Feet Of Clay Quotes

We've searched our database for all the quotes and captions related to Feet Of Clay. Here they are! All 100 of them:

Just because someone's a member of an ethnic minority doesn't mean they're not a nasty small-minded little jerk.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
WORDS IN THE HEART CANNOT BE TAKEN.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Commander, I always used to consider that you had a definite anti-authoritarian streak in you.” “Sir?” “It seems that you have managed to retain this even though you are authority.” “Sir?” “That’s practically zen.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
And, while it was regarded as pretty good evidence of criminality to be living in a slum, for some reason owning a whole street of them merely got you invited to the very best social occasions.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
No it's not!" said Constable Visit. "Atheism is a denial of a god." "Therefore It Is A Religious Position," said Dorfl. "Indeed, A True Atheist Thinks Of The Gods Constantly, Albeit In Terms of Denial. Therefore, Atheism Is A Form Of Belief. If The Atheist Truly Did Not Believe, He Or She Would Not Bother To Deny.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Whoever had created humanity had left in a major design flaw. It was its tendency to bend at the knees.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
You couldn't say 'I had orders.' You couldn't say 'It's not fair.' No one was listening. There were no Words. You owned yourself. [...] Not 'Thou Shalt Not'. Say 'I Will Not'.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
There’s lots of people will help you with alcohol business, but there’s no one out there arranging little meetings where you can stand up and say, ‘My name is Sam Vimes and I’m a really suspicious bastard.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
There were no public health laws in Ankh-Morpork. It would be like installing smoke detectors in Hell.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
The error all women commit. Why can’t you women love us, faults and all? Why do you place us on monstrous pedestals? We have all feet of clay, women as well as men; but when we men love women, we love them knowing their weaknesses, their follies, their imperfections, love them all the more, it may be, for that reason. It is not the perfect, but the imperfect, who have need of love. It is when we are wounded by our own hands, or by the hands of others, that love should come to cure us – else what use is love at all? All sins, except a sin against itself, Love should forgive. All lives, save loveless lives, true Love should pardon. A man’s love is like that. It is wider, larger, more human than a woman’s. Women think that they are making ideals of men. What they are making of us are false idols merely. You made your false idol of me, and I had not the courage to come down, show you my wounds, tell you my weaknesses. I was afraid that I might lose your love, as I have lost it now.
Oscar Wilde (An Ideal Husband)
She lacks the indefinable charm of weakness. It is the feet of clay that make the gold of the image precious.
Oscar Wilde (The Picture of Dorian Gray)
Is It Frightening To Be Free?" "You said it." "You Say To People 'Throw Off Your Chains' And They Make New Chains For Themselves?" "Seems to be a major human activity, yes.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
You are in favour of the common people?” said Dragon mildly. The common people?” said Vimes. “They’re nothing special. They’re no different from the rich and powerful except they’ve got no money or power. But the law should be there to balance things up a bit. So I suppose I’ve got to be on their side.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
If you were going to be successful in the world of crime, you needed a reputation for honesty.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Vimes took the view that life was so full of things happening erraticaly in all directions, that the chance of any of them making some kind of relevant sense were remote in the extreme.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Vimes struggled to his feet, shook his head and set off after it. No thought was involved. It is the ancient instinct of terriers and policemen to chase anything that runs away.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
People said that there was one law for the rich and one law for the poor, but it wasn't true. There was no law for those who made the law, and no law for the incorrigibly lawless.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
He wanted one drink, and understood precisely why he wasn't going to have one. One drink ended up arriving in a dozen glasses.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
It was Carrot who'd suggested to the Patrician that hardened criminals should be given the chance to 'serve the community' by redecorating the homes of the elderly, lending a new terror to old age and, given Ankh-Morpork's crime rate, leading to at least one old lady having her front room wallpapered so many times in six months that now she could only get in sideways.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
It wasn't by eliminating the impossible that you got at the truth, however improbable; it was by the much harder process of eliminating the possibilities. You worked away, patiently asking questions and looking hard at things. You walked and talked, and in your heart you just hoped like hell that some bugger's nerve'd crack and he'd give himself up.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
They think they want good government and justice for all, Vimes, yet what is it they really crave, deep in their hearts? Only that things go on as normal and tomorrow is pretty much like today.
Terry Pratchett (Feet of Clay (Discworld, #19))
We wear the mask that grins and lies, It hides our cheeks and shades our eyes,- - This debt we pay to human guile; With torn and bleeding hearts we smile And mouth with myriad subtleties. Why should the world be otherwise, In counting all our tears and sighs? Nay, let them only see thus, while We wear the mask. We smile, but, O great Christ, our cries To thee from tortured souls arise. We sing, but oh the clay is vile Beneath our feet, and long the mile; But let the world dream otherwise, We wear the mask!
Paul Laurence Dunbar (Lyrics of Lowly Life)
She is very clever, too clever for a woman. She lacks the indefinable charm of weakness. It is the feet of clay that make the gold of the image precious. Her feet are very pretty, but they are not feet of clay. White porcelain feet, if you like. They have been through fire, and what fire does not destroy, it hardens.
Oscar Wilde (The Picture of Dorian Gray)
People look down on stuff like geography and meteorology, and not only because they're standing on one and being soaked by the other. They don't look quite like real science. But geography is only physics slowed down and with a few trees stuck on it, and meteorology is full of excitingly fashionable chaos and complexity. And summer isn't a time. It's a place as well. Summer is a moving creature and likes to go south for the winter.
Terry Pratchett (Feet of Clay (Discworld #19))
He said to people: you’re free. And they said hooray, and then he showed them what freedom costs and they called him a tyrant and, as soon as he’d been betrayed, they milled around a bit like barn-bred chickens who’ve seen the big world outside for the first time, and then they went back into the warm and shut the door...
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Stupid men are often capable of things the clever would not dare to contemplate
Terry Pratchett (Feet of Clay (Discworld, #19))
When you've made up your mind to shout out who you are to the world, it's a relief to know that you can do it in a whisper.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Samuel Vimes dreamed about Clues. He had a jaundiced view of Clues. He instinctively distrusted them. They got in the way. And he distrusted the kind of person who’d take one look at another man and say in a lordly voice to his companion, “Ah, my dear sir, I can tell you nothing except that he is a left-handed stonemason who has spent some years in the merchant navy and has recently fallen on hard times,” and then unroll a lot of supercilious commentary about calluses and stance and the state of a man’s boots, when exactly the same comments could apply to a man who was wearing his old clothes because he’d been doing a spot of home bricklaying for a new barbecue pit, and had been tattooed once when he was drunk and seventeen* and in fact got seasick on a wet pavement. What arrogance! What an insult to the rich and chaotic variety of the human experience!
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
I thought dwarfs loved gold," said Angua. "They just say that to get it into bed.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
A dwarf who can't get the hang of metal? That must be pretty unique." "Pretty rare, sir. But I was quite good at alchemy.." "Guild member?" "Not any more, sir." "Oh? How did you leave the guild?" "Through the roof, sir. But I'm pretty certain I know what I did wrong.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Royalty was like dandelions. No matter how many heads you chopped off, the roots were still there underground, waiting to spring up again. It seemed to be a chronic disease. It was as if even the most intelligent person had this little blank spot in their heads where someone had written: "Kings. What a good idea." Whoever had created humanity had left in a major design flaw. It was its tendency to bend at the knees.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
What a mess the world was in, Vimes reflected. Constable Visit had told him the meek would inherit it, and what had the poor devils done to deserve that?
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Whether a belief is considered to be a delusion or not depends partly upon the intensity with which it is defended, and partly upon the numbers of people subscribing to it.
Anthony Storr (Feet of Clay: A Study of Gurus)
The three thieves looked around. As their eyes grew accustomed to the gloom, they received a general impression of armourality, with strong overtones of helmetness.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Money is all you can think about when all you have is a price, Carrot said
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
People who spend their time searching for feet of clay will miss not only the heavens wherein God moves in His majesty and power, but God’s majesty as He improves and shapes a soul.
Neal A. Maxwell
In a well-organized world he might have landed on a fire escape, but the fire escapes were unknown in Ankh-Morpork and the flames generally had to leave via the roof.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Brave lodgings for one, brave lodgings for one, A few feet of cold earth, when life is done; A stone at the head, a stone at the feet, A rich, juicy meal for the worms to eat; Rank grass over head, and damp clay around, Brave lodgings for one, these, in holy ground!
Charles Dickens (The Complete Ghost Stories of Charles Dickens)
The world is shaped by mankind's desires and fears. A war of hope against dread, waged upon a substrate that man himself made malleable though he has long forgotten how. All men and all men's works stand on feet of clay, waiting to be formed and reformed, forged by fear into monsters from the dark core of each soul, waiting to rend the world asunder.
Mark Lawrence
Golden Boy with feet of clay Let me help you on your way A proper push will take you far - But what a clumsy lad you are!
Stephen R. Donaldson
Fresh wounds," said Angua. "But one of them did shoot one of the other in the leg by accident." "I think you'd better put in your report as -self inflicted- wounds while resisting arrest," said Vimes.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Her books on alchemy were marvellous objects, every page a work of the engraver's art, but they nowhere contained instructions like "Be sure to open a window". They did have instructions like "Adde Aqua Quirmis to the Zinc untile Rising Gas Yse Vigorousky Evolved", but never added "Don't Doe Thys Atte Home" or even "And Say Fare-Thee-Welle to Thy Eyebrows.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Men said things like "peace in our time" or "an empire that will last a thousand years," and less than half a lifetime later no one even remembered who they were, let alone what they had said or where the mob had buried their ashes.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
You can be any sex you like provided you act male. There's no men and women in the Watch, just a bunch of lads.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
The real world was far too real to leave neat little hints. It was full of too many things. It wasn’t by eliminating the impossible that you got at the truth, however improbable; it was by the much harder process of eliminating the possibilities.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Anyway, Angua seemed to have taken this case personally. She always had a soft spot for the underdog. So did Vimes. You had to. Not because they were pure or noble, because they weren't. You had to be on the side of underdogs because they weren't overdogs.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Another priest said,"Is it true you've said you'll believe in any god whose existence can be proved by logical debate?" "Yes." Vimes had a feeling about the immediate future and took a few steps away from Dorfl. "But the gods plainly do exist," said a priest. "It Is Not Evident." A bolt of lightning lanced down through the clouds and hit Dorfl's helmet. There was a sheet of flame and then a trickling noise. Dorfl's molten armour formed puddles around his white-hot feet. "I Don't Call That Much Of An Argument," said Dorfl calmly, from somewhere in the clouds of smoke.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
The world was already a miserable place in the spring of that cursed year. The New Depression was at its height. Stocks fell, jobs were lost, and consumer consumption fell in a corporate death spiral as the aging technoczars were revealed to have feet of clay. Financial institutions underreacted, the government overreacted, and a society living on borrowed time paid for with borrowed dollars failed. Hard times and hunger came to the Western world, which was all the more of a shock because the generation that survived the last financial collapse had virtually died out.
E.E. Knight (Way of the Wolf (Vampire Earth #1))
The big trouble,” he added, “is that everyone wants someone else to read their minds for them and then make the world work properly.
Terry Pratchett (Feet of Clay (Discworld, #19))
A dollar for a human bought a loaf of bread that was eaten in a few bites. The same dollar for Wee Mad Arthur bought the same-sized loaf, but it was food for a week and could then be further hollowed out and used as a bedroom.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
People look down on stuff like geography and meteorology, and not only because they're standing on one and being soaked by the other.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
No more kings. Vimes had difficulty in articulating why this should be so, why the concept resonated in his very bones. After all, a good many of the patricians had been as bad as any king. But they were...sort of...bad on equal terms. What set Vimes's teeth on edge was the idea that kings were a different kind of human being. A higher lifeform. Somehow magical.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
The tincture of night began to diffuse the soup of the afternoon. Lord Vetinari considered the sentence, and found it good. He liked 'tincture' particularly. Tincture. Tincture. It was a distinguished word, and pleasantly countered by the flatness of 'soup'. Yes. In which may well be found the croutons of teatime.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
He remembered a story Madrigal had told him once: the human tale of the golem. It was a thing shaped of clay in the form of a man, brought to life by carving the symbol aleph into its brow. Aleph was the first symbol of an ancestral human alphabet, and the first letter of the Hebrew word truth; it was the beginning. Watching Karou rise to her feet, radiant in a fall of lapis hai, in a woven dress the colour of tangerines, with a loop of silver beads at her throat and a look of joy and relief and... love... on her beautiful face, Akiva knew that she was his aleph, his truth and beginning. His soul.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
When a human doctor, after much bleeding and cupping, finds that a patient has died out of sheer desperation, he can always say, "Dear me, will of the gods, that will be thirty dollars please," and walk away a free man. This is because human beings are not, technically, worth anything. A good racehorse, on the other hand, may be worth twenty thousand dollars. A doctor who lets one hurry off too soon to that great paddock in the sky may well expect to hear, out of some dark alley, a voice saying something on the lines of "Mr. Chrysoprase is very upset," and find the brief remainder of his life full of incident.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Oh, good grief," said Vimes. "Look, it's quite simple, man. I was expected to go "At last, alcohol!", and chugalug the lot without thinking. Then some respectable pillars of the community" - he removed the cigar from his mouth and spat - "were going to find me, in your presence, too - which was a nice touch - with the evidence of my crime neatly hidden but not so well hidden that they couldn't find it." He shook his head sadly. "The trouble is, you know, that once the taste's got you it never lets go." "But you've been very good, sir," said Carrot. "I've not seen you touch a drop for -" "Oh, that," said Vimes. "I was talking about policing, not alcohol. There's lots of people will help you with the alcohol business, but there's no one out there arranging little meetings where you can stand up and say, "My name is Sam and I'm a really suspicious bastard.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
One doesn't defend one's god; one's god is in himself a defense.
Henry James (The Aspern Papers)
...Queen, goodbye forever! Your wings were sunbeams, and my feet are clay I'll never be well if I don't get to bed I never was well unless I was stretched out across the universe.
Fernando Pessoa (Poems of Fernando Pessoa)
speechless, castaway and wry a spellbound oddity am I my feet are locked upon the clay my gaze is locked upon the sky
Cecilia Dart-Thornton
He had a notebook. He took notes in it. It was always useful. And them Sybil, gods bless her, had brought him this fifteen-function imp which did so many other things, although as far as he could see at least ten of its functions consisted of apologizing for its inefficiency in the other five.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Two uniformed trolls were standing in front of Sergeant Colon's high desk, with a slightly smaller troll between them. This troll was wearing a slightly downcast expression. It was also wearing a tutu and had a small pair of gauzed wings glued to its back. " - happen to know that trolls don't have any tradition of a Tooth Fairy," Colon was saying. "Especially not one called' - he looked down - "Clinkerbell. So how about we just call it breaking and entering without a Thieves' Guild license?" "Is racial prejudice, not letting trolls have a Tooth Fairy," Clinkerbell muttered. One of the troll guards upended a sack on the desk. Various items of silverwear cascaded over the paperwork. "And this is what you found under their pillows, was it?" said Colon. "Bless dere little hearts," said Clinkerbell.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Vimes took the view that life was so full of things happening erratically in all directions that the chances of any of them making some kind of relevant sense were remote in the extreme. Colon, being by nature more optimistic and by intellect a good deal slower, was still at the Clues are Important stage.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
As one half of our nature seeks to create heroes to worship, the other must ceaselessly attempt to cast them down and discover evidence of feet-of-clay, in order to label them as mere lucky fellows, or as villains-were-the-facts-but-known, and the eminent and great are ground between the millstones of envy, and reduced again to common size.
Oakley Hall (Warlock (Legends West, #1))
What distinguishes gurus from more orthodox teachers is not their manic-depressive mood swings, not their thought disorders, not their delusional beliefs, not their hallucinatory visions, not their mystical states of ecstasy: it is their narcissism.* ANTHONY STORR, FEET OF CLAY
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
It's after school, after my double detentions for gym and chemistry, and I'm at Knead, about to begin working on a new piece. I wedge the clay out against my board, enjoying the therapeutic quality of each smack, prod, and punch. As the clay oozes between my fingers and pastes against my skin, images of all sorts begin to pop into my head. I try my best to push them away,to focus instead on the cold and clammy sensation of the mound and the way it helps me relax. But after only a few short minutes of solitude, I hear someone storm their way up the back stairwell. At first I think it's Spencer, but then I hear the voice: "I'm coming up the stairs," Adam bellows. "I'm approaching the studio area, about to pass by the sink." I turn to look, noticing he's standing only a few feet behind me now. "I hope I didn't startle you this time," he says. "Ha-ha." I hold back my smile. "I would have called your cell to tell you I was coming up, but you never gave me your number." "I'm fine," I assure him, unable to stifle a giggle.
Laurie Faria Stolarz (Deadly Little Lies (Touch, #2))
You're not suggesting that Vetinari tucks into a nice rat every day?" said Angua. "I've heard he uses rats as spies, so I don't think he'd use them as elevenses," said Carrot.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
The street was full of animals, milling around uncertainly. When animals are in a state of uncertainty they get nervous, and the street was already, as it were, paved with anxiety.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
It is not a good idea to spray finest brandy across the room, especially when your lighted cigar is in the way.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
The poor devils. They thought a king would make them free.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
This is it, he thought. This is where we’ve filled ourselves up with so many questions that they’re starting to overflow and become answers.
Terry Pratchett (Feet of Clay (Discworld, #19))
The continual cracking of your feet on the road makes a certain quantity of road come up into you. When a man dies they say he returns to clay but too much walking fills you up with clay far sooner (or buries bits of you along the road) and brings your death half-way to meet you. It is not easy to know what is the best way to move yourself from one place to another.
Flann O'Brien (The Third Policeman)
Watchmen were quiet drinkers on the whole. They just went from vertical to horizontal with the minimum amount of fuss, without starting major fights, and without damaging the fixtures overmuch
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
You Say To People 'Throw Off Your Chains' And They Make New Chains For Themselves?
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
I appreciate that bread isn't everyone's cup of tea.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
And summer isn't a time. It's a place as well. Summer is a moving creature and likes to go south for the winter.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
You're being reasonable again!" snapped Angua. "You're deliberately seeing everyone's point of view! Can't you try to be unfair even once?
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
These were dangerous thoughts, he knew. They were the kind that crept up on a Watchman when the chase was over and it was just you and him, facing one another in that breathless little pinch between the crime and the punishment. And maybe a Watchman had seen civilization with the skin ripped off one time too many and stopped acting like a Watchman and started acting like a normal human being and realized that the click of the crossbow or the sweep of the sword would make all the world so clean. And you couldn’t think like that, even about vampires. Even though they’d take the lives of other people because little lives don’t matter and what the hell can we take away from them? And, too, you couldn’t think like that because they gave you a sword and a badge and that turned you into something else and that had to mean there were some thoughts you couldn’t think. Only crimes could take place in darkness. Punishment had to be done in the light. That was the job of a good Watchman, Carrot always said. To light a candle in the dark.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Around him, the world became a crystal of horror, the special horror that has nothing to do with fangs or ichor or ghosts but has everything to do with the familiar becoming unfamiliar.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
He could hear his granny speaking. “No one’s too poor to buy soap.” Of course, many people were. But in Cockbill Street they bought soap just the same. The table might not have any food on it but, by gods, it was well scrubbed. That was Cockbill Street, where what you mainly ate was your pride.
Terry Pratchett (Feet of Clay (Discworld, #19))
It's a pervasive and beguiling myth that the people who design instruments of death end up being killed by them. There is almost no foundation in fact. Colonel Shrapnel wasn't blown up, M. Guillotin died with his head on, Colonel Gatling wasn't shot. If it hadn't been for the murder of cosh and blackjack maker Sir William Blunt-Instrument in an alleyway, the rumour would never have got started.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Peace is the gift of God. Do you want peace? Go to God. Do you want peace in your families? Go to God. Do you want peace to brood over your families? If you do, live your religion, and the very peace of God will dwell and abide with you, for that is where peace comes from, and it doesn't dwell anywhere else. . . . Some in speaking of war and troubles, will say are you not afraid? No, I am a servant of God, and this is enough, for Father is at the helm. It is for me to be as clay in the hands of the potter, to be pliable and walk in the light of the countenance of the Spirit of the Lord, and then no matter what comes. Let the lightnings flash and the earthquakes bellow, God is at the helm, and I feel like saying but little, for the Lord God Omnipotent reigneth and will continue his work until he has put all enemies under his feet, and his kingdom extends from the rivers to the ends of the earth.
John Taylor (Journal of Discourses)
Love seeketh not Itself to please Nor for itself hath any care, But for another gives its ease And builds a Heaven in Hell's despair.' So sung a little Clod of Clay Trodden with the cattle's feet, But a Pebble of the brook Warbled out these metres meet: 'Love seeketh only Self to please, To bind another to Its delight, Joys in another's loss of ease, And builds a Hell in Heaven's despite.
William Blake (Songs of Innocence and Experience)
But I was also becoming aware of the changes in my own energy as I walked over different kinds of terrain. Sometimes there was clay under my feet, sometimes iron ore, sometimes quartz or copper. I wanted to try to understand the connections between human energy and the earth itself. In
Marina Abramović (Walk Through Walls: A Memoir)
She couldn’t ever see how broken he was, while the rest of us stood and watched them. She was in jeans, bare feet and T-shirt, and maybe that’s what finished us off. She looked just like a Dunbar boy. With that haircut she was one of us.
Markus Zusak (Bridge of Clay)
I stood there, my head bowed, my shoulders hunched. This is how it feels to be dragged from the cement shoes of a comfortable rut. The slow, steady strain on my legs became an excruciating amputation. My ankles pulled free from my feet. Bones snapped, cartilage tore, veins pulsed blood onto the soft brown clay of the yard.
Deborah Smith (The Crossroads Cafe)
One of the advantages of a life much longer than average was that you saw how fragile the future was. Men said things like "peace in our time" or "an empire that will last a thousand years," and less than half a lifetime later no one even remembered who they were, let alone what they had said or where the mob had buried their ashes. What changed history were smaller things. Often a few strokes of the pen would do the trick.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Under the purple sky, fulgent stars, in subdued moonlight, surrounded by blinding darkness, on dewed grass, bare feet, I'll kiss you, I'll kiss you, to the testimony of stars and skies. I'll kiss you as such that love will erect from the soil, and coil around us, and our clays would become one.
Teufel Damon
Woman, even more than man, is a fetich worshipper, and though her idols may change, she is ever on her knees, ever holding up her hands, ever blind to the fact that her god has feet of clay. Thus woman has been the greatest supporter of all deities from time immemorial. Thus, too, she has had to pay the price that only gods can exact,—her freedom, her heart’s blood, her very life. Nietzsche’s memorable maxim, “When you go to woman, take the whip along,” is considered very brutal, yet Nietzsche expressed in one sentence the attitude of woman towards her gods. Religion, especially the Christian religion, has condemned woman to the life of an inferior, a slave. It has thwarted her nature and fettered her soul, yet the Christian religion has no greater supporter, none more devout, than woman. Indeed, it is safe to say that religion would have long ceased to be a factor in the lives of the people, if it were not for the support it receives from woman. The most ardent churchworkers, the most tireless missionaries the world over, are women, always sacrificing on the altar of the gods that have chained her spirit and enslaved her body.
Emma Goldman (Anarchism and Other Essays)
Love seeketh not Itself to please, Nor for itself hath any care; But for another gives its ease, And builds a Heaven in Hells despair. So sang a little Clod of Clay, Trodden with the cattle's feet; But a Pebble of the brook, Warbled out these metres meet. Love seeketh only Self to please, To bind another to Its delight: Joys in anothers loss of ease, And builds a Hell in Heavens despite. - "The Clod and the Pebble
William Blake (The Complete Poems)
That’s why we all hate ’em, he thought. Those expressionless eyes watch us, those big faces turn to follow us, and doesn’t it just look as if they’re making notes and taking names? If you heard that one had bashed in someone’s head over in Quirm or somewhere, wouldn’t you just love to believe it? A voice inside, a voice which generally came to him only in the quiet hours of the night or, in the old days, half-way down a whiskey bottle, added: Given how we use them, maybe we’re scared because we know we deserve it…
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
The boldest of the three (thieves) moved suddenly, grabbed Angua and pulled her upright. "We walk out of here unharmed or the girl gets it, all right?" he snarled. Someone sniggered. "I hope you're not going to kill anyone," said Carrot. "That's up to us!" "Sorry, was I talking to you?" said Carrot. "Don't worry, I'll be fine," said Angua. She looked around to make sure Cheery wasn't there and then sighed. "Come on, gentlemen, let's get this over with." "Don't play with your food!" said a voice from the crowd. There were one or two giggles until Carrot turned in his seat, whereupon everyone was suddenly intensely interested in their drinks. "It's OK," said Angua quietly. Aware that something was off kilter, but not quite sure what it was, the thieves edged back to the door. No one moved as they unbolted it and, still holding Angua, stepped out into the fog, shutting the door behind them. "Hadn't we better help," said a constable who was new to the Watch. "They don't deserve help," said Vimes. there was a clank of armor and then a long, deep growl, right outside in the street. And a scream and then another scream. and a third scream modulated with "NONONOnonononononoNO!...aarghaarghaargh!" Something heavy hit the door.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
I sat against one of the house’s clay walls. The kinship I felt suddenly for the old land... it surprised me. I’d been gone long enough to forget and be forgotten. I had a home in a land that might as well be in another galaxy to the people sleeping on the other side of the wall I leaned against. I thought I had forgotten about this land. But I hadn’t. And, under the bony glow of a halfmoon, I sensed Afghanistan humming under my feet. Maybe Afghanistan hadn’t forgotten me either. I looked westward and marveled that, somewhere over those mountains, Kabul still existed. It really existed, not just as an old memory, or as the heading of an AP story on page 15 of the San Francisco Chronicle. Somewhere over those mountains in the west slept the city where my harelipped brother and I had run kites. Somewhere over there, the blindfolded man from my dream had died a needless death. Once, over those mountains, I had made a choice. And now, a quarter of a century later, that choice had landed me right back on this soil.
Khaled Hosseini (The Kite Runner)
Both revelation and delusion are attempts at the solution of problems. Artists and scientists realize that no solution is ever final, but that each new creative step points the way to the next artistic or scientific problem. In contrast, those who embrace religious revelations and delusional systems tend to see them as unshakeable and permanent. . . . Religious faith is an answer to the problem of life. . . . The majority of mankind want or need some all-embracing belief system which purports to provide an answer to life’s mysteries, and are not necessarily dismayed by the discovery that their belief system, which they proclaim as “the truth,” is incompatible with the beliefs of other people. One man’s faith is another man’s delusion. . . . Whether a belief is considered to be a delusion or not depends partly upon the intensity with which it is defended, and partly upon the numbers of people subscribing to it.* ANTHONY STORR, FEET OF CLAY
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
The Words exploded. Great slabs of them, mountain-sized, crashed in showers of red sand. The universe poured in. Dorfl felt the universe pick it up and bowl it over and then lift it off its feet and up… …and now the golem was among the universe. It could feel it all around, the purr of it, the busyness, the spinning complexity of it, the roar… There were no Words between you and It. You belonged to It, It belonged to you. You couldn’t turn your back on It because there It was, in front of you. Dorfl was responsible for every tick and swerve of It. You couldn’t say, “I had orders.” You couldn’t say, “It’s not fair.” No one was listening. There were no Words. You owned yourself. Dorfl orbited a pair of glowing suns and hurtled off again. Not Thou Shalt Not. Say I Will Not. Dorfl
Terry Pratchett (Feet of Clay (Discworld, #19))
wax and seemed dumbfounded by the accident. Next thing he wanted to know 'how long it would take to' . . . I interrupted him again. Being hungry, you know, and kept on my feet too, I was getting savage. 'How could I tell,' I said. 'I hadn't even seen the wreck yet—some months, no doubt.' All this talk seemed to me so futile. 'Some months,' he said. 'Well, let us say three months before we can make a start. Yes. That ought to do the affair.' I flung out of his hut (he lived all alone in a clay hut with a sort of veranda) muttering to
Joseph Conrad (Heart of Darkness)
Ian Fleming The CBC Interview, 1953 He doesn’t use Anglo-Saxon four-letter words, “I don’t like seeing them on the page.” When asked why his novels are so popular in light of the dirtiness of the trade (of espionage), Fleming said, “The books have pace and plenty of action. And espionage is not regarded by the majority of the public as a dirty trade. They regard it as a rather sort of ah, ah very romantic affair… Spying has always been regarded as (a) very romantic one-man job, so-to-speak. A one man against a whole police force or an army.” Regarding heroes of his time, Fleming said, “I think that although they may have feet of clay, ah, we probably all have, and all human beings have, there’s no point in dwelling entirely on the feet. There are many other parts of the animal to be examined. And I think people like to read about heroes.” BBC Interview on Desert Island Discs Question: Had the character of James Bond been growing in your mind for a long time? Ian Fleming’s response: “No, I can’t say I had, really. He sort of, ah, developed when I was just on the edge of getting married, after having been a bachelor for so long, and I really wanted to take my mind off the agony. And so I decided to sit down and write a book.” Question: How much long do you think you can keep Bond going? Ian Fleming’s response: “Well, I don’t know. It depends on how much I, how much more I can go on following his adventures.” Question: You don’t feel he’s keeping you from more serious writing? Ian Fleming’s response: “No. I’m not in the Shakespeare stakes. I’ve got no ambitions.
Ian Fleming
That was before Clay moved those big, warm hands up over her body, spreading one on her lower back while the other curved around her nape. The hold was so proprietary, so aggressive, it should’ve scared her into running in the other direction. Instead it sparked a darkly sexual heat in her, stoking her need past blazing. She melted into him, pressing her aching breasts against the solid wall of his chest. He purred into her mouth. Nipples shocked into sudden pleasure by the vibration, she pulled back. “You purr?” His smile was pure cat. “Only for you.” Any resistance she might’ve harbored to this dangerous, inevitable escalation in their relationship dissolved into a big fat pool at her feet. He was being charming. Clay did not do charm, not for anyone. Except, it seemed, her. She pressed a kiss to his jaw. “Stop being so sexy.” His smile widened and, sliding his hand from her nape to her hair, he tugged back her head so he could kiss her again. The embers in her stomach burst into flame as she realized she was rubbing her nipples against him. He didn’t seem to mind—he was doing that purring thing again.
Nalini Singh (Mine to Possess (Psy-Changeling, #4))
From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space. Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.
Albert Camus
Where the hell did the Pack find you two? At a beach volleyball tournament? Great tan. Love those curls.” LeBlanc shook his head. “He’s not even as big as I am. He’s what, six foot nothing? Two hundred pounds in steel-toed boots? Christ. I’m expecting some ugly bruiser bigger than Cain and what do I find? The next Baywatch star. Looks like his IQ would be low enough. Can he chew gum and tie his shoes at the same time?” Clay stopped playing with his chair and turned to face the mirror. He got up, crossed the room, and stood in front of me. I was leaning forward, one hand pressed against the glass. Clay touched his fingertips to mine and smiled. LeBlanc jumped back. “Fuck,” he said. “I thought that was one-way glass.” “It is.” Clay turned his head toward LeBlanc and mouthed three words. Then the door to his room opened and one of the officers called him out. Clay grinned at me, then sauntered out with the officer. As he left, a surge of renewed confidence ran through me. “What did he say?” LeBlanc asked. “Wait for me.” “What?” “It’s a challenge,” Marsten murmured from across the room. He didn’t look up from his magazine. “He’s inviting you to stick around and get to know him better.” “Are you going to?” LeBlanc asked. Marsten’s lips curved in a smile. “He didn’t invite me.” LeBlanc snorted. “For a bunch of killer monsters, the whole lot of you are nothing but hot air. All your rules and challenges and false bravado.” He waved a hand at me. “Like you. Standing there so nonchalantly, pretending you aren’t the least bit concerned about having the two of us in the room.” “I’m not.” “You should be. Do you know how fast I could kill you? You’re standing two feet away from me. If I had a gun or knife in my pocket, you’d be dead before you had time to scream.” “Really? Huh.” LeBlanc’s cheek twitched. “You don’t believe me, do you? How do you know I’m not packing a gun? There’s no metal detector at the door. I could pull one out now, kill you, and escape in thirty seconds.” “Then do it. I know, you don’t like our little games, but humor me. If you have a gun or a knife, pull it out. If not, pretend to. Prove you could do it." “I don’t need to prove anything. Certainly not to a smart-mouthed—” He whipped his hand up in mid-sentence. I grabbed it and snapped his wrist. The sound cracked through the room. The receptionist glanced over, but LeBlanc had his back to her. I smiled at her and she turned away. “You—fucking—bitch,” LeBlanc gasped, cradling his arm. “You broke my wrist.” “So I win.” His face purpled. “You smug—” “Nobody likes a sore loser,” I said. “Grit your teeth and bear it. There’s no crying in werewolf games. Didn’t Daniel teach you that?
Kelley Armstrong (Bitten (Otherworld, #1))
After all, a kiss between real lovers is not some type of contract, a neatly defined moment of pleasure, something obtained by greedy conquest, or any kind of clear saying of how it is. It is a grief-drenched hatching of two hearts into some ecstatic never-before-seen bird whose new uncategorizable form, unrecognized by the status quo, gives the slip to Death's sure rational deal. For love is a delicious and always messy extension of life that unfrantically outgrows mortality's rigid insistence on precise and efficient definition. Having all the answers means you haven't really ecstatically kissed or lived, thereby declaring the world defined and already finished. Loving all the questions on the other hand is a vitality that makes any length of life worth living. Loving doesn't mean you know all the notes and that you have to play all the notes, it just means you have to play the few notes you have long and beautifully. Like the sight of a truly beautiful young woman, smooth and gliding, melting hearts at even a distant glimpse, that no words, no matter how capable, can truly describe; a woman whose beauty is only really known by those who take a perch on the vista of time to watch the years of life speak out their long ornate sentences of grooves as they slowly stretch into her smoothness, wrinkling her as she glides struggling, decade by decade, her gait mitigated by a long trail of heavy loads, joys, losses, and suffering whose joint-aching years of traveling into a mastery of her own artistry of living, becomes even more than beauty something about which though we are even now no more capable of addressing than before, our admiration as original Earth-loving human beings should nonetheless never remain silent. And for that beauty we should never sing about, but only sing directly to it. Straightforward, cold, and inornate description in the presence of such living evidence of the flowering speech of the Holy in the Seed would be death of both the beauty and the speaker. Even if we always fail when we speak, we must be willing to fail magnificently, for even an eloquent failure, if in the service of life, feeds the Divine. Is it not a magical thing, this life, when just a little ash, cinder, and unclear water can arrange themselves into a beautiful old woman who sways, lifts, kisses, loves, sickens, argues, loses, bears up under it all, and, wrinkling, still lives under all that and yet feeds the Holy in Nature by just the way she moves barefoot down a path? If we can find the hearts, tongues, and brightness of our original souls, broken or not, then no matter from what mess we might have sprung today, we would be like those old-time speakers of life; every one of us would have it in our nature to feel obligated by such true living beauty as to know we have to say something in its presence if only for our utter feeling of awe. For, finally learning to approach something respectfully with love, slowly with the courtesy of an ornate indirectness, not describing what we see but praising the magnificence of her half-smiles of grief and persistent radiance rolling up from the weight-bearing thumping of her fine, well-oiled dusty old feet shuffling toward the dawn reeds at the edge of her part of the lake to fetch a head-balanced little clay jar of water to cook the family breakfast, we would know why the powerful Father Sun himself hurries to get his daily glimpse of her, only rising early because she does.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)