Fellow Craft Quotes

Anyone who has ridden the subway twice a day to earn their bread knows how it goes: When you board, you exhibit the same persona you use with your colleagues and acquaintances. You've carried it through the turnstile and past the sliding doors, so that your fellow passengers can tell who you are - cocky or cautious, amorous or indifferent, loaded or on the dole. But you find yourself a seat and the train gets under way; it comes to one station and then another; people get off and others get on. And under the influence of the cradlelike rocking of the train, your carefully crafted persona begins to slip away. The super-ego dissolves as your mind begins to wander aimlessly over your cares and your dreams; or better yet, it drifts into ambient hypnosis, where even cares and dreams recede and the peaceful silence of the cosmos pervades.

There is no higher calling than service to your fellow man, and to do so through your own personal mastery of a craft is a gift enjoyed by few. Cultivate this gift, and give it away.

I also employed the world-famous Hemingway Defense. Although never clearly articulated (it would not be manly to do so), the Hemingway Defense goes something like this: as a writer, I am a very sensitive fellow, but I am also a man, and real men don’t give in to their sensitivities. Only sissy-men do that. Therefore I drink. How else can I face the existential horror of it all and continue to work?

Hemingway Defense goes something like this: as a writer, I am a very sensitive fellow, but I am also a man, and real men don’t give in to their sensitivities.

Alcoholics build defenses like the Dutch build dikes. I spent the first twelve years or so of my married life assuring myself that I “just liked to drink.” I also employed the world-famous Hemingway Defense. Although never clearly articulated (it would not be manly to do so), the Hemingway Defense goes something like this: as a writer, I am a very sensitive fellow, but I am also a man, and real men don’t give in to their sensitivities. Only sissy-men do that. Therefore I drink. How else can I face the existential horror of it all and continue to work? Besides, come on, I can handle it. A real man always can.

The field has never been highly regarded; for a long time the only friends that Poe and Lovecraft had were the French, who have somehow come to an arrangement with both sex and death, an arrangement that Poe and Love-craft's fellow Americans certainly had no patience with. The Americans were busy building railroads, and Poe and Lovecraft died broke.

What about his style?" asked Dalgliesh who was beginning to think that his reading had been unnecessarily restricted. "Turgid but grammatical. And, in these days, when every illiterate debutante thinks she is a novelist, who am I to quarrel with that? Written with Fowler on his left hand and Roget on his right. Stale, flat and, alas, rapidly becoming unprofitable..." "What was he like as a person?" asked Dalgliesh. "Oh, difficult. Very difficult, poor fellow! I thought you knew him? A precise, self-opinionated, nervous little man perpetually fretting about his sales, his publicity or his book jackets. He overvalued his own talent and undervalued everyone else's, which didn't exactly make for popularity." "A typical writer, in fact?" suggested Dalgliesh mischievously.

If you're writing primarily for one person besides yourself, I'd advise you pay very close attention to that person's opinion (I know one fellow who says he writes mostly for someone who's been dead fifteen years, but the majority of us aren't in that position). And if what you hear makes sense, then make the changes. You can't let the whole world into your story, but you can let in the ones that matter the most. And you should.

In my travels on the surface, I once met a man who wore his religious beliefs like a badge of honor upon the sleeves of his tunic. "I am a Gondsman!" he proudly told me as we sat beside eachother at a tavern bar, I sipping my wind, and he, I fear, partaking a bit too much of his more potent drink. He went on to explain the premise of his religion, his very reason for being, that all things were based in science, in mechanics and in discovery. He even asked if he could take a piece of my flesh, that he might study it to determine why the skin of the drow elf is black. "What element is missing," he wondered, "that makes your race different from your surface kin?" I think that the Gondsman honestly believed his claim that if he could merely find the various elements that comprised the drow skin, he might affect a change in that pigmentation to make the dark elves more akin to their surface relatives. And, given his devotion, almost fanaticism, it seemed to me as if he felt he could affect a change in more than physical appearance. Because, in his view of the world, all things could be so explained and corrected. How could i even begin to enlighten him to the complexity? How could i show him the variations between drow and surface elf in the very view of the world resulting from eons of walking widely disparate roads? To a Gondsman fanatic, everything can be broken down, taken apart and put back together. Even a wizard's magic might be no more than a way of conveying universal energies - and that, too, might one day be replicated. My Gondsman companion promised me that he and his fellow inventor priests would one day replicate every spell in any wizard's repertoire, using natural elements in the proper combinations. But there was no mention of the discipline any wizard must attain as he perfects his craft. There was no mention of the fact that powerful wizardly magic is not given to anyone, but rather, is earned, day by day, year by year and decade by decade. It is a lifelong pursuit with gradual increase in power, as mystical as it is secular. So it is with the warrior. The Gondsman spoke of some weapon called an arquebus, a tubular missile thrower with many times the power of the strongest crossbow. Such a weapon strikes terror into the heart of the true warrior, and not because he fears that he will fall victim to it, or even that he fears it will one day replace him. Such weapons offend because the true warrior understands that while one is learning how to use a sword, one should also be learning why and when to use a sword. To grant the power of a weapon master to anyone at all, without effort, without training and proof that the lessons have taken hold, is to deny the responsibility that comes with such power. Of course, there are wizards and warriors who perfect their craft without learning the level of emotional discipline to accompany it, and certainly there are those who attain great prowess in either profession to the detriment of all the world - Artemis Entreri seems a perfect example - but these individuals are, thankfully, rare, and mostly because their emotional lacking will be revealed early in their careers, and it often brings about a fairly abrupt downfall. But if the Gondsman has his way, if his errant view of paradise should come to fruition, then all the years of training will mean little. Any fool could pick up an arquebus or some other powerful weapon and summarily destroy a skilled warrior. Or any child could utilize a Gondsman's magic machine and replicate a firebal, perhaps, and burn down half a city. When I pointed out some of my fears to the Gondsman, he seemed shocked - not at the devastating possibilities, but rather, at my, as he put it, arrogance. "The inventions of the priests of Gond will make all equal!" he declared. "We will lift up the lowly peasant

A truly humble man has no concept of his humility, for he cannot fathom that he would be so special to have the need to be humble. He is too busy getting lost in appreciation of a craft or his fellow man to think of himself. “True humility is not thinking less of yourself; it is thinking of yourself less.” -C.S. Lewis

The timid fellow writes ‘The meeting will be held at seven o’clock’ because that somehow says to him , “Put it this way and people will believe you really know.” Purge this quisling thought! Don’t be a muggle! Throw back your shoulders, stick out your chin, and put that meeting in charge! Write ‘The meeting’s at seven.’ There, by God! Don’t you feel better?

The boats bumped against the side of the ship, the sailors and passengers shouted lustily, and somewhere a child, as if crushed to death, choked itself with screaming. The damp wind blew through the doors, and outside on the sea, from a reeling boat which showed the flag of the Hotel Royal, a fellow with guttural French exaggeration yelled unceasingly : '* Rrroy-al ! Hotel Rrroy-al ! " intending to lure passengers aboard his craft. Then the Gentleman from San Francisco, feeling, as he ought to have felt, quite an old man, thought with anguish and spite of all these " Royals," " Splendids,' 1 " Excelsiors," and of these greedy, good-for-nothing, garlic-stinking fellows called Italians. Once, during a halt, on opening his eyes and rising from the sofa he saw under the rocky cliff-curtain of the coast a heap of such miserable stone hovels, all musty and mouldy, stuck on top of one another by the very water, among the boats, and the rags of all sorts, tin cans and brown fishing-nets, and,remembering that this was the very Italy he had come to enjoy, he was seized with despair. . .

Another whispered low to his fellow, and said, “He is mistaken, for it is rather like an illusion created by some Sorcerer, as conjurers do at those great feasts.” Of sundry doubts did they thus chatter and debate, as ignorant people are wont to do about things that are crafted more cunningly than they can comprehend in their ignorance, and they usually expect the worst.

Heavy ships are so graceful in the water' Anna said at last, looking away. 'Compared to lighter crafts, I mean. If a boat is too light - if it bobs about on the waves - there's no grace to its motion. I believe that it's the same with birds. Large birds are not buffeted about by the wind. They always look so regal on the air. This fellow. Seeing him fly is like seeing a heavy ship cut through a wave.

Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.

Returning the Pencil to Its Tray Everything is fine— the first bits of sun are on the yellow flowers behind the low wall, people in cars are on their way to work, and I will never have to write again. Just looking around will suffice from here on in. Who said I had to always play the secretary of the interior? And I am getting good at being blank, staring at all the zeroes in the air. It must have been all the time spent in the kayak this summer that brought this out, the yellow one which went nicely with the pale blue life jacket— the sudden, tippy buoyancy of the launch, then the exertion, striking into the wind against the short waves, but the best was drifting back, the paddle resting athwart the craft, and me mindless in the middle of time. Not even that dark cormorant perched on the No Wake sign, his narrow head raised as if he were looking over something, not even that inquisitive little fellow could bring me to write another word.

Every person who is Fountain-blessed demonstrates a remarkable power, and sometimes more than one. They keep their lore secret from the world, except for some general principles that I will speak on. The terms used to describe the two major ways in which they draw in power are “rigor” and “vigor.” The term “rigor” implies severity and strictness. The magic comes through meticulous and persistent adherence to some regimented craft or routine. These individuals are iron-willed and self-disciplined to a degree very uncommon amongst their fellows. The term “vigor” implies effort, energy, and enthusiasm. To do a task out of the love of it, not for ambition’s sake alone. These two concepts mark the twin horses by which the magic of the Fountain can be drawn. Why one individual may prefer one to the other or whether there is difference in the efficacy of these methods remains, to the rest of us, a mystery.   —Polidoro Urbino, Court Historian of Kingfountain

The Sandwich Maker would pass what he had made to his assistant who would then add a few slices of newcumber and fladish and a touch of splagberry sauce, and then apply the topmost layer of bread and cut the sandwich with a fourth and altogether plainer knife. It was not that these were not also skilful operations, but they were lesser skills to be performed by a dedicated apprentice who would one day, when the Sandwich Maker finally laid down his tools, take over from him. It was an exalted position and that apprentice, Drimple, was the envy of his fellows. There were those in the village who were happy chopping wood, those who were content carrying water, but to be the Sandwich Maker was very heaven. And so the Sandwich Maker sang as he worked. He was using the last of the year’s salted meat. It was a little past its best now, but still the rich savour of Perfectly Normal Beast meat was something unsurpassed in any of the Sandwich Maker’s previous experience. Next week it was anticipated that the Perfectly Normal Beasts would appear again for their regular migration, whereupon the whole village would once again be plunged into frenetic action: hunting the Beasts, killing perhaps six, maybe even seven dozen of the thousands that thundered past. Then the Beasts must be rapidly butchered and cleaned, with most of the meat salted to keep it through the winter months until the return migration in the spring, which would replenish their supplies. The very best of the meat would be roasted straight away for the feast that marked the Autumn Passage. The celebrations would last for three days of sheer exuberance, dancing and stories that Old Thrashbarg would tell of how the hunt had gone, stories that he would have been busy sitting making up in his hut while the rest of the village was out doing the actual hunting. And then the very, very best of the meat would be saved from the feast and delivered cold to the Sandwich Maker. And the Sandwich Maker would exercise on it the skills that he had brought to them from the gods, and make the exquisite Sandwiches of the Third Season, of which the whole village would partake before beginning, the next day, to prepare themselves for the rigours of the coming winter. Today he was just making ordinary sandwiches, if such delicacies, so lovingly crafted, could ever be called ordinary. Today his assistant was away so the Sandwich Maker was applying his own garnish, which he was happy to do. He was happy with just about everything in fact.

9:36a    ἰδὼν δὲ τούς ὄχλους ἐσπλαγχνίσθη πεϱὶ αὐτῶν seeing the crowds, his insides were moved with pity for them THE JEWS AND THE GREEKS could not succeed in making pity and compassion into a purely mental act. It sounds archaic, hardly short of embarrassing, to say that “Jesus saw the crowds and felt pity for them in his bowels.” But, in fact, any translation that omits compassion’s element of viscerality (for σπλάγχνα, the root of the verb here, means “viscera”, “bowels”, “womb”) has already betrayed the depth of Jesus’ divine and human pity. We all know how the strongest emotions—whether sorrow, fear, joy, or desire—are all initially registered in the abdominal region, and this physiological reaction is one of the proofs of the authenticity of our emotions. The same teacher, herald, and healer who surpassed all others in these crafts finally reveals himself in utter silence and inactivity in his deepest nature: the Compassionate One who is affected by suffering more elementally than the sufferers he sees around him. If Mary’s womb was proclaimed blessed for having borne such a Child, we now see in the Son the Mother’s most precious quality: wide-wombed compassion. When we allow ourselves to be moved in this way, we are already hopelessly involved with the object of our pity: no possibility here of a distanced display of “charity” that refuses to become tainted by contact with the stench of human misery. Jesus looks at the crowds, then, and is viscerally moved. What power in the gaze of a Savior who pauses in the midst of his activity in order to take into himself the full, wounded reality about him! Jesus never protects himself against the claims of distress. He is not content with emanating the truth, joy, and healing power that are his: he must become a fellow sufferer. His loving gaze is like an open wound that filters out no sorrow. He has already done so much for them; but as long as he sees misery, nothing is enough; and so he wonders what else remains to be done. His contemplative sorrow becomes a stimulant to his creative imagination. He nestles all manner of plight within his person, and every human need becomes a churning in his inward parts. He interiorizes the chaos of the surrounding landscape, but, by entering him, it becomes contained, comprehended, embraced and saved.

Canto I And then went down to the ship, Set keel to breakers, forth on the godly sea, and We set up mast and sail on that swart ship, Bore sheep aboard her, and our bodies also Heavy with weeping, and winds from sternward Bore us out onward with bellying canvas, Circe’s this craft, the trim-coifed goddess. Then sat we amidships, wind jamming the tiller, Thus with stretched sail, we went over sea till day’s end. Sun to his slumber, shadows o’er all the ocean, Came we then to the bounds of deepest water, To the Kimmerian lands, and peopled cities Covered with close-webbed mist, unpierced ever With glitter of sun-rays Nor with stars stretched, nor looking back from heaven Swartest night stretched over wretched men there. The ocean flowing backward, came we then to the place Aforesaid by Circe. Here did they rites, Perimedes and Eurylochus, And drawing sword from my hip I dug the ell-square pitkin; Poured we libations unto each the dead, First mead and then sweet wine, water mixed with white flour. Then prayed I many a prayer to the sickly death’s-heads; As set in Ithaca, sterile bulls of the best For sacrifice, heaping the pyre with goods, A sheep to Tiresias only, black and a bell-sheep. Dark blood flowed in the fosse, Souls out of Erebus, cadaverous dead, of brides Of youths and of the old who had borne much; Souls stained with recent tears, girls tender, Men many, mauled with bronze lance heads, Battle spoil, bearing yet dreory arms, These many crowded about me; with shouting, Pallor upon me, cried to my men for more beasts; Slaughtered the herds, sheep slain of bronze; Poured ointment, cried to the gods, To Pluto the strong, and praised Proserpine; Unsheathed the narrow sword, I sat to keep off the impetuous impotent dead, Till I should hear Tiresias. But first Elpenor came, our friend Elpenor, Unburied, cast on the wide earth, Limbs that we left in the house of Circe, Unwept, unwrapped in sepulchre, since toils urged other. Pitiful spirit. And I cried in hurried speech: “Elpenor, how art thou come to this dark coast? “Cam’st thou afoot, outstripping seamen?” And he in heavy speech: “Ill fate and abundant wine. I slept in Circe’s ingle. “Going down the long ladder unguarded, “I fell against the buttress, “Shattered the nape-nerve, the soul sought Avernus. “But thou, O King, I bid remember me, unwept, unburied, “Heap up mine arms, be tomb by sea-bord, and inscribed: “A man of no fortune, and with a name to come. “And set my oar up, that I swung mid fellows.” And Anticlea came, whom I beat off, and then Tiresias Theban, Holding his golden wand, knew me, and spoke first: “A second time? why? man of ill star, “Facing the sunless dead and this joyless region? “Stand from the fosse, leave me my bloody bever “For soothsay.” And I stepped back, And he strong with the blood, said then: “Odysseus “Shalt return through spiteful Neptune, over dark seas, “Lose all companions.” And then Anticlea came. Lie quiet Divus. I mean, that is Andreas Divus, In officina Wecheli, 1538, out of Homer. And he sailed, by Sirens and thence outward and away And unto Circe. Venerandam, In the Cretan’s phrase, with the golden crown, Aphrodite, Cypri munimenta sortita est, mirthful, orichalchi, with golden Girdles and breast bands, thou with dark eyelids Bearing the golden bough of Argicida. So that:

After the Hardys’ craft had been safely moored in their boathouse, Tony headed the Napoli out into the bay. He turned and followed the shoreline to the long jetties where the freighters were docked. Soon the Napoli passed under the gray bow of a big cutter moored at the Coast Guard pier. Tony made his boat fast, and the six boys climbed up a steel ladder onto the dock. They entered the small, neat station office, which had a short-wave tower on its roof. The officer on duty rose from his desk. “Hello, Frank—Joe—fellows,” he greeted them. The personnel at the Bayport station knew the Hardys well. More than once they had cooperated with the boys and their father on cases.

If one notices the carefully crafted ambiguates in Council documents that served as footholds for a surprising variety of novelties. It becomes apparent that each ambiguity tends to dissolve a doctrine unique to Catholicism by favoring an interpretive designed either to attract or flatter non-believers. This recurring feature makes Vatican II unique among all Ecumenical Councils in the 2,000 year history of the Church. Consequently, Vatican II may properly be called an "occult" Council, in the sense that the documents contained "secret knowledge" implanted by initiates, that would be exploited after the Council. It is even possible that the un-Catholic conciliar novelties are part of the apostasy in the Church that almost certainly is mentioned in the Third Secret.

Once,” he said, “there were so many loves: the love of the Gods, the love of lord for servant and servant for lord, the love of bond-friends and the love of fellow travelers. Love was the blood of the world. But there is a poison in this age that seeks to wither love. All must be needful now. The only loves allowed the name are animal compulsions: the rutting bond, the knot of parents and children. So withered, love becomes desire and fear, and useful to those with power.

The One Question True Poets Should Ask Themselves I ask nobody to agree with me. The only question before me is, ‘Did I write what I believe is true?’ If I have, I can live with myself. The true poet who loves the written word should only ask himself one question as well, ‘Did my fellow poet craft his words well?’ If he did, I can learn from him.

The recklessness of the governments of two terrestrial countries has been obvious, when they have ordered their combat pilots to attack our space and scout ships, as soon as they are detected on their radar. This is highly dangerous for the crew members of your airplanes, because if they approach our gravitational field, their engines and controls become inoperative. In this way, several have lost their lives . . . They do not seem to understand that our orders are clear, not to harm their craft. Otherwise, at least 50 of their planes would have been destroyed. We are aware that many high-ranking military personnel and scientists have been silenced under the pretense of endangering the security of their countries, if public statements were to be made. This is another serious mistake of those governments. If we had any ambition or desire to conquer this planet, we would have done it 300 years ago, when the population could not have opposed any resistance. Even now, it would not be difficult to do. This phase is alternative: we shall continue making appearances, landings, contacts, all over the world, more and more frequently, as planned. You will be responsible for the education of the people in the different countries . . . using all means available. This is a difficult task, because you will be left to your own means [and] you will have against you those who do not take you seriously, and the dark machinations of the great established powers on your planet, hampering, creating doubts, and attacking you as promoters of this knowledge . . . After many years of observation and analysis of your world . . . the conclusion was that humankind, with few exceptions, were a barbarian horde . . . from the deepest levels of their spirit, and utterly incorrigible. Nevertheless, because of the merit of the few, [we are giving] direct help to many men, instructing them. It requires in many cases their evacuation from this planet, to a special place where they will be provided with a new conscience, to be transmitted afterwards to their fellow men . . . The disappearances of such people from Earth have already begun . . . This procedure holds the key to the future of your planet.

Good. That's enough,” Deme said. “You may sit down.” Marus remained where he was, face now almost the colour of his robes, and a snarl forming on his lips. Ebryn felt the flow of force, gathering in towards Marus, the first lightning flickers forming around his hands. “That's enough — sit down,” Deme said again. This time the words came from her mouth like a lash, raw with power, and Marus rocked backwards as if struck. The force of her casting washed over the room like a dousing of ice water. Marus returned to his seat like a drunken man, tripping over the feet of fellow students, and lurching from side to side. “So, who understands what I did there?” Deme asked, moving around the floor again. “No? I used the deeper craft to control another's casting. Once you can do this, the inner nature of what we do is revealed to you, and you have achieved the beginning of mastery. “Much of what we will explore in these lessons is about improvement of your craft. So we learn what is common to all casting, not methods specific to any of the orders. Do you understand?” Deme stood in the middle of the room, looking around the chamber, at the rows of faces. “So, let us begin with a few simple mind exercises.

If a man could convince himself that morality was not a matter of humanity being created in Elohim’s image, but rather was a construct of society, in order to maintain arbitrary control over the masses, then there would be no end to the genocides and holocausts that could be unleashed when man would take that belief to its logical end. Even more devastation than that accomplished by the religions she and her fellow gods “revealed” to these pathetic mud-pies of Elohim. That was an idea whose time would come. But now was not that time. Inanna grinned with self-satisfaction. I will indeed craft that secular myth for when ancient religion will have run its useful course.

Makani (a fledgling Albatross) ...kept going....until solid ground reached an abrupt end. She splashed into the ocean and bobbed with a flotilla of hundreds of her fellow fledglings...Suddenly one of her fellow fleglings disappeared in a terrifying commotion of white water and shark teeth. Talk about incentive. Makani ran on the surface, webs slapping water, never skinking, a Jesus bird, flapping with all her might until she got liftoff...She was really and truly the pilot of her own craft. Makani followed her nose, using wind and gravity to propel her forward. She had to teach herself to forage for food, and over the weeks and months she got good at it. Wherever she went, she flew solo. For years she explored an enormous region of the North Pacific, from Japan to the Aleutian Islands to British Columbia, landing only on the surface of the sea. She forgot what land felt like. Her to-do list was deceptively short: Fly far. Find squid. Then, when she was four years old, two more items were added: Go home. Find love.

There is no higher calling than the service of your fellow man, and to do so through your own personal mastery of a craft is a gift enjoyed by few.

That’s just what I want. Elephant shooting in Africa! My! With my new electric rifle, and an airship, what couldn’t a fellow do over in the dark continent! I’ve a good notion to go there! I wonder if Ned would go with me? Mr. Damon certainly would. Elephant shooting in Africa! In an airship! I could finish my new sky craft in short order if I wanted to. I’ve a good notion to do it!

Scholars had generally concluded that in all but the Supper scene, Paul was not quoting sayings of Jesus from his ministry. Rather, he was engaged in a practice common throughout early Christian preaching. Paul and his fellow charismatic missionaries of the Christ were relaying directives and revelations which they believed they had received directly from heaven, through inspiration, through visions and interpreting glossalalia (speaking in tongues), or simply through a study of scripture. [...] Others admitted that Paul had no sense of Jesus as an ethical teacher, but saw himself as the mouthpiece for a Christ in heaven who operated on earth in the present time of faith, through God’s Spirit. The footnote pointed to a couple of passages by way of illustration. One of these was 1 Corinthians 14:36-38: ‘Did the word of God originate with you? Are you the only ones it has reached? If anyone thinks that he is a prophet, or spiritual, he should acknowledge that what I am writing is also done by the Lord’s word.” [...] Paul’s world seemed to be one of inspiration and revelation directly from God—and a competitive one at that. Once again, the atmosphere created by the early documents, by the voices of those who had been the heart and soul of the apostolic generation, was curiously out of sync with the picture crafted by the later evangelists.

If society rejects influence, only power remains. If we want our fellow citizens to care about the homeless, the elderly, teen pregnancy, the disadvantaged, drug abuse, abortion, the environment, education, crime, debt, families, or whatever, raw political force to compel compliance is our only tool. Only the power of the state is left to enforce our own agenda without regard for those who disagree or who may be harmed. When even this fails to yield satisfactory results, coercion’s close cousin, violence, is there to get things done.

Workshops operate on the golden-rule policy: do for others as you want for yourself. Your fellow classmates will see from your comments what kind of feedback to give no matter how much of a push the instructor gives. Another way to think about questions and possibilities is that it’s about why and how. Instead of saying you liked this or didn’t like that, make an observation about the style or conflict or plot, etc., and ask the author what she meant.

This fisherman was one of several in a boat—a craft for traveling on water—that foundered…sank beneath the water. Another fisherman helping recover the body said he’d seen marks like this man’s wounds several times. They meant another drowning fisherman had tried to stand on this poor fellow’s shoulders in the attempt to reach up to the surface—to reach air.” “Why is this interesting?” the banker asked. “Because of an observation made by my father at the time. He said the drowning man who climbs on your shoulders to save himself is understandable—except when you see it happen in the drawing room.

Skeptics look at the busts, statues, and cathedrals and move on. These don't speak to them because they don't reflect. Reflect on the hand that crafted an arch. A man designed it. Another man cut the stone for it. Another cut it to shape, and a team of men placed it into position. They did that for God, their church, and their fellow believers. Those churches took years or even centuries to complete. Many men worked knowing they would not see the final product, but they felt a part of something. It was not money that built those churches, but faith, drive, and community.