Fever Pitch Arsenal Quotes

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For the first time, but certainly not the last, I began to believe that Arsenal's moods and fortunes somehow reflected my own
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Nick Hornby (Fever Pitch)
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It is a strange paradox that while the grief of football fans(and it is real grief) is private - we each have an individual relationship with our clubs, and I think that we are secretly convinced that none of the other fans understands quite why we have been harder hit than anyone else - we are forced to mourn in public, surrounded by people whose hurt is expressed in forms different from our own.
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Nick Hornby (Fever Pitch)
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I have measured out my life in Arsenal fixtures, and any event of any significance has a footballing shadow.
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Nick Hornby (Fever Pitch)
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I have always been accused of taking the things I love – football, of course, but also books and records – much too seriously, and I do feel a kind of anger when I hear a bad record, or when someone is lukewarm about a book that means a lot to me. Perhaps it was these desperate, bitter men in the West Stand at Arsenal who taught me how to get angry in this way; and perhaps it is why I earn some of my living as a critic – maybe it’s those voices I can hear when I write. β€˜You’re a WANKER, X.’ β€˜The Booker Prize? THE BOOKER PRIZE? They should give that to me for having to read you.
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Nick Hornby (Fever Pitch)
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Everyone knows the song that Millwall fans sing, to the tune of β€žSailing”: 'No one likes us/No one likes us/No one likes us/We don't care.' In fact I have always felt that the song is a little melodramatic, and that if anyone should sing it, it is Arsenal. Every Arsenal fan, the youngest and the oldest, is aware that no one likes us, and every day we hear that dislike reiterated.
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Nick Hornby (Fever Pitch)
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My companions for the afternoon were affable, welcoming middle-aged men in their late thirties and early forties who simply had no conception of the import of the afternoon for the rest of us. To them it was an afternoon out, a fun thing to do on a Saturday afternoon; if I were to meet them again, they would, I think, be unable to recall the score that afternoon, or the scorer (at half-time they talked office politics), and in a way I envied them their indifference. Perhaps there is an argument that says Cup Final tickets are wasted on the fans, in the way that youth is wasted on the young; these men, who knew just enough about football to get them through the afternoon, actively enjoyed the occasion, its drama and its noise and its momentum, whereas I hated every minute of it, as I hated every Cup Final involving Arsenal.
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Nick Hornby (Fever Pitch)
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Chelsea fans may have been listening to the Beatles and the Stones, but at Highbury half-time entertainment was provided by the Metropolitan Police Band and their vocalist, Constable Alex Morgan. Morgan (whose rank never changed ...) ... sang highlights from light operettas.
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Nick Hornby (Fever Pitch)
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I had discovered after the Swindon game that loyalty, at least in football terms, was not a moral choice like bravery or kindness; it was more like a wart or a hump, something you were stuck with. Marriages are nowhere near as rigid - you won’t catch any Arsenal fans slipping off to Tottenham for a bit of extra-marital slap and tickle, and though divorce is a possibility (you can just stop going if things get too bad), getting hitched again is out of the question.
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Nick Hornby (Fever Pitch)
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Dialogue in the works of autobiography is quite naturally viewed with some suspicion. How on earth can the writer remember verbatim conversations that happened fifteen, twenty, fifty years ago? But 'Are you playing, Bob?' is one of only four sentences I have ever uttered to any Arsenal player (for the record the others are 'How's the leg, Bob?' to Bob Wilson, recovering from injury the following season; 'Can I have your autograph, please?' to Charlie George, Pat Rice, Alan Ball and Bertie Mee; and, well, 'How's the leg, Brian?' to Brian Marwood outside the Arsenal club shop when I was old enough to know better) and I can therefore vouch for its absolute authenticity.
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Nick Hornby (Fever Pitch)
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Life was about to begin, so Arsenal had to go.
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Nick Hornby (Fever Pitch)
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Most of this fixation was easy to explain. Brady was a midfield player, a passer, and Arsenal haven’t really had one since he left. It might surprise those who have a rudimentary grasp of the rules of the game to learn that a First Division football team can try to play football without a player who can pass the ball, but it no longer surprises the rest of us: passing went out of fashion just after silk scarves and just before inflatable bananas. Managers, coaches and therefore players now favour alternative methods of moving the ball from one part of the field to another, the chief of which is a sort of wall of muscle strung across the half-way line in order to deflect the ball in the general direction of the forwards. Most, indeed all, football fans regret this. I think I can speak for all of us when I say that we used to like passing, that we felt that on the whole it was a good thing. It was nice to watch, football’s prettiest accessory (a good player could pass to a team-mate we hadn’t seen, or find an angle we wouldn’t have thought of, so there was a pleasing geometry to it), but managers seemed to feel that it was a lot of trouble, and therefore stopped bothering to produce any players who could do it. There are still a couple of passers in England, but then, there are still a number of blacksmiths.
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Nick Hornby (Fever Pitch)
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One more thing about the kind of audience that football has decided it wants: the clubs have got to make sure that they're good, that there aren't any lean years, because the new crowd won't tolerate failure. These are not the sort of people who will come to watch you play Wimbledon in March when you're eleventh in the First Division and out of all the Cup competitions. Why should they? They've got plenty of other things to do. So, Arsenal... no more seventeen-year losing streaks, like the one between 1953 and 1970, right? No flirting with relegation, like in 1975 and 1976, or the odd half-decade where you don't even get to a final, like we had between 1981 and 1987. We mug punters put up with that, and at least twenty thousand of us would turn up no matter how bad you were (and sometimes you were very, very bad indeed); but this new lot... I'm not so sure.
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Nick Hornby (Fever Pitch)
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It is part of the essential Arsenal experience that they are loathed.
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Nick Hornby (Fever Pitch)
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(Maybe there is a point to this banality after all. If I travel to see my mother on the train now the fare is Β£2.70 for a day return, a tenfold increase on 1970 adult prices; but in the 91/92 season it now cost Β£8 to stand on the terraces at Arsenal, a thirty-two-fold increase.
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Nick Hornby (Fever Pitch)
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Part of it was my own latent depression, permanently looking for a way out and liking what it saw at Highbury that night; but even more than that, I was as usual looking to Arsenal to show me that things did not stay bad for ever, that it was possible to change patterns, that losing streaks did not last. Arsenal, however, had other ideas: they seemed to want to show me that troughs could indeed be permanent, that some people, like some clubs, just couldn't ever find ways out of the rooms they had locked themselves into. It seemed to me that night and for the next few days that we had both of us made too many wrong choices, and had let things slide for far too long, for anything ever to come right; I was back with the feeling, much deeper and much more frightening this time, that I was chained to the club, and thus to this miserable half-life, forever.
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Nick Hornby (Fever Pitch)
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If we are most susceptible to a breakdown when stricken by the intense emotions that accompany a way of life under siege, then the first step to ward of a psychological breakdown, is to heed the advice of Henry David Thoreau and β€œWhen in doubt, slow down.” If we feel that our emotions are reaching a fever pitch, or spinning us around in circles of dread and despair, we need to somehow interrupt the process before reaching the state of acute panic. The worst way to go about this is to try reason or argue with the emotions, while the best way to deal with this situation is to use some form of activity to relax and to re-centre us. Many people find mindful meditation works well for this purpose, but this is but one of countless activities we can use. Carl Jung, who endured a personal crisis so intense that he flirted with psychosis would draw and paint mandalas to calm his racing mind. Others may find reprieve in weight-lifting, walking, some form of craft or hobby, or a conversation with a calming friend. What is essential is that we have in our arsenal some activities that we can use to re-centre us when our emotions are knocking us too far off kilter. If we really feel overwhelmed one of the best tactics is what Nietzsche called β€œRussian fatalism”, which is not to do anything at all but just to let go and relax as completely as possible.
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Academy of Ideas
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I had discovered after the Swindon game that loyalty, at least in football terms, was not a moral choice like bravery or kindness; it was more like a wart or a hump, something you were stuck with. Marriages are nowhere near as rigid - you won't catch any Arsenal fans slipping off to Tottenham for a bit of extra-marital slap and tickle, and though divorce is a possibility (you can just stop going if things get too bad), getting hitched again is out of the question.
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Nick Hornby (Fever Pitch)