β
I don't mind being burdened with being glamorous and sexual. Beauty and femininity are ageless and can't be contrived, and glamour, although the manufacturers won't like this, cannot be manufactured. Not real glamour; it's based on femininity.
β
β
Marilyn Monroe
β
We are all born sexual creatures,thank God, but it's a pity so many people despise and crush this natural gift.
β
β
Marilyn Monroe
β
It [feminism] is mixed up with a muddled idea that women are free when they serve their employers but slaves when they help their husbands.
β
β
G.K. Chesterton
β
Elegant, feminine, and utterly wild. Warm, and steadfastβunbreakable, his queen.
β
β
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
β
I have chosen to no longer be apologetic for my femaleness and my femininity. And I want to be respected in all of my femaleness because I deserve to be.
β
β
Chimamanda Ngozi Adichie (We Should All Be Feminists)
β
Hello?" A girl again. "I know you can hear me. I'm sorry my friend is such a wing nut. You can just ignore him."
"That's usually what we do," said the other feminine voice.
β
β
Marissa Meyer (Cress (The Lunar Chronicles, #3))
β
You can be brave and still be feminine. You can lead and still love flowers. Most importantly, you can be queen and still be a bride.
β
β
Kiera Cass (The Heir (The Selection, #4))
β
Let us be elegant or die!
β
β
Louisa May Alcott (Little Women)
β
Never did the world make a queen of a girl who hides in houses and dreams without traveling.
β
β
Roman Payne (The Wanderess)
β
So, why do you write these strong female characters?
Because youβre still asking me that question."
[Equality Now speech, May 15, 2006]
β
β
Joss Whedon
β
If the feminine issue is so absurd, is because the male's arrogance made it "a discussion
β
β
Simone de Beauvoir (The Second Sex)
β
Excuse me for being so intellectual. I know you would prefer something nice and feminine and affectionate.
β
β
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
β
God made man stronger but not necessarily more intelligent. He gave women intuition and femininity. And, used properly, that combination easily jumbles the brain of any man Iβve ever met.
β
β
Farrah Fawcett
β
Each suburban wife struggles with it alone. As she made the beds, shopped for groceries, matched slipcover material, ate peanut butter sandwiches with her children, chauffeured Cub Scouts and Brownies, lay beside her husband at night- she was afraid to ask even of herself the silent question-- 'Is this all?
β
β
Betty Friedan (The Feminine Mystique)
β
Stop it." Isabelle tapped a booted foot in the shallow water at the lake's edge. "Both of you. In fact, all three of you. If we don't stick together in the Seelie Court, we're dead."
"But I haven't-," Clary started.
"Maybe you haven't, but the way you let those two act..." Isabelle indicated the boys with a disdainful wave of her hand.
"I can't tell them what to do!"
"Why not?" the other girl demanded. "Honestly, Clary, if you don't start utilizing a bit of your natural feminine superiority, I just don't know what I'll do with you.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
No one knows what you have been through or what your pretty little eyes have seen, but I can reassure you ~ whatever you have conquered, it shines through your mind.
β
β
Nikki Rowe
β
Who are your favorite heroines in real life? The women of Afghanistan, Iraq, and Iran who risk their lives and their beauty to defy the foulness of theocracy. Ayaan Hirsi Ali and Azar Nafisi as their ideal feminine model.
β
β
Christopher Hitchens (Hitch 22: A Memoir)
β
Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and in this hasnβt changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
β
β
John Berger
β
I can't tell them what to do!"
"Why not?" the other girl demanded. "Honestly, Clary, if you don't start utilizing a bit of your natural feminine superiority, I just don't know what I'll do with you.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
It is theologically and anthropologically important for woman to be at the center of Christianity. Through Mary, and the other holy women, the feminine element stands at the heart of the Christian religion.
β
β
Pope Benedict XVI
β
Half of the people lie with their lips; the other half with their tears
β
β
Nassim Nicholas Taleb (The Bed of Procrustes: Philosophical and Practical Aphorisms)
β
She remembered who she was
and the game changed.
β
β
Lalah Delia
β
Wildflower; pick up your pretty little head,
It will get easier, your dreams are not dead.
β
β
Nikki Rowe
β
Honestly, Clary, if you don't start utilizing a bit of your natural feminine superiority I just don't know what I'll do with you.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
Oh shit did you just dis the feminine gender
I'll pummel your ass then stick you in a blender
You think I like Tori and Ani so I can't rhyme
But I got flow like Ghostbusters got slime
Objectify women and it's fuckin' on
You'll be dead and gone like ancient Babylon.
β
β
John Green (Looking for Alaska)
β
He always thought of the sea as 'la mar' which is what people call her in Spanish when they love her. Sometimes those who love her say bad things of her but they are always said as though she were a woman. Some of the younger fishermen, those who used buoys as floats for their lines and had motorboats, bought when the shark livers had brought much money, spoke of her as 'el mar' which is masculine.They spoke of her as a contestant or a place or even an enemy. But the old man always thought of her as feminine and as something that gave or withheld great favours, and if she did wild or wicked things it was because she could not help them. The moon affects her as it does a woman, he thought.
β
β
Ernest Hemingway (The Old Man and the Sea)
β
Because, Cat, itβs the feminine persuasion thatβs always the deadliest.
β
β
Jeaniene Frost (At Grave's End (Night Huntress, #3))
β
One is not born a genius, one becomes a genius; and the feminine situation has up to the present rendered this becoming practically impossible.
β
β
Simone de Beauvoir (The Second Sex)
β
It was a rather extraordinary conversation if you think about it -- both of us speaking in code. But not military code, not Intelligence or Resistance code -- just feminine code.
β
β
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
β
A man wants his virility regarded. A woman wants her femininity appreciated, however indirect and subtle the indications of regard and appreciation. [Here] one is respected and judged only as a human being. It is an appalling experience.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
By the way, only a real man can accept his feminine side."
"I don't know who fed you that line of garbage, but I can promise she's laughing at you right now.
β
β
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
β
She was a free bird one minute: queen of the world and laughing. The next minute she would be in tears like a porcelain angel, about to teeter, fall and break. She never cried because she was afraid that something 'would' happen; she would cry because she feared something that could render the world more beautiful, 'would not' happen.
β
β
Roman Payne (The Wanderess)
β
For me, a woman who is absorbed in her work, who does not care about gaining oneβs favour, strong yet subtle at the same time, is essentially more seductive. The more she hides and abandons her femininity, the more it emerges from the very heart of her existence.
β
β
Yohji Yamamoto
β
I wonder if anyone but me realizes what goes on in that head back of your deceptively sweet face.
β
β
Margaret Mitchell (Gone with the Wind)
β
What is a Wanderess? Bound by no boundaries, contained by no countries, tamed by no time, she is the force of natureβs course.
β
β
Roman Payne (The Wanderess)
β
I spent the rest of that day brainstorming. How do you catch a very old, very alert tiger by surprise? Use his weaknesses: food, feminine wiles, poetry, and over-protectiveness. The poor guy didn't stand a chance.
β
β
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
β
Why do women want to dress like men when theyβre fortunate enough to be women? Why lose femininity, which is one of our greatest charms? We get more accomplished by being charming than we would be flaunting around in pants and smoking. Iβm very fond of men. I think they are wonderful creatures. I love them dearly. But I donβt want to look like one. When women gave up their long skirts, they made a grave errorβ¦
β
β
Tasha Tudor
β
If she likes makeup, let her wear it. If she likes fashion, let her dress up. But if she doesnβt like either, let her be. Donβt think that raising her feminist means forcing her to reject femininity. Feminism and femininity are not mutually exclusive.
β
β
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
β
It called to him, a sweet heady beacon of femininity, fertility, and fuckability. His three favorite f-words.
β
β
Christine Warren (Wolf at the Door (The Others, #9))
β
The only way for a woman, as for a man, to find herself, to know herself as a person, is by creative work of her own.
β
β
Betty Friedan (The Feminine Mystique)
β
Femininity is depicted as weakness, the sapping of strength, yet masculinity is so fragile that apparently even the slightest brush with the feminine destroys it.
β
β
Gwen Sharp
β
It's definitely difficult being a woman and growing up a girl. When you're graceful, people say you lack personality; when you're serene, people say you're boring; when you're confident, people say you're arrogant; when you're feminine, people say you're too girly; and when you climb trees, people say you're too much of a tomboy! As a woman, you really need to develop a very strong sense of self and the earlier you can do that, the better! You have to be all the things that you are, without allowing other people's ignorance change you! I realized that they don't know what grace is, they can't identify serenity, they have inferiority complexes, they are incapable of being feminine, and they don't know how to climb trees!
β
β
C. JoyBell C.
β
Damn, but I like making out with you Sienna. Letβs do it again tomorrow.β He left to the sound of a feminine snarl. It made his lips curve into a feral smile.
β
β
Nalini Singh (Kiss of Snow (Psy-Changeling, #10))
β
A woman is a warrior too. But she is meant to be a warrior in a uniquely feminine way. Sometime before the sorrows of life did their best to kill it in us, most young women wanted to be a part of something grand, something important.
β
β
Stasi Eldredge (Captivating: Unveiling the Mystery of a Woman's Soul)
β
I carried the books to my room and read through the night. I loved the fiery pages of Mary Wollstonecraft, but there was a single line written by John Stuart Mill that, when I read it, moved the world: βIt is a subject on which nothing final can be known.β The subject Mill had in mind was the nature of women. Mill claimed that women have been coaxed, cajoled, shoved and squashed into a series of feminine contortions for so many centuries, that it is now quite impossible to define their natural abilities or aspirations.
β
β
Tara Westover (Educated)
β
...[G]reat progress was evident in the last Congress of the American 'Labour Union' in that among other things, it treated working women with complete equality. While in this respect the English, and still more the gallant French, are burdened with a spirit of narrow-mindedness. Anybody who knows anything of history knows that great social changes are impossible without the feminine ferment. Social progress can be measured exactly by the social position of the fair sex (the ugly ones included).
β
β
Karl Marx (Selected Letters: The Personal Correspondence 1844-1877)
β
I had a romance novel inside me, but I paid three sailors to beat it out of me with steel pipes.
β
β
Patton Oswalt
β
Every man carries within himself the eternal image of woman, not the image of this or that particular woman, but a definite feminine image. This image is fundamentally unconscious, a hereditary factor of primordial origin.
β
β
C.G. Jung
β
Girls are the only ones who can really give each other close attention, the kind we equate with being loved. They noticed what we want noticed.
β
β
Emma Cline (The Girls)
β
Flowers spring to blossom where she walks
The careful ways of duty;
Our hard, stiff lines of life with her
Are flowing curves of beauty.
β
β
John Greenleaf Whittier
β
The Pentacle - The ancients envisioned their world in two halves - masculine and feminine. Their gods and goddesses worked to keep a balance of power. Yin and Yang. When male and female were balanced, there was harmony in the world. When they were unbalanced there was chaos.
β
β
Dan Brown (The da Vinci Code (Robert Langdon, #2))
β
I am a strong and powerful woman.
I am proud to be a woman and I celebrate the qualities that I have as a woman.
I am not defined by other peopleβs opinion of who I should be or what I should do as a woman. I determine that, not anyone else.
I am not passed up for a position, title, or promotion because I am a woman.
I fully deserve all the good things that comes my way.
Irrespective of what anyone might think, being a woman places no boundaries or limits on my abilities.
I can do anything I set my mind to.
I celebrate my womanhood and I am beautiful both inside and out.
β
β
Idowu Koyenikan (Wealth for All: Living a Life of Success at the Edge of Your Ability)
β
She is a wild, tangled forest with temples and treasures concealed within.
β
β
John Mark Green
β
I've tried to get the angel to watch MTV so I can learn the vocabulary of your music, but even with the gift of tongues, I'm having trouble learning to speak hip-hop. Why is it that one can busta rhyme or busta move anywhere but you must busta cap in someone's ass? Is "ho" always feminine, and "muthafucka" always masculine, while "bitch" can be either? How many peeps in a posse, how much booty before baby got back, do you have to be all that to get all up in that, and do I need to be dope and phat to be da bomb or can I just be "stupid"? I'll not be singing over any dead mothers until I understand.
β
β
Christopher Moore (Lamb: The Gospel According to Biff, Christβs Childhood Pal)
β
Drehy,β Kaladin said, βyou are literally courting a man.β
βSo?β Drehy said.
βYeah, what are you saying, Kal?β Skar snapped.
βNothing! I just thought Drehy might empathizeβ¦.β
βThatβs hardly fair,β Drehy said.
βYeah,β Lopen added. βDrehy likes other guys. Thatβs like β¦ he wants to be even less around women than the rest of us. Itβs the opposite of feminine. He is you could say extra manly.
β
β
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
β
She was at that crucial age when a women begins to regret having stayed faithful to a husband she never really loved, when the glowing sunset colors of her beauty offer her one last, urgent choice between maternal and feminine love. At such a moment a life that seemed to have chosen its course long ago is questioned once again, for the last time the magic compass needle of the will hovers between final resignation and the hope of erotic experience.
β
β
Stefan Zweig (The Burning Secret and other stories)
β
Inside every woman, is a crazy girl. And we all know what I'm talking about. That part of you that is entangled with insecurities, fears, and absolute insanity! The art of femininity lies in the molding, pounding, and defeating of that crazy girl on a daily basis! Look at any woman, and you're looking at a woman fighting a daily battle, wielding her weapons in war, every day! I have said it before and I'll say it again: it is never easy being a woman! And if we could only pound that crazy, insecure girl out of ourselves, it would make such the difference!
β
β
C. JoyBell C.
β
The key to such power is ambiguity. In a society where the roles everyone plays are obvious, the refusal to conform to any standard will excite interest. Be both masculine and feminine, impudent and charming, subtle and outrageous. Let other people worry about being socially acceptable; those types are a dime a dozen, and you are after a power greater than they can imagine.
β
β
Robert Greene (The Art of Seduction)
β
She was so intelligent that she could think herself into beauty. Intelligence...they don't talk about it much, the poets, but when a woman is intelligent and passionate and good...
β
β
Eva Ibbotson (A Company of Swans)
β
With a chaste heart
With pure eyes I celebrate your beauty
Holding the leash of blood
So that it might leap out and trace your outline
Where you lie down in my Ode
As in a land of forests or in surf
In aromatic loam, or in sea music
Beautiful nude
Equally beautiful your feet
Arched by primeval tap of wind or sound
Your ears, small shells
Of the splendid American sea
Your breasts of level plentitude
Fulfilled by living light
Your flying eyelids of wheat
Revealing or enclosing
The two deep countries of your eyes
The line your shoulders have divided into pale regions
Loses itself and blends into the compact halves of an apple
Continues separating your beauty down into two columns of
Burnished gold
Fine alabaster
To sink into the two grapes of your feet
Where your twin symmetrical tree burns again and rises
Flowering fire
Open chandelier
A swelling fruit
Over the pact of sea and earth
From what materials
Agate?
Quartz?
Wheat?
Did your body come together?
Swelling like baking bread to signal silvered hills
The cleavage of one petal
Sweet fruits of a deep velvet
Until alone remained
Astonished
The fine and firm feminine form
It is not only light that falls over the world spreading inside your body
Yet suffocate itself
So much is clarity
Taking its leave of you
As if you were on fire within
The moon lives in the lining of your skin.
β
β
Pablo Neruda
β
She was a free bird: queen of the world and laughing.
β
β
Roman Payne (The Wanderess)
β
It is a naive sort of feminism that insists that women prove their ability to do all the things that men do. This is a distortion and a travesty. Men have never sought to prove that they can do all the things women do. Why subject women to purely masculine criteria? Women can and ought to be judged by the criteria of femininity, for it is in their femininity that they participate in the human race. And femininity has its limitations. So has masculinity. That is what weβve been talking about. To do this is not to do that. To be this is not to be that. To be a woman is not to be a man. To be married is not to be single - which may mean not to have a career. To marry this man is not to marry all the others. A choice is a limitation.
β
β
Elisabeth Elliot (Let Me Be a Woman)
β
Well, I always tried to look nice and be feminine even in the worst tragedies and crisis, there's no reason to add to everyone's misery by looking miserable yourself. That's my philosophy. This is why I always wore makeup and jewelry into the jungle-nothing too extravagant, but maybe just a nice gold bracelet and some earrings, a little lipstick, good perfume. Just enough to show that I still had my self-respect.
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
I am a strong and powerful woman.
I am proud to be a woman and I celebrate the qualities that I have as a woman.
I am not defined by other peopleβs opinion of who I should be or what I should do as a woman. I determine that, not anyone else.
I am not passed up for a position, title, or promotion because I am a woman.
I fully deserve all the good things that comes my way.
Irrespective of what anyone might think, being a woman places no boundaries or limits on my abilities.
I can do anything I set my mind to.
I celebrate my womanhood and I am beautiful both inside and out.
β
β
Idowu Koyenikan (Wealth for All: Living a Life of Success at the Edge of Your Ability)
β
...it is almost always the case that whatever has wounded you will also be instrumental in your healing.
β
β
Robert A. Johnson (She: Understanding Feminine Psychology)
β
I am a woman and a warrior. If you think I can't be both, you've been lied to.
β
β
Zeyn Joukhadar (The Map of Salt and Stars)
β
Menoeceus is a great name. (Astrid)
For an old man or a feminine hygiene product. Not for my son. And next time I get to name the kid and it wonβt be something that sounds like meningitis. (Zarek)
You keep that up and next time youβll be the one birthing it, and donβt mess with me, bucko, I have connections in that department. A pregnant man is not an impossibility in my neighborhood. (Astrid)
β
β
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
β
Perhaps it is no wonder that the women were first at the Cradle and last at the Cross. They had never known a man like this Man - there never has been such another. A prophet and teacher who never nagged at them, never flattered or coaxed or patronised; who never made arch jokes about them, never treated them either as "The women, God help us!" or "The ladies, God bless them!"; who rebuked without querulousness and praised without condescension; who took their questions and arguments seriously; who never mapped out their sphere for them, never urged them to be feminine or jeered at them for being female; who had no axe to grind and no uneasy male dignity to defend; who took them as he found them and was completely unself-conscious. There is no act, no sermon, no parable in the whole Gospel that borrows its pungency from female perversity; nobody could possibly guess from the words and deeds of Jesus that there was anything "funny" about woman's nature.
β
β
Dorothy L. Sayers (Are Women Human? Astute and Witty Essays on the Role of Women in Society)
β
Some attribute had departed from her, the permanence of which had been essential to keep her a woman. Such is frequently the fate, and such the stern development, of the feminine character and person, when the woman has encountered, and lived through, an experience of peculiar severity. If she be all tenderness, she will die. If she survive, the tenderness will either be crushed out of her, orβand the outward semblance is the sameβcrushed so deeply into her heart that it can never show itself more.
β
β
Nathaniel Hawthorne (The Scarlet Letter)
β
There is a resemblance between men and women, not a contrast. When a man begins to recognize his feeling, the two unite. When men accept the sensitive side of themselves, they come alive.
β
β
AnaΓ―s Nin (In Favor of the Sensitive Man and Other Essays)
β
I carried the books to my room and read through the night. I loved the fiery pages of Mary Wollstonecraft, but there was a single line written by John Stuart Mill that, when I read it, moved the world: "It is a subject on which nothing final can be known." The subject Mill had in mind was the nature of women. Mill claimed that women have been coaxed, cajoled, shoved and squashed into a series of feminine contortions for so many centuries, that it is now quite impossible to define their natural abilities or aspirations.
Blood rushed to my brain; I felt an animating surge of adrenaline, of possibility, of a frontier being pushed outward. Of the nature of women, nothing final can be known. Never had I found such comfort in a void, in the black absence of knowledge. It seemed to say: whatever you are, you are woman.
β
β
Tara Westover (Educated)
β
The world has enough women who know how to be smart. It needs women who are willing to be simple. The world has enough women who know how to be brilliant. It needs some who will be brave. The world has enough women who are popular. It needs more who are pure. We need women, and men, too, who would rather be morally right than socially correct.
β
β
Peter Marshall
β
If art is not to be life-enhancing, what is it to be? Half the world is feminine--why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity (because they are not themselves at the center of creation, cannot bear children) that a woman writer of genius evokes murderous rage, must be brushed aside with a sneer as 'irrelevant'?
β
β
May Sarton (Journal of a Solitude)
β
Maybe I couldnβt make it. Maybe I donβt have a pretty smile, good teeth, nice tits, long legs, a cheeky arse, a sexy voice. Maybe I donβt know how to handle men and increase my market value, so that the rewards due to the feminine will accrue to me. Then again, maybe Iβm sick of the masquerade. Iβm sick of pretending eternal youth. Iβm sick of belying my own intelligence, my own will, my own sex. Iβm sick of peering at the world through false eyelashes, so everything I see is mixed with a shadow of bought hairs; Iβm sick of weighting my head with a dead mane, unable to move my neck freely, terrified of rain, of wind, of dancing too vigorously in case I sweat into my lacquered curls. Iβm sick of the Powder Room. Iβm sick of pretending that some fatuous maleβs self-important pronouncements are the objects of my undivided attention, Iβm sick of going to films and plays when someone else wants to, and sick of having no opinions of my own about either. Iβm sick of being a transvestite. I refuse to be a female impersonator. I am a woman, not a castrate.
β
β
Germaine Greer (The Female Eunuch)
β
You are wearing no panties with another male in the room? Raphael ran his hand down Elena's spine and over her lower curves, searching for lines and finding nothing but firm feminine flesh. You truly aren't.
Elena's shoulders shook, deep creases in her cheeks. Oh, my God, you're scandalized! Eyes tearing up in the effort to fight her laughter, she pressed her hands to his chest and stared down at the floor. Should I tell you I did find a way to wear a knife? In a thigh sheath.
Of course you did. What do panties matter so long as you have your steel.
β
β
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
β
As adults, we have many inhibitions against crying. We feel it is an expression of weakness, or femininity or of childishness. The person who is afraid to cry is afraid of pleasure. This is because the person who is afraid to cry holds himself together rigidly so that he won't cry; that is, the rigid person is as afraid of pleasure as he is afraid to cry. In a situation of pleasure he will become anxious. As his tensions relax he will begin to tremble and shake, and he will attempt to control this trembling so as not to break down in tears. His anxiety is nothing more than the conflict between his desire to let go and his fear of letting go. This conflict will arise whenever the pleasure is strong enough to threaten his rigidity.
Since rigidity develops as a means to block out painful sensations, the release of rigidity or the restoration of the natural motility of the body will bring these painful sensations to the fore. Somewhere in his unconscious the neurotic individual is aware that pleasure can evoke the repressed ghosts of the past. It could be that such a situation is responsible for the adage "No pleasure without pain.
β
β
Alexander Lowen (The Voice of the Body)
β
Sylvia had given him a scalding lecture, the gist of it being that whatever a woman enjoyed wearing was feminine and anything she didn't enjoy wearing wasn't, and if he was too stubborn and old fashioned to understand that, he could go and soak his head in a bucket of cold water. He hadn't quite forgiven her yet for saying they would have to look hard to find a bucket big enough to fit his head in to, but he admired the sass behind the remark.
β
β
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
β
Only when self moves out of the way can His spectacular glory come cascading through your life. When Jesus is in His rightful place, all insecurity will fade away and His lasting loveliness will become the mark of your life.
β
β
Leslie Ludy (The Lost Art of True Beauty: The Set-Apart Girl's Guide to Feminine Grace)
β
....And b-t-w, if anyone asks you what's in the box, I'd say 'feminine supplies.'"
The box was large and heavy, and there was a distinct clanging sound as I carried it. "As in tampons?"
"Keely's not going to ask questions. Ali's busy with the twins, and everyone else around here is male. Tampons scare the bejeezus out of them, my dad included, but if the person who asks is a Were, they'd smell a lie. Hence, feminine supplies."
"Because we're females, and they're our supplies?" I guessed.
"No. Because weapons are feminine." Lake gave me an insulted look. "Why do you think I named my gun Matilda?
β
β
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
β
The mermaid is an archetypal image that represents a woman who is at ease in the great waters of life, the waters of emotion and sexuality. She shows us how to embrace our instinctive sexuality and sensuality so that we can affirm the essence of our feminine nature, the wisdom of our bodies, and the playfulness of our spirits. She symbolizes our connection with our deepest instinctive feelings, our wild and untamed animal nature that exists below the surface of outward personalities. She is able to respond to her mysterious sexual impulses without abandoning her more human, conscious side. What happened to the girls who dreamed of being mermaids?
β
β
Anita Johnston (Eating in the Light of the Moon)
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Chosen motherhood is the real liberation. The choice to have a child makes the whole experience of motherhood different, and the choice to be generative in other ways can at last be made, and is being made by many women now, without guilt.
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Betty Friedan (The Feminine Mystique)
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If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them.
In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the heroβs heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy.
To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.
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Simone de Beauvoir (The Second Sex)
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So I'm not crazy after all! I thought it looked good myself once I cut it all off. Not one guy likes it, though. They all tell me I look like a first grader or a concentration camp survivor. What's this thing that guys have for girls with long hair? Fascists, the whole bunch of them! Why do guys all think girls with long hair are the classiest, the sweetest, the most feminine? I mean, I myself know at least two hundred and fifty unclassy girls with long hair. Really.
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Haruki Murakami (Norwegian Wood)
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It seems to be the fashion nowadays for a girl to behave as much like a man as possible. Well, I won't! I'll make the best of being a girl and be as nice a specimen as I can: sweet and modest, a dear, dainty thing with clothes smelling all sweet and violety, a soft voice, and pretty, womanly ways. Since I'm a girl, I prefer to be a real one!
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Mrs. George de Horne Vaizey
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As she chattered and laughed and cast quick glances into the house and the yard, her eyes fell on a stranger, standing alone in the hall, staring at her in a cool impertinent way that brought her up sharply with a mingled feeling of feminine pleasure that she had attracted a man and an embarrassed sensation that her dress was too low in the bosom. He looked quite old, at least thirty-five. He was a tall man and powerfully built. Scarlett thought she had never seen such a man with such wide shoulders, so heavy with muscles, almost too heavy for gentility. When her eye caught his, he smiled, showing animal-white teeth below a close-clipped black mustache. He was dark of face, swarthy as a pirate, and his eyes were as bold and black as any pirate's appraising a galleon to be scuttled or a maiden to be ravished. There was a cool recklessness in his face and a cynical humor in his mouth as he smiled at her, and Scarlett caught her breath. She felt that she should be insulted by such a look as was annoyed with herself because she did not feel insulted. She did not know who he could be, but there was undeniably a look of good blood in his dark face. It showed in the thin hawk nose over the full red lips, and high forehead and the wide-set eyes.
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Margaret Mitchell (Gone with the Wind)
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I believe that a godly home is a foretaste of heaven. Our homes, imperfect as they are, must be a haven from the chaos outside. They should be a reflection of our eternal home, where troubled souls find peace, weary hearts find rest, hungry bodies find refreshment, lonely pilgrims find communion, and wounded spirits find compassion.
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Jani Ortlund
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Female psychopaths, researchers eventually realized, don't present like the males. To which I respond: No shit. We women have an emotional wiliness that shellacs us in glossy patina of caring. We have been raised to take interest in promoting healthy interior lives of other humans; preparation, I suppose, for taking on the emotional labor of motherhood - or marriage; either way, really. Few women come into maturity unscathed by the suffocating pink press of girlhood, and even psychopaths are touched by the long, frilly arm of feminine expectations. It's not that women psychopaths don't exist; it's that we fake it better than men.
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Chelsea G. Summers (A Certain Hunger)
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Dads. Itβs time to show our sons how to properly treat a woman. Itβs time to show our daughters how a girl should expect be treated. Itβs time to show forgiveness and compassion. Itβs time to show our children empathy. Itβs time to break social norms and teach a healthier way of life! Itβs time to teach good gender roles and to ditch the unnecessary ones. Does it really matter if your son likes the color pink? Is it going to hurt anybody? Do you not see the damage it inflicts to tell a boy that there is something wrong with him because he likes a certain color? Do we not see the damage we do in labeling our girls βtom boysβ or our boys βfeminineβ just because they have their own likes and opinions on things? Things that really donβt matter?
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Dan Pearce (Single Dad Laughing: The Best of Year One)
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In almost every professional field, in business and in the arts and sciences, women are still treated as second-class citizens. It would be a great service to tell girls who plan to work in society to expect this subtle, uncomfortable discrimination--tell them not to be quiet, and hope it will go away, but fight it. A girl should not expect special privileges because of her sex, but neither should she "adjust" to prejudice and discrimination
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Betty Friedan (The Feminine Mystique)
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In much the same way, motherhood has become the essential female experience, valued above all others: giving life is where it's at. "Pro-maternity" propaganda has rarely been so extreme. They must be joking, the modern equivalent of the double constraint: "Have babies, it's wonderful, you'll feel more fulfilled and feminine than ever," but do it in a society in freefall in which waged work is a condition of social survival but guaranteed to no one, and especially not to women. Give birth in cities where accommodation is precarious, schools have surrendered the fight and children are subject to the most vicious mental assault through advertising, TV, internet, fizzy drink manufacturers and so on. Without children you will never be fulfilled as a woman, but bringing up kids in decent conditions is almost impossible.
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Virginie Despentes (King Kong thΓ©orie)
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She is so bright and glorious that you cannot look at her face or her garments for the splendor with which she shines. For she is terrible with the terror of the avenging lightning, and gentle with the goodness of the bright sun; and both her terror and her gentleness are incomprehensible to humans.... But she is with everyone and in everyone, and so beautiful is her secret that no person can know the sweetness with which she sustains people, and spares them in inscrutable mercy.
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Hildegard of Bingen
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I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat.
And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.
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Gillian Flynn (Sharp Objects)
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Feminism and femininity are not mutually exclusive. It is misogynistic to suggest that they are. Sadly, women have learned to be ashamed and apologetic about pursuits that are seen as traditionally female, such as fashion and makeup. But our society does not expect men to feel ashamed of pursuits considered generally male - sports cars, certain professional sports. In the same way, men's grooming is never suspect in the way women's grooming is - a well-dressed man does not worry that, because he is dressed well, certain assumptions might be made about his intelligence, his ability, or his seriousness. A woman, on the other hand, is always aware of how a bright lipstick or a carefully-put-together outfit might very well make others assume her to be frivolous.
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Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
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They wanted the real mother, the blood mother, the great womb, mother of fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mother's big enough, wide enough for us to hide in, to sink down to the bottom of of, mother's who would breathe for us when we could not breathe anymore, who would fight for us, who would kill for us, die for us.
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Janet Fitch (White Oleander)
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The truth is, in order to heal we need to tell our stories and have them witnessed...The story itself becomes a vessel that holds us up, that sustains, that allows us to order our jumbled experiences into meaning.
As I told my stories of fear, awakening, struggle, and transformation and had them received, heard, and validated by other women, I found healing.
I also needed to hear other women's stories in order to see and embrace my own. Sometimes another woman's story becomes a mirror that shows me a self I haven't seen before. When I listen to her tell it, her experience quickens and clarifies my own. Her questions rouse mine. Her conflicts illumine my conflicts. Her resolutions call forth my hope. Her strengths summon my strengths. All of this can happen even when our stories and our lives are very different.
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Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine (Plus))
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The only woman's body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings?
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Elena Ferrante (The Story of a New Name (Neapolitan Novels, #2))
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The symbol of Goddess gives us permission. She teaches us to embrace the holiness of every natural, ordinary, sensual dying moment. Patriarchy may try to negate body and flee earth with its constant heartbeat of death, but Goddess forces us back to embrace them, to take our human life in our arms and clasp it for the divine life it is - the nice, sanitary, harmonious moment as well as the painful, dark, splintered ones.
If such a consciousness truly is set loose in the world, nothing will be the same. It will free us to be in a sacred body, on a sacred planet, in sacred communion with all of it. It will infect the universe with holiness. We will discover the Divine deep within the earth and the cells of our bodies, and we will lover her there with all our hearts and all our souls and all our minds.
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Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine)
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Iβm good at science because Iβm not good at listening. I have been told that I am intelligent, and I have been told that I am simple-minded. I have been told that I am trying to do too much, and I have been told that what I have done amounts to very little. I have been told that I canβt do what I want to do because I am a woman, and I have been told that I have only been allowed to do what I have done because I am a woman. I have been told that I can have eternal life, and I have been told that I will burn myself out into an early death. I have been admonished for being too feminine and I have been distrusted for being too masculine. I have been warned that I am far too sensitive and I have been accused of being heartlessly callous. But I was told all of these things by people who canβt understand the present or see the future any better than I can. Such recurrent pronouncements have forced me to accept that because I am a female scientist, nobody knows what the hell I am, and it has given me the delicious freedom to make it up as I go along. I donβt take advice from my colleagues, and I try not to give it. When I am pressed, I resort to these two sentences: You shouldnβt take this job too seriously. Except for when you should.
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Hope Jahren (Lab Girl)
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Anger is an assertion of rights and worth. It is communication, equality, and knowledge. It is intimacy, acceptance, fearlessness, embodiment, revolt, and reconciliation. Anger is memory and rage. It is rational thought and irrational pain. Anger is freedom, independence, expansiveness, and entitlement. It is justice, passion, clarity, and motivation. Anger is instrumental, thoughtful, complicated, and resolved. In anger, whether you like it or not, there is truth.
Anger is the demand of accountability, It is evaluation, judgment, and refutation. It is reflective, visionary, and participatory. It's a speech act, a social statement, an intention, and a purpose. It's a risk and a threat. A confirmation and a wish. It is both powerlessness and power, palliative and a provocation. In anger, you will find both ferocity and comfort, vulnerability and hurt. Anger is the expression of hope.
How much anger is too much? Certainly not the anger that, for many of us, is a remembering of a self we learned to hide and quiet. It is willful and disobedient. It is survival, liberation, creativity, urgency, and vibrancy. It is a statement of need. An insistence of acknowledgment. Anger is a boundary. Anger is boundless. An opportunity for contemplation and self-awareness. It is commitment. Empathy. Self-love. Social responsibility. If it is poison, it is also the antidote. The anger we have as women is an act of radical imagination. Angry women burn brighter than the sun.
In the coming years, we will hear, again, that anger is a destructive force, to be controlled. Watch carefully, because not everyone is asked to do this in equal measure. Women, especially, will be told to set our anger aside in favor of a kinder, gentler approach to change. This is a false juxtaposition. Reenvisioned, anger can be the most feminine of virtues: compassionate, fierce, wise, and powerful. The women I admire mostβthose who have looked to themselves and the limitations and adversities that come with our bodies and the expectations that come with themβhave all found ways to transform their anger into meaningful change. In them, anger has moved from debilitation to liberation.
Your anger is a gift you give to yourself and the world that is yours. In anger, I have lived more fully, freely, intensely, sensitively, and politically. If ever there was a time not to silence yourself, to channel your anger into healthy places and choices, this is it.
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Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
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When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter.
He leaned out the archway and glanced at the grand staircase.
Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane.
The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway.
The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone.
John's cry for help came out as a mute, sustained rush of air--
Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness.
Meanwhile, John's heart pounded from shock...then pumped fast for a different reason.
Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal.
"You like to be chased, nalla, " Z said in a voice so deep it distorted.
Bella's smile got even wider as she backed up into a corner. "Maybe."
"So run some more, why don't you." The words were dark and even John caught the erotic threat in them.
Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan.
At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk.
Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing.
He'd caught her.
......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile.
There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time.
God, John wanted that kind of connection.
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J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))