Festival Begins Quotes

We too can begin a new life, one that brings satisfaction and enrichment, whether this is by singing, dancing, running through the waves, walking barefoot on the grass or making love under the stars. Perhaps your dreams are greater than this, or perhaps more conservative, but whatever they are, Beltane is a wonderful time for expressing who you truly are.

And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb--on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost--climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!--for it seems at times, as though the ear also possessed a sight of its own,--behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries.

The festival of the spring equinox speaks of freshness and youth, of excitement and endless possibilities. Nature begins to quicken and early flowers open to the warmth of the strengthening sun, bringing the colours of lemon and yellow into our lives on the wings of a March wind.

Festivals and fasts are unhinged, traveling backward at a rate of ten days per year, attached to no season. Even Laylat ul Qadr, the holiest night in Ramadan, drifts--its precise date is unknown. The iconclasm laid down by Muhammed was absolute: you must resist attachment not only to painted images, but to natural ones. Ramadan, Muharram, the Eids; you associate no religious event with the tang of snow in the air, or spring thaw, or the advent of summer. God permeates these things--as the saying goes, Allah is beautiful, and He loves beauty--but they are transient. Forced to concentrate on the eternal, you begin to see, or think you see, the bones and sinews of the world beneath its seasonal flesh. The sun and moon become formidable clockwork. They are transient also, but hint at the dark planes that stretch beyond the earth in every direction, full of stars and dust, toward a retreating, incomprehensible edge

So now, as the Maiden form of the Goddess whispers to us of hope and new beginnings at the festival of Imbolc, it is on a cold February morning that you are invited to step onto the ‘Wheel of the Year.

Our own poor poets, I am afraid, have been so intimidated by our clinics and laboratories that they have abandoned the first principles of beginning, that of the festival; and the heart of the festival has always been the atmosphere of myth, of delight.

As regards structure, comedy has come a long way since Shakespeare, who in his festive conclusions could pair off any old shit and any old fudge-brained slag (see Claudio and Hero in Much Ado) and get away with it. But the final kiss no longer symbolizes anything and well-oiled nuptials have ceased to be a plausible image of desire. That kiss is now the beginning of the comic action, not the end that promises another beginning from which the audience is prepared to exclude itself. All right? We have got into the habit of going further and further beyond the happy-ever-more promise: relationships in decay, aftermaths, but with everyone being told a thing or two about themselves, busy learning from their mistakes. So, in the following phase, with the obstructive elements out of the way (DeForest, Gloria) and the consummation in sight, the comic action would have been due to end, happily. But who is going to believe that any more?

Indoors, the evening gets you’d say festive, with Maxine riding Horst for the better part of an hour, not that it’s anybody’s business of course, and coming a number of times, at last fiercely in sync with Horst, not long after which, owing to some extrasensory cue from the television, whose mute feature has been engaged, they surface from their post-orgy daze in time to witness Derek Jeter’s clutch tenth-inning homer and another trademark Yankee win. “Yes!” Horst beginning to scream in delighted disbelief. “And it better be Keanu Reeves in the biopic!

Just when the air turns frosty and the days shrink into darkness, the Christmas season arrives in America. It begins at Thanksgiving--with families, feasts and football. Then during the next six weeks we shop and decorate, worship and make merry. Our hearts warm in the winter cold. We find compassion for strangers, and we remember there are miracles. Pious or festive or both, we join together in an extraordinary national festival.

An aurora borealis rises over festive orchards; the branches of the trees immediately begin to bud, to blossom, to bend under the weight of their fruit. The child runs through the wild grass, heading for the Wall. It collapses like a big cardboard box, broadening the horizon and exorcising the fields, which extend over the plains as far as the eye can see...Run...And the child runs, laughing all the while, his arms spread out like a bird's wings.

The surest guide to the correctness of the path that women take is joy in the struggle. Revolution is the festival of the oppressed. For a long time there may be no perceptible reward for women other than their new sense of purpose and integrity. Joy does not mean riotous glee, but it does mean the purposive employment of energy in a self-chosen enterprise. It does mean pride and confidence. It does mean communication and cooperation with others based on delight in their company and your own. To be emancipated from helplessness and need and walk freely upon the earth that is your birthright. To refuse hobbles and deformity and take possession of your body and glory in its power, accepting its own laws of loveliness. To have something to desire, something to make, something to achieve, and at last something genuine to give. To be freed from guilt and shame and the tireless self-discipline of women. To stop pretending and dissembling, cajoling and manipulating, and begin to control and sympathize. To claim the masculine virtues of magnanimity and generosity and courage. It goes much further than equal pay for equal work, for it ought to revolutionise the conditions of work completely. It does not understand the phrase 'equality of opportunity', for it seems that the opportunities will have to be utterly changed and women's souls changed so that they desire opportunity instead of shrinking from it.

It's not good for one's view of human nature, that's for sure. You begin to see, when invitations are coming from festivals and colleges to come read (for an hour for a hefty sum of money), that the institutions are head-hunting for trophy writers. Most don't particularly care about your writing or what you're trying to say. You're there as a human object, one that has won a prize.

I kind of was beginning to feel like I was being underutilized [as Teen Ambassador to the UN]. I mean, there were a lot more important issues out there for teens that I could have been bringing international attention to than what kids see out their windows. I mean, instead of sitting in the White House press office for three hours after school every Wednesday, or attending International Festival of the Child concerts, I could have been out there alerting the public to the fact that in some countries, it is still perfectly legal for men to take teen brides -- even multiple teen brides! What was that all about? And what about places like Sierra Leone, where teens and even younger kids routinely get their limbs chopped off as "warnings" against messing with the warring gangs that run groups of diamond traffickers? And hello, what about all those kids in countries with unexploded land mines buried in the fields where they'd like to play soccer, but can't because it's too dangerous? And how about a problem a little closer to home? How about all the teenagers right here in America who are taking guns to school and blowing people away? Where are they getting these guns, and how come they think shooting people is a viable solution to their problems? And why isn't anybody doing anything to alleviate some of the pressures that might lead someone to think bringing a gun to school is a good thing? How come nobody is teaching people like Kris Parks to be more tolerant of others, to stop torturing kids whose mothers make them wear long skirts to school?

There's a lot of pointing. A festival of pointing and at very close range to other people's eyes, given the width of the space. Also detracting from the exhibit's potential tranquility is the display cabinet of pinned specimens along one wall. I found this disturbing from the start. You don't see a whole lot of stuffed polar bears in the polar bear exhibit at the zoo, for instance. And butterflies have phenomenal vision so it's not like they can't see the mass crucifixion in their midst. I was offended on behalf of the butterflies and thus pleased with my offense. Let the empathizing begin! This volunteering thing was working already. I am a good person, hear me give!

Home" It would take forever to get there but I would know it anywhere: My white horse grazing in my blossomy field. Its soft nostrils. The petals falling from the trees into the stream. The festival would be about to begin in the dusky village in the distance. The doe frozen at the edge of the grove: She leaps. She vanishes. My face— She has taken it. And my name— (Although the plaintive lark in the tall grass continues to say and to say it.) Yes. This is the place. Where my shining treasure has been waiting. Where my shadow washes itself in my fountain. A few graves among the roses. Some moss on those. An ancient bell in a steeple down the road making no sound at all as the monk pulls and pulls on the rope.

Strange to say, at that epoch, people still imagined that a wedding was a private and social festival, that a patriarchal banquet does not spoil a domestic solemnity, that gayety, even in excess, provided it be honest, and decent, does happiness no harm, and that, in short, it is a good and a venerable thing that the fusion of these two destinies whence a family is destined to spring, should begin at home, and that the household should thenceforth have its nuptial chamber as its witness. And

Slowly the bluish spring moon climbs the houses, sliding up the minarets into the clicking palm-trees, and with it the city seems to uncurl like some hibernating animal dug out of its winter earth, to stretch and begin to drink in the music of the three-day festival.

In itself that music festival was nothing special, these music festivals in our country are all alike, performing a most useful function especially for all those people who are chained to their labors, year in and year out, so naturally everybody comes flocking to the two or three music festivals per year, with their actual and their so-called amusements and distractions, these affairs are called music festivals because unlike the usual so-called country fairs they feature a band, an enormous attraction to the populace, that's all it is, but the organizers know that they can draw a much larger crowd by calling it a music festival rather than a country fair, so it has become the custom to call these events music festivals even if they are nothing more than country fairs, everybody attends these music festivals which usually begin early on Saturday night and end late on Sunday morning.

Yet, there is a Chennai that hasn’t changed and never will. Women still wake up at the crack of dawn and draw the kolam—the rice-flour design—outside their doorstep. Men don’t consider it old-fashioned to wear a dhoti, which is usually matched with a modest pair of Bata chappals. The day still begins with coffee and lunch ends with curd rice. Girls are sent to Carnatic music classes. The music festival continues to be held in the month of December. Tamarind rice is still a delicacy—and its preparation still an art form. It’s the marriage between tradition and transformation that makes Chennai unique. In a place like Delhi, you’ll have to hunt for tradition. In Kolkata, you’ll itch for transformation. Mumbai is only about transformation. It is Chennai alone that firmly holds its customs close to the chest, as if it were a box of priceless jewels handed down by ancestors, even as the city embraces change.

I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops, I fade, she was beginning, I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry.

I have since learned that although the festival of Imbolc was far less romantic and far more practical to our Celtic ancestors than the initial image portrayed to me by Mrs Darley, it was no less magical, for it marked the beginning of the lambing season which to the Celts meant the difference between survival and extinction.

In the Spanish-speaking Americas, Christmas is much more than a one-day event followed by a staggering credit card bill. The festivities last for weeks, beginning well before Christmas, and continuing straight through to the arrival of the Three Kings and the Feast of the Epiphany on January 6. Las Navidades involves a lot more partying and a lot less shopping than a US. Christmas.

It seems to begin before dawn with the Muslims, when a mosque at the edge of the mangrove forest softly announces, in a lullaby voice, the morning call to prayer. Not to be outdone, the local Christians soon crank up pop-sounding hymns that last anywhere from one to three hours. This is followed by cheerful, though overamplified, kazoo-like refrain from the Hindu temple that reminds Less of the ice cream truck from his childhood. Then comes a later call to prayer. Then the Christians decide to ring some bronze bells. And so on. There are sermons and live singers and thunderous drum performances. In this way, the faiths alternate throughout the day, as at a music festival, growing louder and louder until, during the outright cacophony of sunset, the Muslims, who began the whole thing, declare victory by projecting not only the evening call to prayer but the prayer itself in its entirety. After that, the jungle falls to silence. Perhaps this is the Buddhists' sole contribution. Every morning, it starts again.

In addition to legal assemblies such as the one at Thingvellir, major public rituals were part of the celebration of the three big festivals around which the Viking calendar turned. One of these was Winter Nights, which was held over several days during our month of October, which the Vikings considered to be the beginning of winter and of the new year generally. The boundary between the realm of the living and the realm of the dead was thin, and all sorts of uncanny things were bound to happen. At this festival, the divine powers were petitioned for the general prosperity of the people. The second critical festival was Yule at midwinter - late December and early January - Which, with the arrival of Christianity, was converted into Christmas. Offerings were made to the gods in hopes of being granted bountiful harvests in the coming growing season in return. The third major festival was called "Summer Time" (Sumarmál), and was held in April, which the Vikings considered to be the beginning of summer. When the deities were contacted during this festival, they were asked for success in the coming season's battles, raids, and trading expeditions. The exact time of these festivals differed between communities.

In his Bible translations, Tyndale coined such phrases as: “the powers that be” (Romans 13); “my brother's keeper” (Genesis 4); “the salt of the earth” (Matthew 5); and “a law unto themselves” (Romans 2). These phrases continue to be used, even in modern English, precisely because they are so well shaped in terms of their alliteration, rhyme, and word repetitions. Tyndale also introduced or revived many words that are still in use. He constructed the term “Jehovah” from the Hebrew construction known as the “tetragrammaton” in the Old Testament. He invented the English word “Passover” to refer to the Jewish festival known in Hebrew as Pesah.

In the spring, during the Festival of Flora, when Rome was crowded with visitors from all over Italy, Clodius’s mob found itself for once outnumbered by ordinary citizens who despised their bullying tactics. Clodius himself was actually jeered at the theatre. Unused to anything other than adulation from the people, according to Atticus he looked around him in astonishment at the slow handclapping, taunts, whistles and obscene gestures, and realised—almost too late—that he was in danger of being lynched. He retreated hastily, and that was the beginning of the end of his domination, for the Senate now recognised how he could be beaten: by appealing over the heads of the

The Great Carouser by Stewart Stafford The Great Carouser approaches, His belly as stacked cheddar rolls, Used as a springboard for lust, And a battering ram for tavern doors. Shrieks of terror and welcome, Greet his arrival with ale demands, Tankards clank and merriment begins, Lewd ditties and jokes by the bar. Balancing acts on tables, With tongues held hostage, By braggadocio squatters, In an intoxicated stranglehold. Slurred speech and equilibrium loss, Signal festivities end for the gang, Staggering out into the starlit street, Partners on each arm for shady exertions. Then waking as if mauled by a bear, A quick drink and a greasy feast initiated, For the strange girls snoring in his bed, The Great Carouser has struck again. © Stewart Stafford, 2022. All rights reserved.

As already suggested, when the individual first learns who it is that he must now accept a his own, he is likely, at the very least, to feel some ambivalence; for these others will not only be patently stigmatized, and thus not like the normal person he knows himself to be, but ma also have other attributes with which he finds it difficult to associate himself. What may end up as a freemasonry may begin with a shudder. A newly blind girl on a visit to The Lighthouse [probably the Chicago Lighthouse, one of the oldest social service agencies in Chicago serving the blind or visually impaired] directly from leaving the hospital provides an illustration: „My questions about a guide dog were politely turned aside. Another sighted worker took me in tow to show me around. We visited the Braille library; the classrooms; the clubrooms where the blind members of the music and dramatic groups meet; the recreation hall where on festive occasion the blind play together; the cafeteria, where all the blind gather to eat together; the huge workshops where the blind earn a subsistence income by making mops and brooms, weaving rugs, caning chairs. As we moved from room to room, I could hear the shuffling of feet, the muted voices, the tap-tap-tapping of canes. Here was the safe, segregated world of the sightless — a completely different world, I was assured by the social worker, from the one I had just left…. I was expected to join this world. To give up my profession and to earn my living making mops. The Lighthouse would be happy to teach me how to make mops. I was to spend the rest of my life making mops with other blind people, eating with other blind people, dancing with other blind people. I became nauseated with fear, as the picture grew in my mind. Never had I come upon such destructive segregation.“ (p.37)

Anxious to bring both the year and New Year’s Day into line with the West, Peter decreed in December 1699 that the next new year would begin on January 1 and that the coming year would be numbered 1700. In his decree, the Tsar stated frankly that the change was made in order to conform to Western practice.* But to blunt the argument of those who said that God could not have made the earth in the depth of winter, Peter invited them “to view the map of the globe, and, in a pleasant temper, gave them to understand that Russia was not all the world and that what was winter with them was, at the same time, always summer in those places beyond the equator.” To celebrate the change and impress the new day on the Muscovites, Peter ordered special New Year’s services held in all the churches on January 1. Further, he instructed that festive evergreen branches be used to decorate the doorposts in interiors of houses, and he commanded that all citizens of Moscow should “display their happiness by loudly congratulating

… But I should tell you that, come the apple festival of Transfiguration Day, when the sky begins to change from summer to autumn, it is the usual thing for our town to be overrun by an absolute plague of cicadas, so that by night, much as you might wish to sleep, you never can, what with all that interminable trilling on all sides, and the stars hanging down low over your head, and especially with the moon dangling just above the tops of the bell towers, for all the world like one of our renowned “smetana” apples, the kind that the local merchants supply to the royal court and even take to shows in Europe. If someone should ever happen to glance down at Zavolzhsk from those heavenly spheres out of which the lamps of the night pour forth their bright rays, then the picture presented to that fortunate person’s eyes would surely be one of some enchanted kingdom: the River sparkling lazily, the roofs glittering, the gas lamps flickering in the streets, and, hovering over all the shimmer and glimmer of this multifarious radiance, the tremulous silvery chiming of the cicada choir.

The media suffer from an internalised as well as institutionalised Islamophilia. They could never broadcast, or print, during Ramadan, Eid or any other Muslim festival a programme or article explaining from the Christian – or any other – point of view why Islam’s founding story simply doesn’t stack up. It wouldn’t be hard to write or make it. Let any scholar loose on the materials and they could do it. Biblical or Torah scholars using the tools of criticism could use them on the Koran and have a wonderful and fascinating time of it. But would the nation’s broadcaster run it? Or the ‘paper of record’ print it? If during any day of the year – let alone a major Muslim festival – the main newspapers in Britain or America chose to commission a Christian scholar to review a book casting doubt on the likelihood of Mohammed’s existence, say, or his claims to be a prophet, I think everybody knows what would happen. The papers and broadcasters know what would happen too. Which is why they don’t do it. And which is why when it comes to Islam we begin by avoiding it, go on to treat it with kid gloves,

Sankranti is the Sanskrit word in Hindu astrology which refers to the transmigration of the Sun from one Rashi—or sign of the zodiac—to another. Hence, there are twelve such Sankrantis in all. However, the Sankranti festival usually refers to Makar Sankranti or the transition of the Sun from Dhanu Rashi, or Sagittarius, to Makar Rashi, or Capricorn.’ ‘The winter solstice marks the beginning of the gradual increase in the length of days. Scientifically, the shortest day of the year is around the twenty-first or twenty-second day of December, after which the days begin to get longer and the winter solstice begins. Hence, the Uttarayana, northern movement of the Sun, is actually 21 December, which was originally the day of Makar Sankranti too. But because of the Earth’s tilt of 23.45 degrees and sliding of equinoxes, Ayanamsa, longitudinal change, occurs. This has caused Makar Sankranti to slide further down the ages. A thousand years ago, Makar Sankranti was on 31 December and is now on 14 January. Five thousand years later, it shall be by the end of February, while in 9,000 years it shall come in June.

MARCH 22 Eostre RENEWAL Eostre (YO-ster) is the Germanic goddess of spring. She is also called Ostara or Eastre, and her name is the origin of the word Easter, the name of the only feast day in the Christian calendar that is still tied to the moon. Eostre is a goddess of dawn, rebirth, and new beginnings. Her festival is celebrated on the first day of spring, when she is invoked at dawn with ritual fire, quickening the land, while the full moon symbolically sets behind her. Eostre’s return each spring warms the ground, preparing for a new cycle of growth. One year the goddess was late, and a little girl found a bird near death from the cold. The child turned to Eostre for help. In response a rainbow bridge appeared and Eostre came, clothed in her red robe of vibrant sunlight, melting the snows. Because the creature was wounded beyond repair, Eostre changed it into a snow hare, who then brought gifts of rainbow eggs. Hares and rainbows are sacred to her, as is the full moon, since the ancients saw the image of a hare in its markings. CONTEMPLATION Sometimes, old forms must be surrendered gracefully in order for life to be reborn in new and higher forms.

Tito looked eagerly toward the dark crest of the mountain, behind which the sky pulsed in the morning light. Now a fragment of the rocky ridge flashed violently like a glowing metal beginning to melt. The crest blurred and seemed suddenly lower, as if it were melting down, and from the fiery gap the dazzling sun appeared. Simultaneously, the ground, the house, and their shore of the lake were illuminated, and the two, standing in the strong radiance, instantly felt the delightful warmth of this light. The boy, filled with the solemn beauty of the moment and the glorious sensation of his youth and strength, stretched his limbs with rhythmic arm movements, which his whole body soon took up, celebrating the break of day in an enthusiastic dance and expressing his deep oneness with the surging, radiant elements. His steps flew in joyous homage toward the victorious sun and reverently retreated from it; his outspread arms embraced mountain, lake, and sky; kneeling, he seemed to pay tribute to the earth mother, and extending his hands, to the waters of the lake; he offered himself, his youth, his freedom, his burning sense of is own life, like a festive sacrifice to the powers. The sunlight gleamed on his tanned shoulders; his eyes were half-closed to the dazzle; his young face stared masklike with an expression of inspired, almost fanatical gravity.

Extract from 'Quixotic Ambitions': The crowd stared at Katy expectantly. She looked at them - old women in black, exhausted young women with pasty-faced children, youths in jeans and leather blousons chewing gum. She tried to speak but the words wouldn’t come. Then, with a sudden burst of energy, she blurted out her short speech, thanking the people of Shkrapova for their welcome and promising that if she won the referendum she would work for the good of Maloslavia. There was some half-hearted applause and an old lady hobbled up to her, knelt down with difficulty, and kissed the hem of her skirt. She looked at Katy with tears rolling down her face and gabbled something excitedly. Dimitar translated: ‘She says that she remembers the reign of your grandfather and that God has sent you to Maloslavia.’ Katy was embarrassed but she smiled at the woman and helped her to her feet. At this moment the People’s Struggle Pioneers appeared on the scene, waving their banners and shouting ‘Doloy Manaheeyoo! Popnikov President!’ Police had been stationed at strategic points and quickly dispersed the demonstrators without any display of violence, but the angry cries of ‘Down with the monarchy!’ had a depressing effect on the entertainment that had been planned; only a few people remained to watch it. A group of children aged between ten and twelve ran into the square and performed a series of dances accompanied by an accordian. They stamped their feet and clapped their hands frequently and occasionally collided with one another when they forgot their next move. The girls wore embroidered blouses, stiffly pleated skirts and scarlet boots and the boys were in baggy linen shirts and trousers, the legs of which were bound with leather thongs. Their enthusiasm compensated for their mistakes and they were loudly applauded. The male voice choir which followed consisted of twelve young men who sang complicated polyphonic melodies with a high, curiously nasal tenor line accompanied by an unusually deep droning bass. Some of their songs were the cries of despair of a people who had suffered under Turkish occupation; others were lively dance tunes for feast days and festivals. They were definitely an acquired taste and Katy, who was beginning to feel hungry, longed for them to come to an end. At last, at two o’clock, the performance finished and trestle tables were set up in the square. Dishes of various salads, hors-d’oeuvres and oriental pastries appeared, along with casks of beer and bottles of the local red wine. The people who had disappeared during the brief demonstration came back and started piling food on to paper plates. A few of the People’s Struggle Pioneers also showed up again and mingled with the crowd, greedily eating anything that took their fancy.

We’ll go out tomorrow morning, then. First thing,” she ventures, more to Silas than me. “Though how the hell are we supposed to hunt? The Fenris certainly can’t see my face, and he’ll recognize Rosie. We’ve got no bait, unless you think you’ll look pretty in a dress, Silas.” “Okay, one, I would look great in a dress,” Silas begins. He turns to lean against the bathroom door, seemingly forgetting that I’m still in a towel. When he sees me, he averts his eyes and flushes a little. “And two,” he continues in a forced voice, “you’ve been luring Fenris on your own for pages, Scarlett. The Apple Time Festival is tomorrow. Perfect place for a Fenris to hang out, even if you don’t take into account all the red people will be wearing. We’ll go there.” Scarlett nods curtly. No one moves for a few minutes as water continues to trickle off my back and onto the shower floor. Finally, Scarlett gives me another cold look, turns on her heel, and storms down the hall. “Sorry I got you in trouble,” Silas whispers guiltily, his voice the only sound other than the steady pattering of water hitting the tile floor. “I was worried about you when you took off, and then I realized it was probably your first solo . . .” I shake my head. “I had to tell her eventually.” “For what it’s worth,” he says, eyes still averted respectfully, “I thought you did great.” “Thanks, Silas.” He finally meets my eyes, keeping his gaze firmly on my face. I tug the towel a little tighter. “You’re welcome. And I’m sorry for barging in. I didn’t . . . um, see anything. I promise.

A shudder went through me at the thought of what I should still learn in this hour. How awry, altered and distorted everything and everyone was in these mirrors, how mockingly and unattainably did the face of truth hide itself behind all these reports, counter-reports and legends! What was still truth? What was still credible? And what would remain when I also learned about myself, about my own character and history from the knowledge stored in these archives? I must be prepared for anything. Suddenly I could bear the uncertainty and suspense no longer. I hastened to the section Chattorum res gestas, looked for my sub-division and number and stood in front of the part marked with my name. This was a niche, and when I drew the thin curtains aside I saw that it contained nothing written. It contained nothing but a figure, an old and worn-looking model made from wood or wax, in pale colours. It appeared to be a kind of deity or barbaric idol. At first glance it was entirely incomprehensible to me. It was a figure that really consisted of two; it had a common back. I stared at it for a while, disappointed and surprised. Then I noticed a candle in a metal candlestick fixed to the wall of the niche. A match-box lay there. I lit the candle and the strange double figure was now brightly illuminated. Only slowly did it dawn upon me. Only slowly and gradually did I begin to suspect and then perceive what it was intended to represent. It represented a figure which was myself, and this likeness of myself was unpleasantly weak and half-real; it had blurred features, and in its whole expression there was something unstable, weak, dying or wishing to die, and looked rather like a piece of sculpture which could be called "Transitoriness" or "Decay," or something similar. On the other hand, the other figure which was joined to mine to make one, was strong in colour and form, and just as I began to realise whom it resembled, namely, the servant and President Leo, I discovered a second candle in the wall and lit this also. I now saw the double figure representing Leo and myself, not only becoming clearer and each image more alike, but I also saw that the surface of the figures was transparent and that one could look inside as one can look through the glass of a bottle or vase. Inside the figures I saw something moving, slowly, extremely slowly, in the same way that a snake moves which has fallen asleep. Something was taking place there, something like a very slow, smooth but continuous flowing or melting; indeed, something melted or poured across from my image to that of Leo's. I perceived that my image was in the process of adding to and flowing into Leo's, nourishing and strengthening it. It seemed that, in time, all the substance from one image would flow into the other and only one would remain: Leo. He must grow, I must disappear. As I stood there and looked and tried to understand what I saw, I recalled a short conversation that I had once had with Leo during the festive days at Bremgarten. We had talked about the creations of poetry being more vivid and real than the poets themselves. The candles burned low and went out. I was overcome by an infinite weariness and desire to sleep, and I turned away to find a place where I could lie down and sleep.

Women are reclaiming the divine feminine today. Surrounded by women from every age and inspired by their courage, we are committing the forbidden acts of naming and imagining the gods of our understanding as Goddess, Woman God, and God the Mother. Although we are not all devotees of the goddess, it was essential for us to extend our historical and theological vision to include the divine feminine. Some find “her” within traditional religion in the images and stories of Eve and Mary, Sophia and Shekinah, Miriam and Esther, Naomi and Ruth, Tamar and Susanna, and of countless unnamed women. They are incorporating these women's stories into their liturgies and prayers. Others find her on the margins of patriarchal history in the images and stories of the Goddess. They’re incorporating her images into their paintings and songs, altars and prayers, and they’re weaving her ancient festivals and beliefs into their unfolding spirituality. Inspired by a view of history that reaches beyond the beginning defined by men, women are assuming theological equality with religious traditions and reclaiming the richness of their own imaginations. We have come to believe that the theological tasks performed by men throughout the ages were not inspired by a god out there somewhere. Rather they were prompted by a very human inclination to answer existential questions and order disparate experiences into a coherent whole through religious imagination. Humankind's religious imagination has always given birth to goddesses and gods, and to stories that attempt to make sense of our beginnings and endings. No longer held hostage by a truncated view of history or by the dominance of the Genesis account of creation, our imaginations are once again free.

Preparatory men. I welcome all signs that a more manly, a warlike, age is about to begin, an age which, above all, will give honor to valor once again. For this age shall prepare the way for one yet higher, and it shall gather the strength which this higher age will need one day - this age which is to carry heroism into the pursuit of knowledge and wage wars for the sake of thoughts and their consequences. To this end we now need many preparatory valorous men who cannot leap into being out of nothing - any more than out of the sand and slime of our present civilisation and metropolitanism: men who are bent on seeking for that aspect in all things which must be overcome; men characterised by cheerfulness, patience, unpretentiousness, and contempt for all great vanities, as well as by magnanimity in victory and forbearance regarding the small vanities of the vanquished; men possessed of keen and free judgement concerning all victors and the share of chance in every victory and every fame; men who have their own festivals, their own weekdays, their own periods of mourning, who are accustomed to command with assurance and are no less ready to obey when necessary, in both cases equally proud and serving their own cause; men who are in greater danger, more fruitful, and happier! For, believe me, the secret of the greatest fruitfulness and the greatest enjoyment of existence is: to live dangerously! Build your cities under Vesuvius! Send your ships into uncharted seas! Live at war with your peers and yourselves! Be robbers and conquerors, as long as you cannot be rulers and owners, you lovers of knowledge! Soon the age will be past when you could be satisfied to live like shy deer, hidden in the woods! At long last the pursuit of knowledge will reach out for its due: it will want to rule and own, and you with it!

And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb—on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost—climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!—for it seems at times, as though the ear also possessed a sight of its own,—behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries. You can follow the dialogue, by turns grave and shrill, of the treble and the bass; you can see the octaves leap from one tower to another; you watch them spring forth, winged, light, and whistling, from the silver bell, to fall, broken and limping from the bell of wood; you admire in their midst the rich gamut which incessantly ascends and re-ascends the seven bells of Saint-Eustache; you see light and rapid notes running across it, executing three or four luminous zigzags, and vanishing like flashes of lightning. Yonder is the Abbey of Saint-Martin, a shrill, cracked singer; here the gruff and gloomy voice of the Bastille; at the other end, the great tower of the Louvre, with its bass. The royal chime of the palace scatters on all sides, and without relaxation, resplendent trills, upon which fall, at regular intervals, the heavy strokes from the belfry of Notre-Dame, which makes them sparkle like the anvil under the hammer. At intervals you behold the passage of sounds of all forms which come from the triple peal of Saint-Germain-des-Prés. Then, again, from time to time, this mass of sublime noises opens and gives passage to the beats of the Ave Maria, which bursts forth and sparkles like an aigrette of stars. Below, in the very depths of the concert, you confusedly distinguish the interior chanting of the churches, which exhales through the vibrating pores of their vaulted roofs. Assuredly, this is an opera which it is worth the trouble of listening to. Ordinarily, the noise which escapes from Paris by day is the city speaking; by night, it is the city breathing; in this case, it is the city singing. Lend an ear, then, to this concert of bell towers; spread over all the murmur of half a million men, the eternal plaint of the river, the infinite breathings of the wind, the grave and distant quartette of the four forests arranged upon the hills, on the horizon, like immense stacks of organ pipes; extinguish, as in a half shade, all that is too hoarse and too shrill about the central chime, and say whether you know anything in the world more rich and joyful, more golden, more dazzling, than this tumult of bells and chimes;—than this furnace of music,—than these ten thousand brazen voices chanting simultaneously in the flutes of stone, three hundred feet high,—than this city which is no longer anything but an orchestra,—than this symphony which produces the noise of a tempest.

That night, Marjan dreamt of Mehregan. The original day of thanksgiving, the holiday is celebrated during the autumn equinox in Iran. A fabulous excuse for a dinner party, something that Persians the world over have a penchant for, Mehregan is also a challenge to the forces of darkness, which if left unheeded will encroach even on the brightest of flames. Bonfires and sparklers glitter in the evening skies on this night, and in homes across the country, everyone is reminded of their blessings by the smell of roasting 'ajil', a mixture of dried fruit, salty pumpkin seeds, and roasted nuts. Handfuls are showered on the poor and needy on Mehregan, with a prayer that the coming year will find them fed and showered with the love of friends and family. In Iran, it was Marjan's favorite holiday. She even preferred it to the bigger and brasher New Year's celebrations in March, anticipating the festivities months in advance. The preparations would begin as early as July, when she and the family gardener, Baba Pirooz, gathered fruit from the plum, apricot, and pear trees behind their house. Along with the green pomegranate bush, the fruit trees ran the length of the half-acre garden. Four trees deep and rustling with green and burgundy canopies, the fattened orchard always reminded Marjan of the bejeweled bushes in the story of Aladdin, the boy with the magic lamp. It was sometimes hard to believe that their home was in the middle of a teeming city and not closer to the Alborz mountains, which looked down on Tehran from loftier heights. After the fruit had been plucked and washed, it would be laid out to dry in the sun. Over the years, Marjan had paid close attention to her mother's drying technique, noting how the fruit was sliced in perfect halves and dipped in a light sugar water to help speed up the wrinkling. Once dried, it would be stored in terra-cotta canisters so vast that they could easily have hidden both both young Marjan and Bahar. And indeed, when empty the canisters had served this purpose during their hide-and-seek games.

OR. I will tell you, but these are the beginning for me of many [125] woes. After these evil things concerning my mother, on which I keep silence, had been wrought, I was driven an exile by the pursuits of the Erinnyes, when Loxias sent my foot [126] to Athens, that I might render satisfaction to the deities that must not be named. For there is a holy council, that Jove once on a time instituted for Mars on account of some pollution of his hands. [127] And coming thither, at first indeed no one of the strangers received me willingly, as being abhorred by the Gods, but they who had respect to me, afforded me [128] a stranger's meal at a separate table, being under the same house roof, and silently devised in respect to me, unaddressed by them, how I might be separated from their banquet [129] and cup, and, having filled up a share of wine in a separate vessel, equal for all, they enjoyed themselves. And I did not think fit to rebuke my guests, but I grieved in silence, and did not seem to perceive [their conduct,] deeply groaning, because I was my mother's slayer. [130] But I hear that my misfortunes have been made a festival at Athens, and that this custom still remains, that the people of Pallas honor the Libation Vessel. [131] But when I came to the hill of Mars, and stood in judgment, I indeed occupying one seat, but the eldest of the Erinnyes the other, having spoken and heard respecting my mother's death, Phœbus saved me by bearing witness, but Pallas counted out for me [132] the equal votes with her hand, and I came off victor in the bloody trial. [133] As many then as sat [in judgment,] persuaded by the sentence, determined to hold their dwelling near the court itself. [134] But as many of the Erinnyes as did not yield obedience to the sentence passed, continually kept driving me with unsettled wanderings, until I again returned to the holy ground of Phœbus, and lying stretched before the adyts, hungering for food, I swore that I would break from life by dying on the spot, unless Phœbus, who had undone, should preserve me. Upon this Phœbus, uttering a voice from the golden tripod, sent me hither to seize the heaven-sent image, and place it in the land of Athens. But that safety which he marked out for me do thou aid in. For if we can lay hold on the image of the Goddess, I both shall cease from my madness, and embarking thee in the bark of many oars, I shall settle thee again in Mycenæ. But, O beloved one, O sister mine, preserve my ancestral home, and preserve me, since all my state and that of the Pelopids is undone, unless we seize on the heavenly image of the Goddess.

If marriage is the great mystery of the City, the image of the Coinherence - if we do indeed become members one of another in it - then there is obviously going to be a fundamental need in marriage for two people to be able to get along with each other and with themselves. And that is precisely what the rules of human behavior are about. They are concerned with the mortaring of the joints of the City, with the strengthening of the ligatures of the Body. The moral laws are not just a collection of arbitrary parking regulations invented by God to make life complicated; they are the only way for human nature to be natural. For example, I am told not to lie because in the long run lying destroys my own, and my neighbor's nature. And the same goes for murder and envy, obviously; for gluttony and sloth, not quite so obviously; and for lust and pride not very obviously at all, but just as truly. Marriage is natural, and it demands the fullness of nature if it is to be itself. But human nature. And human nature in one piece, not in twenty-three self-frustrating fragments. A man and a woman schooled in pride cannot simply sit down together and start caring. It takes humility to look wide-eyed at somebody else, to praise, to cherish, to honor. They will have to acquire some before they can succeed. For as long as it lasts, of course, the first throes of romantic love will usually exhort it from them, but when the initial wonder fades and familiarity begins to hobble biology, it's going to take virtue to bring it off. Again, a husband and a wife cannot long exist as one flesh, if they are habitually unkind, rude, or untruthful. Every sin breaks down the body of the Mystery, puts asunder what God and nature have joined. The marriage rite is aware of this; it binds us to loving, to honoring, to cherishing, for just that reason. This is all obvious in the extreme, but it needs saying loudly and often. The only available candidates for matrimony are, every last one of them, sinners. As sinners, they are in a fair way to wreck themselves and anyone else who gets within arm's length of them. Without virtue, therefore, no marriage will make it. The first of all vocations, the ground line of the walls of the New Jerusalem is made of stuff like truthfulness, patience, love and liberality; of prudence, justice, temperance and courage; and of all their adjuncts and circumstances: manners, consideration, fair speech and the ability to keep one's mouth shut and one's heart open, as needed. And since this is all so utterly necessary and so highly likely to be in short supply at the crucial moments, it isn't going to be enough to deliver earnest exhortations to uprightness and stalwartness. The parties to matrimony should be prepared for its being, on numerous occasions, no party at all; they should be instructed that they will need both forgiveness and forgivingness if they are to survive the festivities. Neither virtue, nor the ability to forgive the absence of virtue are about to force their presence on us, and therefore we ought to be loudly and frequently forewarned that only the grace of God is sufficient to keep nature from coming unstuck. Fallen man does not rise by his own efforts; there is no balm in Gilead. Our domestic ills demand an imported remedy.

And indeed at the hotel where I was to meet Saint-Loup and his friends the beginning of the festive season was attracting a great many people from near and far; as I hastened across the courtyard with its glimpses of glowing kitchens in which chickens were turning on spits, pigs were roasting, and lobsters were being flung alive into what the landlord called the ‘everlasting fire’, I discovered an influx of new arrivals (worthy of some Census of the People at Bethlehem such as the Old Flemish Masters painted), gathering there in groups, asking the landlord or one of his staff (who, if they did not like the look of them; would recommend accommodation elsewhere in the town) for board and lodging, while a kitchen-boy passed by holding a struggling fowl by its neck. Similarly, in the big dining-room, which I had passed through on my first day here on my way to the small room where my friend awaited me, one was again reminded of some Biblical feast, portrayed with the naïvety of former times and with Flemish exaggeration, because of the quantity of fish, chickens, grouse, woodcock, pigeons, brought in garnished and piping hot by breathless waiters who slid along the floor in their haste to set them down on the huge sideboard where they were carved immediately, but where – for many of the diners were finishing their meal as I arrived – they piled up untouched; it was as if their profusion and the haste of those who carried them in were prompted far less by the demands of those eating than by respect for the sacred text, scrupulously followed to the letter but naïvely illustrated by real details taken from local custom, and by a concern, both aesthetic and devotional, to make visible the splendour of the feast through the profusion of its victuals and the bustling attentiveness of those who served it. One of them stood lost in thought by a sideboard at the end of the room; and in order to find out from him, who alone appeared calm enough to give me an answer, where our table had been laid, I made my way forward through the various chafing-dishes that had been lit to keep warm the plates of latecomers (which did not prevent the desserts, in the centre of the room, from being displayed in the hands of a huge mannikin, sometimes supported on the wings of a duck, apparently made of crystal but actually of ice, carved each day with a hot iron by a sculptor-cook, in a truly Flemish manner), and, at the risk of being knocked down by the other waiters, went straight towards the calm one in whom I seemed to recognize a character traditionally present in these sacred subjects, since he reproduced with scrupulous accuracy the snub-nosed features, simple and badly drawn, and the dreamy expression of such a figure, already dimly aware of the miracle of a divine presence which the others have not yet begun to suspect. In addition, and doubtless in view of the approaching festive season, the tableau was reinforced by a celestial element recruited entirely from a personnel of cherubim and seraphim. A young angel musician, his fair hair framing a fourteen-year-old face, was not playing any instrument, it is true, but stood dreaming in front of a gong or a stack of plates, while less infantile angels were dancing attendance through the boundless expanse of the room, beating the air with the ceaseless flutter of the napkins, which hung from their bodies like the wings in primitive paintings, with pointed ends. Taking flight from these ill-defined regions, screened by a curtain of palms, from which the angelic waiters looked, from a distance, as if they had descended from the empyrean, I squeezed my way through to the small dining-room and to Saint-Loup’s table.

These festivities took place not in the Kremlin, but in Peter’s new capital, St Petersburg, which he called his ‘paradise’ and ‘darling’. Three considerations prompted him to build a city in the swamps at the head of the Gulf of Finland near the mouth of the Neva river: his love for the sea, a desire to perpetuate his memory, and hatred for the Kremlin. For twenty years beginning in 1703 the royal coffers were ransacked to create this ‘great window

4/20, CANNABIS DAY, APRIL 20 420 FARMERS’ MARKET RISOTTO Recipe from Chef Herb Celebrate the bounty of a new growing season with a dish that’s perfectly in season on April 20. Better known as 4/20, the once unremarkable date has slowly evolved into a new high holiday, set aside by stoners of all stripes to celebrate the herb among like-minded friends. The celebration’s origins are humble in nature: It was simply the time of day when four friends (dubbed “The Waldos”) met to share a joint each day in San Rafael, California. Little did they know that they were beginning a new ceremony that would unite potheads worldwide! Every day at 4:20 p.m., you can light up a joint in solidarity with other pot-lovers in your time zone. It’s a tradition that has caught on, and today, there are huge 4/20 parties and festivals in many cities, including famous gatherings of students in Boulder and Santa Cruz. An Italian rice stew, risotto is dense, rich, and intensely satisfying—perfect cannabis comfort cuisine. This risotto uses the freshest spring ingredients for a variation in texture and bright colors that stimulate the senses. Visit your local farmers’ market around April 20, when the bounty of tender new vegetables is beginning to be harvested after the long, dreary winter. As for tracking down the secret ingredient, you’ll have to find another kind of farmer entirely. STONES 4 4 tablespoons THC olive oil (see recipe) 1 medium leek, white part only, cleaned and finely chopped ½ cup sliced mushrooms 1 small carrot, grated ½ cup sugar snap peas, ends trimmed ½ cup asparagus spears, woody ends removed, cut into 1-inch-long pieces Freshly ground pepper 3½ cups low-sodium chicken broth ¼ cup California dry white wine Olive oil cooking spray 1 cup arborio rice 1 tablespoon minced fresh flat-leaf parsley ¼ cup freshly grated Parmesan cheese Salt 1. In a nonstick skillet, heat 2 tablespoons of the THC olive oil over medium-low heat. Add leek and sauté until wilted, about 5 minutes. Stir in mushrooms and continue to cook, stirring, for 2 minutes. Add carrot, sugar snap peas, and asparagus. Continue to cook, stirring, for another minute. Remove from heat, season with pepper, and set aside. 2. In a medium saucepan over high heat, bring broth and wine to a boil. Reduce heat and keep broth mixture at a slow simmer. 3. In a large pot that has been lightly coated with cooking spray, heat the remaining 2 tablespoons THC olive oil over medium heat. Add rice and stir well until all the grains of rice are coated. Pour in ½ cup of the hot broth and stir, using a wooden spoon, until all liquid is absorbed. Continue adding the broth ½ cup at a time, making sure the rice has absorbed the broth before adding more, reserving ¼ cup of broth for the vegetables. 4. Combine ¼ cup of the broth with the reserved vegetables. Once all broth has been added to the risotto and absorbed, add the vegetable mixture and continue to cook over low heat for 2 minutes. Rice should have a very creamy consistency. Remove from heat and stir in parsley, Parmesan, and salt to taste. Stir well to combine.

Two stages facing us had been erected in the bowl-shaped field for use by the performers, and bleachers had been built during the night on the north side of the hill. Other spectators sat on the ground, the slope itself providing a form of tiered seating. The laughs, jeers and applause that rang out from the audience on all sides felt like manna from heaven--only it fed my soul, not my stomach. My sister, father and Semari were almost bouncing up and down in an enthusiastic show of appreciation, while my mother, Alantonya and I less flamboyantly indicated our delight. Koranis and Temerson were quite vocal, tossing out taunts and cheers with the rest of the crowd. The only people we had invited who had not yet joined us were Cannan and Faramay. When I inquired after the captain, no one had information on his whereabouts, and I did my best to dismiss my concern. “Perhaps he’s ill,” I suggested. “The man hasn’t been ill in all the years I’ve known him.” My father chortled. “He’s never missed a day of service. And if he had taken sick, he would have made sure it was on a day when he was off-duty!” Other than Narian, who seemed lost inside his head, we all laughed at the joke, then went back to observing the festivities. Another hour passed, along with lunch, which was served to us within the royal box. I received a few odd glances from my father for conversing freely with Narian throughout the meal, but he didn’t address it, perhaps because of the looks my mother was sending his way. Once servants had removed our plates and dishes, Temerson stood and stretched. “I think I’ll step out, if you don’t mind, love,” he said to Miranna, who nodded, then he turned to my father and Koranis. “Would anyone care to join me?” They both agreed, and all were soon departing through the door behind us. I chuckled at their odd behavior, and Semari came to sit by Miranna, taking up Temerson’s seat. It was then that I noticed Alantonya had been left a bit stranded. She didn’t seem to mind, but I nonetheless pointed this out to Narian. Though he looked almost like he was swallowing medicine, he rose to his feet and walked to his mother, ignoring Semari’s stare. “Do you mind?” he asked Alantonya, gesturing to the vacant chair beside her. “No,” she said, surprised. “No, not at all.” With one final glance at me, to which I responded with an encouraging nod, he took a seat. “Are you enjoying the festivities?” he asked the Baroness, beginning some small talk, but their voices gradually dropped lower, their conversation more private. Though I could not hear their words, their postures relaxed. Then Alantonya reached out to place her hand over her son’s where it rested on the arm of his chair, and he smiled.

Halloween (known among European pagans as Samhain, pronounced “sa-wen”) is traditionally the day when the dead return to visit the living, similar to the Asian “Wandering Souls” festival mentioned above. It is the day when the gate between the living and the dead is open, a favorite day for evocations of spirits and demons. Candlemas, on the other hand, is the day of “quickening,” when the earth begins to wake from its slumber, a day of promise for the future, of the celebration of fertility, of anticipation for the bounty of the coming year. One could say, therefore, that the first rocket launch on Halloween was an evocation of the daimon of flight, or perhaps in a darker context a breaching of the barrier between this world and the next, an initiatic rending of the veil of the Temple: space being seen as the domain of both the dead and the higher spiritual forces. The actual birth of the American space program on Candlemas is, of course, also an auspicious event, ripe with mythical connotations. It is not the intention of this author to suggest that the selection of these dates was deliberate on the part of von Karman, Parsons, von Braun or the other space engineers. Indeed, by the time of the Explorer I launch in 1958 Parsons himself had already been dead six years. It is the intention, however, to point out these synchronicities as they occur, because they are evidence of deeper, more sinister, forces at work,

The Puritans knew what subsequent generations would forget: that when the Church, more than a millennium earlier, had placed Christmas Day in late December, the decision was part of what amounted to a compromise, and a compromise for which the Church paid a high price. Late-December festivities were deeply rooted in popular culture, both in observance of the winter solstice and in celebration of the one brief period of leisure and plenty in the agricultural year. In return for ensuring massive observance of the anniversary of the Savior's birth by assigning it to this resonant date, the Church for its part tacitly agreed to allow the holiday to be celebrated more or less the way it had always been. From the beginning, the Church's hold over Christmas was (and remains still) rather tenuous. There were always people for whom Christmas was a time of pious devotion rather than carnival, but such people were always in the minority. It may not be going too far to say that Christmas has always been an extremely difficult holiday to Christianize. Little wonder that the Puritans were willing to save themselves the trouble.

all of its paths to reduce its losses—charging higher prices, paying its workers less—would destroy the advantages that it has built. So it sits there, widely regarded as one of the defining success stories of the Internet era, a unicorn unlike any other, with billions in losses and a plan to become profitable that involves vague promises to somehow monetize all its user data and a specific promise that its investment in a different new technology—the self-driving car, much ballyhooed but as yet not exactly real—will square the circle and make the math add up. That’s the story of Uber—so far. It isn’t a pure Instagram fantasy like the Fyre Festival or a naked fraud like Theranos; it managed to go public and maintain its outsize valuation, unlike its fellow money-losing unicorn WeWork, whose recent attempt at an IPO hurled it into crisis. But like them, it is, for now, an example of a major twenty-first-century company invented entirely out of surplus, less economically efficient so far than the rivals it is supposed to leapfrog, sustained by investors who believe its promises in defiance of the existing evidence, floated by the hope that with enough money and market share, you can will a profitable company into existence, and goldwashed by an “Internet company” identity that obscures the weakness of its real-world fundamentals. Maybe it won’t crash like the others; maybe the tens of billions in investor capital won’t be wasted; maybe we won’t be watching a documentary on its hubris five or ten years hence. But Uber’s trajectory to this point, the strange unreality of its extraordinary success, makes it a good place to begin a discussion of economic

But it was Ireland’s mercurial folklore that supplied Bax with the dominant voice in his compositions. Beginning with Cathaleen-na-Hoolihan (1905), written three years after encountering Yeats, the list of his tone poems (spanning the years 1909–31) reads like the contents of an Arts and Crafts compendium of decadent fairy tales: In the Faery Hills, Rosc-catha, Spring Fire, Nympholept, The Garden of Fand, November Woods, Tintagel, The Happy Forest, The Tale the Pine Trees Knew. A sensualist and erotic adventurer (in 1910 he pursued a ukrainian girl he was infatuated with from St Petersburg to Kiev), Bax created lush, richly foliated sound-forests that attempted to conjure up a sense of narcotic abandon and the intoxicating conjunction of myth and landscape. In the Faery Hills (1909) takes its cue from a section in Yeats’s Wanderings of Oisin in which the Sídhe force a troubadour to sing them a song. Aware of their reputation as festive types, Oisin launches into his most joyous ditty. To the Sídhe, it still sounds like the most depressing dirge they’ve ever heard, so they toss his harp into a pool and whisk him away to show him how to party like it’s AD 99. Bax claimed to have been ‘possessed by Kerry’s self’5 while writing it.

Hello,” he said. “…hello,” she replied, perplexed. “I thought I should start off with hello, seeing as I neglected to say it earlier.” Her brow came down in confusion. Where was he going with this? “Not because you took me by surprise,” he continued. “Although you did. But because I didn’t think I needed to have a beginning with you. Since we began so long ago, you see.” One eyebrow rose. “But I was wrong, and for that, I apologize.” His eyes became suddenly sad, and it was all Susannah could do to not reach out and touch his cheek. But she restrained herself. “I was away too long,” he whispered. “Three Christmases, six birthdays. However many weeks…” “One hundred fifty-six.” She found the corner of her mouth ticking up. “You were missed,” she concurred. “At home.” “Did you miss me?” he asked suddenly, and a thrill of heat ran through her. Between them. “Yes.” Her answer was frank. Calm. “Did you miss me?” “I missed far too much of you,” he answered. “I did not even realize how much until I came here and found the little girl that I knew had gone.” “She’s not gone,” Susannah conceded. “Not entirely. I still ride Clarabelle at home.” “Do you now?” The corner of his mouth ticked up. “In breeches,” she whispered. Something lit in his eyes. Some kind of… anticipation. And now she knew why her Aunt Julia had ordered her to not wear breeches while riding with other people. Not because they would offend. But because they could entice. She blushed at the thought, broke his gaze, looked at her shoes, at the little bench, and the candles dripping festive red wax in the wall sconce, looked at the eave they stood under, and the vines of ivy and garland that hung there. “I want the chance to start again with you, Susannah,” Sebastian whispered. “This new Susannah. I am a bit off-kilter here, and if you would simply give me the opportunity to catch up, I think you and I… I think we could…” He let that sentence drift off. Left her breathless at what he might have said. “Oh, I’m making a complete bungle of it, aren’t I?” He dropped her hand – had he been holding it this whole time? Ever since he pulled her in here? – and crossed his arms over his chest. “No, you’re not.” She reached out and put her hand on his arm, unwilling to break the connection. “And yes, I suppose a fresh start is fair.” After all, she reasoned, she’d had years to nurse her feelings. He’d had approximately ten minutes. A grin spread across his face, sending her heart into a hummingbird’s pace. She found herself smiling too. No, it was not him falling to his knees professing his love. But it was a start. “Then perhaps I should ask the beautiful Miss Westforth to dance.” The fast-paced reel was in its final notes now. A new dance would start up in minutes. “I would love to.” After

The envelope contained an elegant invitation from the Hadrad requesting that Andy and I join his entourage to The Sahara Festival of Douz. The festivities would begin the next day, Saturday, in Douz, Tunisia, at 9:00 a.m. in the morning. It was already late Friday afternoon when I discovered the invite. I

De beste organisatoren vind ik altijd die organisatoren die een politiek statement willen maken door niet bijvoorbeeld die mensen te programmeren die de beste bundels van het jaar schreven (want dat is maar iemands mening) maar op radicaal politieke wijze te kiezen voor naamsbekendheid. Zo word je poëziefestival jaar in jaar uit een geheid succes, zonder dat je je conformeert aan meninkjes uit het veld. En aan hen die wanstaltig beweren dat poëziefestivals en prime time praatprogrammas niet hetzelfde zijn: think again. Het gaat om de radicale keuze voor de familiestructuur. Genadeloos de BN laag weerspiegelen. Tegendraads je eigen DWDDtje draaien, tegen de publieke opinie in, ten dienste van de grote roem en het grote publiek. Zodat uiteindelijk, een paar honderd jaar later, iemand zal zeggen: nou nou. Wat een radicale beweging, daar in het begin van de 21e eeuw, die do-it-yourself Matthijs van Nieuwkerk is het toch maar mooi gelukt een flinke stempel op de canon te drukken door nooit naar de plebejische kritieken te luisteren.

For rich people, holiday festivities were only beginning on December 25. They would continue enjoying feasts and gifts through Epiphany on January 6—these were the twelve days of Christmas. Poor people went back to work on December 26.

Bok Choy Seitan Pho (Vietnamese Noodle Soup) After sampling pho at a Vietnamese noodle shop in Los Angeles, I was on a mission to create a simple plant-based version of this aromatic, festive noodle dish in my own kitchen. My recipe features seitan, a wonderful plant-based protein found in many natural food stores. My whole family loves the interactive style in which this soup is served. In fact, you can plan a dinner party around this traditional meal. Simply dish up the noodles and bubbling broth into large soup bowls, set out a variety of vegetable toppings, and let your guests serve it up their way. MAKES 4 SERVINGS BROTH 4 cups reduced-sodium vegetable broth ½ medium yellow onion, chopped ½ cup sliced shiitake mushrooms 1 medium carrot, sliced 4 garlic cloves, minced 8 thin slices peeled fresh ginger root 1 tablespoon reduced-sodium soy sauce 1 tablespoon rice wine vinegar 1 tablespoon agave syrup ¼ teaspoon ground black pepper 2 cinnamon sticks 2 star anise pods ½ teaspoon whole coriander 6 sprigs of fresh basil 6 sprigs of fresh cilantro NOODLES One 8-ounce package flat rice noodles TOPPINGS One 8-ounce package seitan (wheat gluten) strips, thinly sliced 2 small bunches of fresh bok choy, sliced thinly 1 cup fresh bean sprouts ½ cup coarsely chopped cilantro ½ cup coarsely chopped basil 1 small lime, cut into wedges 1 small jalapeño pepper, seeded and diced 4 green onions, sliced TO PREPARE THE BROTH: 1. Combine all the broth ingredients in a large pot, cover, and bring to a low boil. Reduce the heat and simmer for 30 minutes. Strain the broth, discarding the vegetables and seasonings. Return the strained broth to the pot, cover, and keep warm (broth should be bubbling right before serving time). While broth is cooking, prepare noodles and toppings. TO PREPARE THE NOODLES: 1. Bring a medium pot of water to a boil. Add the rice noodles, cover, and cook until just tender, about 5 minutes, or according to package directions. Drain the noodles immediately and rinse with cold water. Return the drained noodles to the pot and cover. TO PREPARE THE TOPPINGS: 1. Arrange the toppings on a large platter. 2. To serve the soup, divide the noodles among four very large soup bowls. Either garnish the noodles with desired toppings or let your guests do their own. Ladle boiling broth over the noodles and toppings, and serve immediately. Allow hot broth to wilt vegetables and cool slightly before eating it. PER SERVING (ABOUT 2 OUNCES NOODLES, 2 OUNCES SEITAN, 1 CUP VEGETABLE TOPPINGS, AND 1 CUP BROTH): Calories: 310 • Carbohydrates: 55 g • Fiber: 4 g • Protein: 17 g • Total fat: 2 g • Saturated fat: 0 g • Sodium: 427 mg • Star nutrients: Vitamin A (39% DV), vitamin C (23% DV), iron (11% DV), selenium (13% DV)

But at the same time, even as the season outside gets more exuberantly festive, those who observe Advent within the Christian community are convicted more and more each year by the truth of what is going on inside—inside the church as she refuses cheap comfort and sentimental good cheer. Advent begins in the dark.

Ganesh Chaturthi is one of the major festivals in India and is celebrated on a large scale in many states of India. This popular festival is approaching and these celebrations are done all over with a lot of enthusiasm. During the pandemic, the celebrations are set to be different as the mode of celebrations has become somehow reformed. The widespread celebrations across 11 days of the festival might turn out to be great for you. The good times might bring the best for your life. The government has insisted on various measures for safeguarding the general health and well-being of people and with this approach, the virtual world has become quite open to new ways of getting various services. There are some of the important tips to follow for finding your best match during this phase. Find your soulmate The people planning to get the best matches for their life can find this as the most auspicious phase to search for the prospective match and make proceeding to have them in their life. Lord Ganesha gets the prime worshipping place and this festival will allow growing your life’s scope with finding the most loving soulmate. TruelyMarry can make the occasion of Ganesh Pooja to accomplish the most important event in your life, i.e., your marriage. · Virtual Selection In this Covid struck phase, the virtual selection of your life partner could be done with the sophisticated website platform and application. There is no longer any worry and you can choose the best matches by shortlisting the different matches. It is no longer difficult to find your better half as the online platform can make it obtain with ease. · Following social norms TruelyMarry platform assures that there are only valid profiles available on their platform. They make sure that the social norms are followed and you get the most amazing matches for the distant relationships. You can choose your interests and the profiles with similar matches will be revealed to you. This Ganesh Chaturthi can bring a lot of happiness to your life. It is the motive of every person to find the perfect life partner and TrulyMarry.com will be your assistance in becoming your associate for the same. You can find every profile with details through the enhanced research and the membership assures being capable of knowing all the details in the most responsible way. The list of handpicked profiles will be presented to you to make the right selection. The initial registration is free of cost followed by an option to choose the membership plans. There are several ways for making the selection, by applying filters or making the selection based on community, religion, caste, and profession. TruelyMarry.com majorly focuses on the Indian community Matrimonial Services and is a unique portal for finding the perfect soulmate. May the blessings of the Lord on Ganesh Chaturthi make you successful in obtaining your best match through online or offline consultation. Our team is highly efficient and would assure you meeting your life partner at our matrimony platform. Bappa will be with you for every new beginning in life..!! Wishing you & your family a very Happy Ganesh Chaturthi.

Your shelter, You dispel the fears of the world. Therefore, we seek refuge in You. For You are our beginning, middle, and final resting place. Therefore we pray to Thee—shine Your merciful glance upon us. Draw our souls unto Thee and deliver us, for we are created in Your image. By You, we are sent into this world, and in You we find final refuge. Amein.” “Amein,” they echoed. “Come and bring your sick and needy to us for healing,” I said, releasing a grateful sigh. For the people had received my words and appreciated them. The Gentiles, Samaritans, Jews, and pagans, had all come together to share in a moment of devotion. Their sick came forward to receive healing and many were baptized. During the pagan festival of Estre, eggs and rabbits were given as gifts unto us as symbols of earth’s renewal and fertility. The rabbits, we kept as pets and the children delighted in them. While the eggs were given as rewards to those faithful dogs who protected our village. In return, we gave gifts of handcrafted wooden rosary beads, upon which they learned to pray. We taught this type of daily prayer and supplication,

Commodus then prepared to participate in the annual Latin Festival that was held every year in April.

To be awakened is to find the light digging the dust.....to open doors to that which lay in slumber.. To be awakened is to chase away the fright and welcome the hope....for it is the pathway to the joy of a new beginning... To be awakened is to take your soul into the light... though the clouds are so thick...for godliness rains through the burst of sky.... To be awakened is to make peace with all that has left and all that remains... To be awakened is to know loss and yet to be in a festival of colors....

In the rising of the sun and in its going down, we remember them. In the blowing of the wind and in the chill of winter, we remember them. In the opening of buds and in the rebirth of spring, we remember them. In the blueness of the sky and in the warmth of summer, we remember them. In the rustling of leaves and in the beauty of autumn, we remember them. In the beginning of the year and when it ends, we remember them. When we are weary and in need of strength, we remember them. When we are lost and sick at heart, we remember them. When we have joys we yearn to share, we remember them. So long as we live, they too shall live, for they are now a part of us, as we remember them. ~ Gates of Prayer Read more: __________ Sylvan Kamens and Jack Riemer, New Prayers for the High Holy Days, ed. Jack Riemer (Media Judaica, 1970): 36. See also Gates of Prayer: The New Union Prayer Book (Weekends, Sabbaths, and Festivals) (Central Conference of American Rabbis, 1975): 552.

Raksha Bandhan 2023: Auspicious Date and Time of Raksha Bandhan Rakhi, also known as Raksha Bandhan, is a traditional Hindu holiday that honors the protective and loving ties that exist between siblings, particularly between brothers and sisters. The event is normally celebrated on the day of the full moon in the Hindu month of Shravana, which usually falls in August. Raksha Bandhan 2023 Overview :- Festivals Name Raksha Bandhan Also Known as Rakhi, Saluno, Silono, Rakri Observed by Hindus Traditionally Type Religious Cultural Date Purnima (Full Moon) of Shrawan Holiday Type Restricted Holiday Raksha Bandhan 2023 - Auspicious Date and Time of Raksha Bandhan: Raksha Bandhan is observed on the day of the full moon in the month of Shravan, as it is every year. Raksha Bandhan is celebrated over two days this year, just like it was last year. This time, the full moon will be seen beginning at 10:59 on August 30 and continuing through 7:06 on August 31. Raksha Bandhan can be observed during the Uddhiya period, the only time frame we use for festivals, but this time, on August 30, the timing means that Bhadra cannot be avoided. On August 31, Raksha Bandhan can be honored. On August 30, at 10:59, the full moon will start, but Bhadra will not. Rakhi can only be tied with the thread after 9:03 p.m. to commemorate Raksha Bandhan. Between 5:32 and 6:32, when Bhadra is on the tail, Raksha Bandhan can be seen. If Bhadra is on Mukha, which occurs between 6:32 to 8:13, Rakhi cannot be observed. The August 31 full moon will be visible till 7:06 in the morning. Raksha Bandhan 2023 can be celebrated on August 31 if you follow Udaya Tithi. A Basis of Raksha Bandhan's Traditions and Significance may be Found Here: Tie a Rakhi: Sisters tie their brothers' wrists with a sacred thread known as a "Rakhi" on the occasion of Raksha Bandhan. This thread stands for their love, respect, and promise of security. Brothers promise to look out for and help their sisters throughout their lives in exchange for gifts or other tokens of appreciation from their sisters. Prayers and Rituals: The day starts with rituals and prayers. Before tying the Rakhi, sisters regularly do an aarti (a ritual involving a lamp) and place a tilak (a sacred mark) on their brothers' foreheads. Exchange of Gifts: Along with the Rakhi, presents are given and received as tokens of affection and respect. Sisters may receive gifts from brothers in the form of cash, garments, jewelry, or other items. Family Gathering: Families regularly get together for Raksha Bandhan. Even if they are separated by distance, siblings usually make an effort to be together and celebrate special occasions. Symbolism: The holiday represents the special and close relationship between siblings. Not only do family members participate, but also cousins and close relatives. The Rakhi thread is regarded as a representation of safety and an ongoing expression of the bond between brothers and sisters. Historical and Mythological Significance: Many historical and mythical stories are connected to the celebration. One well-known story has the queen Draupadi securing a piece of her sari to the bleeding wrist of Lord Krishna. Krishna promised to look out for her in return. The relationship between Lord Yama, the God of Death, and his sister Yamuna is the subject of another story. Yama's sister received the blessing that anyone who ties a Rakhi to him will live forever. Overall, Raksha Bandhan is a happy holiday that enhances family relationships and honors the emotional bond between siblings. It is a season of affection, respect, and support of bonds between siblings. To Learn More, Go Here

Reported in newspapers throughout Europe, the jubilee cemented the connection between Shakespeare and Stratford and marked the formal beginning of the town’s tourist industry. No Shakespeare play was actually performed over the course of the three-day festival. In fact, not a single line of Shakespeare’s writings was spoken. The works were drowned out in the frenzy of national celebration. It was what “Shakespeare” signified—the veneration of Shakespeare as, in Garrick’s words, “blest genius of the isle”—that dominated the jubilee, for if the eighteenth century was an age of skepticism, it was also an age of rising nationalism.

As the year draws to a close, a sense of anticipation mingles with reflection. We stand at the threshold of a new chapter, ready to bid farewell to the familiar & embrace the unknown. In this transitional month, it’s essential to cultivate a healthy, energized & determined attitude, setting the stage for a remarkable finish to 2023 & a vibrant beginning to 2024. Darling listen – I want you to use this new month to do & say all the things that you’ve been putting off. The perfect time to say & do those things that matters is now. I also wish & hope that instead of focusing on what you haven’t achieved, you focus on the milestones you’ve crossed, the growth you’ve experienced & the resilience you’ve demonstrated. Let you celebrate your victories (both big and small) & carry the lessons of your setbacks into the new year. Sweetheart, December, a month of festivities, of togetherness, celebrations, of spreading cheers & goodwill, is the perfect time to cherish all the moments spent with loved ones, the memories created & the lessons learned. Let this month bring you the breakthrough you’ve been waiting for & a pie so big that you’ll need a truck to carry it home… Cheers to a season of success & sweet treats!

Yet let us reflect, where does the animal cease, where does man begin? — man, who is nature’s sole concern! As long as anyone desires life as he desires happiness, he has not yet raised his eyes above the horizon of the animal, for he only desires more consciously what the animal seeks through blind impulse. But that is what we all do for the greater part of our lives; usually we fail to emerge out of animality, we ourselves are the animals whose suffering seems to be senseless. But there are moments when we realize this: then the clouds are rent asunder, and we see that, in common with all nature, we are pressing towards something that stands high above us. In this sudden illumination we gaze around us and behind us with a shudder; we behold the more subtle beasts of prey and there we are in the midst of them. The tremendous coming and going of men on the great wilderness of the earth, their founding of cities and states their wars their restless assembling and scattering again, their confused mingling, mutual imitation, mutual outwitting and downtreading, their wailing in distress, their howls of joy in victory — all this is a continuation of animality; as though man was to be deliberately retrogressed and defrauded of his metaphysical disposition, indeed as though nature, after having desired and worked at man for so long, now drew back from him in fear and preferred to return to the unconsciousness of instinct. Nature needs knowledge and it is terrified of the knowledge it has need of; and so the flame flickers restlessly back and forth as though afraid of itself and seizes upon a thousand things before it seizes upon that on account of which nature needs knowledge at all. In individual moments we all know how the most elaborate arrangements of our life are made only so as to flee from the tasks we actually ought to be performing, how we would like to hide our head somewhere as though our hundred-eyed conscience could not find us out there, how we hasten to give our heart to the state, to money-making, to sociability or science merely so as no longer to possess it ourselves, how we labor at our daily work more ardently and thoughtlessly than is necessary to sustain our life because to us it is even more necessary not to have leisure to stop and think. Haste is universal because everyone is in flight from himself; universal too is the shy concealment of this haste because everyone wants to seem content and would like to deceive more sharp-eyed observers as to the wretchedness he feels; and also universal is the need for new tinkling word-bells to hang upon life and so bestow upon it an air of noisy festivity. Everyone is familiar with the strange condition in which unpleasant memories suddenly assert themselves and we then make great efforts, through vehement noise and gestures, to banish them from our minds: but the noise and gestures which are going on everywhere reveal that we are all in such a condition all the time, that we live in fear of memory and of turning inward. But what is it that assails us so frequently, what is the gnat that will not let us sleep? There are spirits all around us, every moment of our life wants to say something to us, but we refuse to listen to these spirit-voices. We are afraid that when we are alone and quiet something will be whispered into our ear, and so we hate quietness and deafen ourselves with sociability.

Advent Season by Stewart Stafford A house bedecked in verdant wonderment, With lights that mirror the starry firmament, Where the Christmas Star did once shine, To guide worshippers to the Divine. The wreath on the door is a welcome portal, For any passing cheerful mortal, Wishing to enjoy warm company, And mountains of gravy-drowned turkey. Nostrils fill with cooking scents, That waft through the house with excitement A feast to consume on the 25th, After the Man in Red has paid a visit. Children orchestrate great noise, And sit and play with gifted toys, While adults watch and reminisce, On childhoods past and favourite gifts. The Wheel of Time turns, Festivities End, And the year itself begins again. In Time's juvenile crawl, Or adult speed, Life zips forward, and history repeats. © Stewart Stafford, 2020. All rights reserved.

For an unrelated reason, I was fortunate to be in London to witness a set of extraordinary festivities commemorating the fiftieth anniversary of Elizabeth II’s accession to the throne of England. Although the queen had been traveling the globe for months to Commonwealth nations hosting Golden Jubilee events in her name, the celebrations peaked on June 4, 2002, with a program on the Mall in London that drew over a million well-wishers from around Britain and the world. The marked adulation surprised many in the national press who’d predicted the Jubilee would be a fizzle, demonstrating the modern-day irrelevance of the British monarchy in general and of Her Royal Highness in particular. The opposite proved to be the case. In the several weeks’ run-up to June 4, throngs within the United Kingdom flocked to dedications, parades, concerts, and special proceedings honoring the queen, which she honored in turn with her presence. Especially coveted were invitations to small parties where it was sometimes possible to be addressed personally by the queen in a receiving line. Of course, the opportunity to meet Elizabeth II under any circumstances would be considered exceptional; but the chance to meet her amid the pomp and pageantry of the Golden Jubilee added even more significance to such occasions, which were widely reported by the media. One report stood out from all the others for me. A young woman moving through a reception line at one of the small fêtes experienced the horror of hearing the cell phone in her purse begin to ring just as she met the queen. Flustered and frozen with embarrassment as her phone pealed insistently, she stared helplessly into the royal eyes that had become fixed on her bag. Finally, Elizabeth leaned forward and advised, “You should answer that, dear. It might be someone important.

To be awakened is to be find the light digging the dust.....to open doors to that which lay in slumber.. To be awakened is to chase away the fright and welcome the hope....for it is the pathway to the joy of a new beginning... To be awakened is to take your soul into the light... though the clouds are so thick...for godliness rains through the burst of sky.... To be awakened is to make peace with all that has left and all that remains... To be awakened is to know loss and yet to be in a festival of colors......

They all blur together these days—the smell of manure and buttered popcorn, urine and cotton candy, hay and innocence. He wrings his hands again and then stands up. Bob hobbles over to the corner, goosebumps rippling across his flesh, and he begins to wash off the cloud of white, his costume of the day, the way he is able to meander through any festive occasion with hardly a worry—balloons in hand, a smile on his face, knots twisting in his gut, blood filling his shoes.

For those of us who believe in our Messiah, that cord now has new meaning. Our Father, our Savior, and the Holy Spirit who dwells within us and gives wisdom and guidance. Again, we need and accept the presence of all three in our lives. And at this time we come apart at the beginning of a new day, a new week, which was God’s purpose in the festival gathering, and we present ourselves once more to God, not just as individuals, but as a community of believers. We draw strength and encouragement from one another. We share prayer for God’s leading and direction. We ask for strength and courage, that we might continue to be strong in proclaiming the message of Jesus to all people.

The Old Cornwall Society decided during the 1920s to revive the custom of lighting fires along the Cornish peninsula, beginning in the east and moving westward as dusk approached. It is a custom which continues today and, when watched from a distance, still has the power to evoke in anyone who observes this ritual a deep connection with the earth and the ancestors.

Ritual characterizes every aspect of life here, and even mundane, daily activities take on an ageless quality. The daily rhythm begins at dawn, as the fishermen launch boats from countless harbors, an event that has taken place for centuries. The women go to market, exchanging greetings and comments. Ritual rules the care and time taken with every detail of the midday meal, from the hearty seafood appetizers to the strong, syrupy coffee that marks the end of the feast. The day winds down with the evening stroll, a tradition thoroughly ingrained in the culture of the Greek Isles. In villages and towns throughout the islands, sunset brings cooler air and draws people from their homes and the beaches for an enjoyable evening walk through town squares, portside promenades, and narrow streets. Ancient crafts still flourish in the artisans’ studios and in tidy homes of countless mountain villages and ports. Embroidery--traditionally the province of Greek women--is created by hand to adorn the regional costumes worn during festivals. Artists craft delicate silver utensils, engraved gems, blown glass, and gold jewelry. Potters create ceramic pieces featuring some of the same decorative patterns and mythological subjects that captured their ancestors’ imagination. Weddings, festivals, saints’ days. And other celebrations with family and friends provide a backdrop for grave and energetic Greek dancing. For centuries--probably ever since people have lived on the islands--Greek islanders have seized every opportunity to play music, sing, and dance. Dancing in Greece is always a group activity, a way to create and reinforce bonds among families, friends, and communities, and island men have been dancing circle dances like the Kalamatianos and the Tsamikos since antiquity. Musicians accompany revelers on stringed instruments like the bouzouki--the modern equivalent of the lyre. While traditional attire is reserved mainly for festive occasions, on some islands people still sport these garments daily. On Lefkada and Crete, it is not unusual to find men wearing vraka, or baggy trousers, and vests, along with the high boots known as stivania. Women wear long, dark, pleated skirts woven on a traditional loom, and long silk scarves or kerchiefs adorn their heads. All the garments are ornamented by hand with rich brocades and elaborate embroidery. All over the Greek Isles, Orthodox priests dress in long black robes, their shadowy figures contrasting with the bright whites, blues, and greens of Greek village architecture.

Badrinath temple is brightly painted in red, green, yellow, blue with a multitude of decorations and lights, and its main entrance, the Singh dwar, always wears a festive look, unlike Kedarnath temple where the imposing stone structure alone, speaks volumes. Standing before the gaily decorated temple, I was struck with awe at having finally realized my dream of many years. To me it seemed, at that point of time, that I had completed my pilgrimage. Little did I know that this was just the beginning, of a greater inner journey, which was to last a lifetime and maybe, even beyond it, maybe, it had continued from another lifetime; the possibilities were enormous.

Even though your film is in the can, the real work begins after...

Slightly further afield, you will find Baroque palaces such as Nymphenberg and Schlossheim, with wonderful parks and art galleries. On a slightly darker note, Dachau Concentration Camp is around 10 miles from town. Trains go there from Munich’s main train station every ten minutes and the journey takes less than 15 minutes. Transport in Munich is well organised with a network of trains – S‐Bahn is the suburban rail; U‐Bahn is underground and there are trams and buses. The S‐Bahn connects Munich Airport with the city at frequent intervals depending on the time of day or night. Munich is especially busy during Oktoberfest, a beer festival that began in the 19th century to celebrate a royal wedding, and also in the Christmas market season, which runs from late November to Christmas Eve. Expect wooden toys and ornaments, cakes and Gluwien. The hot mulled wine stands require a deposit for each mug. This means that locals stand chatting at the stalls while drinking. As a result, the solo traveller is never alone. The downside of Munich is that it is a commercial city, one that works hard and sometimes has little patience for tourists. Natives of Munich also have a reputation for being a little snobbish and very brand conscious. To read: The Book Thief by Markus Zusak. Narrated by death himself, this novel tells of a little girl sent to a foster family in 1939. She reads The Grave Diggers Handbook each evening with her foster father and, as her love of reading grows, she steals a book from a Nazi book burning. From this, her renegade life begins.

Catawamteak,” meaning “the great landing,” is what the Abenaki Indians called the early settlement that became Rockland, Maine. Thomaston and Rockland can be bypassed by Route 90, an eight-mile shortcut which I frequently used as a midshipman, but our bus stayed on the main road and stopped to let passengers on and off in both places. At one time Rockland was part of Thomaston, called East Thomaston, but the two towns have long since separated, having very little in common. In the beginning, Rockland developed quickly because of shipbuilding and limestone production. It was, and still is, an important fishing port. Lobsters are the main export and the five-day Maine Lobster Festival is celebrated here annually. The red, three-story brick buildings lining the main street of Rockland, give it the image of an old working town. I have always been impressed by the appearance of these small towns, because to me this is what I had expected Maine to look like. When I first went through the center of Rockland on the bus, I was impressed by the obvious ties the community had with the sea. The fishing and lobster industry was evident by the number of commercial fishing and lobster boats. Rockland was, and still is, the commercial hub of the mid-coastal region of the state. The local radio station WRKD was an important source of local news and weather reports. This was also the radio station that opened each day’s broadcasting with Hal Lone Pine’s song, recorded on Toronto's Arc Records label: “There’s a winding lane on the Coast of Maine that is wound around my heart....” The United States Coast Guard still maintains a base in Rockland, which is reassuring to the families of those who go fishing out on the open waters of Penobscot Bay and the Gulf of Maine. Rockland remains the home of the Farnsworth Art Museum, which has an art gallery displaying paintings by Andrew Wyeth, as well as other New England artists. The Bay Point Hotel that was founded in 1889 had a compelling view of the breakwater and Penobscot Bay. The Victorian style hotel, later known as the Samoset Hotel, had seen better days by 1952 and was closed in 1969. On October 13, 1972, the four-story hotel caught fire in the dining area due to an undetermined cause. Fanned by 20-mile-an-hour north winds, the structure burned to the ground within an hour. However, five years later a new Samoset Resort was founded.

The designated occasion for clearing Babylonia’s financial slate was the New Year festival, celebrated in the spring. Babylonian rulers oversaw the ritual of “breaking the tablets,” that is, the debt records, restoring economic balance as part of the calendrical renewal of society along with the rest of nature. Hammurabi and his fellow rulers signaled these proclamations by raising a torch, probably symbolizing the sun-god of justice Shamash, whose principles were supposed to guide wise and fair rulers. Persons held as debt pledges were released to rejoin their families. Other debtors were restored cultivation rights to their customary lands, free of whatever mortgage liens had accumulated.15 Over the next several thousand years, this same list—canceling the debts, destroying the records, reallocating the land—was to become the standard list of demands of peasant revolutionaries everywhere. In Mesopotamia, rulers appear to have headed off the possibility of unrest by instituting such reforms themselves, as a grand gesture of cosmic renewal, a recreation of the social universe—in Babylonia, during the same ceremony in which the king reenacts his god Marduk’s creation of the physical universe. The history of debt and sin was wiped out, and it was time to begin again. But it’s also clear what they saw as the alternative: the world plunged into chaos, with farmers defecting to swell the ranks of nomadic pastoralists, and ultimately, if the breakdown continued, returning to overrun the cities and destroy everything.

Winterfest is as much a celebration of the darkest part of the year as a festival of the returning light. For the first three days of Winterfest, we pay homage to the darkness. The tales told and puppet shows presented are those that tell of resting times and happy endings. The foods are salt fish and smoked flesh, harvested roots and fruit from last summer. Then, on the midday of the festival, there is a hunt. New blood is shed to celebrate the breaking point of the year, and new meat is brought fresh to the table, to be eaten with grain harvested from the year before. The next three days are days that look toward the coming summer. The looms are threaded with gayer thread, and the weavers take over an end of the Great Hall to vie among themselves for the brightest patterns and lightest weave. The tales told are ones that tell of beginnings of things, and of how things came to be.

FOCUS is one of the most valuable skills in business, and is becoming increasingly rare. If you can master this skill, you’ll achieve extraordinary results and make more money than most people. In his book, "Deep Work: Rules for Focused Success In a Distracted World", Cal Newport says: “Deep work is the ability to focus without distraction on a cognitively demanding task. It’s a skill that allows you to quickly master complicated information and produce better results in less time. Deep work will make you better at what you do and provide the sense of true fulfillment that comes from craftsmanship. In short, deep work is like a super power in our increasingly competitive twenty-first century economy. And yet, most people have lost the ability to go deep – spending their days instead in a frantic blur of email and social media, not even realizing there’s a better way.” When I started writing a book a month, I have to admit, it was challenging. I quickly realized I had a focus problem. Coincidentally, I attended a book festival and picked up a book by Catherine Price, "How to Break Up With Your Phone", and discovered my life was being sucked away one text message, one social media post, and one email at a time. If I wanted to write a book a month, I needed to get my life and my time back. I read Catherine’s book, and the following especially resonated with me: “Today, just over a decade since smartphones entered our lives, we’re beginning to suspect that their impact on our lives might not be entirely good. We feel busy but ineffective… The same technology that gives us freedom can also act like a leash—and the more tethered we become, the more it raises the question of who’s actually in control.” I had lost control of my time and my ability to focus. It wasn’t an overnight event, it was a slow, insidious change that happened over a long period of time. Below are some other interesting statistics from Price’s book: Americans check their phones 47 times per day.