Fever Go Away Quotes

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I lock eyes with my reflection and don’t look away. The day you look away you start to lose yourself. I’m never going to lose myself. You are what you are. Deal with it or change.
Karen Marie Moning (Iced (Fever, #6))
I've seen a lot of movies where a kid my age finds out he's got magical powers and then gets invited to go away to some special school. Well, if I've got an invitation coming, now would be the perfect time to get it
Jeff Kinney (Cabin Fever (Diary of a Wimpy Kid, #6))
I respect you more than that." I almost fell off the couch. I parted my hair and looked up at him, but he was no longer squatting in front of me. He'd stood and moved away. "Are we, like, having a conversation?" "Did you just, like, ask me for advice and listen with an open mind? Is so, then yes, I would call this a conversation. I can see how you might not recognize it, considering all I usually get from you is attitude and hostility-" "Oh! All I ever get from you is hostility and-" "And here we go. She's bristling and my hackles go up. Bloody hell, I feel fangs coming on.
Karen Marie Moning (Shadowfever (Fever, #5))
Sloppy, Mega,” I mutter. I still can’t see. I wipe my bloody nose on my sleeve and reach out to feel what I hit. “That’s my dick,” Ryodan says. I snatch my hand away. “Gah!” I choke out. I can feel my face again—because, like, it’s going up in flames. What kind of universe makes me reach out at exactly that fecking level to feel what I think is a wall and puts my hand on a penis? Then I remember this is Ryodan and scowl. “You did that on purpose!” I accuse. “You saw my hand go out and you stepped right into it!” “I’d do that why, kid?
Karen Marie Moning (Iced (Fever, #6))
Ryodan doesn’t like Mac. He never has. She got between him and his best boy-bud. I give him a look. “I’ll tell you a secret, Ryodan. You mess with her, Barrons’ll kill you.” I drag a finger across my neck. “Just like that. You aren’t all that. Barrons’ll stomp your ass, hand’s down.” He smiles faintly. “I’ll be damned. You have a crush on Barrons.” “I do not have a crush—“ “You do, too. It’s all over your face. Anybody could see it.” “Sometimes, boss, you’re just wrong.” “I’m never wrong. You might as well take out a billboard. ‘Dani O’Malley thinks Jericho Barrons is hot.’ My offer to teach you is still open. Save you from future embarrassment. If I can see it on your face, he can, too. ” “He never figured it out before,” I grumble then realize I just admitted it. Ryodan has a tricky way of wording things that makes you say things you didn’t mean to say. “Maybe I’ll ask Barrons to teach me,” I mutter and turn away from the stairs, heading for his office. I run smack into his chest. “Dude, move. Trying to get somewhere here.” “No one but me is ever going to teach you, Dani.” He touches me before I see it coming, has his hand under my chin, turning my face up. My shiver is instant and uncontrollable. “That’s non-negotiable. You signed a contract with me that grants exclusivity. You won’t like it if you try to break it.
Karen Marie Moning (Iced (Fever, #6))
The thing about hope is that it doesn't go away even when it serves no purpose.
Lauren DeStefano (Fever (The Chemical Garden, #2))
Well, it was probably the fever. You were burning up.” My eyes snapped back to his. “You touched me?” “Yes, I touched you…and you weren’t wearing a lot of clothes.” The smug stretch of his lips spread. “And you were soaked …in a white T-shirt. Nice look. Very nice.” Heat crept over my cheeks. “The lake…it wasn’t a dream?” Daemon shook his head. “Oh my God, so I did go swimming in the lake?” He pushed off the desk and took one step forward, which put him in the same breathing space as me… if he actually needed to breathe. “You did. Not something I expected to see on Monday night, but I'm not complaining. I saw a lot.” “Shut up,” I hissed. “Don’t be embarrassed.” He reached out, tugging on the sleeve of my cardigan. I smacked his hand away. “It’s not like I haven’t seen the upper part before, and I didn’t get a real good look down—“ I came off the desk swinging. My knuckles only brushed his face before he caught my hand. Wowzer, he was fast. Daemon pulled me up against his chest and lowered his head, eyes snapping with restrained anger. “Don’t hit, kitten. It’s not nice.
Jennifer L. Armentrout (Onyx (Lux, #2))
Children have always tumbled down rabbit holes, fallen through mirrors, been swept away by unseasonal floods or carried off by tornadoes. Children have always traveled, and because they are young and bright and full of contradictions, they haven’t always restricted their travel to the possible. Adulthood brings limitations like gravity and linear space and the idea that bedtime is a real thing, and not an artificially imposed curfew. Adults can still tumble down rabbit holes and into enchanted wardrobes, but it happens less and less with every year they live. Maybe this is a natural consequence of living in a world where being careful is a necessary survival trait, where logic wears away the potential for something bigger and better than the obvious. Childhood melts, and flights of fancy are replaced by rules. Tornados kill people: they don’t carry them off to magical worlds. Talking foxes are a sign of fever, not guides sent to start some grand adventure. But children, ah, children. Children follow the foxes, and open the wardrobes, and peek beneath the bridge. Children climb the walls and fall down the wells and run the razor’s edge of possibility until sometimes, just sometimes, the possible surrenders and shows them the way to go home.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
All the sudden Ryodan’s standing one inch away from me, hand under my chin, holding my face up to his. “You’ll never be just anything. A tsunami can never be ‘just’ a wave.” “Get off my chin.” “I like that about you. Waves are banal. Tsunamis reshape the Earth. Under the right circumstances, even entire civilizations.” I blink. “You’re going to be one hell of a woman one day, Dani.
Karen Marie Moning (Iced (Fever, #6))
Fuck, I think. Just that. A multitude of various fucks all in one great big clusterfuck. As in: I am fucked if I want this … this … newborn imbecile. And she is so fucked if I take her. And fuck if I’m going to walk away.
Karen Marie Moning (Burned (Fever, #7))
There are many realities pocketed away in the one we call our own. Most go blindly about their lives and never see beyond the ends of their noses.
Karen Marie Moning (Darkfever (Fever, #1))
Kurogane: That's what you want, isn't it? Underneath that constant grin, you're keeping everyone away. So that nobody gets involved with you. But look. Just now you checked to see if the kid had a fever, and you're relieved that the princess doesn't see the wretched condition of this world. And in the last country, you used your magic. Fai: *smiling* I said it, didn't I? I wasn't going to die. And so... Kurogane: Yeah, but that was all about you not dying on your own account. Dying for somebody else... That's a whole new question. Back then, if you hadn't done anything, we would have been captured, and if we handled it wrong, we might have died. But you decided to use magic on your own. You involved yourself in their lives. Fai: *no longer smiling, looks depressed* I... I don't want to make anyone unhappy because of their involvement with me.
CLAMP
Such are the visions which ceaselessly float up, pace beside, put their faces in front of, the actual thing; often overpowering the solitary traveller and taking away from him the sense of the earth, the wish to return, and giving him for substitute a general peace, as if (so he thinks as he advances down the forest ride) all this fever of living were simplicity itself; and myriads of things merged in one thing; and this figure, made of sky and branches as it is, had risen from the troubled sea (he is elderly, past fifty now) as a shape might be sucked up out of the waves to shower down from her magnificent hands, compassion, comprehension, absolution. So, he thinks, may I never go back to the lamplight; to the sitting-room; never finish my book; never knock out my pipe; never ring for Mrs. Turner to clear away; rather let me walk on to this great figure, who will, with a toss of her head, mount me on her streamers and let me blow to nothingness with the rest.
Virginia Woolf (Mrs. Dalloway)
A halo around the moon is always a sign of disruption, either a change in the weather, a fever to come, or a streak of bad fortune that won’t go away. But when it’s a double ring, all tangled and snarled, like an agitated rainbow or a love affair gone wrong, anything can happen.
Alice Hoffman (Practical Magic (Practical Magic, #1))
Though Chris was well trusted by both of them, he rarely involved himself in business. “Matt will be here soon. Send him in when he arrives, and I’ll go—” he bobbed his eyebrows. “—prepare your girlfriend.” “She is not my—” Damn it, Chris was already walking away, rendering his protests useless.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Everything is about to go to hell very quickly, so I want one moment where we don't talk about that. We pretend it doesn't exist. I want one last quiet moment with you." "No, Loki." I shook my head, but I didn't pull away. "I told you that one night wasn't enough." Loki leaned down, kissing me deeply and pressing me to him. I didn't even attempt to resist. I wrapped my arms around his neck. It wasn't the way we had kissed before, not as hungry or fevered. This was something different, nicer. We were holding on to each other, knowing this might be the last time we could. It felt sweet and hopeful and tragic all at once. When he stopped kissing me he rested his forehead against mine. He breathed as if struggling to catch his breath. I reached up and touched his face, his skin smooth and cool beneath my hand. Loki lifted his head so he could look me in the eyes, and I saw something in them, something I'd never seen before. Something pure and unadulterated, and my heart seemed to grow with the warmth of my love for him. I don't know how it happened or when it had, but I knew it with complete certainty. I had fallen in love with Loki, more intensely than anything I had felt for anyone before. "Wendy!" Finn shouted, pulling me from my moment with Loki. "What are you doing? You're married! And not to him!" "Nothing slips by you, does it?" Loki asked. "Finn," I said, and stepped away from Loki. "Calm down." "No!" Finn yelled. "I will not calm down! What were you thinking? We're about to go to war, and you're cheating on your husband?" "Everything's not exactly the way it seems," I said, but guilt and regret were gripping my stomach. My marriage might be over, but I was still technically wed to another man. And I should be worrying about things more important than kissing Loki. "It seemed like you had your tongue down his throat." Finn glared at us both. "Well, then, everything is exactly as it seems," Loki said glibly.
Amanda Hocking (Ascend (Trylle, #3))
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it. I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee. ... I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck. I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said: “Well, what’s the matter with you?” I said: “I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.” And I told him how I came to discover it all. Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out. I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back. He said he didn’t keep it. I said: “You are a chemist?” He said: “I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.” I read the prescription. It ran: “1 lb. beefsteak, with 1 pt. bitter beer every 6 hours. 1 ten-mile walk every morning. 1 bed at 11 sharp every night. And don’t stuff up your head with things you don’t understand.” I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
God the horror of watching yourself from the outside as everything you know about yourself gets stripped away and demolished. Not just the loss of power over your body, but power over your mind. Rape in the deepest, most hellish sense of the word. But wait, there's a spark. Inside that hollowed out woman there's a place they can't touch. There's more to me than I thought there was. Something that no one and nothing can take away from me. They can't break me. I won't cease. I'm strong, and I am never going to go away until I've gotten what I came for. I might have been lost for awhile but I was never gone. WHO THE FUCK ARE YOU? With an explosive inhalation I snap upright in bed, and my eyes fly open like coming alive after being dead and interred in a coffin. I AM Mac and I am BACK!
Karen Marie Moning (Dreamfever (Fever, #4))
All my sins were trapped between its covers. And the damn thing just wouldn’t go away. I’d tried to escape culpability, and my culpability had had the nerve to take on a life of its own and hunt me.
Karen Marie Moning (Shadowfever (Fever, #5))
You are loosed from your moorings, and are free; I am fast in my chains, and M a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedoms swift winged angels, that fly around the world; I am confined in the bands of iron! O that I were free! O, that if I were on one of your gallant decks, under your protecting wing! Alas! Betwixt me and you, the turbid waters roll. Go on, go on. O, that I could also go! Could I but swim! If I could fly! O, why was I born a man, of whom to make a brute! The glad ship is gone; she hides in the dim distance. I am left in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me be free! Is there any God! Why am I a slave? I will run away. I will not stand. Get caught, or clear, I'll try it. I had as well die with ague as the fever. I have only one life to lose. I had as well be killed running as die standing. Only think of it; 100 miles straight north, and I am free! Try it? Yes! God is helping me, I will. It cannot be that I shall live and die a slave. I will take to the water. This is very bay shall yet bear me into freedom. The steamboats steered in the Northeast course from Northpoint. I will do the same; and when I get to the head of the bay, I will turn my canoe adrift, and walked straight through Delaware into Pennsylvania. When I get there, I shall not be required to have a pass; I can travel without being disturbed. Let but the first opportunity offer, and, come what will, I am off. Meanwhile, I will try to bear up under the yoke. I am not the only slave in the world. Why should I be free? I can bear as much as any of them. Besides I am but a boy, and all boys are bound to some one. It may be that my misery and slavery will only increase the happiness when I get free there is a better day coming. [62 – 63]
Frederick Douglass (Narrative of the Life of Frederick Douglass)
I don’t know if I have a fever, as I feel I do, or if I’ve stopped having the fever of sleeping through life. Yes, I repeat, I’m like a traveller who suddenly finds himself in a strange town, without knowing how he got there, which makes me think of those who lose their memory and for a long time are not themselves but someone else. I was someone else for a long time – since birth and consciousness – and suddenly I’ve woken up in the middle of a bridge, leaning over the river and knowing that I exist more solidly than the person I was up till now. But the city is unknown to me, the streets are new, and the trouble has no cure. And so, leaning over the bridge, I wait for the truth to go away and let me return to being fictitious and non-existent, intelligent and natural.
Fernando Pessoa (The Book of Disquiet)
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known. After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine. I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that. I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull. “What are you doing?” “Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me. He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?” “Is that what it is?” I feign innocence. He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites. It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him. But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going. I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies. It’s easy to walk away from lies. Power is another thing. Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it. He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?” I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it. I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
Karen Marie Moning (Burned (Fever, #7))
You’re not going to throw this away, are you?” she says, and she’ll be talking about the grains of rice in the bottom of the salt shaker. “No, Mrs. Peacock, by all means, you take them. They’ll come in handy when your son gets out of prison and marries your niece.
David Sedaris (Barrel Fever: Stories and Essays)
A split second later, Jacks had her pinned against the closest tree. Her back hit the wood, his fevered chest pressed to hers, and his hands went for her throat, burning fire hot against her skin. 'Jacks,' Evangeline gasped. 'Let me go.' He moved away as quickly as he'd grabbed her. She slumped against the tree from the force of his release. When she righted herself, he was talking toward the crypt.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Sure, the disease- the inner illness- kills. nevertheless, it's the symptoms - right?- which disfigure, which denude, which scrofulate and scar and maim. it hurts, we say, but we don't care a howl about it; we never cared about it before the pain came, only until the pain came, only because the pain came (perhaps that's why we have to suffer now); and we don't care about it today. we care about the presence of our feeling. period. we want it gone. soonest. make the pain go away doc; rub the spots out; make the quarreling stop; let the war end. peace is the death we rest in under that stone that says so. [...] peace is everybody's favourite teddy, peace is splendiferous, and it's not simply the habit of the sandy-nosed. it's the "get well" word. but after all, without a symptom, what do we see? without an outbreak of anger or impatience, what do we feel? without a heart-warming war, would we ever know or care or concern ourselves with what was wrong? the trouble is that the wrong we care for is soon the war itself, the family wrangle, the bellyache, the coated tongue, the blurry eyes, the fever-ah- the fever in the fevertube.
William H. Gass (The Tunnel)
He’s visitin’ an old friend,” supplied Eragon, dropping his voice into a thick accent. “I’m along t’ make sure he don’t get lost, if y’ get m’meaning. He ain’t as young as he used to be—had a bit too much sun when he was young’r. Touch o’ the brain fever, y’ know.” Brom bobbed his head pleasantly. “Right. Go on through,” said the guard, waving his hand and dropping the pike. “Just make sure he doesn’t cause any trouble.” “Oh, he won’t,” promised Eragon. He urged Cadoc forward, and they rode into Teirm. The cobblestone street clacked under the horses’ hooves. Once they were away from the guards, Brom sat up and growled, “Touch of brain fever, eh?” “I couldn’t let you have all the fun,” teased Eragon. Brom harrumphed and looked away.
Christopher Paolini (Eragon (Inheritance, #1))
Grey refused to shy away from the intensity heating in Sirus's eyes to charcoal. As he waited for the man to roll over, Grey watched, unwavering, challenging the fire burning hot in Sirus's gaze. Sirus lifted up to his elbows, but didn't make any effort to shift his position. In fact, he looked downright defiant, and Grey's pulse started to race. "I want a nice view of my cock taking your sweet ass." "You want me to flip you over and hold you down, fuck you that way?" "Yeah, you want it." Grey said to Sirus. "But is it the fucking that has you leaking so damn hard, or is it the thought of force?" "Don't try to overtake me," Sirus bit Grey's lower lip and tugged, letting it pull through his teeth until it released, "unless you're ready to be the one who ends up on the bottom, with my cock buried in your ass." Grey wrapped his hand around Sirus's throat, yanked the man's head back and took his mouth in a hard, thrusting kiss, going deep and aggressive enough to make Sirus jerk and go compliant. An almost silent whimper escaped the man, begging without words for more. Knowing he was in charge fully once again, Grey reached between their bodies, positioned the head of his cock and drove his length home.
Cameron Dane (Grey's Awakening (Cabin Fever, #2))
When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch. When years described me as mature, the remedy prescribed was middle age. In middle age I was assured greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. Four hoarse blasts of a ships's whistle still raise the hair on my neck and set my feet to tapping. The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage. In other words, I don't improve; in further words, once a bum always a bum. I fear the disease is incurable. I set this matter down not to instruct others but to inform myself. When the virus of restlessness begins to take possession of a wayward man, and the road away from Here seems broad and straight and sweet, the victim must first find in himself a good and sufficient reason for going. This to the practical bum is not difficult. He has a built-in garden of reasons to chose from. Next he must plan his trip in time and space, choose a direction and a destination. And last he must implement the journey. How to go, what to take, how long to stay. This part of the process is invariable and immortal. I set it down only so that newcomers to bumdom, like teen-agers in new-hatched sin, will not think they invented it. Once a journey is designed, equipped, and put in process, a new factor enters and takes over. A trip, a safari, an exploration, is an entity, different from all other journeys. It has personality, temperament, individuality, uniqueness. A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find after years of struggle that we do not take a trip; a trip takes us. Tour masters, schedules, reservations, brass-bound and inevitable, dash themselves to wreckage on the personality of the trip. Only when this is recognized can the blown-in-the glass bum relax and go along with it. Only then do the frustrations fall away. In this a journey is like marriage. The certain way to be wrong is to think you control it.
John Steinbeck (Travels with Charley: In Search of America)
All myths contain a grain of truth, Ms. Lane. I’ve handled books and artifacts that will never find their way into a museum or library, things no archaeologist or historian could ever make sense of. There are many realities pocketed away in the one we call our own. Most go blindly about their lives and never see beyond the ends of their noses. Some of us do.
Karen Marie Moning (Darkfever (Fever, #1))
Then he made his eyes go dry and his heart go dead, and prayed for his fever to burn away his tears. Now I know how Tyrion has felt, all those times they laughed at him.
George R.R. Martin
But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure there would," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now who's in the right?" "Perhaps both," say I without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other--" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh, "Ach, man! he means the people as a whole, the State--" exclaims Mller. "State, State"--Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no, thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he would not become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more of a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same.
Erich Maria Remarque (All Quiet on the Western Front)
We startled awake, alarmed by her shouting, jumping to our feet, drawing swords, looking for imminent danger. Jeb was saying it was a false alarm, that there was nothing wrong, but Lia had somehow gotten to her feet on her own, her eyes wild, telling us we had to leave. A relieved breath hissed between my teeth and I lowered my sword. She’d only had a nightmare. I stepped toward her. “Lia, it was just a bad dream. Let me help you lie back down.” She hobbled backward, determined, sweat glistening on her face, and her arm stretched out to keep me at a distance. “No! Get ready. We leave this morning.” “Look at you,” I said. "You’re tottering like a drunk. You can’t ride.” “I can and I will." “What’s your hurry, Your Highness?” Sven asked. She looked from me to my men. Their feet were firmly planted. They weren’t going anywhere based on her wild-eyed demands. Had she spiked another fever? Her expression sobered. “Please, Rafe, you have to trust me on this.” “What did you see?” I asked. “It’s not what I saw but what I heard— Aster’s voice telling me not to tarry.” “Didn’t she say that to you a dozen times?” “At least,” she answered, but her stance remained determined. All this rush over don’t tarry? Ever since I had gathered her into my arms on that riverbank, I had been looking over my shoulder for danger. I knew it was there. But I had to weigh that uncertainty against the benefits of healing too. I looked away, trying to think. I wasn’t sure if I was making the right decision or not, but I turned back to my men. “Pack up.
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
The women we become after children, she typed, then stopped to adjust the angle of the paper....We change shape, she continued, we buy low-heeled shoes, we cut off our long hair, We begin to carry in our bags half-eaten rusks, a small tractor, a shred of beloved fabric, a plastic doll. We lose muscle tone, sleep, reason, persoective. Our hearts begin to live outside our bodies. They breathe, they eat, they crawl and-look!-they walk, they begin to speak to us. We learn that we must sometimes walk an inch at a time, to stop and examine every stick, every stone, every squashed tin along the way. We get used to not getting where we were going. We learn to darn, perhaps to cook, to patch knees of dungarees. We get used to living with a love that suffuses us, suffocates us, blinds us, controls us. We live, We contemplate our bodies, our stretched skin, those threads of silver around our brows, our strangely enlarged feet. We learn to look less in the mirror. We put our dry-clean-only clothes to the back of the wardrobe. Eventually we throw them away. We school ourselves to stop saying 'shit' and 'damn' and learn to say 'my goodness' and 'heavens above.' We give up smoking, we color our hair, we search the vistas of parks, swimming-pools, libraries, cafes for others of our kind. We know each other by our pushchairs, our sleepless gazes, the beakers we carry. We learn how to cool a fever, ease a cough, the four indicators of meningitis, that one must sometimes push a swing for two hours. We buy biscuit cutters, washable paints, aprons, plastic bowls. We no longer tolerate delayed buses, fighting in the street, smoking in restaurants, sex after midnight, inconsistency, laziness, being cold. We contemplate younger women as they pass us in the street, with their cigarettes, their makeup, their tight-seamed dresses, their tiny handbags, their smooth washed hair, and we turn away, we put down our heads, we keep on pushing the pram up the hill.
Maggie O'Farrell (The Hand That First Held Mine)
It’s . . . what you said, in the bar the other night. About how I can’t let things go. You’re right. And maybe—I don’t know. Maybe it’s because I’ve been so—my whole life, people do things to, they . . . they hurt the people I love. And there was never anything I could do about it. Not until I got magic.” Noam’s hand slackened against Dara’s, but Dara didn’t try to pull away again. He rubbed his thumb against the backs of Noam’s knuckles, and Noam said: “I can do something, now. And maybe I . . . maybe I’m afraid of being powerless again.” The moment that followed was heavy and silent, thick enough between them Dara could’ve twisted it in his grasp like fabric. “You aren’t powerless.” Dara’s voice wavered. “You—Noam, even if you didn’t have magic, you wouldn’t be powerless. You’re so . . . you’re the bravest person I know. The stupidest too.” That earned a broken sort of laugh from Noam. “But. You’re strong. He won’t break you like he—” His throat closed around the rest. Noam’s inhale was sharp, audible. He lifted his hand and slid chilly fingers into Dara’s shorn-short hair. “You aren’t broken, Dara.
Victoria Lee (The Fever King (Feverwake, #1))
You never hear people put it this way, and I don’t intend to start a trend, but when we consider the ever-evolving process of a person’s thinking, the way a person imagines and organizes the world, it could almost seem appropriate to ask each other from time to time, How’s your religion coming along? How’s it going? Born again, or the same old, same old? Did you successfully distinguish darkness from light in the course of your day? Is there a fever in your mind that won’t go away? Mind if I prescribe a poem?
David Dark (Life's Too Short to Pretend You're Not Religious)
Trace started to wave toward Matt, still with Priss wrapped around him, and she blurted, “I love you, Trace.” That effectively drew him to a halt. His hands contracted on her backside. “What?” “I love you.” Then she pointed at Chris, and to where Matt had disappeared. “They told me to fess up, so I am, and if you reject me, I swear I’ll drown them both.” Very slowly, Trace’s expression changed from the heat of anger to a different type of heat. “Say it again.” “Why?” She frowned at him with challenge. “Why don’t you say something first?” “All right.” Sliding his hands up her back, over her shoulders, and into her wet hair, he kissed her. “You make me nuts, Priscilla.” He turned his head and kissed her again, a little longer this time. “You make me hot as hell, too.” “I love you,” Priss reminded him, hoping it might prompt him to a more telling declaration. His next kiss lasted long enough to take the chill off the lake, and Priss got so wrapped up in the taste of him that she almost forgot what she wanted to hear. Chris didn’t. From the dock, he said, “If you’re going to keep her waiting like this, someone needs to finish putting sunscreen on her.” Trace moved fast, grabbing for Chris’s ankle, but Chris jumped back out of reach. Priss, feeling very affected by that kiss, nuzzled Trace’s neck and stroked his shoulders. He smelled delicious, felt even better. “Stop being a voyeur, Chris, and go away.” Having joined Chris on the dock, Matt asked, “Does that mean I can stay?” Trace lurched forward again, and Matt jumped back so quick he fell on his butt. “I’m going. I’m going!” To bring Trace’s attention back to her, Priss bit him. Not a hard bite, but she felt the impression of her sharp teeth on that sensitive spot where his neck met his shoulder. Trace shuddered. “I love you, too.” She licked the bite mark. “I’m so glad.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
cable, and away to sea. But the wind was wanting; and to complete our helplessness, down came Hunter with the news that Jim Hawkins had slipped into a boat and was gone ashore with the rest. It never occurred to us to doubt Jim Hawkins, but we were alarmed for his safety. With the men in the temper they were in, it seemed an even chance if we should see the lad again. We ran on deck. The pitch was bubbling in the seams; the nasty stench of the place turned me sick; if ever a man smelt fever and dysentery, it was in that abominable anchorage. The six scoundrels were sitting grumbling under a sail in the forecastle; ashore we could see the gigs made fast and a man sitting in each, hard by where the river runs in. One of them was whistling "Lillibullero." Waiting was a strain, and it was decided that Hunter and I should go ashore with the jolly-boat in quest of information. The gigs had leaned to their right, but Hunter and I pulled straight in, in the direction of the stockade upon the chart. The two who were left guarding their boats seemed in a bustle at our appearance; "Lillibullero" stopped off, and I could see the pair discussing what they ought to do. Had they gone and told Silver, all might have turned out differently;
Robert Louis Stevenson (Treasure Island)
The world was a sick animal, a sort of huge cancerous tumour, a thing of bubbling liquids, whitish patches, dribbling pus, fantastic pimples of dead skin that grew in all directions, swelled up, became more and more like fuzzy hair. The right thing would be to go away, to vanish for ever from the face of the sun.
J.M.G. Le Clézio (Fever)
If, when he disappeared through his portal, he went to Faery, time moves differently there.” “That’s what V’lane said.” I emptied the cash drawer, counted the bills into stacks, then began punching in numbers on an adding machine. The store wasn’t computerized, which made bookkeeping a real pain in the neck. He gave me a look. “The two of you are getting downright chatty, aren’t you, Miss Lane? When did you last see him? What else did he tell you?” “I’m asking the questions tonight.” One day I was going to write a book: How to Dictate to a Dictator and Evade an Evader, subtitled How to Handle Jericho Barrons. He snorted. “If an illusion of control comforts you, Ms. Lane, by all means, cling to it.” “Jackass.” I gave him a look modeled on his own. He laughed, and I stared, then blinked and looked away. I finished rubber-banding the cash, put it in a leather pouch, and punched the final numbers in, running the day’s total. For a moment there he hadn’t looked dark, forbidding, and cold, but dark, forbidding, and . . . warm. In fact, when he’d laughed he’d looked . . . well . . . kind of hot. I grimaced. Obviously I’d eaten something bad for lunch.
Karen Marie Moning (Bloodfever (Fever, #2))
Matt said, “I need to go. I have other appointments today.” Without a single ounce of hesitation, he cupped Priss’s shoulders, drew her forward, and gave her a smacking kiss right on her slightly parted lips. It was a toss-up who was more surprised, Priss or Trace. Priss blinked rapidly, Trace snarled and Chris laughed at them both. “I enjoyed working with you, Priss. You were more than entertaining, and a font of information on all things kinky.” Trace narrowed his eyes. Was Matt trying to rile him? All things kinky? Just what the hell had they discussed? “What does that mean, Matt?” “She schooled us on the porn marketplace. Very informative.” After a meaningful glance at Trace, he turned back to Priss. “I hope to see you again.” She went still, unsure what to say. Trace filled in the silence. “Did you want to bill me, or get paid now?” “I almost hate to charge, it was all so fascinating.” Trace growled. “But you will.” Grinning, Matt said, “Yes.” As he turned away, he added, “I’ll get something in the mail to Dare. He can pass it along to you. I certainly trust you.” Matt’s emphasis meant that Priss didn’t trust him—not that Trace needed a reminder of that.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Is everything okay, Vi?” She swallowed, setting the rest down. “It’s perfect…” She wrapped her blanket around her and went to Jay’s chair. She leaned over him, her curls falling around hre shoulders like a dark curtain. “You’re perfect.” She smiled as she collapsed on top of him, kissing him. He groaned and pulled her closer, making room for her as the kiss deepened. She’d wanted to be in control but had too quickly lost the upper hand. Her breathing became uneven, and she pressed herself against him, squirming to get coser. The warmth between them spread through her like a fever, making her restless and impatient. He stopped her then, before there was no going back, drawing his face away to create the most microscopic fissure between them. “You taste like tacos.” Violet gasped as she tried to catch her breath. “What?” She blinked, trying to gather her thoughts. “Really, Jay? Is that a complaint or something?” He shook his head. “Of course not.” “Good. Because this is: I hate it when you stop like that.” She pushed herself away from him and sat upright, crossing her arms in front of her. “Come on, Violet, that’s not what I meant.” The dazed look in his eyes only made Violet feel slightly better. She was glad he was at least a little bit bothered. “It’s just that I wanted to talk to you…you know, before we got distracted.” “God, I really am the guy,” she glowered, but her shoulders slumped. He hauled her toward him, dragging her into his arms. “Stop it. You are not the guy.” He kissed her on the mouth, ignoring the fact that she wasn’t kissing back. But as annoyed as she was, it was hard to stay mad. Especially here…now. It truly was magical. So when he pulled out the Oreos and dangled them in front of her-a peace offering-she shook her head and sighed. “You’re impossible.” But there was no real fight in her words, and she couldn’t stop her lips from twitching when he grinned down at her. He took her reluctant smile as surrender and settled back, bringing her with him until they were curled up against each other.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
He had taken wounds before, but never like this. He had never known there could be such pain. Sometimes, unbidden, old prayers bubbled from his lips, prayers he had learned as a child and never thought of since, prayers he had first prayed with Cersei kneeling beside him in the sept at Casterly Rock. Sometimes he even wept, until he heard the Mummers laughing. Then he made his eyes go dry and his heart go dead, and prayed for his fever to burn away his tears. Now I know how Tyrion has felt, all those times they laughed at him.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
To have a goddess like you in his arms and not appreciate it…” He kissed her, unable to resist the lush, succulent mouth so close to his. He put everything he felt into it, so he could wipe out any hurt the Neds of the world had given her. When he broke away, realizing he was treading dangerous ground, she said hoarsely, “You weren’t always so…appreciative. When I said that men enjoyed my company, you said you found that hard to believe.” “What?” he retorted with a scowl. “I never said any such thing.” “Yes, you did, the day that I asked you to investigate my suitors. I remember it clearly.” “There’s no way in hell I ever…” The conversation came back to him suddenly, and he shook his head. “You’re remembering only part, sweeting. You said that men enjoyed your company and considered you easy to talk to. It was the last part I found hard to believe.” “Oh.” She eyed him askance. “Why? You never seem to have trouble talking to me. Or rather, lecturing me.” “It’s either lecture you or stop up your mouth with kisses,” he said dryly. “Talking to you isn’t easy, because every time I’m near you I burn to carry you off to some secluded spot and do any number of wicked things with you.” She blinked, then gazed at him with such softness that at made his chest hurt. “Then why don’t you?” “Because you’re a marquess’s daughter and my employer’s sister.” “What does that signify? You’re an assistant magistrate and a famous Bow Street Runner-“ “And the bastard of nobody knows whom.” “Which merely makes you a fitting companion for a hellion with a reputation for recklessness.” The word companion resonated in his brain. What did she mean by it? Then she pressed a kiss to his jaw, eroding his resistance and his reason, and he knew precisely what she meant. He tried to set her off of him before he lost his mind entirely, but she looped her arms about his neck and wouldn’t let go. “Show me.” “Show you what?” “All the wicked things you want to do with me.” Desire bolted in a fever through his vein. “My God, Celia-“ “I won’t believe a word you’ve said if you don’t.” Her gaze grew troubled. “I don’t think you know what you want. Yesterday you gave me such lovely kisses and caresses and then at the ball you acted like you’d never met me.” “You were with your suitors,” he said hoarsely. “You could have danced with me. You didn’t even ask me for one dance.” Having her on his lap was rousing him to a painful hardness. “Because I knew if I did, I would want…I would need…” She kissed a path down his throat, turning his blood to fire. “Show me,” she whispered, “Show me now what you want. What you need.” “I refuse to ruin you,” he said, half as a caution to himself. “You already have.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
I growled. Couldn’t she leave me alone? She hadn’t spoken in my head for the past forty-five minutes. Why now? I wasn’t asleep. I was awake, wide awake, and I needed this. I needed him. Go away, I willed. “Please,” I groaned. “Please what, Mac? You’ll have to ask for it this time, spell it out in graphic detail. I’m done giving you everything you want without making you ask for it.” “Right. Words mean nothing to you, but now you insist on them,” I said against his mouth. “You are such a hypocrite.” “And you’re bipolar. You want me. You always do. You think I can’t smell it?” “I’m not bipolar.” Sometimes he struck way too close to home. I popped the button on his pants, unzipped them, and shoved my hands inside. He was rock hard. God, he felt good. He stiffened, air hissing between clenched teeth. Make haste . . . He comes . . . “Leave me alone,” I snapped. “Over my dead body,” he said roughly. “You’ve got my dick in your hands.” He told me where it was going to be next and my bones turned to water, tried to spill my body across the floor and let him do anything he wanted to me.
Karen Marie Moning (Shadowfever (Fever, #5))
QUOTES AND THOUGHTS FROM SEEMA & FRIENDS _________________________________________________ On work and career (some paraphrasing involved): _________________________________________________ “Bosses are always jerks. It’s a job requirement.” ———- “Don’t do dumb shit.” ———- Never ever lose sight of priorities. Food always comes first. ———- An itch started in her chest. Go away, she crossly ordered her conscience. It had a habit of popping its head out at the most inconvenient times. The itch became a tickle rising to her nose. Nope, not her conscience. She was going to sneeze. ———- It’s your God-given right as an employee to whine about bosses. _______________________________________________ On romance and families (some paraphrasing involved): _______________________________________________ “Smell is very important,” Gayathri agreed, tone grave. “One of the first things I notice about a man.” ———- “Men—no matter how awful they look—always believe they deserve the hottest girl on the planet.” “What are the rest of us supposed to do?” asked Seema, glumly. Gayathri shrugged. “Act like we are the hottest girl on the planet. Confidence goes a long way.” ———- Seema had never been able to tell where friendly conversation ended and the banter of romance started. Did the delight in his gaze when it landed on her mean something more than casual amiability? What about his hand cupping her cheek to check for fever? The arm he’d wrapped around her shoulders? Was she gonna have to wait until he initiated a lip lock to be certain? Could she plant one on him? What if he ran, screaming in horror? ———- “You just have to look the other way on some things,” Gayathri advised. “Pretence is the glue which holds families together.” ———-
Anitha Perinchery (One Monsoon in Mumbai: Trouble and Laughter and Mushy Stuff)
Barrons’ head whipped around and he stared at me. You said nothing of this to me? You said nothing to me about my mother? What do you know about her? About me? His dark gaze promised retribution for my oversight. So did mine. I hated this. Barrons and I were enemies. It confused my head and hurt my heart. I’d grieved him as if I’d lost the only person who mattered to me, and now here we were, adversaries again. Were we destined to be eternal enemies? One of us is going to have to trust the other, I told him. Your first, Ms. Lane. That was the whole problem. Neither of us would take the risk. I had a lengthy list of reasons why I shouldn’t, and they were sound. My daddy could take the case all the way to the Supreme Court, arguing my side. Barrons didn’t inspire trust. He didn’t even bother trying. When hell freezes over, Barrons. Same bloody page, Ms. Lane. Same bloody— I turned my gaze away in the middle of his sentence, the ocular equivalent of flipping him the bird. Ryodan was watching us, hard. “Butt out,” I warned. “This is between him and me. All you need to do is keep my parents safe and—” “Little hard to do when you’re such a fucking loose cannon.
Karen Marie Moning (Shadowfever (Fever, #5))
At least I have the comfort of believing Alina is in heaven. That maybe someday I'll gaze into a child's eyes and see a piece of my sister's should in there, because the fact is I do believe we go on. Then again, maybe I'll never see a trace of her, but I still feel her. I don't know how to explain it. It's as if she's only a slight shift of reality away from me sometimes, in what I think of as the slipstream, and if I could only slip sideways, too, I could join her. And one day I think I will slip sideways and get to see her again, if only as ships passing on our way to new destinations in the same vas, magnificent sea.
Karen Marie Moning (Burned (Fever, #7))
The impossible class. — Poor, happy and independent! — these things can go together; poor, happy and a slave! — these things can also go together — and I can think of no better news I could give to our factory slaves: provided, that is, they do not feel it to be in general a disgrace to be thus used, and used up, as a part of a machine and as it were a stopgap to fill a hole in human inventiveness! To the devil with the belief that higher payment could lift from them the essence of their miserable condition I mean their impersonal enslavement! To the devil with the idea of being persuaded that an enhancement of this impersonality within the mechanical operation of a new society could transform the disgrace of slavery into a virtue! To the devil with setting a price on oneself in exchange for which one ceases to be a person and becomes a part of a machine! Are you accomplices in the current folly of the nations the folly of wanting above all to produce as much as possible and to become as rich as possible? What you ought to do, rather, is to hold up to them the counter-reckoning: how great a sum of inner value is thrown away in pursuit of this external goal! But where is your inner value if you no longer know what it is to breathe freely? if you no longer possess the slightest power over yourselves? if you all too often grow weary of yourselves like a drink that has been left too long standing? if you pay heed to the newspapers and look askance at your wealthy neighbour, made covetous by the rapid rise and fall of power, money and opinions? if you no longer believe in philosophy that wears rags, in the free-heartedness of him without needs? if voluntary poverty and freedom from profession and marriage, such as would very well suit the more spiritual among you, have become to you things to laugh at? If, on the other hand, you have always in your ears the flutings of the Socialist pied-pipers whose design is to enflame you with wild hopes? which bid you to be prepared and nothing further, prepared day upon day, so that you wait and wait for something to happen from outside and in all other respects go on living as you have always lived until this waiting turns to hunger and thirst and fever and madness, and at last the day of the bestia triumphans dawns in all its glory? In contrast to all this, everyone ought to say to himself: ‘better to go abroad, to seek to become master in new and savage regions of the world and above all master over myself; to keep moving from place to place for just as long as any sign of slavery seems to threaten me; to shun neither adventure nor war and, if the worst should come to the worst, to be prepared for death: all this rather than further to endure this indecent servitude, rather than to go on becoming soured and malicious and conspiratorial!
Friedrich Nietzsche
Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly. Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?" "It wasn't necessary to send for a doctor." A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized. Pandora quivered uneasily and began to inch backward. He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened." "The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times. But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?" "No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?" "That, and... it's a shame I'd rather keep private." "Not your shame. Your father's." "It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me." "You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality." To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it." She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
The Hitchhiker’s Guide to the Galaxy has this to say about the planet of Golgafrincham: it is a planet with an ancient and mysterious history, rich in legend, red, and occasionally green with the blood of those who sought in times gone by to conquer her; a land of parched and barren landscapes, of sweet and sultry air heady with the scent of the perfumed springs that trickle over its hot and dusty rocks and nourish the dark and musky lichens beneath; a land of fevered brows and intoxicated imaginings, particularly among those who taste the lichens; a land also of cool and shaded thoughts among those who have learned to forswear the lichens and find a tree to sit beneath; a land also of steel and blood and heroism; a land of the body and of the spirit. This was its history. And in all this ancient and mysterious history, the most mysterious figures of all were without doubt those of the Great Circling poets of Arium. These Circling Poets used to live in remote mountain passes where they would lie in wait for small bands of unwary travelers, circle around them, and throw rocks at them. And when the travelers cried out, saying why didn’t they go away and get on with writing some poems instead of pestering people with all this rock-throwing business, they would suddenly stop, and then break into one of the seven hundred and ninety-four great Song Cycles of Vassillian. These songs were all of extraordinary beauty, and even more extraordinary length, and all fell into exactly the same pattern.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
My brothers woke me when the sun was beginning to set. “What’s the matter with you, Helen?” Castor cried, shaking me by the shoulder. “How can you sleep at a time like this?” “Are you all right?” Polydeuces put in. “You’re not ill, are you?” He touched my forehead to check for fever. I brushed his hand away gently. “I’m fine, ‘Ione’. You don’t need to fuss over me just because I’m smart enough to catch some sleep before the feast. I’ll still be awake when the two of you are snoring with your heads on the table.” “Ha! If not for us, you’d’ve slept right through the feast,” Castor countered. “I’ll build a temple in your honor to show my thanks,” I said, straight-faced. “Now if you really want to lend a hand, go find a servant to help me get ready. This is a special occasion and I want to look my best.” “Ooooooh, our little sister wants to look nice, does she?” Polydeuces crooned. “I wonder why?” I saw him wink at Castor and knew I was doomed to be teased to death. “Don’t you mean, ‘I wonder who?’” Castor replied. He tried to look sly and all-knowing, but his tendency to go cross-eyed ruined the effect. “Do you think it’s Meleager himself?” “He’s the hero of the day, but I think she’d rather have a brawnier man,” Polydeuces said. “I’ll bet I can guess who. I saw how you looked at him the first night we were here.” He flung his arms around his twin, pitched his voice high, and cried, “Oh, Theseus, you’re sooooooo strong! Make me queen of Athens too!” “Out!” I shouted, snatching up my nearly empty water jug. My brothers retreated at a run, laughing.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
When I began writing these pages I believed their subject to be children, the ones we have and the ones we wish we had, the ways in which we depend on our children to depend on us, the ways in which we encourage them to remain children, the ways in which they remain more unknown to us than they do to their most casual acquaintances; the ways in which we remain equally opaque to them. The ways in which our investments in each other remain too freighted ever to see the other clear. The ways in which neither we nor they can bear to contemplate the death or the illness or even the aging of the other. As the pages progressed it occurred to me that their actual subject was not children after all, at least not children per se, at least not children qua children: their actual subject was this refusal even to engage in such contemplation, this failure to confront the certainties of aging, illness, death. This fear. Only as the pages progressed further did I understand that the two subjects were the same. When we talk about mortality we are talking about our children. Once she was born I was never not afraid. I was afraid of swimming pools, high-tension wires, lye under the sink, aspirin in the medicine cabinet, The Broken Man himself. I was afraid of rattlesnakes, riptides, landslides, strangers who appeared at the door, unexplained fevers, elevators without operators and empty hotel corridors. The source of the fear was obvious: it was the harm that could come to her. A question: if we and our children could in fact see the other clear would the fear go away? Would the fear go away for both of us, or would the fear go away only for me?
Joan Didion (Blue Nights)
Onions! Fresh, hot, sweet onions,” Sam called as Mary Lou pulled the cart down Main Street. “Eight cents a dozen.” It was a beautiful spring morning. The sky was painted pale blue and pink—the same color as the lake and the peach trees along its shore. Mrs. Gladys Tennyson was wearing just her nightgown and robe as she came running down the street after Sam. Mrs. Tennyson was normally a very proper woman who never went out in public without dressing up in fine clothes and a hat. So it was quite surprising to the people of Green Lake to see her running past them. “Sam!” she shouted. “Whoa, Mary Lou,” said Sam, stopping his mule and cart. “G’morning, Mrs. Tennyson,” he said. “How’s little Becca doing?” Gladys Tennyson was all smiles. “I think she’s going to be all right. The fever broke about an hour ago. Thanks to you.” “I’m sure the good Lord and Doc Hawthorn deserve most of the credit.” “The Good Lord, yes,” agreed Mrs. Tennyson, “but not Dr. Hawthorn. That quack wanted to put leeches on her stomach! Leeches! My word! He said they would suck out the bad blood. Now you tell me. How would a leech know good blood from bad blood?” “I wouldn’t know,” said Sam. “It was your onion tonic,” said Mrs. Tennyson. “That’s what saved her.” Other townspeople made their way to the cart. “Good morning, Gladys,” said Hattie Parker. “Don’t you look lovely this morning.” Several people snickered. “Good morning, Hattie,” Mrs. Tennyson replied. “Does your husband know you’re parading about in your bed clothes?” Hattie asked. There were more snickers. “My husband knows exactly where I am and how I am dressed, thank you,” said Mrs. Tennyson. “We have both been up all night and half the morning with Rebecca. She almost died from stomach sickness. It seems she ate some bad meat.” Hattie’s face flushed. Her husband, Jim Parker, was the butcher. “It made my husband and me sick as well,” said Mrs. Tennyson, “but it nearly killed Becca, what with her being so young. Sam saved her life.” “It wasn’t me,” said Sam. “It was the onions.” “I’m glad Becca’s all right,” Hattie said contritely. “I keep telling Jim he needs to wash his knives,” said Mr. Pike, who owned the general store. Hattie Parker excused herself, then turned and quickly walked away. “Tell Becca that when she feels up to it to come by the store for a piece of candy,” said Mr. Pike. “Thank you, I’ll do that.” Before returning home, Mrs. Tennyson bought a dozen onions from Sam. She gave him a dime and told him to keep the change. “I don’t take charity,” Sam told her. “But if you want to buy a few extra onions for Mary Lou, I’m sure she’d appreciate it.” “All right then,” said Mrs. Tennyson, “give me my change in onions.” Sam gave Mrs. Tennyson an additional three onions, and she fed them one at a time to Mary Lou. She laughed as the old donkey ate them out of her hand.
Louis Sachar (Holes)
Into this dark truth which opens its cloak to shield us, dizzying, tidal; opens its sad wings to shoo us away, just to say yes, let that fine rain fall on the threshold; let it fall like wings beating, like a breaking-open. As a messenger from far away, drenched and burning with fever, carries his dispatch here, carries the word. But the patterns of the rain spread out and won’t let us hear, won’t let us see what happens. And that is what comes up to us, speaks to us and grabs us by the shoulders, what’s shaking and shouting at us is the rain, it’s the horizon dissolving. Now we shiver, we burn, facing that gateway, facing that drawbridge no-one will drop. No-one is going to listen. This dark truth, this swaying lightness like the whisper of endless bats, all sensing their way, all surging as one up the veins’ living corridors, all trying to flee the towers. To say yes, let that mist of rain fall against the threshold, let it fall on the walls; let it keep erasing them.
Coral Bracho
Look at me, woman,” Lor growled. I turned my head and met his gaze coolly. “If he tells you anything about us, we’ll kill you. Do you understand that? One word, you die. So if you’re walking around feeling cocky and protected because Barrons likes to fuck you, think again. The more he likes to do you, the more likely it is that one of us will kill you.” I looked up at Ryodan. The owner of Chester’s nodded. “Nobody killed Fiona.” “She was a doormat.” I pushed the arm away from my neck. “Get out of my way.” “I would suggest you cure him of his little problem if you want to survive,” Lor said. “Oh, I’ll survive.” “The farther away from him you get, the safer you are.” “Do you want me to find the Book or not?” Ryodan answered. “We don’t give a fuck if the Book is out there. Or that the walls are down. Times change, we go on.” “Then why are you helping with the ritual? V’lane said Barrons asked you and Lor to handle the other stones.” “For Barrons. But if he breathes one word about himself, you’re dead.” “I thought he was the boss of you guys.” “He is. He made the rules we live by. We’ll still take you from him.” Take you from him. Sometimes I was so dense. “And he knows that.” “We’ve had to do it before,” Lor said. “Kasteo hasn’t said a word to us since. I say get over it already. It’s been a thousand fucking years. What’s a woman worth?” I inhaled slow and deep as the full ramifications of what they’d just told me sunk in. This was why Barrons never answered any of my questions and never would. He knew what they would do to me if he told me—whatever they’d done to Kasteo’s woman a thousand years ago. “You don’t need to worry about it. He hasn’t told me anything.” “Yet,” Lor said. “But more importantly,” I said, looking at Ryodan. “I won’t ask. I don’t need to know.” I realized it was true. I was no longer obsessed with having a name and an explanation for Jericho Barrons. He was what he was. No name, no reasons, would alter anything about him. Or how I felt.
Karen Marie Moning (Shadowfever (Fever, #5))
There is another call, the one that arrives the day when what once worked no longer does. Sometimes people need a shock; sometimes a tocsin call. It is time for a wake-up call. A man is fired from a job; a child runs away from home; ulcers overtake the body. The ancients called this “soul loss.” Today, the equivalent is the loss of meaning or purpose in our lives. There is a void where there should be what Gerard Manley Hopkins calls “juice and joy.” The heart grows cold; life loses its vitality. Our accomplishments seem meaningless. As Tolstoy wrote in his Confessions, “Nothing ahead except ruins.” We seem to be in the thick of the forest without a road. “What, then, must we do?” The long line of myths, legends, poetry, and stories throughout the world tell us that it is at that moment of darkness that the call comes. It arrives in various forms—an itch, a fever, an offer, a ringing, an inspiration, an idea, a voice, words in a book that seem to have been written just for us—or a knock. THE KNOCK The truth knocks on the door and you say, “Go away. I'm looking for the truth,” and so it goes away. Puzzling. —Robert Pirsig
Phil Cousineau (The Art of Pilgrimage: The Seeker's Guide to Making Travel Sacred)
And he felt it. Rogal Dorn had been feeling it for days, weeks, building up, up, up, rising over him like a black fog, dragging at his limbs, clogging his mind, making him question every decision he made, every order he gave. He hadn’t had any respite at all, of any kind, for three months. Three months! His sharpness was going now, his reactions were slower. A billion functionaries depending on him for everything, reaching out to him, suffocating him with their endless demands, pleas for help, for guidance. A billion eyes, on him, all the time. And he’d fought, too. He’d fought. He’d fought primarchs, brothers he’d once thought of as equals or betters. He’d seen the hatred in Perturabo’s eyes, the mania in Fulgrim’s, stabbing at him, poisoning him. Every duel, every brief foray into combat, had chipped a bit more off, had weakened the foundations a little further. Fulgrim had been the worst. His brother’s old form, so pleasing to the eye, had gone, replaced by bodily corruption so deep he scarcely had the words for it. That degradation repulsed him almost more than anything else. It showed just how far you could fall, if you lost your footing in reality completely. You couldn’t show that repulsion. You couldn’t betray the doubt, or give away the fatigue. You couldn’t give away so much as a flicker of weakness, or the game was up, so Dorn’s face remained just as it always had been – static, flinty, curt. He kept his shoulders back, spine straight. He hid the fevers that raged behind his eyes, the bone-deep weariness that throbbed through every muscle, all for show, all to give those who looked up to him something to cling on to, to believe in. The Emperor, his father, was gone, silent, locked in His own unimaginable agonies, and so everything else had crashed onto his shoulders. The weight of the entire species, all their frailties and imperfections, wrapped tight around his mouth and throat and nostrils, choking him, drowning him, making him want to cry out loud, to cower away from it, something he would never do, could never do, and so he remained where he was, caught between the infinite weight of Horus’ malice and the infinite demands of the Emperor’s will, and it would break him, he knew, break him open like the walls themselves, which were about to break now too, despite all he had done, but had it been enough, yes it had, no it could not have been, they would break, they must not break… He clenched his fist, curling the fingers up tight. His mind was racing again. He was on the edge, slipping into a fugue state, the paralysis he dreaded. It came from within. It came from without. Something – something – was making the entire structure around him panic, weaken, fail in resolve. He was not immune. He was the pinnacle – when the base was corrupted, he, too, eventually, would shatter.
Chris Wraight (Warhawk (The Siege of Terra #6))
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?” Elizabeth shook her head. “He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.” Fury sent bright flags of color to her pale cheeks. “You’re blushing, my dear,” Ian said in an awful voice. “I am furious!” she countered, momentarily forgetting that she was confronting a madman. His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.” “Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room. Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite. Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone. “What is it?” she asked suspiciously. “It’s brandy. It will help you sleep.” He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
Judith McNaught (Almost Heaven (Sequels, #3))
That night Bindi, Steve, and I all curled up in bed together. “As long as we’re together,” Steve said, “everything will be just fine.” It was spooky, and I didn’t want to think about it, but it did indeed seem that Steve got into trouble more when he was off on his own. Around that time, on a shoot in Africa with the bushmen of the Kalahari Desert, Steve slipped as he rushed to get a shot of a lizard. He put his hand out to catch himself, and placed it down right in the middle of a euphorbia plant. The bush broke into pieces, and the splinters sank deep into Steve’s hand. Kalahari bushmen use the resin of the euphorbia plant to poison-tip their spears. Steve’s arm swelled and turned black. He became feverish and debated whether to go home or to the hospital. He sought the advice of the bushmen who worked with the poisonous resin regularly. “What do you do if you get nailed by this poison?” The bushmen smiled broadly. “We die,” they said. John filmed every step of the way as the skin of Steve’s arm continued to blacken and he rode out the fever. He worried about the residual effects of gangrene. Ultimately, Steve survived, but he felt the effects for weeks afterward. Once again, Steve and I discussed how uneasy we felt when we were apart. Every time we were together on a trip, we knew we’d be okay. When we were apart, though, we shared a disconcerting feeling that was hard to put into words. It made me feel hollow inside. The Africa trip had taken Steve away from us for three weeks, and Bindi had changed so much while he was away. We agreed that we would never be apart from Bindi and that at least one of us would always be with her. I just felt bad for Steve that I had been the lucky one for the past three weeks. He missed her so much. The next documentary would be different.
Terri Irwin (Steve & Me)
Then when I’d thought nothing else could possibly startle or surprise me, the Lord Master had taken one look at Barrons—and walked away. That worried me. A lot. If the Lord Master walked away from Barrons, how much danger was I in on a daily basis? I’d been feeling invincible up until those last few moments in the cave. Until one man in the room with me had stripped away my will with mere words, and the other man in the room with me had apparently intimidated that one into leaving. Bad and badder. I glanced across the front seat at badder. I opened my mouth. He looked at me. I closed it. I don’t know how he continued driving, because we stared at each other for a long time. The night whizzed by, the air inside the speeding car pregnant with all the things we weren’t saying. We didn’t even have one of our wordless conversations this time; neither of us was willing to betray a single thought or feeling. We looked at each other like two too-intimate strangers who’ve woken after the lovemaking and don’t know quite what to say to each other, so they say nothing at all and go their separate ways, promising, of course, that they’ll call, but each time they look at the phone over the next few days, the discomfort and mild embarrassment of having taken off their clothing in front of someone they didn’t really even know rises up, and the phone call never gets made. Barrons and I had taken our skins off around each other tonight. Shared too many secrets, and none of them the important ones. I was about to look away when he reached across the seat ,touched my jaw with his long, strong, beautiful fingers, and caressed my face. Being touched by Jericho Barrons with kindness makes you feel like you must be the most special person in the world. It’s like walking up to the biggest, most savage lion in the jungle, lying down, placing your head in its mouth and, rather than taking your life, it licks you and purrs. I turned away. He returned his attention to the road. We completed the drive in the same strained silence it had begun.
Karen Marie Moning (Bloodfever (Fever, #2))
I saw and heard all sorts of things in my fever; I was riding a merry-go-round, I wanted to get off but I couldn’t. I was one of many little children sitting in fire engines and hollowed-out swans, on dogs, cats, pigs, and stags, riding round and round. I wanted to get off but I wasn’t allowed to. All the little children were crying, like me they wanted to get out of the fire engines and hollowed-out swans, down from the backs of the cats, dogs, pigs, and stags, they didn’t want to ride on the merry-go-round any more, but they weren’t allowed to get off. The Heavenly Father was standing beside the merry-go-round and every time it stopped, he paid for another turn. And we prayed: “Oh, our Father who art in heaven, we know you have lots of loose change, we know you like to treat us to rides on the merry-go-round, we know you like to prove to us that this world is round. Please put your pocket-book away, say stop, finished, fertig, basta, stoi, closing time—we poor little children are dizzy, they’ve brought us, four thousand of us, to K"asemark on the Vistula, but we can’t get across, because your merry-go-round, your merry-go-round…” But God our Father, the merry-go-round owner, smiled in his most benevolent manner and another coin came sailing out of his purse to make the merry-go-round keep on turning, carrying four thousand children with Oskar in their midst, in fire engines and hollowed-out swans, on cats, dogs, pigs, and stags, round and round in a ring, and every time my stag—I’m still quite sure it was a stag—carried us past our Father in heaven, the merry-go-round owner, he had a different face: He was Rasputin, laughing and biting the coin for the next ride with his faith healer’s teeth; and then he was Goethe, the poet prince, holding a beautifully embroidered purse, and the coins he took out of it were all stamped with his father-in-heaven profile; and then again Rasputin, tipsy, and again Herr von Goethe, sober. A bit of madness with Rasputin and a bit of rationality with Goethe. The extremists with Rasputin, the forces of order with Goethe.
Günter Grass
Save thee, Timon. Tim. Now, thieves? All [Banditti]. Soldiers, not thieves. Tim. Both too, and women's sons. All [Banditti]. We are not thieves, but men that much do want. Tim. Your greatest want is, you want much of meat. Why should you want? Behold, the earth hath roots; Within this mile break forth a hundred springs; The oaks bear mast, the briers scarlet hips; The bounteous housewife, nature, on each bush Lays her full mess before you. Want! why want? 1. Ban. We cannot live on grass, on berries, water, As beasts and birds and fishes. Tim. Nor on the beasts themselves, the birds, and fishes; You must eat men. Yet thanks I must you con That you are thieves profess'd, that you work not In holier shapes: for there is boundless theft In limited professions. Rascal thieves, Here's gold. Go, suck the subtle blood o' the grape, Till the high fever seethe your blood to froth, And so 'scape hanging: trust not the physician; His antidotes are poison, and he slays Moe than you rob: take wealth and lives together; Do villany, do, since you protest to do't, Like workmen. I'll example you with thievery. The sun's a thief, and with his great attraction Robs the vast sea: the moon's an arrant thief, And her pale fire she snatches from the sun: The sea's a thief, whose liquid surge resolves The moon into salt tears: the earth's a thief, That feeds and breeds by a composture stolen From general excrement: each thing's a thief: The laws, your curb and whip, in their rough power Have uncheque'd theft. Love not yourselves: away, Rob one another. There's more gold. Cut throats: All that you meet are thieves: to Athens go, Break open shops; nothing can you steal, But thieves do lose it: steal no less for this I give you; and gold confound you howsoe'er! Amen. 3. Ban. Has almost charmed me from my profession, by persuading me to it. 1. Ban. 'Tis in the malice of mankind that he thus advises us; not to have us thrive in our mystery. 2 Ban. I'll believe him as an enemy, and give over my trade. 1 Ban. Let us first see peace in Athens: there is no time so miserable but a man may be true. Exeunt Thieves [the Banditti]
William Shakespeare (Timon of Athens)
No,” she croaked, trying to shrink away from him. “You’re not supposed to be here. Don’t come near me; you’ll catch it. Please go—” “Quiet,” Kev said, sitting on the edge of the mattress. He caught Win as she tried to roll away, and settled his hand on her forehead. He felt the burning pulse beneath her fragile skin, the veins lit with raging fever. As Win struggled to push him away, Kev was alarmed by how feeble she had grown. Already. “Don’t,” she sobbed, writhing. Weak tears slid from her eyes. “Please don’t touch me. I don’t want you here. I don’t want you to get sick. Oh, please go. … ” Kev pulled her up against him, her body living flame beneath the thin layer of her nightgown, the pale silk of her hair streaming over both of them. And he cradled her head in one of his hands, the powerful battered hand of a bare-knuckle fighter. “You’re mad,” he said in a low voice, “if you think I would leave you now. I’ll see you safe and well no matter what it takes.” “I won’t live through this,” she whispered. Kev was shocked by the words, and even more by his own reaction to them. “I’m going to die,” she said, “and I won’t take you with me.” Kev gripped her more closely, letting her fitful breaths blow against his face. No matter how she writhed, he wouldn’t let go. He breathed the air from her, taking it deep into his own lungs. “Stop,” she cried, trying desperately to twist away from him. The exertion caused her flush to darken. “This is madness. … Oh, you stubborn wretch, let me go!” “Never.” Kev smoothed her wild, fine hair, the strands darkening where her tears had tracked. “Easy,” he murmured. “Don’t exhaust yourself. Rest.” Win’s struggles slowed as she recognized the futility of resisting him. “You’re so strong,” she said faintly, the words born not of praise, but damnation. “You’re so strong. … ” “Yes,” Kev said, gently using a corner of the bed linens to dry her face. “I’m a brute, and you’ve always known it, haven’t you?” “Yes,” she whispered. “And you’re going to do as I say.” He cradled her against his chest and gave her some water. She took a few painful sips. “Can’t,” she managed, turning her face away. “More,” he insisted, bringing the cup back to her lips. “Let me sleep, please—” “After you drink more.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
There was a boy at our school. He was the most extraordinary lad I ever came across. I believe he really liked study. He used to get into awful rows for sitting up in bed and reading Greek; and as for French irregular verbs, there was simply no keeping him away from them. He was full of weird and unnatural notions about being a credit to his parents and an honour to the school; and he yearned to win prizes, and grow up and be a clever man, and had all those sort of weak-minded ideas. I never knew such a strange creature, yet harmless, mind you, as the babe unborn. Well, that boy used to get ill about twice a week, so that he couldn’t go to school. There never was such a boy to get ill. If there was any known disease going within ten miles of him, he had it, and had it badly. He would “take bronchitis in the dog-days, and have hayfever at Christmas. After a six weeks’ period of drought, he would be stricken down with rheumatic fever; and he would go out in a November fog and come home with a sunstroke. They put him under laughing-gas one year, poor lad, and drew all his teeth, and gave him a false set, because he suffered so terribly with toothache; and then it turned to neuralgia and ear-ache. He was never without a cold, except once for nine weeks while he had scarlet fever; and he always had chilblains. He had to stop in bed when he was ill, and eat chicken and custards and hot-house grapes; and he would lie there and sob, because they wouldn’t let him do Latin exercises, and took his German grammar away from him. And we other boys, who would have sacrificed ten terms of our school life for the sake of being ill for a day, and had no desire whatever to give our parents any excuse for being stuck-up about us, couldn’t catch so much as a stiff neck. We fooled about in draughts, and it did us good, and freshened us up; and we took things to make us sick, and they made us fat, and gave us an appetite. Nothing we could think of seemed to make us ill until the holidays began. Then, on the breaking-up day, we caught colds, and whooping cough, and all kinds of disorders, which lasted till the term recommenced; when, in spite of everything we could manoeuvre to the contrary, we would get suddenly well again, and be better than ever.
Jerome K. Jerome (Three Men in a Boat)
He surprised her by reaching out for her, his arms closing around her. She stiffened but allowed him to draw her near. “Poor sweet,” he murmured. “You have so many burdens to carry.” There had been a time when Amelia had passionately longed for a moment such as this. Being held by Christopher, soothed by him. Once this would have been heaven. But it didn’t feel quite the same as before. “Christoph—” she began, moving away from him, but his mouth caught hers, and she froze in astonishment as he kissed her. This, too, was different … and yet for a moment, she remembered what it had been like, how happy she had once been with him. It seemed so long ago, that time before the scarlet fever, when she had been innocent and hopeful and the future had seemed full of promise. She turned her face from his. “No, Christopher.” “Of course.” He pressed his lips to her hair. “Now isn’t the proper time for this. I’m sorry.” “I’m so concerned about my brother, and Merripen, I can’t think of anything else—” “I know, sweet.” He turned her face back to his. “I’m going to help you and your family. There’s nothing I want more than your safety and happiness. And you need my protection. With your family in turmoil, you could easily be taken advantage of.” She frowned. “No one is taking advantage of me.” “What about the Gypsy?” “You’re referring to Mr. Rohan?” Christopher nodded. “I chanced to meet him on his way to London, and he spoke of you in a way that … well, suffice it to say, he’s no gentleman. I was offended for your sake.” “What did he say?” “He went so far as to claim that you and he were going to marry.” A scornful laugh escaped him. “As if you would ever lower yourself to that. A half-bred Gypsy with no manners or education.” Amelia felt a rush of defensive anger. She looked into the face of the man she had once loved so desperately. He was the embodiment of everything a young woman should want to marry. Not all that long ago, she might have compared him to Cam Rohan and found Christopher superior. But she was no longer the woman she had been … and Christopher wasn’t the knight in shining armor she had believed him to be. “I wouldn’t consider it lowering myself,” she said. “Mr. Rohan is a gentleman, and highly esteemed by his friends.” “They all find him entertaining enough for social occasions, but he will never be their equal. And never a gentleman. That’s understood by everyone, my dear, even Rohan himself.” “It’s neither understood nor accepted by me,” she said. “There is more to being a gentleman than fine manners.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I’d like to see some identification,” growled the inspector. I fully expected Barrons to toss O’Duffy from the shop on his ear. He had no legal compulsion to comply and Barrons doesn’t suffer fools lightly. In fact, he doesn’t suffer them at all, except me, and that’s only because he needs me to help him find the Sinsar Dubh. Not that I’m a fool. If I’ve been guilty of anything, it’s having the blithely sunny disposition of someone who enjoyed a happy childhood, loving parents, and long summers of lazy-paddling ceiling fans and small-town drama in the Deep South which-while it’s great—doesn’t do a thing to prepare you for live beyond that. Barrons gave the inspector a wolfish smile. “Certainly.” He removed a wallet from the inner pocket of his suit. He held it out but didn’t let go. “And yours, Inspector.” O’Duffy’s jaw tightened but he complied. As the men swapped identifications, I sidled closer to O’Duffy so I could peer into Barrons’ wallet. Would wonders never cease? Just like a real person, he had a driver’s license. Hair: black. Eyes: brown. Height: 6’3”. Weight: 245. His birthday—was he kidding?—Halloween. He was thirty-one years old and his middle initial was Z. I doubted he was an organ donor. “You’ve a box in Galway as your address, Mr. Barrons. Is that where you were born?” I’d once asked Barrons about his lineage, he’d told me Pict and Basque. Galway was in Ireland, a few hours west of Dublin. “No.” “Where?” “Scotland.” “You don’t sound Scottish.” “You don’t sound Irish. Yet here you are, policing Ireland. But then the English have been trying to cram their laws down their neighbors’ throats for centuries, haven’t they, Inspector?” O’Duffy had an eye tic. I hadn’t noticed it before. “How long have you been in Dublin?” “A few years. You?” “I’m the one asking the questions.” “Only because I’m standing here letting you.” “I can take you down to the station. Would you prefer that?” “Try.” The one word dared the Garda to try, by fair means or foul. The accompanying smile guaranteed failure. I wondered what he’d do if the inspector attempted it. My inscrutable host seems to possess a bottomless bag of tricks. O’Duffy held Barrons’ gaze longer than I expected him to. I wanted to tell him there was no shame in looking away. Barrons has something the rest of us don’t have. I don’t know what it is, but I feel it all the time, especially when we’re standing close. Beneath the expensive clothes, unplaceable accent, and cultural veneer, there’s something that never crawled all the way out of the swamp. It didn’t want to. It likes it there.
Karen Marie Moning (Bloodfever (Fever, #2))
That settles it,” said Mr. Trapwood. “We’re going back to the pension. We’re going to pack. We’re going to be on the Bishop first thing tomorrow. Sir Aubrey will have to send someone else out. Nothing is worth another day in this hellhole.” Mr. Low did not answer. He had caught a fever and was lying in the bottom of a large canoe owned by the Brothers of the São Gabriel Mission, who had arranged for the crows to be taken back to Manaus. His eyes were closed and he was wandering a little in his mind, mumbling about a boy with hair the color of the belly of the golden toad which squatted on the lily leaves of the Mamari River. There had, of course, been no golden-haired boys; there hadn’t been any boys at all. What there had been was a leper colony, run by the Brothers of Saint Patrick, a group of Irish missionaries to whom the crows had been sent. “They’re good men, the Brothers,” a man on the docks had told them as they set off on their last search for Taverner’s son. “They take in all sorts of strays--orphans, boys with no homes. If anyone knows where Taverner’s lad might be, it’ll be them.” Then he had spat cheerfully into the river because he was a crony of the chief of police and liked the idea of Mr. Low and Mr. Trapwood spending time with the Brothers, who were very holy men indeed and slept on the hard ground, and ate porridge made from manioc roots, and got up four times in the night to pray. The Brothers’ mission was on a swampy part of the river and very unhealthy, but the Brothers thought only about God and helping their fellowmen. They welcomed Mr. Trapwood and Mr. Low and said they could look over the leper colony to see if they could find anyone who might turn out to be the boy they were looking for. “They’re a jolly lot, the lepers,” said Father Liam. “People who’ve suffered don’t have time to grumble.” But the crows, turning green, thought there wouldn’t be much point. Even if there was a boy there the right age, Sir Aubrey probably wouldn’t think that a boy who was a leper could manage Westwood. Later a group of pilgrims arrived who had been walking on foot from the Andes and were on their way to a shrine on the Madeira River, and the Brothers knelt and washed their feet. “We know you’ll be proud to share the sleeping hut with our friends here,” they said to Mr. Low and Mr. Trapwood, and the crows spent the night on the floor with twelve snoring, grunting men--and woke to find two large and hungry-looking vultures squatting in the doorway. By the time they returned to Manaus the crows were beaten men. They didn’t care any longer about Taverner’s son or Sir Aubrey, or even the hundred-pound bonus they had lost. All they cared about was getting onto the Bishop and steaming away as fast as it could be done.
Eva Ibbotson (Journey to the River Sea)
The impossible class. Poor, happy and independent! — these things can go together; poor, happy and a slave! — these things can also go together — and I can think of no better news I could give to our factory slaves: provided, that is, they do not feel it to be in general a disgrace to be thus used, and used up, as a part of a machine and as it were a stopgap to fill a hole in human inventiveness! To the devil with the belief that higher payment could lift from them the essence of their miserable condition I mean their impersonal enslavement! To the devil with the idea of being persuaded that an enhancement of this impersonality within the mechanical operation of a new society could transform the disgrace of slavery into a virtue! To the devil with setting a price on oneself in exchange for which one ceases to be a person and becomes a part of a machine! Are you accomplices in the current folly of the nations the folly of wanting above all to produce as much as possible and to become as rich as possible? What you ought to do, rather, is to hold up to them the counter-reckoning: how great a sum of inner value is thrown away in pursuit of this external goal! But where is your inner value if you no longer know what it is to breathe freely? if you no longer possess the slightest power over yourselves? if you all too often grow weary of yourselves like a drink that has been left too long standing? if you pay heed to the newspapers and look askance at your wealthy neighbour, made covetous by the rapid rise and fall of power, money and opinions? if you no longer believe in philosophy that wears rags, in the free-heartedness of him without needs? if voluntary poverty and freedom from profession and marriage, such as would very well suit the more spiritual among you, have become to you things to laugh at? If, on the other hand, you have always in your ears the flutings of the Socialist pied-pipers whose design is to enflame you with wild hopes? which bid you to be prepared and nothing further, prepared day upon day, so that you wait and wait for something to happen from outside and in all other respects go on living as you have always lived until this waiting turns to hunger and thirst and fever and madness, and at last the day of the bestia triumphans dawns in all its glory? In contrast to all this, everyone ought to say to himself: ‘better to go abroad, to seek to become master in new and savage regions of the world and above all master over myself; to keep moving from place to place for just as long as any sign of slavery seems to threaten me; to shun neither adventure nor war and, if the worst should come to the worst, to be prepared for death: all this rather than further to endure this indecent servitude, rather than to go on becoming soured and malicious and conspiratorial!
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire. There were only two places Alucard Emery would go: his family estate or his ship. Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks. He found the captain on his cabin floor. One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts. “Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …” Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder. Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog. “Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor. Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else. “Please,” the captain pleaded with the ghosts. “Don’t make me go.” “I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin. “He’ll never forgive me.” “Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever. “Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream. Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.” Alucard folded in on himself, shuddering. “I can’t….” “Focus on me.” “Rhy …” he sobbed. “I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.” He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark. I’m here now, he’d said, so you can’t die. “I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.” Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless. But Rhy kept his word. He didn’t let go.
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
Sophie?” He knocked, though not that hard, then decided she wasn’t going hear anything less than a regiment of charging dragoons over Kit’s racket. He pushed the door open to find half of Sophie’s candles lit and the lady pacing the room with Kit in her arms. “He won’t settle,” she said. “He isn’t wet; he isn’t hungry; he isn’t in want of cuddling. I think he’s sickening for something.” Sophie looked to be sickening. Her complexion was pale even by candlelight, her green eyes were underscored by shadows, and her voice held a brittle, anxious quality. “Babies can be colicky.” Vim laid the back of his hand on the child’s forehead. This resulted in a sudden cessation of Kit’s bellowing. “Ah, we have his attention. What ails you, young sir? You’ve woken the watch and disturbed my lady’s sleep.” “Keep talking,” Sophie said softly. “This is the first time he’s quieted in more than an hour.” Vim’s gaze went to the clock on her mantel. It was a quarter past midnight, meaning Sophie had gotten very little rest. “Give him to me, Sophie. Get off your feet, and I’ll have a talk with My Lord Baby.” She looked reluctant but passed the baby over. When the infant started whimpering, Vim began a circuit of the room. “None of your whining, Kit. Father Christmas will hear of it, and you’ll have a bad reputation from your very first Christmas. Do you know Miss Sophie made Christmas bread today? That’s why the house bore such lovely scents—despite your various efforts to put a different fragrance in the air.” He went on like that, speaking softly, rubbing the child’s back and hoping the slight warmth he’d detected was just a matter of the child’s determined upset, not inchoate sickness. Sophie would fret herself into an early grave if the boy stopped thriving. “Listen,” Vim said, speaking very quietly against the baby’s ear. “You are worrying your mama Sophie. You’re too young to start that nonsense, not even old enough to join the navy. Go to sleep, my man. Sooner rather than later.” The child did not go to sleep. He whimpered and whined, and by two in the morning, his nose was running most unattractively. Sophie would not go to sleep either, and Vim would not leave her alone with the baby. “This is my fault,” Sophie said, her gaze following Vim as he made yet another circuit with the child. “I was the one who had to go to the mews, and I should never have taken Kit with me.” “Nonsense. He loved the outing, and you needed the fresh air.” The baby wasn’t even slurping on his fist, which alarmed Vim more than a possible low fever. And that nose… Vim surreptitiously used a hankie to tend to it, but Sophie got to her feet and came toward them. “He’s ill,” she said, frowning at the child. “He misses his mother and I took him out in the middle of a blizzard and now he’s ill.” Vim put his free arm around her, hating the misery in her tone. “He has a runny nose, Sophie. Nobody died of a runny nose.” Her expression went from wan to stricken. “He could die?” She scooted away from Vim. “This is what people mean when they say somebody took a chill, isn’t it? It starts with congestion, then a fever, then he becomes weak and delirious…” “He’s not weak or delirious, Sophie. Calm down.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
They killed everyone in the camps. The whole world was dying there. Not only Jews. Even a black woman. Not gypsy. Not African. American like you, Mrs. Clara. They said she was a dancer and could play any instrument. Said she could line up shoes from many countries and hop from one pair to the next, performing the dances of the world. They said the Queen of Denmark honored her with a gold trumpet. But she was there, in hell with the rest of us. A woman like you. Many years ago. A lifetime ago. Young then as you would have been. And beautiful. As I believe you must have been, Mrs. Clara. Yes. Before America entered the war. Already camps had begun devouring people. All kinds of people. Yet she was rare. Only woman like her I saw until I came here, to this country, this city. And she saved my life. Poor thing. I was just a boy. Thirteen years old. The guards were beating me. I did not know why. Why? They didn't need a why. They just beat. And sometimes the beating ended in death because there was no reason to stop, just as there was no reason to begin. A boy. But I'd seen it many times. In the camp long enough to forget why I was alive, why anyone would want to live for long. They were hurting me, beating the life out of me but I was not surprised, expected no explanation. I remember curling up as I had seen a dog once cowering from the blows of a rolled newspaper. In the old country lifetimes ago. A boy in my village staring at a dog curled and rolling on its back in the dust outside a baker's shop and our baker in his white apron and tall white hat striking this mutt again and again. I didn't know what mischief this dog had done. I didn't understand why the fat man with flour on his apron was whipping it unmercifully. I simply saw it and hated the man, felt sorry for the animal, but already the child in me understood it could be no other way so I rolled and curled myself against the blows as I'd remembered the spotted dog in the dusty village street because that's the way it had to be. Then a woman's voice in a language I did not comprehend reached me. A woman angry, screeching. I heard her before I saw her. She must have been screaming at them to stop. She must have decided it was better to risk dying than watch the guards pound a boy to death. First I heard her voice, then she rushed in, fell on me, wrapped herself around me. The guards shouted at her. One tried to snatch her away. She wouldn't let go of me and they began to beat her too. I heard the thud of clubs on her back, felt her shudder each time a blow was struck. She fought to her feet, dragging me with her. Shielding me as we stumbled and slammed into a wall. My head was buried in her smock. In the smell of her, the smell of dust, of blood. I was surprised how tiny she was, barely my size, but strong, very strong. Her fingers dug into my shoulders, squeezing, gripping hard enough to hurt me if I hadn't been past the point of feeling pain. Her hands were strong, her legs alive and warm, churning, churning as she pressed me against herself, into her. Somehow she'd pulled me up and back to the barracks wall, propping herself, supporting me, sheltering me. Then she screamed at them in this language I use now but did not know one word of then, cursing them, I'm sure, in her mother tongue, a stream of spit and sputtering sounds as if she could build a wall of words they could not cross. The kapos hesitated, astounded by what she'd dared. Was this black one a madwoman, a witch? Then they tore me from her grasp, pushed me down and I crumpled there in the stinking mud of the compound. One more kick, a numbing, blinding smash that took my breath away. Blood flooded my eyes. I lost consciousness. Last I saw of her she was still fighting, slim, beautiful legs kicking at them as they dragged and punched her across the yard. You say she was colored? Yes. Yes. A dark angel who fell from the sky and saved me.
John Edgar Wideman (Fever)
The blush started at her toes and worked its way up. She threw her right arm over her face. “Go dry your hair,” she said, mortified. “Please.” Richard gently pulled her arm away and peered down at her, his expression grave. “Are you in pain? Saints, but the fever has begun again. You’re flushed.” “I’m embarrassed!” He blinked. “Why?” Jessica ignored the fact that Warren was standing not a handful of feet away from them, listening as if being able to repeat every word was imperative to his survival. “If you don’t know,” she said tartly, “I’m not about to tell you.” Realization dawned. She saw it in his eyes. And in the color that leaped to his cheeks. He lowered her arm to her side carefully and frowned. “No one else saw,” he muttered. “You did!” “What was I to do?” he countered defensively. “Leave you be?” “No,” she moaned. He took her chin in his hand and forced her to look at him. “I tended you as best I knew how,” he said roughly. “I wasn’t about to leave you to some addle-witted leech.
Lynn Kurland (The More I See You (de Piaget, #7; de Piaget/MacLeod, #6))
Look at you.” I gestured toward him, for he could not disguise his pain, nor hide the fever that brought beads of sweat to his forehead. “You did this to yourself, Steldor. You punished yourself with your actions, but nothing else was accomplished. You just wanted to be a martyr.” “What’s wrong with that?” he shot back. “You want to be a saint! You want to be the one who brings peace to these people. You’re the one who brought war, Alera. You’re the reason Narian didn’t leave for good when he fled Hytanica. He loves you, and that’s why--” He stopped talking, unable to make himself complete that sentence. “You’re right about one thing,” I whispered in the dead silence. “Narian loves me, but what you won’t acknowledge is that he’s the reason any of us still have our lives. He’s the reason you weren’t killed for that show you put on.” “Extend my thanks,” he said, tone laden with sarcasm. I threw up my hands. “This is pointless, us dancing around in circles. You still won’t listen to anyone, let alone me. I may as well go.” “But you won’t--you aren’t yet ready to leave.” I didn’t move, hating that he knew my threat had been empty, and he stood. He drew closer to me until I could feel the heat radiating from his body. “Hytanica and Cokyri will always be different worlds, Alera. Before this is over, one of those worlds will be destroyed. We can’t coexist like this.” “Not when people like you refuse to believe any different.” “At least I’m not hiding from the truth. You’re so wrapped up in Narian that you can’t see the situation for what it really is. Cokyri is a godless, brutal, warrior empire that despises the very way we live. Now that they are in power, they have no need to honor our traditions or tolerate our beliefs. Don’t you see, it’s not just the Kingdom of Hytanica that will no longer exist. It is our entire way of life.” I stared at him, shocked and confused. Narian and I had always been able to work through our differences, so I had assumed our countries could, as well. But he and I wanted to be together, we wanted to be joined. Our countries did not. “Cokyri is interested only in obtaining certain things from us,” I argued, although a bit of doubt now nagged at me. “As long as we follow their regulations, we can live in the manner we always have.” “Then I’d keep an eye on their regulations, Alera. They’re already changing our educational system, what we are permitted to teach our sons. Religion will come next.” “Change isn’t necessarily all bad.” “It is when it’s forced down your throat. And in case you haven’t notice, the Cokyrians overseeing the work crews have not allowed us to rebuild our churches. They have been reconstructed, but for different, more practical purposes. The Cokyrians are quite enamored with practicality.” Not knowing what else to say, I turned to depart, only to feel his hand on my arm. “It doesn’t have to be like this, Alera. Between us, I mean.” He was looking at me with those dark, intense, fiery eyes--eyes that held love I had never reciprocated. “Things are what they are, Steldor,” I replied, decisive but desolate. “We’re separated by too much. We always have been. Just please, give yourself time to get well.” Before he could stop me a second time, I stepped out the door, feeling the weight of frustration lifting from my shoulders with each step I took away from him. I had been foolish to think he and I could communicate in spite of our differing beliefs. Neither of us wanted to cause the other pain, but that was all we had ever been good at doing.
Cayla Kluver (Sacrifice (Legacy, #3))
At length, one evening towards the end of March, the mental clearness of Orange somewhat revived, and he felt himself compelled to get up and put on his clothes. The nurse, thinking that the patient was resting quietly, and fearing the shine of the lamp might distress him, had turned it low and gone away for a little: so it was without interruption, although reeling from giddiness, and scorched with fever, that Rupert groped about till he found some garments, and his evening suit. Clad in these, and throwing a cloak over his shoulders, he went downstairs. Those whom he met, that recognized him, looked at him wonderingly and with a vague dread; but he appeared to have his understanding as well as they, and so he passed through the hall without being stopped; and going into the bar, he called for brandy. The bar-tender, to whom he was known, exclaimed in astonishment; but he got no reply from Orange, who, pouring himself out a large quantity of the fiery liquor found it colder than the coldest iced water in his burning frame. When he had taken the brandy, he went into the street. It was a bleak seasonable night, and a bitter frost-rain was falling: but Orange went through it, as if the bitter weather was a not unwelcome coolness, although he shuddered in an ague-fit. As he stood on the corner of Twenty-third Street, his cloak thrown open, the sleet sowing down on his shirt, and the slush which covered his ankles soaking through his thin shoes, a member of his club came by and spoke to him. "Why, good God! Orange, you don't mean to say you're out on a night like this! You must be much better--eh?" he broke off, for Orange had given him a grey look, with eyes in which there was no speculation; and the man hurried away scared and rather aghast. "These poet chaps are always queer fishes," he muttered uneasily, as he turned into the Fifth Avenue Hotel. Of the events of terror and horror which happened on that awful night, when a human soul was paying the price of an astonishing violation of the order of the universe, no man shall ever tell. Blurred, hideous, and enormous visions of dives, of hells where the worst scum of the town consorted, of a man who spat on him, of a woman who struck him across the face with her umbrella, calling him the foulest of names--visions such as these, and more hateful than these, presented themselves to Orange, when he found himself, at three o'clock in the morning, standing under a lamp-post in that strange district of New York called "The Village." ("The Bargain Of Rupert Orange")
Vincent O'Sullivan (The Supernatural Omnibus- Being A Collection of Stories)
The Bombay Chronicle asked Mohandas Gandhi what he thought of the fact that the United States was now in the war. It was December 20, 1941. 'I cannot welcome this entry of America,' Gandhi said. 'By her territorial vastness, amazing energy, unrivalled financial status and owing to the composite character of her people she is the one country which could have saved the world from the unthinkable butchery that is going on.' Now, he said, there was no powerful nation left to mediate and bring about the peace that all peoples wanted. 'It is a strange phenomenon,' he said, 'that the human wish is paralysed by the creeping effect of the war fever.' Churchill wrote a memo to the chiefs of staff on the future conduct of the war. 'The burning of Japanese cities by incendiary bombs will bring home in a most effective way to the people of Japan the dangers of the course to which they have committed themselves,' he wrote. It was December 20, 1941. Life Magazine published an article on how to tell a Japanese person from a Chinese person. It was December 22, 1941. Chinese people have finely bridged noses and parchment-yellow skin, and they are relatively tall and slenderly built, the article said. Japanese people, on the other hand, have pug noses and squat builds, betraying their aboriginal ancestry. 'The modern Jap is the descendant of Mongoloids who invaded the Japanese archipelago back in the mists of prehistory, and of the native aborigines who possessed the islands before them, Life explained. The picture next to the article was of the Japanese premier, Hideki Tojo. In the Lodz ghetto, trucks began taking the Gypsies away. They went to Chelmno, the new death camp, where they were killed with exhaust gases and buried. It was just before Christmas 1941.
Nicholson Baker (Human Smoke: The Beginnings of World War II, The End of Civilization)
That night Bindi, Steve, and I all curled up in bed together. “As long as we’re together,” Steve said, “everything will be just fine.” It was spooky, and I didn’t want to think about it, but it did indeed seem that Steve got into trouble more when he was off on his own. Around that time, on a shoot in Africa with the bushmen of the Kalahari Desert, Steve slipped as he rushed to get a shot of a lizard. He put his hand out to catch himself, and placed it down right in the middle of a euphorbia plant. The bush broke into pieces, and the splinters sank deep into Steve’s hand. Kalahari bushmen use the resin of the euphorbia plant to poison-tip their spears. Steve’s arm swelled and turned black. He became feverish and debated whether to go home or to the hospital. He sought the advice of the bushmen who worked with the poisonous resin regularly. “What do you do if you net nailed by this poison?” The bushmen smiled broadly. “We die,” they said. John filmed every step of the way as the skin of Steve’s arm continued to blacken and he rode out the fever. He worried about the residual effects of gangrene. Ultimately, Steve survived, but he felt the effects for weeks afterward. Once again, Steve and I discussed how uneasy we felt when we were apart. Every time we were together on a trip, we knew we’d be okay. When we were apart, though, we shared a disconcerting feeling that was hard to put into words. It made me feel hollow inside. The Africa trip had taken Steve away from us for three weeks, and Bindi had changed so much while he was away. We agreed that we would never be apart from Bindi and that at least one of us would always be with her. I just felt bad for Steve that I had been the lucky one for the past three weeks. He missed her so much. The next documentary would be different.
Terri Irwin (Steve & Me)
Cam … would you do something for me?” “Anything.” “Could you find some of that plant Merripen gave to Win and Leo for the scarlet fever?” He drew back and looked at her. “Deadly nightshade? That wouldn’t work for this, sweetheart.” “But it’s a fever.” “Caused by a septic wound. You have to treat the source of the fever.” His hand went to the back of her neck, soothing the tautly strung muscles. He stared at a distant point on the floor, appearing to think something over. His tangled lashes made shadows over his hazel eyes. “Let’s go have a look at him.” “Do you think you could help him?” Poppy asked, springing to her feet. “Either that, or my efforts will finish him off quickly. Which, at this point, he may not mind.” Lifting Amelia from his lap, Cam set her carefully on her feet, and they proceeded up the stairs. His hand remained at the small of her back, a light but steady support she desperately needed. As they approached Merripen’s room, it occurred to Amelia that Win might still be inside. “Wait,” she said, hastening forward. “Let me go first.” Cam stayed beside the door. Entering the room with caution, Amelia saw that Merripen was alone in the bed. She opened the door wider and gestured for Cam and Poppy to enter. Becoming aware of intruders in the room, Merripen lurched to his side and squinted at them. As soon as he caught sight of Cam, his face contracted in a surly grimace. “Bugger off,” he croaked. Cam smiled pleasantly. “Were you this charming with the doctor? I’ll bet he was falling all over himself to help you.” “Get away from me.” “This may surprise you,” Cam said, “but there’s a long list of things I’d prefer to look at rather than your rotting carcass. For your family’s sake, however, I’m willing. Turn over.” Merripen eased his front to the mattress and said something in Romany that sounded extremely foul. “You, too,” Cam said equably.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
By afternoon Jack found her down on her hands and knees scouring the bathroom floor around the toilet and tub. “For the love of God,” he said. “What?” “What the hell are you doing? If you want the bathroom cleaned, why don’t you just tell me? I know how to clean a goddamn bathroom.” “It wasn’t all that dirty, but since I’m in the cleaning mood, I thought I’d whip it into shape.” “David is ready for his nap. Why don’t you join him.” “I don’t feel like a nap. I’m going to vacuum the area rugs.” “No, you’re not,” he said. “I’ll do that if it has to be done right now.” “Okay,” Mel said, smiling. “I’ve been tricked.” “Only by yourself, darling,” she said, whirling away to get the Pledge and Windex. After that was done—and there was a lot of wood and glass and stainless steel to occupy her—she was sweeping off the porch and back steps. Not long after that, she was caught dragging the cradle into the master bedroom. “Melinda!” he shouted, startling her and making her jump. “Jack! Don’t do that!” “Let go of that thing!” He brushed her out of the way and grabbed the cradle. “Where do you want it?” “Right there,” she said. He put it beside the bed. “No,” she said. “Over there, kind of out of the way.” He put it there. “No,” she said. “Against that wall—we’ll put it where we need it when she comes.” He moved it again. “Thank you,” she said. The phone rang. “I’ll get it,” he said. He picked up a pencil and put it in her face. “If you lift anything heavier than this, I’m going to beat you.” Then he turned and left the room. He has cabin fever, she thought. Spending too much time at home with me, making sure I don’t pick up anything heavier than a pencil. He should get out more, and out of my hair. When Jack was done with the phone, she was on her knees in front of the hearth, brushing out the barely used fireplace. “Aw, Jesus Christ,” he said in frustration. “Can that not wait until at least frickin’ winter?” She sat back on her heels. “You are really getting on my last nerve. Don’t you have somewhere you can go?” “No, but we do. Go shower and get beautiful. Paul and Vanessa are back and after they view the prom couple, they’re going to the bar for dinner. We’ll all meet there, look at some pictures.” “Great,” she said. “I’m in the mood for a beer.” “Whatever you want, Melinda,” he said tiredly. “Just stop this frickin’ cleaning.” “You know I’m not going to be able to do much of this after the baby comes, so it’s good to have it all done. And the way I like it.” “You’ve always been good at cleaning. Why couldn’t you just cook?” he asked. “You don’t cook anything.” “You cook.” She smiled. “How many cooks does one house need?” “Just go shower. You have fireplace ash on your nose.” “Pain in the ass,” she said to him, getting clumsily to her feet. “Ditto,” he said. An
Robyn Carr (Second Chance Pass)
I felt like crying. I felt like collapsing in a puddle right there at the door and whimpering, Please make it all go away. I want my sister back and I want to go home and forget that I ever came here. I want to never have met you. I want my life back just the way it was. “Sometimes, Ms. Lane,” he said, “one must break with one’s past to embrace one’s future. It is never an easy thing to do. It is one of the distinguishing characteristics between survivors and victims. Letting go of what was, to survive what is.” He slid the last bolt and yanked open the door.
Karen Marie Moning (Darkfever (Fever, #1))
Only one emotion is possible for this painter--the feeling of strangeness--and only one lyricism--that of the continual rebirth of existence...He speaks as the first man spoke and paints as if no one had ever painted before. What he expresses cannot, therefore, be the translation of a clearly defined thought, since such clear thoughts are those which have already been uttered by ourselves or by others. "Conception" cannot precede "execution." There is nothing but a vague fever before the act of artistic expression, and only the work itself, completed and understood, is proof that there was something rather than nothing to be said. Because he returns to the source of silent and solitary experience on which culture and the exchange of ideas have been built in order to know it, the artist launches his work just as a man once launched the first word, not knowing whether it will be anything more than a shout, whether it can detach itself from the flow of individual life in which it originates and give the independent existence of an identifiable meaning either to the future of that same individual life or to the monads coexisting with it or to the open community of future monads. The meaning of what the artist is going to say does not exist anywhere--not in things, which as yet have no meaning, nor in the artist himself, in his unformulated life. It summons one away from the already constituted reason in which "cultured men" are content to shut themselves, toward a reason which contains its own origins.
Maurice Merleau-Ponty (Sense and Non-Sense)
This quickly led to a fatalistic attitude. Company trader William Walker wrote in 1781 that “they are frightened of going nigh one to another as soon as they take bad, so the one half for want of indulgencies is starved before they can gather Strength to help themselves. They think when they are once taken bad they need not look for any recovery. So the person that’s bad turns feeble that he cannot walk, they leave them behind when they’re pitching away, and so the poor Soul perishes.” Many travellers, including such astute observers as David Thompson, wrote of how the men in particular, when under the influence of a raging fever, would throw themselves into the freezing water, and thereby perish from exposure.
Stephen R. Bown (The Company: The Rise and Fall of the Hudson's Bay Empire)
Maybe we should change plans. I feel a fever coming on.” She looked over at him. “Oh really?” He nodded and gave her a serious look. “Yes. I think I need to call and tell them I’ll be in bed for a week. It’s bad. Want to play nurse?” She pulled her hand free and pinched his arm. “Stop. There’s no going back now. We’re doing this. Plus, you’re going to be fine. I’m here to run interference. They’ll be much more likely to take jabs at me than you.” His expression darkened. “I’m not going to let them insult you, Liv. That’s a deal breaker.” She waved a dismissive hand. “Let ’em. After the week I had, I can deal with whatever they throw at me.” He lowered the radio. “You do seem oddly calm about all this. You remember my dad, right?” “Vividly.” “So is it just the sex relaxing you or something else?” He sent her a look of mock concern. “Have you been drinking? Eating mushrooms? Dropping acid?” “Not exactly.” She took a breath and looked forward. “Worse.” “Worse than dropping acid? I’m not even sure what that would be. Meth? Toad licking?” She grimaced. “Ew, gross. Not as bad as licking toads.” “Well, that’s a relief. We did just kiss.” “I quit my job.” “You—” The car jerked to a halt, the tires screeching as he almost missed a stop sign. “What?” She bit her lip and glanced his way. “Yes. That look on your face. That’s basically what I’ve been feeling inside since I walked out of work last night.” He stared at her, green eyes searching. “You’re just telling me this now? Liv…” She shrugged. “I was going to lead with that, but then you had to go and be all hot and seductive. I just quit my job is kind of a mood killer. Plus, I’m…okay about it.
Roni Loren (The Ones Who Got Away (The Ones Who Got Away, #1))
TO MUSIC, TO BECALM HIS FEVER" CHARM me asleep and melt me so With thy delicious numbers, That, being ravished, hence I go Away in easy slumbers. Ease my sick head And make my bed, Thou power that canst sever From me this ill ; And quickly still, Though thou not kill My fever. Thou sweetly canst convert the same From a consuming fire Into a gentle-licking flame, And make it thus expire. Then make me weep My pains asleep ; And give me such reposes That I, poor I, May think thereby I live and die 'Mongst roses. Fall on me like a silent dew, Or like those maiden showers Which, by the peep of day, do strew A baptim o'er the flowers. Melt, melt my pains With thy soft strains ; That, having ease me given, With full delight I leave this light, And take my flight For heaven.
Robert Welch Herrick
Huh?” she said. “What’s this?” “I think you have a fever. Might be from damn near freezing to death, might be from something else. First we try aspirin.” “Yeah,” she said, taking them in her small hand. “Thanks.” While Marcie took the aspirin with water, he fixed up the tea. They traded, water cup for mug of tea. He stayed across the room at his table while she sipped the tea. When she was almost done, he said, “Okay, here’s the deal. I have to work this morning. I’ll be gone till noon or so—depends how long it takes. When I get back, you’re going to be here. After we’re sure you’re not sick, then you’ll go. But not till I tell you it’s time to go. I want you to sleep. Rest. Use the pot, don’t go outside. I don’t want to stretch this out. And I don’t want to have to go looking for you to make sure you’re all right. You understand?” She smiled, though weakly. “Aw, Ian, you care.” He snarled at her, baring his teeth like an animal. She laughed a little, which turned into a cough. “You get a lot of mileage out of that? The roars and growls, like you’re about to tear a person to pieces with your teeth?” He looked away. “Must keep people back pretty good. Your old neighbor said you were crazy. You howl at the moon and everything?” “How about you don’t press your luck,” he said as meanly as he could. “You need more tea?” “If it’s all the same to you, I think I’ll nap. I don’t want to be any trouble, but I’m awful tired.” He went to her and took the cup out of her hand. “If you didn’t want to be any trouble, why didn’t you just leave me the hell alone?” “Gee, I just had this wild urge to find an old friend…” She lay back on the couch, pulling that soft quilt around her. “What kind of work do you do?” “I sell firewood out of the back of my truck.” He went to his metal box, which was nailed to the floor from the inside so it couldn’t be stolen if someone happened by his cabin, which was unlikely. He unlocked it and took out a roll of bills he kept in there and put it in his pocket, then relocked it. “First snowfall of winter—should be a good day. Maybe I’ll get back early, but no matter what, I want you here until I say you go. You get that?” “Listen, if I’m here, it’s because it’s where I want to be, and you better get that. I’m the one who came looking for you, so don’t get the idea you’re going to bully me around and scare me. If I wasn’t so damn tired, I might leave—just to piss you off. But I get the idea you like being pissed off.” He stood and got into his jacket, pulled gloves out of the pockets. “I guess we understand each other as well as we can.” “Wait—it’s
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Vacchogata further asked Buddha, “Then where does an enlightened person reach after Nirvana, Master Gautama?” “I will answer what you have asked, Vaccha, but let me warn you that, any of these views is a thicket of views, a wilderness of views, a contortion of views, a writhing of views, a fetter of views. It is accompanied by suffering, distress, despair, & fever, and it does not lead to disenchantment, dispassion, cessation; to calm, direct knowledge, full Awakening, Unbinding. The Buddha further warned him stating: Whoever speculates about these things would go mad & experience vexation. But since I have promised you, I will give you the description of our destination. Buddha continued: “Vaccha, there is that dimension where there is neither earth, nor water, nor fire, nor wind; neither dimension of the infinitude of space, nor dimension of the infinitude of consciousness, nor dimension of nothingness, nor dimension of neither perception nor non-perception; neither this world, nor the next world, nor sun, nor moon. And there, I say, there is neither coming, nor going, nor stasis; neither passing away nor arising: without stance, without foundation, without support. This, just this, is the end of suffering.
Tushar Gundev (Common Questions, Great Answers: In Buddha's Words)
On a number of occasions, Tamara joined “Che” on his sorties into the Bolivian highlands, without incident. However, on March 24, 1967, a guerrilla fighter who had been captured by the Bolivian army betrayed her by giving away Tamara’s location. Although she escaped, the Bolivian soldiers found an address book in her Jeep and came after her in hot pursuit. With no other place to hide, she made her way back to “Che” Guevara’s forces. It was considered an open secret that Tamara had been intimate with “Che” but now the troops could not help but notice what was going on. The way they looked into each other’s eyes, and whispered sweet nothings, left no doubt in anyone’s mind, but that she was his lover…. The Bolivian highlands are notorious for the infestation of the Chigoe flea parasite, which infected Tamara. Having a leg injury and running a high fever, she and 16 other ailing fighters were ordered out of the region by Guevara. On August 31, 1967, up to her waist in the Rio Grande of Bolivia, and holding her M 1 rifle above her head, she and eight men were shot and killed in a hail of gunfire by Bolivian soldiers. Leaving their bodies in the water, it was several days before they were recovered downstream. Piranhas had attacked the bodies and their decomposing carcasses were polluting the water. Since the water was being used for drinking purposes by the people in a nearby village, the soldiers were ordered to clear the bodies out of the river. As they were preparing to bury Tamara’s remains in an unmarked grave, a local woman protested what was happening, and demanded that a woman should receive a Christian burial. When he received the news of what had happened, Guevara was stunned and refused to accept it, thinking it was just a propaganda stunt to demoralize him. In Havana Fidel Castro declared her a “Heroine of the Revolution.” There is always the possibility that Tamara was a double agent, whose mission it was to play up to “Che” when they met in Leipzig and then report back to the DDR (Democratic German Republic), who would in turn inform the USSR of “Che’s” activities. The spy game is a little like peeling an onion. Peel off one layer and what you find is yet another layer.
Hank Bracker
With a sigh, I whisked the moisture off my cheeks, then studied Narian’s handsome features, creating a portrait in my mind. I traced his cheekbones and jaw, lingering over his lips. Impulsively, I leaned down to kiss him and his eyelids flicked open. “I will always love you, Alera,” he murmured, momentarily regaining clarity. “And I will always love you.” I curled up beside him, my arm across his chest, willing him to stay with me for as long as possible. I continually fought against drowsiness, but exhaustion and grief eventually got the best of me, and I drifted off to sleep. Someone was shaking my shoulder and I slowly came awake to see London crouched down beside me. I bolted upright, then reached out to touch his face, certain I was seeing a ghost. “Alera, it’s all right. I’m here to bring you safely home.” I nodded, then shifted onto my knees, my voice urgent. “The High Priestess has poisoned Narian. She doesn’t want him to fight against her if she sends reinforcements to Hytanica.” London placed a hand upon Narian’s chest, feeling for a heartbeat, for the rise and fall of breathing, for warmth. “He’s still alive,” he told me. “How long ago was he poisoned?” “About ten hours now. He can’t have much time left. According to what the High Priestess told me about the poison, he should already be dead.” “Listen to me. He may still have some of Nantilam’s healing power inside of him.” “From when the Overlord tried to kill him?” London nodded and hope surged within me. It had been the residual effect of Nantilam’s healing abilities that had enabled the deputy captain to withstand the Overlord’s torture. “That’s probably why his dying is prolonged,” London continued. “With any luck, she may have miscalculated what it will take to kill him. But we need to help him fight, Alera.” “How?” London retrieved his water flask and bedroll from his horse, handing them to me. “Get as much water as possible into him, to dilute the toxin in his bloodstream, and we’ll cover him with all the blankets and cloaks we have. He’s fevered, so let’s help his body sweat out some of the poison.” I began to cover Narian while London added wood to the fire. Then he removed his own cloak and tossed it to me. “I’m going to gather some herbs that might help. I’ve learned a few things about Cokyrian compounds over the years, knowledge that I’m guessing the High Priestess would like to take away from me about now. You stay here and care for him as you have been doing. And, Alera, keep talking to him. He is strong and will fight to hear the sound of your voice--fight to come back to you.” “I think the High Priestessis in love with you, London.” “Just proves folly knows no limit.
Cayla Kluver (Sacrifice (Legacy, #3))
Can’t you tell me, Sir,” she exclaims piteously, as she sees that he is preparing to go away, “can’t you tell me that there is no Day of Judgement, and that there is no such place as Hell? I can do without the Heaven, Sir, but I cannot do with the Hell.” Theobald is much shocked. “Mrs Thompson,” he rejoins impressively, “let me implore you to suffer no doubt concerning these two cornerstones of our religion to cross your mind at a moment like the present. If there is one thing more certain than another it is that we shall all appear before the Judgement Seat of Christ, and that the wicked will be consumed in a lake of everlasting fire. Doubt this, Mrs Thompson, and you are lost.” The poor woman buries her fevered head in the coverlet in a paroxysm of fear which at last finds relief in tears.
Samuel Butler (Complete Works of Samuel Butler)
Into this cake Lila had baked three gifts: a cool hand to test for fevers, a kiss with the power to chase away nightmares, a heart that can tell when it’s time to let go.
Alice Hoffman (Fortune's Daughter)
They waited in position, bayonets fixed, on the morning of July 1st, and listened to the mines go, on schedule at 7.25 a.m. In the distant village of Fricourt, the church bell rang clamorously as the tower collapsed. The weird sound unnerved the men as they waited in their trench, as if the clanging of the bell were the terrible gabble of their own mute fear. Then the whistle went, and they surged forward, over the top into a world of noise. There was no logic that carried Perceval Lucas forth as he ran on those strong, lean legs of his; no discernible path that had taken him from his garden by the stream at Rackham Cottage to one of the bloodiest battles in human history, there on the upper reaches of the River Somme. The following morning, his company entered the village square, and kicked away, underfoot, the stone fragments of saints. The church was a smoking stump, and they saw that its bell-tower had crushed two houses as it fell. Cows wandered the streets, mad and fevered with not having been milked.
Alison MacLeod
Depression feels like fever feels in the body. But unlike a fever, depression lets you taste those 40 degrees burning your insides. and still not let you die. There is no way to do it, there is no way to stop the discomfort, nothing, even if you take a pill and wait hours it will not go away, but knowing everything will end only if you drink the entire jar is the worse part.
- Joshua Josten_VAID
I woke up every morning at six to study—because it was easier to focus in the mornings, before I was worn out from scrapping. Although I was still fearful of God’s wrath, I reasoned with myself that my passing the ACT was so unlikely, it would take an act of God. And if God acted, then surely my going to school was His will. The ACT was composed of four sections: math, English, science and reading. My math skills were improving but they were not strong. While I could answer most of the questions on the practice exam, I was slow, needing double or triple the allotted time. I lacked even a basic knowledge of grammar, though I was learning, beginning with nouns and moving on to prepositions and gerunds. Science was a mystery, perhaps because the only science book I’d ever read had had detachable pages for coloring. Of the four sections, reading was the only one about which I felt confident. BYU was a competitive school. I’d need a high score—a twenty-seven at least, which meant the top fifteen percent of my cohort. I was sixteen, had never taken an exam, and had only recently undertaken anything like a systematic education; still I registered for the test. It felt like throwing dice, like the roll was out of my hands. God would score the toss. I didn’t sleep the night before. My brain conjured so many scenes of disaster, it burned as if with a fever. At five I got out of bed, ate breakfast, and drove the forty miles to Utah State University. I was led into a white classroom with thirty other students, who took their seats and placed their pencils on their desks. A middle-aged woman handed out tests and strange pink sheets I’d never seen before. “Excuse me,” I said when she gave me mine. “What is this?” “It’s a bubble sheet. To mark your answers.” “How does it work?” I said. “It’s the same as any other bubble sheet.” She began to move away from me, visibly irritated, as if I were playing a prank. “I’ve never used one before.” She appraised me for a moment. “Fill in the bubble of the correct answer,” she said. “Blacken it completely. Understand?” The test began. I’d never sat at a desk for four hours in a room full of people. The noise was unbelievable, yet I seemed to be the only person who heard it, who couldn’t divert her attention from the rustle of turning pages and the scratch of pencils on paper. When it was over I suspected that I’d failed the math, and I was positive that I’d failed the science. My answers for the science portion couldn’t even be called guesses. They were random, just patterns of dots on that strange pink sheet. I drove home. I felt stupid, but more than stupid I felt ridiculous. Now that I’d seen the other students—watched them march into the classroom in neat rows, claim their seats and calmly fill in their answers, as if they were performing a practiced routine—it seemed absurd that I had thought I could score in the top fifteen percent. That was their world. I stepped into overalls and returned to mine.
Tara Westover (Educated)
If my faith were stronger, I would say that I consider the trial a joy. I would say that testing produces perseverance. But if I am honest, I just want this pain to go away. I don’t feel it all the time, mind you. But when I do, I’m not thankful for it. It’s a festering boil in need of lancing. It’s not sorrow. Sorrow to me is a temporary hollowing. But this boil beneath the surface spreads a fever to every part of me. It’s anger. It’s an unforgiveness that I need to deal with, but I don’t know how. Or don’t want to.
Jocelyn Green (Between Two Shores)
In the balloons of grandeur that kept Stephenson aloft, the presidency was just a few puffs of helium away. “Boys, I’m not in this for the money,” he told his cronies. “You’re going to put me in the White House.
Timothy Egan (A Fever in the Heartland: The Ku Klux Klan's Plot to Take Over America, and the Woman Who Stopped Them)
Soon he really shut his eyes and fell asleep. He did not sleep long and suddenly awoke with a start and in a cold perspiration. As he fell asleep he had still been thinking of the subject that now always occupied his mind- about life and death, and chiefly about death. He felt himself nearer to it. "Love? What is love?" he thought. "Love hinders death. Love is life. All, everything that I understand, I understand only because I love. Everything is, everything exists, only because I love. Everything is united by it alone. Love is God, and to die means that I, a particle of love, shall return to the general and eternal source." These thoughts seemed to him comforting. But they were only thoughts. Something was lacking in them, they were not clear, they were too one-sidedly personal and brain-spun. And there was the former agitation and obscurity. He fell asleep. He dreamed that he was lying in the room he really was in, but that he was quite well and unwounded. Many various, indifferent, and insignificant people appeared before him. He talked to them and discussed something trivial. They were preparing to go away somewhere. Prince Andrew dimly realized that all this was trivial and that he had more important cares, but he continued to speak, surprising them by empty witticisms. Gradually, unnoticed, all these persons began to disappear and a single question, that of the closed door, superseded all else. He rose and went to the door to bolt and lock it. Everything depended on whether he was, or was not, in time to lock it. He went, and tried to hurry, but his legs refused to move and he knew he would not be in time to lock the door though he painfully strained all his powers. He was seized by an agonizing fear. And that fear was the fear of death. It stood behind the door. But just when he was clumsily creeping toward the door, that dreadful something on the other side was already pressing against it and forcing its way in. Something not human- death- was breaking in through that door, and had to be kept out. He seized the door, making a final effort to hold it back- to lock it was no longer possible- but his efforts were weak and clumsy and the door, pushed from behind by that terror, opened and closed again. Once again it pushed from outside. His last superhuman efforts were vain and both halves of the door noiselessly opened. It entered, and it was death, and Prince Andrew died. But at the instant he died, Prince Andrew remembered that he was asleep, and at the very instant he died, having made an effort, he awoke. "Yes, it was death! I died- and woke up. Yes, death is an awakening!" And all at once it grew light in his soul and the veil that had till then concealed the unknown was lifted from his spiritual vision. He felt as if powers till then confined within him had been liberated, and that strange lightness did not again leave him. When, waking in a cold perspiration, he moved on the divan, Natasha went up and asked him what was the matter. He did not answer and looked at her strangely, not understanding. That was what had happened to him two days before Princess Mary's arrival. From that day, as the doctor expressed it, the wasting fever assumed a malignant character, but what the doctor said did not interest Natasha, she saw the terrible moral symptoms which to her were more convincing. From that day an awakening from life came to Prince Andrew together with his awakening from sleep. And compared to the duration of life it did not seem to him slower than an awakening from sleep compared to the duration of a dream.
Leo Tolstoy (War and Peace)
His smile became a bit wild, and before I could brace myself, he grabbed my arm. There was a blinding, quick pain, and my scream sounded in my ears as bone and flesh were shattered, blood rushed out of me, and then- Rhysand was still grinning when I opened my eyes. I hadn't any idea how long I'd been unconscious, but my fever was gone, and my head was clear as I sat up. In face, the mud was gone, too. I felt as if I'd just been bathed. But then I lifted my left arm. 'What have you done to me?' Rhysand stood, running a hand through his short, dark hair. 'It's custom in my court for bargains to be permanently marked upon flesh.' I rubbed my left forearm and hand, the entirety of which was now covered in swirls and whorls of black ink. Even my fingers weren't spared, and a large eye was tattooed in the centre of my palm. It was feline, and it's slitted pupil stared right back at me. 'Make it go away,' I said, and he laughed. 'You humans are truly grateful creatures, aren't you?' From the distance, the tattoo looked like an elbow-length lace glove, but when I held it close to my face, I could detect the intricate depictions of flowers and curves that flowed throughout to make up a larger pattern. Permanent. Forever. 'You didn't tell me this would happen.' 'You didn't ask. So how am I to blame?' He walked to the door but lingered, even as pure night wafted off his shoulders. 'Unless this lack of gratitude and appreciation is because you fear a certain High Lord's reaction.' Tamlin. I could already see his face going pale, his lips becoming thin as the claws came out. I could almost hear the growl he'd emit when he asked me what I had been thinking. 'I think I'll wait to tell him until the moment's right, though,' Rhysand said. The gleam in his eyes told me enough. Rhysand hadn't done any of this to save me, but rather to hurt Tamlin. And I'd fallen into his trap- fallen into it worse than the worm had fallen into mine.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
He felt of Emma’s forehead. “She’s still a mite warm.” He turned. “I’ll ride for Doc Foster.” At that moment, a peal of thunder cracked overhead. Emma jerked but didn’t waken. McKenna hastily soothed her back to sleep and caught Wyatt at the front door. Already in his duster again, she grabbed his arm. “She doesn’t need Dr. Foster, Wyatt. Her fever’s breaking.” He reached for the door, not seeming to hear her. She reached up and took his face in her hands. He stilled. “Emma’s going to be okay. Her fever’s breaking.” His face was a mixture of pain and fear, and suddenly his actions made more sense to her. “Did your Bethany die of fever?” she whispered, already seeing the answer in his eyes. “I can’t—” His voice caught. “I can’t lose another child that way.” She hugged him to her as tight as she could, wanting him to feel every part of her loving him. “You won’t. You won’t lose Emma.” He lifted her face to his, and McKenna met his kiss and returned it. “You’re sure she’s all right?” he said. McKenna nodded. “Yes, but . . .” She looked down and away. “I did something I shouldn’t have done.” “What? What did you do?” Shame poured through her. “Emma kept crying for Janie, asking for her mama.” She shrugged. “I couldn’t console her, her fever was high.” She closed her eyes. “I told her that . . . I was her mama. I know it was wrong. I don’t want her to forget Janie, it’s just that—” “You remember that night, McKenna,” he said, his voice soft, “when Janie asked you to take care of her?” She nodded. “I’ll never forget it.” “Janie asked you to take her . . . and make her your own. Those were her exact words.
Tamera Alexander (The Inheritance)
You okay, Rach?” “Ugh.” “I’ll take that as a no,” he murmured, and bit back a smile when he saw the roll of toilet paper I was carrying with me. “Do you have the flu?” I shook my head and flopped down on the couch dramatically. “Whachoo want?” Walking quickly over to me, he knelt down and put the back of his hand to my forehead. I swatted at it but he held down my hands and tried to decide if I had a fever. “You just have a cold then?” “Allergies. Stupid mold or cedar or . . . air.” “Have you taken anything?” “Nope. Juss woke up. Cantchoo tell?” I waved a hand over my pajama-covered body and wiped my tears away. He smiled softly and stood up. “You still look beautiful. Let me find you something to take.” I wanted to have an aww moment, but just then I started in on a string of sneezes. “Only six sneezes?” Kash called from the kitchen. “Come on, Rach. You’re slacking. Next time go for eight at least.” I
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
A smile tugged at my lips as I took in Rachel wrapped up in the comforter like a burrito, Kleenex everywhere, a half-empty Gatorade bottle on the floor next to the couch, and an empty box of Sour Patch Kids on the table next to the cold and allergy medicine. I brushed the back of my hand against her forehead, making sure she hadn’t gotten a fever since I’d left her, and she rolled toward me on a groan. “Rach, wake up,” I whispered close to her ear, and let my fingers trail down her cheek. She grumbled again as her eyes slowly cracked open. “Time is it?” “Almost five. You hungry?” Shaking her head, she closed her eyes again. Laughing softly, I kissed her forehead and spoke against it. “It’s probably because you ate the green ones when I told you not to.” Her body went rigid for all of three seconds before she began burrowing herself deeper into the comforter and away from me. My next laugh was louder. “Take some more medicine, and go take a hot shower; the steam will help. I’ll make you soup for when you get out.” As
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))