Fences And Neighbors Quotes

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Good fences make good neighbors.
Robert Frost
Neighborship is a universal dialectic phenomenon. Good neighborship has a contingent status since it may procure either balance, trust and peace of mind or entail limits, barriers, and fences that can be a protection or conjure up feelings of exclusion, creating inhibitions and frustrations.( "Beware of the neighbor" )
Erik Pevernagie
Big lots,' I said, seeing the eighty-year-old oaks and shady lawns. The houses were set way back and had iron fences and stone drives. The harder to hear your neighbors scream, my dear,' was David’s answer, and I sent my head up and down in agreement.
Kim Harrison (The Outlaw Demon Wails (The Hollows, #6))
Neighbors, I’m on the fence about them.
Jarod Kintz (This Book Has No Title)
He will not go behind his father's saying, And he likes having thought of it so well He says again, "Good fences make good neighbors.
Robert Frost (The Poetry of Robert Frost)
If a man were to look over the fence on one side of his garden and observe that the neighbor on his left had laid his garden path round a central lawn; and were to look over the fence on the other side of his garden and observe that the neighbor on his right had laid his path down the middle of the lawn, and were then to lay his own garden path diagonally from one corner to the other, that man's soul would be lost. Originality is only to be praised when not prefaced by the look to right and left.
Quentin Crisp (The Naked Civil Servant)
He is all pine and I am apple orchard. My apple trees will never get across And eat the cones under his pines, I tell him. He only says, "Good fences make good neighbors.
Robert Frost
I uncurled my legs and pushed until I had both arms fully extended and both legs straight up in the air. My dress fell down over my head, so if any of our neighbors were up and about, they saw more than just me going all Russian gymnast on our fence.
Rachel Hawkins (Rebel Belle (Rebel Belle, #1))
Obnoxious smart-ass. Never been anywhere, never done anything, huh. Arrested development, huh. Considering that it was coming from a man who spent his nights peeing on his neighbors' fences, that was rich. Shoot, I should've told him that.
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
Argued with your back-fence neighbor,” Adam said, his voice very gentle. “And watched him when he wasn't looking,” I agreed. “Because every once in a while, especially after a full moon hunt, he'd forget that I could see in the dark, and he'd run around naked in the backyard.” He laughed silently. “I never forgot you could see in the dark,” he admitted.
Patricia Briggs (River Marked (Mercy Thompson, #6))
They claim this mother of ours, the earth, for their own and fence their neighbors away; they deface her with their buildings and their refuse. That nation is like a spring freshet that overruns its banks and destroys all who are in its path. We cannot dwell side by side.
Sitting Bull
Good fences make good neighbors, and these were apparently good enough that they had not felt the need for razor wire at the top. I crested the fence, threw myself into the yard beyond, fell, rolled to my feet, and ran with the expectation of being garroted by a taut clothesline. I heard panting, looked down, and saw a gold retriever running at my side, ears flapping. The dog glanced up at me tongue rolling, grinning, as though jazzed by the prospect of an unscheduled play session.
Dean Koontz (Odd Hours (Odd Thomas, #4))
We never know, do we, what our neighbors might be doing behind their fences, what love affairs and bloody rituals might be taking place right next door? The world is a more interesting place that we ever think.
Carolyn Parkhurst (The Dogs of Babel)
There is a joke about a little girl who is filling in a hole in her garden when a neighbor looks over the fence. He politely asks, "Hi! What are you up to?" "My goldfish died," replies the girl tearfully, "and I've just buried him." The neighbor asks, "Isn't that an awfully big hole for a goldfish?" The little girl tamps down the soil and replies, "That's because he's inside your stupid cat.
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
My apple trees will never get across and eat the cones under his pines,I tell him.He only says,"Good fences make good neighbors.
Robert Frost (Mending Wall)
The lodgings were on the top floor next to the well-guarded premises of a respectable dealer in stolen property because, as Granny had heard, good fences make good neighbors.
Terry Pratchett
Behold, the Spring has come; the earth has received the embraces of the sun and we shall soon see the results of that love! Every seed is awakened and so has all animal life. It is through this mysterious power that we too have our being, and we therefore yield to our neighbors, even our animal neighbors, the same right as ourselves, to inhabit this land. Yet, hear me, people, we have now to deal with another race – small and feeble when our fathers first met them but now great and overbearing. Strangely enough they have a mind to till the soil and the love of possession is a disease with them. These people have made many rules that the rich may break but the poor may not. They take their tithes from the poor and weak to support the rich and those who rule. They claim this mother of ours, the earth, for their own and fence their neighbors away; they deface her with their buildings and their refuse. The nation is like a spring freshet that overruns its banks and destroys all that are in its path. We cannot dwell side by side. Only seven years ago we made a treaty by which we were assured that the buffalo country should be left to us forever. Now they threaten to take that away from us. My brothers, shall we submit or shall we say to them: 'First kill me before you take possession of my land
Sitting Bull
HOME no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilets sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here
Warsan Shire
Damn. Is everyone in this world a secret prepper?” I asked him. “No, the zombies are the neighbors who never prepped! Those are the ones you gotta worry about. The rest of us go along to get along.
Boyd Craven (Good Fences (Scorched Earth))
Somehow, for the most part, our parents and grandparents managed to disagree with their neighbors and still remain neighborly. And they usually did it from their front porches. Today, most of us don’t even have front porches. We have retreated to the backyard, where a single opinion can be isolated and enforced by a privacy fence.
Andy Andrews (How Do You Kill 11 Million People?: Why the Truth Matters More Than You Think)
In a patriarchal society, one of the most important functions of the institution of the family is to make feel like a somebody whenever he is in his own yard a man who is a nobody whenever he is in his employer’s yard.
Mokokoma Mokhonoana
From a balanced reading of the Ten Commandments, we can only assume that God would prefer you to have gay sex than to covet your neighbor’s oxen. If you’d had a terrible day at work and had to do some sinning, just to unwind, the Commandments are clear about which sin is considered more unholy. “God, I’ve had a terrible day at work; I’ve got to let off some steam. Either I’m going to have sex with Terry or I’m going to covet my neighbor’s oxen.” “What?! No, you mustn’t do that; you better go hang out with Terry.” “Thank you, Lord. I’m going to slide my erect penis right up Terry’s anus.” “Fair enough, my son; I don’t really have a policy on that. I will ask, though, that you don’t look over next door’s fence at them grazing oxen, then imagine in your mind, ‘What would it be like if those oxen were my oxen?’ Don’t do that, will you?” “I won’t. I’m going to empty myself into Terry, then put my mouth over his rect—” “Okay! Do what you’ve gotta do! Just remember: Those are not your oxen!
Russell Brand (Revolution)
Sometimes the grass is greener on the other side of the fence because that's where your neighbor's leaky septic tank is buried.
dakboy
Good fences make good neighbors,” wrote poet Robert Frost; likewise, good walls make good collaborators.
Annie Murphy Paul (The Extended Mind: The Power of Thinking Outside the Brain)
If you replace the letter "s" with the letter "x," you can make a lot of plural words naughty. For example, "fences" would become "fencex," and I'd say good fencex makes good neighbors.
Jarod Kintz (This Book is Not for Sale)
We’ve all encountered those people who out of the corner of our eye, from across the street, at magic hour appear astoundingly attractive, even god or goddess like: the way they move, the way the light hits them, invokes reverence and all, the impression. And then we got a closer look. Damn it. Let down. Good from afar, but far from good. Some people will never be more attractive than in that first impression, from a distance, in that light, at that time, in that way we saw them, when our hopes became highest and our wish fulfillment was fully let it. They will never look better than in that initial fuzzy edge clingups, impressions. The white shot. Some relationships are better in a white shot. More impressive in the impressions. Like in-laws, best to only see an hour a day, like neighbors, its while we have walls and fences, like that long distance romance that fell apart when you moved in together, like that summer fling that only lasted through August, that friend that became a lover that you now miss as a friend, like ourselves when we are a fraud. They are better from a distance, with less frequency, with less intimacy. Sometimes we need more space, it’s romance, it’s imagination. Distance is the flirt in a wing, it is frivolous, its mysterious, a fantasy, a constant honeymoon because we can’t quite see it, we aren’t quite sure about it, we don’t quite know it. It’s a fuck, it’s detachment, it’s separate, it’s public, it’s carefree, it’s painless, it’s for rent. And we like it that way, because sometimes it is better with the lights dimmed.
Matthew McConaughey (Greenlights)
At night she began cooking things in the kitchen, things too strange to mention. She steeped oleander in boiling water, and the roots of a vine with white trumpet flowers that glowed like faces. She soaked a plant collected in moonlight from the neighbors’ fence, with little heart-shaped flowers. Then she cooked the water down; the whole kitchen smelled like green and rotting leaves. She threw out pounds of the wet-spinach green stuff into somebody else’s dumpster. She wasn’t talking to me anymore. She sat on the roof and talked to the moon.
Janet Fitch (White Oleander)
Through pain and growth, I have come to appreciate -no, more than that-I've come to love my fence, even though it may be different than the neighbors'. The concept of perfection is not flawless or ripped from a magazine. It's happiness. Happiness with all itsmessiness and not-quite-thereness. It's knowing that life is short, and the moments we choose to fill our cup wiht should be purposeful and rich. That we should be present for life, that we should drink deeply. And that's perfection. And my dad and my mom and my family-my past, present, and future with Nella, what the world may view as broken or damaged-have taught me what true beauty really is.
Kelle Hampton (Bloom: Finding Beauty in the Unexpected--A Memoir (P.S.))
To make amends can be viewed two ways: first, that of repairing damage, for if I have damaged my neighbor’s fence, I “make a mend,” and that is a direct amend; the second way is by modifying my behavior, for if my actions have harmed someone, I make a daily effort to cause no further harm. I “mend my ways,” and that is an indirect amend. Which is the best approach? The only right approach, provided that I am causing no further harm in so doing, is to do both. If harm is done, then I simply “mend my ways.” To take action in this manner assures me of making honest amends.
Alcoholics Anonymous (Daily Reflections: A Book of Reflections by A.A. Members for A.A. Members)
But if the individual is to sacrifice a measure of personal liberty within the social contract, then individual rights must be guaranteed by law. Thus, it has been said that, in law, rights are the fence an individual erects around himself for protection against his neighbors. How absurd such a posture must seem from a worldview in which the individual emerges out of the society, rather than the other way around.
F. David Peat
The black middle class displays a torn ambivalence toward the situation of the black poor. They sympathetically recognize the harms of racism and targeted inequality while simultaneously pointing an accusatory finger at the individual faults of their poor friends, relatives, and neighbors.
Mary Pattillo (Black Picket Fences: Privilege and Peril among the Black Middle Class)
And then there will be the times when I see you laughing. Like the time you’ll be playing with the neighbor’s puppy, poking your hands through the chain-link fence separating our back yards, and you’ll be laughing so hard you’ll start hiccupping. The puppy will run inside the neighbor’s house, and your laughter will gradually subside, letting you catch your breath. Then the puppy will come back to the fence to lick your fingers again, and you’ll shriek and start laughing again. It will be the most wonderful sound I could ever imagine, a sound that makes me feel like a fountain, or a wellspring.
Ted Chiang (Lightspeed Magazine, December 2012)
Good fences make good neighbors I fool and his money are parted Make hay while the suneshines
Ashraf Siddiqui
They claim this mother of ours, the Earth, for their own use, and fence their neighbors away from her, and deface her with their buildings and their refuse.
Sitting Bull
If I could build my own neighbors, I’d have no need to build a fence. I would tell you, “I would tell you, but you wouldn’t understand,” but you wouldn’t understand what you wouldn’t understand.
Jarod Kintz (This Book is Not for Sale)
Breathing Under Water,” a title taken from a telling poem by Carol Bieleck, r.s.c.j., which seemed to sum up so much of the common message. I quote it here in full:   “Breathing Under Water”   I built my house by the sea. Not on the sands, mind you; not on the shifting sand. And I built it of rock. A strong house by a strong sea. And we got well acquainted, the sea and I. Good neighbors. Not that we spoke much. We met in silences. Respectful, keeping our distance, but looking our thoughts across the fence of sand. Always, the fence of sand our barrier, always, the sand between.   And then one day, —and I still don’t know how it happened— the sea came. Without warning.   Without welcome, even Not sudden and swift, but a shifting across the sand like wine, less like the flow of water than the flow of blood. Slow, but coming. Slow, but flowing like an open wound. And I thought of flight and I thought of drowning and I thought of death. And while I thought the sea crept higher, till it reached my door. And I knew then, there was neither flight, nor death, nor drowning. That when the sea comes calling you stop being neighbors Well acquainted, friendly-at-a-distance, neighbors And you give your house for a coral castle, And you learn to breathe underwater.3
Richard Rohr (Breathing Underwater)
Governments and official voices point out forever that good fences make good neighbors, and tighten the border controls in an effort to make us happy where we are. But something there is that does not love a wall, and it’s called humanity.
Neil Gaiman (Signal to Noise)
Bud, our nosey neighbor, pokes his head over the fence. I wonder if he’s gonna threaten to call social services again, like he did the last time Mom was screaming on the front lawn. I pray Mom keeps her voice down so he doesn’t. “We stopped for a smoothie,” Dad says with a shrug, slow on the uptake.
Jennette McCurdy (I'm Glad My Mom Died)
Those same three factors applied to human beings. Like bees, our ancestors were (1) territorial creatures with a fondness for defensible nests (such as caves) who (2) gave birth to needy offspring that required enormous amounts of care, which had to be given while (3) the group was under threat from neighboring groups. For hundreds of thousands of years, therefore, conditions were in place that pulled for the evolution of ultrasociality, and as a result, we are the only ultrasocial primate. The human lineage may have started off acting very much like chimps,48 but by the time our ancestors started walking out of Africa, they had become at least a little bit like bees. And much later, when some groups began planting crops and orchards, and then building granaries, storage sheds, fenced pastures, and permanent homes, they had an even steadier food supply that had to be defended even more vigorously. Like bees, humans began building ever more elaborate nests, and in just a few thousand years, a new kind of vehicle appeared on Earth—the city-state, able to raise walls and armies.49 City-states and, later, empires spread rapidly across Eurasia, North Africa, and Mesoamerica, changing many of the Earth’s ecosystems and allowing the total tonnage of human beings to shoot up from insignificance at the start of the Holocene (around twelve thousand years ago) to world domination today.50 As the colonial insects did to the other insects, we have pushed all other mammals to the margins, to extinction, or to servitude. The analogy to bees is not shallow or loose. Despite their many differences, human civilizations and beehives are both products of major transitions in evolutionary history. They are motorboats.
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
I’m going to guess you probably don’t want to hear about the time he pushed my head through the neighbor’s fence.…” “Was there a lot of blood?” Vida asked, suddenly interested. “Did you lose an ear?” Liam held his hands up next to his ears, indicating both were still firmly attached to his skull. “Then, no,” she said. “No one wants to hear your boring-ass story.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
My bad!" Charlie yelled as he jogged over. "I'll get it." I held out a hand. "Don't you fucking dare." "Still with that?" Charlie said, grinning and shaking his head like I was pathetic. I was pathetic. "I just enjoy messing with my neighbor, that's all." "Sure it is." I ignored him and charged over the fence, easily climbing it and dropping right into the Buxbaums' yard. The tree Liz was parked under was on the other side, bordering the other neighbors' fence, and she was facing my direction. The football was in the grass right beside her.
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
We do not converse. She visits me to talk. My task to murmur. She talks about her grandsons, her daughter who lives in Delphi, her sister or her husband - both gone - obscure friends - dead - obscurer aunts and uncles - lost - ancient neighbors, members of her church or of her clubs - passed or passing on; and in this way she brings the ends of her life together with a terrifying rush: she is a girl, a wife, a mother, widow, all at once. All at once - appalling - but I believe it; I wince in expectation of the clap. Her talk's a fence - shade drawn, window fastened, door that's locked - for no one dies taking tea in a kitchen; and as her years compress and begin to jumble, I really believe in the brevity of life; I sweat in my wonder; death is the dog down the street, the angry gander, bedroom spider, goblin who's come to get her; and it occurs to me that in my listening posture I'm the boy who suffered the winds of my grandfather with an exactly similar politeness, that I am, right now, all my ages, out in elbows, as angular as badly stacekd cards. Thus was I, when I loved you, every man I could be, youth and child - far from enough - and you, so strangely ambiguous a being, met me, h eart for spade, play after play, the whole run of our suits.
William H. Gass (In the Heart of the Heart of the Country and Other Stories)
It's be when you first learn to walk that I get daily demonstrations of the asymmetry in our relationship. You'll be incessantly running off somewhere, and each time you walk into a door frame or scrape your knee, the pain feels like it's my own. It'll be like growing an errant limb, an extension of myself whose sensory nerves report pain just fine, but whose motor nerves don't convey my commands at all. It's so unfair: I'm going to give birth to an animated voodoo doll of myself. I didn't see this in the contract when I signed up. Was this part of the deal? And then there will be the times when I see you laughing. Like the time you'll be playing with the neighbor's puppy, poking your hands through the chain-link fence separating our back yards, and you'll be laughing so hard you'll start hiccuping. The puppy will run inside the neighbor's house, and your laughter will gradually subside, letting you catch your breath. Then the puppy will come back to the fence to lick your fingers again, and you'll shriek and start laughing again. it will be the most wonderful sound I could ever imagine, a sound that makes me feel like a fountain, or a wellspring. Now if only I can remember that sound the next time your blithe disregard for self-preservation gives me a heart attack.
Ted Chiang (Stories of Your Life and Others)
When there’s a fire in the country, everyone shows up. It’s an unwritten rule, a universal rural truth. Helping neighbors fight fire on their land is the ultimate show of support and goodwill, not to mention a clear acknowledgement that prairie fires are no respecters of persons or fence lines and can quickly jump from ranch to ranch, taking nutritive grass, animals, and structures along with it. Plus, while it’s probably only a small part, it’s an excuse for a bunch of men to get together and, well, fight fire…to gather around a huge inferno and start up the sprayers…to drive around and extinguish flames…to light backfires and try to anticipate changes in the direction of the wind. Men, whether they admit it or not, thrive on that kind of thing.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
think it is like this here, when the hurricane comes. Before the hurricane, I am a busy man, and my neighbor, he hurries each day, as well. I do not know him, and we pass on the street, and our eyes are filled with many concerns, and so I do not see him and he does not see me. But the hurricane comes, and there is no electricity, and no light, and we cannot go anywhere for days. I notice my neighbor standing at the fence, and I go out to him and ask if his family is well. I give him cheese and a tin of crackers, and he gives me candles and matches. We stand and talk for many hours, and after this, when we pass on the street, we no longer walk by without seeing.” The tour guide paused, his eyes dark and soulful as he took in the crowd. “This is how the change comes. The storm opens the eyes and then the heart, as well. A crisis is only an opportunity riding a dangerous wind, si?
Lisa Wingate (Never Say Never)
A farmer had a vicious bull that took after anybody who tried to cross the field. One day a neighbor climbed the fence and was soon running for his life. This man was fast, though, and he got to a tree with the bull close behind. There was no time to climb the tree, so he led the bull in a chase around the tree. He finally was able to grab the bull by the tail. The bull was now at a disadvantage. He couldn’t catch the man and he couldn’t shake him from his tail. The more they ran the madder the bull got. He pawed up the earth and bellowed until you could hear him miles away. Finally, he broke into a dead run, the man still hanging onto his tail. "The neighbor, now dragging along behind, shouted at the bull, 'Darn you, who commenced this fuss?' "That’s our situation here,” summarized Lincoln. “It's our duty to settle this fuss at the earliest possible moment, no matter who commenced it”.
Rriiver Nyile (Abraham Lincoln: Abraham Lincoln Facts, Jokes and Quotes ( President's Day) (Black History Kids Series Book 3))
The Fence or The Ambulance ‘Twas a dangerous cliff, as they freely confessed, Though to walk near its crest was so pleasant: But over its terrible edge there had slipped A duke and many a peasant; So the people said something would have to be done. But their projects did not at all tally: Some said, "Put a fence around the edge of the cliff" Some, "An ambulance down in the valley." But the cry for the ambulance carried the day. For it spread to the neighboring city: A fence may be useful or not, it is true, But each heart became brimful of pity For those who had slipped o’er that dangerous cliff, And the dwellers in highway and alley Gave pounds or gave pence, not to put up a fence, But an ambulance down in the valley. "For the cliff is alright if your careful," they said, "and if folks even slip or are dropping, it isn't the slipping that hurts them so much as the shock down below-when they're stopping," So day after day when these mishaps occurred, Quick forth would the rescuers sally To pick up the victims who fell off the cliff, With their ambulance down in the valley. Then an old man remarked, "it's a marvel to me that people give far more attention to repairing results than to stopping the cause, when they'd much better aim at prevention. Let us stop at its source all this mischief, cried he. "Come neighbors and freinds, let us rally : If the cliff we will fence, we might almost dispense with the ambulance down in the valley." "Oh, he's a fanatic." the others rejoined: "dispense with the ambulance Never! He'd dispense with all charities, too, if he could: no, no! We'll support them forever. Aren't we picking up folks just as fast as they fall? And shall this man dictate to us? Shall he? Why would people of sense stop to put up a fence? While their ambulance works in the valley?" But a sensible few who are practical too, Will not bear with such nonsense much longer They believe that prevention is better than cure And their party will soon be the stronger Encourage them, then with your purse, voice and pen And (while other philanthropists dally) They will scorn all pretense, and put up a stout fence On the cliff that hangs over the valley.
Joseph Malines
Work" I laid telephone line, then cable when it came along. I pulled T-shirts off a silk-screen press. I cleaned offices in buildings thirty-five floors high. I filed the metal edges of grease fryers hot off a welding line. I humped sod in townhouse complexes, and when it became grass I cut it. I sorted mail. I washed police cars, and then I changed their oil. I installed remotes on gas meters so a truck could simply drive down the street and get the readings. I set posts and put up fences, wood and chain link. Five a.m. at the racetrack, I walked hot horses after their exercise. I bathed them. I mopped and swept aisles in a grocery store. Eventually, I stocked shelves. I corrected errors on mortgage papers for a bank. I racked tables in a pool hall. There’s more I’m not telling you. All of this befell me as an adult. As a kid, I cut neighbors’ lawns and delivered newspapers, and I watched after little kids while their parents worked. I painted houses. I collected frogs from ponds and sold them to pet stores. And so on. At fifteen, I went for a busboy position at an all-night diner, but they told me to come back when I turned sixteen. I did. Sometimes, on top of one, I took a second job. It gave me just enough time to sleep between the two. And eat. My father worked, harder than I did, and then he died. Then I worked harder. My mother said, “You’re the man of the house now.” I was seventeen. She kept an eye on me, to make sure I worked. I did. You've just read about all that. Eventually she died, too. I watched my social security numbers grow. I have a pretty good lump. I could leave it to somebody, a spouse or dependent. But there's no one. I have no plan to spend it, but I’ve paid into it. Today I quit my job, my jobs. I had them all written down, phone numbers too, and I called them. You should have seen me, dialing and dialing, crossing names off the list as I went. Some of them I called sounded angry. Some didn’t remember me, and a few didn’t answer. Others had answering machines, but I told the machines I quit anyway. I think about my father. How he worked. I sit by the phone now, after quitting all my jobs, and wish he could see this. A blank calendar on the wall. A single bulb hanging over my head, from a single cord, like the one he wrapped around his neck just before he died.
Michael Stigman
no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilet sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here
Warsan Shire
Hello,” she says. “My name is Amanda Ritter. In this file I will tell you only what you need to know. I am the leader of an organization fighting for justice and peace. This fight has become increasingly more important--and consequently, nearly impossible--in the past few decades. That is because of this.” Images flash across the wall, almost too fast for me to see. A man on his knees with a gun pressed to his forehead. The woman pointing it at him, her face emotionless. From a distance, a small person hanging by the neck from a telephone pole. A hole in the ground the size of a house, full of bodies. And there are other images too, but they move faster, so I get only impressions of blood and bone and death and cruelty, empty faces, soulless eyes, terrified eyes. Just when I have had enough, when I feel like I am going to scream if I see any more, the woman reappears on the screen, behind her desk. “You do not remember any of that,” she says. “But if you are thinking these are the actions of a terrorist group or a tyrannical government regime, you are only partially correct. Half of the people in those pictures, committing those terrible acts, were your neighbors. Your relatives. Your coworkers. The battle we are fighting is not against a particular group. It is against human nature itself--or at least what it has become.” This is what Jeanine was willing to enslave minds and murder people for--to keep us all from knowing. To keep us all ignorant and safe and inside the fence. There is a part of me that understands. “That is why you are so important,” Amanda says. “Our struggle against violence and cruelty is only treating the symptoms of a disease, not curing it. You are the cure. “In order to keep you safe, we devised a way for you to be separated from us. From our water supply. From our technology. From our societal structure. We have formed your society in a particular way in the hope that you will rediscover the moral sense most of us have lost. Over time, we hope that you will begin to change as most of us cannot. “The reason I am leaving this footage for you is so that you will know when it’s time to help us. You will know that it is time when there are many among you whose minds appear to be more flexible than the others. The name you should give those people is Divergent. Once they become abundant among you, your leaders should give the command for Amity to unlock the gate forever, so that you may emerge from your isolation.” And that is what my parents wanted to do: to take what we had learned and use it to help others. Abnegation to the end. “The information in this video is to be restricted to those in government only,” Amanda says. “You are to be a clean slate. But do not forget us.” She smiles a little. “I am about to join your number,” she says. “Like the rest of you, I will voluntarily forget my name, my family, and my home. I will take on a new identity, with false memories and a false history. But so that you know the information I have provided you with is accurate, I will tell you the name I am about to take as my own.” Her smile broadens, and for a moment, I feel that I recognize her. “My name will be Edith Prior,” she says. “And there is much I am happy to forget.” Prior. The video stops. The projector glows blue against the wall. I clutch Tobias’s hand, and there is a moment of silence like a withheld breath. Then the shouting begins.
Veronica Roth (Insurgent (Divergent, #2))
It was getting difficult to see exactly what was going on in the pool and a fourth officer jumped in as one came up with the unconscious form of the first cop. While others pulled the half-drowned man from the pool, three more wrestled Skorzeny to the surface and dragged him to the steps at the shallow end of the pool. He wasn't struggling any longer. Nor was he breathing with any apparent difficulty. The biggest of the three cops later admitted to punching him as hard as he could in the stomach and Skorzey doubled over. Another half-dragged him, still on his feet, shirt torn, jacket ripped, out of the pool and put a handcuff on his left wrist. Skorzeny pulled his arm away from the cop and, suddenly straightening, elbow-jabbed him in the gut, sending him sprawling and rolling back into the pool. Skorzeny turned toward the back fence and was now between the pool and a small palm tree. Before him were two advancing officers, pistols leveled. Behind him two more circled the pool. Skorzeny lunged forward and all fired simultaneously. The noise was deafening. Lights in neighboring houses began to go on. Skorzeny's body twitched and bucked as the heavy slugs ripped through his body. His forward momentum carried him into the officers ahead of him and he half-crawled, half-staggered to the southeast corner of the yard where another gate was set into the fiberglass fencing. Two more officers, across the pool, cut loose with their pistols, emptying them into this writing body which danced like a puppet. Another cop fired two shots from his pump-action shotgun and Skorzeny was lifted clean off his feet and slammed against the gate, sagging to the ground. En masse from both ends of the pool they advanced, when he gave out with a terrible hissing snarl and started to rise once more. All movement ceased as the cops, to a man, stood frozen in their tracks. Skorzeny stood there like some hideous caricature, his shredding clothing and skin hanging like limp rags from his scarecrow form. His flesh was ripped in several places and he was oozing something that looked like watered-down blood. It was pinkish and transparent. He stood there like a living nightmare. Then he straightened and raised his fist with the cuff still dangling from it like a charm bracelet. 'Fools!' he shrieked. 'You can't kill me. You can't even hurt me.' Overhead, the copter hovered, the copilot giving a blow-by-blow description of the fight over the radio. The police on the ground were paralyzed. Nearly thirty shots had been fired (the bullets later tallied in reports turned in by the participating officers) and their quarry was still as strong as ever. He'd been hit repeatedly in the head and legs, so a bulletproof vest wasn't the answer. And at distances sometimes as little as five feet, they could hardly have missed. They'd seen him hit. They stood frozen in an eerie tableau as the still roiling pool water threw weird reflections all over the yard. Then Skorzeny did the most frightening thing of all. He smiled. A red-rimmed, hideous grin revealing fangs that 'would have done justice to a Doberman Pinscher.
Jeff Rice (The Night Stalker)
Just as “good fences make good neighbors,” clear delineations of responsibility can prevent the kind of turf battles that break down staff relationships.
Duffy Robbins (Youth Ministry Nuts and Bolts, Revised and Updated: Organizing, Leading, and Managing Your Youth Ministry (Youth Specialties (Paperback)))
Hello,” she says. “My name is Amanda Ritter. In this file I will tell you only what you need to know. I am the leader of an organization fighting for justice and peace. This fight has become increasingly more important—and consequently, nearly impossible—in the past few decades. That is because of this.” Images flash across the wall, almost too fast for me to see. A man on his knees with a gun pressed to his forehead. The woman pointing it at him, her face emotionless. From a distance, a small person hanging by the neck from a telephone pole. A hole in the ground the size of a house, full of bodies. And there are other images too, but they move faster, so I get only impressions of blood and bone and death and cruelty, empty faces, soulless eyes, terrified eyes. Just when I have had enough, when I feel like I am going to scream if I see any more, the woman reappears on the screen, behind her desk. “You do not remember any of that,” she says. “But if you are thinking these are the actions of a terrorist group or a tyrannical government regime, you are only partially correct. Half of the people in those pictures, committing those terrible acts, were your neighbors. Your relatives. Your coworkers. The battle we are fighting is not against a particular group. It is against human nature itself—or at least what it has become.” This is what Jeanine was willing to enslave minds and murder people for—to keep us all from knowing. To keep us all ignorant and safe and inside the fence. There is a part of me that understands. “That is why you are so important,” Amanda says. “Our struggle against violence and cruelty is only treating the symptoms of a disease, not curing it. You are the cure. “In order to keep you safe, we devised a way for you to be separated from us. From our water supply. From our technology. From our societal structure. We have formed your society in a particular way in the hope that you will rediscover the moral sense most of us have lost. Over time, we hope that you will begin to change as most of us cannot. “The reason I am leaving this footage for you is so that you will know when it’s time to help us. You will know that it is time when there are many among you whose minds appear to be more flexible than the others. The name you should give those people is Divergent. Once they become abundant among you, your leaders should give the command for Amity to unlock the gate forever, so that you may emerge from your isolation.” And that is what my parents wanted to do: to take what we had learned and use it to help others. Abnegation to the end. “The information in this video is to be restricted to those in government only,” Amanda says. “You are to be a clean slate. But do not forget us.” She smiles a little. “I am about to join your number,” she says. “Like the rest of you, I will voluntarily forget my name, my family, and my home. I will take on a new identity, with false memories and a false history. But so that you know the information I have provided you with is accurate, I will tell you the name I am about to take as my own.” Her smile broadens, and for a moment, I feel that I recognize her. “My name will be Edith Prior,” she says. “And there is much I am happy to forget.” Prior.
Veronica Roth (The Divergent Series: Complete Collection)
But the truth was--though I wouldn't realize this until later--I had felt summoned: by my aunt and her prayers; by the lake in which my grandmother had bobbed in pain; by my dad's conscience, or lack thereof, and his hills; by the wind; by a neighbor boy who would tell me only the second time I ever talked to him that the color of my eyes (a drab gray, I'd always thought) reminded him of the sky up north on the reservation, right before nightfall, when Sasquatch warned hunters to get out of the woods and coyotes roamed along the roads and fences white men built over ancient paths.
Heather Brittain Bergstrom (Steal the North)
A farmer had a beautiful, powerful horse that was the envy of his neighbors in the community. One day the horse jumped the fence and ran away. The farmer's neighbors were quick to come over and offer their regrets over the farmer's loss of such a horse. He simply shrugged and said, “Good thing, bad thing, who knows?” Then one day the horse came back to the farm along with five magnificent wild horses. The farmer and his son corralled the horses to train them for work on the farm. When they saw the horses, the neighbors rushed over to admire the horses and marvel at the farmer's good fortune. In response to their comments, he just shrugged and said, “Good thing, bad thing, who knows?” A few days later, the farmer's son was training one of the new horses and fell off and severely broke his leg. After several months, it became clear that the son would never walk normally again. The neighbors came by to offer their condolences over the son's infirmity. The farmer shrugged and said, “Good thing, bad thing, who knows?” Then war came to the kingdom and all of the young, able-bodied males were conscripted for the king's army, likely to never return home again. Because of his broken leg, the farmer's son was left at home. The neighbors, with much grief at their own losses, came by to comment on the farmer's good fortune in keeping his son. The farmer simply replied, “Good thing, bad thing, who knows?” Of course, the point of the story is you never know how things are going to play out over the long run, so why spend a lot of energy on mulling over whether any particular outcome is good or bad? Things can and will change. I think the reason Diane and I use “Good thing, bad thing, who knows?” as a catch phrase is that our experience with my multiple sclerosis has taught us to suspend judgment on what could happen or is likely to happen in life. It's taught us both to be more mindful—aware and intentional—about how we live our lives. In this final chapter of the book, I want to share some of those mindfulness lessons I've learned from MS in the hope that they'll be useful to you on your journey.
Scott Eblin (Overworked and Overwhelmed: The Mindfulness Alternative)
By temperament I am content with the doctrine that good fences make good neighbors; but good fences shouldn’t evolve into barbed-wire barricades, though much of this is happening: the atomistic pull of high-tech living, in a high-tech age.
Buckley Jr., William F. (Let Us Talk of Many Things: The Collected Speeches)
a temporary solution to the city’s sectarian bloodletting. Now they were a permanent feature of its geography—indeed, their number, length, and scale had actually increased since the signing of the Good Friday accords. On Springfield Road the barricade was a transparent green fence about ten meters in height. But on Cupar Way, a particularly tense part of the Ardoyne, it was a Berlin Wall–like structure topped by razor wire. Residents on both sides had covered it in murals. One likened it to the separation fence between Israel and the West Bank. “Does this look like peace to you?” asked Keller. “No,” answered Gabriel. “It looks like home.” Finally, at half past one, Keller turned into Stratford Gardens. Number 8, like its neighbors, was a two-level redbrick house with a white door and a single window on each floor. Weeds flourished in the forecourt; a green rubbish bin lay toppled by the wind. Keller pulled to the curb and switched off the engine.
Daniel Silva (The English Spy (Gabriel Allon, #15))
Mr. Dursley was the director of a firm called Grunnings, which made drills. He was a big, beefy man with hardly any neck, although he did have a very large mustache. Mrs. Dursley was thin and blonde and had nearly twice the usual amount of neck, which came in very useful as she spent so much of her time craning over garden fences, spying on the neighbors. The Dursleys had a small son called Dudley and in their opinion there was no finer boy anywhere.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, # 1))
Time to leave and a friendly bough from a neighbor's tree leans over the fence to shake hands with me
John J. Geddes
Why does the world not rebel against a capitalistic society that places the right to pursue greed ahead of the collective good of a community? Why do so many people who live next door or across a hallway from one another never speak to their neighbors? Why do so many people go to great lengths to avoid interacting with their neighbors by installing tall privacy fences and timing their ingress and egress to avoid unscripted encounters with one another? In an age where electronic advances makes communicating with people a rapid convenience, why is it that we live as a species more isolated than ever before from people outside our immediate enclave?
Kilroy J. Oldster
So, Alexa,” I said, bringing her eyes back to my own. “I guess we’ll catch up later then.” “Okay. See ya.” She gave Jake another smile before hitching her tote bag onto her shoulder and turning towards the house. As Jake and I climbed the steps to the front door, I looked back over the fence and saw Alexa staring in our direction. I gave her a quick wave, which she returned with a wave of her own. I’d noticed her expression when Jake arrived. I knew it was his good looks that had caught her attention. It wasn’t surprising. He had the same effect on everyone. My twin, however, was the lucky one. She was the girl he had fallen for, and when she opened the front door, and he reached for her hand, a sliver of envy erupted inside me.
Katrina Kahler (The New Girl: Book 1 - The Twins' New Neighbor: Books for Girls)
But There're Somewhere..." 1915 But there’re, somewhere, the simple life and light, Warm, gay and absolutely clear… There, speaks a neighbor through the fences, light, With a sweet girl, and only bees can hear – The gentlest talking of this kind. But here we live – the solemn ones and toilsome – And honor rites of our meetings, sad, When our speech, just as a bud to blossom, Is cut by wind, the cold and mad. But we shall never seek a substitution For this grand city – our woe and prize – The widest rivers’ ever glaring ice, The gloomy gardens, hidden from beams sun’s And the Muse voice’s slim illusion.
Anna Akhmatova
Mrs. Dursley was thin and blonde and had nearly twice the usual amount of neck, which came in very useful as she spent so much of her time craning over garden fences, spying on the neighbors.
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
Kean shuddered. Reaching under the wire fence, he grabbed the bottle. The sleeve of his faded green T-shirt snagged on the end of a wire just as a feeling of being watched quivered down the back of his neck. He jerked the sleeve free, tearing a small hole in the fabric, and looked back over the neighbor’s yard. No one was watching, but he had an urge to get out of there – fast!
Ramona Nehring-Silver (The Ghost of Walhachin)
The love of possessions is a disease in them. These people have made many rules that the rich may break, but the poor may not! They have a religion in which the poor worship, but the rich will not! They even take tithes from the poor and weak to support the rich and those who rule. They claim this mother of ours, the earth, for their own use, and fence their neighbor away. ... If America had been twice the size it is, there still would not have been enough.
Tȟatȟáŋka Íyotake
In Defense of Our Overgrown Garden" Last night the apple trees shook and gave each lettuce a heart Six hard red apples broke through the greenhouse glass and Landed in the middle of those ever-so-slightly green leaves That seem no mix of seeds and soil but of pastels and light and Chalk x’s mark our oaks that are supposed to be cut down I’ve seen the neighbors frown when they look over the fence And see our espalier pear trees bowing out of shape I did like that They looked like candelabras against the wall but what’s the sense In swooning over pruning I said as much to Mrs. Jones and I swear She threw her cane at me and walked off down the street without It has always puzzled me that people coo over bonsai trees when You can squint your eyes and shrink anything without much of A struggle ensued with some starlings and the strawberry nets So after untangling the two I took the nets off and watched birds With red beaks fly by all morning at the window I reread your letter About how the castles you flew over made crenellated shadows on The water in the rainbarrel has overflowed and made a small swamp I think the potatoes might turn out slightly damp don’t worry If there is no fog on the day you come home I will build a bonfire So the smoke will make the cedars look the way you like them To close I’m sorry there won’t be any salad and I love you
Matthea Harvey (Pity the Bathtub Its Forced Embrace of the Human Form)
I don’t believe that the common man is as bad as what we commonly see on the news. But we won’t know that until we spend some face-to-face time with the common man who lives just on the other side of our common fence.
Craig D. Lounsbrough
What’s Fair Is Fair. Social systems are based on reciprocity in everything from back scratching to telling the truth. Adults develop a sense of fairness and use it as a yardstick for measuring their behavior. Vampires don’t; their idea of fair is that they get what they want when they want it. What You Get Is Equal to What You Put In. Adults understand that the more you give, the more you get. Vampires take. Other People Have the Right to Deny Me. Human relationships depend on a clear perception of the psychological line between what’s mine and what’s yours. Robert Frost said it well: “Good fences make good neighbors.” Vampires have a hard time seeing this all-important boundary. They believe that whatever they want should be given to them immediately, regardless of how anyone else might feel about it. Social creatures trust each other to follow these basic rules, and Emotional Vampires betray that trust. The lack of connection to something larger than themselves is also the reason for vampires’ internal pain. The universe is a cold and empty place when there is nothing in it bigger than your own need.
Albert J. Bernstein (Emotional Vampires: Dealing With People Who Drain You Dry)
Guess what I’m not doing today? I’m not raking leaves, mowing the lawn, replacing the roof, or negotiating with neighbors to replace the fence.” Instead, we went for a hike.
Courtney Carver (Project 333: The Minimalist Fashion Challenge That Proves Less Really is So Much More)
Kayla froze and looked at her neighbor’s fence. A low masculine chuckle floated on the night, doing funny things to her insides. Grass crunched as footsteps approached the five-foot fence. When a handsome face appeared above it, butterflies filled her belly. Nick Belanger smiled at her, his brown eyes glinting with amusement in the ambient illumination cast by the floodlights. “Everything okay?” Straightening, she returned his smile and held up the snail. “Yes. Just stopping this little bugger. He and his buddies keep devouring my pepper plants.” He grinned. Damn, he was handsome. Not in a pretty-boy way, but in a ruggedly masculine way. His short black hair was slicked back from his face, still wet from a recent shower. His strong jaw bore a five-o’clock shadow. His straight white teeth provided sharp contrast to the dark stubble that coated his cheeks. She’d been attracted to him ever since she had moved next door to him six years ago.
Dianne Duvall (Broken Dawn (Immortal Guardians, #10))
Bradenton reminded him of an old farmer, walking the perimeter of his property every day, testing the fences and peering suspiciously at his neighbors, making sure that his side and their side were clearly delineated. It had taken Oliver years to learn his lesson: keep quiet and let men like Bradenton test the fences. It wouldn’t do them any good, and if you were careful, one day you’d be in a position to buy their whole damned farm. And so Oliver held his tongue and smiled.
Courtney Milan (The Heiress Effect (Brothers Sinister, #2))
The contrast was startling: the beauty of the ridges against the poverty of the people who lived between them. There were some pretty homes with neat lawns and white picket fences, but the neighbors were usually not as prosperous.
John Grisham (Gray Mountain)
Some packages are wrapped in brown paper and go tick, tick, tick. Those you throw over a bad neighbor’s fence.
Meredith Blevins (The Annie Szabo Mystery Series Vol 1-3)
What happened to Love comes in all kinds of packages?” “Some packages are wrapped in brown paper and go tick, tick, tick. Those you throw over a bad neighbor’s fence.
Meredith Blevins (The Annie Szabo Mystery Series Vol 1-3)
She turned a corner, dodging into another person’s yard (decorated with a blue picnic table and patio umbrella with daisies painted on it, despite the shabbiness of his neighbors), before diving through a loose board in the wood fence (its edges rotted) and into another alley, and forced to squeeze past an abandoned, green Cadillac (with rusted fenders and a missing left, rear tire) that nearly blocked her path.
Janet McNulty (Solaris Seethes (Solaris Saga Book 1))
As someone who can fall prey to comparing myself and my life to edited and curated Instagram feeds, I laughed so hard when he told me that due to the physics of how grass grows, when we peer over our fence at our neighbor’s grass, it actually does look greener, even if it is truly the same lushness as our own grass. I mean, does it get better than that? The grass actually does look greener on the other side,
Brené Brown (Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience)
Joyce ain’t no exception. I suspect she got that job because she always had the right people in her corner and she was easy to train.
Mary Monroe (Over the Fence (The Neighbors #2))
I will NOT be loyally to no party before my freedom! Any party that attack my 1st and 2nd amendments right is a dangers party to vote for! I lived in a communist country and I defected from them because they did what Democrats are trying to do! Remember Communism don't come in one day, it starts with socialism. Than they move forward censoring and seizing guns than they move forward seizing your properties than the dictate over people with IRON FIST! Vladimir Lenin said " Socialisms is the road to the communism" I can tell you from my own personal life experience living under communist IRON FIST! You are free to vote for communism in a free country. But try to be free, and vote out of the communism! You have to shot yourself out like I did! Through bullets I defected communist regime after after being screened and backwound check. I spending few months in a concentration camp waiting to be approved to come legally to America, and today Democrats are opening the borders and letting illegal's come straight into America, cutting in front of the line of the other immigrants/refugees who are waiting for months and years to come legally to the USA! This is what I call undermining the democracy! Country with our a borders is not a country just how a house with out walls is not a house! They say fences makes a good neighbors!
Zybejta (Beta) Metani' Marashi (Escaping Communism, It's Like Escaping Hell)
I will NOT be loyally to no party before my freedom! Any party that attack my 1st and 2nd amendments right is a dangers party to vote for! I lived in a communist country and I defected from them because they did what Democrats are trying to do! Remember Communism don't come in one day, it starts with socialism. Than they move forward censoring and seizing guns than they move forward seizing your properties than the dictate over people with IRON FIST! Vladimir Lenin said " Socialisms is the road to the communism" I can tell you from my own personal life experience living under communist IRON FIST! You are free to vote for communism in a free country. But try to be free, and vote out of the communism! You have to shot yourself out like I did! I was only 23 years old when through bullets I defected communist regime and landed to the neighbor country before I immigrated to the USA! After being screened and back round check. I spending few months in a concentration camp waiting to be approved to come legally to America, Today Democrats are opening the borders, and letting illegal's come straight into America, cutting in front of the line of the other immigrants/refugees who are waiting for months and years on line to come legally to the USA! it is not cool! This cheating and undermining our democracy! A country with our a borders it is not a country, just how a house with out walls it is not a house! They say fences makes a good neighbors!
Zybejta (Beta) Metani' Marashi (Escaping Communism, It's Like Escaping Hell)
friend girl
Mary Monroe (Over the Fence (The Neighbors #2))
Meanwhile, the economic gulf between us and our southern neighbors drove hundreds of thousands of people to illegally cross the 1,933-mile U.S.-Mexico border each year, searching for work and a better life. Congress had spent billions to harden the border, with fencing, cameras, drones, and an expanded and increasingly militarized border patrol. But rather than stop the flow of immigrants, these steps had spurred an industry of smugglers—coyotes—who made big money transporting human cargo in barbaric and sometimes deadly fashion. And although border crossings by poor Mexican and Central American migrants received most of the attention from politicians and the press, about 40 percent of America’s unauthorized immigrants arrived through airports or other legal ports of entry and then overstayed their visas.
Barack Obama (A Promised Land)
Cloud then offered them a metaphor. Imagine a neighbor who never waters his lawn. But whenever you turn on your sprinkler system, the water falls on his lawn. Your grass is turning brown and dying, but Bill looks down at his green grass and thinks to himself, “My yard is doing fine.” Thus everyone loses: your efforts have been wasted, and Bill never develops the habit of watering his own lawn. The solution? As Cloud puts it, “You need some fences to keep his problems out of your yard and in his, where they belong.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
Every now and then, I felt a teeny-weeny bit of guilt about what I was doing. But I needed the money more than I needed a good conscience.
Mary Monroe (Over the Fence (The Neighbors #2))
Life, my dear, is a garden full of all kinds of plants,' Mrs. Zagretti said, 'People, too, are plants that must be cultivated if they are to reach their highest potential.
Blume Lempel (Oedipus in Brooklyn and Other Stories)
…history has taught us more than enough about what happens when nationalism gets out of hand. For as much evil has been done in its name as good. But the nationalistic tide seems to be sweeping over the world; neighbors are reinforcing their fences instead of pursuing the beautiful goal of breaking down barriers. (letter to Otto Meyer, Breslau. May 7, 1932)
Oskar Schlemmer (The Letters and Diaries of Oskar Schlemmer)
Kids Riding Tornados The Wizard of Oz is a famous movie that was made in 1939. Dorothy is the girl who is the main character and in the story, she is picked up by a tornado and carried off to the fictional land of Oz. A few years later, in 1955, a 9-year-old really did go for a ride in a tornado! But first she rode a horse. There’s not a whole lot around Bowdle, South Dakota. It’s a very rural part of the state. Sharon Weron was 9 years old and riding a horse home from a neighbor’s house. Her mom was following in her car and saw everything. Just as Sharon and her horse reached their house, the tornado was on them. They had very little warning. Sharon’s mom saw the tornado pick up her daughter (and horse), spin them around wildly, and carry them away. Sharon was wearing a blue shirt so her mom was looking for that in the tornado and could see her spinning. The tornado carried them around 1,000 feet, over several fences, and dumped Sharon in a ditch. She was wearing a leather jacket and pulled that up around her head during her flight. There was hail and all kinds of debris flying around inside the tornado with her. Sharon’s hands were badly bruised from being hit by the hail and who knows what else. She remembered hitting the ground and grabbing the grass so that she wouldn’t get sucked up again. As she looked around, she found her horse. He was just standing there not far from her. Both were a little beaten up but okay. That’s crazy, right? Their story got picked up by newspapers and spread all over the world. Reporters had no reason to doubt the story. As unbelievable as it seems, it still holds up as credible. Sharon’s ride was also witnessed by neighbors. The Guinness book of world records listed Sharon’s ride as the furthest anyone had ever ridden in a tornado until 2006. It’s remarkable that both Sharon and her horse lived through such a terrifying experience. That has to be the craziest horse story in the history of the world!
Jesse Sullivan (Spectacular Stories for Curious Kids Survival Edition: Epic Tales to Inspire & Amaze Young Readers)
Oh, there he is talking to the neighbor, probably about boring things. It’s funny our neighbor’s name is Cornelia. Good thing she’s old, it sounds like an old name. I wouldn’t even play with someone with a name like that, it sounds like the name of a vegetable or a disease. They’re nice neighbors, I guess, but their dogs are mean. Maybe ‘cause we tease them through the fence. I should tell Dad about Adam. If he yells at Adam to get up he definitely will. How is he holding his breath that long?
K.L. Randis (Spilled Milk)
Americans have gone from an average of 3.2 close friends to 1.8, and 40 percent of our neighbors have fewer than one confidant in their lives.6 He went on to say that Americans used to be able to disagree with one another and still be friends because we were friends first. But with our collapse of social capital—of neighbors gathering on the porch or chatting over the backyard fence—cultural polarization has become an epidemic in this country, creating a great divide between races, classes, and genders. One obvious byproduct of this relational separation is loneliness.
Jamie Erickson (Holy Hygge: Creating a Place for People to Gather and the Gospel to Grow)
mustache. Mrs. Dursley was thin and blonde and had nearly twice the usual amount of neck, which came in very useful as she spent so much of her time craning over garden fences, spying on the neighbors. The Dursleys had a small son called Dudley and in their opinion there was no finer boy anywhere. The Dursleys had everything they wanted, but they also had a secret, and their greatest fear was that somebody would discover it. They didn’t think they could bear it if anyone found out about the Potters. Mrs. Potter was Mrs. Dursley’s sister, but they hadn’t met for several years; in fact, Mrs. Dursley pretended she didn’t have a sister, because her sister and her good-for-nothing husband were as unDursleyish as it was possible to be. The Dursleys shuddered to think what the neighbors would say if the Potters arrived in the street. The Dursleys knew that the Potters had a small son, too, but they had never even seen him. This boy was another good reason for keeping the Potters away; they didn’t want Dudley mixing with a child like that. When Mr. and Mrs. Dursley woke up on the dull, gray Tuesday our story starts, there was nothing about the cloudy sky outside to suggest that strange and mysterious
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
A feeling of welcome washes over me. I walk toward her, right up to the fence that separates my place from the neighbor’s,
Toni Morrison (The Origin of Others (The Charles Eliot Norton lectures, 2016 Book 56))
Oh, there he is talking to the neighbor, probably about boring things. It’s funny our neighbor’s name is Cornelia. Good thing she’s old, it sounds like an old name.  I wouldn’t even play with someone with a name like that, it sounds like the name of a vegetable or a disease. They’re nice neighbors, I guess, but their dogs are mean. Maybe ‘cause we tease them through the fence. I should tell Dad about Adam. If he yells at Adam to get up he definitely will. How is he holding his breath that long?
K.L. Randis (Spilled Milk)
The physicist and complexity researcher Yaneer Bar-Yam showed quite convincingly that “better fences make better neighbors”—something both “policymakers” and local governments fail to get about the Near East.
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life (Incerto))
Plus, having land and resources meant people suddenly had to defend themselves from outsiders, so they had to erect fences and raise armies and create political structures and start paying taxes to fund all of this and put up with neighbors moving in across the street—all those buzzkills Epicurus warned us about.
Matt Siegel (The Secret History of Food: Strange but True Stories About the Origins of Everything We Eat)
Mending Wall Something there is that doesn't love a wall, That sends the frozen-ground-swell under it, And spills the upper boulders in the sun; And makes gaps even two can pass abreast. The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone, But they would have the rabbit out of hiding, To please the yelping dogs. The gaps I mean, No one has seen them made or heard them made, But at spring mending-time we find them there. I let my neighbor know beyond the hill; And on a day we meet to walk the line And set the wall between us once again. We keep the wall between us as we go. To each the boulders that have fallen to each. And some are loaves and some so nearly balls We have to use a spell to make them balance: 'Stay where you are until our backs are turned!' We wear our fingers rough with handling them. Oh, just another kind of out-door game, One on a side. It comes to little more: There where it is we do not need the wall: He is all pine and I am apple orchard. My apple trees will never get across And eat the cones under his pines, I tell him. He only says, 'Good fences make good neighbors.' Spring is the mischief in me, and I wonder If I could put a notion in his head: 'Why do they make good neighbors? Isn't it Where there are cows? But here there are no cows. Before I built a wall I'd ask to know What I was walling in or walling out, And to whom I was like to give offense. Something there is that doesn't love a wall, That wants it down.' I could say 'Elves' to him, But it's not elves exactly, and I'd rather He said it for himself. I see him there Bringing a stone grasped firmly by the top In each hand, like an old-stone savage armed. He moves in darkness as it seems to me, Not of woods only and the shade of trees. He will not go behind his father's saying, And he likes having thought of it so well He says again, 'Good fences make good neighbors.
Robert Frost
Good fences make good neighbors. - John Dortmunder
Donald E. Westlake
Cambodians resent outsiders’ implications that they are a nation of shell-shocked survivors, but in 2004 news from police stations around the country made it impossible not to notice how many seemingly pedestrian conflicts escalated into stunning violence: the farmer who beheaded his neighbor with a machete in a dispute over a fence; the disgruntled relative who stormed away from an argument at a wedding and returned to douse the guests with battery acid.
Corinne Purtill (Ghosts in the Forest (Kindle Single))
Instead of sitting on the porch and talking with neighbors and friends as it was in the “good ole days,” often we now enter our homes as the garage door closes behind us, and surrounded by our privacy fence, we eat dinner alone and then vicariously live out community by watching television “reality” shows (as our neighbors do the same). Yet even in our chosen solitude, we have insatiable need for connection. Give us two seconds of down time and we reach for our phone to scan Twitter, Facebook, and Instagram feeds.
Dustin Willis (Life in Community: Joining Together to Display the Gospel)
their daily duties, when they encounter a neighbor, David carrying a bucket of paint. “What are you going to do Uncle David?” asked little Tracy inquisitively. “I am going to paint my fence children” answered Uncle David, adding “I could do with some help” “We will be really happy to help you” said Benjamin. “OK then let’s
Aunt Rabbit (Adventures of Scouts Benjamin and Tracy)
A plant can be pulled in many directions at once. Sunlight hitting a plant at an angle caises it to bend toward the rays, while the sinking statoliths within the plant's bending branches tell it to straighten up. These often conflicting signals enable a plant to situate itself in a position that is optimal for its environment. The tendrils of a vine, searching for a support to grab onto, will be attracted to the shade of the neighboring fence, and gravity will enable the vine to rapidly twirl around it. A plant on a windowsill will be pulled by the light and grow to one side, toward the sunny part of the sill, while the force of gravity will influence it to grow up at the same time. The smell of the tomato will pull Cuscuta to the side, while gravitropism will push it to keep growing upward. Just like Newtonian physics, the position of any part of the plant can be described as a sum of the force vectors acting upon it that tell a plant both where it is and which direction to grow.
Daniel Chamovitz (What a Plant Knows: A Field Guide to the Senses)
Mr. and Mrs. Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much. They were the last people you’d expect to be involved in anything strange or mysterious, because they just didn’t hold with such nonsense. Mr. Dursley was the director of a firm called Grunnings, which made drills. He was a big, beefy man with hardly any neck, although he did have a very large mustache. Mrs. Dursley was thin and blonde and had nearly twice the usual amount of neck, which came in very useful as she spent so much of her time craning over garden fences, spying on the neighbors. The Dursleys had a small son called Dudley and in their opinion there was no finer boy anywhere. The Dursleys had everything they wanted, but they also had a secret, and their greatest fear was that somebody would discover it. They didn’t think they could bear it if anyone found out about the
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))