Female Rage Quotes

We've searched our database for all the quotes and captions related to Female Rage. Here they are! All 100 of them:

Think of all the women you know who will not allow themselves to be seen without makeup. I often wonder how they feel about themselves at night when they are climbing into bed with intimate partners. Are they overwhelmed with secret shame that someone sees them as they really are? Or do they sleep with rage that who they really are can be celebrated or cared for only in secret?
bell hooks (Communion: The Female Search for Love (Love Song to the Nation, #2))
Roman might have survived the Great Vampire War of 1710, but he was about to face an even worse terror. A mortal female in full rage.
Kerrelyn Sparks (How to Marry a Millionaire Vampire (Love at Stake, #1))
If art is not to be life-enhancing, what is it to be? Half the world is feminine--why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity (because they are not themselves at the center of creation, cannot bear children) that a woman writer of genius evokes murderous rage, must be brushed aside with a sneer as 'irrelevant'?
May Sarton (Journal of a Solitude)
So you love me," said Petra softly when the kiss ended. I'm a raging mass of hormones thet I'm too young to understand," said Bean. "You're a female of a closely related species. According to all the best primatologists, I really have no choice." That's nice," she said...
Orson Scott Card (Shadow Puppets (The Shadow Series, #3))
Xavier leaned forward. "Sarcasm aside, you don't need a guy like that, Elena. Maybe you think you do - only female werewolf and all that - but hell, I've seen what you can do - tied to a chair, up against a male werewolf. You can do that, you don't need some fucking psychopath like Clayton Danvers-" He stopped, noticing my gaze. "He's standing right behind me, isn't he?" Xavier muttered. "Uh-huh." Xaview tilted his head back, saw Clay, and disappeared. He reappeared on the opposite bench, pressed up against me. I looked over at him, eyebrow raised. He swore under his breath and teleported to the far end of the other bench. Then he stood and turned to Clay. "You must be-" "The fucking psychopath," Clay said. "Er, right, but I meant that in the most respectful way. Believe me, I have the utmost regard for, uh..." "Raging lunatics," I said. Xavier shot me a glare. "Oh sit down," I said. "He didn't bring his chain saw.
Kelley Armstrong
Broken people are the most dangerous...because they just don't give a fuck
Ashley Jade (Blame It on the Shame Part 2 (Blame It on the Shame #2))
A perfect writer would make words sing, dance, kiss, do the male and female act, bear children, weep, bleed, rage, stab, steal, fire cannon, steer ships, sack cities, charge with cavalry or infantry, or do anything that man or woman or the natural powers can do.
Walt Whitman
The Cyclops was about to roll the stone back into place, when from somewhere outside Annabeth shouted, "Hello, ugly!" Polyphemus stiffened. "Who said that?" "Nobody!" Annabeth yelled. That got exactl;y the reaction she'd been hoping for. The monster's face turned red with rage. "Nobody!" Polyphemus yelled back. "I remember you!" "You're too stupid to remember anybody," Annabeth taunted. "Much less Nobody." I hoped to the gods she was already moving when she said that, because Polyphemus bellowed furiously, grabbed the nearest boulder (which happened to be his front door) and threw it toward the sound of Annabeth's voice. I heard the rock smash into a thousand fragments. To a terrible moment, there was silence. Then Annabeth shouted, "You haven't learned to throw any better, either!" Polyphemus howled. "Come here! Let me kill you, Nobody!" "You can't kill Nobody, you stupid oaf," she taunted. "Come find me!" Polyphemus barreled down the hill toward her voice. Now, the "Nobody" thing would have confused anybody, but Annabeth had explained to me that it was the name Odysseus had used to trick Polyphemus centuries ago, right before he poked the Cyclops's eye out with a large hot stick. Annabeth had figured Polyphemus would still have a grudge about that name, and she was right. In his frenzy to find his old enemy, he forgot about resealing the cave entrance. Apparently, he did even stop to consider that Annabeth's voice was female, whereas the first Nobody had been male. On the other hand, he'd wanted to marry Grover, so he couldn't have been all that bright about the whole male/female thing. I just hoped Annabeth could stay alive and keep distracting him long enough for me to find Grover and Clarisse.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
He burst in the door like he'd expected to find us, and in that horrible moment, with him raging like a storm, I knew why Mason had called him a god. In the blink of an eye, he crossed the room and jerked Jesse up by his shirt, nearly holding the Moroi off the ground. "What's your name?" barked Dimitri. "J-Jesse, sir. Jesse Zeklos, sir." "Mr. Zeklos, do you have permission to be in this part of the dorm?" "No, sir." "Do you know the rules about male and female interactions around here?" "Yes, sir." "Then I suggest you get out of here as fast as you can before I turn you over to someone who will punish you accordingly. If I ever see you like this again -" Dimitri pointed to where I cowered, half dressed, on the couch. - "I will be the one to punish you. And it will hurt. A lot. Do you understand me?" Jesse swallowed, eyes wide. None of the bravado he usually showed was there. I guess there was 'usually' and then there was being held in the grip of a really ripped, really tall, and really pissed-off Russian guy. "Yes, sir." "Then go." Dimitri released him, and, if possible, Jesse got out of there faster than Dimitri had burst in. My mentor then turned to me, a dangerous glint in his eyes.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
HEROES?” I laughed. “Look at the world! There’s nothing heroic about it… No, this world could burn, for all I care… and so could everyone in it.
iLana Markarov (The Timekeeper's Secret (Timeless Fate #1))
The only solution for female anger is for her to stop being angry. And yet, when Jesus flipped tables in the temple, his rage was lauded. King David railing to the heavens to rain fire on his enemies is lauded as a man after God’s own heart. An angry man in cinema is Batman. An angry male musician is a member of Metallica. An angry male writer is Chekhov. An angry male politician is passionate, a revolutionary. He is a Donald Trump or a Bernie Sanders. The anger of men is a powerful enough tide to swing an election. But the anger of women? That has no place in government, so it has to flood the streets.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
Female rage is one of the scariest things you could possibly imagine.
Florence Welch
Need someone to rescue?” She interrupted him again, spitting her words out with all the rage, contempt, and anger she had bottled up inside. “I’m not a damsel in distress, and you sir, are no knight in shining double breasted, JC Penny!
Dennis Sharpe (Wednesday)
Before the war on drugs, the war on terror, or the war on cancer, there was the war on female sexual desire. It’s a war that has been raging far longer than any other, and its victims number well into the billions by now. Like the others, it’s a war that can never be won, as the declared enemy is a force of nature. We may as well declare war on the cycles of the moon.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Is it that time of the month?” Vlad asked. Some feeling blew through her. It might have been embarrassment, but she suspected it was closer to rage. “What?” He studied her. “Is that not an appropriate question to ask?” “No!” “Odd. In many novels I’ve read, human males often ask that question when a female is acting…” Puzzlement as he continued to study her face. “Although, now that I consider it, they usually don’t make that observation to the female herself.
Anne Bishop (Written in Red (The Others, #1))
This is what I saw, in the reflections of the tomb." She whispered it almost to herself, broken-voiced. "It's what the goddess dreamed, but I thought I could prevent it. I thought you would choose the world over yourself." "I'm far too selfish for that," Lore whispered.
Hannah F. Whitten (The Foxglove King (The Nightshade Crown, #1))
I was a woman who wasn’t going to take it anymore because I swear, I have taken so much already.
Priya Guns (Your Driver Is Waiting)
Most girls, however much they resent their mothers, do become very much like them. Rebellion can rarely survive the aversion therapy that passes for being brought up female. Male violence acts directly on the girl through her father or brother or uncle or any number of male professionals or strangers, as it did and does on her mother, and she too is forced to learn to conform in order to survive. A girl may, as she enters adulthood, repudiate the particular set of males with whom her mother is allied, run with a different pack as it were, but she will replicate her mother’s patterns in acquiescing to male authority within her own chosen set. Using both force and threat, men in all camps demand that women accept abuse in silence and shame, tie themselves to hearth and home with rope made of self-blame, unspoken rage, grief, and resentment.
Andrea Dworkin (Right-Wing Women)
Perhaps rage was an inextricable part of lesbian-feminism, because once these women analyzed the female's position in society they realized they had much to be furious about.
Lillian Faderman (Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America)
Andrea's breath hurt, but wit her fear came rage, a killing anger. They'd taken her mate A female defending her mate was the most fearsome of Shifters, and whoever had done this to Sean didn't yet know the meaning of terror.
Jennifer Ashley (Primal Bonds (Shifters Unbound, #2))
The famed MRS degree, because in practice, a female brain is worth nothing. Four lobes of the cerebrum, and I have sometimes imagined one of mine labeled RAGE.
Weike Wang (Joan Is Okay)
a compressed rage that had as its heart the female desire to survive all that sought to make her nothing.
Shelley Parker-Chan (She Who Became the Sun (The Radiant Emperor, #1))
Lady Rui's jaw was tight with the same intensity Zhu had glimpsed earlier: a compressed rage that had as its heart the female desire to survive all that sought to make her nothing.
Shelley Parker-Chan (She Who Became the Sun (The Radiant Emperor, #1))
One of the most astounding and telling features of the Women's March and the #MeToo movement is that they both illustrate how many angry women it takes to generate public response.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
The reasonableness of others and my own desire for tranquility got on my nerves. The breath built up in my throat, ready to vibrate with words of rage. I felt the need to quarrel, and in fact I quarreled first with our male friends, then with their wives or girlfriends, and finally I went on to clash with anyone, male or female, who tried to help me accept what was happening to my life.
Elena Ferrante (The Days of Abandonment)
They wanted their girls to be safe. To do what they had to do to conform, to defer, to survive, to grow up. They wanted their girls never to grow up. Never to stop burning. They wanted their girls to say fuck it, to see through the lies, to know their own strength. They wanted their girls to believe the things could be different this time, and they wanted it to be true. They wondered, sometimes, if they'd made a mistake. If it was dangerous, taming the wild, stealing away the words a girl might use to name her secret self. They wondered at the consequences of teaching a girl she was weak instead of warning her she was strong. They wondered, if knowing was power, what happened to power that refused to know itself; they wondered what happened that couldn't be satisfied, to pain that couldn't be felt, a rage that couldn't be spoken.
Robin Wasserman (Girls on Fire)
While it is positive for young black males and females to learn discipline and self-responsibility, those attitudes, values, and habits of being can be taught with pedagogical strategies that are liberatory, that do not rely on coercive control and punishment to reinforce positive behavior.
bell hooks (Killing Rage: Ending Racism)
Tribe life is not easy for anyone. But at least I was born female. I hate to think what my life would be like if I had not been." That made the dragon chuckle. "You don't hear that very often from Southlander women." "I do not know why," Elina answered honestly. "I would never want to be man. That cock hanging between your legs all day. You have no control of emotions. If we leave you to yourselves, you destroy without though; rage without reason; and attempt to fuck anything that wants you to leave them be.
G.A. Aiken (Light My Fire (Dragon Kin, #7))
He picked up the small painting of the frozen forest and examined it again. “I’ve had many lovers,” he admitted. “Females of noble birth, warriors, princesses …” Rage hit me, low and deep in the gut at the thought of them—rage at their titles, their undoubtedly good looks, at their closeness to him. “But they never understood. What it was like, what it is like, for me to care for my people, my lands. What scars are still there, what the bad days feel like.” That wrathful jealousy faded away like morning dew as he smiled at my painting. “This reminds me of it.” “Of what?” I breathed. He lowered the painting, looking right at me, right into me. “That I’m not alone.” I didn’t lock my bedroom door that night.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Reenvisioned, anger can be the most feminine of virtues: compassionate, fierce, wise, and powerful. The women I admire most... have all found ways to transform their anger into meaningful change. In them, anger has moved from deliberation to liberation.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
I don't know why I take the napkin. It's something my body does without checking with my head first, like the obligation to be nice to him is greater than myself.
Courtney Summers (All the Rage)
A female writer cannot afford to feel her life too clearly. If she does, she will write in a rage when she should write calmly.
Deborah Levy
Girls are cruelest to themselves.
Anne Carson (The Glass Essay)
White lady tears might seem to not be a big deal, but they are actually quite dangerous. When white women signal through their tears that they feel unsafe, misunderstood, or attacked, the whole world rises in their defense. The mythic nature of white female vulnerability compels protective impulses to arise in all men, regardless of race.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
In 2015 a sixth-grade girl named Madeline Messer analyzed the fifty most popular 'endless runner game' apps and found that 98 percent came with built-in boy characters, compared with only 46 percent that offered girl characters. The real kicker, however, was that in 90 percent of the games, the male characters were free, whereas 85 percent of the games charged extra for the ability to select a female character. This is a simple but telling example of the ways children learn to think that masculine = normal; male = standard; boys = human; and girls = have to pay.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Una donna può facilmente uccidere per strada, in mezzo alla folla, lo può fare più facilmente di un uomo. La sua violenza sembra un gioco, una parodia, un uso improprio e un po' ridicolo della determinazione maschile a fare il male.
Elena Ferrante (The Days of Abandonment)
They say nothing!" the little captain raged. "They only putrid gunner, ship engineer. I, Ba-Karkar, must speak for all!" Ogu kicked him again. "Then ask what kind help Asahel wants, untranslatable epithet male. Or no more untranslatable for you! Never again in putrid boomer prison." Her husband gave a choked gasp. "Cruel female!" "No more sex, either," she added.
Julian May (Orion Arm (Rampart Worlds, #2))
To put it in conclusion, sir, final girls are the vessel we keep all our hope in. Bad guys don't just die by themselves, I mean. Sometimes they need help in the form of a furie running at them, her mouth open in scream, her eyes white hot, her heart forever pure.
Stephen Graham Jones (My Heart Is a Chainsaw (The Indian Lake Trilogy, #1))
When a male senses his female is in real danger or distress, his Mori can go into what we call a rage.” “A rage?” Something Chris had said to me once came back to me. He’s worked himself into a bit of a rage . . . It’s a Mori thing . . . You’ll learn about that stuff soon.
Karen Lynch (Refuge (Relentless, #2))
But no matter how ferociously pitiable is the dried up graveyard, the sand and barrenness and the sluggish little stream have their own persistent individual damnation. The world is at least so constructed that its treasures may be damned each in a different manner and degree.
Mary MacLane (I Await the Devil's Coming)
[Myne] shouldn’t be enjoying the feeling of closeness, of holding someone who didn’t belong to him, but damn, this felt good. He didn’t get to be with females often, not when his bite caused excruciating pain, and he definitely didn’t get to save a life . . . ever. Nicole was depending on him in order to survive, and he began to shake with the magnitude of it all. Rike, he whispered to himself. If you come back and don’t mate this female before the next daybreak, I’ll kill you myself. Of course, that was if Riker didn’t kill him first for getting a raging erection for his female.
Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
There's some satisfaction in performing, reading the script, wearing the costume, after all. And on the other side of the satisfaction there is rage. The deep and exhausting rage of having fallen for a scam. Because when all is said and done, being beautiful only offers you a temporary haven. A pedestal to fall from.
Celine Saintclare (Sugar, Baby)
It is rage inducing to be told that we can do anything we put our minds to, when we work at companies and ministries where no one above middle management looks like us. It is rage inducing to know my body is being judged differently at every turn - when I am late to work, when I choose to eat lunch along, when I am expressing hurt or anger. I become either a stand-in for another Black female body - without distinction between our size, our hair, our color, our voices, our interests, our names, our personalities - or a stand-in for the worst stereotypes - sassy, disrespectful, uncontrollable, or childlike and in need of whiteness to protect me from my [Black] self.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
But the shrieking went on and on, primal, almost glad—this protest was righteous. I couldn’t make up my mind whether the baby was male or female; the only certainties were near baldness and incandescent rage. The kid didn’t like its blanket, or its rattle, or the lap it was sat on, or the world . . . the time had come to demand quality.
Helen Oyeyemi (Boy, Snow, Bird)
It is charged that pornography objectifies women: It converts them into sexual objects. Again, what does this mean? If taken literally, it means nothing at all because objects don't have sexuality; only human beings do. But the charge that pornography portrays women as "sexual beings" would not inspire rage and, so, it has no place in the anti-porn rhetoric.
Wendy McElroy (XXX: A Woman's Right to Pornography)
It takes a man to make a woman feel female, Jennifer thought, to make her feel beautiful, to make her feel wanted.
Sidney Sheldon (Rage of Angels)
Im going to let you rant, because I’m going to die soon anyway. I’ll die hearing this and I’ll die holding it in.
Jenny Zhang (My Baby First Birthday)
A blur? Hardly. She'd give anything for a blur.
Kat Elle (Epoch)
Every person who identifies female and has rage. I feel you, sister. This one’s for you.
Deanna Raybourn (Killers of a Certain Age)
Why isn't every woman a feminist? Feminism tells a tale of female injury, but the average woman in heterosexual intimacy knows that men are injured too, as indeed they are. She may be willing to grant, this average woman, that men in general have more power than women in general. This undoubted fact is merely a fact; it is abstract, while the man of flesh and blood who stands before her is concrete: His hurts are real, his fears palpable. And like those heroic doctors on the late show who work tirelessly through the epidemic even though they may be fainting from fatigue, the woman in intimacy may set her own needs to one side in order better to attend to his. She does this not because she is "chauvinized" or has "false consciousness," but because this is what the work requires. Indeed, she may even excuse the man's abuse of her, having glimpsed the great reservoir of pain and rage from which it issues. Here is a further gloss on the ethical disempowerment attendant upon women's caregiving: in such a situation, a woman may be tempted to collude in her own ill-treatment.
Sandra Lee Bartky (Femininity and Domination: Studies in the Phenomenology of Oppression (Thinking Gender))
Allegations that Medieval Studies is somehow hostile to women, or that it suppresses female voices, don’t hold water: today the field is dominated by female academics. Claims that Medieval Studies professors are just as backstabbing and careerist as those in the rest of the academy, however, would appear to be true. For every Julian of Norwich, there is a Countess Mahaut of Artois.
Milo Yiannopoulos (Middle Rages: Why the Battle for Medieval Studies Matters to America)
I'm supposed to feel bad that I'm better now? I'm supposed to cry over a little cut. To what? To make you feel like I'm not a monster. I need to perform my little bit of pain for you so you'll know I'm human?
Mona Awad (All's Well)
Whenever I was in the woods, on my own, I would have one ear pricked for the sound of approaching footsteps. I would always make sure that I knew what time sundown was, how to find the path back. I started to carry a pepper spray. I was full of impotent rage. When I saw men jogging through the trees I envied them their freedom, and this is in the full knowledge that men, too, can be attacked in quiet places. But the men I saw seemed to think they were invulnerable, just as I had on that summer day; the women, on the other hand, were more like me, all too aware of how “the great outdoors” can be a dangerous place for a lone female, even in broad daylight.
Sharon Blackie (If Women Rose Rooted: A Journey to Authenticity and Belonging)
The captain told me that large herds of seals used to inhabit these islands, but that English and American whalers, in their rage for destruction, had massacred the adult males and pregnant females, and left behind them the silence of death.
Jules Verne (Twenty Thousand Leagues Under the Sea)
Women may look harmless on the face, they said, but look at their snake hair and dog crotches and claws. Look at them crouched over a male victim, ready to bite. Beware their ambition, their ugliness, their insatiable hunger, their ferocious rage.
Jess Zimmerman (Women and Other Monsters: Building a New Mythology)
How? It’s obvious. You told me yourself, Lou is like your Bertha—she’s an automaton, playing her role, the same role, with me, with you, with one man after the other. The particular man is incidental. She seduced both of us in the same way, with the same female deviousness, the same guile, the same gestures, the same promises!” “And yet this automaton controls you. She dominates your mind: you worry about her opinion, you pine for her touch.” “No. No pining. No longer. What I feel now is rage.
Irvin D. Yalom (When Nietzsche Wept: A Novel Of Obsession)
How? It’s obvious. You told me yourself, Lou is like your Bertha—she’s an automaton, playing her role, the same role, with me, with you, with one man after the other. The particular man is incidental. She seduced both of us in the same way, with the same female deviousness, the same guile, the same gestures, the same promises!” “And yet this automaton controls you. She dominates your mind: you worry about her opinion, you pine for her touch.” “No. No pining. No longer. What I feel now is rage.” “At Lou
Irvin D. Yalom (When Nietzsche Wept: A Novel Of Obsession)
Over the months since she had joined them, he had seen her attitude toward him change until they had shared a rather specialized kind of friendship. He liked her; she liked him. Everything had been fine up to that point. Why couldn't she just leave it alone? Garion surmised that it probably had something to do with the inner workings of the female mind. As soon as a friendship passed a certain point - some obscure and secret boundary - a woman quite automatically became overwhelmed by a raging compulsion to complicate things.
David Eddings (Magician's Gambit (The Belgariad, #3))
This book is about how anger works for men in ways that it does not for women, how men like both Donald Trump and Bernie Sanders can wage yelling campaigns and be credited with understanding--and compellingly channeling--the rage felt by their supporters while their female opponents can be jeered and mocked as shrill for speaking too loudly of forcefully into a microphone.
Rebecca Traister (Good and Mad: The Revolutionary Power of Women's Anger)
She is fragile as the morning dew melting in the warmth of a child's smile; stirring at the lonely, lovely waft of a butterfly's wings; tender as the curve of a wildflower petal. She is fierce as a summer storm now raging against the fiery sky; now raining tears to soothe the sun-scorched earth. She is soft as a midnight breeze swaying to the sound of waves breaking on distant shores; whispering comfort to a world steeped in the dark night of inhumanity. She is brilliant as the rising Phoenix lifting the suffering from the ashes; her own suffering woven into wings of fire in the long watches of the night. She is serene and turbulent as the silvered water hiding currents unknown beneath the gentle gaze of a human who has walked a thousand miles and still has more to go.
L.R. Knost
Now, when I can bring myself to think of that time at all—another blackout, by beauty, of the cities of memory—my sadness can’t shake off the rage that follows it close behind. To whom do I petition for that lost year? How many inches in height did I lose from having calcium withheld from my bones, their osteoblasts struggling without nourishment to multiply? How many years sooner will a brittle spine bend my neck down? In the Kafkaesque departments of this bureau of hunger, which charged me guilty for a crime no more specific than inhabiting a female body, what door do I knock upon? Who is obliged to make reparations to me for the thought abandoned, the energy never found, the explorations never considered? Who owes me for the yearlong occupation of a mind at the time of its most urgent growth?
Naomi Wolf (The Beauty Myth)
In fact, throughout history, men as a class have always expressed their feelings, eloquently and extensively: Men have expressed their feelings about women, death, and absent fathers and turned those feelings into religions. Men have expressed their feelings about women, wealth, possession, and territory and turned those feelings into laws and nation-states. Men have expressed their feelings about women, murder, an the masculinity of other men and from those feelings forget battalions and detonable devices. Men have expressed their feelings about women, fucking, and female rage against subjection and formed those feelings into psychiatry. Men have institutionalized their feelings, so that whether or not a particular man is feeling the feeling at a particular time, the feeling is being expressed through the institutions men have made.
John Stoltenberg (Refusing to be a Man: Essays on Sex and Justice)
I give the side eye to any Black woman who doesn’t have other Black women friends, to any woman who is prone to talk about how she relates better to men than to women, to anyone who goes on and on about how she “doesn’t trust females.” If you say fuck the patriarchy but you don’t ride for other women, then it might be more true that the patriarchy has fucked you, seducing you with the belief that men care more about your well-being than women do.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
This is a cultural black hole. We do not take care of our women, especially our mothers. If a woman with a mood shift after birth actually admits to it, she finds herself under the catchall label postpartum depression. It is not always accurate. Some women weep. Some women rage. Some women go blank. Some women cannot shake anxiety. We are nuanced creatures. We don’t fit one category. Depression doesn’t always look like what we think depression looks like.
Molly Caro May (Body Full of Stars: Female Rage and My Passage into Motherhood)
As she crossed the defence team, Indrani saw Sesha sitting in a chair with his legs crossed and looking cool and composed. Mythili, who was by his side, was offering him coffee from a flask. As if they were in a cinema house waiting for the movie to resume after intermission. When everything pointed to an adverse verdict, how could he be so relaxed? He was typing something into his cell phone; perhaps tweeting. He had a massive following on Twitter. It ranged from simple appreciation for his administrative prowess to absolute fetish over everything about him—his trademark cotton pants and shirt, which had become a rage among his female fans, his Santro car, which had become a symbol of simplicity and his frugal dietary habits, which somehow raised him to a sainthood and absolved him of anything wicked. The more the mainstream media like TV and newspapers worked against him, the stronger was the support he got from his Twitter followers.
Hariharan Iyer (Surpanakha)
The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
Here and there a catcall followed her, but she was used to that. Barely one in a hundred University students was female, and while the ratio was somewhat redressed by visitors who didn’t actually attend the school, Old Street still felt like the eye of a raging storm of indiscriminate masculine humors. When she first came here, Raesinia had taken such things personally, but she’d since come to understand they were more of an automatic reaction, like dogs barking at one another when they meet in the park.
Django Wexler (The Shadow Throne (The Shadow Campaigns, #2))
We don’t need an invitation to be real. The truth is: we don’t need permission to own the power of what makes us unique, what makes us female. Your emotions, your tears or temper, your love and passion. Our emotions can be wild, untamed, and raging, as it can be loving, nurturing, and consoling. All are powerful feminine energies—that when harnessed and directed towards conscious action can be an unstoppable force. So this is your official authorization to awaken into your full-bodied, emotionally activated self. Passion and power included.
Emma Mildon (Evolution of Goddess: A Modern Girl's Guide to Activating Your Feminine Superpowers)
You have to stop letting me do this,” he bit off, half-angrily. “If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!” He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver. “That’s…new,” she said with a strained attempt at humor. “It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm. It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther. “What Colby gets is none of your business! You get out of my apartment!” she raged at him. She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do. “Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!” “That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.” She stared at him curiously, still shaken. “I don’t understand.” “You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.” He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.” He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.” “Can you?” he said softly. He searched her eyes. “In a weak moment…” “I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.” His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.” “You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
Diana Palmer (Paper Rose (Hutton & Co. #2))
He watched her small hand hike up her skirt, saw her reach under to cup her sex. Once her fingers were covered in slick, she met his eyes, smearing her hand down his neck, directly over the spot where he stank of his beloved. Gathering more of her wetness, Claire soaked the patch of his shirt until she could only smell herself. It was not good enough. Unable to comprehend anything beyond black rage, Claire clawed the fabric and ripped Shepherd’s shirt to threads. Her nose went back to his exposed chest and she let out the most threatening growl an Omega could make. If he was hushing her, or reprimanding, touching, or in shock, Claire was absolutely oblivious. Every fiber of her being demanded she stake claim, that she scratch her marks all over his body, that she leave a sign all other females would see. She left him bloody. Breathing hard, she reared up until eye level with the man. “Now you will fuck me, hard, in every way that pleases me. And when it is done, you will get me food, because I’m fucking hungry!” He was on her with such force the breath was knocked from her body. Shepherd did exactly as his mate demanded, pounding into her with a fury that set her howling amidst their shredded clothing. In Shepherd’s experience, there had never been a coupling like it.
Addison Cain (Reborn (Alpha's Claim, #3))
This Goddess Metaphor, this Wisdom tradition, is about recognizing the Power within each being, and making the Hera’s journey, taking it for ourselves – female and male, all beings. This is empowerment – as opposed to a worldview that says some have this sentience and some don’t. It is the difference between Kali, who is an agent of Creativity – Creator – who may rage and act, and Eve who is guilty and answers to a Creator outside of herself. In Goddess cosmology, I “participate directly in the cosmos-creating endeavour”, as Swimme puts it when speaking of the autopoietic aspect of Cosmogenesis. I am not a passive recipient or bystander.
Glenys Livingstone
Human beings tend to forget what is painful or dangerous. Like sons, daughters were once completely dependent on a female caretaker. Perhaps remembering any conflict with another woman might remind a woman of a primary dependence so total that to have even once contemplated losing it was to contemplate death. Perhaps an infant or a child imagines—or has actually experienced—terror and deprivation at female hands. Perhaps one’s mother or female caregiver was largely absent or malevolently present, over-critical, subject to rages. According to some psychoanalytic theorists, daughters, perhaps even more than sons, respond to perceived and real maternal anger with “guilt.
Phyllis Chesler (Woman's Inhumanity to Woman)
More politically, Medusa has become shorthand for a particular brand of strong female agency perceived as aggressive or ‘unladylike’. Marie Antoinette was depicted with snake-like hair in French seventeenth-century cartoons, while in the early twentieth century, anti-suffragette postcards likened the protesters to the monster. During the 2016 American election campaign, the image of Hillary Clinton’s snake-bedecked, raging head being cut off by her Republican rival Donald Trump – compared to Perseus – appeared on unofficial merchandise. Similarly, another strong female leader, German chancellor Angela Merkel, has found herself depicted as a Gorgon. These portrayals reinforce a millennia-old message from men to women: keep your mouth shut or we’ll shut it for you.
Kate Hodges (Warriors, Witches, Women: Mythology's Fiercest Females)
The older a woman got, the more diligent she had to become about not burdening men with the gory details of her past, lest she scare them off. That was the name of the game: Don’t Scare the Men. Those who encouraged you to indulge in your impulse to share, largely did so to expedite a bus. Like I felt the wind of the bus. I could even see a couple of the passengers, all shaken by a potential suicide. And out of nowhere, the guy rushes over, yanks me toward him, and escorts me out of the street.” “The birthday boy?” “No, different guy. You all start to look the same after a while, you know that? Anyway, we were both so high on adrenaline, we couldn’t stop laughing the whole night. Then he asked me out. Now one of our jokes is about that time I flung myself into traffic to avoid him.” “You were in shock.” “No, I wasn’t.” “Why isn’t the joke that he saved your life?” “I don’t know, Amos,” I said, folding my fingers together. “Maybe we’re both waiting for the day I turn around and say, ‘That’s right, asshole, I did fling myself into traffic to avoid you.’ I’m joking.” “Are you?” “Am I?” I mimicked him. “Should the day come when you manage to face-plant yourself into a relationship, you’ll find there are certain fragile truths every couple has. Sometimes I’m uncomfortable with the power, knowing I could break us up if I wanted. Other times, I want to blow it up just because it’s there. But then the feeling passes.” “That’s bleak.” “To you, it is. But I’m not like you. I don’t need to escape every room I’m in.” “But you are like me. You think you want monogamy, but you probably don’t if you dated me.” “You’re faulting me for liking you now?” “All I’m saying is you can’t just will yourself into being satisfied with this guy.” “Watch me,” I said, trying to burn a hole in his face. “If it were me, the party would have been our first date and it never would have ended.” “Oh, yes it would have,” I said, laughing. “The date would have lasted one week, but the whole relationship would have lasted one month.” “Yeah,” he said, “you’re right.” “I know I’m right.” “It wouldn’t have lasted.” “This is what I’m saying.” “Because if I were this dude, I would have left you by now.” Before I could say anything, Amos excused himself to pee. On the bathroom door was a black and gold sticker in the shape of a man. I felt a rage rise up all the way to my eyeballs, thinking of how naturally Amos associated himself with that sticker, thinking of him aligning himself with every powerful, brilliant, thoughtful man who has gone through that door as well as every stupid, entitled, and cruel one, effortlessly merging with a class of people for whom the world was built. I took my phone out, opening the virtual cuckoo clocks, trying to be somewhere else. I was confronted with a slideshow of a female friend’s dead houseplants, meant to symbolize inadequacy within reason. Amos didn’t have a clue what it was like to be a woman in New York, unsure if she’s with the right person. Even if I did want to up and leave Boots, dating was not a taste I’d acquired. The older a woman got, the more diligent she had to become about not burdening men with the gory details of her past, lest she scare them off. That was the name of the game: Don’t Scare the Men. Those who encouraged you to indulge in your impulse to share, largely did so to expedite a decision. They knew they were on trial too, but our courtrooms had more lenient judges.
Sloane Crosley (Cult Classic)
Tate was sprawled across the bed in his robe early the next morning when the sound of the front door opening penetrated his mind. There was an unholy commotion out there and his head was still throbbing, despite a bath, several cups of coffee and a handful of aspirin that had been forced on him the day before by two men he’d thought were his friends. He didn’t want to sober up. He only wanted to forget that Cecily didn’t want him anymore. He dragged himself off the bed and went into the living room, just in time to hear the door close. Cecily and her suitcase were standing with mutual rigidity just inside the front door. She was wearing a dress and boots and a coat and hat, red-faced and muttering words Tate had never heard her use before. He scowled. “How did you get here?” he asked. “Your boss brought me!” she raged. “He and that turncoat Colby Lane and two bodyguards, one of whom was the female counterpart of Ivan the Terrible! They forcibly dressed me and packed me and flew me up here on Mr. Hutton’s Learjet! When I refused to get out of the car, the male bodyguard swept me up and carried me here! I am going to kill people as soon as I get my breath and my wits back, and I am starting with you!” He leaned against the wall, still bleary-eyed and only half awake. She was beautiful with her body gently swollen and her lips pouting and her green eye sin their big-lensed frames glittering at him. She registered after a minute that he wasn’t himself. “What’s the matter with you?” she asked abruptly. He didn’t answer. He put a hand to his head. “You’re drunk!” she exclaimed in shock. “I have been,” he replied in a subdued tone. “For about a week, I think. Pierce and Colby got my landlord to let them in yesterday.” She smiled dimly. “I’d made some threats about what I’d do if he ever let anybody else into my apartment, after he let Audrey in the last time. I guess he believed them, because Colby had to flash his company ID to get in.” He chuckled weakly. “Nothing intimidates the masses like a CIA badge, even if it isn’t current.” “You’ve been drunk?” She moved a little closer into the apartment. “But, Tate, you don’t…you don’t drink,” she said. “I do now. The mother of my child won’t marry me,” he said simply. “I said you could have access…” His black eyes slid over her body like caressing hands. He’d missed her unbearably. Just the sight of her was calming now. “So you did.” Why did the feel guilty, for God’s sake, she wondered. She tried to recapture her former outrage. “I’ve been kidnapped!” “Apparently. Don’t look at me. Until today, I was too stoned to lift my head.” He looked around. “I guess they threw out the beer cans and the pizza boxes,” he murmured. “Pity. I think there was a slice of pizza left.” He sighed. “I’m hungry. I haven’t eaten since yesterday.” “Yesterday!
Diana Palmer (Paper Rose (Hutton & Co. #2))
Rhys shut the door and went to a small box on the desk- then silently handed it to me. My heart thundered as I opened the lid. The star sapphire gleamed in the candlelight, as if it were one of the Starfall spirits trapped in stone. 'Your mother's ring?' 'My mother gave me that ring to remind me she was always with me, even during the worst of my training. And when I reached my majority, she took it away. It was an heirloom of her family- had been handed down from female to female over many, many years. My sister wasn't yet born, so she wouldn't have known to give it to her, but... My mother gave it to the Weaver. And then she told me that if I were to marry or mate, then the female would either have to be smart or strong enough to get it back. And if the female wasn't either of those things, then she wouldn't survive the marriage. I promised my mother that any potential bride or mate would have the test... And so it sat there for centuries.' My face heated. 'You said this was something of value-' 'It is. To me, and my family.' 'So my trip to the Weaver-' 'It was vital that we learn if you could detect those objects. But... I picked the object out of pure selfishness.' 'So I won my wedding ring without even being asked if I wanted to marry you.' 'Perhaps.' I cocked my head. 'Do- do you want me to wear it?' 'Only if you want to.' 'When we go to Hybern... Let's say things go badly. Will anyone be able to tell that we're mated? Could they use that against you?' Rage flickered in his eyes. 'If they see us together and can scent us both, they'll know.' 'And if I show up alone, wearing a Night Court wedding ring-' He snarled softly. I closed the box, leaving the ring inside. 'After we nullify the Cauldron, I want to do it all. Get the bond declared, get married, throw a stupid party and invite everyone in Velaris- all of it.' Rhys took the box from my hands and set it down on the nightstand before herding me toward the bed. 'And if I wanted to go one step beyond that?' 'I'm listening,' I purred as he laid me on the sheets.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Dream House as Fantasy Fantasy is, I think, the defining cliché of female queerness. No wonder we joke about U-Hauls on the second date. To find desire, love, everyday joy without men’s accompanying bullshit is a pretty decent working definition of paradise. The literature of queer domestic abuse is lousy with references to this(27) punctured(28) dream(29), which proves to be as much a violation as a black eye, a sprained wrist. Even the enduring symbol of queerness—the rainbow—is a promise not to repeat an act of supreme violence by a capricious and rageful god: I won’t flood the whole world again. It was a one-time thing, I swear. Do you trust me? (And, later, a threat: the next time, motherfuckers, it’ll be fire.) Acknowledging the insufficiency of this idealism is nearly as painful as acknowledging that we’re the same as straight folks in this regard: we’re in the muck like everyone else. All of this fantasy is an act of supreme optimism, or, if you’re feeling less charitable, arrogance. Maybe this will change someday. Maybe, when queerness is so normal and accepted that finding it will feel less like entering paradise and more like the claiming of your own body: imperfect, but yours. --- 27. “I go to sleep at night in the arms of my lover dreaming of lesbian paradise. What a nightmare, then, to open my eyes to the reality of lesbian battering. It feels like a nightmare trying to talk about it, like a fog that tightens the chest and closes the throat…. We are so good at celebrating our love. It is so hard for us to hear that some lesbians live, not in paradise, but in a hell of fear and violence” (Lisa Shapiro, commentary in Off Our Backs, 1991). 28. “What will it do to our utopian dyke dreams to admit the existence of this violence?” (Amy Edgington, from an account of the first Lesbian Battering Conference held in Little Rock, AR, in 1988). 29. From a review of Behind the Curtains, a 1987 play about lesbian abuse: “By writing the play [and] by portraying both joy and pain in our lives, [Margaret Nash rejects the] almost reflex assumption that lesbians have surpassed the society from which we were born and, having come out, now exist in some mystical utopia” (Tracey MacDonald, Off Our Backs, 1987).
Carmen Maria Machado (In the Dream House)
In 1965, when Senator Daniel Patrick Moynihan argued that Black communities were caught in a tangle of pathology because our communities had a disproportionate number of female-led households, his conclusions had both affective and social dimensions. His 1965 report, “The Negro Family: The Case for National Action” offered social and political recommendations focused on ways to help Black men become breadwinners again, so they could assume their “rightful” place at the head of Black families. But the affective goal of his infamous Moynihan Report was to shame Black women for the very mundane magic involved in our making a way out of no way. That shame persists well into the twenty-first century, when more than 70 percent of Black households are female-led. Black women have proportionally higher rates of abortion than any other group. There is no shame in having an abortion. I consider the right to choose the conditions under which one becomes a parent to be one of the most important social values. But I believe that decades of discourse about poor Black women and unwed Black mothers being “welfare queens,” who unfairly take more from the system than they put in, has shamed many Black women into not bearing children that they otherwise might consider having. The idea that only middle-class, straight, married women deserve to start families is both racist and patriarchal.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
John Quincy Adams on Islam: “In the seventh century of the Christian era, a wandering Arab of the lineage of Hagar [i.e., Muhammad], the Egyptian, combining the powers of transcendent genius, with the preternatural energy of a fanatic, and the fraudulent spirit of an impostor, proclaimed himself as a messenger from Heaven, and spread desolation and delusion over an extensive portion of the earth. Adopting from the sublime conception of the Mosaic law, the doctrine of one omnipotent God; he connected indissolubly with it, the audacious falsehood, that he was himself his prophet and apostle. Adopting from the new Revelation of Jesus, the faith and hope of immortal life, and of future retribution, he humbled it to the dust by adapting all the rewards and sanctions of his religion to the gratification of the sexual passion. He poisoned the sources of human felicity at the fountain, by degrading the condition of the female sex, and the allowance of polygamy; and he declared undistinguishing and exterminating war, as a part of his religion, against all the rest of mankind. THE ESSENCE OF HIS DOCTRINE WAS VIOLENCE AND LUST: TO EXALT THE BRUTAL OVER THE SPIRITUAL PART OF HUMAN NATURE…. Between these two religions, thus contrasted in their characters, a war of twelve hundred years has already raged. The war is yet flagrant…While the merciless and dissolute dogmas of the false prophet shall furnish motives to human action, there can never be peace upon earth, and good will towards men.” (Emphasis in the original)
Robert Spencer (The Politically Incorrect Guide to Islam (and the Crusades))
In case you haven't noticed,rodeos are a serious business.Careless cowboys tend to break bones,or even their skulls,as hard as that may be to believe." She stared down at the hand holding her wrist. Despite his smile,she could feel the strength in his grip. If he wanted to,he could no doubt break her bone with a single snap. But she wasn't concerned with his strength,only with the heat his touch was generating. She felt the tingle of warmth all the way up her arm.It alarmed her more than she cared to admit. "My job is to minimize damage to anyone who is actually hurt." "I'm grateful." He sat up so his laughing blue eyes were even with hers. If possible,his were even bluer than the perfect Montana sky above them. "What do you think? Any damage from that fall?" Her instinct was to move back,but his fingers were still around her wrist,holding her close. "I'm beginning to wonder if you were actually tossed from that bull or deliberately fell." "I'd have to be a little bit crazy to deliberately fell." "I'd have to be a little bit crazy to deliberately jump from the back of a raging bull just to get your attention, wouldn't I?" "Yeah." She felt the pull of that magnetic smile that had so many of the local females lusting after Wyatt McCord. Now she knew why he'd gained such a reputation in such a short time. "I'm beginning to think maybe you are. In fact,more than a little.A whole lot crazy." "I figured it was the best possible way to get you to actually talk to me. You couldn't ignore me as long as there was even the slightest chance that I might be hurt." There was enough romance in her nature to feel flattered that he'd go to so much trouble to arrange to meet her. At least,she thought,it was original. And just dangerous enough to appeal to a certain wild-and-free spirit that dominated her own life. Then her practical side kicked in, and she felt an irrational sense of annoyance that he'd wasted so much of her time and energy on his weird idea of a joke. "Oh,brother." She scrambled to her feet and dusted off her backside. "Want me to do that for you?" She paused and shot him a look guaranteed to freeze most men. He merely kept that charming smile in place. "Mind if we start over?" He held out his hand. "Wyatt McCord." "I know who you are." "Okay.I'll handle both introductions. Nice to meet you,Marilee Trainor. Now that we have that out of the way,when do you get off work?" "Not until the last bull rider has finished." "Want to grab a bite to eat? When the last rider is done,of course." "Sorry.I'll be heading home." "Why,thanks for the invitation.I'd be happy to join you.We could take along some pizza from one of the vendors." She looked him up and down. "I go home alone." "Sorry to hear that." There was that grin again,doing strange things to her heart. "You're missing out on a really fun evening." "You have a high opinion of yourself, McCord." He chuckled.Without warning he touched a finger to her lips. "Trust me.I'd do my best to turn that pretty little frown into an even prettier smile." Marilee couldn't believe the feelings that collided along her spine. Splinters of fire and ice had her fighting to keep from shivering despite the broiling sun. Because she didn't trust her voice, she merely turned on her heel and walked away from him. It was harder to do than she'd expected. And though she kept her spine rigid and her head high, she swore she could feel the heat of that gaze burning right through her flesh. It sent one more furnace blast rushing through her system. A system already overheated by her encounter with the bold, brash,irritatingly charming Wyatt McCord.
R.C. Ryan (Montana Destiny)
Matthew knew it was wrong the instant their lips met. Because nothing would ever equal the perfection of Daisy in his arms. He was ruined for life. God help him, he didn’t care. Her mouth was soft and hot, like sunshine, like the white blaze of a heartwood fire. She gasped as he touched her lower lip with the tip of his tongue. Slowly her hands came to his shoulders, and then he felt her fingers at the back of his head, sliding into his hair to keep him from pulling away. There wasn’t a chance in hell of that happening. Nothing could have made him stop. A tremor shook his fingers as he bracketed the exquisite line of her jaw in the open framework of his hand, gently angling her face upward. The flavor of her mouth, sweet and elusive, fueled a hunger that threatened to rage out of control… he searched the damp silk beyond her lips, deeper, harder, until she began to breathe in long sighs, her body molding against his. He let her feel how much stronger he was, how much heavier, one muscular arm clamped along her back, his feet spread to hold her between the powerful length of his thighs. Her upper half was bound in a laced and padded corset. He was almost overcome by a savage desire to tear away the stays and quilting and find the tender flesh beneath. Instead he sank his fingers into her pinned-up hair and tugged it backward until the weight of her head was cradled in his hand, and her pale throat was exposed. He searched for the pulse he had seen earlier, his lips dragging softly along the secret pathway of nerves beneath her skin. When he reached a senstive spot, he felt the vibration of her suppressed moan against his mouth. This was what it would be like to make love to her, he thought dazedly… the sweet shivering of her flesh as he entered her, the delicate chaos of her breath, the helpless sounds that rustled in her throat. Her skin, warm and female, scented like tea and talcum and a trace of salt. He found her mouth again, opened it, delving into wet silk, heat, and an intimate flavor that drove him mad. She should have struggled, but there was only yielding and more softness, driving him past all limits. He began to ravish her mouth with deep, twisting kisses, bringing her body rhythmically against his. He felt her legs part beneath her gown, his thigh fitting neatly between them. She squirmed with innocent desire, her face blooming with the color of late summer poppies. Had she understood exactly what he wanted from her, she would have done more than blush. She would have fainted on the spot. Lifting his mouth from hers, Matthew pressed his jaw against the side of her head. “I think,” he said raggedly, “this puts to rest any question of whether I find you desirable or not.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Reaching the door of his mother’s apartments, Marcus found it locked. He rattled the handle violently. “Open it,” he bellowed. “Open it now!” Silence, and then a maid’s frightened reply from within. “Milord… the countess bade me to tell you that she is resting.” “I’ll send her to her eternal fucking rest,” Marcus roared, “if this door isn’t opened now.” “Milord, please—” He drew back three or four paces and hurled himself against the door, which shook on its hinges and partially gave with a splintering sound. There were fearful cries in the hallway from a pair of female guests who happened to witness the astonishing display of raging frenzy. “Dear God,” one exclaimed to the other, “he’s gone berserk!” Marcus drew back again and lunged at the door, this time sending chunks of paneling flying. He felt Simon Hunt’s hands grasp him from behind, and he whirled with his fist drawn back, ready to launch an attack on all fronts. “Jesus,” Hunt muttered, retreating a step or two with his hands raised in a defensive gesture. His face was taut and his eyes were wide, and he stared at Marcus as if he were a stranger. “Westcliff—” “Stay the hell out of my way!” “Gladly. But let me point out that if our positions were reversed, you would be the first to tell me to keep a cool—” Ignoring him, Marcus swerved back to the door and targeted the disjointed lock with a powerful, accurately aimed blow of his boot heel. The housemaid’s scream shot through the doorway as the ruined portal swung open. Bursting into the receiving room, Marcus charged toward the bedchamber, where the countess sat in a chair by a small hearth fire. Fully dressed and swathed in ropes of pearls, she stared at him with amused disdain. Breathing heavily, Marcus advanced on her with bloodlust racing through his veins. It was certain that the countess had no idea that she was in mortal danger, or she would not have received him so calmly. “Full of animal spirits today, are we?” she asked. “Your descent from gentleman to savage brute has been accomplished so very quickly. I must offer Miss Bowman my compliments on her efficacy.” “What have you done with her?” “Done with her?” Her expression taunted him with its innocent perplexity. “What the devil do you mean, Westcliff?” “You met with her at Butterfly Court this morning.” “I never walk that far from the manor,” the countess said haughtily. “What a ridiculous asser—” She let out a strident cry as Marcus seized her, his fingers wrapping around the pearl ropes and tightening them around her throat. “Tell me where she is, or I’ll snap your neck like a wishbone!” Simon Hunt seized him from behind once more, determined to prevent a murder from occurring. “Westcliff!” Marcus closed his hand in a harder grip around the pearls. He glared without blinking into his mother’s face, not missing the flicker of vindictive triumph that lurked in her eyes. He did not take his gaze from hers even as he heard his sister Livia’s voice. “Marcus,” she said urgently. “Marcus, listen to me! You have my permission to throttle her later. I’ll even help. But at least wait until we’ve found out what she’s done.” Marcus tightened the tension of the pearls until the elderly woman’s eyes seemed to protrude from their shallow sockets. “Your only value to me,” he said in a low tone, “is your knowledge of Lillian Bowman’s whereabouts. If I can’t obtain that from you, I’ll send you to the devil. Tell me, or I’ll choke it from you. And believe that I have enough of my father in me to do it without a second thought.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Being able at last to see the ‘adult’ Gina Lollobrigida or Marilyn Monroe films did little to calm the raging need males of that age—or of any age—feel for female companionship. Those were the days before prudery became fashionable and much before the moral police had begun flexing their biceps in India. Playboy magazine could be found in bookstores, nestling between copies of the Illustrated Weekly of India and Woman & Home. While
Anonymous
With heightened focus on the construction of woman as a "victim" of gender equality deserving reparations (whether through changes in discriminatory laws or affirmative action policies) the idea that owmen need to first confront their internalized sexism as part of becoming feminist lost currency. Females of all ages acted as though concern for or rage at male domination or gneder equality was all that was needed to make one a "feminist." Without confronting internalized sexism women who picked up the feminist banner often betrayed the cause in their interactions with other women.
bell hooks
The Cyclops was about to roll the stone back into place, when from somewhere outside Annabeth shouted, “Hello, ugly!” Polyphemus stiffened. “Who said that?” “Nobody!” Annabeth yelled. That got exactly the reaction she’d been hoping for. The monster’s face turned red with rage. “Nobody!” Polyphemus yelled back. “I remember you!” “You’re too stupid to remember anybody,” Annabeth taunted. “Much less Nobody.” I hoped to the gods she was already moving when she said that, because Polyphemus bellowed furiously, grabbed the nearest boulder (which happened to be his front door) and threw it toward the sound of Annabeth’s voice. I heard the rock smash into a thousand fragments. For a terrible moment, there was silence. Then Annabeth shouted, “You haven’t learned to throw any better, either!” Polyphemus howled. “Come here! Let me kill you, Nobody!” “You can’t kill Nobody, you stupid oaf,” she taunted. “Come find me!” Polyphemus barreled down the hill toward her voice. Now, the “Nobody” thing wouldn’t have made sense to anybody, but Annabeth had explained to me that it was the name Odysseus had used to trick Polyphemus centuries ago, right before he poked the Cyclops’s eye out with a large hot stick. Annabeth had figured Polyphemus would still have a grudge about that name, and she was right. In his frenzy to find his old enemy, he forgot about resealing the cave entrance. Apparently, he didn’t even stop to consider that Annabeth’s voice was female, whereas the first Nobody had been male. On the other hand, he’d wanted to marry Grover, so he couldn’t have been all that bright about the whole male/female thing.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
There were pack dynamics here and Order instincts raging too. Lions and Wolves weren’t so different in their polyamorous ways, but Wolf mates didn’t usually do the sharing thing once they found each other, and Lions usually took on a pride of females not males. So it was all a bit complicated when it came to their fluffy Order ways.
Caroline Peckham (Feral Wolf (Darkmore Penitentiary, #3))
He picked up the small painting of the frozen forest and examined it again. 'I've had many lovers,' he admitted. 'Females of noble birth, warriors, princesses...' Rage hit me, low and deep in the gut at the thought of them- rage at their titles, their undoubtedly good looks, at their closeness to him. 'But they never understood. What it was like, what it is like, for me to care for my people, my lands. What scars are still there, what the bad days feel like.' That wrathful jealousy faded away like morning dew as he smiled at my painting. 'This reminds me of it.' 'Of what?' I breathed. He lowered the painting, looking right at me, right into me. 'That I'm not alone.' I didn't lock my bedroom door that night.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Why isn't every woman a feminist? Feminism tells a tale of female injury, but the average woman in heterosexual intimacy knows that men are injured too, as indeed they are. She may be willing to grant, this average woman, that men in general have more power than women in general. This undoubted fact is merely a fact; it is *abstract*, while the man of flesh and blood who stands before her is *concrete*: His hurts are real, his fears palpable. And like those heroic doctors on the late show who work tirelessly through the epidemic even though they may be fainting from fatigue, the woman in intimacy may set her own needs to one side in order better to attend to his. She does this not because she is "chauvinized" or has "false consciousness," but because *this is what the work requires*. Indeed, she may even excuse the man's abuse of her, having glimpsed the great reservoir of pain and rage from which it issues. Here is further gloss on the ethical disempowerment attendant upon women's caregiving: In such a situation, a woman may be tempted to collude in her own ill-treatment.
Sandra Bartky Lee
Jessica Kim was one of them. A damn shame, she was one of those Asian worker-bee types. Always here past midnight. I heard she worked on Christmas. A real numbers whiz." "True, but she wasn't the best fit for client services. At her level, she needed to be a thinker, not a doer. I know this sounds crass, but her clothes never fit. They were a little too baggy for may taste." "Maybe you should have paid her more so she could hire a tailor." Laughter. "Wasn't she already being overpaid anyway, especially for a female associate?" My stomach lurched. I'd heard enough. My sadness vortexed into pure rage as I stomped over to them. "I gave blood, sweat, and tears for this company." I growled and pointed at Robert, my former group director. "You begged me to cover for you if your wife called when you were wining and dining that female client last year." Robert's face reddened. "But you didn't. I'm going through a divorce now." I went down the line to the next asshole. "Shaun, you tried to expense your escapade at a strip club by saying it was my birthday dinner and HR thought I was in on the scam. And Dan, you transposed all those numbers on the deal sheet and I caught them just before they were sent out, remember? You could have been fired for that, especially for showing up to work high. I went above and beyond for you. I saved your ass." Their jaws dropped. No, they weren't going to schmooze their way out of this one. "I know what you're thinking. How dare she say these things to us? She's just bitter because she was let go. Well, it's partly true. I'm bitter because I've wasted seven years of my life at this company that turned around and stabbed me in the back. If I wasn't leadership material, why didn't a female mentor coach me? Oh right, because there aren't any female execs here. But thank you, sincerely, for the wake-up-call. Now I can take my bonuses and severance and do something better with my time rather than covering for you and making you all richer.
Suzanne Park (So We Meet Again)
friendships with women have never been overtly sexual, but a good many of them have been what bell hooks in her book Communion: The Female Search for Love called romantic, in the soul-inspiring way that someone being thoughtful about loving you and showing up for you is romantic.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
Maia had moved closer to Isabelle, and the two of them faced him down together, an immovable wall of female rage.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Modern Western culture has tended to dwell too much on the character of her “anger.” For example, a misogynist trend in psychoanalysis focuses upon her paralyzing qualities, viewing her as a deflator of masculine strength, while curiously, at other times, seeing her snaky persona as phallic. Radical feminists also often dwell upon her anger, identifying it with a fiercely liberating women’s rage. That surely helps many women, but it doesn't effectively disrupt the misogyny involved in labeling a female figure as “monstrous.” Thus, a historical and cross-cultural exploration of Medusa can contribute to a feminist effort to honor and articulate the complexity of the divine female.
Miriam Robbins Dexter (Re-visioning Medusa: from Monster to Divine Wisdom)
Medusa is familiar to many as a symbol of women’s rage. Many feminists see their own rage reflected in the image of Medusa, ‘female fury personified.’ With her fearsome countenance framed with snakes, able to paralyse with a glance, it is true that Medusa is terrible, terrifying—but she is also terrified. Her face, frozen in an openmouthed scream, eyes wide, teeth bared, is the primal, primate mask of fear. This gut-wrenching image is an eloquent expression of women’s rage, but also, I suggest, of women’s trauma. In this short essay, I suggest that Medusa, Athena and Metis—goddesses of wisdom, healing, and protection—can offer valuable support to those on the journey of healing from trauma, but first we must look beyond patriarchal stereotypes which denigrate these powerful goddesses. Ultimately we are invited to hold our fear, rage and trauma in a place of love and compassion, for ourselves and others, so that we can be protected, instead of paralyzed.
Laura Shannon (Re-visioning Medusa: from Monster to Divine Wisdom)
Most everyone knows that making someone your bitch might not mean that person is female, just as they also know it means that being dominated and powerless are feminine states of being.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
But, though the Doctor tried hard, and never ceased trying, to get Charles Darnay set at liberty, or at least to get him brought to trial, the public current of the time set too strong and fast for him. The new era began; the king was tried, doomed, and beheaded; the Republic of Liberty, Equality, Fraternity, or Death, declared for victory or death against the world in arms; the black flag waved night and day from the great towers of Notre Dame; three hundred thousand men, summoned to rise against the tyrants of the earth, rose from all the varying soils of France, as if the dragon’s teeth had been sown broadcast, and had yielded fruit equally on hill and plain, on rock, in gravel, and alluvial mud, under the bright sky of the South and under the clouds of the North, in fell and forest, in the vineyards and the olive-grounds and among the cropped grass and the stubble of the corn, along the fruitful banks of the broad rivers, and in the sand of the sea-shore. What private solicitude could rear itself against the deluge of the Year One of Liberty—the deluge rising from below, not falling from above, and with the windows of Heaven shut, not opened! There was no pause, no pity, no peace, no interval of relenting rest, no measurement of time. Though days and nights circled as regularly as when time was young, and the evening and morning were the first day, other count of time there was none. Hold of it was lost in the raging fever of a nation, as it is in the fever of one patient. Now, breaking the unnatural silence of a whole city, the executioner showed the people the head of the king—and now, it seemed almost in the same breath, the head of his fair wife which had had eight weary months of imprisoned widowhood and misery, to turn it grey. And yet, observing the strange law of contradiction which obtains in all such cases, the time was long, while it flamed by so fast. A revolutionary tribunal in the capital, and forty or fifty thousand revolutionary committees all over the land; a law of the Suspected, which struck away all security for liberty or life, and delivered over any good and innocent person to any bad and guilty one; prisons gorged with people who had committed no offence, and could obtain no hearing; these things became the established order and nature of appointed things, and seemed to be ancient usage before they were many weeks old. Above all, one hideous figure grew as familiar as if it had been before the general gaze from the foundations of the world—the figure of the sharp female called La Guillotine.
Charles Dickens
I couldn’t ignore the flaring of Perla’s eyes, that female rage we are told to bury when it burns too bright or becomes distracting. Tears filled her bottom lids and then spilled over.
V. Castro (Goddess of Filth)
One learns from girlhood to fear the competitive energy, the ambient fury and resentment that can be aimed at powerful females. And yet at the same time, women often want or need power. The goal, then, is to take power in a way that navigates that rage or resentment; it is a little like trying to feed a dragon without getting burned.
Katie Roiphe (The Power Notebooks)
The men I have loved have always lied to avoid confrontation or take responsibility for inappropriate behavior. In Dorothy Dinnerstein’s groundbreaking book The Mermaid and the Minotaur: Sexual Arrangements and Human Malaise, she shares the insight that when a little boy learns that his powerful mother, who controls his life, really has no power within a patriarchy, it confuses him and causes rage. Lying becomes one of the strategic ways he can “act out” and render his mother powerless. Lying enables him to manipulate the mother even as he exposes her lack of power. This makes him feel more powerful. Males learn to lie as a way of obtaining power, and females not only do the same but they also lie to pretend powerlessness. In her work Harriet Lerner talks about the way in which patriarchy upholds deception, encouraging women to present a false self to men and vice versa.
bell hooks (All About Love: New Visions)
I went into her nightmare,' Rhys peered up at Cassian. 'Why didn't you tell me you attempted a scrying today?' 'It didn't work.' And Nesta's fear and guilt had been so heavy in the room that his chest had ached. He'd left her alone afterward knowing she'd want privacy. Rhys let out a shuddering breath. 'The scrying was a trip wire. For the memories. I caught that as I went in.' His throat worked, as if he'd heave, but he held it odnw. 'She was dreaming of the Cauldron. Of... of when she went in.' Cassian had never seen Rhys at such a loss for words. 'I saw it,' Rhys whispered. 'Felt it. Everything that happened within the Cauldron. Saw her take its power with her teeth and claws and rage. And I saw... felt... what it took from her.' Rhys rubbed his face and slowly straightened. He met Cassian's stare unflinchingly, his eyes full of remorse and agony. 'Her trauma is...' Rhys's throat bobbed. 'I know,' Cassian whispered. 'I guessed,' Rhys breathed, 'but it was different to feel it.' 'What is her power?' Azriel asked. 'Death,' Rhys whispered, hands trembling again as he got to his feet and aimed toward the window, which was now repairing itself shard by shard, as if a careful, patient hand worked upon it. He gazed at the female sleeping in the bed, and fear clouded the face of the High Lord of the Night Court. 'Pure death.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
If I could just get her to trust me, I’d help her see her true potential. Right now she’s this wild captured animal constantly lashing out but if she could harness and focus that female rage, she’d be unstoppable. We’d be unstoppable. King and Queen of the high seas.
Karina Halle (A Ship of Bones & Teeth)