Festival Mood Quotes

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Bastian looked at the book. 'I wonder,' he said to himself, 'what's in a book while it's closed. Oh, I know it's full of letters printed on paper, but all the same, something must be happening, because as soon as I open it, there's a whole story with people I don't know yet and all kinds of adventures, deeds and battles. And sometimes there are storms at sea, or it takes you to strange cities and countries. All those things are somehow shut in a book. Of course you have to read it to find out. But it's already there, that's the funny thing. I just wish I knew how it could be.' Suddenly an almost festive mood came over him. He settled himself down, picked up the book, opened it to the first page, and began to read...
Michael Ende (The Neverending Story)
How can one explain this trend towards a more colorless and shallow life? Well, the work was easier, if less healthy, and it brought in more money, more leisure, and perhaps more entertainment. A day in the country is long and hard. And yet the fruits of their present life were worthless compared to a single coin of their former life: a rest in the evening and a rural festivity. That they no longer knew the old kind of happiness was obvious from the discontentment which spread over their features. Soon dissatisfaction, prevailing over all their other moods, became their religion.
Ernst Jünger (The Glass Bees)
Wish you a wonderful & colourful Happy Holi. Holi = Happy on Love and colourful Imaginations. Wish you must Spread amazing COLOUR of LOVE to everyone & Colour their mood in your style.
krvishal
Dinner that night is a feast of flavor. To celebrate the successful exorcism, Kagura has cooked several more dishes than the shrine's usual, simple fare- fragrant onigiri, balls of rice soaked in green tea, with umeboshi- salty and pickled plums- as filling. There is eggplant simmered in clear soup, green beans in sesame sause, and burdock in sweet-and-sour dressing. The mood is festive.
Rin Chupeco (The Girl from the Well (The Girl from the Well, #1))
The tarps Ken Weinrich's crew used has yellow and royal blue stripes, not unlike those for a circus, and this had lent a festive yet undignified mood to the proceedings.
Curtis Sittenfeld (Eligible: A Modern Retelling of Pride & Prejudice)
I don’t understand this festive mood, Jonathan said, indicating outside the window. Well, they won’t have to work tomorrow, I explained.
Ling Ma (Severance)
I'll fix things up with George soon as she gets here," Anthony mumbled. "You may depend upon it." "Oh,I know you will, but you'll have to hie yourself back to London to do so, since she ain't coming here. Didn't want to inflict her dour mood on the festivities, so decided it ould be best to absent herself." Anthony looked appalled now and complained, "You didn't say she was that mad." "Didn't I? Think you're wearing that black eye just because she's a mite annoyed?" "That will do," Jason said sternly. "This entire situation is intolerable.And frankly, I find it beyond amazing that you have both utterly lost your finesse in dealing ith women since you married." That,of course, hit quite below the belt where these two ex[rakes were concerned. "Ouch," James muttered, then in his own defense, "American women are an exception to any known rule, and bloody stubbron besides." "So are Scots,for that matter," Anthony added. "They just don't behave like normal Enlgishwomen,Jason,indeed they don't." "Regardless.You know my feelings on the entire family gathering here for Christmas.This is not the time for anyone in the family to be harboring any ill will of any sort.You both should have patched this up before the holidays began. See that you do so immediately, if you both have to return to London to do so." Having said his peace, Jason headed for the door to leave his brothers to mull over their conduct,or rather, misconduct, but added before he left, "You both look like bloody panda bears.D'you have any idea what kind of example that sets for the children?" "Panda bears indeed," Anthony snorted as soon as the door closed. James looked up to reply drolly, "Least the roof is still intact.
Johanna Lindsey (The Holiday Present)
so he was all kinds of festive at dinner - laughing too much and too loud. But you couldn't enjoy the fact that he was in a good mood, because it was the kind of good mood that was just on the edge of a bad one. They were all waiting for him to cross over...
Rainbow Rowell (Eleanor & Park)
Ugh. Would that Christmas could just be, without presents. It is just so stupid, everyone exhausting themselves, miserably haemorrhaging money on pointless items nobody wants: no longer tokens of love but angst-ridden solutions to problems. [...] What is the point of entire nation rushing round for six weeks in a bad mood preparing for utterly pointless Taste-of-Others exam which entire nation then fails and gets stuck with hideous unwanted merchandise as fallout? If gifts and cards were completely eradicated, then Christmas as pagan-style twinkly festival to distract from lengthy winter gloom would be lovely. But if government, religious bodies, parents, tradition, etc. insist on Christmas Gift Tax to ruin everything why not make it that everyone must go out and spend £500 on themselves then distribute the items among their relatives and friends to wrap up and give to them instead of this psychic-failure torment?
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
EVERY WEDNESDAY, I teach an introductory fiction workshop at Harvard University, and on the first day of class I pass out a bullet-pointed list of things the students should try hard to avoid. Don’t start a story with an alarm clock going off. Don’t end a story with the whole shebang having been a suicide note. Don’t use flashy dialogue tags like intoned or queried or, God forbid, ejaculated. Twelve unbearably gifted students are sitting around the table, and they appreciate having such perimeters established. With each variable the list isolates, their imaginations soar higher. They smile and nod. The mood in the room is congenial, almost festive with learning. I feel like a very effective teacher; I can practically hear my course-evaluation scores hitting the roof. Then, when the students reach the last point on the list, the mood shifts. Some of them squint at the words as if their vision has gone blurry; others ask their neighbors for clarification. The neighbor will shake her head, looking pale and dejected, as if the last point confirms that she should have opted for that aseptic-surgery class where you operate on a fetal pig. The last point is: Don’t Write What You Know. The idea panics them for two reasons. First, like all writers, the students have been encouraged, explicitly or implicitly, for as long as they can remember, to write what they know, so the prospect of abandoning that approach now is disorienting. Second, they know an awful lot. In recent workshops, my students have included Iraq War veterans, professional athletes, a minister, a circus clown, a woman with a pet miniature elephant, and gobs of certified geniuses. They are endlessly interesting people, their lives brimming with uniquely compelling experiences, and too often they believe those experiences are what equip them to be writers. Encouraging them not to write what they know sounds as wrongheaded as a football coach telling a quarterback with a bazooka of a right arm to ride the bench. For them, the advice is confusing and heartbreaking, maybe even insulting. For me, it’s the difference between fiction that matters only to those who know the author and fiction that, well, matters.
Bret Anthony Johnston
but those who dislike ritual in general—ritual in any and every department of life—may be asked most earnestly to reconsider the question. It is a pattern imposed on the mere flux of our feelings by reason and will, which renders pleasures less fugitive and griefs more endurable, which hands over to the power of wise custom the task (to which the individual and his moods are so inadequate) of being festive or sober, gay or reverent, when we choose to be, and not at the bidding of chance.
C.S. Lewis (A Preface to Paradise Lost)
Everyone was in a festive mood, eating and drinking to the sounds of a slack-key guitar, when a white man abruptly announced to the bartender, loudly enough for everyone to hear, that he shouldn’t have to drink good liquor “next to a nigger.” The room fell quiet and people turned to my father, expecting a fight. Instead, my father stood up, walked over to the man, smiled, and proceeded to lecture him about the folly of bigotry, the promise of the American dream, and the universal rights of man. “This fella felt so bad when Barack was finished,” Gramps would say, “that he reached into his pocket and gave Barack a hundred dollars on the spot. Paid for all our drinks and puu-puus for the rest of the night—and your dad’s rent for the rest of the month.
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
in Howard was in one of those moods during which crazy ideas sound perfectly sensible. A bullish, handsome man with decisive eyebrows and more hair than he could find use for, Lin had a great deal of money and a habit of having things go his way. So many things in his life had gone his way that it no longer occurred to him not to be in a festive mood, and he spent much of his time celebrating the general goodness of things and sitting with old friends telling fat happy lies. But things had not gone Lin’s way lately, and he was not accustomed to the feeling. Lin wanted in the worst way to whip his father at racing, to knock his Seabiscuit down a peg or two, and he believed he had the horse to do it in Ligaroti.1 He was sure enough about it to have made some account-closing bets on the horse, at least one as a side wager with his father, and he was a great deal poorer for it. The last race really ate at him. Ligaroti had been at Seabiscuit’s throat in the Hollywood Gold Cup when another horse had bumped him right out of his game. He had streaked down the stretch to finish fourth and had come back a week later to score a smashing victory over Whichcee in a Hollywood stakes race, firmly establishing himself as the second-best horse in the West. Bing Crosby and Lin were certain that with a weight break and a clean trip, Ligaroti had Seabiscuit’s measure. Charles Howard didn’t see it that way. Since the race, he had been going around with pockets full of clippings about Seabiscuit. Anytime anyone came near him, he would wave the articles around and start gushing, like a new father. The senior Howard probably didn’t hold back when Lin was around. He was immensely proud of Lin’s success with Ligaroti, but he enjoyed tweaking his son, and he was good at it. He had once given Lin a book for Christmas entitled What You Know About Horses. The pages were blank. One night shortly after the Hollywood Gold Cup, Lin was sitting at a restaurant table across from his father and Bing Crosby. They were apparently talking about the Gold Cup, and Lin was sitting there looking at his father and doing a slow burn.
Laura Hillenbrand (Seabiscuit: An American Legend)
When after a few days the party relocated to Kazakhstan on an ancient plane chartered by NASA, the mood became even more festive. Jet lag, frigid temperatures that shocked even Canadians and a complete absence of language skills were apparently remedied with wild nights in various Baikonur “hot spots.” When Helene and the kids trooped over from the hotel to see me for the hour or two we were allotted to be together each day, they brought increasingly colorful stories about sensible, hard-working relatives and friends who had, the night before, morphed into vodka-loving party animals with a taste for wearing other people’s bras draped on their heads like berets.
Anonymous
the mood is festive with a subtext of anarchy.
Paul Theroux (On The Plain Of Snakes: A Mexican Journey)
I don't understand this festive mood, Jonathan said, indicated outside the window. Well, they won't have to work tomorrow, I explained. So? he asked.. I was like everyone else. We all hoped the storm would knock things over, f**k things up enough but not too much. We hoped the damage was bad enough to cancel work the next morning but not so bad that we couldn't go to brunch instead.
Ling Ma (Severance)
Some carried clubs or spears. A few confused ogres carried surfboards, like they’d shown up at the wrong party. All of them were in a festive mood—giving each other high fives, tying plastic bibs around their necks, breaking out the knives and forks. One ogre had fired up a portable barbecue and was dancing in an apron that said KISS THE COOK.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
The festive mood from earlier had been replaced by one that Jon read as equal parts relief, shame, and fear. He
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
May your smile brighten the days ahead of you May your cheer lighten up the moods of everyone around you May your face glow with joy and happiness May your laughter sparkle with a lot more frequentness May your brilliance in some way dazzle all humanity And may your presence enlighten the whole world ultimately.
Hrishikesh Agnihotri
Everyone who wasn’t trying to park or find their car was in a festive mood. And it was contagious. As in, I needed to remember to take my vitamin C when we got back.
Josh Lanyon (So This is Christmas (The Adrien English Mysteries, #5.5))
It’s an old impulse. To honor the dark with festivals of light, to battle it with same. Days are getting darker as we hurtle into winter, it comes at us faster every year. I am listening to sycamore leaves rustle down the sidewalk in front of my apartment. It’s somewhere in the forties. The wind is strong. Its voice changes this time of year, as though coming from darker lungs, and the leaves are at their loudest, last rattle before long quiet. In his fevered novel Malicroix, Henri Bosco describes this almost-winter moment of the year, “when the world was poised on a pure ridge,” balanced between two seasons, casting “a glance back at the aging autumn, still misty with its wild moods, to contemplate deadly winter from afar.” The misty mood is behind us. We’re looking now at something dark and wilder.
Nina MacLaughlin (Winter Solstice: An Essay)
One of those days we were in Maria Vostra getting weed; while we were sitting at the bar during some festive day—I think it was Three Kings' arrival in January—Marco, the 30 some years old Argentine founding member of that club and probably the kindest of the three, received a phone call from Buenos Aires. I didn't understand it much, nor did I pay too much attention, but the tall Marco, who was usually in a great mood, suddenly ran out of the bar crying after one or two minutes. Martina told me she heard him speaking in Rioplatense on the phone. Marco's best friend had been shot dead in broad daylight in Buenos Aires at the same time; in front of her seven-year-old daughter. He had been shot five times in the chest because a thief had tried to steal his scooter and he had tried to stop them; they then shot him dead and took off with his scooter. We were shocked, at least Marco and I while I tried to hide it - but Martina, who was only 20, wasn't. “That's how poor people are in Argentina, Tomas,” she said, pointing to her lips with her pinky as if it was a known secret. She wasn't fazed by death. I failed to realize what that meant. She must have seen people die before we met. Perhaps I was blindfolded because I had been with Sabrina, whom I knew had something to do with Timothy's death and had gotten away with it, leaving Canada - I was unsure as to when she left exactly, and why - and why she was really unable to visit little Joel in Canada. I was also aware that Adam had not been to Israel for over 10 years, probably because he had murdered someone or done something similar when he was younger. Perhaps I had become too accustomed to the presence of bad people; perhaps they had all become too familiar to me after all, two years after I had first met Sabrina, one year after I had first met Adam, and living in Barcelona for one and a half years at that time. “A scooter worth 200-300 Euros is such a great value there, imagine Tomas. It's so dangerous and poor country” she said. A few times in Urgell, Martina made a joyful noise of 'Oyyy', but she stopped because I laughed and she never said it again, no matter how much I asked her to. Perhaps the presence of the Polish workers at the other end of the place had something to do with it. Gucho and Damian spent time with us in the kitchen-living room area every night. We ate, we smoked, and we had a great time together. They were skilled at smoking out of a bowl to get the most from the least weed. I registered Martina at Club Marley, so if she was in the center and needed weed, she wouldn't have to go all the way up to Maria Vostra, a block from Urgell. Club Marley was mostly run by Argentine people, so I thought she would like them too. One of those nights I was sitting in Club Marley at a table with Martina. When she went to the bathroom, an elder dispensary budtender I knew, who I met daily, told me that he didn't want to be rude, but: “Be very, very careful with this girl, Tomas. With Latinas, there is love sweeter than honey and all you ever dreamed of, but it only lasts as long as you are successful as you are right now, as long as you’re the manager.” I said “thank you” and I meant it, but I had no time to reflect on it because he had to go. Martina was suddenly in my mind and by my side again: in love. I thought, “Yes, the guy may be right, but I trust Martina and have no reason not to.” I knew I was broke and I knew that Martina knew that too. Even though I was a manager and seemed successful to my customers, it did not make me rich yet nor was it the reason to make Martina want to be with me. I believe he must have caught sight of her looking at me or at another man when I wasn't paying attention. To me, she was one of a kind. I trusted her deeply and even told her about the guy's warning regarding Latinas. She showed no reaction. I didn't notice or pay attention to the fact that Martina never set foot in Club Marley again.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
The doll hit the pile of Christmas decorations that the staff had been hanging, knocking a few bells to the floor. I didn’t pick them up because I was in a shitty mood and all the festive decorations going up around the house only served as a reminder that my father never spent the holidays with me. Not even before my mom had died.
Tate James (Liar (Madison Kate, #2))
To certain disciples who complained that men were leaving him and going to Jesus, John had said if effect: "Jesus is the Bridegroom, I am but the Bridegroom's friend; therefore it is right that men should leave me and join Jesus." Jesus now takes up the Baptist's words, and turns them to account for the purpose of defending the way of life pursued by His disciples. His reply, freely paraphrased, is to this effect: "I am the Bridegroom, as your master said; it is right that the children of the bride-chamber come to me; and it is also right that, when they have come, they should adapt their mode of life to their altered circumstances. Therefore they do well not to fast, for fasting is the expression of sadness, and how should they be sad in my company? As well might men be sad at a marriage festival. The days will come when the children of the bride-chamber shall be sad, for the Bridegroom will not always be with them; and at the dark hour of His departure it will be natural and seasonable for them to fast, for then they shall be in a fasting mood--weeping, lamenting, sorrowful, and disconsolate.
Alexander Balmain Bruce (The Training of the Twelve: How Jesus Christ Found and Taught the 12 Apostles; A Book of New Testament Biography)
If you had to attend a football game, this was the kind of day to do it, Lucas thought. The sun was shining in a bright blue sky, the air was crisp and cold, and the crowd passing through the high arches into the Princeton stadium was in a festive mood, waving pennants and calling out to each other in boisterous voices.
Robert Masello (The Einstein Prophecy)