Festivals Are Not The Same Anymore Quotes

It interests me that there is no end of fictions, and facts made over in the forms of fictions. Because we class them under so many different rubrics, and media, and means of delivery, we don't recognize the sheer proliferation and seamlessness of them. I think at some level of scale or perspective, the police drama in which a criminal is shot, the hospital in which the doctors massage a heart back to life, the news video in which jihadists behead a hostage, and the human-interest story of a child who gets his fondest wish (a tourist trip somewhere) become the same sorts of drama. They are representations of strong experience, which, as they multiply, began to dedifferentiate in our uptake of them, despite our names and categories and distinctions... I say I watch the news to "know". But I don't really know anything. Certainly I can't do anything. I know that there is a war in Iraq, but I knew that already. I know that there are fires and car accidents in my state and in my country, but that, too, I knew already. With each particular piece of footage, I know nothing more than I did before. I feel something, or I don't feel something. One way I am likely to feel is virtuous and "responsible" for knowing more of these things that I can do nothing about. Surely this feeling is wrong, even contemptible. I am not sure anymore what I feel. What is it like to watch a human being's beheading? The first showing of the video is bad. The second, fifth, tenth, hundredth are—like one's own experiences—retained, recountable, real, and yet dreamlike. Some describe the repetition as "numbing". "Numbing" is very imprecise. I think the feeling, finally, is of something like envelopment and even satisfaction at having endured the worst without quite caring or being tormented. It is the paradoxically calm satisfaction of having been enveloped in a weak or placid "real" that another person endured as the worst experience imaginable, in his personal frenzy, fear, and desperation, which we view from the outside as the simple occurrence of a death... I see: Severed heads. The Extra Value Meal. Kohl-gray eyelids. A holiday sale at Kohl's. Red seeping between the fingers of the gloved hand that presses the wound. "Doctor, can you save him?" "We'll do our best." The dining room of the newly renovated house, done in red. Often a bold color is best. The kids are grateful for their playroom. The bad guy falls down, shot. The detectives get shot. The new Lexus is now available for lease. On CNN, with a downed helicopter in the background, a peaceful field of reeds waves in the foreground. One after another the reeds are bent, broken, by boot treads advancing with the camera. The cameraman, as savior, locates the surviving American airman. He shoots him dead. It was a terrorist video. They run it again. Scenes from ads: sales, roads, ordinary calm shopping, daily life. Tarpaulined bodies in the street. The blue of the sky advertises the new car's color. Whatever you could suffer will have been recorded in the suffering of someone else. Red Lobster holds a shrimp festival. Clorox gets out blood. Advil stops pain fast. Some of us are going to need something stronger.

 I motioned at Frank’s clipboard with a chunk of pita bread. “Gimme the skinny.”   “Well, nothing they’re asking for is too crazy. Basic needs stuff. Though they asked for access to some TV time, a communal computer so they can e-mail—”   “Gnomes e-mail?” Ramon sounded both amused and skeptical.   “Yeah, but I think the computer request was mostly from the Minotaur. The gladiators just wanted to use it to check hockey scores and stuff.”   “Anyone else think it’s funny that what Frank just said didn’t seem weird at all?” Ramon asked.   Brooke rested her chin in her hands. “Nothing seems weird to me anymore.” Ramon reached over and hugged her to him, kissing her cheek. She gave a little half smile and leaned into it.   “I was too busy trying to figure out why the gladiators wanted to check hockey scores, which just goes to show you how skewed my sense of strange has become,” I said.   Frank shrugged, not looking up from the clipboard. “They’re Canadian.”   I swallowed my vitamin as quickly as possible, grimacing from the aftertaste. “But they’re gladiators. Wouldn’t that make them Roman or Greek or something?”   “I asked them the same thing. I guess the marble they’re carved from comes from Canada. You can kind of tell if you talk to them long enough. They say ‘eh’ a lot. They don’t seem to have spent much time in their homeland, so I think they are basing most of their culture on stereotypes.”   “Maybe we should hold a Canada party or something,” I said. “Like a little cultural festival. Then we should hold one for the gnomes, because they just boggle me entirely.”   Frank snickered. “No kidding