Fence Building Quotes

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All I wanted was a little piece of life, to be married, to have children. [...] I was trying my damnedest to lead a conventional life, for that was how I was brought up, and it was what my husband wanted of me. But one can't build little white picket fences to keep the nightmares out.
Anne Sexton
Cutting is a fence you build upon your own body to keep people out but then you cry to be touched. But the fence is barbed. What then?
Kathleen Glasgow (Girl in Pieces)
As if to build a fence around the fatal emptiness inside her, she had to create a sunny person that she became. But if you peeled away the ornamental egos that she had built, there was only an abbys of nothingness and the intense thirst that came with it. Though she tried to forget it, the nothingness would visit her periodically - on a lonely rainy afternoon, or at dawn when she woke up from a nightmare. What she needed at such times was to be held by someone, anyone.
Haruki Murakami (1Q84 (1Q84, #1-3))
This girl shivers and crawls under the covers with all her clothes on and falls into an overdue library book, a faerie story with rats and marrow and burning curses. The sentences build a fence around her, a Times Roman 10-point barricade, to keep the thorny voices in her head from getting too close.
Laurie Halse Anderson (Wintergirls)
We spend our life building higher fences and stronger locks, when the gravest dangers are already inside
Richard Paul Evans (The Sunflower)
Black is the color that is no color at all. Black is the color of a child's still, empty bedroom. The heaviest hour of night-the one that traps you in your bunk, suffocating in another nightmare. It is a uniform stretched over the broad shoulders of an angry young man. Black is the mud, the lidless eye watching your every breath, the low vibrations of the fence that stretches up to tear at the sky. It is a road. A forgotten night sky broken up by faded stars. It is the barrel of a new gun, leveled at your heart. The color of Chubs's hair, Liam's bruises, Zu's eyes. Black is a promise of tomorrow, bled dry from lies and hate. Betrayal. I see it in the face of a broken compass, feel it in the numbing grip of grief. I run, but it is my shadow. Chasing, devouring, polluting. It is the button that should never have been pushed, the door that shouldn't have opened, the dried blood that couldn't be washed away. It is the charred remains of buildings. The car hidden in the forest, waiting. It is the smoke. It is the fire. The spark. Black is the color of memory. It is our color. The only one they'll use to tell our story.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
When you build a fence around yourself, you'll wonder why people are afraid to approach you, because the pride in the fence is the cause of your blindness.
Michael Bassey Johnson
They haven't killed us yet," I say, and I imagine that one day I will fly a plane over Portland, over Rochester, over every fenced-in city in the whole country, and I will bomb and bomb and bomb, and watch all their buildings smoldering to dust, and all those people melting and bleeding into flame, and I will see how they like it. If you take, we will take back. Steal from us, and we will rob you blind. When you squeeze, we will hit. This is the way the world is made now.
Lauren Oliver (Pandemonium (Delirium, #2))
If a person can build a fence around himself, he is bound to do it.
Aleksandr Solzhenitsyn (The First Circle)
Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by ten food steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant in the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.
William Faulkner (Light in August)
Life is full of risks. But if you try to build a fence around all your fears, you'll shut out joy too.
Dorothy Love (Beyond All Measure (Hickory Ridge, #1))
You swallow hard when you discover that the old coffee shop is now a chain pharmacy, that the place where you first kissed so-and-so is now a discount electronics retailer, that where you bought this very jacket is now rubble behind a blue plywood fence and a future office building. Damage has been done to your city. You say, ''It happened overnight.'' But of course it didn't. Your pizza parlor, his shoeshine stand, her hat store: when they were here, we neglected them. For all you know, the place closed down moments after the last time you walked out the door. (Ten months ago? Six years? Fifteen? You can't remember, can you?) And there have been five stores in that spot before the travel agency. Five different neighborhoods coming and going between then and now, other people's other cities. Or 15, 25, 100 neighborhoods. Thousands of people pass that storefront every day, each one haunting the streets of his or her own New York, not one of them seeing the same thing.
Colson Whitehead (The Colossus of New York)
He waited for the black, terrible anger as though for some beast out of the night. But it did not come to him. His bowels seemed weighted with lead, and he walked slowly and lingered against fences and the cold, wet walls of buildings by the way. Descent into the depths until at last there was no further chasm below. He touched the solid bottom of despair and there took ease.
Carson McCullers (The Heart Is a Lonely Hunter)
The people who build high, strong fences are the ones who survive the best. You deny that reality only at the risk of being driven into the wilderness yourself...
Haruki Murakami (Kafka on the Shore)
Tolerance is becoming accustomed to injustice; love is becoming disturbed and activated by another’s adverse condition. Tolerance crosses the street; love confronts. Tolerance builds fences; love opens doors. Tolerance breeds indifference; love demands engagement. Tolerance couldn’t care less; love always cares more. —
Cory Booker (United)
Sometimes I think: if they want to walk around armed and build fences and let a church tell them what to do, let them wallow in it. They can build their own town of closed thinking, and live there, and find out later what a shitty place it really is.
Erika Johansen (The Fate of the Tearling (The Queen of the Tearling, #3))
He truly believed that no one could love him, and no matter who you are, that hurts. It made you insecure. It made you want to hide and build fences
Harlan Coben (Fade Away (Myron Bolitar, #3))
Build a fence around the South and you'd have one big madhouse.
Florence King
When we shut people out, we wall ourselves in;When we stop building bridges, we start erecting fences.
William Arthur Ward (Brighten your corner)
If people are constantly falling off a cliff, you could place ambulances under the cliff or build a fence on the top of the cliff. We are placing all too many ambulances under the cliff.
Denis Parsons Burkitt
In Vienna there are shadows. The city is black and everything is done by rote. I want to be alone. I want to go to the Bohemian Forest. May, June, July, August, September, October. I must see new things and investigate them. I want to taste dark water and see crackling trees and wild winds. I want to gaze with astonishment at moldy garden fences, I want to experience them all, to hear young birch plantations and trembling leaves, to see light and sun, enjoy wet, green-blue valleys in the evening, sense goldfish glinting, see white clouds building up in the sky, to speak to flowers. I want to look intently at grasses and pink people, old venerable churches, to know what little cathedrals say, to run without stopping along curving meadowy slopes across vast plains, kiss the earth and smell soft warm marshland flowers. And then I shall shape things so beautifully: fields of colour…
Egon Schiele
We can't choose the family we were born into. But we can choose our actions. We all want to take care of the people we are closest to, those sitting at our table. But is there a world in which those who are blessed with more might build a larger table rather than building a higher fence?
Priyanka Chopra Jonas (Unfinished)
You’d think bad guys would get a little creative,” Razor whispered as we crawled under the fence. “Old, abandoned buildings are such a cliché.
Ada Adams (ReAwakened (Angel Creek, #2))
The sentences build a fence around her, a Times Roman 10-point barricade, to keep the thorny voices in her head from getting too close.
Laurie Halse Anderson (Wintergirls)
They claim this mother of ours, the earth, for their own and fence their neighbors away; they deface her with their buildings and their refuse. That nation is like a spring freshet that overruns its banks and destroys all who are in its path. We cannot dwell side by side.
Sitting Bull
I understand the logic behind removing toxic people from one’s life. But I also understand that many who are “toxic” are acting out of a painful past… and that to marginalize someone who’s not known much love is to validate that they don’t matter. To live in the world we desire – a world of good people, safe places – requires less fence-building and more heart-building. It requires valuing the worth of all people and loving the hurt as much as possible.
Renata Bowers
You came into this life with a starving heart. I know better than anyone that you cannot fill it with fence posts or china patterns. You cannot fill it with paper bodies, people whose skin rips in your palms. For some people, you will be too hard: an unmanageable puzzle, all sharp edges, and snarls. For others, you will be too soft: always looking to set up camp somewhere safe and warm where the wind won’t knock you down. You cannot build your home like a house of cards in the mouth of a lover who breathes too hard at night.
Trista Mateer (Honeybee)
Chaos was my philosophy. Oh, yeah. Have no rules. If people start to build fences around you, break out and do something else. You should never, ever be understood completely. That's like the kiss of death, isn't it? It's a full stop. I don't ever think you should put full stops on thoughts. They change.
John Lydon (Rotten: No Irish, No Blacks, No Dogs)
Jean-Jacques Rousseau defined civilization as when people build fences. A very perceptive observation. And it’s true—all civilization is the product of a fenced-in lack of freedom. The Australian Aborigines are the exception, though. They managed to maintain a fenceless civilization until the seventeenth century. They’re dyed-in-the-wool free. They go where they want, when they want, doing what they want. Their lives are a literal journey. Walkabout is a perfect metaphor for their lives. When the English came and built fences to pen in their cattle, the Aborigines couldn’t fathom it. And, ignorant to the end of the principle at work, they were classified as dangerous and antisocial and were driven away, to the outback. So I want you to be careful. The people who build high, strong fences are the ones who survive the best. You deny that reality only at the risk of being driven into the wilderness yourself.
Haruki Murakami (Kafka on the Shore)
May the fire in your soul, burn down all the fences and walls which this society is trying to build around you.
Akshay Vasu
I’m not the white-picket-fence kind of guy. So don’t go building castles in the air. You’ll get trapped in the rubble when they collapse.
Maureen Child (Baby Bonanza (Billionaires and Babies, #2))
Behold, the Spring has come; the earth has received the embraces of the sun and we shall soon see the results of that love! Every seed is awakened and so has all animal life. It is through this mysterious power that we too have our being, and we therefore yield to our neighbors, even our animal neighbors, the same right as ourselves, to inhabit this land. Yet, hear me, people, we have now to deal with another race – small and feeble when our fathers first met them but now great and overbearing. Strangely enough they have a mind to till the soil and the love of possession is a disease with them. These people have made many rules that the rich may break but the poor may not. They take their tithes from the poor and weak to support the rich and those who rule. They claim this mother of ours, the earth, for their own and fence their neighbors away; they deface her with their buildings and their refuse. The nation is like a spring freshet that overruns its banks and destroys all that are in its path. We cannot dwell side by side. Only seven years ago we made a treaty by which we were assured that the buffalo country should be left to us forever. Now they threaten to take that away from us. My brothers, shall we submit or shall we say to them: 'First kill me before you take possession of my land
Sitting Bull
The application of this knife, the division of the world into parts and the building of this structure, is something everybody does. All the time we are aware of millions of things around us - these changing shapes, these burning hills, the sound of the engine, the feel of the throttle, each rock and weed and fence post and piece of debris beside the road - aware of these things but not really conscious of them unless there is something unusual or unless they reflect something we are predisposed to see. We could not possibly be conscious of these things and remember all of them because our mind would be so full of useless details we would be unable to think. From all this awareness we must select, and what we select and calls consciousness is never the same as the awareness because the process of selection mutates it. We take a handful of sand from the endless landscape of awareness around us and call that handful of sand the world.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
The humans build their stupid fence to keep us out, but that is nothing. The sky is our fence!” Human leapt upward—startlingly high, for his legs were powerful. “Look how the fence throws me back down to the ground!
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
It’s a hard thing about relationships, isn’t it? Doesn’t matter what type it is, if it’s worth keeping, sometimes you have to say shit you don’t want to, pry it out of your own mouth and toss it over a fence your mate’s building now because that’s what people do when you hurt them—build fences, raise walls, dig ditches, pitfalls, etc.
Jessa Hastings (Daisy Haites (The Magnolia Parks Universe Book 2))
Ayumi had a great emptiness inside her, like a desert at the edge of the earth. You could try watering it all you wanted, but everything would be sucked down to the bottom of the world, leaving no trace of moisture. No life could take route there. Not even birds would fly over it. What had created such a wasteland inside Ayumi, only she herself knew. No, maybe not even Ayumi knew the true cause. But one of the biggest factors had to be twisted sexual desires that men around Ayumi had forced upon her. As if to build a fence around the fatal emptiness inside her, she had to create the sunny personality that she became. But if you peeled away the ornamental egos that she had built, there was only an abyss of nothingness and the intense thirst that came with it. Though she tried to forget it, the nothingness would visit her periodically on a lonely rainy afternoon, or at dawn when she woke from a nightmare. What she needed at such times was to be held by someone, anyone.
Haruki Murakami (1Q84 (1Q84, #1-3))
We all want to fix things. Just as we all believe that so much in life can be rectified. Mend fences, build bridges, reach out, engage in mutual healing.
Douglas Kennedy (Leaving the World)
The people who build high, strong fences are the ones who survive the best. You deny that reality only at the risk of being driven into the wilderness yourself …
Haruki Murakami (Kafka on the Shore)
Hell, Frijòle, it ain’t against the law to drink whiskey in Texas. Yet. If it was, we could just build a fence around the whole territory and call it a jail,
Jinx Schwartz (The Texicans)
Build good fences, make good friends, and keep your laundry indoors.
A.J. Hackwith (The Library of the Unwritten (Hell's Library, #1))
People will insist on building high and wide barriers directly in your path, often with the intent of closing you in. If you treat these obstacles like fencing walls, they will prove mightily so. I choose to see them as grand towers meant to be scaled and conquered, providing an added victory as well as a great view of the journey ahead.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
I am so happy migrating birds and animals do not have visa issues and fences in the sky to halt their efforts to survive, but humans with their mindful consciousness do actually build walls around themselves.
Rana Abdulfattah (Tiger and Clay: Syria Fragments)
Our world isn’t about ideology anymore. It’s about complexity. We live in a complex bureaucratic state with complex laws and complex business practices, and the few organizations with the corporate willpower to master these complexities will inevitably own the political power. On the other hand, movements like the Tea Party more than anything else reflect a widespread longing for simpler times and simple solutions—just throw the U.S. Constitution at the whole mess and everything will be jake. For immigration, build a big fence. Abolish the Federal Reserve, the Department of Commerce, the Department of Education. At times the overt longing for simple answers that you get from Tea Party leaders is so earnest and touching, it almost makes you forget how insane most of them are.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
Tolerance is becoming accustomed to injustice; love is becoming disturbed and activated by another’s adverse condition. Tolerance crosses the street; love confronts. Tolerance builds fences; love opens doors. Tolerance breeds indifference; love demands engagement. Tolerance couldn’t care less; love always cares more.
Cory Booker (United)
Ill tell you the one that I think will: when a mans in love he wants to keep the one he loves- and cherish her. He wants to build a picket fence twixt them and the world. He doesn't want it temporary, a secret, hidden. He wants the world to know. The one he loves is somebody to him, not a thing to be taken, used and tossed aside. Hell, I'm not saying he shouldn't be interested in your pretty ankles and what a nice sway your bustles got. That's part of it too; but only a part. The rest of it is the long years ahead, the laughing together, and the crying, bringing up your kids, nodding together under the lamplight when your heads have turned white, and finally lying together forever in the long dark...
Frank Yerby (A Woman Called Fancy)
When everyone's building a fence, isn't it a true fool who lives out in the open?
Zadie Smith (Feel Free: Essays)
Simply building a fence between a child and temptation is not the same things as preparing him to face life.
Barbara R. Duguid (Extravagant Grace: God's Glory Displayed in Our Weakness)
ONE CAN'T BUILD LITTLE WHITE PICKET FENCES TO KEEP NIGHTMARES OUT. -Anne Sexton
Kimberly McCreight
The people who build high, strong fences are the ones who survive the best.
Haruki Murakami (Kafka on the Shore)
Build good fences, make good friends, and keep your laundry indoors. Leave just enough doubt in their minds to make yourself not worth the trouble. Librarian Gregor Henry, 1982 CE
A.J. Hackwith (The Library of the Unwritten (Hell's Library #1))
The people who build high, strong fences are the ones who survive the best. You deny that reality only at the risk of being driven into the wilderness yourself.
Haruki Murakami (Kafka on the Shore)
We find ourselves in the last of the three generations history chooses to repeat every now and then. The first generation needs a god, and so they invent one. The second erects temples to that god and tries to imitate him. And the third uses the marble from those temples to build brothels in which to worship their own greed, lust, and dishonesty. And that is why gods and heroes are always, inevitably, succeeded by mediocrities, cowards, and imbeciles.
Arturo Pérez-Reverte (The Fencing Master)
The slopes to treachery from the dizzy heights of revolutionary leadership are always so steep and slippery that leaders, however well intentioned, can never build their fences too high
C.L.R. James (The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution)
I watched the shadow of our plane hastening below us across hedges and fences, rows of poplars and canals … Nowhere, however, was a single human being to be seen. No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding. One sees the places where they live and the roads that link them, one sees the smoke rising from their houses and factories, one sees the vehicles in which they sit, but one sees not the people themselves. And yet they are present everywhere upon the face of the earth, extending their dominion by the hour, moving around the honeycombs of towering buildings and tied into networks of a complexity that goes far beyond the power of any one individual to imagine, from the thousands of hoists and winches that once worked the South African diamond mines to the floors of today's stock and commodity exchanges, through which the global tides of information flow without cease. If we view ourselves from a great height, it is frightening to realize how little we know about our species, our purpose and our end, I thought, as we crossed the coastline and flew out over the jelly-green sea.
W.G. Sebald (The Rings of Saturn)
William James wrote: “Our lives are like islands in the sea, or like trees in the forest, which co-mingle their roots in the darkness underground. Just so, there is a continuum of cosmic consciousness, against which our individuality builds but accidental fences, and into which our several minds plunge as into a mother sea or reservoir.
Madeleine L'Engle (Walking on Water: Reflections on Faith and Art)
I have that old sinking feeling. I've been overly available, sickeningly sweet and forever enabling all in the name of being 'liked.' I've compromised myself. I've suffered fools, idiots and dullards. I've gone on far too many dates with men because I felt guilty that they liked me more than I liked them. I've fallen deeply and madly I'm love with men I've never met just because I thought they looked 'deep.' I've built whole futures with men I hardly knew; I've planned weddings and named invisible children based on a side glance. I've made chemistry where there was none. I've forced intimacy while building higher Walls. I've been alone in a two year relationship. I've faked more orgasms than I can count while being comfortable with no affection at all. I realise I have to make a decision right here and now. Do I go back to the sliver of a person I was before or do I, despite whatever bullshit happened tonight, hold on to this... This authenticity? If I go back to the the way I was before tonight, I'll have to compromise myself, follow rules with men who have none, hold my tongue, be quiet and laugh at shitty jokes. I have to never be challenged, yet be called challenging when I have an opinion or, really, speak at all. I'll never be torched by someone and get goosebumps again. I'll never be outside of myself. I'll never let go. I'll never lose myself. I'll never know what real love is - both for someone else and for me. I'll look back on this life and wish I could do it all over again. I finally see the consequences of that life. The path more travelled only led to someone else's life: an idealised, saturated world of White picket fences and gingham tablecloths. A life where the real me is locked away. Sure i had a plus-one but at what price? No. No matter how awkward and painful this gets, I can't go back.
Liza Palmer (More Like Her)
The world is a dangerous place for little girls. Besides, little girls are more fragile, more delicate, more brittle than little boys. ‘Watch out, be careful, watch.’ ‘Don’t climb trees, don’t dirty your dress, don’t accept lifts from strange men. Listen but don’t learn, you won’t need it.’ And so the snail’s antennae grow, watching for this, looking for that, the underneath of things. The threat. And so she wastes so much of her energy, seeking to break those circuits, to push up the millions of tiny thumbs that have tried to quelch energy and creativity and strength and self-confidence; that have so effectively caused her to build fences against possibility, daring; that have so effectively kept her imprisoned inside her notions of self-worthlessness. And
Robyn Davidson (Tracks: One Woman's Journey Across 1,700 Miles of Australian Outback)
God is not my personal valet. God does not build a protective fence around my life, keep me from trouble, fulfill my personal desires, or guarantee my success. However, through prayer God offers me comfort, reassurance, satisfaction, courage, hope, and peace.
Jimmy Carter (Faith: A Journey for All)
You cannot ask a person who is created to break down fences to be the same who builds them. The one who breaks fences believes in freedom, no boundaries and universal browsing. Those who build them believe in setting rules for others and make sure other are controlled by his/her concepts
Sameh El sayed
But what if your kid runs into the street in front of a car? Don't you have to use Method I?" ... If a child develops a habit of running into the street, a parent might first try to talk to the child about the dangers of cars, walk her around the edge of the yard, and tell her that anything beyond is not safe, show her a picture of a child hit by a car, build a fence around the yard, or watch her when she is playing in the front yard for a couple of days, reminding her each time she goes beyond the limits. Even if I took the punishment approach, I would never risk my child's life on the assumption that punishment alone would keep her from going into the street. I would want to employ more certain methods in any event.
Thomas Gordon (Parent Effectiveness Training: The Proven Program for Raising Responsible Children)
There was no tour guide on hand to tell her that in Kashmir nightmares were promiscuous. They were unfaithful to their owners, they cartwheeled wantonly into other people’s dreams, they acknowledged no precincts, they were the greatest ambush artists of all. No fortification, no fence-building could keep them in check. In Kashmir the only thing to do with nightmares was to embrace them like old friends and manage them like old enemies.
Arundhati Roy (The Ministry of Utmost Happiness)
I was its king once, a long time ago, when the great gods decided to send the Flood. Five gods decided, and they took an oath to keep the plan secret: Anu their father, the counselor Enlil, Ninurta the gods’ chamberlain, and Ennugi the sheriff. Ea also, the cleverest of the gods, had taken the oath, but I heard him whisper the secret to the reed fence around my house. ‘Reed fence, reed fence, listen to my words. King of Shuruppak, quickly, quickly tear down your house and build a great ship, leave your possessions, save your life. The ship must be square, so that its length equals its width. Build a roof over it, just as the Great Deep is covered by the earth. Then gather and take aboard the ship examples of every living creature.
Anonymous (Gilgamesh)
Four cables, attached to tracks on the buildings, break through the stones, dragging up the net that encases Mitchell. It makes no sense — how instantly bloodied he is — until we see the barbs sticking from the wire that encases him. I know it immediately. It decorated the top of the fence around 12.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps. That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.
Toni Morrison (Jazz (Beloved Trilogy, #2))
Aren't you a Republican? Just about everyone is in the whole town of Learning." "No, I'm not a Republican. And I'm not no Democrat. I'm not nothing." "Why not?" "Because I'm not allowed to vote." "Me either. You have to be twenty-one to vote. I'm only twelve." "Reckon I'm soon looking at sixty." "Then why can't you vote? Is it because you're a Shaker?" "No, it's account of I can't read or write. When a man cannot do these things, people think his head is weak. Even when he's proved his back is strong. "Who decides?" "Men who look at me and take me not for what I be. Men who only see my mark, my X, when I can't sign my name. They can't see how I true a beam to build our barn, or see that the rows of corn in my field are straight as fences. They just seem me walk the street in Learning in clothes made me by my own woman. They do not care that my coat is strudy and keeps me warm. They'll not care that I owe no debt and I am beholding to no man.
Robert Newton Peck (A Day No Pigs Would Die)
In the last analysis, we must all, Indian and non-Indian, come together. This earth is our mother, this land is our shared heritage. Our histories and fates are intertwined, no matter where our ancestors were born and how they interacted with each other. Neither Wolf nor Dog is one small effort to help this coming together. It is not an attempt to build a fence around a man and his people, but to honor them with the gift of my words. I have done my best, and I place this book before you, like the tobacco before the buffalo rock, as a simple offering. May you receive it in the spirit with which it is offered. Kent Nerburn Bemidji, Minnesota Spring 1994
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
What we're doing - waving a "Keep Out!" flag at the Mexican border while holding up a Help Wanted sign a hundred yards in - is deliberate. Spending billions building fences and walls, locking people up like livestock, deporting people to keep the people we don't want out, tearing families apart, breaking spirits - all of that serves a purpose.
Jose Antonio Vargas (Dear America: Notes of an Undocumented Citizen)
Cutting is a fence you build upon your own body to keep people out but then you cry to be touched.
Kathleen Glasgow (Girl in Pieces)
Jean-Jacques Rousseau defined civilization as when people build fences.
Haruki Murakami (Kafka on the Shore)
Laziness builds walls and fences that keep the mind under control.
Oscar Auliq-Ice
With the amount of money an immigration moratorium would save U.S. taxpayers on court interpreters alone, we could build three border fences and revive NASA.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
The quill swirled and lunged over the page, in a slow but relentless three steps forward, two steps back sort of process and finally came to a full stop in a tiny pool of its own ink. Then, Louis Phelypeaux, First Compte de Pontchartrain, raised the nib, let it hover for an instant, as if gathering his forces, and hurled it backwards along the sentence, tiptoeing over “i’s” and slashing through “t’s” and “x’s” nearly tripping over an umlaut, building speed and confidence while veering through a slalom course of acute and grave accents, pirouetting through cedillas and carving vicious snap-turns through circumflexes. It was like watching the world’s greatest fencing master dispatch twenty opponents with a single continuous series of maneuvers.
Neal Stephenson
If I could build my own neighbors, I’d have no need to build a fence. I would tell you, “I would tell you, but you wouldn’t understand,” but you wouldn’t understand what you wouldn’t understand.
Jarod Kintz (This Book is Not for Sale)
way the government clears migrants from the trains in some places, spending millions of pesos and dollars to build those track-fences in Oaxaca and Chiapas and Mexico state, all while turning a blind eye in other locations.
Jeanine Cummins (American Dirt)
From when she was young, Molly had learned that the fence was an important landmark for the Mardudjara people of the Western Desert who migrated south from the remote regions. They knew that once they reached Billanooka Station, it was simply a matter of following the rabbit-proof fence to their final destination, the Jigalong government depot; the desert outpost of the white man. The fence cut through the country from south to north. It was a typical response by the white people to a problem of their own making. Building a fence to keep the rabbits out proved to be a futile attempt by the government of the day. For the three runaways, the fence was a symbol of love, home and security.
Doris Pilkington (Rabbit-Proof Fence)
This street dead-ends in a fishbowl of concrete: a line of shops to the right, some formidable, blockish government buildings to the left, and a wall directly in front, which is topped with a second wall, which is topped with a third wall, which is topped with razor wire and mounted cameras. It’s behind this wall, stretching high up into the sky, that the American flag moves stiffly in the mild wind. Only a few feet away from it, on this side of the fence, a Mexican flag also flies.
Jeanine Cummins (American Dirt)
Perhaps,” Oshima says, as if fed up. “Perhaps most people in the world aren’t trying to be free, Kafka. They just think they are. It’s all an illusion. If they really were set free, most people would be in a real bind. You’d better remember that. People actually prefer not being free.” “Including you?” “Yeah. I prefer being unfree, too. Up to a point. Jean-Jacques Rousseau defined civilization as when people build fences. A very perceptive observation. And it’s true—all civilization is the product of a fenced-in lack of freedom.
Haruki Murakami (Kafka on the Shore)
Instead of us to have a rethink and begin to use the money we use in building fences, to build bridges of social organizations, NGOs, employment platforms, we again turn around and try to bad mouth our system, forgetting that we are the system. We are the nation. We are the government. We are the people!
Sunday Adelaja
He also pointed out to Reagan that the United States was engaged in a debate about building a fence between the United States and Mexico, although the analogy didn’t fly with Reagan. He informed Gorbachev that a fence might be necessary because so many people wanted to come into the United States, not because they wanted to leave!
Bret Baier (Three Days in Moscow: Ronald Reagan and the Fall of the Soviet Empire (Three Days Series))
The rabbits and chickens lived in the courtyard space at the far end of the big two-story guardhouse. Everything wooden, the fences, the wall, the hutches on their stilts, was painted dark green, a flat ugly color against the complex natural greens of the cactus and the hedges and the trees. Trotsky put on his work gloves—he was very finicky about his hands—and got the rabbits out of their hutches, looking over each one for ticks or skin problems or signs of hairballs. He had read up on rabbit food and designed their diets himself, and learned about their diseases and habits, as absorbed in this task, as precise and methodical, as he had been in building the Red Army.
Cecelia Holland (The Death of Trotsky (Kindle Single))
Those same three factors applied to human beings. Like bees, our ancestors were (1) territorial creatures with a fondness for defensible nests (such as caves) who (2) gave birth to needy offspring that required enormous amounts of care, which had to be given while (3) the group was under threat from neighboring groups. For hundreds of thousands of years, therefore, conditions were in place that pulled for the evolution of ultrasociality, and as a result, we are the only ultrasocial primate. The human lineage may have started off acting very much like chimps,48 but by the time our ancestors started walking out of Africa, they had become at least a little bit like bees. And much later, when some groups began planting crops and orchards, and then building granaries, storage sheds, fenced pastures, and permanent homes, they had an even steadier food supply that had to be defended even more vigorously. Like bees, humans began building ever more elaborate nests, and in just a few thousand years, a new kind of vehicle appeared on Earth—the city-state, able to raise walls and armies.49 City-states and, later, empires spread rapidly across Eurasia, North Africa, and Mesoamerica, changing many of the Earth’s ecosystems and allowing the total tonnage of human beings to shoot up from insignificance at the start of the Holocene (around twelve thousand years ago) to world domination today.50 As the colonial insects did to the other insects, we have pushed all other mammals to the margins, to extinction, or to servitude. The analogy to bees is not shallow or loose. Despite their many differences, human civilizations and beehives are both products of major transitions in evolutionary history. They are motorboats.
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
MEMORY believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by a ten foot steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant as the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.
William Faulkner (Light in August)
I began to think the damage to our country, to us even, went so deep now that it would never fully be repaired. I realised the worst damage wasn't the bombed buildings, the burnt-out cars, the shattered windows. It wasn't even the neglected farms and the holes in the fences and the crops gone to seed. It was the damage deep inside us. Words like spirit and soul started to mean more to me now.
John Marsden (Burning For Revenge (Tomorrow, #5))
She didn’t see what she didn’t want to see. The women on the street were pretty girls waiting for a date and she was a princess waiting for her prince. The world could be a lot easier to deal with if you lived mostly inside your own head. Probably all the same ugly, sick, twisted stuff went on behind the pretty fences of her childhood anyway.She had built herself a fairly impressive wall in the last two years, but then she had been building that long before she got to the Cross. She could watch the world shit itself up right in front of her and not feel a thing. Sometimes she thought that any feeling at all would have been a luxury, but nothing got through. It meant that nothing could hurt her but it also meant that nothing could move her either. It was a price she was willing to pay. It was one interesting fucking trade-off.
Nicole Trope (The Boy Under the Table)
ref·u·gee noun: a person who flees for refuge or safety We are, each of us, refugees when we flee from burning buildings into the arms of loving families. When we flee from floods and earthquakes to sleep on blue mats in community centres. We are, each of us, refugees when we flee from abusive relationships, and shooters in cinemas and shopping centres. Sometimes it takes only a day for our countries to persecute us because of our creed, race, or sexual orientation. Sometimes it takes only a minute for the missiles to rain down and leave our towns in ruin and destitution. We are, each of us, refugees longing for that amniotic tranquillity dreaming of freedom and safety when fences and barbed wires spring into walled gardens. Lebanese, Sudanese, Libyan and Syrian, Yemeni, Somali, Palestinian, and Ethiopian, like our brothers and sisters, we are, each of us, refugees. The bombs fell in their cafés and squares where once poetry, dancing, and laughter prevailed. Only their olive trees remember music and merriment now as their cities wail for departed children without a funeral. We are, each of us, refugees. Don’t let stamped paper tell you differently. We’ve been fleeing for centuries because to stay means getting bullets in our heads because to stay means being hanged by our necks because to stay means being jailed, raped and left for dead. But we can, each of us, serve as one another’s refuge so we don't board dinghies when we can’t swim so we don’t climb walls with snipers aimed at our chest so we don’t choose to remain and die instead. When home turns into hell, you, too, will run with tears in your eyes screaming rescue me! and then you’ll know for certain: you've always been a refugee.
Kamand Kojouri
Reggie Fluty: ... when I got to the fence ... It was such an overwhelming amount of blood ... and we try to wear protective gloves, but we had a really cheap sheriff at the time, and he bought us shit gloves, you know, you put 'em on, you put 'em on, and they kept breaking, so finally you just ran out of gloves, you know. So, you figure, well, you know, "Don't hesitate," you know, that's what your mind tells you all the time - Don't hesitate - and so you keep moving and you try to help Matthew and find an airway and, you know, that's what you do, you know ... Probably a day and a half later, the hospital called me and told me Matthew had HIV. And the doctor said, "You've been exposed, and you've had a bad exposure," because, you see, I'd been - been building - building a, uh, lean-to for my llamas, and my hands had a bunch of open cuts on 'em, so I was kinda screwed (she laughs) you know, and you think, "Oh, shoot," you know.
Moisés Kaufman (The Laramie Project)
1. Acknowledgment that one is in crisis 2. Acceptance of one’s personal responsibility to do something 3. Building a fence, to delineate one’s individual problems needing to be solved 4. Getting material and emotional help from other individuals and groups 5. Using other individuals as models of how to solve problems 6. Ego strength 7. Honest self-appraisal 8. Experience of previous personal crises 9. Patience 10. Flexible personality 11. Individual core values 12. Freedom from personal constraints
Jared Diamond (Upheaval: Turning Points for Nations in Crisis)
None of them know, Aomame thought. But I know. Ayumi had a great emptiness inside her, like a desert at the edge of the earth. You could try watering it all you wanted, but everything would be sucked down to the bottom of the world, leaving no trace of moisture. No life could take root there. Not even birds would fly over it. What had created such a wasteland inside Ayumi, only she herself knew. No, maybe not even Ayumi knew the true cause. But one of the biggest factors had to be the twisted sexual desires that the men around Ayumi had forced upon her. As if to build a fence around the fatal emptiness inside her, she had to create the sunny person that she became. But if you peeled away the ornamental egos that she had built, there was only an abyss of nothingness and the intense thirst that came with it. Though she tried to forget it, the nothingness would visit her periodically—on a lonely rainy afternoon, or at dawn when she woke from a nightmare. What she needed at such times was to be held by someone, anyone.
Haruki Murakami (1Q84 (1Q84, #1-3))
Thus, the person of experience and reflection writes history. Anyone who has not experienced life on a greater and higher level than everyone else will not know how to interpret the greatness and loftiness of the past. The utterance of the past is always an oracular pronouncement. You will understand it only as builders of the future and as people who know about the present. People now explain the extraordinarily deep and far-reaching effect of Delphi by the particular fact that the Delphic priests had precise knowledge about the past. It is appropriate now to understand that only the man who builds the future has a right to judge the past. In order to look ahead, set yourselves an important goal, and at the same time control that voluptuous analytical drive with which you now lay waste the present and render almost impossible all tranquility, all peaceful growth and maturing. Draw around yourself the fence of a large and extensive hope, an optimistic striving. Create in yourselves a picture to which the future is to correspond, and forget the myth that you are epigones. You have enough to plan and to invent when you imagine that future life for yourselves. But in considering history do not ask that she show you the 'How?' and the 'With what?' If, however, you live your life in the history of great men, then you will learn from history the highest command: to become mature and to flee away from that paralyzing and prohibiting upbringing of the age, which sees advantages for itself in not allowing you to become mature, in order to rule and exploit you, the immature. And when you ask after biographies, then do not ask for those with the refrain 'Mr. Soandso and His Age' but for those whose title page must read 'A Fighter Against His Age.' Fill your souls with Plutarch, and dare to believe in yourselves when you have faith in his heroes. With a hundred people raised in such an unmodern way, that is, people who have become mature and familiar with the heroic, one could permanently silence the entire noisy pseudo-education of this age.
Friedrich Nietzsche (Untimely Meditations)
No guns though, even they could not be trusted with guns. Guns were for the guards, specially picked from the Angels. The guards weren’t allowed inside the building except when called, and we weren’t allowed out, except for our walks, twice daily, two by two around the football field, which was enclosed now by a chain-link fence topped with barbed wire. The Angels stood outside it with their backs to us. They were objects of fear to us, but of something else as well. If only they would look. If only we could talk to them. Something could be exchanged, we thought, some deal made, some tradeoff, we still had our bodies. That was our fantasy. We
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Our house was made of stone, stucco, and clapboard; the newer wings, designed by a big-city architect, had a good deal of glass, and looked out into the Valley, where on good days we could see for many miles while on humid hazy days we could see barely beyond the fence that marked the edge of our property. Father, however, preferred the roof: In his white, light-woolen three-piece suit, white fedora cocked back on his head, for luck, he spent many of his waking hours on the highest peak of the highest roof of the house, observing, through binoculars, the amazing progress of construction in the Valley - for overnight, it seemed, there appeared roads, expressways, sewers, drainage pipes, "planned" communities with such names as Whispering Glades, Murmuring Oaks, Pheasant Run, Deer Willow, all of them walled to keep out intruders, and, yet more astonishing, towerlike buildings of aluminum and glass and steel and brick, buildings whose windows shone and winked like mirrors, splendid in sunshine like pillars of flame; such beauty where once there had been mere earth and sky, it caught at your throat like a great bird's talons, taking your breath away. 'The ways of beauty are as a honeycomb,' Father told us, and none of us could determine, staring at his slow moving lips, whether the truth he spoke was a happy truth or not, whether even it was truth. ("Family")
Joyce Carol Oates (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
The biggest adjustment I had to make on moving from New Guinea to the U.S. was my lack of freedom. Children have much more freedom in New Guinea. In the U.S. I was not allowed to climb trees. I was always climbing trees in New Guinea; I still like to climb trees. When my brother and I came back to California and moved into our house there, one of the first things we did was to climb a tree and build a tree house; other families thought that was weird. The U.S. has so many rules and regulations, because of fear of being sued, that kids give up on the opportunity for personal exploration. A pool has to be fenced so that it’s not an ‘attractive nuisance.’ Most New Guineans don’t have pools, but even the rivers that we frequented didn’t have signs saying ‘Jump at your own risk,’ because it’s obvious. Why would I jump unless I’m prepared for the consequences? Responsibility in the U.S. has been taken from the person acting and has been placed on the owner of the land or the builder of the house. Most Americans want to blame someone other than themselves as much as possible. In New Guinea I was able to grow up, play creatively, and explore the outdoors and nature freely, with the obligatory element of risk, however well managed, that is absent from the average risk-averse American childhood. I had the richest upbringing possible, an upbringing inconceivable for Americans.” “A frustration
Jared Diamond (The World Until Yesterday: What Can We Learn from Traditional Societies?)
The beautiful clarity of all marked outlines occurred to her--there would be a deep satisfaction in strengthening fences, for instance, going along on the inside of a strong fence enclosing a large land, leaning outward to push towards the extreme limit of property; too, what about the lovely definition of a sheet of white paper alone on her desk, oblong and complete, the tightness with which the sky fitted onto the earth at the horizon, the act of caressing the spine of a book? Irresistibly, she thought with a shiver of a razor sharp edge slicing horizontally through her eyes, into her mouth, and then coming around the hard corner of a building, saw again the campus and its lights and heard its sounds.
Shirley Jackson
Academia is an odd place. Stately buildings and ivy, wrought iron fences, and libraries fragrant with the smell of old books. Young people scurry to and from class, fresh, energetic, and naive. But in the long halls and narrow offices, those who work there fester in the dark like overeducated viral agents. Wet-eyed professors with obscure, irrelevant specialties and inferiority complexes browbeat students. Administrators, buffeted by faculty contempt and general inefficiency, sink into venal scheming. Any college campus is a circus, complete with color, entertainment, and the occasional glimpse of something really amazing. At Dorian University, the circus had a large number of clowns and a truly impressive freak show.
John Donohue (Tengu: The Mountain Goblin (Connor Burke Martial Arts Book 3))
Apparently, it’s other boys’ faces once the prank is accomplished that will be amusing? The part about being amusing is not important. The part that is important is getting justice for Nicholas. Do you understand?” Seiji hoped he had explained it right this time. “Tell me about Nicholas,” said his father. “About—Nicholas?” Seiji repeated uncertainly. “Would I like him?” “I shouldn’t think so,” said Seiji. “He has terrible manners. And a basically unfortunate way of speaking and interacting with the world generally. He’s very untidy, too.” “Oh, but you hate it when things aren’t in the correct places,” murmured his father. “I still remember that time we had the ambassador’s son over for a playdate, and you made him cry.” “What is the point of painstakingly building castles with blocks only to knock them down?” Seiji asked. “Or sniveling?” He dismissed his father’s reminiscences. “Anyway, that was when I was very young and it no longer matters, so I don’t see the point of bringing it up. The point is—” “Justice for Nicholas,” said his father. “Is Nicholas—very good at fencing?” “No,” said Seiji plainly. There was a stunned silence. “He has a certain raw potential, but he hasn’t been properly trained because of his socioeconomic circumstances,” Seiji continued. “I wish to discuss this topic with you on our winter vacation. I think there must be foundations and scholarships set up. Many valuable fencers could be lost. It is almost too late for Nicholas. I shall be forced to teach him extremely rigorously.” There was more silence. Seiji wondered if his father had dropped his phone.
Sarah Rees Brennan (Striking Distance (Fence, #1))
a good story, I’ll give you that. So, how many times have you done this sort of thing?  Send the inbred trash out ahead on the road to spook up unsuspecting travelers and you all hang back, jerking each other off, waiting to ambush anyone that makes it past them?” The wounded man looked away, ignoring Shane’s comments. “Don’t worry kid, I won’t kill ya today. But if I catch you in a lie, or if I find more of your inbred cousins at this camp, I will make the last moments of your life very painful,” Shane said in a calm voice. “Why are you doing this?” Shane feigned laughter and ignored the question. “What’s your name kid?” “Kyle,” he answered. “Kyle, everything I do, I do for her.” “You kill for her?” “No, I protect her and I destroy anything that tries to harm her—” “It’s right up here, follow the white fence,” Kyle interrupted using his neck to point out a quickly approaching high fence skinned in white sheet metal. The fence was tall and set back off the road. Mounds of stacked cars and other junk could be seen piled high at points. Shane slowed the car and carefully eased over to the shoulder of the road. He put the car in park and killed the engine. Shane sat silently for a minute, hushing Kyle when he tried to speak. He opened the door and slowly walked to the front of the car while listening for sounds. He climbed onto the hood and moved to the roof of the sedan. He could just barely see inside the compound. As it appeared from the outside, it was definitely a scrap yard. Piles of sorted metal were scattered around a central building while rows of smashed and stacked cars made up the far sides of the lot. From
W.J. Lundy (Something To Fight For (Whiskey Tango Foxtrot, #5))
She followed the truck down the highway, and finally onto a road which wound through the barren hills at the foot of the mountains. It was nearly sunset when the girls entered a rocky pass and came out high above a valley. At the far side loomed a huge mountain with a group of low buildings nestled at its foot. Bess pointed to them. “There’s the ranch, and that’s Shadow Mountain.” “I see how they got their names,” said Nancy. “The great peak throws its shadow over the whole valley.” Half an hour later, they drove through a weather-beaten wooden gate into the ranch yard. Nancy pulled up to the ranch house, a long, one-story adobe building with a vine-covered portico across the front. To the north of the house were the corral and stable. Beyond these stretched a large meadow, bordered by a wire fence. In the opposite direction lay the bunkhouse, and south of this, some distance away, a smaller, enclosed meadow. In it cattle were grazing.
Carolyn Keene (The Secret of Shadow Ranch (Nancy Drew, #5))
[In Montana at the fenced US-Canada Border] Not for the first time I am forced to contemplate the melancholy truth that, in one significant way at least, Al-Qaeda has won. Its victory in the interior of the United States may not be complete, but it is enough. Through one outrageous and atrocious act and the credible threat of more, they hage ensured that America's freedom and conveniences have been unprecendently curtailed. Queuing up for security checks in every international amd domestic airport, having one's sun-cream, nail scissors amd mineral water binned and one's patience worn down, these are minor but palpable victories. No one spdays say it in the queues as they build and build, it would be considered unpatriotic. That fact, that the truth itself is now unlatriotic, that too is a victory, Al Qaeda have cost the US and its citizens unbillilns in tkme and manpower, in incinvenience and stress. And along with the thousands and thousands of miles of international borders, they are costing American tax-payers billions more. New helicopters, thousands of new recruits. The bill is incaculable.
Stephen Fry (Stephen Fry in America)
Perhaps most people in the world aren’t trying to be free, Kafka. They just think they are. It’s all an illusion. If they really were set free, most people would be in a real bind. You’d better remember that. People actually prefer not being free.” “Including you?” “Yeah. I prefer being unfree, too. Up to a point. Jean-Jacques Rousseau defined civilization as when people build fences. A very perceptive observation. And it’s true—all civilization is the product of a fenced-in lack of freedom. The Australian Aborigines are the exception, though. They managed to maintain a fenceless civilization until the seventeenth century. They’re dyed-in-the-wool free. They go where they want, when they want, doing what they want. Their lives are a literal journey. Walkabout is a perfect metaphor for their lives. When the English came and built fences to pen in their cattle, the Aborigines couldn’t fathom it. And, ignorant to the end of the principle at work, they were classified as dangerous and antisocial and were driven away, to the outback. So I want you to be careful. The people who build high, strong fences are the ones who survive the best. You deny that reality only at the risk of being driven into the wilderness yourself.
Haruki Murakami (Kafka on the Shore)
We took the long way back toward his house and drove past the northernmost point of the ranch just as the sun was beginning to set. “That’s so pretty,” I exclaimed as I beheld the beauty of the sky. Marlboro Man slowed to a stop and put his pickup in park. “It is, isn’t it?” he replied, looking over the land on which he’d grown up. He’d lived there since he was four days old, had worked there as a child, had learned how to be a rancher from his dad and grandfather and great-grandfather. He’d learned how to build fences and handle animals and extinguish prairie fires and raise cattle of all colors, shapes, and sizes. He’d helped bury his older brother in the family cemetery near his house, and he’d learned to pick up and go on in the face of unspeakable tragedy and sadness. This ranch was a part of him. His love for it was tangible. We got out of the pickup and sat on the back, holding hands and watching every second of the magenta sunset as it slowly dissipated into the blackness underneath. The night was warm and perfectly still--so still we could hear each other breathing. And well after the sun finally dipped below the horizon and the sky grew dark, we stayed on the back of the pickup, hugging and kissing as if we hadn’t seen each other in ages. The passion I felt was immeasurable. “I have something to tell you,” I said as the butterflies in my gut kicked into overdrive.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)