Feud Quotes

We've searched our database for all the quotes and captions related to Feud. Here they are! All 100 of them:

I will fight this war to love you, Juliette Cai. I will fight this feud to have you, because it was this feud that gave you to me, twisted as it is, and now I will take you away from it.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Jealousy isn't something we deal with well, but some of us have been around long enough to know when to let go, and what is most important. The happiness of my two best friends should be more important than some ancient feud. - Puck
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Clary glanced past him and asked, "Where's Magnus?" "He said it would be better if he didn't come. Apparently he and the Seelie Queen have some kind of history." Isabelle raised her eyebrows. "Not that kind of history," said Alec irritably. "Some kind of feud. Though," he added, half under his breath, "the way he got around before me, I woudn't be surprised.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
All that is good is gone, or perhaps it never existed. The blood feud kept us apart, forced us onto different sides. I will not allow death to do the same.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
A love story can never be about full possession. The happy marriage, the requited love, the desire that never dims--these are lucky eventualites but they aren't love stories. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name. We value love not because it's stronger than death but because it's weaker. Say what you want about love: death will finish it. You will not go on loving in the grave, not in any physical way that will at all resemble love as we know it on earth. The perishable nature of love is what gives love its importance in our lives. If it were endless, if it were on tap, love wouldn't hit us the way it does. And we certainly wouldn't write about it.
Jeffrey Eugenides (My Mistress's Sparrow Is Dead: Great Love Stories from Chekhov to Munro)
My parents want to do things differently. Dad's big on treaties.' 'And your mother?' Isabeau inquired. 'She's big on making grown men cry.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
Exactly. These guys just want me to play Snow White singing in her little cottage while they do all the work.' Lucy snorted. 'Snow White and the Seven Buttheads. You could give Disney a run for their money.' Nicholas poked her in the ribs. 'I am not a singing dwarf!' 'No, you're a butthead. Weren't you paying attention?
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
Where's Lucy?" I asked the others. "At the farmhouse," Nicholas said with grim satisfaction. "How'd you manage that?" "She's in a closet." Solange rolled her eyes. I stared at Nicholas. "You locked your girlfriend in a closet? Smooth." "She's going to eviscerate him," Quinn said cheerfully.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
And do you know another thing, Arthur? Life is too bitter already, without territories and wars and noble feuds.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
The conclusion I have reached is that, above all, dogs are witnesses. They are allowed access to our most private moments. They are there when we think we are alone. Think of what they could tell us. They sit on the laps of presidents. They see acts of love and violence, quarrels and feuds, and the secret play of children. If they could tell us everything they have seen, all of the gaps of our lives would stitch themselves together.
Carolyn Parkhurst (The Dogs of Babel)
Love is the best revenge
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
Probably there is nothing in human nature more resonant with charges than the flow of energy between two biologically alike bodies, one of which has lain in amniotic bliss inside the other, one of which has labored to give birth to the other. The materials are here for the deepest mutuality and the most painful estrangement.
Adrienne Rich (Of Woman Born: Motherhood as Experience and Institution)
I can do this, Logan," she said confidently. "Kala trained me for this." "What if something goes wrong? I can't exactly wave a magic wand over you. I'm not Harry Potter." "Who?" "Never mind.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
Tension, in the long run, is a more dangerous force than any feud known to man.
Criss Jami (Killosophy)
(Lucy to Isabeau)" “Cool.” She tilted her head. “You don’t look crazy.” “You’re like a runaway train,” Logan groaned at her. “Can’t you shut her up?” he asked his brother pleadingly. “How?” Nicholas said somewhat helplessly. “Kiss her, you idiot.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
To the outside world we all grow old. But not to brothers and sisters. We know each other as we always were. We know each other's hearts. We share private family jokes. We remember family feuds and secrets, family griefs and joys. We live outside the touch of time.
Clara Luz Zuniga Ortega
Every day that I don’t beg Cardan for forgiveness over a feud he started is a day I win. He can humiliate me, but every time he does and I don’t back down, he makes himself less powerful. After all, he’s throwing everything he’s got at someone as weak as I am and it’s not working. He’s going to take himself down.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Very possibly this was the night my white-knight complex, as Solange put it, would get me killed. Someone had better write a poem about it. It was only fair.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
I might have been more worried if I hadn't been defending myself against six brothers my whole life. And if I didn't have a mother who thought she was a ninja.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
Life is too bitter already, without territories and wars and noble feuds
T.H. White (The Once and Future King)
Logan?' 'Yes?' I pulled my clothes back on even though the fabric stuck to my wounds. So much for trying to keep them clean. 'How did you know it wasn’t really me?' 'Are you kidding? Your eyeballs could be on fire and you wouldn’t bat your lashes at me like that.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
You are precious" I insisted. "Stubborn and secretive and independent to a fault, but precious.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
Children were vehicles for passing things along. These things could be kingdoms, rich wedding gifts, stories, grudges, blood feuds. Through children, alliances were forged; through children, wrongs were avenged. To have a child was to set loose a force in the world.
Margaret Atwood (The Penelopiad)
Cross a small dog with a pig and you have a pug.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
Can I give you a word of advice?" Lucy asked. "I suppose so." "You have a great French accent. If a guy asks you to wear a French maid's costume, kick him in the shin." "Especially if it's one of my brothers" Solange agreed.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
I’m at the center of this, a weird possessive feud between the Winter king and the Cordellan prince.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
Finally, a bit of luck. Rat bastard,' I hissed down at Montmartre. 'Mangy dog of a scurvy goat.' 'That doesn’t even make sense,' Isabeau murmured. 'Feels good though. Try it.' She narrowed her eyes at the top of Montmartre’s perfectly groomed hair. 'Balding donkey’s ass.' 'Nice.' 'Sniveling flea-bitten rabid monkey droppings.' 'Clearly, you’re a natural.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
I was my usual charming morning self, threatening blood feud with anyone fool enough to disturb my dreams.
Glen Cook (The Black Company (The Chronicle of the Black Company, #1))
If enemy offers you two options, surprise him with your third one, end the feud with the fourth one.
Toba Beta (Betelgeuse Incident: Insiden Bait Al-Jauza)
He nodded. "I think you're good for him, Meghan," he said, smiling in a small, sad way that was completely different from the Puck I knew. "I see the way he looks at you, something I haven't seen in him since the day we lost Ariella. And...I know you love him in a way that you can't love me." He looked away, just for a moment, and took a deep breath. "Jealousy isn't something that we deal with well," he admitted. "But some of us have been around long enough to know when to let go, and what is most important. The happiness of my two best friends should be more important than some ancient feud.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Dear Goat, How does one fall in love? Do you trip? Do you stumble, lose your balance and drop to the sidewalk, graze your knee, graze your heart? Do you crash to the stony ground? Is there a precipice, from which you float, over the edge, forever? I know I'm in love when I see you, I know when I long to see you. Not a muscle has moved. Leaves hang unruffled by any breeze. The air is still. I have fallen in love without taking step. When did this happen? I haven't even blinked. I'm on fire. Is that too banal for you? It's not, you know. You'll see. It's what happens. It's what matters. I'm on fire. I no longer eat, I forget to eat. Food looks silly to me, irrelevant. If I even notice it. But I notice nothing. My thoughts are full and raging, a house full of brothers, related by blood, feuding blood feuds: "I'm in love." "Typically stupid choice." "I am, though, I'm racked by love as if love were pain." "Go ahead. Fuck up your life. It's all wrong and you know it. Wake up. Face it." "There's only one face, it's all I see, awake or asleep." I threw the book out the window last night. I tried to forget. You are all wrong for me, I know it, but I no longer care for my thoughts unless they're thoughts of you. When I'm close to you, in your presence, I feel your hair brush my cheek when it does not. I look away from you, sometimes. Then I look back. When I tie my shoes, when I peel an orange, when I drive my car, when I lie down each night without you, I remain, As ever, Ram
Cathleen Schine (The Love Letter)
Sometimes ... it took seconds to control your anger, only to avoid the state of eternal feud.
Toba Beta (Master of Stupidity)
It is unfortunate that in most cases when the sins of the father fall on the son it is because unlike God, people refuse to forgive and forget and heap past wrongs upon innocent generations.
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
But people are still people, however comfortable their surroundings. They lie, they feud, they betray and however much you give them, they always want more.
Anthony Ryan (Queen of Fire (Raven's Shadow, #3))
Logan,” one of them drawled. “Your technique’s slipping if you need dogs to keep them from running away.” ----------- “Why are you on the floor?” “Hypnos,” I said. Quinn snorted. “Dude, Hypnos and dogs? I thought you were the one who was supposed to be good with the girls, Darcy?
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
We had a short reprieve as Dad cupped Mom’s face and ran his hands down her neck, over her shoulders. “Helena, are you hurt?” She waved that away. “I’m fine.” She smiled briefly, then turned hard eyes on us. Each of us took a healthy step backward and not a single one of us felt any less manly for the wise retreat.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
He felt a bit like Romeo to her Juliet, minus the feuding families and poison. And with pigeons.
Julia Quinn (What Happens in London (Bevelstoke, #2))
How did you know it wasn't really me?" "Are you kidding? Your eyeballs could be on fire and you wouldn't bat your lashes at me like that.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
I will fight this war to love you, Juliette Cai. I will fight this feud to have you because it was this feud that gave you to me, twisted as it is, and now I will take you away from it
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
There are stories of elopements, unrequited love, family feuds and exhausting vendettas, which everyone was drawn into, had to be involved with. But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character - the way a person took on and recognized in himself the smile of a lover... Where is the intimate and truthful in all this? Teenager and Uncle. Husband and lover. A lost father in his solace. And why do I want to know of this privacy? After the cups of tea, coffee, public conversations ... I want to sit down with someone and talk with utter directness, want to talk to all the lost history like that deserving lover.
Michael Ondaatje (Running in the Family)
The fields stretch out in long unbroken rows. We walk aware of what is far and close. Here distance is familiar as a friend. The feud we kept with space comes to an end.
Theodore Roethke
Solange leaned back against the wall, bored. “Are you done yet?” “Hell no,” Lucy said. She’d left nose prints on the glass. Nicholas smirked up at her. She blushed. “Ooops. Busted.” “I told you they could hear your heartbeat,” Solange said. “Even from up here.” “I can’t help it. Even if they all know they’re pretty and are insufferably arrogant,” she added louder. “Can they hear that?” “Yes.” “Good.” She glanced at me. “Yummy, right?” “I’m sure Isabeau would rather recover, not ogle my brothers,” Solange said. “You remember how stressed you were after the Hypnos?” “Please,” Lucy scoffed. “This is totally soothing.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
He bent his head, gently laid his cheek down on top of her breasts and closed his eyes. He inhaled her scent and let out a slow groan. Mine.
Gayle Donnelly (Infinite Betrayal (Blood Feud #1))
I'm going to make love to you until you scream. Until you know you're mine. No man will ever touch you again. Only me. He stared through her soul with his hungry emerald eyes. I'll mark you so every man who sees you know who you belong to.
Gayle Donnelly (Infinite Betrayal (Blood Feud #1))
Life would be so much easier if, when we hit a snag in a relationship, any relationship, we would stop, address it, and move ahead smoothly. The truth is, in most cases, we could do just that. The reality is, we don’t do it! We keep moving. We allow little insults to become raging angers, little arguments to become festering feuds, little pains to become deep wounds, and we keep moving. In many cases, we keep hurting. When the relationship at issue is an intimate, loving one, the attempt to move forward without addressing the pain only complicates matters, further poisoning the relationship.
Iyanla Vanzant (In the Meantime: Finding Yourself and the Love You Want)
You know I love a good family feud and I carry a big stick.
Kami Garcia
He … loves her. Well, he’s crushing on her anyway.” I didn’t know the term but I understood its meaning well enough. I sighed. “I thought she’d be smarter.” He raised his eyebrows. “She’s plenty smart.” He looked thoughtful. “You don’t believe in love then?” “No.” I wanted to look away, couldn’t. “I don’t know.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
That version, as with so many of the stories we tell about our history, erased a woman- a plain, bad heroine- in favor of a less messy and more palatable yarn about two feuding brothers from New England.
Emily M. Danforth (Plain Bad Heroines)
It was a beautiful night, warm and filled with stars and the songs of crickets and frogs. White flowers glowed in the grass. It was a night made for poetry. We should have been kissing. A lot. Instead we were sneaking out of the caves to a blood-soaked clearing where we’d been ambushed not twenty-four hours earlier. Not exactly an ordinary date.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
I nodded. “Where’s your hunter?” She flinched. “He went home. We thought it would be best.” Her eyes went from worried to warning. “He’s under Drake protection.” “So am I, or so I’ve been led to understand.” “Of course you are,” Lucy said, her nose pressed to the window. “Misunderstanding. No big deal.” Solange quirked a half smile. “You might try complete sentences, Lucy.” “Can’t. Busy.” I was curious despite myself. “What are you doing?” “Drooling,” Solange explained fondly.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
Mathias lifted his head and looked directly into Mina's eyes. His smile was gone. Possession filled his gaze. After tonight, you won't be asking another man for anything.
Gayle Donnelly (Infinite Betrayal (Blood Feud #1))
Good books to not invite unanimity. They invite discord, mayhem, knife fights, blood feuds.
Joe Queenan
I have to console myself with the hope that I'd seen Isabeau soften, even hesitate, as if she might actually have taken my arm. It was suddenly very easy to picture her in a gown with petticoats and ringlets in her hair and diamonds at her throat. It was just as easy to picture Magda with horns and pitchfork." - Logan, page 95
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
Great feuds often need very few words to resolve them. Disputes, even between nations, between peoples, can be set to rest with simple acts of contrition and corresponding forgiveness, can so often be shown to be based on nothing much other than pride and misunderstanding, and the forgetting of the humanity of the other—and land, of course.
Alexander McCall Smith (The Good Husband of Zebra Drive (No. 1 Ladies' Detective Agency, #8))
Sprawled across the top like a snake lay a familiar necklace of diamonds and rubies. I’d seen it before—in Tarquin’s trove. “How … what?” Amren smiled to herself. “Varian sent it to me. To soften Tarquin’s declaration of our blood feud.” I’d thought the rubies would need to be worn by a mighty female—and could think of no mightier female than the one before me. “Did you and Varian … ?” “Tempting, but no. The prick can’t decide if he hates or wants me.” “Why can’t it be both?” A low chuckle. “Indeed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
[A] life passed amid the feuds and rivalries of a girls' school had left Prunella not wholly unprepared for battle.
Zen Cho (Sorcerer to the Crown (Sorcerer Royal, #1))
He thought the feud was live ash a boot heel could stomp out. He didn't notice it burning down both their houses.
Anna-Marie McLemore (The Weight of Feathers)
The feud keeps taking and hurting and killing and still I couldn't stop loving you even when I thought I hated you.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
Birthdays, like weddings, anniversaries, baptisms, bar mitzvahs, wakes, are occasions to retie family ties, renew family feuds, restore family feeling, add to family lore, tribalize the psyche, generate guilt, exercise power, wave a foreign flag, talk in tongues, exchange lies, remember dates and the old days, to be fond of how it was, be angry at what it should be, and weep at why it isn't.
William H. Gass (The Tunnel)
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out. So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote: Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send. HUCK FINN. I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: "All right, then, I'll GO to hell"--and tore it up.
Mark Twain (The Adventures of Huckleberry Finn)
Whatever I thought right seemed bad to others; whatever seemed wrong to me, others approved of. I ran into feuds wherever I found myself, I met disfavor wherever I went; if I longed for happiness, I only stirred up misery; so I had to be called “Woeful”: Woe is all I possess.
Caleb Carr (The Alienist (Dr. Laszlo Kreizler, #1))
A feud is this way: A man has a quarrel with another man, and kills him; then that other man's brother kills him; then the other brothers, on both sides, goes for one another; then the cousins chip in -- and by and by everybody's killed off, and there ain't no more feud. But it's kind of slow, and takes a long time.
Mark Twain (The Adventures of Huckleberry Finn)
We wanted more. We knocked the butt ends of our forks against the table, tapped our spoons against our empty bowls; we were hungry. We wanted more volume, more riots. We turned up the knob on the TV until our ears ached with the shouts of angry men. We wanted more music on the radio; we wanted beats; we wanted rock. We wanted muscles on our skinny arms. We had bird bones, hollow and light, and we wanted more density, more weight. We were six snatching hands, six stomping feet; we were brothers, boys, three little kings locked in a feud for more.
Justin Torres (We the Animals)
There’s a reason Mia is currently an only child. Family drama takes on a whole new meaning when they’re feuding gods who can’t stand the sight of each other and always try to kill one another whenever they’re in the same room.” – Kat
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Recently Mr. Mawdsley’s donkey escaped from his stall, raced down the road, and somehow found his way into an enclosed pasture. Mr. Caird’s prized mare was innocently grazing when the ill-bred seducer had his way with her. Now it appears the mare has conceived, and a feud is raging between Caird, who demands financial compensation, and Mawdsley, who insists that had the pasture fencing been in better repair, the clandestine meeting would never have occurred. Worse still, it has been suggested that the mare is a shameless lightskirt and did not try nearly hard enough to preserve her virtue.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The trouble with taking away the certainty of evil was that its vacuum was filled by all kinds of more nebulous threats, rivalries, and feuds. It became increasingly difficult to judge where the threat was coming from.
Karen Traviss
Now the best relation to our spiritual home is to be near enough to love it. But the next best is to be far enough away not to hate it. It is the contention of these pages that while the best judge of Christianity is a Christian, the next best judge would be something more like a Confucian. The worst judge of all is the man now most ready with his judgements; the ill-educated Christian turning gradually into the ill-tempered agnostic, entangled in the end of a feud of which he never understood the beginning, blighted with a sort of hereditary boredom with he knows not what, and already weary of hearing what he has never heard.
G.K. Chesterton (The Everlasting Man)
Today we are now thrown into contact all the time with people whose assumptions, perspectives, and backgrounds are different from our own. The modern world is not two brothers feuding for control of the Ottoman Empire. It is Cortés and Montezuma struggling to understand each other through multiple layers of translators. Talking to Strangers is about why we are so bad at that act of translation.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
In one sense, the Qur’an regards the Torah and the Gospel as older siblings— and looks on with dismay at the family feud tearing apart Abrahamic cohesion. In another sense, the Qur’an exists as an orphan. It presents the first Abrahamic scripture in Arabic, delivered by an Arabian prophet. Claiming a lineage back to the Torah yet revealed in a thoroughly pagan society, the Qur’an enjoys an insider-outsider status—one that empowers it to look lovingly yet critically at its ancestry. This complex inheritance means the Qur’an is aware of its roots yet free to develop its own identity without being confined by parental oversight.
Mohamad Jebara (The Life of the Qur'an: From Eternal Roots to Enduring Legacy)
Lucy said, her nose pressed to the window. “Misunderstanding. No big deal.” Solange quirked a half smile. “You might try complete sentences, Lucy.” “Can’t. Busy.” I was curious despite myself. “What are you doing?” “Drooling,” Solange explained fondly. “I totally am,” Lucy admitted, unrepentant. “Just look at them.” Lucy moved over to give me space. She was watching five of the seven Drake boys repairing the outside wall of the farmhouse, under our window.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
I am Uhtred, son of Uhtred, and this is the tale of a blood feud. It is a tale of how I will take from my enemy what the law says is mine. And it is the tale of a woman and of her father, a king. He was my king and all that I have I owe to him. The food that I eat, the hall where I live, and the swords of my men, all came from Alfred, my king, who hated me.
Bernard Cornwell (The Last Kingdom (The Saxon Stories, #1))
Just as she was unaware of the hidden currents of politics running below the surface of College affairs, so the Scholars, for their part, would have been unable to see the rich seething stew of alliances and enmities and feuds and treaties which was a child’s life in Oxford. Children playing together: how pleasant to see! What could be more innocent and charming?
Philip Pullman (The Golden Compass (His Dark Materials, #1))
I mourned,” Roma said just as softly. “I mourned for months, years outside the gates of the cemetery. Yet I don’t regret choosing you. No matter how cruel you think yourself, your heart beats for your people. That’s why you shot him. That’s why you took the chance. Not because you are merciless. Because you have hope.” Juliette looked up. If Roma turned, even the slightest, they would be nose to nose. “I regret that I was ever put in the position to choose,” Roma continued. His words were faint, whispered into the world while the streets roared with sirens, the building beside them teemed with chaos, and policemen along every street corner screamed for order. But Juliette heard him perfectly. “I hate that the blood feud forced my hand, but I can’t—I did what I had to do and you may think me monstrous for it. The feud keeps taking and hurting and killing and still I couldn’t stop loving you even when I thought I hated you.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
There is a thing called the blood feud. All societies have them, even the West Saxons have them, despite their vaunted piety. Kill a member of my family and I shall kill one of yours, and so it goes on, generation after generation or until one family is all dead, and Kjartan had just wished a blood feud on himself. I did not know how, I did not know where, I could not know when, but I would revenge Ragnar. I swore it that night.
Bernard Cornwell (The Last Kingdom (The Saxon Stories, #1))
I see the way he looks at you, something I haven't seen in him since the day we lost Ariella. And...I know you love him in a way you can't love me.” He looked away, just for a moment, and took a deep breath. “Jealousy isn't something we deal with well,” he admitted. “But some of us have been around long enough to know when to let go, and what is most important. The happiness of my two best friends should be more important than some ancient feud.” Stepping close, he placed a palm on my cheek, brushing a strand of hair from my face. Glamour flared up around him, casting him in a halo of emerald light. In that moment, he was pure fey, unbound by shallow human fears and embarrassment, a being as natural and ancient as the forest. “I have always loved you, princess,” Robin Goodfellow promised, his green eyes shining in the darkness. “I always will. And I'll take whatever you can give me.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Truth disappears with history and gossip tells us in the end nothing of personal relationships. There are stories of elopements, unrequited love, family feuds, and exhausting vendettas, which everyone was drawn into, had to be involved with. But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character - the way a person took on and recognized in himself he smile of a lover. Individuals are seen only in the context of these swirling social tides. It was almost impossible for a couple to do anything without rumour leaving their shoulders like a flock of messenger pigeons. Where is the intimate and truthful in all this? Teenager and Uncle. Husband and lover. A lost father in his solace. And why do I want to know of this privacy? After the cups of tea, coffee, public conversations...I want to sit down with someone and talk with utter directness, want to talk to all the lost history like that deserving lover.
Michael Ondaatje (Running in the Family)
No," Roma finally said. "Then we would not have met. Then I would have lived an ordinary life, pining for some great love I would never find, because ordinary things happen to ordinary people, and ordinary people settle for something that satisfies them, never knowing if there would have been greater happiness in another life." His voice was rough, but it was certain. "I will fight this war to love you, Juliette Cai. I will fight this feud to have you, because it was this feud that gave you to me, twisted as it is, and now I will take you away from it.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Freedom isn’t giving someone a small chunk of life and expecting them to be content with it,
Robin D. Mahle (Scarlet Princess (The Lochlann Feuds, #1))
My brothers are idiots. Anyone can see that under the scars and the attitude, Isabeau is more fragile than she looks. And as a reclusive Hound princess, her first introduction to the royal family shouldn’t be a dose of Hypnos and four idiots gawking at her. If I’d managed not to gawk, they sure as hell could have. She was beautiful, fierce, and utterly unlike anyone I’d ever known. It was really hard not to gawk. Much better to pace outside her door with one of our Bouviers sitting at the top of the stairs watching me curiously. “This sucks, Boudicca,” I told her. “I don’t think we inherited Dad’s diplomacy.” She laid her chin on her paws. I could have sworn she rolled her eyes.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
Autumn was her happiest season. There was an expectancy about its sounds and shapes: the distant thunk pomp of leather and young bodies on the practice field near her house made her think of bands and cold Coca-Colas, parched peanuts and the sight of people's breath in the air. There was even something to look forward to when school started - renewals of old feuds and friendships, weeks of learning again what one half forgot in the long summer. Fall was hot-supper time with everything to eat one missed in the morning when too sleepy to enjoy it.
Harper Lee (Go Set a Watchman)
The following Discourse [on art, by Sir Joshua Reynolds] is particularly Interesting to Blockheads as it endeavours to prove that There is No such thing as Inspiration & that any Man of a plain Understanding may by Thieving from Others become a Mich Angelo.
William Blake
Lunch period was painful and awkward. Whenever Brody tried to ask Mina a question, Jared would interject and turn the subject back to Nan. Ever, frustrated by Jared’s lack of attention, turned to tossing food in the air and catching it in her mouth. It wasn’t until Ever almost choked on one of the French fries that the boys calmed down their feud and turned to helping the girl not choke to death.
Chanda Hahn (Fable (An Unfortunate Fairy Tale, #3))
I nodded. “Where’s your hunter?” She flinched. “He went home. We thought it would be best.” Her eyes went from worried to warning. “He’s under Drake protection.” “So am I, or so I’ve been led to understand.” “Of course you are,” Lucy said, her nose pressed to the window. “Misunderstanding. No big deal.” Solange quirked a half smile. “You might try complete sentences, Lucy.” “Can’t. Busy.” I was curious despite myself. “What are you doing?” “Drooling,” Solange explained fondly. “I totally am,” Lucy admitted, unrepentant. “Just look at them.” Lucy moved over to give me space. She was watching five of the seven Drake boys repairing the outside wall of the farmhouse, under our window." "Solange leaned back against the wall, bored. “Are you done yet?” “Hell no,” Lucy said. She’d left nose prints on the glass. Nicholas smirked up at her. She blushed. “Ooops. Busted.” “I told you they could hear your heartbeat,” Solange said. “Even from up here.” “I can’t help it. Even if they all know they’re pretty and are insufferably arrogant,” she added louder. “Can they hear that?” “Yes.” “Good.” She glanced at me. “Yummy, right?” “I’m sure Isabeau would rather recover, not ogle my brothers,” Solange said. “You remember how stressed you were after the Hypnos?” “Please,” Lucy scoffed. “This is totally soothing.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
When it comes to love, there are a million theories to explain it. But when it comes to love stories, things are simpler. A love story can never be about full posession. The happy marriage, the requited love, the desire that never dims-- these are lucky eventualities but they aren't love stories. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name.
Jeffrey Eugenides (My Mistress's Sparrow is Dead: Great Love Stories, from Chekhov to Munro)
Ring out, wild bells, to the wild sky, The flying cloud, the frosty light: The year is dying in the night; Ring out, wild bells, and let him die. Ring out the old, ring in the new, Ring, happy bells, across the snow: The year is going, let him go; Ring out the false, ring in the true. Ring out the grief that saps the mind, For those that here we see no more; Ring out the feud of rich and poor, Ring in redress to all mankind. Ring out a slowly dying cause, And ancient forms of party strife; Ring in the nobler modes of life, With sweeter manners, purer laws. Ring out the want, the care, the sin, The faithless coldness of the times; Ring out, ring out my mournful rhymes, But ring the fuller minstrel in. Ring out false pride in place and blood, The civic slander and the spite; Ring in the love of truth and right, Ring in the common love of good. Ring out old shapes of foul disease; Ring out the narrowing lust of gold; Ring out the thousand wars of old, Ring in the thousand years of peace. Ring in the valiant man and free, The larger heart, the kindlier hand; Ring out the darkness of the land, Ring in the Christ that is to be
Alfred Tennyson (In Memoriam)
Talon snorted down at Tre. “Wow. That's almost genius, Betty. Got anything else for us before we head out?” Tre reached out and shoved Talon's shoulder. “Quit calling me Betty. So what if I like to bake. I don't see you turning down my red velvet cupcakes, asshole.
Gayle Donnelly (Infinite Betrayal (Blood Feud #1))
It cannot be too often repeated that what destroyed the Family in the modern world was Capitalism. No doubt it might have been Communism, if Communism had ever had a chance, outside that semi-Mongolian wilderness where it actually flourishes. But, so far as we are concerned, what has broken up households and encouraged divorces, and treated the old domestic virtues with more and more open contempt, is the epoch and Power of Capitalism. It is Capitalism that has forced a moral feud and a commercial competition between the sexes; that has destroyed the influence of the parent in favour of the influence of the employer; that has driven men from their homes to look for jobs; that has forced them to live near their factories or their firms instead of near their families; and, above all, that has encouraged, for commercial reasons, a parade of publicity and garish novelty, which is in its nature the death of all that was called dignity and modesty by our mothers and fathers.
G.K. Chesterton
Impulsively, I threw up a new wall in my head. And suddenly I saw the situation for what it really was. Dante had me backed up against a tree, all right, but I did not want to make out with him. “Demonstration finished,” Dante said, his smile a bit too cocky for my liking. “Next time choose a more appropriate demonstration,” I said tensely. “Patch would kill you if he found out about this.” His smile didn’t fade. “That’s a figure of speech that doesn’t work very well with Nephilim.” I wasn’t in the mood for humor. “I know what you’re doing. You’re trying to set him off. This petty feud between the two of you will blow up to a whole new level if you mess with me. Patch is the last person you want to antagonize. He doesn’t hold grudges, because the people who cross him tend to disappear quickly. And what you just did? That was crossing him.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
The thing is, I’ve never believed in feuds. Don’t get me wrong: I’ve been angry with people. Very angry – with people like Patrick Meehan, or that lawyer who tried to bill me for a drink, or Bob Daisley. But I don’t hate them. And I don’t wish them any harm. I reckon hating someone is just a total f**king waste of time and effort. What do you get out of it in the end? Nothing. I’m not trying to come over like the Archangel Gabriel here. I just think that if you’re pissed off with someone, call them an arsehole, get it out of your system, and move on. It’s not like we’re on this earth very long.
Ozzy Osbourne (I Am Ozzy)
It might not seem self-evident that impunity for white violence against blacks would engender black-on-black murder. But when people are stripped of legal protection and placed in desperate straits, they are more, not less, likely to turn on each other. Lawless settings are terrifying; if people can do whatever they want to each other, there are always enough bullies to make it ugly. Americans are nostalgic for the village setting and hold dear the notion of community, so the idea that the oppressed do not band together in solidarity is counter to our myths. But community spawns communal justice; the village gives rise to the feud.
Jill Leovy (Ghettoside: A True Story of Murder in America)
What would you think of a man who not only kept an arsenal in his home, but was collecting at enormous financial sacrifice a second arsenal to protect the first one? What would you say if this man so frightened his neighbors that they in turn were collecting weapons to protect themselves from him? What if this man spent ten times as much money on his expensive weapons as he did on the education of his children? What if one of his children criticized his hobby and he called that child a traitor and a bum and disowned it? And he took another child who had obeyed him faithfully and armed that child and sent it out into the world to attack neighbors? What would you say about a man who introduces poisons into the water he drinks and the air he breathes? What if this man not only is feuding with the people on his block but involves himself in the quarrels of others in distant parts of the city and even in the suburbs? Such a man would clearly be a paranoid schizophrenic, Mr. Flanagan, with homicidal tendencies.
Robert Shea (The Illuminatus! Trilogy: The Eye in the Pyramid/The Golden Apple/Leviathan)
Southerners. Such literate, civilized folk, such charm and cleverness and passion for living, such genuine interest in people, all people, high and low, white and black, and yet how often it had come to, came to, was still coming to vicious incomprehension, usually over race but other things too - religion, class, money. How often the lowest elements had burst out of the shadows and hollers, guns and torches blazing, galloping past the educated and tolerant as nightriders, how often the despicable had run riot over the better Christian ideals... how often cities had burned, people had been strung up in trees, atrocities had been permitted to occur and then, in the seeking of justice for those outrages, how slippery justice had proven, how delayed its triumph. Oh you expect such easily obtained violence in the Balkans or among Asian or African tribal peoples centuries-deep in blood feuds, but how was there such brutality and wickedness in this place of church and good intention, a place of immense friendliness and charity and fondness for the rituals of family and socializing, amid the nation's best cooking and best music... how could one place contain the other place?
Wilton Barnhardt (Lookaway, Lookaway)
It just may be that the most radical act we can commit is to stay home. What does that mean to finally commit to a place, to a people, to a community? It doesn't mean it's easy, but it does mean you can live with patience, because you're not going to go away. It also means commitment to bear witness, and engaging in 'casserole diplomacy' by sharing food among neighbors, by playing with the children and mending feuds and caring for the sick. These kinds of commitment are real. They are tangible. They are not esoteric or idealistic, but rooted in the bedrock existence of where we choose to maintain our lives. That way we begin to know the predictability of a place. We anticipate a species long before we see them. We can chart the changes, because we have a memory of cycles and seasons; we gain a capacity for both pleasure and pain, and we find the strength within ourselves and each other to hold these lines. That's my definition of family. And that's my definition of love.
Terry Tempest Williams
The universality of reason is a momentous realization, because it defines a place for morality. If I appeal to you do do something that affects me—to get off my foot, or not to stab me for the fun of it, or to save my child from drowning—then I can't do it in a way that privileges my interests of yours if I want you to take me seriously (say, by retaining my right to stand on your foot, or to stab you, or to let your children drown). I have to state my case in a way that would force me to treat you in kind. I can't act as if my interests are special just because I'm me and you're not, any more than I can persuade you that the spot I am standing on is a special place in the universe just because I happen to be standing on it. You and I ought to reach this moral understanding not just so we can have a logically consistent conversation but because mutual unselfishness is the only way we can simultaneously pursue our interests. You and I are both better off if we share our surpluses, rescue each other's children when they get into trouble, and refrain from knifing each other than we would be if we hoarded our surpluses while they rotted, let each other's children drown, and feuded incessantly. Granted, I might be a bit better off if I acted selfishly at your expense and you played the sucker, but the same is true for you with me, so if each of us tried for these advantages, we'd both end up worse off. Any neutral observer, and you and I if we could talk it over rationally, would have to conclude that the state we should aim for is the one where we both are unselfish. Morality, then, is not a set of arbitrary regulations dictated by a vengeful deity and written down in a book; nor is it the custom of a particular culture or tribe. It is a consequence of the interchangeability of perspectives and the opportunity the world provides for positive-sum games.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
Everybody warns about bad influences, but it’s these things already inside you that are going to take you down. The restlessness in your gut, like tomcats gone stupid with their blood feuds, prowling around in the moon-dead dark. The hopeless wishes that won’t quit stalking you: some perfect words you think you could say to somebody to make them see you, and love you, and stay. Or could say to your mirror, same reason. Some people never want like that, no reaching for the bottle, the needle, the dangerous pretty face, all the wrong stars. What words can I write here for those eyes to see and believe? For the lucky, it’s simple. Like the song says, this little light of mine. Don’t let Satan blow it out. Look farther down the pipe, see what’s coming. Ignore the damn tomcats. Quit the dope.
Barbara Kingsolver (Demon Copperhead)
A human being can only endure depression up to a certain point; when this point of saturation is reached it becomes necessary for him to discover some element of pleasure, no matter how humble or on how low a level, in his environment if he is to go on living at all. In my case these insignificant birds with their subdued colourings have provided just sufficient distraction to keep me from total despair. Each day I find myself spending longer and longer at the window watching their flights, their quarrels, their mouse-quick flutterings, their miniature feuds and alliances. Curiously enough, it is only when I am standing in front of the window that I feel any sense of security. While I am watching the birds I believe that I am comparatively immune from the assaults of life. The very indifference to humanity of these wild creatures affords me a certain safeguard. Where all else is dangerous, hostile and liable to inflict pain, they alone can do me no injury because, probably, they are not even aware of my existence. The birds are at once my refuge and my relaxation.
Anna Kavan (Asylum Piece)
The foregoing circumstances, physical and moral, may give an idea of the causes which maintained the Arabs for ages in an unchanged condition. While their isolated position and their vast deserts protected them from conquest, their internal feuds, and their want of a common tie, political or religious, kept them from being formidable as conquerors. They were a vast aggregation of distinct parts ; full of individual vigor, but wanting coherent strength. Although their nomadic life rendered them hardy and active ; although the greater part of them were warriors from their infancy, yet their arms were only wielded against each other, excepting some of the frontier tribes, which occasionally engaged as mercenaries in external wars. While, therefore, the other nomadic races of Central Asia, possessing no greater aptness for warfare, had, during a course of ages, successively overrun and conquered the civilized world, this warrior race, unconscious of its power, remained disjointed and harmless in the depths of its native deserts. The time at length arrived when its discordant tribes were to be united in one creed, and animated by one common cause ; when a mighty genius was to arise, who should bring together these scattered limbs, animate them with his own enthusiastic and daring spirit, and lead them forth, a giant of the desert, to shake and overturn the empires of the earth.
Washington Irving (Mahomet and His Successors)
I also realized that in my family drama a very limited number of character traits were available to the players. In my mind, either I could be weak, wimpy, submissive, and pathetic, or I could be a raging tyrant and bully who demanded total compliance from everyone in my realm. The notion of being strong and assertive while staying calm, insisting on appropriate boundraries and on being treated with respect and dignity, were not in my realm of experience. Once I realized that I was much happier with the person I was in the rest of my life, I realized it was foolish not to be that "me" around my family as well. I began to feel liberated and genuinely felt they could take the new me or leave it. So far, they've chosen to leave it, but I feel a sense of integrity and self-respect that I had never experienced before.
Mark Sichel (Healing from Family Rifts: Ten Steps to Finding Peace After Being Cut Off from a Family Member)
People try to get away from it all—to the country, to the beach, to the mountains. You always wish that you could too. Which is idiotic: you can get away from it anytime you like. By going within. Nowhere you can go is more peaceful—more free of interruptions—than your own soul. Especially if you have other things to rely on. An instant’s recollection and there it is: complete tranquillity. And by tranquillity I mean a kind of harmony. So keep getting away from it all—like that. Renew yourself. But keep it brief and basic. A quick visit should be enough to ward off all < . . . > and send you back ready to face what awaits you. What’s there to complain about? People’s misbehavior? But take into consideration: • that rational beings exist for one another; • that doing what’s right sometimes requires patience; • that no one does the wrong thing deliberately; • and the number of people who have feuded and envied and hated and fought and died and been buried. . . . and keep your mouth shut. Or are you complaining about the things the world assigns you? But consider the two options: Providence or atoms. And all the arguments for seeing the world as a city. Or is it your body? Keep in mind that when the mind detaches itself and realizes its own nature, it no longer has anything to do with ordinary life—the rough and the smooth, either one. And remember all you’ve been taught—and accepted—about pain and pleasure. Or is it your reputation that’s bothering you? But look at how soon we’re all forgotten. The abyss of endless time that swallows it all. The emptiness of all those applauding hands. The people who praise us—how capricious they are, how arbitrary. And the tiny region in which it all takes place. The whole earth a point in space—and most of it uninhabited. How many people there will be to admire you, and who they are. So keep this refuge in mind: the back roads of your self. Above all, no strain and no stress. Be straightforward. Look at things like a man, like a human being, like a citizen, like a mortal. And among the things you turn to, these two: i. That things have no hold on the soul. They stand there unmoving, outside it. Disturbance comes only from within—from our own perceptions. ii. That everything you see will soon alter and cease to exist. Think of how many changes you’ve already seen. “The world is nothing but change. Our life is only perception.
Marcus Aurelius (Meditations)
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)