Females Broken Quotes

We've searched our database for all the quotes and captions related to Females Broken. Here they are! All 100 of them:

Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly. I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'" I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'" He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..." He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?" I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house. "You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath. "Have I not...just been...saying so?
Diana Gabaldon (Outlander (Outlander, #1))
You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
I don't think a female running a house is a problem, a broken family. It's perceived as one because of the notion that a head is a man.
Toni Morrison
One of the most pusillanimous things we of the female sex have done throughout the centuries is to have allowed the male sex to assume that mankind is masculine. It is not. It takes both male and female to make the image of God. The proper understanding of mankind is that it is only a poor, broken thing if either male or female is excluded.
Madeleine L'Engle (The Irrational Season (Crosswicks Journals, #3))
Dad has always said that a man who raises a hand against a female lowers himself beneath her feet.
Erin Watt (Broken Prince (The Royals, #2))
Broken people are the most dangerous...because they just don't give a fuck
Ashley Jade (Blame It on the Shame Part 2 (Blame It on the Shame #2))
You only fix something, when it’s broken. And you - are far from broken.
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
This is how it feels to be in this broken female body. This is how it feels to be alone... This is how it feels to be me. I dare you to look...and once you look, I’m going to make sure you cannot look away.
Frida Kahlo
Strength is taking charge of your own destiny and not waiting on others to do so. You don’t have to swear and drink and beat people up and slay monsters. You’re allowed to cry and take care of children and cook and get your heart broken and dress up and date and get pregnant. But when decisions have to be made, a strong character makes them and doesn’t wait for someone else.
Mur Lafferty
It’s two broken people coming together to follow God’s calling on their lives.
John Mark Comer (Loveology: God. Love. Marriage. Sex. And the Never-Ending Story of Male and Female.)
This is what I saw, in the reflections of the tomb." She whispered it almost to herself, broken-voiced. "It's what the goddess dreamed, but I thought I could prevent it. I thought you would choose the world over yourself." "I'm far too selfish for that," Lore whispered.
Hannah F. Whitten (The Foxglove King (The Nightshade Crown, #1))
I think we need a little more rallying around the dumpee. If you were a woman and I’d told you that the third guy in eighteen months had broken up with me, right now we’d be drinking lemon drop martinis and giving each other female empowerment pep talks about how we don’t need a man in our lives to feel complete. And then we’d watch The Notebook and drool over Ryan Gosling.” “Sorry, babe. But when they handed out best friends you drew the straw with a penis attached. That means no Ryan Gosling.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
I won’t lose hope. I won’t be broken.
Rachel L. Schade (Forsaken Kingdom (Silent Kingdom, #2))
Listen my dear sister! You only fix something, when it’s broken. And you - are far from broken. Say to yourself, I am perfect, the way I am. Say to yourself, I am beautiful the way I am. Say to yourself, those who do not accept me the way I am, do not deserve me in their life.
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
Say to these kind and gentle females, that a heart-broken and failing man returns them his thanks. Tell them, that the Being we all worship, under different names, will be mindful of their charity; and that the time shall not be distant when we may assemble around His throne without distinction of sex, or rank, or color." The
James Fenimore Cooper (The Last of the Mohicans; A narrative of 1757)
I think of all that is happening elsewhere, as I lie here. Nearby, I can hear the sounds of a road crew. Somewhere else, monkeys chatter in trees. A male seahorse becomes pregnant. A diamond forms, a bee dances out directions, a windshield shatters. Somewhere a mother spreads peanut butter for her son's lunch, a lover sighs, a knitter binds off the edge of a sleeve. Clouds gather to make rain, corn ripens on the stalk, a cancer cell divides, a little league team scores. Somewhere blossoms open, a man pushes a knife in deeper, a painter darkens her blue. A cashier pours new dimes into an outstretched hand, rainbows form and fade, plates in the earth shift and settle. A woman opens a velvet box, male spiders pluck gently on the females' webs, falcons fall from the sky. Abstracts are real and time is a lie, it cannot be measured when one moment can expand to hold everything. You can want to live and end up choosing death; and you can want to die and end up living. What keeps us here, really? A thread that breaks in a breeze. And yet a thread that cannot be broken
Elizabeth Berg (Never Change)
Although previous studies had suggested that friendship--male and female--could be a powerful antidote to stress, more recent research indicates that broken promises, dashed expectations, and other side effects of friendship gone wrong can actually raise the level of stress in our lives, often to disastrous effect.
Susan Shapiro Barash (Tripping the Prom Queen: The Truth About Women and Rivalry)
I sang from my belly, from my intricate system of female parts, and from those sacs inside me that wouldn't show up on an ultrasound but held all the rocks and stones and broken glass of want and need I'd managed to collect in seventeen years.
Nina Malkin (Swoon (Swoon, #1))
The more legal and material hindrances women have broken through, the more strictly and heavily and cruelly images of female beauty have come to weigh upon us.
Naomi Wolf (The Beauty Myth)
I read things that male relationship experts write about women and I read things that female relationship experts write about men, then I feel a true sadness in my heart. Why can’t there be a simple, pure, direct openness? Why can’t there be a simple, real, open trust? The truth is that male or female, gay or straight— we are all people— we have all been broken and put back together in so many different ways... it’s really just about learning how to recognize the sound of the other one's cracks. And that’s what it’s really about, just that.
C. JoyBell C.
The more legal and material hindrances women have broken through, the more strictly and heavily and cruelly images of female beauty have come to weigh upon us...During the past decade, women breached the power structure; meanwhile, eating disorders rose exponentially and cosmetic surgery became the fastest-growing specialty...pornography became the main media category, ahead of legitimate films and records combined, and thirty-three thousand American women told researchers that they would rather lose ten to fifteen pounds than achieve any other goal...More women have more money and power and scope and legal recognition than we have ever had before; but in terms of how we feel about ourselves physically, we may actually be worse off than our unliberated grandmothers.
Naomi Wolf
There are few things as tragic as when we tacitly agree to the notion that our unchangeable truth is somehow invalid. Less than. Broken. Wrong. That pretending is necessary for professional opportunity or personal acceptance. I’ve done it a million times in ways large and small, and I can tell you this: trying to hide in plain sight is frustrating, disorienting, isolating—an exhausting game of (only possible) short-term gains in exchange for very-certain long-term exclusion. When we agree to play, we not only hide and cast doubt upon our experiences. We’ve willingly participated in the invalidation of ourselves.
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
Then they’re fools. Women are some of the most vicious fighters I’ve ever seen and can be just as capable as any man.” “Makes sense. In nature, the female is likely to be the meaner one of the species, especially when it comes to the young,” Shea said.
T.A. White (Pathfinder's Way (The Broken Lands, #1))
We were kept pure for men, and then broken in by them. And what happened to us in the meantime was completely irrelevant in the pursuit of their pleasure, or their integrity, their masculinity. Were females really valued so little? Would my own daughters face the same fate?
Hibo Wardere (Cut: One Woman's Fight Against FGM in Britain Today)
Society remains uneasy with female strength of any stripe and still prefers and champions delicate damsels—an outdated sentiment that limits all women. But because the damsel’s face is still viewed as unequivocally white and female, it is a particular problem for black women. As long as vulnerability and softness are the basis for acceptable femininity (and acceptable femininity is a requirement for a woman’s life to have value), women who are perpetually framed because of their race as supernaturally indestructible will not be viewed with regard. This may be why we so rarely see the black women who are victims of violence on true-crime television, despite the fact that black women are more likely to be victims of sexual violence and domestic homicidal violence.
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
He goes out to untie the female from the tree where he left her. She hasn’t taken the rope off her neck. Of course, he thinks, she doesn’t know she can. He moves toward her and she begins to tremble. She looks at the ground. Urinates. He takes her to the barn and ties her to the door of a broken and rusted truck.
Agustina Bazterrica (Tender Is the Flesh)
How many times do I have to repeat myself? You don't get to touch my woman.
P. Carreira (Broken Blood)
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….] I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors: Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space. […] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
Christopher Hitchens (Hitch 22: A Memoir)
There are some that even beg for the Chamber," she could hear Isaar saying in the back of her mind. "Soft minded fools or broken souls that would rather live a fabricated existence than deal with reality.
Charles Hash (Nascent Decay (The Goddess of Decay Book 1))
Now what was left of the ships of the retreating army would be disappearing over the thin line where the sea met the sky; now the smoke of last night's fires was clearing where the still-alive humans below had buried and burnt their dead. They were mostly the female kind. The female kind did the sorting-out afterwards. They worked their way through the rubble and the debris. Hunched and wingless, they wheeled their broken-yoked handcarts along what was left of the roads. It was nothing new. The crow had seen it all before.
Ali Smith (The Story of Antigone)
It is not, I think, surprising that a man when he wants sympathy in such a calamity as that which had now befallen Phineas Finn, should seek it from a woman. Women sympathise most effectually with men, as men do with women. But it is, perhaps, a little odd that a man when he wants consolation because his heart has been broken, always likes to receive it from a pretty woman. One would be disposed to think that at such a moment he would be profoundly indifferent to such a matter, that no delight could come to him from female beauty, and that all he would want would be the softness of a simply sympathetic soul.
Anthony Trollope (Complete Works of Anthony Trollope)
He will lift up the limp bodies of the rabbits and show me how he caught them square between the eyes, and the bright bodies of male and female pheasants with shot in the breast and their necks hanging broken and their eyes half open in the voluptuous death he loves. He will be a knife leaning above me as he kisses me.
Meridel Le Sueur (Harvest)
Some would argue that aggressive displays of sexuality by black female performers such as Nicki Minaj and Beyonce are empowering precisely because of historical perceptions of female sexuality and black women's sexuality in America. The idea that women cannot be overt about their sexuality is rooted in sexist notions of female purity. The idea that black women must prove their worth and disprove centuries of propaganda against their sexuality is buying into racism and sexism and making the oppressed responsible for adapting to oppression - instead of demanding that society stop treating women's sexual desires differently from those of men.
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
She is a Weyward. And she carries another Weyward inside her. She gathers herself together, every cell blazing, and thinks: Now. The window breaks, a waterfall of sharp sounds. The room grows dark with feathered bodies, shooting through the broken window, the fireplace. Beaks, claws, and eyes flashing. Feathers brushing her skin. Simon yells, his hand loosening on her throat. She sucks in the air, falling to her knees, one hand cradling her stomach. Something touches her foot, and she sees a dark tide of spiders spreading across the floor. Birds continue to stream through the window. Insects, too: the azure flicker of damselflies, moths with orange eyes on their wings. Tiny, gossamer mayflies. Bees in a ferocious golden swarm. She feels something sharp on her shoulder, its claws digging into her flesh. She looks up at blue-black feathers, streaked with white. A crow. The same crow that has watched over her since she arrived. Tears fill her eyes, and she knows in that moment that she is not alone in the cottage. Altha is there, in the spiders that dance across the floor. Violet is there, in the mayflies that glisten and undulate like some great silver snake. And all the other Weyward women, from the first of the line, are there, too. They have always been with her, and always will be.
Emilia Hart (Weyward)
I'm sorry, I don't understand. Could you tell me more about this 'profanity'?" Mrs. Miller nodded at my dictionary. "I'll assume you don't need a definition. Perhaps you'd prefer an example?" "That would be so helpful, thank you very much." Without missing a beat, Mrs. Miller rattled off a stream of obscenities so fully and completely unexpected that I fell off my chair. Mothers were defiled, their male and female children, as well as any and all offspring who just happened to be born out of wedlock. AS for the sacred union that produced these innocent babes, the pertinent bodily appendages were catalogued by a list of names so profoundly scurrilous that a grizzled marine, conceived in a brothel and dying of a disease he contracted in one, would've wished he'd been born as smooth as a Ken doll. The act itself was invoked with such a verity of incestuous, scatological, bestial, and just plain bizarre variations that that same marine would've given up on the Ken doll fantasy, and wished instead that all life had been confined to a single-cell stage, forever free of taint of mitosis, let alone procreation. Somewhere during the course of all this I noticed I'd snapped my pencil in half, and now I used the two ends to gouge out my brain. "Guhhhhhh guhhhhh guhhhhhh guhhhhh guhhhhh," I said, by which I meant: "You have shattered whatever tattered remnants of pedagogical propriety I still possessed, and my tender young mind has broken beneath the strain." Nervously, I climbed back into my chair, the two halves of my pencil sticking out of ears like an arrow that had shot clean through my head. Mrs. Miller allowed herself a small self-congratulatory smile.
Dale Peck (Sprout)
When I stopped viewing girls as potential girlfriends and started treating them as sisters in Christ, I discovered the richness of true friendship. When I stopped worrying about who I was going to marry and began to trust God’s timing, I uncovered the incredible potential of serving God as a single. . . . I believe the time has come for Christians, male and female, to own up to the mess we’ve left behind in our selfish pursuit of short-term romance. Dating may seem an innocent game, but as I see it, we are sinning against each other. What excuse will we have when God asks us to account for our actions and attitudes in relationships? If God sees a sparrow fall (Matthew 10:29), do you think He could possibly overlook the broken hearts and scarred emotions we cause in relationships based on selfishness? Everyone around us may be playing the dating game. But at the end of our lives, we won’t answer to everyone. We’ll answer to God. . . . Long before Seventeen magazine ever gave teenagers tips on dating, people did things very differently. At the turn of the twentieth century, a guy and girl became romantically involved only if they planned to marry. If a young man spent time at a girl’s home, family and friends assumed that he intended to propose to her. But shifting attitudes in culture and the arrival of the automobile brought radical changes. The new “rules” allowed people to indulge in all the thrills of romantic love without having any intention of marriage. Author Beth Bailey documents these changes in a book whose title, From Front Porch to Backseat, says everything about the difference in society’s attitude when dating became the norm. Love and romance became things people could enjoy solely for their recreational value. Though much has changed since the 1920s, the tendency of dating relationships to move toward intimacy without commitment remains very much the same. . . . Many of the attitudes and practices of today’s dating relationships conflict with the lifestyle of smart love God wants us to live.
Joshua Harris
Boats are female for Walter, as are busted car engines and broken lamps and radios – items of any kind that can be fiddled with by men adroit with gadgetry, and restored to a condition as good as new. Why do I find this reassuring? Perhaps I believe, in some childish, faith-filled corner of myself, that Walter might yet take out his pliers and his ratchet set and do the same for me.
Margaret Atwood (The Blind Assassin)
Privilege, in this moral framework, isn’t something you experience as an individual. It is wholly associated with group identity. If you are a white male, you are, by definition, privileged. This is true regardless of your history or circumstances. If you were raised in a broken home, in a neighborhood rife with drug addiction, poverty, and violence, you are still privileged. Likewise, if you are a “person of color” or a female, or a “sexual minority” and were raised in an intact family, born into wealth, with all the benefits the best education can afford, you are still a victim. Bear in mind that privilege is indeed real. Some people do have more privilege than others, however the line of privilege should never be drawn exclusively on the basis of skin color.
Scott David Allen (Why Social Justice Is Not Biblical Justice: An Urgent Appeal to Fellow Christians in a Time of Social Crisis)
Unlike in SeaWorld, there is no known instance of mother-son mating in wild orca communities. In SeaWorld Orlando, Katina mated with her son Taku, resulting in the female calf Nalani. Kohana was bred with her uncle Keto twice. This is an instance of what appears to be a taboo—strictly reinforced in the wild by generations of matriarchs—that has broken down in the confines of captivity.
John Hargrove (Beneath the Surface: Killer Whales, SeaWorld, and the Truth Beyond Blackfish)
him to turn out and find a dry twig; and if he can't do it, go and borrow one. In fact, the Leather Stocking Series ought to have been called the Broken Twig Series. I am sorry there is not room to put in a few dozen instances of the delicate art of the forest, as practised by Natty Bumppo and some of the other Cooperian experts. Perhaps we may venture two or three samples. Cooper was a sailor — a naval officer; yet he gravely tells us how a vessel, driving towards a lee shore in a gale, is steered for a particular spot by her skipper because he knows of an undertow there which will hold her back against the gale and save her. For just pure woodcraft, or sailorcraft, or whatever it is, isn't that neat? For several years Cooper was daily in the society of artillery, and he ought to have noticed that when a cannon-ball strikes the ground it either buries itself or skips a hundred feet or so; skips again a hundred feet or so — and so on, till finally it gets tired and rolls. Now in one place he loses some "females" — as he always calls women — in the edge of a wood near a plain at night in a fog, on purpose to give Bumppo a chance to show off the delicate art of the forest before the
Mark Twain (Mark Twain: Collection of 51 Classic Works with analysis and historical background (Annotated and Illustrated) (Annotated Classics))
I’ve taken a sudden notion to appreciate mature females,” Deene was saying. “Though if her brothers ask, I’m being protective in their absence. Hold my drink.” And that, the simple fact of Deene’s unthinking response to a gorgeous woman, saved Hazlit from making a similar fool of himself. He supposed he’d make a little different fool of himself later in the evening, after Maggie had had her fun and left a trail of broken hearts all over the room. When
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Jezebel, the embodiment of deviant Black female sexuality. During slavery, Black women were positioned as seductive and wanton to vindicate the naked probing of the auction block and routine sexual victimization and also to justify the use of Black women to breed new human property.32 The stereotype positioned Black women as incapable of chastity in a society that demanded the innocence of women. And it further masculinized them, ascribing an unlady like sexual hunger more typical of men.
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
Woman lost (skin deep) like a damn fine thread in the fire Woman of the world caught up in your black machinations I was a woman who cried alone at night, who gave it all away when she saw the good heart of the man inside Woman caught standing up; her open parts are broken - Someone's armour broke right through, it was you, you For some reason I've been thinking about you, your light Today, you poured out all the tension, the ego underground Hibernating inside my heart. I was so close to it, to the flicker Of love in a lonely street and I turned my head and walked Away from the flame in your arms. As I put away the fun in A house of fight I came across you and a mechanism in My brain shifted chemically, walls caved in like the cadence In your words and I was lost in the darkness. Even now in Middle age I remember when desire was a popular drug And everyone was selling it but I don't live to explore to be Able to illuminate the proof of my existence, live to burn Vicariously though the diamond mouth of sleeping stars. From so much love, pictures of death arrived in black and White photographs and you're perfect, you always were - Illusions have no flaws; they're dangerous beings, smoke. Could I take the moon back and still live with my great Expectations of nostalgia, laughter, tears and suffering - But they are all a part of me not the people of the stars, Long dead videotape, the past has stained the symphony Of my soul (like the wind through the trees) throughout Me finding myself, my two left feet as a female poet The warning was there of the noise of eternity, signs That said, don't anger the sea, you have an ally in her. When men grow cold listen to their stories and bask in The glory of their genuine deaths, their winters, put Them away so you can read them like the newspaper. Once in a while you can go back to where you stood In youth with your afternoon tea, the sun of God in our Eyes - I am that kind of woman who lives in the past
Abigail George (Feeding The Beasts)
But I'm not your man." When I heard this fool tell me that...1st emotion 'this bold mutha %#&@$ a'...2nd emotion 'but I don't even want you to be'...3rd emotion 'imma let him know that I will not be talked to like that' So, I did exactly what my gut had been telling me to do the past two weeks and I boldly returned the comment with..."this is over.""Without a doubt, I believe that anyone reading this gem of microscopic insight into the heart of broken women will end up with a brand new perspective of themselves and others.
Melissa McAllister ("But I'm Not Your Man": A Reality Self Check for Single Females)
Traditional feminism would tell you that we should concentrate on the big stuff like pay inequality, female circumcision in the Third World, and domestic abuse. And they are, obviously, pressing and disgusting and wrong, and the world cannot look itself squarely in the eye until they're stopped. But all those littler, stupider, more obvious day-to-day problems with being a woman are, in many ways, just as deleterious to women's peace of mind. It is the "Broken Windows" philosophy, transferred to female inequality. In the Broken Windows theory, if a single broken window on an empty building is ignored and not repaired, the tendency is for vandals to break a few more windows. Eventually, they may break into the building and light fires, or become squatters. Similarly, if we live in a climate where female pubic hair is considered distasteful, or famous and powerful women are constantly pilloried for being too fat or too thin, or badly dressed, then, eventually, people start breaking into women, and lighting fires in them. Women will get squatters. Clearly, this is not a welcome state of affairs.
Caitlin Moran (How to Be a Woman)
Samuel had a great black book on an available shelf and it had gold letters on the cover—Dr. Gunn’s Family Medicine. Some pages were bent and beat up from use, and others were never opened to the light. To look through Dr. Gunn is to know the Hamiltons’ medical history. These are the used sections—broken bones, cuts, bruises, mumps, measles, backache, scarlet fever, diphtheria, rheumatism, female complaints, hernia, and of course everything to do with pregnancy and the birth of children. The Hamiltons must have been either lucky or moral for the sections on gonorrhea and syphilis were never opened.
John Steinbeck (East of Eden)
Context is everything in both narrative and real life, and while the accusation is never that these creators deliberately set out to discriminate against gay and female characters, the unavoidable implication is that they should have known better than to add to the sum total of those stories which, en masse, do exactly that. And if the listmakers can identify the trend so thoroughly – if, despite all the individual qualifications, protests and contextualisations of the authors, these problems can still be said to exist – then the onus, however disconnected from the work of any one individual, nonetheless falls to those individuals, in their role as cultural creators, to acknowledge the problem; to do better next time; perhaps even to apologise. This last is a particular sticking point. By and large, human beings tend not to volunteer apologies for things they perceive to be the fault of other people, for the simple reason that apology connotes guilt, and how can we feel guilty – or rather, why should we – if we’re not the ones at fault? But while we might argue over who broke a vase, the vase itself is still broken, and will remain so, its shards ground into the carpet, until someone decides to clean it up. Blog Post: Love Team Freezer
Foz Meadows
If madness is the mark of female singleness, the delirium is spreading. The percentage of married women across all races is decreasing.6 Despite this shift, society’s views on women and marriage have hardly changed since the Irish essayist George Bernard Shaw wrote, at the start of the twentieth century: “It is a woman’s business to get married as soon as possible, and a man’s to keep unmarried as long as possible.”7 Singleness and its associated freedoms are viewed as a man’s game. And a woman without a wedding band, or at the very least an adoring male partner to signal her worthiness, is to be viewed as warily as a steak without a USDA stamp—something must be rotten there.
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
Phrases such as ‘toxic masculinity’ entered into common use. What was the virtue of making relations between the sexes so fraught that the male half of the species could be treated as though it was cancerous? Or the development of the idea that men had no right to talk about the female sex? Why, when women had broken through more glass ceilings than at any time in history, did talk of ‘the patriarchy’ and ‘mansplaining’ seep out of the feminist fringes and into the heart of places like the Australian Senate?12 In a similar fashion the civil rights movement in America, which had started in order to right the most appalling of all historic wrongs, looked like it was moving towards some hoped-for resolution.
Douglas Murray (The Madness of Crowds: Gender, Race and Identity)
Mammy was always a fiction—a response to abolitionists’ depictions of brutality and the ill-treatment of enslaved women. Female house slaves were not happy to be in bondage. The very idea is absurd. But the stereotype was useful in abetting slave culture. Positioning Mammy’s girth and features as unattractive, particularly to White men, erased the routine rape of enslaved women.26 The image of a content servant helped legitimize the economic exploitation of house slaves (and later the long relegation of Black women to service and domestic work).27 Mammy also stood as the embodiment of the optimal Black female relationship to power—comfortably subservient.28 She reinforced the idea that Black women are natural workhorses, capable of carrying multiple burdens alone—not because they have to, but out of natural ability and desire.29
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
Nova Berry looked like a hickory switch- tall, thin and knobby. She could trace her family line back hundreds of years in the Appalachian Mountains. These days people treated what she did as a novelty, but there was a time when the Berry women were known far and wider their natural remedies.Slippery elm for digestive problems. Red clover for skin conditions. Pot marigold for certain monthly female ailments. Nova had been forced to spice things up a bit now that there were things like Maalox and Midol on the market, so easily acquired. So she made it known that her cure for heartburn also mended a broken heart, and her cure for cramps also made you more fertile, or less, if that's what you wanted. Half the time it really worked, because if it was one thing generations of Berry women knew, it was that confidence was the primary ingredient in every potion.
Sarah Addison Allen (The Sugar Queen)
The qualities that a given period calls beautiful in women are merely symbols of the female behavior that that period considers desirable: The beauty myth is always actually prescribing behavior and not appearance. Competition between women has been made part of the myth so that women will be divided from one another. Youth and (until recently) virginity have been “beautiful” in women since they stand for experiential and sexual ignorance. Aging in women is “unbeautiful” since women grow more powerful with time, and since the links between generations of women must always be newly broken: Older women fear young ones, young women fear old, and the beauty myth truncates for all the female life span. Most urgently, women’s identity must be premised upon our “beauty” so that we will remain vulnerable to outside approval, carrying the vital sensitive organ of self-esteem
Naomi Wolf (The Beauty Myth)
I have brought the heather-mixture suit, as the climatic conditions are congenial. To-morrow, if not prevented, I will endeavour to add the brown lounge with the faint green twill.' 'It can't go on - this sort of thing - Jeeves.' 'We must hope for the best, sir.' 'Can't you think of anything to do?' 'I have been giving the matter considerable thought, sir, but so far without success. I am placing three silk shirts - the dove-coloured, the light blue, and the mauve - in the first long drawer, sir.' 'You don't mean to say you can't think of anything, Jeeves?' 'For the moment, sir, no. You will find a dozen handkerchiefs and the tan socks in the upper drawer on the left.' He strapped the suit-case and put it on a chair. 'A curious lady, Miss Rockmetteller, sir.' 'You understate it, Jeeves.' He gazed meditatively out of the window. 'In many ways, sir, Miss Rockmetteller reminds me of an aunt of mine who resides in the south-east portion of London. Their temperaments are much alike. My aunt has the same taste for the pleasures of the great city. It is a passion with her to ride in taxi-cabs, sir. Whenever the family take their eyes off her she escapes from the house and spends the day riding about in cabs. On several occasions she has broken into the children's savings bank to secure the means to enable her to gratify this desire.' 'I love to have these little chats with you about your female relatives, Jeeves,' I said coldly, for I felt that the man had let me down, and I was fed up with him. 'But I don't see what all this has got to do with my trouble.' 'I beg your pardon, sir. I am leaving a small assortment of our neckties on the mantelpiece, sir for you to select according to your preference. I should recommend the blue with the red domino pattern, sir.
P.G. Wodehouse
The important parts of my story, I was realizing, lay less in the surface value of my accomplishments and more in what undergirded them—the many small ways I’d been buttressed over the years, and the people who’d helped build my confidence over time. I remembered them all, every person who’d ever waved me forward, doing his or her best to inoculate me against the slights and indignities I was certain to encounter in the places I was headed—all those environments built primarily for and by people who were neither black nor female. I thought of my great-aunt Robbie and her exacting piano standards, how she’d taught me to lift my chin and play my heart out on a baby grand even if all I’d ever known was an upright with broken keys. I thought of my father, who showed me how to box and throw a football, same as Craig. There were Mr. Martinez and Mr. Bennett, my teachers at Bryn Mawr, who never dismissed my opinions. There was my mom, my staunchest support, whose vigilance had saved me from languishing in a dreary second-grade classroom. At Princeton, I’d had Czerny Brasuell, who encouraged me and fed my intellect in new ways. And as a young professional, I’d had, among others, Susan Sher and Valerie Jarrett—still good friends and colleagues many years later—who showed me what it looked like to be a working mother and consistently opened doors for me, certain I had something to offer. These were people who mostly didn’t know one another and would never have occasion to meet, many of whom I’d fallen out of touch with myself. But for me, they formed a meaningful constellation. These were my boosters, my believers, my own personal gospel choir, singing, Yes, kid, you got this! all the way through. I’d never forgotten it. I’d tried, even as a junior lawyer, to pay it forward, encouraging curiosity when I saw it, drawing younger people into important conversations.
Michelle Obama (Becoming)
Bryson bucked under her, not in pain but from pleasure. The painting of the angel and demon entered her mind. The angel’s robes billowing like a river caught in an unexpected storm, twisting with the invisible currents. The demon was so close to wrapping its arms around the angel. Its murky outline cursed to—forever—be reaching. An infinity of failures, a lifetime of coming up short. Adria stood tall, feeling the power beneath her. The wind hit her face as the two of them fell together. He wasn’t a demon, and she was no angel—but they were two broken people, falling together. Doubling over, the orgasm continued building. Tightening within her until it rocketed into her. Through her. Pressing into all sides. Her entire body cried out. Bryson moaned into the room, and the two of them settled into perfect stillness, except for the sound of their breathing. This part of the book i found to be incredibly hot, panties wet, needed to change after that scene. I didn't think I would like it as much as I did but
MZ Rylan (Bound by Her)
A few days later, from a wall along the river, Martha Gellhorn watched the Soviet troops move on. ‘The army came in like a flood; it had no special form, there were no orders given. It came and rolled over the stone quays and out onto the roads like water rising, like ants, like locusts. What was moving along there was not so much an army, but a whole world.’ Many of the soldiers were wearing medals from the Battle of Stalingrad, and the entire group had fought its way at least 4,000 kilometres to the west in the last few years, most of it on foot. The trucks were kept rolling with impromptu repairs, the countless female soldiers looked like professional boxers, the sway-backed horses were driven along as though by Ben Hur himself, there seemed to be neither order nor plan, but according to Gellhorn it was impossible ‘to describe the sense of power radiating from this chaos of soldiers and broken-down equipment’. And she thought how sorry the Germans must be that they had ever started a war with the Russians.
Geert Mak (In Europe: Travels Through the Twentieth Century)
We think of men as antiheroes, as capable of occupying an intense and fascinating moral grey area; of being able to fall, and rise, and fall again, but still be worthy of love on some fundamental level, because if it was the world and its failings that broke them, then we surely must owe them some sympathy. But women aren’t allowed to be broken by the world; or if we are, it’s the breaking that makes us villains. Wronged women turn into avenging furies, inhuman and monstrous: once we cross to the dark side, we become adversaries to be defeated, not lost souls in need of mending. Which is what happens, when you let benevolent sexism invest you in the idea that women are humanity’s moral guardians and men its native renegades: because if female goodness is only ever an inherent quality – something we’re born both with and to be – then once lost, it must necessarily be lost forever, a severed limb we can’t regrow. Whereas male goodness, by virtue of being an acquired quality – something bestowed through the kindness of women, earned through right action or learned through struggle – can just as necessarily be gained and lost multiple times without being tarnished, like a jewel we might pawn in hardship, and later reclaim.
Foz Meadows
That man,” she announced huffily, referring to their host, “can’t put two words together without losing his meaning!” Obviously she’d expected better of the quality during the time she was allowed to mix with them. “He’s afraid of us, I think,” Elizabeth replied, climbing out of bed. “Do you know the time? He desired me to accompany him fishing this morning at seven.” “Half past ten,” Berta replied, opening drawers and turning toward Elizabeth for her decision as to which gown to wear. “He waited until a few minutes ago, then went of without you. He was carrying two poles. Said you could join him when you arose.” “In that case, I think I’ll wear the pink muslin,” she decided with a mischievous smile. The Earl of Marchman could scarcely believe his eyes when he finally saw his intended making her way toward him. Decked out in a frothy pink gown with an equally frothy pink parasol and a delicate pink bonnet, she came tripping across the bank. Amazed at the vagaries of the female mind, he quickly turned his attention back to the grandfather trout he’d been trying to catch for five years. Ever so gently he jiggled his pole, trying to entice or else annoy the wily old fish into taking his fly. The giant fish swam around his hook as if he knew it might be a trick and then he suddenly charged it, nearly jerking the pole out of John’s hands. The fish hurtled out of the water, breaking the surface in a tremendous, thrilling arch at the same moment John’s intended bride deliberately chose to let out a piercing shriek: “Snake!” Startled, John jerked his head in her direction and saw her charging at him as if Lucifer himself was on her heels, screaming, “Snake! Snake! Snnnaaaake!” And in that instant his connection was broken; he let his line go slack, and the fish dislodged the hook, exactly as Elizabeth had hoped. “I saw a snake,” she lied, panting and stopping just short of the arms he’d stretched out to catch her-or strangle her, Elizabeth thought, smothering a smile. She stole a quick searching glance at the water, hoping for a glimpse of the magnificent trout he’d nearly caught, her hands itching to hold the pole and try her own luck. Lord Marchman’s disgruntled question snapped her attention back to him. “Would you like to fish, or would you rather sit and watch for a bit, until you recover from your flight from the serpent?” Elizabeth looked around in feigned shock. “Goodness, sir, I don’t fish!” “Do you sit?” he asked with what might have been sarcasm. Elizabeth lowered her lashes to hide her smile at the mounting impatience in his voice. “Of course I sit,” she proudly told him. “Sitting is an excessively ladylike occupation, but fishing, in my opinion, is not. I shall adore watching you do it, however.” For the next two hours she sat on the boulder beside him, complaining about its hardness, the brightness of the sun and the dampness of the air, and when she ran out of matters to complain about she proceeded to completely spoil his morning by chattering his ears off about every inane topic she could think of while occasionally tossing rocks into the stream to scare off his fish.
Judith McNaught (Almost Heaven (Sequels, #3))
The Dragon" The bees came out of the junipers, two small swarms The size of melons; and golden, too, like melons, They hung next to each other, at the height of a deer’s breast Above the wet black compost. And because The light was very bright it was hard to see them, And harder still to see what hung between them. A snake hung between them. The bees held up a snake, Lifting each side of his narrow neck, just below The pointed head, and in this way, very slowly They carried the snake through the garden, The snake’s long body hanging down, its tail dragging The ground, as if the creature were a criminal Being escorted to execution or a child king To the throne. I kept thinking the snake Might be a hose, held by two ghostly hands, But the snake was a snake, his body green as the grass His tail divided, his skin oiled, the way the male member Is oiled by the female’s juices, the greenness overbright, The bees gold, the winged serpent moving silently Through the air. There was something deadly in it, Or already dead. Something beyond the report Of beauty. I laid my face against my arm, and there It stayed for the length of time it takes two swarms Of bees to carry a snake through a wide garden, Past a sleeping swan, past the dead roses nailed To the wall, past the small pond. And when I looked up the bees and the snake were gone, But the garden smelled of broken fruit, and across The grass a shadow lay for which there was no source, A narrow plinth dividing the garden, and the air Was like the air after a fire, or before a storm, Ungodly still, but full of dark shapes turning.
Brigit Pegeen Kelly (The Orchard (American Poets Continuum))
But Rhys interlocked his fingers in the space between his knees before he said, “Five hundred years ago, in the years leading up to the War, there was a Fae kingdom in the southern part of the continent. It was a realm of sand surrounding a lush river delta. The Black Land. There was no crueler place to be born a human—for no humans were born free. They were all of them slaves, forced to build great temples and palaces for the High Fae who ruled. There was no escape; no chance of having their freedom purchased. And the queen of the Black Land … ” Memory stirred in his face. “She made Amarantha seem as sweet as Elain,” Mor explained with soft venom. “Miryam,” Rhys continued, “was a half-Fae female born of a human mother. And as her mother was a slave, as the conception was … against her mother’s will, so, too, was Miryam born in shackles, and deemed human—denied any rights to her Fae heritage.” “Tell the full story another time,” Amren cut in. “The gist of it, girl,” she said to me, “is that Miryam was given as a wedding gift by the queen to her betrothed, a foreign Fae prince named Drakon. He was horrified, and let Miryam escape. Fearing the queen’s wrath, she fled through the desert, across the sea, into more desert … and was found by Jurian. She fell in with his rebel armies, became his lover, and was a healer amongst the warriors. Until a devastating battle found her tending to Jurian’s new Fae allies—including Prince Drakon. Turns out, Miryam had opened his eyes to the monster he planned to wed. He’d broken the engagement, allied his armies with the humans, and had been looking for the beautiful slave-girl for three years. Jurian had no idea that his new ally coveted his lover. He was too focused on winning the War, on destroying Amarantha in the North. As his obsession took over, he was blind to witnessing Miryam and Drakon falling in love behind his back.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
But the psychological change accompanying these technologies is more subtle, and perhaps more important. Consciously and unconsciously, we have gradually grown accustomed to experiencing the world through disembodied machines and instruments. As I stood in line to board an airplane recently, the young woman in front of me was primping in her mirror—straightening her hair, putting on lipstick, patting her checks with blush—a female ritual that has been repeated for several thousand years. In this case, however, her “mirror” was an iPhone in video mode, pointed at herself, and she was reacting to a digitized image of herself. I take walks in a federally protected wildlife preserve near my home in Massachusetts. A dirt trail winds for a mile around a lake teeming with beavers and fish, wild ducks and geese, aquatic frogs. Bulrushes and cattails wrap the perimeter of the pond, water lilies float here and there, rippling when a fish goes by. In the winter, the air is crisp and sharp, in the summer soft and aromatic. And a thick silence lies across the park, broken only by the honking of geese and the croaking of frogs. It is a place to smell, to see, to feel, to quietly let one’s mind wander where it wants. More and more commonly, I see people here talking on their cell phones as they walk around the trail. Their attention is focused not on the scene in front of them, but on a disembodied voice coming from a small box. And they are disembodied themselves. Where are their minds and bodies? Certainly not present in the park. Nor can they be located in the electromagnetic waves and digital signals flowing through cyberspace. Only their voices can be found at the other end of their conversations, in the offices and boardrooms and homes of the people they are talking to. They are attempting to be several places at once, like quantum waves. But I would argue that they are nowhere.
Alan Lightman (The Accidental Universe: The World You Thought You Knew)
When the bullhorn signaled that he'd met the qualifying time,he struggled to gather his wits,waiting until Devil was right alongside the gate before he freed his hand,cutting himself loose. He flew through the air and over the corral fence,landing in the dirt at Marilee Trainor's feet. "My God! Don't move." She was beside him in the blink of an eye,kneeling in the dirt,probing for broken bones. Wyatt lay perfectly still,enjoying the feel of those clever, practiced hands moving over him.When she moved from his legs to his torso and arms,he opened his eyes to narrow slits and watched her from beneath lowered lids. She was the perfect combination of beauty and brains.He could see the wheels turning as she did a thorough exam.Even her brow,furrowed in concentration,couldn't mar that flawless complexion. Her eyes, the color of the palest milk chocolate, were narrowed in thought.Strands of red hair dipped over one cheek, giving her a sultry look. Satisfied that nothing was broken, she sat back on her heels,feeling a moment of giddy relief. That was when she realized that he was staring. She waved a hand before his eyes. "How many fingers can you see?" "Four fingers and a thumb. Or should I say four beautiful,long,slender fingers and one perfect thumb,connected to one perfect arm of one perfectly gorgeous female? And,I'm happy to add,there's no ring on the third finger of that hand." She caught the smug little grin on his lips. Her tone hardened. "I get it. A showboat.I should have known.I don't have time to waste on some silver-tongued actor." "Why,thank you.I had no idea you'd examined my tongue.Mind if I examine yours?" She started to stand,but his hand shot out,catching her by the wrist. "Sorry.That was really cheesy, but I couldn't resist teasing you." His tone altered,deepened,just enough to have her glancing over to see if he was still teasing. He met her look. "Are you always this serious?" Despite his apology,she wasn't about to let him off the hook,or change her mind about him.
R.C. Ryan (Montana Destiny (McCords, 2))
The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.
Carl Safina (Beyond Words: What Animals Think and Feel)
Miryam,” Rhys continued, “was a half-Fae female born of a human mother. And as her mother was a slave, as the conception was … against her mother’s will, so, too, was Miryam born in shackles, and deemed human—denied any rights to her Fae heritage.” “Tell the full story another time,” Amren cut in. “The gist of it, girl,” she said to me, “is that Miryam was given as a wedding gift by the queen to her betrothed, a foreign Fae prince named Drakon. He was horrified, and let Miryam escape. Fearing the queen’s wrath, she fled through the desert, across the sea, into more desert … and was found by Jurian. She fell in with his rebel armies, became his lover, and was a healer amongst the warriors. Until a devastating battle found her tending to Jurian’s new Fae allies—including Prince Drakon. Turns out, Miryam had opened his eyes to the monster he planned to wed. He’d broken the engagement, allied his armies with the humans, and had been looking for the beautiful slave-girl for three years. Jurian had no idea that his new ally coveted his lover. He was too focused on winning the War, on destroying Amarantha in the North. As his obsession took over, he was blind to witnessing Miryam and Drakon falling in love behind his back.” “It wasn’t behind his back,” Mor snapped. “Miryam ended it with Jurian before she ever laid a finger on Drakon.” Amren shrugged. “Long story short, girl, when Jurian was slaughtered by Amarantha, and during the long centuries after, she told him what had happened to his lover. That she’d betrayed him for a Fae male. Everyone believed Miryam and Drakon perished while liberating her people from the Black Land at the end of the War—even Amarantha.” “And they didn’t,” I said. Rhys and Mor nodded. “It was all a way to escape, wasn’t it? To start over somewhere else, with both their peoples?” Another set of nods. “So why not show the queens that? You started to tell them—” “Because,” Rhys cut in, “in addition to it not proving a thing about my character, which seemed to be their biggest gripe, it would be a grave betrayal of our friends. Their only wish was to remain hidden—to live in peace with their peoples. They fought and bled and suffered enough for it. I will not bring them into this conflict.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
There are some women who see nothing wrong with misogyny. In fact, they see a man as a higher being in the social hierarchy than themselves. Yet, they wonder why things don't change in our society.
Mitta Xinindlu
Dane?” Shea asked, surprise in her voice.   The man paused then reached up and removed his goggles. The move made him seem even more unfamiliar, forcing his hair to stick straight up in tuffs. He peered closer at them, his face equally surprised.   “Shea! You’re alive.” He sounded excited and happy.   “Not just her,” Witt said, relaxing his stance but not yet putting his sword away.   “Witt, my friend!” Dane started to bound down the stairs but was brought up short by the rope around his waist. He turned and snapped, “Do you mind? I’m trying to greet people I thought were dead!”   “Keep your pants on,” an irate female voice growled back. “This isn’t the place for such things. You can do your happy dance when we get out.”   Shea arched an eyebrow at the second voice and bit back a grin as Dane turned back to them and let out a heavy sigh.   “Guess the reunion will have to wait. Grumpy britches back there will have a cow if we don’t get a move on.” Dane turned to walk up the stairs. “Follow us. They tell me the path has moved a bit since the last time you’ve been through, Shea.”   With that, the mist swallowed him again, though his voice echoed back to them as he argued with his companion.
T.A. White (Wayfarer's Keep (The Broken Lands, #3))
Specially in Nepal and Indian simultaneously in pure consciousness soul in UK, in Europe, America, Australia, Asia and few parts of Africa they tell a fable about Shreeom as a Vishnu that: There was once a great devotee of Dhurba who prayed night and day to see his God Shreeom Vishnu. The father and mother of Dhrub name are Uttanapad and Suniti respectively. The devotion is a lesson in surrendering all one's cares and worries to the Divine Shreeom Vishnu. King Uttanapada,the son of Manu had two wives, one named Suruchi who was very dear to him and the other, Suniti, to whom he was indifferent. helpless on account of the king’s neglect. One day Suniti’s son Dhruva saw Uttama, Suruchi’s son, sitting on the lap of the king, their father. When the king took up Dhurba on his lap, a jealous Suruchi severely abused the king. Dhruva went away heart-broken to his mother, who advised him that the one way to overcome the bad effects of one’s own past actions was to seek shelter at your feet. Hearing his mother’s words, Dhruva just five years old but highly sensitive and self-respecting, very faithful and devotion left the city, determined to devote himself to Vishnu Shreeom worship. He had an opportune meeting with Sage Narada and being instructed in Shreeom sacred name, then Dhurba entered the forest of Madhu, where he engaged himself in severe austerities in adoration and devotion of Shreeom. Finally because of such great devotion Shreeom appeared as a Vishnu and blessed Dhurba. Knowing this, Shreeom affectionately touched his cheek and his body with hand, was the seed of all sound and solving of all the problems of Dhruba. Shreeom had been provided all the necessary knowledge of the world to Dhurba . He then sang Shreeom Vishnu praise, having been purified and enlightened by Shreeom's touch. After many years Dhurba and his mother and father entered the region called Dhruva-loka and lived there joyfully even now as the Pole Star, the Dhruva Tara. That story is about thousands of years ago. Now again in this time Shreeom Vishnu is on earth as a human form with Sankha and Chakra and many Gods and Goddess, Brahmas, Devis, father's and mother's soul all the time, fortunate male and female divinity and Sadhus, Santas, Pandits, scientists and presidents and prime ministers of every nations, kings and queens, pure and Knowledgeable existence are with Shreeom.
Shreeom
Translated literally, Jesus replies, "I am, the (one) speaking to you" [John 4:26]. This word-for-word translation comes out awkwardly in English, so it's often broken up in our Bibles. But as New Testament scholar Craig Evans observes, Jesus's statement is "emphatic and unusual" in the original Greek as well. Smoothing it out in translation masks the fact that this is the first of Jesus's "I am" statements. ...This is the first time in John that Jesus explicitly declares he's the Messiah. And as he does so, Jesus makes an even more extraordinary claim. Each of Jesus's "I am" statements gives us fresh insight into who he is. At first, his words to the Samaritan woman seem like an exception. But if we look more closely, Jesus is giving us more insight about his identity when he says to the Samaritan woman, "I am, the (one) speaking to you." Jesus claims he's the Messiah and the one true covenant God. But he is also the one who is speaking to this sexually suspect, foreign woman. He could have just said "I am he!" But as we look at Jesus through this woman's eyes, we see him as the long-promised King and everlasting God, who chooses to converse with her.
Rebecca McLaughlin (Jesus through the Eyes of Women: How the First Female Disciples Help Us Know and Love the Lord)
The idea that women cannot be overt about their sexuality is rooted in sexist notions of female purity. The idea that Black women must be especially chaste to prove their worth and disprove centuries of propaganda against their sexuality is buying into racism and sexism and making the oppressed responsible for adapting to oppression—instead of demanding that society stop treating women’s sexual desires differently from those of men.
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
Baartman is often seen to symbolize the sexist and racist ways that Black women’s bodies and sexuality are perceived. Big Black bottoms have become synonymous with sex. Black female artists like Nicki Minaj are chastised for showcasing their considerable backsides in service for their own ends. Or they are disrespected: on a 2011 episode of Live with Regis and Kelly, Regis Philbin reached out and patted Minaj’s behind without her consent.8 Meanwhile, Black male artists—including Nelly, whose infamous “Tip Drill” video showed the artist swiping a credit card down the crack of a Black woman’s behind—and White female artists such as Lily Allen, who sings, in “Hard Out Here,” “Don’t need to shake my ass, cause I’ve got a brain” while flanked by Black women shaking their asses, are defended in the name of art … or irony … or … just lighten up. And nonfamous women and girls who happen to walk around in Black bodies every day? Cheryl Contee of Jack & Jill Politics asked five fellow panelists—Black women all—at a 2011 Netroots Nation conference whether they had ever been mistaken for prostitutes. Every hand on the panel went up. Her encounter, Contee says, happened as she left a dentist’s office with her mother following a root canal, looking “deeply unsexy.”9
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
Every morning I lit a candle, played batá music, and warmed up with a poem for Oshun, Orisha of female sensuality
Quiara Alegría Hudes (My Broken Language)
Apparently, it was all Ithan needed to see by as he launched himself over the rail and aimed for the male’s iced-over tub. He landed gracefully, balancing his feet on either side. A pound of his fist had the ice cracking. The male was convulsing, no doubt drowning without a functioning respirator. Ithan hauled him up, ripping the mask from his face. A long feeding tube followed. The male gagged and spasmed, but Ithan propped him over the rim, lest he slide back under. Leaping with that athletic grace, Ithan reached the tub in the middle, freeing the mystic within. Then on to the female in the third. The Astronomer was shrieking, but it seemed Ithan barely heard the words. The three mystics shook, soft cries trembling from their blue mouths. Bryce shook with them, and Tharion put a hand on her back. Something groaned below, and the lights sputtered back on. Metal whined. The floor began to rise, pulling toward the tubs again. The sun fixture descended from the ceiling as the Astronomer hobbled down the walkway, cursing. “You had no right to pull them out, no right—” “They would have drowned!” Bryce launched into motion, storming after the male. Tharion stalked a step behind her. The female stirred as the slate floor locked into place around the tubs. On reed-thin arms, she raised up her chest, blinking blearily at Ithan, then the room. “Back,” the mystic wheezed, her voice broken and raspy. Unused for years. Her dark eyes filled with pleading. “Send me back.” “The Prince of the Ravine was about to rip apart your friend’s soul,” Ithan said, kneeling before her. “Send me back!” she screamed, the words barely more than a hoarse screech. “Back!” Not to Hel, Bryce knew—not to the Prince of the Ravine. But into the watery, weightless existence. Ithan got to his feet, inching away.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The skull is not broken, or only a little, here. He doesn't actually know it's a female, but he wants it to be. Female and a mother, old, died of natural causes. And somewhere in the sea, her young, no longer young. Their young.
Elizabeth Graver (The End of the Point)
She could hear in all her memories that “voice of the suffering female” passed on from mothers to daughters in a chain broken only at great cost.
Joan Didion (The White Album)
syndrome In some cases, when stress is sudden and extreme, people can experience a “broken heart.” The medical term for this is takotsubo cardiomyopathy, as when the heart’s main chamber expands during the onset of the syndrome, it looks similar to a Japanese fishing pot called a takotsubo. This condition most often occurs in postmenopausal females and typically occurs following a major emotional stressor such as the death of a loved one, job loss, or a major natural disaster—cases of “broken heart syndrome” often spike following earthquakes. Thankfully, the condition is usually short-lived,
Paddy Barrett (Heart: An Owner's Guide (The Body Literacy Library))
If he knew anything about heterosexual females, he knew that Paul would be a solid 9.5, if not a full 10 for most of them, despite the face his nose had obviously been broken at some point. Or maybe because of the fact. Nothing like a little DANGER: KEEP OUT sign to get some girls scaling the walls.
Vicki Grant (36 Questions That Changed My Mind About You)
The stone eater at the core of the obelisk floats before her. It’s her first time being close to one. All the books say that stone eaters are neither male nor female, but this one resembles a slender young man formed of white-veined black marble, clothed in smooth robes of iridescent opal. Its—his?—limbs, marbled and polished, splay as if frozen in mid-fall. His head is flung back, his hair loose and curling behind him in a splash of translucence. The cracks spread over his skin and the stiff illusion of his clothing, into him, through him. Are you alright? she wonders, and she has no idea why she wonders it, even as she herself cracks apart. His flesh is so terribly fissured; she wants to hold her breath, lest she damage him further. But that is irrational, because she isn’t here and this isn’t real. She is on a street about to die, but this stone eater has been dead for an age of the world. The stone eater closes his mouth, opens his eyes, and lowers his head to look at her. “I’m fine,” he says. “Thank you for asking.” And then the obelisk shatters.
N.K. Jemisin (The Fifth Season (The Broken Earth #1))
Further Reading Atwood, Kathryn. Women Heroes of World War II (Chicago Review Press, 2011). Copeland, Jack. Colossus: The Secrets of Bletchley Park’s Code-Breaking Computers (Oxford University Press, 2010). Cragon, Harvey. From Fish to Colossus: How the German Lorenz Cipher was Broken at Bletchley Park (Cragon Books, 2003). Edsel, Robert. The Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History (Hachette Book Group, 2009). Eisner, Peter. The Freedom Line (William Morrow, 2004). Helm, Sarah. A Life in Secrets: The Story of Vera Atkins and the Lost Agents of SOE (Hachette UK Book Group, 2005). Hodges, Andrew. Alan Turing: The Enigma (Random House UK, 2014). Mazzeo, Tilar. The Hotel on Place Vendôme: Life, Death, and Betrayal at the Hotel Ritz in Paris (HarperCollins, 2015). Mulley, Clare. The Spy Who Loved: The Secrets and Lives of Christine Granville (St. Martin’s Press, 2012). O’Keefe, David. One Day in August: The Untold Story Behind Canada’s Tragedy at Dieppe (Knopf Canada, 2013). Pearson, Judith. The Wolves at the Door: The True Story of America’s Greatest Female Spy (Rowman & Littlefield, 2005). Ronald, Susan. Hitler’s Art Thief (St. Martin’s Press, 2015). Rosbottom, Ronald. When Paris Went Dark: The City of Light Under German Occupation 1940–1944 (Hachette Book Group, 2014). Sebba, Anne. Les Parisiennes: How the Women of Paris Lived, Loved, and Died Under Nazi Occupation (St. Martin’s Press, 2016). Stevenson, William. Spymistress: The Life of Vera Atkins, the Greatest Female Secret Agent of World War II (Arcade Publishing, 2007). Vaughan, Hal. Sleeping With the Enemy: Coco Chanel’s Secret War (Random House, Inc., 2011). Witherington Cornioley, Pearl; edited by Atwood, Kathryn. Code Name Pauline: Memoirs of a World War II Special Agent (Chicago Review Press, 2015). From the Combined Intelligence Objectives Subcommittee/Target Intelligence Committee (TICOM) Archives. NW32823—Demonstration of Kesselring’s “Fish Train” (TICOM/M-5, July 8, 1945).
Kelly Bowen (The Paris Apartment)
She looked at the broken pieces of glass that were reflecting the light like tiny prisms. “It’s hard to be brave when you don’t even know what you’re fighting against,” she confessed sincerely.
Layla Soreyne (Arya and the Guardians of Azhira)
Mel.” He pulls something out of his pocket. “I got this for you. It was blessed by a shaman. It’s for fertility.” He hands her a small wooden carving of the female form.
Sadie Kincaid (Broken (Manhattan Ruthless, #1))
Men are so easy. When broken down to their sexual urges, all are the same. I thank my lucky stars every day for being a female.
Samantha Love (Alternative Therapy (Femdom Erotica))
Crazy, insane, gorgeous human. I can’t believe Melody is here. It’s like something out of a dream. She looks amazing, too. The last time I saw her, she was skin and bones, all ribs and bruises. Now she’s filled out and she looks healthy and lovely…all the more reason she doesn’t need to get tangled up with me. I’m not a good male. She deserves better. I stalk away from the edge of the platform, my thoughts whirling, all of them focused around curling hair and a cheery smile. The way she lifted my hand to her mouth and kissed my knuckles as if she were paying homage to me… “Hey, Brux!” Jonnas jogs up to my side as I storm back to the crane I was working on. “Go away.” “You know that female?” He lifts his chin at me, a smirk on his face. “You buy a couple nights with her in some cantina or something? You think she’s still taking clients⁠—” I turn on him so quickly that he stumbles backward. “You do not speak to her,” I snarl. “You do not make eye contact. You do not even look in her direction.” He puts his hands up. “Okay, so she’s yours. I got it.” She’s not mine. She deserves better. She deserves a life without someone like me bothering her, weighing her down… “But we all heard her ask you for dinner. Why’d you turn her down if she’s your female?” “Go back to work,” I tell him, voice flat. And I go back to work myself, trying to concentrate on the dock plans and knowing that I’m going to fail miserably at everything today. I’m going to think about Melody, and that night five years ago. I’m going to think about how sweet her mouth was against mine, and how good her body felt, how soft and fragile she was… And what a mistake it was for us to end up in bed together. So yeah, I turned her down today. Melody deserves better than an ugly alien with no good family name, no credits to speak of, and a criminal history. She deserves better than someone who’s an outcast amongst his own, whose blood isn’t pure mesakkah but might have a bit of moden in it. She deserves better than a broken-horned laborer.
Ruby Dixon (When She's Handy (Risdaverse))
They used my name and permit to grow the weed and earn money to repay their debts and compensate their investors. To keep my girlfriend. To take her. I am uncertain if any of them have ever spent a minute in jail for any of these activities. Adam proudly showcases his new motorcycles on Instagram, posing on a hill above Barcelona. He also displays his brand new electric camper van, which they use to travel and transport drugs across Europe and Iberia, as well as his gigantic marijuana cultivation located in Portugal. People like Ruan and Martina admire his public images. I came across a picture of Ruan and Martina together in Berlin, where their mother Fernanda visited them. Martina became member of the Evil Eye Cult, and the custom made mafia group in Spain, which used her as a pawn in their porn and drug-related activities. She now operates as their representative in Berlin. Martina and I have lost the ability to genuinely smile. Her social media posts only show disinterest or a malicious demeanor. ‘A boot stomping on a human face.’ In a picture with her brother and mother, she puts on a forced fake “good vibe” and “happy” smile, revealing her flawless teeth and the subtle lines of aging. With each passing day, she bears a greater resemblance to her rich and so happy mother, the bad person. As far as I know, none of these individuals have faced consequences for their actions, such as having their teeth broken. As I had. Innocently. Taking care of business and their lives. With love. I find this to be incredibly unjust. In the 21st century. In Europe. On planet Earth. By non-EU criminals. “Matando – ganando” – “killing and gaining” like there were no Laws at all. Nowadays, you can observe Sabrina flaunting her fake lips and altered face, just like Martina her enhanced breasts. Guess who was paying for it? It seems that both girls now sustain themselves through their bodies and drug involvement, to this day, influencing criminals to gain friends in harming Tomas and having a lavish lifestyle filled with fun and mischief. Making a living. Enjoying Spain. Enjoying Life. My money. My tears. This is the situation as it stands. I was wondering what Salvador Dali was trying to tell me. I stood in front of the Lincoln portrait for a long time, but I couldn't grasp the point or the moral behind it. I can listen to Abraham Lincoln and ‘trust people. To see. If I can trust them.’ But he ultimately suffered a tragic fate, with his life being taken. (Got his head popped.) I believe there may have also been a female or two involved in that situation, too, possibly leading to his guards being let down. While he was watching: Acting performances, he was facing a: Stage. Theater. It is disheartening, considering he was a good person. Like Jesus, John Lennon and so on. Shows a pattern Machiavelli was talking about. Some individuals are too bright for those in darkness; they feel compelled to suppress those brighter minds simply because they think and act differently. Popping their heads. Reptilian lower brain-based culture, the concept of the Evil Eye, Homo erectus. He couldn't even stand up properly when I was shouting at him, urging him to stand up from the stairs. ‘Homo seditus reptilis.’ But what else was there in the Lincoln image that I didn't see? What was Dali trying to convey or express or tell me? Besides the fact that the woman is in his mind, on his mind, in the image, exactly, his head got popped open. Perhaps because he was focusing on a woman, trusting her for a split second, or turning his head away for a moment.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
She thought of Leftrin and tried to see him dispassionately. He was uncouth and unschooled. He told jokes at the table, and she’d seen him laugh so hard that tea spewed from his mouth, at a coarse jest from one of his sailors. He didn’t shave every day, nor wash as often as a gentleman should. The elbows of his shirts and the knees of his trousers were scuffed with work. The short nails of his wide hands were broken and rough. Where Hest was tall and lean and elegant, Leftrin was perhaps an inch taller than she was, wide shouldered and thick bodied. Her female friends in Bingtown would turn aside if a man like that spoke to them on the street. Then she thought of his gray eyes, gray as the river he loved, and her heart melted. She thought of the ruddy tops of his unshaven cheeks, and how his lips seemed redder and fuller than Hest’s sophisticated smile. She longed to kiss that mouth, to feel those calloused hands clasp her close. She missed sleeping in his bunk, missed the smell of him in the room and on the bedding. She wanted him as she’d never wanted anything or anyone before. At the thought of him, her body warmed even as tears filled her eyes. She sat up straight and dashed the useless water from her eyes. “Take what you can have, for the short time you can have it,” she counseled herself sternly.
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles, #1))
To peel back the layers of a candidate’s character, I suggest some additional steps: • Ask for permission to contact those who worked under the candidate in their prior two jobs. This would include assistant pastors, administrative assistants, ministry coordinators, and more. These individuals, if allowed to speak confidentially, would give significantly more accurate information about the candidate’s character. • Make sure to reach out to women at the candidate’s prior church, either a volunteer leader or female staff. In my experience, search committees almost never talk to women but only men—and only men handpicked by the candidate. That is a broken system. Women often have a radically different perspective on their church than the men do. • Ask for permission to speak to the elders of the candidate’s prior church, and not just the ones the candidate handpicks. Their evaluation of the pastor after his departure (confidentially, of course) would be enlightening.
Michael J. Kruger (Bully Pulpit: Confronting the Problem of Spiritual Abuse in the Church)
As we pass the mirror in the bedroom, my attention is drawn to the lovely couple in the reflection. There is a man, tall with broad shoulders. His red hair cut short. He has nothing but a towel on. In his arms is a female, slender but muscular. Her wheat colored hair is pulled back in a neat bun on top of her head. Both of their skin is smooth and flawless, a little paler than most, but still complete perfection. You can tell by the way the man holds her, he cares a lot for her. You can also tell that he is afraid of holding her too tight, not wanting to crush her smaller frame into his body. Looking at this young pair in the mirror, one can only wonder of all the possibilities. What led them to this place? What is in store for them? Will there be a happy ending?
Elle A. Rose (Broken Rules (The Chronicles of Amber Harris, #2))
Lydia displays her right hand and instantly bathed the room with a blinding light. It lasted only a moment before it drew back into her palm. “I can fix you if you’re ever broken.
Nathan Reese Maher
Enjoy all the female fripperies of fashionable Society, and leave a trail of broken hearts when you return to the wilds of Boston.” “Boston hasn’t any wilds, though Massachusetts does.” ... “Boston has you,” he said, a reluctant smile blossoming. “That should suffice to introduce a complement of savagery to the place.” “Yes.” Her chin came up, and she presented him a dazzling, toothy smile. “It most certainly should.
Grace Burrowes (The MacGregor's Lady (MacGregors, #3))
When insulin levels are elevated, the rate at which muscle proteins are broken down decreases. This, in turn, creates a more anabolic environment in which muscles can grow larger more quickly. DIETARY
Michael Matthews (Thinner Leaner Stronger: The Simple Science of Building the Ultimate Female Body)
Indeed, the prevalence of abortion among Protestant women (versus mostly immigrant Catholics) is widely considered by historians to be one of the main reasons that physicians, worried that immigrant Catholics were outreproducing their mainly Protestant social group, led the campaign to criminalize abortions in the late 1800s. Other reasons cited include an upsurge in belief among physicians that the embryo is human life with a full moral status throughout pregnancy, a reaction to the campaign for female equality, concerns about the safety of the abortion procedure, and an attempt to consolidate control of medical practice. Nevertheless,
Jonathan Dudley (Broken Words: The Abuse of Science and Faith in American Politics)
Can’t you tell I’m broken?” she demanded. “I can’t stand anyone touching me!” “You handled me touching you until I pushed you too far.” “Freaking out because someone you’re enjoying kissing tries to get closer to you is not normal.” “It wasn’t normal that I was turned into a vampire because a female vamp became obsessed with my best friend,” David replied. “When Liam didn’t follow after her, she decided to turn his friends in the hopes she would get him to fall in line with her. That’s about as far from normal as it gets. I didn’t have a clue about the paranormal being real when my transformation occurred. Vampires were for horror movies, not reality. Life’s not normal. Shit happens. We all work through it.” “Is that so, Dr. Phil?” The frustrating man smiled at her. “That’s so,” David replied.
Brenda K. Davies (Fractured (Vampire Awakenings, #6))
In its earliest uses, a catfight meant an actual physical altercation between women. One of the first citings of the term, according to the Oxford English Dictionary, was in 1854 by writer Benjamin G. Ferris to describe scuffles between Mormon wives in his book Utah and the Mormons: The History, Government, Doctrines, Customs, and Prospects of the Latter-day Saints. After he spent six months observing the community, Ferris wrote about the Mormon men practicing polygamy, or having more than one wife, and described the styles of the houses they lived in, which were designed in order to “keep the women . . . as much as possible, apart, and prevent those terrible cat-fights which sometimes occur, with all the accompaniments of Billingsgate [vulgar and coarse language], torn caps, and broken broom-sticks.
Kayleen Schaefer (Text Me When You Get Home: The Evolution and Triumph of Modern Female Friendship)
Not depending on external gentleness and kindliness, one of the fundamental differences between male and female personalities is that the former tends to 'break' the opposite sex, but the latter to be broken by him. Male and female brains are designed to get pleasure from that breaking and being broken, respectively, within some acceptable limits. The more self-confident and stubborn a woman, the more intense unconscious desire to be broken by some aggressive and chauvinistic male intervention once. Not depending on how she would like to have the air of self-assured confidence, nothing could prevent her from dreaming of getting a hidden pleasure from it.
Elmar Hussein
Is Taylor okay?” I asked anxiously, clutching the phone to my ear. “Please tell me she’s all right, Corbin. Please.” “She is well and resting comfortably,” he said soothingly. “In fact, she has already had a pint of blood and two cheeseburgers today. Apparently, though the bond between you is broken, the effects of the prophecy still hold true.” “Whose blood?” I asked, immediately jealous. I didn’t give a damn about the cheeseburgers, but the blood… “Who is she drinking from?” He sighed. “From Addison, unfortunately. I do not like it but my beloved consort will have it no other way.” “I don’t like it either,” I growled. I knew there was nothing but friendship between Taylor and her best friend but still… taking blood was a very sensual act. I wanted to feel Taylor’s fangs deep in my throat again, not hear that they were buried in someone else. “Come and feed her yourself, then,” Corbin said, making it sound like the easiest thing in the world. “I am certain she would like to see you.” “Right…” I said sarcastically. “I don’t think so, Corbin. I’m sure she’s seen enough.” “If you are referring to your beast—” “Hell, yes, that’s what I’m referring to,” I snarled. “She saw me at my worst. In my cursed form. You know that female weres won’t even associate with a cursed wolf? Let alone mate with one—they’re too afraid to pass the curse on to their offspring.” “Taylor is not a were,” he said softly. “But she is a not fully a vampire, either. She is something wholly new and different. However, there is one thing that I don’t believe has changed—the way she feels for you. Truly, you should come and see her.” “I don’t think so,” I said.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
The first eight female ATA pilots were only allowed to fly light aircraft which could be easily replaced ‘if broken by women’.
M.J. Foreman (Bomber Girls)
New sounds rustled through her anti-depressant haze; a gentle reverberation from the heart of the home... another creek... another thunk... rapid clicking like the wings of a broken cricket. Then, raindrops on metal... the escalating blare of a car horn... the scream of wet tires and the clink clink clink of showering glass.
Jake Vander-Ark (Fallout Dreams)
So what do you want?” St. Just asked quietly. Winnie looked away, reminding him poignantly of Emmie in the midst of difficult discussions. “What do you want, princess?” he asked again. “I want…” Winnie’s little shoulders heaved, and still St. Just waited. “I want Emmie to s-s-stay.” She hurled herself across the mattress, sending her writing implements flying in her haste to throw herself into St. Just’s arms. “Don’t let her go away, please,” Winnie wailed. “I’ll be good, just… Make her stay. You have to make her stay.” He wrapped her in his arms and held her while she cried, producing a handkerchief when the storm seemed to be subsiding. All the while he held her, he thought of Her Grace raising ten children, ten little hearts that potentially broke over every lost stuffed bear, dead pony, and broken toy. Ten stubborn little chins, ten complicated little minds, each as dear and deserving as the last, and all with intense little worlds of their own. Ye Gods. And what to say? Never lie to your men, St. Just admonished himself… “I don’t want her to go, either,” St. Just murmured when Winnie’s tears had quieted to sniffles. “But Emmie has her business to run, Win. She won’t go far, though, just back to the cottage, and we can visit her there a lot.” Like hell. “She isn’t going to the cottage,” Winnie replied with desperate conviction. “She’s going to marry Vicar and his brother will die and she’ll be rich, but far, far away. Cumbria is like another country, farther away than Scotland or France or anywhere.” “Hush,” St. Just soothed, fearing he was about to witness the youngest female crying jag of his experience. “Emmie hasn’t said anything to me, Winnie, and I think she’d let me know if she were going somewhere.” She had, however, told him to find another governess by Christmas at the latest. “She’s going,” Winnie said, heartsick misery in her tone. “I know it, but she’ll listen to you if you tell her to stay.” “I can’t tell her, Win.” St. Just rose to turn back the bedcovers. “I can only ask.” “Then ask her,” Winnie pleaded as she scooted between the sheets. “Please, you have to.” “I will ask her what her plans are, but that doesn’t affect your needing and deserving a governess. Understand?” When Winnie’s chin jutted, he dropped onto the bed and met her eyes. “We haven’t hired anybody yet, we haven’t even interviewed anybody yet, and we won’t expect you to tolerate anybody who isn’t acceptable to both Emmie and me, all right?” “I don’t want a governess,” Winnie said, but her tone was whimpery, miserable, and hopeless. “I understand that, and I only want you to have a governess you’re going to like, Winnie. All I’m asking is that you give somebody a chance to help you learn, whether Emmie’s here, back at the cottage, or married to the Vicar.” “I love Emmie,” Winnie said, reaching for Mrs. Bear. “I love Emmie, and I don’t want her to go, and I don’t want her to marry Vicar.” “Neither do I, princess.” St. Just blew out her candle. “Neither do I.” He
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Quincy ducked through a small alleyway between buildings and worked her confident way through the backstreets. The route was abundantly full of refuse bins, forgotten crates, and various laundry, hanging from back windows. Several cats, the local monarchy that Qunicy had long been acquainted with, were granting them passage while sitting atop the maze of half-broken fences. Quincy saluted a black female—the reigning queen—and passed through a slender passage between two buildings, leading them out onto Fair Street and its adjoining park in a manner of minutes.
Beth Brower (The Q)
The integrity of my body is undermined in pregnancy not only by this externality of the inside, but also by the fact that the boundaries of my body are themselves in flux. In pregnancy I literally do not have a firm sense of where my body ends and the world begins. My automatic body habits become dislodged; the continuity between my customary body and my body at this moment is broken. In pregnancy, my prepregnant body image does not entirely leave my movements and expectations, yet it is with the pregnant body that I must move. This is another instance of the doubling of the pregnant subject. I move as if I could squeeze around chairs and through crowds as I could seven months before, only to find my way blocked by my own body sticking out in front of me - but yet not me, since I did not expect it to block my passage. As I lean over in my chair to tie my shore, I am surprised by the graze of this hard belly on my thigh. I do not anticipate my body touching itself, for my habits retain the old sense of my boundaries. In the ambiguity of bodily touch, I feel myself being touched and touching simultaneously, both on my knee and my belly. The belly is other, since I did not expect it there, but since I feel the touch upon it, it is me.
Iris Marion Young (On Female Body Experience: "Throwing Like a Girl" and Other Essays (Studies in Feminist Philosophy))
she would indeed like to tell that kind of story, except that it requires a plot, “the absolute line between two points which [she’s] always despised. Not for literary reasons, but because it takes all hope away. Everyone, real or invented, deserves the open destiny of life.” What’s despicable about the absolute line between two points is its danger of becoming a single story. For Paley, there was no “defining” experience of women or Jews or New York or activists or the 1960s, or of one female Russian Jewish activist-writer in New York in 1965. There were stops and starts, inconsistencies, loyalties forged and broken, discordant voices. People made themselves up as they went along. In the meantime, there was daily life to endure.
Christopher Castellani (The Art of Perspective: Who Tells the Story (Art of...))