructose and ascorbic acid, for lecithin and dextrose, lactic acid and lysine, for maltose and HFCS, for MSG and polyols, for the caramel color and xanthan gum, read: corn. Corn is in the coffee whitener and Cheez Whiz, the frozen yogurt and TV dinner, the canned fruit and ketchup and candies, the soups and snacks and cake mixes, the frosting and candies, the soups and snacks and cake mixes, the frosting and gravy and frozen waffles, the syrups and hot sauces, the mayonnaise and mustard, the hot dogs and the bologna, the margarine and shortening, the salad dressings and the relishes and even the vitamins. (Yes, it's in the Twinkie, too.) There are some forty-five thousand items in the average American supermarket and more than a quarter of them now contain corn. This goes for the nonfood items as well: Everything from the toothpaste and cosmetics to the disposable diapers, trash bags, cleansers, charcoal briquettes, matches, and batteries, right down to the shine on the cover of the magazine that catches your eye by the checkout: corn. Even in Produce on a day when there's ostensibly no corn for sale, you'll nevertheless find plenty of corn: in the vegetable wax that gives the cucumbers their sheen, in the pesticide responsible for the produce's perfection, even in the coating on the cardboard it was shipped in. Indeed, the supermarket itself -- the wallboard and joint compound, the linoleum and fiberglass and adhesives out of which the building itself has been built -- is in no small measure a manifestation of corn.

It was getting difficult to see exactly what was going on in the pool and a fourth officer jumped in as one came up with the unconscious form of the first cop. While others pulled the half-drowned man from the pool, three more wrestled Skorzeny to the surface and dragged him to the steps at the shallow end of the pool. He wasn't struggling any longer. Nor was he breathing with any apparent difficulty. The biggest of the three cops later admitted to punching him as hard as he could in the stomach and Skorzey doubled over. Another half-dragged him, still on his feet, shirt torn, jacket ripped, out of the pool and put a handcuff on his left wrist. Skorzeny pulled his arm away from the cop and, suddenly straightening, elbow-jabbed him in the gut, sending him sprawling and rolling back into the pool. Skorzeny turned toward the back fence and was now between the pool and a small palm tree. Before him were two advancing officers, pistols leveled. Behind him two more circled the pool. Skorzeny lunged forward and all fired simultaneously. The noise was deafening. Lights in neighboring houses began to go on. Skorzeny's body twitched and bucked as the heavy slugs ripped through his body. His forward momentum carried him into the officers ahead of him and he half-crawled, half-staggered to the southeast corner of the yard where another gate was set into the fiberglass fencing. Two more officers, across the pool, cut loose with their pistols, emptying them into this writing body which danced like a puppet. Another cop fired two shots from his pump-action shotgun and Skorzeny was lifted clean off his feet and slammed against the gate, sagging to the ground. En masse from both ends of the pool they advanced, when he gave out with a terrible hissing snarl and started to rise once more. All movement ceased as the cops, to a man, stood frozen in their tracks. Skorzeny stood there like some hideous caricature, his shredding clothing and skin hanging like limp rags from his scarecrow form. His flesh was ripped in several places and he was oozing something that looked like watered-down blood. It was pinkish and transparent. He stood there like a living nightmare. Then he straightened and raised his fist with the cuff still dangling from it like a charm bracelet. 'Fools!' he shrieked. 'You can't kill me. You can't even hurt me.' Overhead, the copter hovered, the copilot giving a blow-by-blow description of the fight over the radio. The police on the ground were paralyzed. Nearly thirty shots had been fired (the bullets later tallied in reports turned in by the participating officers) and their quarry was still as strong as ever. He'd been hit repeatedly in the head and legs, so a bulletproof vest wasn't the answer. And at distances sometimes as little as five feet, they could hardly have missed. They'd seen him hit. They stood frozen in an eerie tableau as the still roiling pool water threw weird reflections all over the yard. Then Skorzeny did the most frightening thing of all. He smiled. A red-rimmed, hideous grin revealing fangs that 'would have done justice to a Doberman Pinscher.

The heat from the river baked Percy's skin. Every breath was like inhaling Sulfur-scented fiberglass. When they needed a drink, the best they could do was sip some refreshing liquid fire . Yep. Percy definitely knew how to show a girl a good time

near-deserted parking lot, both buildings looking freshly painted and hopeful for a marina in which there were no yachts. The biggest boat moored at the dock looked to be a forty-footer. Most of the others looked to be lobster boats, aged and constructed of wood. A few of the newer ones were fiberglass. The nicest of those was about thirty-five feet long, the hull painted blue, the wheelhouse painted white, the deck a honey teak. She paid attention to it because her husband stood on it, bathed in their headlights. Caleb exited the car fast. He pointed back at her, told Brian his wife was not taking things well. Rachel was happy to note Caleb limped even as he speed-walked to the boat. She, on the other hand, moved slowly, her eyes on Brian. His gaze barely left hers except for the occasional flicks in the direction of Caleb. If she’d known she’d end up killing him, would she have boarded the boat? She could turn around and go to the police. My husband is an impostor, she’d say. She imagined some smarmy desk sergeant replying, “Aren’t we all, ma’am?” Yes, she was certain, it was a crime to impersonate someone and a crime to keep two wives, but were those serious crimes? In the end, wouldn’t Brian just take a plea and it would all go away? She’d be left the laughingstock never-was, the failed print reporter who’d become a pill-addicted broadcast reporter who’d become a punch line and then a shut-in and who would keep the local comics stocked with weeks of fresh material once it was discovered that Meltdown Media Chick had married a con man with another wife and another life. She followed Caleb up the ramp to the boat. He stepped aboard. When she went to do the same, Brian offered his hand. She stared at it until he dropped it. He noticed the gun she carried. “Should I show you mine? So I feel safer?” “Be my guest.” She stepped aboard. As she did, Brian caught her by the wrist and stripped the gun from her hand in the same motion. He pulled his own gun, a .38 snub-nosed revolver, from under the flaps of his shirt and then laid them both on a table by the

So,” he said, clearing the roughness out of his throat. “Where should we set up?” There was a narrow galley belowdeck and, he knew from Tom’s brief tour earlier, there was also a small cabin tucked up in front, with a snug queen-size bed wedged inside and a small shower between the two. All completely outfitted, ready for its next occupants. He tried like hell not to think about that. He knew she’d been about to say or do something when she’d closed the lid of the bin, but whatever it was, she let that go. He had no doubt she’d get back to it, if it was important to her. “Foredeck,” she said, motioning with her free hand to the expanse of white fiberglass and sealed teak that formed the raised, flat, front end of the boat, where the thick masts soared upward, rigged out under full sail. “You okay to maneuver up there? I can take the hamper.” “No worries,” he said. “I’ve got it.” Given the way things were going and the war he was waging with his body, better to keep his hands full for as long as humanly possible.

But at least he’d died at home and not some hospice. Who in their right mind wanted to die among the dying? Or surrounded by a load of caring, sharing hospice nurses hell-bent on making sure you’d drawn up a “good death plan.” If you were having an OK day, somebody might wheel you into the hospice garden and sit you on a wooden bench donated by relatives of a former dying person. From there you would, no doubt, have an uninterrupted view of the ornamental fountain and fiberglass flamingos.

It’s actually the same,” said Frank, stating the obvious, as if Muriel wasn’t aware, “as your digitized cafeteria. These types of places are a cousin to that technological development. Economies of unthinkably vast scale allow the production of cheap, unsubtle food that overrides your limbic system with heavy, carnal signals so as to hide its exact resemblance to slow-acting poison. And this so-called food is served to you by a member of an underclass practically invisible to you, untouchable by you, unspeakable to except perhaps to complain and unspeakable of except perhaps to yourself with subconscious and subvocalized disdain, and yet, almost needless to say, a person whose destiny could have been exchanged for your own but for capricious circumstance. And this meal, so-called, once placed on a tray for you to take to your seat, will be eaten within an almost indestructible yet disposable shelter composed of polyurethanes, petrochemicals, fiberglass, and the occasional piece of metal—restaurant castles, in other words, that rival geodesic domes in their modular, architectural ingeniousness.

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This good thing happened. For my brother. And when I found out, I was so fucking high... and I was happy, but it was a different kind of happy. A tinted happy. A happy with one of those fiberglass screen doors covering it. I’ll never hear his news for the first time again. I lost out on a full moment forever.

Many women have identified with the grimace and the rage of Medusa. May Sarton identifies the Medusa-face as the face of her own frozen rage. Emily Culpepper speaks out of her own experience: “The Gorgon has much vital, literally life-saving information to teach women about anger, rage, power, and the release of the determined aggressiveness sometimes needed for survival.” Patricia Klindienst Joplin tells us why the artist is drawn to Medusa: “Behind the victim’s head that turns men to stone may lie the victim stoned to death by men... if Medusa has become a central figure for the woman artist to struggle with, it is because, herself a silenced woman, she has been used to silence other women.” Many artists have identified with the rage of Medusa. The Italian scholar and artist, Cristina Biaggi, who now works in the United States, incorporated her studies of prehistory and ancient history and myth into a powerful fiberglass sculpture, “Raging Medusa” (2000). The sculpture is 5.5 feet in diameter and weighs 98 pounds.

Centered in the square carpet of green plastic turf, a Japanese teenager sat behind a C-shaped console, reading a textbook. The white fiberglass coffins were racked in a framework of industrial scaffolding. Six tiers of coffins, ten coffins on a side.

COVID-19 outbreak made them a norm of public life. Many also wore helmets and carried melee weapons. Together, the crowd of around four hundred brought traffic to a standstill—by now a regular occurrence in the City of Roses, as Portland is known by. As usual, the police stayed away. They knew whom the streets belonged to. Working as a journalist with a phone and a new GoPro camera, I slowly made my way toward the front of the crowd. Some of the protesters recognized me. They glared and whispered in the ears of their comrades. Luis Enrique Marquez looked right at me. The 48-year-old Rose City Antifa member has been arrested so many times at violent protests in Portland over the past few years that he no longer bothers to wear a mask. Still, I ignored the stares and continued forward. By this point, the crowd’s chants had changed. “No hate! No fear!” they began shouting. Before I made it much farther, someone—or something—hit me hard in the back of the head. I was nearly knocked to the ground from the impact. Never having been in a fight, I naively asked myself in the moment: “Did someone just trip and fall into me?” Before I could turn around to look, a sea of bodies dressed in black surrounded me. In the background, I could still hear the crowd chant, “No hate!” Ironically, all I saw next—and felt—was the pure embodiment of hatred. Staring at an amorphous mob of faceless shadows, I froze. Suddenly, clenched fists repeatedly struck my face and head from all directions. My right knee buckled from the impact. The masked attackers wore tactical gloves—gloves hardened with fiberglass on the knuckles. It’s likely some of them used brass knuckles as well. I put my arms up to surrender, but this only signaled to them to beat me more ferociously. Someone then snatched my camera—my evidence. I desperately tried but failed to hold on to it. The masked thief melted into the crowd, a function of the “black bloc.” Another person ran up and kicked me twice in the groin. Someone bashed me on the head from behind with a stiff placard or sign.

mid-century fiberglass lampshades—you know the kind, with atomic designs,

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Hephaestus felt like he’d been hit in the face with a three-pound club hammer—one of the really nice ones with the fiberglass grip and the double-faced drop-forged steel head. “Cheating on me?” he asked. “Impossible!” “Possible,” Helios said grimly. “I saw them myself. Not that I was looking! But, well, they were kind of hard to miss.” The sun Titan explained that Aphrodite and Ares often sneaked into Hephaestus’s apartment while the blacksmith god was working in the forges. Right there in his own bedroom, they got extremely naughty.

Justin embeds his skimboard sideways six inches into the sand and carefully sits on the edge, calling it a day. He guzzles down some coconut water and watches Melia carving up the shore break with punishing cuts and slashes on a custom fiberglass board.

It hadn't turned out at all like the picture in the cookbook, that loaf. It looked like a roll of fiberglass insulation coated in gravel.

Some marriages are made in bed, while others burgeon in the kitchen to the metallic music of the kitchen knife and the egg whisk; some couples are nest builders, forever redecorating, snapping up bargain lots of timber for their dacha plot, nails, drying oil, and fiberglass wrap; other couples live for blazing, set-piece rows. Masha and Alik’s marriage was consummated in conversations. This was their ninth year together, but every evening when he came home from work, the soup would be left to get cold and the rissoles to burn while they told each other about the important events of the day.

The fiberglass donut hung motionless 50 feet in the air.

One of the most important long-term changes that arose as a result of this case was the creation of the “murder bag” for use by police. Spilsbury had been shocked to see police officers having to remove rotting flesh and body parts from the scene of the crime using their bare hands. To address this problem, a series of meetings were held between Scotland Yard and Spilsbury, which led to the development of the murder bag, which contained rubber gloves, tweezers, evidence bags, a magnifying glass, compass, ruler, and swabs. Such a bag is now an essential part of any major inquiry and may contain various items, depending on the specific department. Common modern additions include a fiberglass brush, lifting tape, powder, utility knife, scissors, a blood test, a semen test, swabs, alcohol hand spray, scalpels, and goggles

tape already marked the area around the body. A first responding officer jumped to his feet, holding the scene log on a clipboard. “Good morning, sir.” The young man spoke in the nasal voice of someone whose nose is blocked. Lei spotted white cotton sprouting from his nostrils. “Hey. Nice up here if it weren’t for the smell.” She took the clipboard, and each of them signed in. Passing the tape, Lei spotted the hand first, extended toward them from beneath the ferns, palm up. The tissue was swollen and discolored, masked in a filmy gray gauze of mold that seemed to be drawing the body down into the forest floor. Lei could imagine that in just a few weeks, the body would have been all but gone in the biology of the cloud forest. The victim lay on his stomach, his head turned away and facing into a fern clump, black hair already looking like just another lichen growing on the forest floor. The body was at the expansion phase, distending camouflage-patterned clothing as if inflated. A black fiberglass arrow fletched in plastic protruded from the man’s back. Lei and Pono stayed well back from the body. Lei unpacked the police department’s camera from her backpack, and Pono took out his crime kit. The modest quarter-karat engagement

It wasn't some cheap renaissance festival rip off crossbow, either. It was the finest that money could buy, so I wasn't sure why a college student had it. Fiberglass body, a red dot scope, recurve arms, carbon arrows, and a swanky camouflage paint job. It had so much and tech and moving parts, I expected it to transform into a highly intelligent robot and fight to save the world.

To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn. Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup (HFCS) -- after water, corn sweetener is their principal ingredient. Grab a beer for you beverage instead and you'd still be drinking corn, in the form of alcohol fermented from glucose refined from corn. Read the ingredients on the label of any processed food and, provided you know the chemical names it travels under, corn is what you will find. For modified or unmodified starch, for glucose syrup and maltodextrin, for crystalline fructose and ascorbic acid, for lecithin and dextrose, lactic acid and lysine, for maltose and HFCS, for MSG and polyols, for the caramel color and xanthan gum, read: corn. Corn is in the coffee whitener and Cheez Whiz, the frozen yogurt and TV dinner, the canned fruit and ketchup and candies, the soups and snacks and cake mixes, the frosting and candies, the soups and snacks and cake mixes, the frosting and gravy and frozen waffles, the syrups and hot sauces, the mayonnaise and mustard, the hot dogs and the bologna, the margarine and shortening, the salad dressings and the relishes and even the vitamins. (Yes, it's in the Twinkie, too.) There are some forty-five thousand items in the average American supermarket and more than a quarter of them now contain corn. This goes for the nonfood items as well: Everything from the toothpaste and cosmetics to the disposable diapers, trash bags, cleansers, charcoal briquettes, matches, and batteries, right down to the shine on the cover of the magazine that catches your eye by the checkout: corn. Even in Produce on a day when there's ostensibly no corn for sale, you'll nevertheless find plenty of corn: in the vegetable wax that gives the cucumbers their sheen, in the pesticide responsible for the produce's perfection, even in the coating on the cardboard it was shipped in. Indeed, the supermarket itself -- the wallboard and joint compound, the linoleum and fiberglass and adhesives out of which the building itself has been built -- is in no small measure a manifestation of corn.

If you want to buy a cheap boat to fix up and sail around the world, you want a well-designed, fixed keel, fiberglass production monohull of 28 to 46 feet.   Target

One Multicolored strands of lights twinkled from every surface around the dining room of the Big Texan Steak Ranch, even from the antlers of mounted deer heads and the ears of one embarrassed-looking coyote. Only the buffalo head maintained its dignity. Well, he and the giant fiberglass Santa guarding the exit door. I’d wanted to come here ever since my rodeo-cowboy father ran off before my promised seventeenth-birthday dinner, but, in light of the news I’d just received, all of the decorations were suddenly a little too much. I cradled my iPhone between my ear and shoulder, one hand clutching the neck of my poncho and the other slinging my purse straps over my other shoulder. “Come on,” I whispered to Jack, my boss—a man

In pre-air conditioning days, even a little cooling breeze felt good. On this particular evening the dining room was filled to capacity, as the French Hotel was still one of the best places to eat in Monrovia. The overflow extended out under the cover of the verandah and was also filled with people. With so few places to dine in Monrovia, eating here under the corrugated fiberglass roof was a treat for the expats. I had already eaten aboard ship and was hoping that some of my friends would come around and join me for a few drinks but that evening it didn't happen and I didn’t recognize many people. It did however give me the opportunity to talk to Monique. After some two hours of talking to her between drinks I learned that she came from the Left Bank of Paris. Her parents lived above an antique shop on the Rue de las Halles and were adamantly against her coming to Africa. Because of an argument she had left her boyfriend behind, and now I think was sorry for that, although she wouldn’t admit it. It was obvious that she was homesick and I believe that she thinking about him. Monique couldn’t believe what she got herself into, and now was stuck with a two year contract in this hell hole. She mentioned that although the constant advances from the men was flattering, it was beginning to become wearing. She said that some of the people in Monrovia scared her and I understood exactly what she meant. Just being in Liberia was a challenge…. Was it my imagination, or was I making headway with this dark-haired, French beauty? With each drink I became more convinced of this, and at the same time was feeling less pain. The night was still young and I was in no rush to leave. Surely there was some hope and I was trying my best…. Then, suddenly without warning Monique told me that she had to go. “Je dois y aller maintenant.” What… She’s leaving? I’ve been told that it’s a thing the French do… but leaving me at the bar for no apparent reason? Monique however assured me that her partner, Claudine, would continue serving me and perhaps, “Who knows?” Monique said with a twinkle in her eyes... I shouldn’t have been surprised that she knew what it was that I was angling for. Hell, I thought that I was one of the good guys, besides whom was she sleeping with? A white girl in Liberia would never go it alone…. there had to be someone! What happened that Monique suddenly had to leave? Poof and she was gone! In her stead now was Claudine who was rough around the edges and knew her way around. It never occurred to me that Monique’s shift would be over before the closing hour!

She’s Detroit steel. She’ll outlast any car made in the last fifty years. All a bunch of fiberglass and plastic… she was a classic, and that means you treat her with respect.

Usually there are a few different ways to treat this, but today I’m going to talk a little about a night splint. A night splint is a fiberglass half cast that goes from the back of the calf to the toes. Dr. Gale says, This splint will hold your foot in what is called the “position of comfort”.