Fences American Dream Quotes

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Don't ever, ever check Facebook when you're: A. Depressed. B. Drinking. C. Depressed and drinking. D. Unemployed. E. Struggling with being blessed with singleness while some of your friends seem to be blessed with a Brad Pitt lookalike and that blazing white picket fence shining with the glory of the American Dream on steroids. OR -- F. Anytime after 9:12pm.
Paul Angone (101 Secrets for Your Twenties)
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
Salman Rushdie (Fury)
The reason this kind of neighborhood is the American dream is not that it’s fancy or aesthetically pleasing or whatever. Human beings like those things, but what we really crave is stability. We want to go to bed at night and know that things will still be okay when we wake up. We want to rest easy. And that’s the feeling a white picket fence gives off: safety. Stability.
Gracie Ruth Mitchell (Juniper Bean Resorts to Murder (Happily Ever Homicide, #1))
And one by one, driven to exhaustion, trapped by fence and horses and bewilderment, under an immaculate sky the mythic creatures died. They died not in mercy, not in the majesty which was their due, but as the least of life, accursed of nature. They died in the dust of insult and the spittle of lead. There was more here than profaned the eye or ear or nose or heart. There was more here than mere destruction. The American soul itself was involved, its anthropology. We are born with buffalo blood upon our hands. In the prehistory of us all, the atavistic beasts appear. They graze the plains of our subconscious, they trample through our sleep, and in our dreams we cry out our damnation. We know what we have done, we violent people. We know that no species was created to exterminate another, and the sight of their remnant stirs in us the most profound lust, the most undying hatred, the most inexpiable guilt. A living buffalo mocks us. It has no place or purpose. It is a misbegotten child, a monster with which we cannot live and which we cannot live without. Therefore we slay, and slay again, for while a single buffalo remains, the sin of our fathers, and hence our own, is imperfect. But the slaughter of the buffalo is part of something larger. It is as though the land of Canaan into which we were led was too divine, and until we have done it every violence, until we have despoiled and murdered and dirtied every blessing, until we have erased every reminder of our original rape, until we have washed our hands of the blood of every other, we shall be unappeased. It is as though we are too proud to be beholden to Him. We cannot bear the goodness of God.
Glendon Swarthout
What was once a segregated oasis, a black Levittown where flowers grew and families thrived, now seems hardly worth the gas money for young black professionals, not for a daily commute ten miles past downtown, not when they can buy property anywhere these days. No matter the best efforts of the old-timers to keep the neighborhood as it’s always been, to secure its borders, keep the money in and the newcomers out, there are, every year, new families who are buying their way in, working-class blacks from places like Fifth Ward and South Park, and Latino families from the north side, who see in its quaint, tree-lined streets their chance at the American dream. You can’t put up fences on change.
Attica Locke (Pleasantville (Jay Porter, #2))
America was an orchard of peachy dreams behind a gauzed fence and a sign that said ‘No Tresspassing’. This land was his land as much as the next man’s. Like the folk songs he sang, it belonged to everyone, so it belonged to no one. The ungodly sin was the fence, not the crossing of it.
Nick Hayes (Woody Guthrie and the Dust Bowl Ballads)
Finally, Christians can use more-advanced strategies like geofencing. Geofencing is a powerful marketing strategy my marketing company uses for commercial clients. It targets prospects and gathers their mobile IDs based on their physical location. You can target your prospect by time and/or location — for example, anyone who went to a selected church in the last week, in the last month, or in the last six months. You can also select anyone who went just one time, two times in one month, four times in two months, and so on. It’s a great way to get very specific contact lists that meet pretty much any criteria you can think of. If a pastor simply won’t talk about the election, geofencing their church is a good way to get directly to the church attendees. For one campaign, my company “fenced” 74 different evangelical churches in a candidate's district and gathered 94,000 mobile IDs, thereby building a large database in a short amount of time. In the end, we collected the contact information of 10,000 highly motivated voters who were also considered “low propensity” voters for the clients’ database. We also generated potential voters by getting: • 100,000+ landing page visitors. • 942,000 ad impressions. • 288,000 video views. All these views and ad impressions led to increased voter awareness and turnout for our client.
Craig Huey (The Great Deception: 10 Shocking Dangers and the Blueprint for Rescuing The American Dream)
The reason this king of neighborhood is the American dream is not that it's fancy or aesthetically pleasing or whatever. Human beings like those things, but what we really crave is stability. We want to go to bed at night and know that things will still be oaky when we wake up. We want to rest easy. And that's the feeling a white picket fence gives off: safety. Stability. Sometimes it's an illusion, of course. But sometimes it's not.
Gracie Ruth Mitchell (Juniper Bean Resorts to Murder (Happily Ever Homicide, #1))
What had happened to him and the others who faced a judged and said: "You can't make me go in the army because I'm not American, or you wouldn't have plucked me and mine from a life that was good and real and meaningful and fenced me in the desert like they do the Jews in Germany and it is a puzzle why you haven't started to liquidate us though you might as well since everything else has been destroyed." And some said: "You, Mr. Judge, who supposedly represent justice, was it just a thing to ruin a hundred thousand lives and homes and farms and businesses and dreams and hopes because the hundred thousand were a hundred thousand Japanese when Japan is the country you're fighting and, if so, how about the Germans and Italians that must be just as questionable as the Japanese or we wouldn't be fighting Germany and Italy? Round them up. Take away their homes and cars and beer and spaguetti and throw them in a camp, and what do you think they'll say when you try to draft them into your army of the country that is for life, liberty and the pursuit of happiness?
John Okada (No-No Boy (Classics of Asian American Literature))
Referring to the already existing portion of this fence in California as part of the American’s “myths of arrival,” Moorehead writes: The fence is part of the myth. It is about a poor country looking across the border and seeing money and opportunities, all the lures that enticed the first settlers, and wanting to have a share in them. It is about the way that, ever since anyone can remember, poor Mexicans have migrated north in search of the American dream, which for them has meant jobs in agriculture, factories, the building and service industries, and the way they have been welcomed and discouraged by turn, and have simply kept on coming, even during times of determined and brutal rejection, and the way that the Americans have feared being swamped and losing their own identities and livelihoods. It is the old and simple story of exclusion.21
Andrew Shepherd (The Gift of the Other: Levinas, Derrida, and a Theology of Hospitality (Princeton Theological Monograph Series Book 207))