Feminism In The Handmaid's Tale Quotes

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All you have to do, I tell myself, is keep your mouth shut and look stupid. It shouldn't be that hard.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
The night is mine, my own time, to do with it as I will, as long as I am quiet. As long as I don't move. As long as I lie still. The difference between lie and lay. Lay is always passive.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
... Remember that forgiveness too is a power. To beg for it is a power, and to withold or bestow it is a power, perhaps the greatest.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
But if you happen to be a man, sometime in the future, and you've made it this far, please remember: you will never be subjected to the temptation of feeling you must forgive, a man, as a woman.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
I don't want a man around, what use are they except for ten seconds' worth of half babies
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Moira had power now, she’d been set loose, she’d set herself loose. She was now a loose woman. I think we found this frightening.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Fraternize means to behave like a brother. Luke told me that. He said there was no corresponding word that meant to behave like a sister. Sororize, it would have to be, he said. From the Latin.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
But there's something missing in them, even the nice ones. It's like they're permanently absent-minded, like that can't quite remember who they are.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
She was not stunned, the way I was. In some strange way she was gleeful, as if this was what she had been expecting for some time and now she'd been proven right.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
I guess that's how they were able to do it, in the way they did, all at once, without anyone knowing beforehand. If there had still been portable money, it would have been more difficult. "It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time. "Keep calm, they said on television. Everything is under control. "I was stunned. Everyone was, I know that. It was hard to believe. The entire government, gone like that. How did they get in, how did it happen? "That was when they suspended the Constitution. They said it would be temporary. There wasn't even any rioting in the streets. People stayed at home at night, watching television, looking for some direction. There wasn't even an enemy you could point your finger at. ... "Newspapers were censored and some were closed down, for security reasons they said. The roadblocks began to appear, and Identipasses. Everyone approved of that, since it was obvious you couldn't be too careful.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Ma non ci credo; la speranza sta montando in me, come linfa in un albero, è il sangue che sgorga da una ferita. Abbiamo operato un’apertura.
Margaret Atwood (Il racconto dell'Ancella)
So this is how women get things done, I thought. If they are prepared to wheedle, and lie, and go back on their word. I was disgusted with myself, but you'll notice this didn't stop me.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
However, this does not make The Handmaid’s Tale a “feminist dystopia” except insofar as giving a woman a voice and an inner life will always be considered “feminist” by those who think women ought not to have these things. (Scientific Romancing)
Margaret Atwood (Burning Questions: Essays and Occasional Pieces, 2004 to 2021)
A quel tempo aveva i capelli grigi. Non se li tingeva. Perché fingere, diceva, che bisogno ne ho? Non voglio un uomo. A che servono tranne che per quei dieci secondi che corrispondono a mezzo figlio? Un uomo è semplicemente la strategia di una donna per fare altre donne.
Margaret Atwood (Il racconto dell'Ancella)
Vosotros los jóvenes no sabéis apreciar las cosas, proseguía. No sabéis lo que hemos tenido que pasar para lograr que estéis donde estáis. Míralo, es él quien pela las zanahorias. ¿Sabéis cuántas vidas de mujeres, cuántos cuerpos de mujeres han tenido que arrollar los tanques para llegar a esta situación? La cocina es mi pasatiempo predilecto, decía Luke. Disfruto cocinando. Un pasatiempo muy original, replicaba mi madre. No tienes por qué darme explicaciones. En otros tiempos no te habrían permitido tener semejante pasatiempo, te habrían llamado marica. Vamos, madre, le decía yo. No discutamos por tonterías. Tonterías, repetía amargamente. Las llamas tonterías. Veo que no entiendes. No entiendes nada de lo que estoy diciendo.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Oh God, King of the universe, thank you for not creating me a man.
Margaret Atwood (The Handmaid's Tale)
You will never be subjected to the temptation of feeling you must forgive, a man, as a woman. It's difficult to resist, believe me. But remember that forgiveness too is a power. To beg for it is a power, and to withhold or bestow it is a power, perhaps the greatest
Margaret Atwood (The Handmaid's Tale)
Era così che si viveva allora? Vivevamo di abitudini. Come tutti, la maggior parte del tempo. Qualsiasi cosa accade rientra sempre nelle abitudini. Anche questo, ora, è un vivere di abitudini. Vivevamo, come al solito, ignorando. Ignorare non è come non sapere, ti ci devi mettere di buona volontà. Nulla muta istantaneamente: in una vasca da bagno che si riscaldi gradualmente moriresti bollito senza nemmeno accorgertene. C'erano notizie sui giornali, certi giornali, cadaveri dentro rogge o nei boschi, percossi a morte o mutilati, manomesso, così si diceva, ma si trattava di altre donne, e gli uomini che commettevano simili cose erano altri uomini. Non erano gli uomini che conoscevamo. Le storie dei giornali erano come sogni per noi, brutti sogni sognati da altri. Che cose orribili, dicevamo, e lo erano, ma erano orribili senza essere credibili. Erano troppo melodrammatico, avevano una dimensione che non era la dimensione della nostra vita. Noi eravamo la gente di cui non si parlava sui giornali. Vivevamo nei vuoti spazi bianchi ai margini dei fogli e questo ci dava più libertà. Vivevamo negli interstizi tra le storie altrui.
Margaret Atwood (The Handmaid's Tale)