Female Architects Quotes

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It is worth noting that the main players in the recomposition project are women—scientists, anthropologists, lawyers, architects. Educated women, who have the privilege to devote their efforts to righting a wrong. They’ve given prominent space in their professional careers to changing the current system of death. Katrina noted that “humans are so focused on preventing aging and decay—it’s become an obsession. And for those who have been socialized female, that pressure is relentless. So decomposition becomes a radical act. It’s a way to say, ‘I love and accept myself.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
She was one of America’s few female architects of stature, designer of a revered house in Farmington, which she named Hill-Stead.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
But he did make progress. For example, he directed a contest to choose a female architect to design the Woman’s Building for the fair. Sophia Hayden of Boston won. She was twenty-one years old. Her fee was the prize money: a thousand dollars. The male architects each got ten thousand. There had been skepticism that a mere woman would be able to conceive such an important building on her own. “Examination of the facts show[s] that this woman had no help whatever in working up the designs,” Burnham wrote. “It was done by herself in her home.
Erik Larson (The Devil in the White City)
The number 6 was the first perfect number, and the number of creation. The adjective "perfect" was attached that are precisely equal to the sum of all the smaller numbers that divide into them, as 6=1+2+3. The next such number, incidentally, is 28=1+2+4+7+14, followed by 496=1+2+4+8+16+31+62+124+248; by the time we reach the ninth perfect number, it contains thirty-seven digits. Six is also the product of the first female number, 2, and the first masculine number, 3. The Hellenistic Jewish philosopher Philo Judaeus of Alexandria (ca. 20 B.C.-c.a. A.D. 40), whose work brought together Greek philosophy and Hebrew scriptures, suggested that God created the world in six days because six was a perfect number. The same idea was elaborated upon by St. Augustine (354-430) in The City of God: "Six is a number perfect in itself, and not because God created the world in six days; rather the contrary is true: God created the world in six days because this number is perfect, and it would remain perfect, even if the work of the six days did not exist." Some commentators of the Bible regarded 28 also as a basic number of the Supreme Architect, pointing to the 28 days of the lunar cycle. The fascination with perfect numbers penetrated even into Judaism, and their study was advocated in the twelfth century by Rabbi Yosef ben Yehudah Ankin in his book, Healing of the Souls.
Mario Livio (The Golden Ratio: The Story of Phi, the World's Most Astonishing Number)
Humans do not have an innate urge to explore; only European man has exhibited a keen desire to move beyond the known world into the unknown. Current historians of exploration cannot come to terms with this difference in human psychology. In the egalitarian world of academia the deeds of great European men stand like an irritating thorn. Allowing university students (the majority of whom are now females) to learn that practically every great philosopher, scientist, architect, composer (or, simply put, everyone great), has been a male makes them uncomfortable. The thought of teaching their increasingly multiracial classrooms that these males are overwhelmingly European terrifies them.
Ricardo Duchesne (Faustian Man in a Multicultural Age)
Can't nothing make your life work if you ain't the architect.
Terry McMillan (Disappearing Acts)
You killed a Christian? Fine. But if the victim had been a Muslim. . . The rules for restitution for wrongful death are also illuminating for Infidels. The Koran (2:178) establishes a law of retaliation (qisas) for murder: equal recompense must be given for the life of the victim, which can take the form of blood money (diyah): a payment to compensate for the loss suffered. In Islamic law (Sharia), the amount of compensation varies depending on the identity of the victim. ‘Umdat al-Salik (Reliance of the Traveller), a Sharia manual that Cairo’s prestigious Al-Azhar University certifies as conforming to the “practice and faith of the orthodox Sunni community,” says that the payment for killing a woman is half that to be paid for killing a man. Likewise, the penalty for killing a Jew or Christian is one-third that paid for killing a male Muslim.1 The Iranian Sufi Sheikh Sultanhussein Tabandeh, one of the architects of the legal codes of the Islamic Republic of Iran, explains that punishments in Iran for other crimes differ as well, depending on whether the perpetrator is a Muslim. If a Muslim “commits adultery,” Tabandeh explains, “his punishment is 100 lashes, the shaving of his head, and one year of banishment.” (He is referring, of course, to a Muslim male; a Muslim female would in all likelihood be sentenced to be stoned to death.) “But if the man is not a Muslim,” Tabandeh continues, “and commits adultery with a Muslim woman his penalty is execution.”   Bible vs. Koran “Muhammad is the messenger of Allah. And those with him are hard against the disbelievers and merciful among themselves.” —Koran 48:29 “So whatever you wish that men would do to you, do so to them.” —Matthew 7:12 Furthermore, if a Muslim kills a Muslim, he is to be executed, but if he kills a non-Muslim, he incurs a lesser penalty: “If a Muslim deliberately murders another Muslim he falls under the law of retaliation and must by law be put to death by the next of kin. But if a non-Muslim who dies at the hand of a Muslim has by lifelong habit been a non-Muslim, the penalty of death is not valid. Instead the Muslim murderer must pay a fine and be punished with the lash.
Robert Spencer (The Complete Infidel's Guide to the Koran (Complete Infidel's Guides))
j'ai senti monter quelque chose que je n'avais encore jamais senti, des frissons, des décharges dans tout mon corps qui s'éveillait, se déverrouillait, alors la peur s'en est mêlée, peur de l'architecte autant que de moi, peur de me laisser aller, du plaisir qu'il était capable de me donner, c'était si nouveau, je venais de découvrir les mille terminaisons nerveuses de mon clitoris.
Marceline Loridan-Ivens (L'Amour après)