Feminist Shakespeare Quotes

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I was reading everything under the sun from music history to feminist literature to Shakespeare, which is why I'm not a complete idiot at this time.
Emilie Autumn
Methinks the lady doth protest too much," said Iago. "Methinks the lady protests just the right amount," said Emilia. "Methinks the lady is just getting fucking started protesting.
Christopher Moore (The Serpent of Venice)
Are we to deny our daughters the works of Oscar Wilde, Charles Dickens, John Steinbeck or Shakespeare?....Where is the equality in banning girls from enjoying wonderful works of literature?....What kind of society defines suitable reading material by sex? This is indefensible censorship encouraging ignorance and bias. [About Caitlin Moran's statement.]
Diane Davies
[Elisabeth Woodville] doesn't take up arms to get her own way. But she is just as resolute as either Joan [of Arc] or Magaret [D'Anjou] about getting what she wants. What does she use instead? She uses sexuality. You may ask, what is wrong with that? Women have been using their sexuality to get what they want from time immemorial (...). And if there is no other way to exert power, then to use your will to procure your will is probably a good idea. However, if what you are implicitly promising (...) is not actually what you want to do, and in order to deliver you must separate yourself from yourself, then it does have its shortcomings as a negotiating tool. You pay a price; you separate yourself from your body. I say this from a woman's point of view. (...) And, as some of my young feminist friends have pointed out, you cannot change a corrupt system by using its own tools
Tina Packer (Women of Will: Following the Feminine in Shakespeare's Plays)
The elliptical mode in her poetry recalls late Shakespeare but is more extreme. A daemonic drive to negate precursors while maintaining their standards of excellence distinguishes her from some recent poetical ideologues of the feminist persuasion, whether in verse or prose. They claim Dickinson as ancestor, yet they do her wrong, she being so majestical, to offer her the show of violence.
Harold Bloom (The Daemon Knows: Literary Greatness and the American Sublime)
These marks represent one of the 4000-odd cases where, according to physicist/UFOlogist Stanton Freedman, we find “hard evidence” at an alleged UFO sighting. The reason that UFO deniers insist “no hard evidence” ever appears seems on all fours with the reason that Radical Feminists fail to see any artistic or scientific merit in DWEMs like Beethoven, Shakespeare, Newton and the other good ole boys. As Korzybski and de Bono (among others) have demonstrated, Opinions result from perceptions, and perceptions reinforce Opinions, which then further control perceptions, in a repeating loop that logic can never penetrate.  (Only shocking new perception, too strong to
Robert Anton Wilson (Cosmic Trigger III: My Life After Death)
Lily Samson, The Switch, Outtakes & Quotes, shameless manipulation of. A one minute reading test I am dog --Dog, Marina Lewycka, Two Caravans, 2007 Allergies disclaimer: One must stress that this book is not intended for the unwashed masses: I delayed showering after the last switch. I’ve created a Pavlovian response: he must associate its floral sweetness with sexual fulfilment. Adam has a “Pavlovian” reaction to Elena’s BO? Bribes her with cake to lessen the wrath when asking Elena to wash? He frowns, seeing that I’m silent and trembling. ‘My perfume was weak; hers much stronger.’ I say, my temper flaring. Now, ladies and gentlemen, the usual wasteman chatting up yours truly in Sarf London would probably assume that a big phat slice of Marks & Spencer’s Strawberry Pavlova will get him into the lady’s knickers. Nope, she’s allergic to stupid. A merengue dessert will hardly cause a rash, but a moron makes her skin crawl. A female of the human species displayed an unconditioned response: shoved cream cake into the courting male’s face. Requested a substantial meal of Shchavel Borscht with hard boiled egg --Anton Pavlovich Chekhov, Russian Cookbook for Love, Romance, and mating behaviours: Humans, 1904 Ding-dong! --Ivan Petrovich Pavlov, Neutral Triggers & Conditioned Responses: Canines, 1907 It is I! I make the best Byzantine shchi to entice a female. --Nikolai Vasilyevich Gogol, Dead Souls, Notebook (1841-1844), The Nose and other short stories Right! She turned her nose up at his advances: Idiot! I hate strawberries! --Seraphima Vasilievna Karchevskaya Pavlova, Mrs, My Husband and I – Memoirs The lady did not have a sweet tooth. Man didn’t do his research. This is a cleverly written book. So some of you, keen aspiring readers, please have your Oxford fictionary handy. Just saying! In the words of our hero: Bloody pricey...But God, it is a nice smell. Don’t you like it? And then he “squirts onto her wrist, playfully.” Shhhh.. Doctors Pavlov & Chekhov are not amused. Shall we shuffle the deck with these random quotes? One minute! Plenty of time is a full minute for a skilled bullshit dealer to shuffle themselves out of a gloomy Russian medical clerical predicament. Not tricky when Lily Samson gives treats: All around us are dog walkers, their expensive breeds racing about, barking and sniffing each other’s genitals. ..thinking it all through those awful dog ornaments she hated... feisty feminist...she simply hates them. Men are so stupid! And then.. She took another whiff and yet another. She sniffed him up and down like a dog before realizing what it was: the aroma of a woman’s cunt. --Milan Kundera, The Unbearable Lightness of Being Gratuitous use of one particular French vulgarism nested in the English language since the Norman conquest of 1066 is well demonstrated by this Milan Kundera translation. One has to wonder if the original 1984 edition contained the word “pizda”? It is one of the few remaining words in the English language with a genuine power to shock. --Scholar Germaine Greer But of course a cunt, in French, as much as el coño in Spanish does not carry near enough as much uncouth weight as in English. The English language doesn’t exist. It’s just badly pronounced French. --Bernard Cerquiglini Quelle conne! Un con reste un con! --William Shakespeare, Last Words, Holy Trinity Church, Gropecunt Lane, Stratford upon Avon, April 23rd 1616
Morgen Mofó
These marks represent one of the 4000-odd cases where, according to physicist/UFOlogist Stanton Freedman, we find “hard evidence” at an alleged UFO sighting. The reason that UFO deniers insist “no hard evidence” ever appears seems on all fours with the reason that Radical Feminists fail to see any artistic or scientific merit in DWEMs like Beethoven, Shakespeare, Newton and the other good ole boys. As Korzybski and de Bono (among others) have demonstrated, Opinions result from perceptions, and perceptions reinforce Opinions, which then further control perceptions, in a repeating loop that logic can never penetrate.  (Only shocking new perception, too strong to get edited out by Opinion, can break this self-hypnotic loop.)
Robert Anton Wilson (Cosmic Trigger III: My Life After Death)
I wondered if the two mysteries—how Shakespeare wrote the works and why he wrote feminist drama—might share the same answer: that the author was not an uneducated man but an educated woman, concealing herself beneath a male name, as the heroines of the plays so often disguise themselves in masculine garb. Literary history is strewn with women whose authorship was hidden, even into the nineteenth and twentieth centuries: George Eliot (Mary Ann Evans); Currer, Ellis, and Acton Bell (Charlotte, Emily, and Anne Brontë); George Sand (Amantine Lucile Aurore Dupin); Jane Austen, whose name appeared only after her death.
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)