Fever Love Quotes

We've searched our database for all the quotes and captions related to Fever Love. Here they are! All 100 of them:

β€œ
One day you will kiss a man you can't breathe without, and find that breath is of little consequence.
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Karen Marie Moning (Bloodfever (Fever, #2))
β€œ
I love books, by the way, way more than movies. Movies tell you what to think. A good book lets you choose a few thoughts for yourself. Movies show you the pink house. A good book tells you there's a pink house and lets you paint some of the finishing touches, maybe choose the roof style,park your own car out front. My imagination has always topped anything a movie could come up with. Case in point, those darned Harry Potter movies. That was so not what that part-Veela-chick, Fleur Delacour, looked like.
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Karen Marie Moning (Darkfever (Fever, #1))
β€œ
He pulls me around and kisses me. "You're Mac," he says. "And I'm Jericho. And nothing else matters. Never will. You exist in a place that is beyond all rules for me. Do you understand that?" I do. Jericho Barrons just told me he loves me.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say.
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Daphne du Maurier (Rebecca)
β€œ
I love books, by the way, way more than movies. Movies tell you what to think. A good book lets you choose a few thoughts for yourself.
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Karen Marie Moning (Darkfever (Fever, #1))
β€œ
One day you do meet a man who kisses you and you can’t breathe around it and you realize you don’t need air. Oxygen is trivial. Desire makes life happen. Makes it matter. Makes everything worth it. Desire is life. Hunger to see the next sunrise or sunset. To touch the one you love. To try again.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Love knows no right or wrong. Love is. Only is.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Dying is overrated. Human sentimentality has twisted it into the ultimate act of love. Biggest load of bullshit in the world. Dying for someone isn't the hard thing. The man that dies escapes. Plain and simple. Game over. End of pain...Try living for someone. Through it all-good, bad, thick, thin, joy, suffering. That's the hard thing.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Barrons laughed again. "And there, my dear Fio, you make one of Womankind's greatest mistakes: Falling in love with a man's potential. We so rarely share the same view of it, and even more rarely care to achieve it. Stop pining for the man you think I could be -- and take a good, long, hard look at the one I am.
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Karen Marie Moning (Darkfever (Fever, #1))
β€œ
Desire makes life happen. Makes it matter. Makes everything worth it. Desire is life. Hunger to see the next sunrise or sunset, to touch the one you love, to try again. 'Hell would be waking up and wanting nothing,' he agrees.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Stop staring at my dick," he growled. Oh, yes it was definitely an illusion. "Barrons loved me staring at his dick,"I informed it. "he would have been happy if I'd stared at his dick all day long, composing odes to its perfection.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
One heart cannot serve two masters.
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Robin LaFevers (Grave Mercy (His Fair Assassin, #1))
β€œ
Whenever you are ready, or if you never are, my heart is yours, until Death do us part. Whatever that may mean when consorting with one of Death’s handmaidens.
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R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β€œ
Once, long ago in her world, a sunny day in spring was her favorite, but now a sunny day in winter delights her more. It is the perfect metaphor for their love. Sunshine on ice. She warms his frost. He cools her fever.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
I fell in love with football as I was later to fall in love with women: suddenly, inexplicably, uncritically, giving no thought to the pain or disruption it would bring with it.
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Nick Hornby (Fever Pitch)
β€œ
Hate cannot be fought with hate. Evil cannot be conquered by darkness. Only love has the power to conquer them both.
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R.L. LaFevers (Dark Triumph (His Fair Assassin, #2))
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His hand was on my throat, and he was crushing me back with his body into the cold steel beam behind me. "Yes, I have loved, Ms. Lane, and although itβ€˜s none of your business, I have lost. Many things. And no, I am not like any other player in this game and I will never be like Vβ€˜lane, and I get a hard-on a great deal more often than occasionally." He leaned fully against me and I gasped. "Sometimes itβ€˜s over a spoiled little girl, not a woman at all. And yes, I trashed the bookstore when I couldnβ€˜t find you. Youβ€˜ll have to choose a new bedroom, too. And Iβ€˜m sorry your pretty little world got all screwed up, but everybodyβ€˜s does, and you go on. Itβ€˜s how you go on that defines you." His hand relaxed on my throat. "And I am going to tattoo you, Ms. Lane, however and wherever I please.
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Karen Marie Moning (Bloodfever (Fever, #2))
β€œ
Thou art a dreaming thing, A fever of thyself.
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John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
β€œ
Was he a good kisser, Ms. Lane?” Barrons asked, watching me carefully. I wiped my mouth with the back of my hand at the memory. β€œIt was like being owned.” Some women like that.” Not me.” Perhaps it depends on the man doing the owning.” I doubt it. I couldn’t breathe with him kissing me.” One day you may kiss a man you can’t breathe without, and find breath is of little consequence.” Right, and one day my prince might come.” I doubt he’ll be a prince, Ms. Lane. Men rarely are.
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Karen Marie Moning (Bloodfever (Fever, #2))
β€œ
I will go,” he said. β€œI will go to Troy.” The rosy gleam of his lip, the fevered green of his eyes. There was not a line anywhere on his face, nothing creased or graying; all crisp. He was spring, golden and bright. Envious death would drink his blood, and grow young again. He was watching me, his eyes as deep as earth. β€œWill you come with me?” he asked. The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death. β€œYes,” I whispered. β€œYes.” Relief broke in his face, and he reached for me. I let him hold me, let him press us length to length so close that nothing might fit between us. Tears came, and fell. Above us, the constellations spun and the moon paced her weary course. We lay stricken and sleepless as the hours passed.
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Madeline Miller (The Song of Achilles)
β€œ
When does real love begin? At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity. At what moment does the knife wound sink so deep that the flesh begins to weep with love? At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.
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AnaΓ―s Nin (Fire: From A Journal of Love - The Unexpurgated Diary of AnaΓ―s Nin (1934-1937))
β€œ
Clear. Cold. Empty. Like how I feel right now. Love is strange. One minute you’re jungle fever. The next you’re Artic winter.
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Ellen Hopkins (Fallout (Crank, #3))
β€œ
Love unrequited is violent. He loves you so much that he's turned it into hate.
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Lauren DeStefano (Fever (The Chemical Garden, #2))
β€œ
It's best to let her go," he says. No, no, that's wrong. It's never right to give up on someone.
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Lauren DeStefano (Fever (The Chemical Garden, #2))
β€œ
It’s the first time I’ve ever kissed a boy, which should make some sort of impression I guess, but all I can register is how unnaturally hot his lips are from the fever.
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Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β€œ
his examination revealed that he had no fever, no pain anywhere, and that his only concrete feeling was an urgent desire to die. All that was needed was shrewd questioning...to conclude once again that the symptoms of love were the same as those of cholera.
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Gabriel GarcΓ­a MΓ‘rquez (Love in the Time of Cholera)
β€œ
It is all we have left to us. And while it is more than I ever dared dream, it is nowhere near enough.
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R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β€œ
Your cold blood cannot be worked into a fever; your veins are full of ice water; but mine are boiling, and the sight of such chillness makes them dance.
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Emily BrontΓ« (Wuthering Heights)
β€œ
I have always been accused of taking the things I love - football, of course, but also books and records - much too seriously, and I do feel a kind of anger when I hear a bad record, or when someone is lukewarm about a book that means a lot to me.
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Nick Hornby (Fever Pitch)
β€œ
I lost everyone I loved," I tell him. I wait for him to look at me, and then I add, "The day I met you.
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Lauren DeStefano (Fever (The Chemical Garden, #2))
β€œ
Although love could grow in times of peace, it tempered in battle. Daddy told me once - when I'd said something about how perfect his relationship with Mom was - that I should have seen the first five years of their marriage, that they'd fought like hellions, crashed into each other like two giant stones. That eventually they'd eroded each other into the perfect fit, become a single wall, nestled into each other's curves and hollows, her strengths chinking his weaknesses, her weaknesses reinforced by his strengths.
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Karen Marie Moning (Dreamfever (Fever, #4))
β€œ
Silver eyes met hers and locked. β€œI didn’t like Dani.” β€œAt least you’re consistent,” she said coolly. His silver eyes were ice. β€œI loved her.
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Karen Marie Moning (Feverborn (Fever, #8))
β€œ
Jericho Barrons just told me he loves me.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
I wasn't prepared for death. Nobody is. You lose someone you love more than you love yourself, and you get a crash course in mortality. You lie awake night after night, wondering if you really believe in heaven and hell and finding all kinds of reasons to cling to faith, because you can't bear to believe they aren't out there somewhere, a few whispered words of a prayer away.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
I am beginning to think that love itself is never wrong. It is what love can drive people to do that is the problem.
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Robin LaFevers (Mortal Heart (His Fair Assassin, #3))
β€œ
And then what? Said, 'Oh, I'm so sorry, Ms. Lane, I didn't mean to wrinkle your lovely blouse. May I press that for you?' Or perhaps you gouged it with one of your pretty pink nails?" I was really beginning to wonder what his hang-up with pink was, but I didn't resent the sarcasm in his voice.
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Karen Marie Moning (Darkfever (Fever, #1))
β€œ
Derek's breath touched Sara's throat in unsteady urges. "Sometimes," he whispered, "I'm so close to you ... and I'm still not close enough. I want to share your breath ... every beat of your heart." He cradled her head in both his hands, his mouth hot on her neck. "Sometimes," he murmured, "I want to punish you a little." "Why?" "For making me want you until I ache with it. For the way I wake at night just to watch you sleeping." His face was intense and passionate above her, his green eyes sharp in their brightness. "I want you more each time I'm with you. It's a fever that never leaves me. I can't be alone without wondering where you are, when I can have you again." His lips possessed hers in a kiss that was both savage and tender, and she opened to him eagerly.
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
β€œ
Often, though, the passivity of the woman's role weighs on me, suffocates me. Rather than wait for his pleasure, I would like to take it, to run wild. Is it that which pushes me into lesbianism? It terrifies me. Do women act thus? Does June go to Henry when she wants him? Does she mount him? Does she wait for him? He guides my inexperienced hands. It is like a forest fire, to be with him. New places of my body are aroused and burnt. He is incendiary. I leave him in an unquenchable fever.
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AnaΓ―s Nin (Henry and June: The Unexpurgated Diary of AnaΓ―s Nin, 1931-1932)
β€œ
Pretty girl and all. Asking. Gotta love that. Stuff of heroes. Don't get the role too often.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
Cat got your tongue? And what a lovely tongue it is. I know. It licked every inch of me. Repeatedly. For months," He purred but with steel in the velvet
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Karen Marie Moning (Dreamfever (Fever, #4))
β€œ
This is how you begin in this world. These are the lessons to be learned. Drink chamomile tea to calm the spirit. Feed a cold and starve a fever. Read as many books as you can. Always choose courage. Never watch another woman burn. Know that love is the only answer.
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Alice Hoffman (Magic Lessons (Practical Magic, #0.1))
β€œ
I’m obsessed and addicted and ripped-down-raw in love with Jericho Barrons.
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Karen Marie Moning (Burned (Fever, #7))
β€œ
I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then--how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal. A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas. The adult mind can lie with untroubled conscience and a gay composure, but in those days even a small deception scoured the tongue, lashing one against the stake itself.
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Daphne du Maurier (Rebecca)
β€œ
You would throw away all that we have given you for a man’s love?” β€œNot a man’s love,” I say softly. β€œBut Duval’s. And I would find a way to serve both my god and my heart. Surely He does not give us hearts so we may spend our lives ignoring them.
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R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β€œ
Just as a fever makes cold feel colder, love can make loneliness feel lonelier.
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Andrea Cremer (Invisibility)
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It's like scarlet fever: one has to get it over." "Then one should invent a way of inoculating love, like vaccination.
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Leo Tolstoy (Anna Karenina)
β€œ
The suspense: the fearful, acute suspense: of standing idly by while the life of one we dearly love, is trembling in the balance; the racking thoughts that crowd upon the mind, and make the heart beat violently, and the breath come thick, by the force of the images they conjure up before it; the desperate anxiety to be doing something to relieve the pain, or lessen the danger, which we have no power to alleviate; the sinking of soul and spirit, which the sad remembrance of our helplessness produces; what tortures can equal these; what reflections of endeavours can, in the full tide and fever of the time, allay them!
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Charles Dickens (Oliver Twist)
β€œ
And just as love has two sides, so too does Death. While Ismae will serve as His mercy, I will not, for that is not how He fashioned me. Every death I have witnessed, every horror I have endured, has forged me to be who I am -- Death's justice.
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R.L. LaFevers (Dark Triumph (His Fair Assassin, #2))
β€œ
Fire to my ice. Ice to my fever.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
And silence. She liked the silence most of all. The silence in which the body, senses, the instincts, are more alert, more powerful, more sensitized, live a more richly perfumed and intoxication life, instead of transmuting into thoughts, words, into exquisite abstractions, mathematics of emotion in place of violent impact, the volcanic eruptions of fever, lust and delight.
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AnaΓ―s Nin
β€œ
Let me be your anchor. I'll never let you be lost again.
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Karen Marie Moning (Feverborn (Fever, #8))
β€œ
You are a fever I am learning to live with, and everything is happening at the wrong end of a very long tunnel.
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Richard Siken
β€œ
She loves. And she doesn't know how to pull it back when you have to, because sometimes you sure as feck have to. Got to grab it up with both hands and pull it back before somebody turns into knives and uses it to cut you to pieces.
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Karen Marie Moning (Iced (Fever, #6))
β€œ
I should not have loved my daughter as I did. Not in this world in which nothing lives for long. You children are flies. You are roses. You multiply and die.
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Lauren DeStefano (Fever (The Chemical Garden, #2))
β€œ
No amount of saying β€˜I love you’ and β€˜I trust you’ makes it true when it isn’t.
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Maya Banks (Fever (Breathless, #2))
β€œ
How would your life be different if...You decided to give freely, love fully, and play feverously? Let today be the day...You free yourself from the conditioned rules that limit your happiness and dilute the beautiful life experience. Have fun. Give - Love - Play!
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Steve Maraboli (The Power Of One)
β€œ
Regardless of how many people I surrounded myself with, no matter how many friends and family I loved and was loved by in return, I was alone at the moment of being born and at the moment of dying. Nobody came with you and nobody went with you. It was a journey of one.
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Karen Marie Moning (Dreamfever (Fever, #4))
β€œ
There is something immensely scary about putting yourself out there for people to love or hate you, fan or pan you, review or screw you.
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L.V. Lewis (Fifty Shades of Jungle Fever)
β€œ
You love me?" "Yes, you great lummox. I love you." He lets out a sigh. "Sweet Camulos! It's about time.
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Robin LaFevers
β€œ
I want the fever to grab me forever and want you to be my fever.
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Suman Pokhrel
β€œ
I loved him like a fever. Then he left. He kicked through love like it was dust and he kept on walking.
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Judy Blundell (What I Saw and How I Lied)
β€œ
I wake up wating you. I fall asleep wanting you. I watch a magnificent sunrise and can think only of sharing it with you. I glimpse a piece of amver and see your eyes. Jillian, I've caught a disease, and the fever abates only when I'm near you.
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Karen Marie Moning (To Tame a Highland Warrior (Highlander, #2))
β€œ
But most of all, faith is love. Hate cannot be fought with hate. Evil cannot be conquered by darkness. Only love has the power to conquer them both.
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Robin LaFevers (Dark Triumph (His Fair Assassin, #2))
β€œ
I hope when I'm ninety-five the only things I want are free: love, family, a good home-cooked meal.
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Karen Marie Moning (Bloodfever (Fever, #2))
β€œ
Don't accuse me of being morbid when I'm merely the product of a culture that buries the bones of the ones they love in pretty, manicured flower gardens so they can keep them nearby and go talk to them whenever they feel troubled or depressed. That's morbid. Not to mention bizarre. Dogs bury bones, too.
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Karen Marie Moning (Darkfever (Fever, #1))
β€œ
If you weaken, I'll be strong. If you get lost, I'll be your way home. If you despair, I'll bring you joy. I will love you until the end of time.
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Karen Marie Moning (Iced (Fever, #6))
β€œ
I love you more eternal than pi.
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Karen Marie Moning (Feversong (Fever, #9))
β€œ
Life didn't explode in the sunshine and pretty places. Life took the strongest root with a little bit of rain and with a whole lot of shit for fertilizer. Although love could grow in times of peace, it tempered in battle.
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Karen Marie Moning (Dreamfever (Fever, #4))
β€œ
Lovers are weapons, but love is a wound.
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Lauren DeStefano (Fever (The Chemical Garden, #2))
β€œ
If only [love] could be turned off. It's not a faucet. Love's a bloody river with level-five rapids. Only a catastrophic act of nature or a dam has any chance of stopping it- and then only succeeds in diverting it. Both measures are extreme and change the terrain so much you end up wondering why you bothered. No landmarks to gauge your position when it's done. Only way to survive is to devise new ways to map out life.
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
But just as he knew the sun was obliged to rise each morning in the east, no matter how much a western arisal might have pleased it, so he knew that Buttercup was obliged to spend her love on him. Gold was inviting, and so was royalty, but they could not match the fever in his heart, and sooner or later she would have to catch it. She had less choice than the sun.
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William Goldman (The Princess Bride)
β€œ
The Sisters vanished entirely then, and Aunt Harriet was standing over Tessa, her face flushed with fever as it had been during the terrible illness that had killed her. She looked at Tessa with great sadness. "I tried," she said. "I tried to love you. But it isn't easy to love a child that isn't human in the least...." "Not human?" said an unfamiliar female voice. "Well, if she isn't human, Enoch, what is she?" The voice sharpened in impatience. "What do you mean, you don't know? Everyone's something. This girl can't be nothing at all....
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Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β€œ
Mac reflected on the Unseelie King and his concubine: He’d loved her for all time After he’d believed she was gone Sunshine to his ice. Frost to her fever. I wished them forever. You, too, beautiful girl. The Unseelie King was gone.
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Karen Marie Moning
β€œ
Your mother was a hero. She developed a spell for gnomeatic fever. And she was the youngest headmaster in Watford history.” Baz is looking at Penny like they’ve never met. β€œAnd,” Penny goes on, β€œshe defended your father in three duels before he accepted her proposal.” β€œThat sounds barbaric,” I say. β€œIt was traditional,” Baz says. β€œIt was brilliant,” Penny says. β€œI’ve read the minutes.” β€œWhere?” Baz asks her. β€œWe have them in our library at home,” she says β€œMy dad loves marriage rites. Any sort of family magic, actually. He and my mother are bound together in five dimensions.
”
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Rainbow Rowell (Carry On (Simon Snow, #1))
β€œ
I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty one. They are so full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word.
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Daphne du Maurier (Rebecca)
β€œ
Amelia told me once about a suspicion she'd had for a while. It bothered her quite a bit. She said that Win and I had fallen ill with scarlet fever, and you made the deadly nightshade syrup, you'd concocted far more than was necessary. And you kept a cup on it on Win's nightstand, like some sort of macabre nightcap. Amelia said that if Win had died, she thought you would have taken the rest of that poison. And I've always hated you for that. Because you forced me to stay alive without the woman I loved, while you had no bloody hell intention of doing the same." Merripen didn't answer, gave no sign that he registered Leo's words. "Christ, man," Leo said huskily. "If you had the bollocks to die with her, don't you think you could work up the courage to live with her?
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Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
β€œ
He said that people who loved [animals] to excess were capable of the worst cruelties toward human beings. He said that dogs were not loyal but servile, that cats were opportunists and traitors, that peacocks were heralds of death, that macaws were simply decorative annoyances, that rabbits fomented greed, that monkeys carried the fever of lust, and that roosters were damned because they had been complicit in the three denials of Christ.
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Gabriel GarcΓ­a MΓ‘rquez (Love in the Time of Cholera)
β€œ
It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?" "If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-" His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch. I accidentally moan into his lips. He takes it for his cue to life me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder. He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk.
”
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Anna Banks (Of Poseidon (The Syrena Legacy, #1))
β€œ
I've seen ye so many times," he said, his voice whispering warm in my ear. "You've come to me so often. When I dreamed sometimes.When I lay in fever. When I was so afraid and so lonely I knew I must die. When I needed you, I would always see ye, smiling, with your hair curling up about your face. But ye never spoke. And ye never touched me." "I can touch you now." I reached up and drew my hand gently down his temple, his ear, the cheek and jaw that I could see. My hand went to the nape of his neck, under the clubbed bronze hair, and he raised his head at last, and cupped his face between my hands, love glowing strong in the dark blue eyes. "Dinna be afraid," he said softly, "There's the two of us now.
”
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Diana Gabaldon (Voyager (Outlander, #3))
β€œ
And then I wonder, does my brother think of me this way? We entered this world together, one after the other, beats in a pulse. But I will be first to leave it. That's what I've been promised. When we were children, did he dare to imagine an empty space beside him where I then stood giggling, blowing soap bubbles through my fingers? When I die, will he be sorry that he loved me? Sorry that we were twins? Maybe he already is.
”
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Lauren DeStefano (Fever (The Chemical Garden, #2))
β€œ
Actions talk. Words are worthless. You think to discover in me a vein of vulnerability, a marbling of sensitivity glimpsed only by you because you’re special, so you can proclaim, β€œLook, Barrons’ torturous past has made him a monster but only because he’s suffered so much. It’s understandable that he lives by no law but his ownβ€”a violent, bloody, conscienceless lawβ€”but the healing power of my love will restore his demolished humanity!” Restore means to return a thing that was taken. Mine was not.
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Karen Marie Moning (Burned (Fever, #7))
β€œ
...if you are writing without zest, without gusto, without love, without fun, you are only half a writer. It means you are so busy keeping one eye on the commercial market, or one ear peeled for the avant-garde coterie, that you are not being yourself. You don't even know yourself. For the first thing a writer should be is-- excited. He should be a thing of fevers and enthusiasms.
”
”
Ray Bradbury
β€œ
Did I have to be dead to get you to see me? Wake the fuck up, Ms. Lane. Dying is overrated. Human sentimentality has twisted it into the ultimate act of love. Biggest load of bullshit in the world. Dying for someone isn't the hard thing. The man that dies escapes. Plan and simple. Game over. End of pain. Alina was the lucky one. Try living for someone. Through it all - good, bad, thick, thin, joy, suffering. That's the hard thing.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
What no one tells you is that when someone you love dies, you lose them twice. Once to death, the second time to acceptance, and you don’t walk that long, dark passage between the two alone. Grief takes every shuffling, unwilling step with you, offering a seductive bouquet of memories that can only blossom south of sanity. You can stay there, nose buried in the petals of the past. But you’re never really alive again.
”
”
Karen Marie Moning (Burned (Fever #7))
β€œ
And I told you that one night wan't enough." Loki leaned down, kissing me deeply and pressing me to him. I didn't even attempt to resist. I wrapped my arms around his neck. It wasn't the we had kissed before, not as hungry or fevered. This was something different, nicer. We were holding onto each other, knowing this might be the last time we could. It felt sweet and hopeful and tragic all at once. When he stopped kissing me he rested his forehead against mine. He breathed as if struggling to catch his breath. i reached up and touched his face, his skin smooth and cool beneath my hand. Loki lifted his head so he could look me in the eyes, and I saw something in them, something I'd never seen before. Something pure and unadulterated, and my heart seemed to grow with the warmth of my love for him. I didn't know how it happened or when it had, but I knew it with complete certainty. I had fallen in love with Loki, more intensely than anything I had felt for anyone before.
”
”
Amanda Hocking (Ascend (Trylle, #3))
β€œ
What madness, to love a man as something more than human! I lived in a fever, convulsed with tears and sighs that allowed me neither rest nor peace of mind. My soul was a burden, bruised and bleeding. It was tired of the man who carried it, but I found no place to set it down to rest. Neither the charm of the countryside nor the sweet scents of a garden could soothe it. It found no peace in song or laughter, none in the company of friends at table or in the pleasures of love, none even in books or poetry. Everything that was not what my friend had been was dull and distasteful. I had heart only for sighs and tears, for in them alone I found some shred of consolation.
”
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Augustine of Hippo
β€œ
Being in love (l’amour fou) a pathological variant of loving. Being in love = addiction, obsession, exclusion of others, insatiable demand for presence, paralysis of other interests and activities. A disease of love, a fever (therefore exalting). One β€œfalls” in love. But this is one disease which, if one must have it, is better to have often rather than infrequently. It’s less mad to fall in love often (less inaccurate for there are many wonderful people in the world) than only two or three times in one’s life. Or maybe it’s better always to be in love with several people at any given time.
”
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Susan Sontag (As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980)
β€œ
It's funny the things people say when someone dies. He's in a better place. How do you know that? Life goes on. That's supposed to comfort me? I'm excruciatingly aware that life goes on. It hurts every damned second. How lovely to know it's going to continue like this. Thank you for reminding me. Time heals. No, it doesn't. At best, time is the great leveler, sweeping us all into coffins. We find ways to distract ourselves from the pain. Time is neither scalpel nor bandage. It is indifferent. Scar tissue isn't a good thing. It's merely the wound's other face.
”
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Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
What is it like?" "What is what like?" "Death. What is death like?" "He is quiet and still, and oh, so peaceful. Fear will no longer hold any sway over you, nor will worry or sadness. Can you think of a time when you were especially tired? Perhaps after a long day of travel? Do you remember how lovely it was to climb into your feather bed that night? How grateful your tired limbs were? How welcoming it felt? How delicious to close your eyes and finally rest?" "Yes." "It is just like that.
”
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Robin LaFevers (Mortal Heart (His Fair Assassin, #3))
β€œ
I thought how lovely and how strange a river is. A river is a river, always there, and yet the water flowing through it is never the same water and is never still. It’s always changing and is always on the move. And over time the river itself changes too. It widens and deepens as it rubs and scours, gnaws and kneads, eats and bores its way through the land. Even the greatest rivers- the Nile and the Ganges, the Yangtze and he Mississippi, the Amazon and the great grey-green greasy Limpopo all set about with fever trees-must have been no more than trickles and flickering streams before they grew into mighty rivers. Are people like that? I wondered. Am I like that? Always me, like the river itself, always flowing but always different, like the water flowing in the river, sometimes walking steadily along andante, sometimes surging over rapids furioso, sometimes meandering wit hardly any visible movement tranquilo, lento, ppp pianissimo, sometimes gurgling giacoso with pleasure, sometimes sparkling brillante in the sun, sometimes lacrimoso, sometimes appassionato, sometimes misterioso, sometimes pesante, sometimes legato, sometimes staccato, sometimes sospirando, sometimes vivace, and always, I hope, amoroso. Do I change like a river, widening and deepening, eddying back on myself sometimes, bursting my banks sometimes when there’s too much water, too much life in me, and sometimes dried up from lack of rain? Will the I that is me grow and widen and deepen? Or will I stagnate and become an arid riverbed? Will I allow people to dam me up and confine me to wall so that I flow only where they want? Will I allow them to turn me into a canal to use for they own purposes? Or will I make sure I flow freely, coursing my way through the land and ploughing a valley of my own?
”
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Aidan Chambers (This Is All: The Pillow Book of Cordelia Kenn)
β€œ
So the Midwest nourishes us [...] and presents us with the spectacle of a land and a people completed and certain. And so we run to our bedrooms and read in a fever, and love the big hardwood trees outside the windows, and the terrible Midwest summers, and the terrible Midwest winters [...]. And so we leave it sorrowfully, having grown strong and restless by opposing with all our will and mind and muscle its simple, loving, single will for us: that we stay, that we stay and find a place among its familiar possibilities. Mother knew we would go; she encouraged us.
”
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Annie Dillard (An American Childhood)
β€œ
I think she's afraid to even hug me now. It's my fault, but I miss it, Andrew. I miss it so much it aches sometimes, you know?' I do know. I do know, I want to tell him, but I let him talk. And he does, with a gut-wrenching honesty that tears at my heart. 'I want to be held. Is that so wrong? I want to be held, and stroked. I want to know that someone loves me. I want to feel it on my skin.' He looks at the ceiling and exhales, then meets my eyes again. 'But nobody touches me anymore. Not even when I have a fever. Mom just hands me a thermometer now.' He drops his eyes and his ears redden. 'Even when you kiss me, you don't touch me. It's like I'm a leper or something. I can hardly keep my hands off of you, but it's not the same for you, is it?
”
”
J.H. Trumble (Where You Are)
β€œ
The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone. Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but angels of God.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
β€œ
How am I supposed to know?” she asked instead. β€œWhat’s it supposed to be like?” Lana and Claire traded tiny smiles, and Claire asked gently, β€œWhat’s what supposed to be like?” Lily slumped back against the sofa, feeling boneless and muddled. β€œFalling in love, I guess.” β€œYou’ll know,” Claire said. β€œIt’s unmistakable.” (How she could recognize Kath at the other end of a crowded Galileo hallway by the way she walked.) β€œIt’s likeΒ .Β .Β . well, it’s like falling,” Lana said. β€œFalling, or floating, or sinking.” (Every time they kissed.) β€œYou won’t know which way is up.” β€œIt’s like having a fever.” (The way the world seemed to narrow down to the tips of Kath’s fingers.) β€œIt’s like being drunkβ€”drunk for days.
”
”
Malinda Lo (Last Night at the Telegraph Club)
β€œ
One fine moonlit night, Mortain and his Wild Hunt were riding through the countryside when they spied two maids more beautiful than any they had ever seen before. They were picking evening primrose, which only blooms in the moonlight. β€œThe two maids turned out to be Amourna and Arduinna, twin daughters of Dea Matrona. When Mortain saw the fair Amourna, he fell instantly in love, for she was not only beautiful but light of heart as well, and surely the god of death needs lightness in his world. β€œBut the two sisters could not be more different. Amourna was happy and giving, but her sister, Arduinna, was fierce, jealous, and suspicious, for such is the dual nature of love. Arduinna had a ferocious and protective nature and did not care for the way Mortain was looking at her beloved sister. To warn him, she drew her bow and let fly with one of her silver arrows. She never misses, and she didn’t miss then. The arrow pierced Mortain’s heart, but no one, not even a goddess, can kill the god of death. β€œMortain plucked the arrow from his chest and bowed to Arduinna. β€˜Thank you,’ he said. β€˜For reminding me that love never comes without cost
”
”
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
β€œ
Do you think love just goes away? Pops out of existence when it becomes too painful or inconvenient, as if you never felt it?” I looked at him. What did Jericho Barrons know of love? β€œIf only it did. If only it could be turned off. It’s not a faucet. Love’s a bloody river with level-five rapids. Only a catastrophic act of nature or a dam has any chance of stopping itβ€”and then usually only succeeds in diverting it. Both measures are extreme and change the terrain so much you end up wondering why you bothered. No landmarks to gauge your position when it’s done. Only way to survive is to devise new ways to map out life. You loved her yesterday, you love her today. And she did something that devastates you. You’ll love her tomorrow.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
β€œ
She was scarcely a year older than I was, dark-haired, slender, with a face that would break your heart. It certainly broke mine. Lowborn, half-starved, unwashed... Yet lovely. They'd torn the rags she was wearing half off her back, so I wrapped her in my cloak while Jaime chase the men into the woods. By the time he came trotting back, I'd gotten a name out of her, and a story. She was a crofter's child, orphaned when her father died of fever, on her way to... Well, nowhere, really. The girl was too frightened to send her off by herself, though, so I offered to take her to the closest inn and feed her while my brother rode back to the Rock for help. She was hungrier than I would have believed. We finished two whole chickens and part of a third, and drank a flagon of wine, talking. I was only thirteen, and the wine went to my head, I fear. The next thing I knew, I was sharing her bed. If she was shy, I was shyer. I'll never know where I found the courage. When I broke her maidenhead, she wept, but afterward she kissed me and sang her little song, and by morning I was in love.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β€œ
Trippers and askers surround me, People I meet, the effect upon me of my early life or the ward and city I live in, or the nation, The latest dates, discoveries, inventions, societies, authors old and new, My dinner, dress, associates, looks, compliments, dues, The real or fancied indifference of some man or woman I love, The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, or depressions or exaltations, Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; These come to me days and nights and go from me again, But they are not the Me myself. Apart from the pulling and hauling stands what I am, Stands amused, complacent, compassionating, idle, unitary, Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next, Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with linguists and contenders, I have no mockings or arguments, I witness and wait.
”
”
Walt Whitman (Song of Myself)
β€œ
Everything is about to go to hell very quickly, so I want one moment where we don't talk about that. We pretend it doesn't exist. I want one last quiet moment with you." "No, Loki." I shook my head, but I didn't pull away. "I told you that one night wasn't enough." Loki leaned down, kissing me deeply and pressing me to him. I didn't even attempt to resist. I wrapped my arms around his neck. It wasn't the way we had kissed before, not as hungry or fevered. This was something different, nicer. We were holding on to each other, knowing this might be the last time we could. It felt sweet and hopeful and tragic all at once. When he stopped kissing me he rested his forehead against mine. He breathed as if struggling to catch his breath. I reached up and touched his face, his skin smooth and cool beneath my hand. Loki lifted his head so he could look me in the eyes, and I saw something in them, something I'd never seen before. Something pure and unadulterated, and my heart seemed to grow with the warmth of my love for him. I don't know how it happened or when it had, but I knew it with complete certainty. I had fallen in love with Loki, more intensely than anything I had felt for anyone before. "Wendy!" Finn shouted, pulling me from my moment with Loki. "What are you doing? You're married! And not to him!" "Nothing slips by you, does it?" Loki asked. "Finn," I said, and stepped away from Loki. "Calm down." "No!" Finn yelled. "I will not calm down! What were you thinking? We're about to go to war, and you're cheating on your husband?" "Everything's not exactly the way it seems," I said, but guilt and regret were gripping my stomach. My marriage might be over, but I was still technically wed to another man. And I should be worrying about things more important than kissing Loki. "It seemed like you had your tongue down his throat." Finn glared at us both. "Well, then, everything is exactly as it seems," Loki said glibly.
”
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Amanda Hocking (Ascend (Trylle, #3))
β€œ
1. Myth: Without God, life has no meaning. There are 1.2 billion Chinese who have no predominant religion, and 1 billion people in India who are predominantly Hindu. And 65% of Japan's 127 million people claim to be non-believers. It is laughable to suggest that none of these billions of people are leading meaningful lives. 2. Myth: Prayer works. Studies have now shown that inter-cessionary prayer has no effect whatsoever of the health or well-being of the subject. 3. Myth: Atheists are immoral. There are hundreds of millions of non-believers on the planet living normal, decent, moral lives. They love their children, care about others, obey laws, and try to keep from doing harm to others just like everyone else. In fact, in predominantly non-believing countries such as in northern Europe, measures of societal health such as life expectancy at birth, adult literacy, per capita income, education, homicide, suicide, gender equality, and political coercion are better than they are in believing societies. 4. Myth: Belief in God is compatible with science. In the past, every supernatural or paranormal explanation of phenomena that humans believed turned out to be mistaken; science has always found a physical explanation that revealed that the supernatural view was a myth. Modern organisms evolved from lower life forms, they weren't created 6,000 years ago in the finished state. Fever is not caused by demon possession. Bad weather is not the wrath of angry gods. Miracle claims have turned out to be mistakes, frauds, or deceptions. We have every reason to conclude that science will continue to undermine the superstitious worldview of religion. 5. Myth: We have immortal souls that survive death. We have mountains of evidence that makes it clear that our consciousness, our beliefs, our desires, our thoughts all depend upon the proper functioning of our brains our nervous systems to exist. So when the brain dies, all of these things that we identify with the soul also cease to exist. Despite the fact that billions of people have lived and died on this planet, we do not have a single credible case of someone's soul, or consciousness, or personality continuing to exist despite the demise of their bodies. 6. Myth: If there is no God, everything is permitted. Consider the billions of people in China, India, and Japan above. If this claim was true, none of them would be decent moral people. So Ghandi, the Buddha, and Confucius, to name only a few were not moral people on this view. 7. Myth: Believing in God is not a cause of evil. The examples of cases where it was someone's belief in God that was the justification for their evils on humankind are too numerous to mention. 8. Myth: God explains the origins of the universe. All of the questions that allegedly plague non-God attempts to explain our origins still apply to the faux explanation of God. The suggestion that God created everything does not make it any clearer to us where it all came from, how he created it, why he created it, where it is all going. In fact, it raises even more difficult mysteries: how did God, operating outside the confines of space, time, and natural law 'create' or 'build' a universe that has physical laws? We have no precedent and maybe no hope of answering or understanding such a possibility. What does it mean to say that some disembodied, spiritual being who knows everything and has all power, 'loves' us, or has thoughts, or goals, or plans? 9. Myth: There's no harm in believing in God. Religious views inform voting, how they raise their children, what they think is moral and immoral, what laws and legislation they pass, who they are friends and enemies with, what companies they invest in, where they donate to charities, who they approve and disapprove of, who they are willing to kill or tolerate, what crimes they are willing to commit, and which wars they are willing to fight.
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Matthew S. McCormick