Feeling Pushed Aside Quotes

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She is oxygen, carbon, hydrogen, nitrogen, calcium, and phosphorus. The same elements that are inside the rest of us, but I can’t help thinking she’s more than that and she’s got other elements going on that no one’s ever heard of, ones that make her stand apart from everybody else. I feel this brief panic as I think, What would happen if one of those elements malfunctioned or just stopped working altogether? I make myself push this aside and concentrate on the feel of her skin until I no longer see molecules but Violet.
Jennifer Niven (All the Bright Places)
Over the years, I have come to realize that the greatest trap in our life is not success, popularity, or power, but self-rejection. Success, popularity, and power can indeed present a great temptation, but their seductive quality often comes from the way they are part of the much larger temptation to self-rejection. When we have come to believe in the voices that call us worthless and unlovable, then success, popularity, and power are easily perceived as attractive solutions. The real trap, however, is self-rejection. As soon as someone accuses me or criticizes me, as soon as I am rejected, left alone, or abandoned, I find myself thinking, "Well, that proves once again that I am a nobody." ... [My dark side says,] I am no good... I deserve to be pushed aside, forgotten, rejected, and abandoned. Self-rejection is the greatest enemy of the spiritual life because it contradicts the sacred voice that calls us the "Beloved." Being the Beloved constitutes the core truth of our existence.
Henri J.M. Nouwen
Don't say it's over ‘Cause that's the worst news I could hear I swear that I will Do my best to be here just the way you like it Even though it’s hard to hide Push my feelings all aside I will rearrange my plans and change for you. (-The Avett Brothers)
Colleen Hoover (Slammed (Slammed, #1))
Zane swallowed hard as he slid his hand to take Ty’s and lace their fingers together. “Are you feeling this, too?” he asked, echoing what they’d asked each other months ago, only to have it pushed aside. But not forgotten.
Abigail Roux (Cut & Run (Cut & Run, #1))
She pushed the bathroom door open to discover Magnus lurking on the other side, clutching a towel in one hand and his glittery hair in the other. He must have slept on it, she thought, because one side of the glittered spikes looked dented in. “Why does it take girls so long to shower?” he demanded. “Mortal girls, Shadowhunters, female warlocks, you’re all the same. I’m not getting any younger waiting out here.” Clary stepped aside to let him pass. “How old are you, anyway?” she asked curiously. Magnus winked at her. “I was alive when the Dead Sea was just a lake that was feeling a little poorly.” Clary rolled her eyes. Magnus made a shooing moving. “Now move your petite behind. I need to get in there; my hair is a wreck.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I hate feeling as though I don't fit right in my own skin. As though the anxiety takes up too much space, pushing me aside.
Tricia Levenseller (Blade of Secrets (Bladesmith, #1))
...if something hurts me, the hurts I suffered back then come back to me, and when I feel guilty, the feelings of guilt return; if I yearn for something today, or feel homesick, I feel the yearnings and homesickness from back then. The tectonic layers of our lives rest so tightly one on top of the other that we always come up against earlier events in later ones, not as matter that has been fully formed and pushed aside, but absolutely present and alive.
Bernhard Schlink (The Reader)
Domination was and is at the heart of penis politics: a man maintaining power over a woman through gender or sex-based control…. Andrew (Cuomo) was the master of the art of penis politics. In Washington, he’d given me a job and then worked to undermine me in it. He made me feel as if I were no good at my job and, thus, totally dependent on him to keep it…. I had never seen anyone push so hard, day, noon, and night… But I was soon to learn that, as Andrew pushed up and up, some of us would be pushed aside.
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
Kell had a strange feeling about the girl, but he pushed it aside.
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
My name...my name is Mary. I'm here with a friend.' Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered. 'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.' Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly. He closed his eyes. 'Say something else.' 'What?' she asked, baffled. 'Talk. Talk to me. I want to hear your voice.' She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?' He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin. 'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better. 'Could you... could you please let go of me?' 'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.' She started to struggle. 'You're crowding me.' 'I know. Talk.' 'Oh for God's sake, what do you want me to say?' Even exasperated, her voice was beautiful. 'Anything.' 'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.' He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft. 'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon. When she pushed against him, he leaned his full weight into her. Her breath came out in a rush. 'Please,' he murmured. Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.' He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.' 'What?' 'Nothing. Say nothing. Over and over and over again. Do it.' She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.' "Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
We should go back inside," she said, in a half whisper. She did not want to go back inside. She wanted to stay here, with Will achingly close, almost leaning into her. She could feel the heat that radiated from his body. His dark hair fell around the mask, into his eyes, tangling with his long eyelashes. "We have only a little time-" She took a step forward-and stumbled into Will, who caught her. She froze-and then her arms crept around him, her fingers lacing themselves behind his neck. Her face was pressed against his throat, his soft hair under her fingers. She closed her eyes, shutting out the dizzying world, the light beyond the French windows, the glow of the sky. She wanted to be here with Will, cocooned in this moment, inhaling the clean sharp scent of him., feeling the beat of his heart against hers, as steady and strong as the pulse of the ocean. She felt him inhale. "Tess," he said. "Tess, look at me." She raised her eyes to his, slow and unwilling, braced for anger or coldness-but his gaze was fixed on hers, his dark blue eyes somber beneath their thick black lashes, and they were stripped of all their usual cool, aloof distance. They were as clear as glass and full of desire. And more than desire-a tenderness she had never seen in them before, had never even associated with Will Herondale. That, more than anything else, stopped her protest as he raised his hands and methodically began to take the pins from her hair, one by one. This is madness, she thought, as the first pin rattled to the ground. They should be running, fleeing this place. Instead she stood, wordless, as Will cast Jessamine's pearl clasps aside as if they were so much paste jewelry. Her own long, curling dark hair fell down around her shoulders, and Will slid his hands into it. She heard him exhale as he did so, as if he had been holding his breath for months and had only just let it out. She stood as if mesmerized as he gathered her hair in his hands, draping it over one of her shoulders, winding her curls between his fingers. "My Tessa," he said, and this time she did not tell him that she was not his. "Will," she whispered as he reached up and unlocked her hands from around his neck. He drew her gloves off, and they joined her mask and Jessie's pins on the stone floor of the balcony. He pulled off his own mask next and cast it aside, running his hands through his damp black hair, pushing it back from his forehead. The lower edge of the mask had left marks across his high cheekbones, like light scars, but when she reached to touch them, he gently caught at her hands and pressed them down. "No," he said. "Let me touch you first. I have wanted...
Cassandra Clare
Pretending to be passionate when we are truly depressed doesn’t help. Numbing our feelings only makes things worse. Depression taught me to experience all of my feelings and not push them aside.
Yong Kang Chan (The Emotional Gift: Memoir of a Highly Sensitive Person Who Overcame Depression)
The Butterfly Effect Close your eyes and think about that boy. Tell me how he makes you feel. Let your mind trace over his tired shoulders. Allow your thoughts to linger on that beautiful smile. Take a deep breath and try to push those dark feelings aside. For once let go of the reins you've wrapped so tightly around your heart. I know you are scared. Who could blame you? Love is a hurricane wrapped inside a chrysalis. And you are a girl walking into the storm.
Lang Leav (Memories)
Forgiveness is the easiest thing in the world, Justin thinks. All you do is just decide to do it, and then it’s done. Instantly you feel better, like pushing aside a quilt that is too heavy for sleeping. Forgetting is the hard part.
Silas House (Southernmost)
Straddling him intimately, he slides his hands up my thighs, pushing the silk aside and caressing my pale, exposed skin. Even against his uniform, I can feel his hardness. His body feels taut and poised for action.
Felicity Brandon (Erotic Fantasies)
The world tried to crush you, and you refused to be shattered. You've recovered from every setback a stronger person, rising form the ashes only to astonish everyone around you. And you will continue to surprise and confuse those who underestimate you. It is an inevitability. A forgone conclusion. But you should know now that being a leader is a thankless occupation. Few will ever be grateful for what you do or for the changes you implement. Their memories will be short, convenient. Your every success will be scruntinized. Your accomplishments will be brushed aside, breeding only greater expectations from those around you. Your power will push you further away from your friends. You will be made to feel lonely. Lost. You will long for validation from those you once admired, agonizing between pleasing old friends and doing what is right. But you must never, ever let the idiots into your head. They will only lead you astray.
Tahereh Mafi (Restore Me (Shatter Me, #4))
At any rate, that’s what I think when I just happen to think about it. But if something hurts me, the hurts I suffered back then come back to me, and when I feel guilty, the feelings of guilt return; if I yearn for something today, or feel homesick, I feel the yearnings and homesickness from back then. The tectonic layers of our lives rest so tightly one on top of the other that we always come up against earlier events in later ones, not as matter that has been fully formed and pushed aside, but absolutely present and alive.
Bernhard Schlink (The Reader)
I hate feeling as though I don’t fit right in my own skin. As though the anxiety takes up too much space, pushing me aside.
Tricia Levenseller (Blade of Secrets (Bladesmith, #1))
Sometimes life feels like a hamster wheel. You get caught up in the practicalities of existence and all the joy gets pushed aside in favor of necessity.
Sophie Cousens (Before I Do)
In 1924, Nikola Tesla was asked why he never married? His answer was this: "I had always thought of woman as possessing those delicate qualities of mind and soul that made her in her respects far superior to man. I had put her on a lofty pedestal, figuratively speaking, and ranked her in certain important attributes considerably higher than man. I worshipped at the feet of the creature I had raised to this height, and, like every true worshiper, I felt myself unworthy of the object of my worship. But all this was in the past. Now the soft voiced gentle woman of my reverent worship has all but vanished. In her place has come the woman who thinks that her chief success in life lies on making herself as much as possible like man - in dress, voice, and actions, in sports and achievements of every kind. The world has experience many tragedies, but to my mind the greatest tragedy of all is the present economic condition wherein women strive against men, and in many cases actually succeed in usurping their places in the professions and in industry. This growing tendency of women to overshadow the masculine is a sign of a deteriorating civilization. Practically all the great achievements of man until now have been inspired by his love and devotion to woman. Man has aspired to great things because some woman believed in him, because he wished to command her admiration and respect. For these reasons he has fought for her and risked his life and his all for her time and time again. Perhaps the male in society is useless. I am frank to admit that I don't know. If women are beginning to feel this way about it - and there is striking evidence at hand that they do - then we are entering upon the cruelest period of the world's history. Our civilization will sink to a state like that which is found among the bees, ants, and other insects - a state wherein the male is ruthlessly killed off. In this matriarchal empire which will be established, the female rules. As the female predominates, the males are at her mercy. The male is considered important only as a factor in the general scheme of the continuity of life. The tendency of women to push aside man, supplanting the old spirit of cooperation with him in all the affairs of life, is very disappointing to me." Galveston Daily News, Galveston, Texas, page 23. August 10, 1924.
Nikola Tesla
Do you hear it?" Samuel asked, his eyes penetrating. "I don't hear it...but I know it's there." I struggled to express something that I'd never put into words. "Sometimes I think if I could just SEE without my eyes, the way I FEEL without my hands, I would be able to HEAR the music. I don't use my hands to feel love or joy or heartache - but I still feel them all the same. My eyes let me see incredibly beautiful things, but sometimes I think that what I SEE gets in the way of what's...what's just beyond the beauty. Almost like the beauty I can SEE is just a very lovely curtain, distracting me from what's on the other side...and if I just knew how to push that curtain aside, there the music would be." I threw up my hands in frustration. "I can't really explain it.
Amy Harmon (Running Barefoot)
The strongest drive inside of a submissive, underneath all their emotional wounds, is for the Master to push aside any curtains or walls they may have erected to separate them from their true self, the naked, vulnerable soul. Because that soul wants only one thing. Do you want to know what that is?" <…> "I don't want to know. That's not what the training's about." "Wrong. That's what submissive training is all about. Getting past those shields so she feels truly bound to her Master, a part of him as he's a part of her. The ultimate connection, where thought isn't necessary. They're together in the most elemental and perfect way there is. She stared at him. "Let me go, Tyler. I can't do this." "You can. You will.
Joey W. Hill (Ice Queen (Nature of Desire, #3))
Do you know what Aunt Marmoset told me once? She compared you to a spice drop. Overpowering and hard at first, but all sweetness at the center. I’ll admit, I’ve been desperate to try an experiment.” She gave him a teasing look. “How many times do you suppose I could lick you before you crack?” His every muscle tightened. Smiling, she tucked her face into the curve of his neck and ran her tongue seductively over his skin. “There’s one.” “Katie.” The word was a low, throaty warning. It made her toes curl. She nuzzled at the notch of his open shirt, pushing the fabric aside. The familiar musk of his skin stirred her in deep places. With a teasing swirl of her tongue, she tasted the notch at the base of his throat. “Two . . .” “Finn,” he called in a booming voice, lifting his head. “Send for the vicar.” She pulled back, shocked. “Two? That’s all, truly? Two? I’m not sure whether to feel proud or disappointed.
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
And when you're shooting at rocks, pushed aside, pulled back, you proceed. Follow your goal, slowly walk the, endure any adversity and success is inevitable. Then you look back, look at all of them, the needy, who are still standing in the same place and do the same to others. This time, you will extol, saying that they are responsible for your success. Forgive and feel sorry for yourself, have not helped you succeed, and they were left behind.
Slaviša Pavlović (Nema šanse da ne uspem)
Girls with Sharp Sticks” Men are full of rage Unable to control themselves. That’s what women were told How they were raised What they believed. So women learned to make do Achieving more as men did less And for that, men despised them Despised their accomplishments. Over time The men wanted to dissolve women’s rights All so they could feel needed. But when they couldn’t control women The men found a group they didn’t disdain— At least not yet. Their daughters, pretty little girls A picture of femininity for them to mold To train To control To make precious and obedient. She would make a good wife someday, he thought Not like the useless one he had already. The little girls attended school Where the rules had changed. The girls were taught untruths, Ignorance the only subject. When math was pushed aside for myth The little girls adapted. They gathered sticks to count them learning their own math. And then they sharpened their sticks. It was these same little girls Who came home one day And pushed their daddies down the stairs. They bashed in their heads with hammers while they slept. They set the houses on fire with their daddies inside. And then those little girls with sharp sticks Flooded the schools. They rid the buildings of false ideas. The little girls took everything over Including teaching their male peers how to be “Good Little Boys.” And so it was for a generation The little girls became the predators.
Suzanne Young (Girls with Sharp Sticks (Girls with Sharp Sticks, #1))
Did we all, in our own ways, push our feelings aside into tidy compartments to make room for the difficult parts of life?
Bella Forrest (Darkblood (Darklight #4))
Then Deborah stood at the wicket gate, the boundary, and there was a woman with outstretched hand, demanding tickets. "Pass through," she said when Deborah reached her. "We saw you coming." The wicket gate became a turnstile. Deborah pushed against it and there was no resistance, she was through. "What is it?" she asked. "Am I really here at last? Is this the bottom of the pool?" "It could be," smiled the woman. "There are so many ways. You just happened to choose this one." Other people were pressing to come through. They had no faces, they were only shadows. Deborah stood aside to let them by, and in a moment they had gone, all phantoms. "Why only now, tonight?" asked Deborah. "Why not in the afternoon, when I came to the pool?" "It's a trick," said the woman. "You seize on the moment in time. We were here this afternoon. We're always here. Our life goes on around you, but nobody knows it. The trick's easier by night, that's all." "Am I dreaming, then?" asked Deborah. "No," said the woman, "this isn't a dream. And it isn't death, either. It's the secret world." The secret world... It was something Deborah had always known, and now the pattern was complete. The memory of it, and the relief, were so tremendous that something seemed to burst inside her heart. "Of course..." she said, "of course..." and everything that had ever been fell into place. There was no disharmony. The joy was indescribable, and the surge of feeling, like wings about her in the air, lifted her away from the turnstile and the woman, and she had all knowledge. That was it - the invasion of knowledge. ("The Pool")
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
You going to the game tonight?" I was about to answer,but another voice rang out from just behind me. "She'd better," Jack said as he wrapped an arm around my waist and pulled me back against him. I could smell the fresh leather on his letterman jacket as I crunched against it. "Why is that?" I asked,smiling and instantly warm in his arms.I still couldn't get over the fact that Jack Caputo and I were...together. It was hard to think the word. We had been friends for so long.To be honest, he had been friends with me and I had been secretly pining for him since...well, since forever. But now he was here. It was my waist he held. It didn't seem real. "I can't carry the team to victory without you," he said. "You're my rabbit's foot." I craned my neck around to look at him. "I've always dreamed of some guy saying that to me." He pressed his lips to the base of my neck, and heat rushed to my cheeks. "I love making you turn red," he whispered. "It doesn't take much. We're in the middle of the hallway." "You want to know what else I love?" His tone was playful. "No," I said, but he wasn't listening. He took his fingers and lightly railed them up my spine,to the back of my neck.Instant goose bumps sprang up all over my body,and I shuddered. "That." I could feel his smile against my ear. Jack was always smiling.It was what made him so likable. By this time,Jules had snaked her way through the throng of students. "Hello, Jack.I was in the middle of a conversation with Becks.Do you mind?" she said with a smirk. Right then a bunch of Jack's teammates rounded the corner at the end of the hallway,stampeding toward us. "Uh-oh," I said. Jack pushed me safely aside just before they tackled him, and Jules and I watched as what seemed like the entire football team heaped on top of their starting quarterback. "Dating Jack Caputo just might kill you one day." Jules laughed. "You sure it's worth it?" I didn't answer,but I was sure. In the weeks following my mother's death, I had spent nearly every morning sitting at her grave.Whispering to her, telling her about my day, like I used to each morning before she died. Jack came with me to the cemetary most days. He'd bring a book and read under a tree several headstones away,waiting quietly, as if what I was doing was totally normal. We hadn't even been together then. It had been only five months since my mom died. Five months since a drunk driver hit her during her evening jog. Five months since the one person who knew all my dreams disappeared forever. Jack was the reason I was still standing. Yeah,I was sure he was worth it.The only thing I wasn't sure about was why he was with me.
Brodi Ashton (Everneath (Everneath, #1))
Pushing all doubts and fears aside, I let myself feel. Just this once I wanted to take this for myself. If it is all I would ever have of him, then I wanted to make it something to remember.
Jordan Silver (Hold Me If You Can (The Mancini Way, #2))
Yes, it's hard to start seeing your mother as she is, hard to push aside all the resentment and anger that you may feel and see her as another woman. Hard, but worth every bit of the effort.
Kathleen Gilles Seidel (Don't Forget to Smile (Hometown Memories Book 2))
Savannah's fear was being pushed aside by the heated tenderness of Gregori's mouth, by the gentleness in his caressing hands. He carelessly shoved the sheet down, exposing her bare breasts to his hungry gaze. Hot. He was so hot. Savannah could not stand the feel of the thin sheet of her heated hips, twisting around her legs. Her hands were tangled in Gregori's thick hair, crushing it in her fingers like so much silk.His shirt was open to his tapered waist, his hard muscles pressing against her soft breasts. The rough,dark hair on his chest rasped erotically over nipples. A wave of heat heralded a storm of fire, through him, through her. Savannah's hands, of their own accord, pushed his shirt from his wide shoulders. She watched with enormous eyes as he slowly shrugged out of it, his silver gaze holding her blue one captive. She was drowning in those pale, mesmerizing eyes. Eyes filled with such intensity, with so much hunger for one woman. Her. Only her.
Christine Feehan (Dark Magic (Dark, #4))
I think that loss, pain, grief, don’t have a scale. It’s not about who has more reason or less. You’re suffering. Don’t devalue it or push it aside. It’s yours, and you get to feel however you want.
Namrata Patel (The Curious Secrets of Yesterday)
During the hiding time I lived for the day that the war would end, when I would be able to go into the hiding place, throw open the doors, and say to my friends, “Now go home!” This was not to be. Perhaps when the time comes for me to join Jan and our friends in the hereafter, I’ll push aside the bookcase, walk behind it, climb the steep wooden stairway, careful not to hit my head on the low ceiling where Peter nailed the old towel to it. Upstairs Jan will be leaning against the edge of the dresser, his long legs stretched out, the cat Mouschi in his arms. All the others will be sitting around the table and will greet me when I enter. And Anne, with her usual curiosity, will get up and rush toward me saying, “Hello, Miep. What is the news?” I doubt I have very long to wait. People ask me what it is like to have outlived almost everyone whose history I have shared. It is a strange feeling. Why me? Why was I spared the concentration camp after being caught helping to hide Jews? This I will never know.
Miep Gies (Anne Frank Remembered: The Story of the Woman Who Helped to Hide the Frank Family)
As far as he was concerned, all women wanted all men. And vice versa. What stood in the way between a man and a woman at Cafe Algiers was a few chairs, a table, maybe a door--material distance. All a man needed was the will and above all the patience to wait out a woman's scruples or help her brush them aside. As in a game of penny poker, he explained, all that matters was simply the will to keep raising the pot by a single penny each time; a single penny, not two; a single penny was easy, you wouldn't even feel it; but you had to wait for her to raise you by a penny as well, which is when you'd raise her by another, she by yet another, and so on. Seduction was not pushing people into doing things they did not wish to do. Seduction was just keeping the pennies coming.
André Aciman (Harvard Square)
Security ... what does this word mean in relation to life as we know it today? For the most part, it means safety and freedom from worry. It is said to be the end that all men strive for; but is security a utopian goal or is it another word for rut? Let us visualize the secure man; and by this term, I mean a man who has settled for financial and personal security for his goal in life. In general, he is a man who has pushed ambition and initiative aside and settled down, so to speak, in a boring, but safe and comfortable rut for the rest of his life. His future is but an extension of his present, and he accepts it as such with a complacent shrug of his shoulders. His ideas and ideals are those of society in general and he is accepted as a respectable, but average and prosaic man. But is he a man? has he any self-respect or pride in himself? How could he, when he has risked nothing and gained nothing? What does he think when he sees his youthful dreams of adventure, accomplishment, travel and romance buried under the cloak of conformity? How does he feel when he realizes that he has barely tasted the meal of life; when he sees the prison he has made for himself in pursuit of the almighty dollar? If he thinks this is all well and good, fine, but think of the tragedy of a man who has sacrificed his freedom on the altar of security, and wishes he could turn back the hands of time. A man is to be pitied who lacked the courage to accept the challenge of freedom and depart from the cushion of security and see life as it is instead of living it second-hand. Life has by-passed this man and he has watched from a secure place, afraid to seek anything better What has he done except to sit and wait for the tomorrow which never comes? Turn back the pages of history and see the men who have shaped the destiny of the world. Security was never theirs, but they lived rather than existed. Where would the world be if all men had sought security and not taken risks or gambled with their lives on the chance that, if they won, life would be different and richer? It is from the bystanders (who are in the vast majority) that we receive the propaganda that life is not worth living, that life is drudgery, that the ambitions of youth must he laid aside for a life which is but a painful wait for death. These are the ones who squeeze what excitement they can from life out of the imaginations and experiences of others through books and movies. These are the insignificant and forgotten men who preach conformity because it is all they know. These are the men who dream at night of what could have been, but who wake at dawn to take their places at the now-familiar rut and to merely exist through another day. For them, the romance of life is long dead and they are forced to go through the years on a treadmill, cursing their existence, yet afraid to die because of the unknown which faces them after death. They lacked the only true courage: the kind which enables men to face the unknown regardless of the consequences. As an afterthought, it seems hardly proper to write of life without once mentioning happiness; so we shall let the reader answer this question for himself: who is the happier man, he who has braved the storm of life and lived or he who has stayed securely on shore and merely existed?
Hunter S. Thompson
During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show. Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars. It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily? One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him. When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.” And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda. Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic. Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp. Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.
George Takei
But that so rarely works. And if our hearts and brains don’t acknowledge these kinds of truths, they don’t just go away. They burrow into our bodies. For me, any truth I try to push aside seems to seek asylum in my lumbar curve. Ignoring it doesn’t make it go away; it just makes it a refugee. And the refugee camp that establishes itself in my low back grows and gets more and more painful over time. There is a cost to trying to deny pain, to trying to deny ourselves the process of grieving. Eventually our bodies must process it, and there will be, in the end, an emotional balloon payment that comes due.
Nadia Bolz-Weber (Shameless: A Case for Not Feeling Bad About Feeling Good (About Sex))
Most of us can only recall important events in our childhood. The inner child tends to be pushed aside when we grow up and develop our identity as an adult. However, the unresolved hurtful feelings that we have carried since childhood still reside in our memories and body, whether we are aware of them or not.
Yong Kang Chan (Parent Yourself Again: Love Yourself the Way You Have Always Wanted to Be Loved (Self-Compassion Book 3))
Curran rested the back of his head on the edge of the hot tub and closed his eyes. I stared at the way his face looked, etched against the darkness of the wall. He really was a handsome bastard. Poised like this, he seemed very human. Nobody to impress. Nobody to command. Just him, in the hot water, tired, hurting, stealing a few precious moments of rest, and so irresistibly erotic. Well, that last one came out of nowhere. It was the beer. Had to be. Despite all his growling and threats, his arrogance, I liked being next to him. He made me feel safe. It was a bizarre emotion. I was never safe. I closed my eyes. That seemed like the only reasonable way out of the situation. If I couldn’t see him, I couldn’t drool over him. “So you didn’t want to see me hurt?” he said. His voice was deceptively smooth and soft, the deep, throaty, sly purr of a giant cat who wanted something. Admitting that I took his well-being into consideration might have been a fatal mistake. “I didn’t want you to have to kill Derek.” “And if he had gone loup?” “I would have taken care of it.” “How exactly were you planning on pushing Jim aside? He was the highest alpha. The duty was his.” “I pulled rank,” I told him. “I declared that since you had accepted the Order’s assistance, I outranked everybody.” He laughed. “And they believed you?” “Yep. I also glared menacingly for added effect. Unfortunately, I can’t make my eyes glow the way yours do.” “Like this?” he breathed in my ear. My eyes snapped open. He stood inches away, anchored on the tub floor, his arms leaning on the tub wall on each side of me. His eyes were molten gold, but it wasn’t the hard, lethal glow of an alpha stare. This gold was warm and enticing, touched with a hint of longing. “Don’t make me break this bottle over your head,” I whispered. “You won’t.” He grinned. “You don’t want to see me hurt.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Although she continued to knit, and sat upright, it was thus that she felt herself; and this self having shed its attachments was free for the strangest adventures. When life sank down for a moment, the range of experience seemed limitless. And to everybody there was always this sense of unlimited resources, she supposed; one after another, she, Lily, Augustus Carmichael, must feel, our apparitions, the things you know us by, are simply childish. Beneath it is all dark, it is all spreading, it is unfathomably deep; but now and again we rise to the surface and that is what you see us by. Her horizon seemed to her limitless. There were all the places she had not seen; the Indian plains; she felt herself pushing aside the thick leather curtain of a church in Rome. This core of darkness could go anywhere, for no one saw it. They could not stop it, she thought, exulting. There was freedom, there was peace, there was, most welcome of all, a summoning together, a resting on a platform of stability.
Virginia Woolf (To the Lighthouse)
His breaths are coming faster, his blue eyes piercing me even as his cock begins to push its way in. I release a breath at the sensation of him filling me up. He feels … sublime. Pestilence has only partially sheathed himself when he pauses, his forehead dropping to my shoulder. He releases a shuddering breath, then lifts his head once more to stare at my face as he enters me, his expression one of rapture. His gaze continues to brighten until he’s fully seated inside of me. “This is suffering,” he says. “Exquisite suffering.” God is he right. This is that place where pain and pleasure meet. I reach for him. My fingers brush his crown, which somehow managed to stay on his head this entire time. Gently, I set it aside. He tracks my every movement but doesn’t protest. Can’t believe he’s inside me. If he was breathtaking before, now, this close to me, he’s almost unbearable to look at—like trying to stare down the sun. Slowly he pulls out of me, then thrusts forward. A groan slips out of him. “Cannot unknow this sensation … surely it will haunt me for all my days.” He starts out slow, savoring each stroke of his hips like I do good chocolate. But like good chocolate, the savoring gives way to indulgence. His pace picks up, and soon he’s not gently stroking me, but fucking me in a frenzy, his hands finding my hips and pulling me closer, closer.
Laura Thalassa (Pestilence (The Four Horsemen, #1))
I smile at my friends, but Mer and Rashmi and Josh are distracted, arguing about something that happened over dinner. St. Clair sees me and smiles back. "Good?" I nod.He looks pleased and ducks into the row after me. I always sit four rows up from the center, and we have perfectseats tonight.The chairs are classic red. The movie begins,and the title screen flashes up. "Ugh,we have to sit through the credits?" Rashmi asks. They roll first,like in all old films. I read them happily. I love credits. I love everything about movies. The theater is dark except for the flicker of blacks and whites and grays on-screen. Clark Gable pretends to sleep and places his hand in the center of an empty bus seat. After a moment of irritation,Claudette Colbert gingerly plucks it aside and sits down. Gable smiles to himself,and St. Clair laughs. It's odd,but I keep finding myself distracted. By the white of his teeth through the darkness.By a wavy bit of his hair that sticks straight out to the side. By the soft aroma of his laundry detergent. He nudges me to silently offer the armrest,but I decline and he takes it.His arm is close to mine,slightly elevated. I glance at his hands.Mine are tiny compared to his large,knuckly boy hands. And,suddenly,I want to touch him. Not a push,or a shove,or even a friendly hug. I want to feel the creases in his skin,connect his freckles with invisible lines,brush my fingers across the inside of his wrist. He shifts. I have the strangest feeling that he's as aware of me as I am of him. I can't concentrate. The characters on the screen are squabbling, but for the life of me, I don't know what about. How long have I not been paying attention? St. Clair coughs and shifts again. His leg brushes against mine.It stays there. I'm paralyzed. I should move it; it feels too unnatural.How can he not notice his leg is touching my leg? From the corner of my eye,I see the profile of his chin and nose,and-oh,dear God-the curve of his lips. There.He glanced at me. I know he did. I bore my eyes into the screen, trying my best to prove that I am Really Interested in this movie.St. Clair stiffens but doesn't move his leg.Is he holding his breath? I think he is.I'm holding mine. I exhale and cringe-it's so loud and unnatural. Again.Another glance. This time I turn, automatically,just as he's turning away. It's a dance,and now there's a feeling in the air like one of us should say something.Focus,Anna. Focus. "Do you like it?" I whisper. He pauses. "The film?" I'm thankful the shadows hide my blush. "I like it very much," he says. I risk a glance,and St. Clair stares back. Deeply.He has not looked at me like this before.I turn away first, then feel him turn a few beats later. I know he is smiling,and my heart races.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
We live in a day of superheroes and superstars, in a world of the haves and the have-nots. In our culture being somebody really matters: being smart, good looking, educated, athletic or musical – the pressure is on to be somebody. This thinking has seeped into the church as well. The mindset that God only uses the “special” people, those who are ordained or have graduated from seminary, is pervasive. As a result, many are left feeling that they are simply not good enough to be used by God. The world pushes us to be “somebody” and get recognized for our achievements. But God’s Kingdom – a Kingdom made up of the weak, the broken, the pushed-aside, the ordinary – is opposed to the world’s obsession with the superstar.
Dave Arnold (Pilgrims of the Alley: Living Out Faith in Displacement)
I also discovered today that I am a terrible person," I whispered into the microphone. "I guess we all are, aren't we? At least, when we really break ourselves down to a molecular level. When we push aside all that sunshine and bullshit, and look good and hard at who we are, at the decisions we make, at the things we feel - the things we would never say out loud or confess to anyone else.
Kandi Steiner (Make Me Hate You)
I never expect anything. I just feel things in my gut and I do them. If something sounds exciting and interesting, I do it—and then I worry about it later. Doing new things takes a lot of energy and strength. It’s very tiring to make things happen, to learn how to master a skill, to push fears aside. Most people would rather just go with the flow, it’s much easier. But it’s not very interesting.
Iris Apfel
I never expect anything. I just feel things in my gut and I do them. If something sounds exciting and interesting, I do it--and then I worry about it later. Doing new things takes a lot of energy and strength. It's very tiring to make things happen, to learn how to master a skill, to push fears aside. Most people would rather just go with the flow; it's much easier. But it's not very interesting.
Iris Apfel (Iris Apfel: Accidental Icon)
Planning to reach this point was one thing; having now reached it was another. He hadn’t considered how he’d feel. Justice got in the way of that, a white fire he’d had no reason to look behind, or push aside. Justice had seduced him and he wondered what he had just lost, he wondered at the death he felt spreading within him. The regret following in that death’s wake, so unanswerable it was, threatened to overwhelm him.
Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
I have been able to be kind and pleasant to him because every time I think of what happened in Erudite headquarters, I immediately push the thought aside. But that can't be forgiveness - if I had forgiven him, I would be able to think of what happened without that hated I can feel in my gut, right? Or maybe forgiveness is just the continual pushing aside of bitter memories, until time dulls the hurt and the anger, and the wrong is forgotten.
Veronica Roth (Allegiant (Divergent, #3))
She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
We’re in a period right now where nobody asks any questions about psychology. No one has any feeling for human motivation. No one talks about sexuality in terms of emotional needs and symbolism and the legacy of childhood. Sexuality has been politicized--“Don’t ask any questions!” "No discussion!" “Gay is exactly equivalent to straight!” And thus in this period of psychological blindness or inertness, our art has become dull. There’s nothing interesting being written--in fiction or plays or movies. Everything is boring because of our failure to ask psychological questions. So I say there is a big parallel between Bill Cosby and Bill Clinton--aside from their initials! Young feminists need to understand that this abusive behavior by powerful men signifies their sense that female power is much bigger than they are! These two people, Clinton and Cosby, are emotionally infantile--they're engaged in a war with female power. It has something to do with their early sense of being smothered by female power--and this pathetic, abusive and criminal behavior is the result of their sense of inadequacy. Now, in order to understand that, people would have to read my first book, "Sexual Personae"--which of course is far too complex for the ordinary feminist or academic mind! It’s too complex because it requires a sense of the ambivalence of human life. Everything is not black and white, for heaven's sake! We are formed by all kinds of strange or vague memories from childhood. That kind of understanding is needed to see that Cosby was involved in a symbiotic, push-pull thing with his wife, where he went out and did these awful things to assert his own independence. But for that, he required the women to be inert. He needed them to be dead! Cosby is actually a necrophiliac--a style that was popular in the late Victorian period in the nineteenth-century. It's hard to believe now, but you had men digging up corpses from graveyards, stealing the bodies, hiding them under their beds, and then having sex with them. So that’s exactly what’s happening here: to give a woman a drug, to make her inert, to make her dead is the man saying that I need her to be dead for me to function. She’s too powerful for me as a living woman. And this is what is also going on in those barbaric fraternity orgies, where women are sexually assaulted while lying unconscious. And women don’t understand this! They have no idea why any men would find it arousing to have sex with a young woman who’s passed out at a fraternity house. But it’s necrophilia--this fear and envy of a woman’s power. And it’s the same thing with Bill Clinton: to find the answer, you have to look at his relationship to his flamboyant mother. He felt smothered by her in some way. But let's be clear--I’m not trying to blame the mother! What I’m saying is that male sexuality is extremely complicated, and the formation of male identity is very tentative and sensitive--but feminist rhetoric doesn’t allow for it. This is why women are having so much trouble dealing with men in the feminist era. They don’t understand men, and they demonize men.
Camille Paglia
But a child who was merely pushed aside and disciplined, who never experienced soothing caresses, is not aware that anything like nonexploitative caresses can exist. She has no choice but to accept any closeness she is offered rather than be destroyed. Under certain circumstances she will even accept sexual abuse for the sake of finding at least some affection rather than freezing up entirely. When, as an adult woman, she comes to realize that she was cheated out of love, she may be ashamed of her former need and hence feel guilty. She will blame herself because she dare not blame her mother, who failed to satisfy the child’s need or perhaps even condemned it. Psychoanalysts protect the father and embroider the sexual abuse of the child with the Oedipus, or Electra, complex, while some feminist therapists idealize the mother, thus hindering access to the child’s first traumatic experiences with the mother. Both approaches can lead to a dead end, since the dissolving of pain and fear is not possible until the full truth of the facts can be seen and accepted.
Alice Miller (Banished Knowledge: Facing Childhood Injuries)
Let me see if I understand this," Jaenelle said. [...] "You and Falonar have decided to go your own ways," Jaenelle said with a patience that made Surreal wary. She shrugged. "It was a mutual decision." The bastard. "Uh-huh. So you packed your bags..." "It was his eyrie," Surreal cut in. "I certainly didn't want to live there." And I didn't want to watch him courting Nurian in ways he never thought to court me. "...and left Ebon Rih without telling Lucivar." "Who would have strung Falonar up by the heels"... or by the balls, which might have been interesting to watch... "before having a little chat." "No," Jaenelle said, "he would have waited for Chaosti to show up, and then he would have strung Falonar up by the heels." She paused. "Maybe by the heels." Which just confirmed why Surreal had slipped away from Ebon Rih before Lucivar had time to notice. As the Warlord Prince of Ebon Rih dealing with a Warlord Prince who was his second-in-command, Lucivar would have been nasty and explosive. Chaosti, the Warlord Prince of the Dea al Mon and a kinsman on her mother's side, would have approached Falonar with the protective viciousness that made Warlord Princes such a deadly facet of Blood society. Dealing with the male relatives she'd acquired since coming to Kaeleer was so much fun. "And you entered the Hall through one of the side doors to avoid seeing Daemon, who's working in his study and would have met you before you got out of the great hall." Feeling more wary by the minute, Surreal did her best to look indifferent. "No reason for him to get involved in this." Sweet Darkness, please don't let him think this is any business of his. "Besides, I don't need either of them getting all snarly and protective over something that was a mutual decision." "So instead of mentioning this to either of them, you went to the Keep and told Saetan." Surreal winced. "Well, I figured I should tell someone before leaving Ebon Rih." "Uh-huh. So you told the High Lord of Hell, the patriarch of this family, the man from whom Daemon and Lucivar inherited the temper you were trying to avoid." Jaenelle pushed the quilt aside and swung her legs over the side of the couch to sit up straight. "Did I miss something ?
Anne Bishop (Dreams Made Flesh (The Black Jewels, #5))
Find small pockets of time. I like to set aside five minutes in the morning to squeeze in some push-ups and crunches. Just starting the morning like that changes my whole day. If you can find at least five minutes to do something that helps your body, you will already start feeling stronger. It will get your metabolism in gear, and that will benefit you all day. If you’re too busy, get creative by doing something active during your lunch break, taking the stairs, or lifting hand weights while you watch TV at night. Start living by this rule: a little of anything is better than nothing.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things." "Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..." She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am." "I train your father's horses." "So what? My mother groomed them." "That's a different matter." "Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right." "Stop making me sound ridiculous." "I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?" He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back." "Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well. "You won't push me into a corner." Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me." The idea quite simply appalled him. "I never meant to hurt you." "No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves." "I'm not a snob, or a coward." "Put your arms around me.Kiss me. Tell me." "Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room." Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?" "I thought I'd get over it." "Get over it?" Her brow arched up. "Like a head cold?" "Maybe." He set her aside, paced away to stare out at the hills. Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward. She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of. Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away. “You think I can let you go now?” A low voice chuckled in her ear. Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling. “Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.” Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all. She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it. He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street. She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.” Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat. She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy. When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through. Security, Violet thought. Whatever it is they do here, they need security. Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end. But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Reportage is violence. Violence to the spirit. Violence to the emotional sympathy that should quicken in you and me when face to face we meet with pain. How many defeated among our own do we step over and push aside on our way home to watch the evening news? "Terrible" you said at Somalia, Bosnia, Ethiopia, Russia, China, the Indian earthquake, the American floods, and then you watched a quiz show or a film because there's nothing you can do, nothing you can do, and the fear and unease that such powerlessness brings, trails in its wash, a dead arrogance for the beggar on the bridge that you pass every day. Hasn't he got legs and a cardboard box to sleep in? And still we long to feel.
Jeanette Winterson (Art and Lies)
RYLAN!" I feel Ivy's palm on my chest and, with a powerful shove, she pushes me back, away from fire, danger, and death. In that moment after the tree plunges, I see Ivy for a single second as I fall. In those emerald eyes is a look of complete calm, undying gratitude, and powerful, protective love. The tree crashes down, the sound echoing in my head. For an eternal moment, I sit there on my butt, staring at the spot where Ivy was standing. I'm numb, only registering the slightest changes; the wind dying down, the rain lessening. What just happened? Desperately, I look side to side, praying that Ivy jumped to the side and what I saw was just an illusion made up by my panicked mind. But Ivy's nowhere. And there's an arm sticking out from under the trunk. "IVY!" I sprint to the fallen tree. The smoldering wood stings my hand when I grab the trunk, but I grit my teeth and bear it. Pulling with all my might, I throw the remains of the tree aside. Ivy's lying there, her eyes closed and her lower half on fire. "No..." I fall to my knees and yank off my sweatshirt to try and smother the flames, but they burn strong, and soon the fabric's on fire. I toss it away, not knowing where it lands as I'm unable to tear my eyes off the most gut-wrenching sight of my life. My hands go to my head and my shouting grows even louder. "No, no, no!" This can't be happening. She can't be—
Colleen Boyd (Swamp Angel)
One night, when Violet’s parents had gone out, he teased her about it, whispering against her throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him. Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.” Jay stiffened, and Violet realized that she’d struck a nerve. “What is it?” He shook his head, and Violet thought he might say, “Nothing,” so when he answered, his words caught her off guard. “Is there someone else, Vi?” Violet frowned, baffled by the unfamiliar jealousy she saw on his face. She wondered what in the world he meant as she reached down and smoothed a strand of hair from his forehead. “What are you talking about, Jay?” His eyes met hers. “I saw you with that guy at the movies, Vi. Who was he?” Violet closed her eyes. She wasn’t ready yet. She didn’t want to tell him about the FBI, about Sara and Rafe or what she’d learned about Mike’s mother. She wondered briefly if he knew about Mike’s mom-if his friend had ever confided in him. But somehow she doubted it. Jay wasn’t like her; he didn’t keep secrets. “It’s not like that,” she explained, hoping that would be enough. Jay got up and went to the window, pushing the curtain aside. Every muscle in his body was rigid. “Like what, Vi? What’s going on? Something’s been bothering you lately. Why can’t you tell me?” He was right. She owed it to him to at least try. “I don’t know how to explain, but I just feel like everything’s changed between us-“ “Of course it’s changed, Violet, what’d you expect?” Violet tried to ignore the bitterness in his voice, telling herself she had no right to be hurt. “It used to be that I would never keep secrets from you. You were my best friend. But now that we’re dating, it’s just…different. I feel like I have to watc what I say, or you get all worried. Sometimes I just want you to be the old Jay again, so I can talk to you.” Violet crept up behind him, wrapping her arms around his waist and resting her cheek against his back.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.
Clementine Paddleford
I don't like to make mistakes. Which is why I haven't been with a man before now." He as thrown off balance so quickly and completely, he coud hear his own brain stumble. "Well,that's...that's wise." He took one definite step back, like a chessman going from square to square. "It's interesting that makes you nervous," she said, countering his move. "I'm not nervous,I'm...finished up here, it seems." He tried another tactic, stepped to the side. "Interesting," she continued, mirroring his move, "that it would make you nervous,or uneasy if you prefer, when you've been...I think it's safe to use the term 'hitting on me' since we met." "I don't think that's the proper term at all." Since he seemed to be boxed into a corner,he decided he was really only standing his ground. "I acted in a natural way regarding a physical attraction. But-" "And now that I've reacted in a natural way, you've felt the reins slip out of your hands and you're panicked." "I'm certainly not panicked." He ignored the terror gripping claws into his belly and concentrated on annoyance. "Back off, Keeley." "No." With her eyes locked on his, she stepped in.Checkmate. His back was hard up against a stall door and he'd been maneuvered there by a woman half his weight.It was mortifying. "This isn't doing either of us any credit." It took a lot of effort when the blood was rapidly draining out of his head, but he made his voice cool and firm. "The fact is I've rethought the matter." "Have you?" "I have,yes,and-stop it," he ordered when she ran the palms of her hands up over his chest. "You're hearts pounding," she murmured. "So's mine.Should I tell you what goes on inside my head,inside my body when you kiss me" "No." He barely managed a croak this time. "And it's not going to happen again." "Bet?" She laughed, rising up just enough to nip his chin. How could she have known how much fun it was to twist a man into aroused knots? "Why don't you tell me about this rethinking?" "I'm not going to take advantage of your-of the situation." That,she thought,was wonderfully sweet. "At the moment,I seem to have the advantage.This time you're trembling,Brian." The hell he was.How could he be trembling when he couldn't feel his own legs? "I won't be responsible.I won't use your inexperience.I won't do this." The last was said on a note of desperation and he pushed her aside. "I'm responsible for myself.And I think I've just proven to both of us,that if and when I decide you'll be the one, you won't have a prayer." She drew a deep, satisfied breath. "Knowing that's incredibly flattering." "Arousing a man doesn't take much skill, Keeley. We're cooperative creatures in that area." If he'd expected that to scratch at her pride,and cut into her power,he was mistaken. She only smiled,and the smile was full of secret female knowledge. "If that was true between us, if that were all that's between us, we'd be naked on the tack room floor right now." She saw the change in his eyes and laughed delightedly. "Already thought of that one, have you? We'll just hold that thought for another time.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
I’ll take you home,” I say, and my words are simple, obvious. I’m surprised when she follows me to the passenger door of the Merc and slips into the seat without hesitation, but she seems dazed somehow. Naïve, maybe. Maybe that’s what got her into this mess in the first place. I suspect as much. Young, naïve and vulnerable. No way should she be out alone this late at night. No way should she be here, in this shithole part of Brighton. I feel the anger, at some unknown parents who should be worried sick, parents who should have taught her more fucking sense. A father who should be driving around looking for his daughter, who should be protecting her from pieces of shit like that fucking waster back there. I ignore the twitch in my jaw. Push aside that feeling. She needs a ride home. Just a ride home.
Jade West (Call Me Daddy)
When our society lost this communal network, many aspects of our culture died, including the fact that we lost contact with older family members who could give us perspective on our lives. Without that perspective, we’ve become overscheduled, hyperstimulated, and culturally grumpy. We are so burdened by the pace of our lives that when we must interact with older people who cannot keep up, we run out of patience trying to fit them into our schedules. We have forgotten—or never learned—how to value our senior adults’ advice. As they begin to slow down, we push them aside so they don’t impede our progress. While we may accomplish a lot every day, we don’t necessarily feel good about our achievements because no one is there to tell us about the longer-term implications of choices we make. Many of us assume some things about senior adults that aren’t true, and then can’t understand why we aren’t getting along better with this aging population.
David Solie (How to Say It® to Seniors: Closing the Communication Gap with Our Elders)
A couple of years earlier, Steinbeck had explained his writing technique to his sister Mary. It began with the faint idea for a story. This was followed by a long period of contemplation, during which he invented one character after another and began to study them. He said it was important to set aside time every day for this—it could be a couple of hours in the morning, though he admitted he usually spent more time than that. The main thing was to think about the characters until he could see them. Eventually he learned everything about them. Where they were from, how they dressed, what their voices sounded like, the shape and texture of their hands—the total picture. Once they were clearly visible to him, he started building their back stories, adding details and events to their lives from before he knew them. He wouldn’t use all of this information, but it was important to have it in order to better gauge the characters, to the point where they stood free of his conscious involvement and began to think and act independently. Gradually, he said, they would begin to talk to him on their own, so that he not only heard them speaking but started to have an idea about why they said the things they did. As the characters came to life, they inhabited his thoughts day and night, especially just before he went to sleep. Then he could “let things happen to them” and study their reactions. Eventually, he reached a point where he started fitting them into the story he had begun. Once the characters were his full partners, that’s when he started to write. He thought this method could work for anyone, and said the real secret was to stay under control and resist the temptation to push too hard. Some writers worked for a fixed period of time every day. Others counted their words—as he did. Sticking to one method or the other was important, he said, otherwise your eagerness to be done takes over. He said writing a long novel goes on for months or years. When it’s done you feel “terrible.” That was how it was for him.
William Souder (Mad at the World: A Life of John Steinbeck)
Unnecessary Creation gives you the freedom to explore new possibilities and follow impractical curiosities. Some of the most frustrated creative pros I’ve encountered are those who expect their day job to allow them to fully express their creativity and satisfy their curiosity. They push against the boundaries set by their manager or client and fret continuously that their best work never finds its way into the end product because of restrictions and compromises. A 2012 survey sponsored by Adobe revealed that nearly 75 percent of workers in the United States, United Kingdom, Germany, France, and Japan felt they weren’t living up to their creative potential. (In the United States, the number was closer to 82 percent!) Obviously, there’s a gap between what many creatives actually do each day and what they feel they are capable of doing given more resources or less bureaucracy. But those limitations aren’t likely to change in the context of an organization, where there is little tolerance for risk and resources are scarcer than ever. If day-to-day project work is the only work that you are engaging in, it follows that you’re going to get frustrated. To break the cycle, keep a running list of projects you’d like to attempt in your spare time, and set aside a specific time each week (or each day) to make progress on that list. Sometimes this feels very inefficient in the moment, especially when there are so many other urgent priorities screaming for your attention, but it can be a key part of keeping your creative energy flowing for your day-to-day work. You’ll also want to get a notebook to record questions that you’d like to pursue, ideas that you have, or experiments that you’d like to try. Then you can use your pre-defined Unnecessary Creation time to play with these ideas. As Steven Johnson explains in his book Where Good Ideas Come From, “A good idea is a network. A specific constellation of neurons—thousands of them—fire in sync with each other for the first time in your brain, and an idea pops into your consciousness. A new idea is a network of cells exploring the adjacent possible of connections that they can make in your mind.”18
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
History shows us we need labels to help define our place. For hundreds of years, people have categorized others as less so they could feel like more. Color, gender, class, religion, physical handicaps, sexual orientation, and pedigree are just a few ways in which one group is divided from another. For every person who stands superior, another must be inferior. But what does it say of us as a human race when we push others down for our own needs? Does it accomplish the intended goal or simply give rise to a pattern of behavior that can never be broken? What if we all stood equal in one another’s eyes and felt pride at our reflection? I speak of utopia and chance being ridiculed, but sitting in a village thousands of miles from everything, I will roll the dice. For one day only, maybe we could put aside our differences and come together in our sameness. For one day, we could see that past all the variations, we are all the same with similar hopes, dreams, fears, strengths, and weaknesses. For one day, we could stand together, not apart, and treat others as we would hope to be treated.
Sejal Badani (The Storyteller's Secret)
They had shared much of their pasts, most of their fears, and all of their tenuous and fragile hopes, but Deborah had noticed over the years that whenever she mentioned her art, or something on which she was working, a subtle change would come over Carla. Her face would harden almost imperceptibly; her manner would edge toward coolness. Because it was a subtle emotion in a world of erratic oscillations of feeling, of violence, and of lies told by every sense of perception, Deborah had not noticed it in their sick times. But one day the world had cleared enough so that she realised that at any mention of her art, her friend drew back. In their new eagerness for experience and reality, the strange aloofness stood out clearly. [...] She had a dream. In the dream it was winter and night. The sky was thick blue-black and the stars were frozen in it, so that they glimmered. Over the clean white and windswept hills the shadows of snowdrifts drew long. She was walking on the crust of snow, watching the star-glimmer and the snow-glimmer and the cold tear-glimmer in her own eyes. A deep voice said to her, "You know, don't you, that the stars are sound as well as light?" She listened and heard a lullaby made by the voices of the stars, sounding so beautiful together that she began to cry with it. The voice said, "Look out there." She looked toward the horizon. "See, it is a sweep, a curve." Then the voice said, "This night is a curve of darkness and the space beyond it is a curve of human history, with every single life an arch from birth to death. The apex of all of these single curves determines the curve of history and, at last, of man." "I cannot show you yours," the voice said, "but I can show you Carla's. Dig here, deep in the snow. It is buried and frozen - Dig deep." Deborah pushed the snow aside with her hands. It was very cold, but she worked with a great intensity as if there were salvation in it. At last her hand struck something and she tore it up from burial. It was a piece of bone, thick and very strong and curved in a long, high, steady curve. "Is this Carla's life?" she asked. "Her creativity?" "It is bone-deep with her, though buried and frozen." The voice paused a moment and then said, "It's a fine one - a fine solid one!" [...] "Please don't be angry," she said, and then told Carla the dream. [...] She wiped her eyes. "It was only a dream, your dream..." "It's true anyway," Deborah said. "The one place I could never go..." Carla said musing, "...the one hunger I could never admit." When Deborah finished, Furii said, "You always took your art for granted, didn't you? I used to read in the ward reports all the time how you managed to do your drawing in spite of every sort of inconvenience and restriction.
Joanne Greenberg (I Never Promised You a Rose Garden)
Lord Gareth?" He froze. It was she, staring out at him with an expression of astounded disbelief on her lovely face. Gareth was caught totally unprepared. He knew he must look like an arse because he certainly felt like one. But the comic ridiculousness of the situation suddenly hit him, and his lips began twitching uncontrollably. He gazed up at her with perfect innocence. "Hello, Juliet." A chorus of out-of-tune voices came up from below. "Romeo, O Romeo, wherefore art thou, Romeo?" Gareth flung his crop down at their heads. Cokeham let out a yelp, then fell to laughing. The girl's smooth, high brow pleated in a frown as she took in the scene. Perry down there with the horses. The other Den of Debauchery members all gathered below, beaming stupidly up at her. And Gareth, grinning, sprawled full-length along a tree branch just outside her window. "Just what on earth are you doing, Lord Gareth?" The way she said it made his cheeks warm with embarrassment. So he was a pillock. Who cared? Instead, he gave her his most devastating grin and said with cheerful earnestness, "Why, I have come to rescue you, of course." "Rescue me?" "Surely you didn't think I'd allow Lucien to banish you into obscurity, now, did you?" "Well, I —  The duke didn't ban—"  She gave a disbelieving little laugh and leaned out the window, grasping the blanket tightly at her breasts. Her hair, caught in a long, dark braid, swung tantalizingly out over her bosom. "Really, Lord Gareth. This is ... highly irregular!" "Yes, but the hour is late, and as it took me all day to find you, I was feeling rather impatient. I do hope you'll forgive me for resorting to such desperate measures. May I come in and talk?" "Of course not! I — I cannot have a man in my bedroom!" "Why not, my sweet?" He pushed aside a small, leafy twig in order to see her better and grinned cajolingly up at her. "I had you in mine." She shook her head, torn between what she wanted to do — and what she ought to do. "Really, Lord Gareth ... your brother will never approve of this. You should go home. After all, you're the son of a duke and I'm just a — " " — beautiful young woman with nowhere else to go. A beautiful young woman who should be a part of my family. Now, do collect Charlotte and your things, Miss Paige — I fear we must make haste, if we are to marry before Lucien catches up to us." "Marry?!" she cried, forgetting to whisper. He gazed at her in blank, perfect innocence. "Well, yes, of course," he said, clinging to the branch as it dropped another few inches. "Surely you don't think I'd be hanging out of a tree for anything less, do you?" "But —" "Come now."  He smiled disarmingly. "Surely, you must see there is really no other option for you. And I won't have my niece growing up without a father. What kind of a man do you think I am? Now, gather up Charlotte and get your things, my dear Miss Paige, and come outside. I am growing most uncomfortable." Juliet
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Since he had last seen it, the gargoyle guarding the entrance to the headmaster’s study had been knocked aside; it stood lopsided, looking a little punch-drunk, and Harry wondered whether it would be able to distinguish passwords anymore. “Can we go up?” he asked the gargoyle. “Feel free,” groaned the statue. They clambered over him and onto the spiral stone staircase that moved slowly upward like an escalator. Harry pushed open the door at the top. He had one, brief glimpse of the stone Pensieve on the desk where he had left it, and then an earsplitting noise made him cry out, thinking of curses and returning Death Eaters and the rebirth of Voldemort-- But it was applause. All around the walls, the headmasters and headmistresses of Hogwarts were giving him a standing ovation; they waved their hats and in some cases their wigs, they reached through their frames to grip each other’s hands; they danced up and down on the chairs in which they had been painted; Dilys Derwent sobbed unashamedly; Dexter Fortescue was waving his ear-trumpet; and Phineas Nigellus called, in his high, reedy voice, “And let it be noted that Slytherin House played its part! Let our contribution not be forgotten!” But Harry had eyes only for the man who stood in the largest portrait directly behind the headmaster’s chair. Tears were sliding down from behind the half-moon spectacles into the long silver beard, and the pride and the gratitude emanating from him filled Harry with the same balm as phoenix song.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
next adventure.  She’d been stupid to think, to hope, otherwise.  What that night meant to him was satisfaction of a need and acceptance of her offer of her body as the price for his forgiveness.  She thought he’d forgiven her now, which was a relief, but he certainly didn’t want her.  Her heart would eventually get over the silly attachment it had formed with him and she’d move on too. “I am going back with or without you.  I’d feel safer with you, but that’s your decision,” Fallon said, peeling his fingers back to step away.  “I’m sure the FBI will provide me with protection if you don’t go with me.” She walked toward the hallway to go pack her things, but felt Jax following hot on her heels as she entered the bedroom. The door slammed behind her and she spun.  The look in Jaxson’s eyes scared her as he stalked two steps to grab her shoulders, turn her to push her back into the door.  “I won’t let you go get yourself killed,” he growled, his head already in motion toward hers.   Fallon’s body melted when his lips touched hers, but his hips pinned her to the door as he ravaged her mouth, not seeming to care that she couldn’t even respond because he was kissing her so fast and hard.  She tried to move her hands up to his shoulders but couldn’t, because they were trapped between their bodies.  His heart pounded against her palms, almost as hard as her own drummed. Jax shoved his hand under her shirt, scorched a path up to her bra and shoved it aside to cup her breast.  Her nipple
Becky McGraw (SEALed Fate (Hot SEALs; Deep Six Security, #0.5))
When the head of his cock sweeps past her sweet spot yet again, something explosive erupts out of nowhere. "Oh, fuuuuck," she whimpers. Her walls flutter around him as her whole body ignites into flames. The pleasure is all-consuming, knocking her thoughts from her mind. Alexander huffs, stunned. "Did you--- Just from me---" Eden covers her face with her hands, embarrassed. "I'm sorry. You just feel so good, I---" He chuckles, pushing her hands aside to pepper her face with kisses. "Don't be sorry, it's alright. Can I keep going?" "Yes. Yes, please. I want to make you come. Give it to me rough." "If you want it rough, you'd better hold on to me, sweetheart." She does so, circling his neck with her arms. He rolls his hips against her, pace picking up in rhythm. The slap of their skin combined with the sound of their filthy groans is music to her ears. He snaps his hips into her relentlessly, searching for more of that sweet friction. The bed creaks in protest beneath them, but they show no signs of slowing down. "Fucking God, your pussy feels so good." "Fuck, I--- Right there, oh God right there." "So nice and tight for me. Spread your legs wider--- that's it." Eden can feel herself growing tighter, hotter, brighter. She can hardly breathe, and her heart is racing a mile a minute. "I think--- Fuck, I think I'm going to come again. I'm gonna---" Alexander claims her mouth, tongue sweeping over hers as he pins both her wrists above her head against the pillow. He fucks her harder, claiming her, pushing her closer and closer toward climax. When it happens, she moans into his mouth, quaking beneath his weight. He finds release, too, his muscles tensing as he spills over.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
Stop it! Just give me a second!” “Alright, alright, everyone—” Hank flashed his palms like stop signs and then waved them around as if he were a city flagman exercising his authority to halt traffic. “Stand back, stand back—hands to yourself... in your pockets… there you go.” Hank loved the spotlight and demanded it whenever opportunity presented itself. For once, I actually welcomed his inflated need for attention. The pressing against my back let up, and my friends stepped aside. Pausing first for dramatic effect (typical Hank) he drew in a deep breath and delivered an improvised monologue (also typical Hank.) “People, people, people… look at what you’re doing. Can’t you see the effect you’re having on this sweet, innocent frightened child? I mean, what is up with the sudden aggressive-mob behavior here? Remember, people, this is our friend! Our colleague! Our schoolmate, chum, pal, our number-one supporter most days! Does she deserve this kind of peer pressure? …this group coercion? …this physical harassment? I say nay! Nay, I tell you! Now I know how excited you are to see her fi~nal~ly agree—after many, many grueling months of relentless persuading—to become one of us. To attempt a mad stab at initiation. To feel what it is to be spectacular! But give the girl some room to breathe! If you push a frightened lamb, she’s gonna turn tail and scamper off in the opposite direction, baaaahhing all the way. Then what will our efforts be for? For naught, I say! For naught! So the question here isn’t will she move or not move, but rather will she dare or not dare?” “The actual question is: are you gonna shut it or have us shut it for you?” Cory piped in with a pantomimed zip of the lip. Hank scoffed, blowing his bangs out of his face with a contrary huff, but he didn’t say another word.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
Ryder! What’s taking you so long?” “I’m on my way!” he yells back. It feels like forever before he pushes open the door and ducks inside. Then I see why it took him so long. He’s somehow got the three cats tucked under one arm and the cake plate clutched in the other hand. No spare for a flashlight or lantern--so he accomplished this all in the dark. “Here,” he says, handing off the cake to me before releasing Kirk, Spock, and Sulu into the crate and latching the door. “Seriously, Ryder? You brought the cake?” He shrugs. “I was hungry.” Hmm, I guess all that kissing worked up his appetite. For cake. I’m not sure if I should be offended or not. On the plus side, he doesn’t look like he’s about to puke. So we’re making progress as far as his fear of storms goes. I guess that’s something. “Did you happen to bring a fork?” I ask, setting the plate on the makeshift tabletop. He produces two from his pocket, holding them up triumphantly. So we eat cake while the sirens blare. Actually, it doesn’t sound that bad out there. Still, the fact that we’re so calm--that Ryder’s so calm--should tell you how routine this is getting. As long as we don’t hear that awful freight-train sound, we’re good. “What happened to the cake?” he asks between bites. “It looks like someone mutilated it while I was gone.” “Sorry,” I mutter. “Guess I did some stress bingeing. You realize you’re not wearing a shirt, right?” He glances down and shrugs, his cheeks flushing ever so slightly. “Sorry ’bout that.” It might seem silly that he’s apologizing, but at Magnolia Landing, you don’t come to the table unless you’re fully dressed. It’s one of Laura Grace’s most unbendable rules--you dress for meals, even breakfast. Not that this counts as a meal, and I’m not sure you could call this plywood-on-top-of-a-crate thing a “table.” But still… By the time the sirens shut off, we’ve completely cleaned the plate, even scraping off the hardened frosting with our fingers. “That was quick,” I say, setting aside the now-empty plate. Ryder nods. “I guess we should give it a minute or two. You know, make sure it’s not coming back on.” So we wait. Silently. Ryder can’t even meet my eyes, and all I want to do is stare at his lips. This is crazy. I mean, what do we do now--now that the sirens are off and the cake is gone? Apparently, the answer is pretend like nothing happened.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Wrath…” “What,” he murmured against her, working her with his nose. “You don’t like?” “Shut up and get back to doing—” His tongue slipping under the panties cut her off…and made him have to slow himself down. She was so slick and wet and soft and willing, it was all he could do to keep himself from hauling her on the rug and going at her deep and hard. And then they’d both miss out on the fun of anticipation. Moving the cotton aside with his hand, he kissed her pink flesh, then delved in. She was oh, so ready for him, and he knew it because of the honey that he swallowed as he dragged upward in a long, slow lick. But it wasn’t enough, and holding the panties to the side was distracting. With his fang, he punctured them, then split them apart right up the middle, leaving the two halves to hang off her hips. His palms went up to her ass and squeezed hard as he quit fooling around and got busy working out his female with his mouth. He knew exactly what she liked best, the sucking and the licking and the going in with his tongue. Closing his eyes, he took it all in, the scent and the taste and the feel of her shuddering against him as she peaked and came apart. Behind the fly of his leathers, his cock was screaming for attention, the rasp of the buttons not nearly sufficient to satisfy what it was demanding, but tough shit. His erection was going to have to chill for a while, because this was too sweet to stop anytime soon. When Beth’s knees wobbled, he took her down to the floor and stretched one of her legs up, keeping to his pace while shoving her fleece to her neck and putting his hand under her bra. As she orgasmed again, she grabbed onto one of the desk legs, pulling hard and bracing her free foot into the rug. His pursuit pushed them both farther and farther beneath where he discharged his kingly duties until he had to crouch down to fit his shoulders. Eventually her head was out the other side and she was gripping the pansy-ass chair he sat in and dragging it with her. As she cried out his name once more, he prowled up her body and glared at the stupid, nancy chair. “I need something heavier to sit in.” Last coherent thing he said. His body found the entrance to hers with an ease that spoke of all the practice they’d had and…Oh, yeah, still as good as the first time. Wrapping his arms around her, he rode her hard, and she was right there with him as the storm rolling through his body gathered in his balls until they stung. Together, he and his shellan moved as one, giving, receiving, going faster and faster until he came and kept going and came again and kept going until something hit his face. In full animal mode, he growled and swiped at it with his fangs. It was the drapes. He’d managed to fuck them out from under the desk, past the chair, and over to the wall. Beth burst out laughing and so did he, and then they were cradling each other.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.
Jeff Rice (The Night Stalker)
As if reading his mind, she smiled happily up at him. “Gary really came through for us, didn’t he?” “Absolutely, ma petite. And Beau LaRue was not so bad either. Come, we cannot leave the poor man pacing the swamp. He will think we are engaging in something other than conversation.” Wickedly Savannah moved her body against his, her hands sliding provocatively, enticingly, over the rigid thickness straining his trousers. “Aren’t we?” she asked with that infuriating sexy smile he could never resist. “We have a lot of clean-up to do here, Savannah,” he said severely. “And we need to get word to our people, spread the society’s list through our ranks, warn those in danger.” Her fingers were working at the buttons of his shirt so that she could push the material aside to examine his chest and shoulder, where two of the worst wounds had been. She had to see his body for herself, touch him to assure herself he was completely healed. “I suggest, for now, that your biggest job is to create something for Gary to do so we can have a little privacy.” With a smooth movement, she pulled the shirt from over her head so that her full breasts gleamed temptingly at him. Gregori made a sound somewhere between a sigh and a moan. His hands came up to cup the weight of her in his palms, the feel of her soft, satin skin soothing after the burning torture of the tainted blood. His thumbs caressed the rosy tips into hard peaks. He bent his head slowly to the erotic temptation because he was helpless to do anything else. He needed the merging of their bodies after such a close call as much as she did. He could feel the surge of excitement, the rush of liquid heat through her body at the feel of his mouth pulling strongly at her breast. Gregori dragged her even closer, his hands wandering over her with a sense of urgency. Her need was feeding his. “Gary,” she whispered. “Don’t forget about Gary.” Gregori cursed softly, his hand pinning her hips so that he could strip away the offending clothes on her body. He spared the human a few seconds of his attention, directing him away from the cave. Savannah’s soft laughter was taunting, teasing. “I told you, lifemate, you’re always taking off my clothes.” “Then stop wearing the damn things,” he responded gruffly, his hands at her tiny waist, his mouth finding her flat stomach. “Someday my child will be growing right here,” he said softly, kissing her belly. His hands pinned her thighs so that he could explore easily without interruption. “A beautiful little girl with your looks and my disposition.” Savannah laughed softly, her arms cradling his head lovingly. “That should be quite a combination. What’s wrong with my disposition?” She was writhing under the onslaught of his hands and mouth, arcing her body more fully into his ministrations. “You are a wicked woman,” he whispered. “I would have to kill any man who treated my daughter the way I am treating you.” She cried out, her body rippling with pleasure. “I happen to love the way you treat me, lifemate,” she answered softly and cried out again when he merged their bodies, their minds, their hearts and souls.
Christine Feehan (Dark Magic (Dark, #4))
I was standing lost, sunk, my hands in my pockets, gazing toward Tinker Mountain and feeling the earth reel down. All at once, I saw what looked like a Martian spaceship whirling towards me in the air. It flashed borrowed light like a propeller. Its forward motion greatly outran its fall. As I watched, transfixed, it rose, just before it would have touched a thistle, and hovered pirouetting in one spot, then twirled on and finally came to rest. I found it in the grass; it was a maple key…Hullo. I threw it into the wind and it flew off again, bristling with animate purpose, not like a thing dropped or windblown, pushed by the witless winds of convection currents hauling round the world’s rondure where they must, but like a creature muscled and vigorous, or a creature spread thin to that other wind, the wind of the spirit that bloweth where it listeth, lighting, and raising up, and easing down. O maple key, I thought, I must confess I thought, o welcome, cheers. And the bell under my ribs rang a true note, a flourish of blended horns, clarion, sweet, and making a long dim sense I will try at length to explain. Flung is too harsh a word for the rush of the world. Blown is more like it, but blown by a generous, unending breath. That breath never ceases to kindle, exuberant, abandoned; frayed splinters spatter in every direction and burgeon into flame. And now when I sway to a fitful wind, alone and listing, I will think, maple key. When I see a photograph of earth from outer space, the planet so startlingly painterly and hung, I will think, maple key. When I shake your hand or meet your eyes, I will think two maple keys. If I am maple key falling, at least I can twirl. Thomas Merton wrote, “There is always a temptation to diddle around in the contemplative life, making itsy-bitsy statues.” There is always an enormous temptation in all of life to diddle around making itsy-bitsy friends and meals and journeys for itsy-bitsy years on end. It’s no self-conscious, so apparently moral, simple to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage. I won’t have it. The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain, or Lazarus. Ezekiel excoriates false prophets who have “not gone up into the gaps.” The gaps are the thing. The gaps are the spirit’s one home, the altitudes and latitudes so dazzlingly spare and clean that the spirit can discover itself for the first time like a once blind man unbound. The gaps are the cliffs in the rock where you cower to see the back parts of God; they are the fissures between mountains and cells the wind lances through, the icy narrowing fjords splitting the cliffs of mystery. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock- more than a maple- a universe. This is how you spend the afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can’t take it with you.
Annie Dillard (Pilgrim at Tinker Creek)
His grip tightened and he closed the distance between us, his mouth catching mine in a kiss that made my aching heart throb with the most painful kind of hope. I gripped his shirt in my fists and dragged him closer as I kissed him like the sky might cave in if I didn’t, even though it was more likely that it would if I did. Thunder crashed like an explosion overhead, freezing cold rain pelted down on us and lightning slammed into the ground behind us. But I didn’t care. I would gladly take the rage of the heavens in payment for this moment in his arms. Darius pulled me closer, growling hungrily as his tongue pushed into my mouth and he kissed me savagely, filthily, desperately. I pushed up onto my tiptoes, my body pressing flush to his as I wound my arms round his neck and my heart pounded to a brutal beat like it wanted to force its way out ofmy chest and meet with his. Lightning struck the ground so close that a crackle of electricity danced up my spine. I flinched, but my grip on Darius only tightened. I dropped the barriers on my magic and Darius’s power flooded through me on a tide of ecstasy as we merged our essences together. We were meant to be together like this, it was painted beneath my skin and through my veins, even my magic ached for him and yearned for the caress of his power. Thunder boomed and I growled in defiance, lifting my hand to cast a shield of solid air magic around us, cutting off the storm completely. Darius’s magic flowed alongside mine into the shield, the strength of our will blocking out the will of the stars. The earth rocked savagely beneath our feet and we fell. Darius kept ahold of me as he hit the ground on his back and I tumbled aside for a moment, but I wasn’t going to let them drive us apart. I shoved myself to my knees, crawling over his legs as he pushed up on his elbows and kissed me again. His fingers slid through my wet hair and his stubble grazed my skin as he kissed me so hard it was bruising, punishing, branding and yet it wasn’t enough. My heart was aching, tears pricking the backs of my eyes as I fought to keep hold of him while the storm hammered against our magic, determined to tear us apart again. I poured magic from my body to hold the shield as rain slammed against it so hard that the air rattled around us. Darius dragged me against him and I could feel how much he wanted me in every hard line and ridge of his body. We were both drenched, covered in mud and utterly incapable of giving one shit about it. Lightning slammed into the shield and I gasped as it almost buckled, breaking our kiss as I looked up at the black sky above us. More lightning split the clouds apart, striking the ground all around us again and again, making the earth rock even more violently. As a second bolt hit our shield, I almost lost control of it and I could feel my power waning as I threw everything I had into maintaining it. We only had seconds before it was going to collapse and I reached out to catch Darius’s jaw in my grip, looking into his dark eyes with a pang of longing. “I’m sorry I did this to us,” I breathed. I might not have been sure everything between us was fixed yet, but I was beginning to believe it could be and I was starting to think I’d made the wrong choice when I’d been offered it. “It wasn’t you,” he replied, pain flickering though his gaze. “It was both of us,” I disagreed, tears mixing with the rain on my cheeks. (Tory)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
Billy sipped the last of his coffee from the mug and shut down his laptop. 1,000 words wasn’t great but it also wasn’t as bad as no words at all. It hadn’t exactly been a great couple of years and the royalties from his first few books were only going to hold out so much longer. Even if he didn’t have anything else to worry about there was always Sara to consider. Sara with her big blue eyes so like her mother’s. He sat for a moment longer thinking about his daughter and all they’d been through since Wendy had passed. Then he picked up his mug with a long sigh and carried it to the kitchen to rinse it in the sink. When he came back into his little living room and the quiet of 1 AM he wasn’t surprised to find her there over to the side of the bookshelf hovering close to the floor just beyond the couch. Wendy. Her eyes were cold and intense in death, angry and spiteful in a way he’d never seen them when she was alive. What once had been beautiful was now a horror and a threat, one that he’d known far too well in the years since she’d died. He and Sara both. He stood where he was looking at her as she glared up at him. Part of her smaller vantage point was caused by kneeling next to the shelf but he knew from the many times she’d walked or run through a room that death had also reduced her, made her no higher than 4 or 4 and half feet when she’d been 6 in life. She was like a child trapped there on the cusp between youth and coming adulthood. Crushed and broken down into a husk, an entity with no more love for them than a snake. Familiar tears stung his eyes but he blinked them away letting his anger and frustration rise in place of his grief. “Fuck you! What right do you have to be here? Why won’t you let Sara and I be? We loved you! We still love you!” She doesn’t respond, she never does. It’s as if she used up all of her words before she died and now all that’s left is the pain and the anger of her death. The empty lack of true life in her eyes leaves him cold. He doesn’t say anything else to her. It’s all a waste and he knows it. She frightens him as much as she makes him angry. Spite lives in every corner of her body and he’s reached his limit on how long he can see this perversion, this nightmare of what once meant so much to him. He walks past the bookshelf and through the doorway there. He and Sara’s rooms are up above. With an effort he resists the urge to look back down the hall to see if she’s followed. He refuses to treat his wife like a boogeyman no matter how much she has come to fit that mold. He can feel her eyes burning into him from somewhere back at the edge of the living room. The sensation leaves a cold trail of fear up his back as he walks the last four feet to the stairs and then up. He can hear her feet rush across the floor behind him and the rustle of fabric as she darts up the stairs after him. His pulse and his feet speed up as she grows closer but he’s never as fast as she is. Soon she slips up the steps under his foot shoving him aside as she crawls on her hands and feet through his legs and up the last few stairs above. As she passes through his legs, her presence never more clear than when it’s shoving right against him, he smells the clean and medicinal smells of the operating room and the cloying stench of blood. For a moment he’s back in that room with her, listening to her grunt and keen as she works so hard at pushing Sara into the world and then he’s back looking up at her as she slowly considers the landing and where to go from there. His voice is a whisper, one that pleads. “Wendy?
Amanda M. Lyons (Wendy Won't Go)
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day- very much such a sweetness as this- I struck my first whale- a boy-harpooneer of eighteen! Forty- forty- forty years ago!- ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain’s exclusiveness, which admits but small entrance to any sympathy from the green country without- oh, weariness! heaviness! Guinea-coast slavery of solitary command!- when I think of all this; only half-suspected, not so keenly known to me before- and how for forty years I have fed upon dry salted fare- fit emblem of the dry nourishment of my soul!- when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts- away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow- wife? wife?- rather a widow with her husband alive? Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey- more a demon than a man!- aye, aye! what a forty years’ fool- fool- old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!- crack my heart!- stave my brain!- mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearthstone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board!- lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!” “Oh, my Captain! my Captain! noble soul! grand old heart, after all! why should any one give chase to that hated fish! Away with me! let us fly these deadly waters! let us home! But Ahab’s glance was averted; like a blighted fruit tree he shook, and cast his last, cindered apple to the soil. “What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike.
Herman Melville (Moby-Dick or, The Whale)
there’s dozens of stories about some kid from our world falling into a different, magical one, being the chosen one or the close companion of the chosen one and saving the world, and then going home where they’re delighted to see their family again and have a new appreciation of their own life. but what about someone who didn’t miss it? what if you save the world and you’re given your medal and stripped of the magic you learned and put back in a world you never missed? and you’re furious. maybe you gave up a few years of your life. you have callouses and muscles and a few scars and maybe a missing eye or something. you definitely have some blood on your hands. you might have PTSD you can’t talk to anyone about. and suddenly you’re fifteen again, in a body that’s too soft and too short and too complete. you’re always cold because there’s no magic burning in your veins anymore, and even as you grow up the feeling of not fitting doesn’t go away because when you look in the mirror at eighteen you look all wrong: this is not what you’re supposed to look like at eighteen. the sky clouds and you rub at the phantom ache of injuries this body never received. you wake up screaming sometimes remembering the sorcerer who burnt your hand to ashes, or the final battle you almost didn’t make it through, or the moment you felt the magic in you go out. but here’s the thing: they took you and made you into a weapon that was determined enough and powerful enough to save a whole world. they can put you back where they found you but they can’t undo everything. and there’s this, too: the place between worlds clings to you. you can’t tease fire out of the air but you can feel the pull of the doorways all the time, although none of them so far go to your world. but you try to make it work for a decade, anyway. you’re dutiful. but one night you leave work late and for the thousandth time you catch yourself searching the sky for firebirds. and you break. of the three portals within five hundred miles, one is a howling, frozen wasteland and one is a deep violet void, but one opens into a misty forest that you step into and don’t look back. it’s not your world, but if you keep going long enough, you’ll get there. (and maybe much, much later, hundreds of worlds later, you climb through a window, or a door of woven branches int he middle a field, or push aside a curtain, and as you set foot on new land you feel the fire in your veins and sparks at your fingertips and finally, finally, you’re home)
charminglyantiquated (@tumblr)
Thanks for the sympathy. I appreciate it. We are trying to be strong for the benefit of the group. We can’t afford to break down and cry for every friend we lose. Not while we still have a job to do. Once we get to safety, who knows how we’ll react? I’m trying hard to push my feelings aside and focus on staying alive, but as you said, it’s not easy.
Jason Medina (The Manhattanville Incident: An Undead Novel)
All those songs I used to pretend to understand, all the angsty, heartbroken songs I had heard all my life, they suddenly made so much more sense. "Well, then she probably needs a giant coffee, a huge box of your creations, and some time to nurse her feelings in private, don't you think?" Brantley Dane, local hero, saves girl from sure death brought on by sheer mortification. That'd be his headline. "Come on, sweetheart," he said, moving behind me, casually touching my hip in the process, and going behind counter. "What's your poison? Judging by the situation, I am thinking something cold, mocha or caramel filled and absolutely towering with full fat whipped cream." That was exactly what I wanted. But, broken heart aside, I knew I couldn't let myself drown in sweets. Gaining twenty pounds wasn't going to help anything. There was absolutely no enthusiasm in my voice when I said, "Ah, actually, can I have a large black coffee with one sugar please?" "Not that I'm not turned on as all fuck by a woman who appreciates black coffee," he started, making me jerk back suddenly at the bluntness of that comment and the dose of profanity I wasn't accustomed to hearing in my sleepy hometown. "But if you're only one day into a break-up, you're allowed to have some full fat chocolate concoction to indulge a bit. I promise from here on out I won't make you anything even half as food-gasm-ing as this." He leaned across the counter, getting close enough that I could see golden flecks in his warm brown eyes. "Honey, not even if you beg," he added and, if I wasn't mistaken, there was absolutely some kind of sexually-charged edge to his words. "Say yes," he added, lips tipping up at one corner. "Alright, yes," I agreed, knowing I would love every last drop of whatever he made me and likely punish myself with an extra long run for it too. "Good girl," he said as he turned away. And there was not, was absolutely not some weird fluttering feeling in my belly at that. Nope. That would be completely insane. "Okay, I got you one of everything!" my mother said, coming up beside me and pressing the box into my hands. She even tied it with her signature (and expensive, something I had tried to talk her out of many times over the years when she was struggling financially) satin bow. I smiled at her, knowing that sometimes, there was nothing liked baked goods from your mother after a hard day. I was just lucky enough to have a mother who was a pastry chef. "Thanks, Mom," I said, the words heavy. I wasn't just thanking her for the sweets, but for letting me come home, for not asking questions, for not making it seem like even the slightest inconvenience. She gave me a smile that said she knew exactly what I meant. "You have nothing to thank me for." She meant that too. Coming from a family that, when they found out she was knocked up as a teen, had kicked her out and disowned her, she made it clear all my life that she was always there, no matter what I did with my life, no matter how high I soared, or how low I crashed. Her arms, her heart, and her door were always open for me. "Alright. A large mocha frappe with full fat milk, full fat whipped cream, and both a mocha and caramel drizzle. It's practically dessert masked as coffee," Brantley said, making my attention snap to where he was pushing what was an obnoxiously large frappe with whipped cream that was towering out of the dome that the pink and sage straw stuck out of. "Don't even think about it, sweetheart," he said, shaking his head as I reached for my wallet. "Thank you," I smiled, and found that it was a genuine one as I reached for it and, in a move that was maybe not brilliant on my part, took a sip. And proceeded to let out an almost porn-star worthy groan of pure, delicious pleasure. Judging by the way Brant's smile went a little wicked, his thoughts ran along the same lines as well.
Jessica Gadziala (Peace, Love, & Macarons)
Your own name isn’t half-bad. Bet you don’t know what Loretta means.” Rachel folded the dough over, then glanced up with a teasing grin. “Your momma and me picked it, mainly for the meaning.” “It’s a variation of Laura, isn’t it? Laurel wreath or something?” “That’s the common meaning. But in your ma’s name book, there was another.” “Well? Give over.” Loretta waited, watching her aunt. “What’s it mean? Flat-chested and scrawny?” Rachel threw back her head and chuckled. “Flat-chested and scrawny? Loretta Jane, I swear, no one can say you have too high an opinion of yourself. It means little wise one.” The color washed from Loretta’s face, and she planted her feet on the floor to stop the chair from rocking. “It means what?” “Little wise one.” Rachel’s smile faded. “You feelin’ peaked? What’s wrong?” Loretta set her sewing aside and pushed to her feet. “Nothing, Aunt Rachel. N-nothing.” Glancing dazedly around the room, Loretta pressed the back of her wrist to her temple, a feeling of unreality surrounding her. “I, um, think I’ll get a breath of air.” After hurrying from the house, Loretta struck off across the yard to lean on the fence, her favorite spot because it afforded her a view of the rise. Little wise one. Still numb with shock, she stared off into the distance, remembering the night Hunter had recited his song to her. The People will call her the Little Wise One… She studied the rise, truly believing, for the first time, that she and Hunter were destined to be together. She tried to remember all the words to his song. They came to her in snatches. Between them will be a great canyon that runs high with blood. A silly legend, she had once called it. Now she knew better. Too much of it had already come to pass for her to scoff. A canyon of blood. Loretta curled her hands into fists. Hunter would return to her. She didn’t know when, or how, but suddenly she felt certain the song, once the bane of her existence, had become her greatest hope.
Catherine Anderson (Comanche Moon (Comanche, #1))
His mouth trailed hot along the hard ridge of muscle in her neck. Cass exhaled sharply, her fingers crawling beneath his shirt to explore the contours of his chest, to trace the map of scars he had earned in her name. Luca’s hand dropped to her hip. As his mouth found her lips again, his fingers pushed aside the hem of her skirt until they grazed the bare skin of her leg beneath. She shuddered, her whole body trembling at his touch. He pulled his hand away as if her skin had burned him. “I’m sorry,” he whispered. “No.” Cass couldn’t think. Her brain refused to make words out of what she was feeling. She was in a fog, a haze. She couldn’t see. Suddenly Seraphina’s advice shined before her like light. Do what your heart tells you to do. Slowly, Cass led Luca’s hand back to her leg. “Cassandra.” He expelled the single word like a plea. She could feel his blood racing in his fingertips. “I should go, find a place--” She buried her face into where his neck and shoulder joined, her lips gently coming to rest on his newest scar. “No, you should stay.” “But Cass--” She exhaled a soft breath on his collarbone. “Please,” she whispered. “Stay with me.” And so he did.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
ALLOW YOUR SUFFERING TO SPEAK Our suffering consists of two components: a mental component and an emotional component. We usually think of these two aspects as separate, but in fact, when we’re in deep states of suffering, we’re usually so overwhelmed by the experience of emotion that we forget and become unconscious of the story in our minds that is creating and maintaining it. So one of the most vital steps in addressing our suffering and moving beyond it is first to summon the courage and willingness to truly experience what we’re feeling and to no longer try to edit what we feel. In order to really allow ourselves to stay with the depth of our emotions, we must cease judging ourselves for whatever comes up. I invite you to set some time aside—perhaps a half an hour—to allow yourself simply to feel whatever is there: to let any sensation, feeling, or emotion come up without trying to avoid or “solve” it. Simply let whatever is there arise. Get in touch with the kinesthetic feeling of it, of what these experiences are like when you’re not trying to push or explain them away. Just experience the raw energy of the emotion or sensation. You might notice it in your heart or your solar plexus, or in your gut. See if you can identify where the tightness is in your body—not only where the emotion is, but what parts of your body feel rigid. It could be your neck or shoulders or it might be your back. Suffering manifests as emotion—often as deep, painful emotion—and also as tension throughout the body. Suffering also manifests as certain patterns of circular thinking. Once you touch a particular emotion, allow yourself to begin to hear the voice of suffering. To do this, you cannot stand outside the suffering, trying to explain or solve it; you must really sink into the pain, even relax into the suffering so that you can allow the suffering to speak. Many of us have a great hesitancy to do this, because when suffering speaks, it often has a very shocking voice. It can be quite vicious. This kind of voice is something that most people do not want to believe they have inside them, and yet to move beyond suffering it’s vital that we allow ourselves to experience the totality of it. It’s important that we open all the emotions and all of the thoughts in order to fully experience what is there.
Adyashanti (Falling Into Grace)
The passion of these newly rich Americans for industrial merger yielded to an even more insistent passion for a merger of their newly acquired domains with more ancient ones; they wanted to veneer their arrivisme with the traditional. It would be gratifying to feel, as you drove up to your porte-cochère in Pittsburgh, that you were one with the jaded Renaissance Venetian who had just returned from a sitting for Titian; to feel, as you walked by the ranks of gleaming and authentic suits of armour in your mansion on Long Island – and passed the time of day with your private armourer – that it was only an accident of chronology that had put you in a counting house when you might have been jousting with other kings in the Tournament of Love; to push aside the heavy damask tablecloth on a magnificent Louis XIV dining-room table, making room for a green-shaded office lamp, beneath which you scanned the report of last month’s profit from the Saginaw branch, and then, looking up, catch a glimpse of Mrs Richard Brinsley Sheridan and flick the fantasy that presently you would be ordering your sedan chair, because the loveliest girl in London was expecting
S.N. Behrman (Duveen: The story of the most spectacular art dealer of all time)
I took a step away, pulling my sheets over her and intending to take a position in the armchair by the fire for the night but she caught my hand before I could leave. I looked at her in surprise and found her eyes open, her gaze locked on mine. “Don’t go,” she breathed, her grip tightening. “I don’t think you really-” “Please don’t leave me alone,” she begged and the vulnerability in her voice broke down any further protests I’d been going to make. She sat up a little and tugged on my arm, trying to pull me down into the bed with her. And I couldn’t really deny the fact that I’d thought about getting her in my bed more than once before. Not that I’d lay a finger on her in her current state but even seeing her here, surrounded by gold and half undressed was sending zips of turbulent energy right through me. She pulled on my hand again and I gave up trying to talk myself out of it as I kicked my shoes off and got in beside her. She smiled at me and it wasn’t sarcastic or taunting, the difference that made taking my breath away for a moment. I settled back against the pillows and she rolled against me, pressing her nearly naked body flush to mine. I could feel myself getting hard just from that small amount of contact. I tried to prise her away from me but she wriggled closer, pressing her full breasts against me and giving me a clear view of them trying to break free of the confines of her bra. “Fuck, Roxy, I cant sleep next to you while you’re dressed like that,” I said, rolling her away from me more forcefully. She blinked up at me in confusion for a moment before pushing herself upright and looking down at her undressed state. “Oh, sorry,” she mumbled before pulling off the unbuttoned shirt and throwing it to the floor. “Better?” My mouth dried up and a growl escaped me as the Dragon writhed beneath my skin. “You need to be putting more on, not taking things off,” I said tersely. She huffed like I was the one who was being ridiculous. “Give me your shirt then,” she demanded, reaching out to pull at my black t-shirt. “I don’t think it will help if I start taking off my clothes too,” I said, catching her wrist to stop her. “You’re so fucking bossy,” she muttered, a bit of her usual fire rising to the surface. “Just do as you’re told for once.” Before I could respond to that, she shoved my hand aside and moved to straddle me in one quick movement. I was so surprised that for a moment I couldn’t even react as she yanked on my shirt and pulled it over my head. My hands found her waist, my thumbs brushing against her hip bones as she looked down at me with her dark hair tumbling around her shoulders and that sexy as sin underwear begging me to touch it. She laughed as she waved the shirt at me triumphantly, doing a little victory dance which meant she was grinding right against my hard-on and sending my body haywire. Before I could say or do anything, she pulled the shirt over her head and covered herself with it. I was so much bigger than her that it fell right down to pool around her thighs, trapping my hands beneath the material where I still held her. Her gaze locked with mine and for a moment it was like none of the shit that had passed between us had ever happened and we were just us, alone...in my bed. (DariusPOV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
It’s Fae on Fae, man, what are you thinking?” he asked with a frown and I could only glower as I looked back to the fight, forcing myself to remain still. It might have made me ache to hold back but he was right, I couldn’t get involved in a fight between two Fae. And if it had been anyone else, I never would have considered it. But Roxy always made me want to break the rules. “You jumped up, crown touting, cock sucking, whore!” Mildred slammed her fist into Roxy’s face again, not even bothering to use magic as she screamed insults in her face which included way too many references to me being her beloved. “What’s the matter, Mildred?” Roxy snarled. “Is it just that you can’t suck cock properly with that mis-matched jaw of yours or is it that you know Darius is only marrying you because his father is forcing him to?” “When I take my beloved to the bedroom he will be screaming so loudly that he won’t even remember the name Vega!” Mildred howled as she punched Roxy again. “Yeah, screaming in horror,” Roxy spat and I almost fucking laughed aside from the fact that she was about to get her face smashed in by that beast of a girl. “We’ll see if he’s so tempted by you when I’m done pulverising that pretty face of yours and I cut your perky tits off for good measure!” Mildred howled. “Not the tits!” Tyler Corbin gasped from the other side of the crowd as he filmed the whole thing. My heart pounded. Roxy might have been tough, but Mildred was four times the size of her. She needed to fight back with magic if she was going to stand a chance, but as she swung her head forward and cracked the bridge of Mildred’s nose with a savage headbutt, I got the feeling she wasn’t going to use it. Roxy swung a fist into Mildred’s throat to follow it before driving her knee up between her legs as hard as she could. “Ooo right in the vag!” Tyler called and a laugh caught in my throat. “Yes, Tor!” Darcy screamed as she pushed her way to the front of the crowd. “Show her how we fight where we come from!” As Mildred reared back, Roxy lunged forward, rolling them over so that she was on top before swinging her fists down into Mildred’s ugly face with a brutality that made my heart race. She was wild and vicious, blood pissing down her face from her own injuries as she used my stolen rings to batter Mildred again and again. I wouldn’t be surprised if she didn’t end up with Dragons imprinted all over her face from her own injuries as she used my stolen rings to batter Mildred again and again. I wouldn’t be surprised if she didn’t end up with Dragons imprinted all over her face from the shape of the jewellery. Mildred gave as good as she got, punching Roxy in the sides, the chest, even trying to bite her fist as she punched her. “Holy shit,” Seth breathed as he nuzzled against my arm. “This would be so hot if it wasn’t, you know, Mildred. But if I imagine her being literally any other girl then I’d be so turned on right now.” I swallowed a lump in my throat as I refused to agree out loud, but he was right. There was something about Roxy as she fought like that, her lip curled back with determination and absolutely no mercy in her. They might have been fighting like mortals having a bar brawl, but with a crown on her head and blood painting her flesh, I didn’t think she’d ever looked more like the Savage King’s daughter before. She really was a Fae Princess. And I liked it. Mildred cursed and screamed, throwing fists like sledgehammers so hard that I was pretty sure I heard ribs cracking, but Roxy wasn’t going to give in. She swung her arm back one final time and with a scream of rage, she hit Mildred so hard in her pug face that she blacked out. A laugh tumbled from my lips before I could stop it and Roxy looked up at me with a wild determination in her eyes as she grinned like a damn warrior. (Darius POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
I could feel the tension leaving her as she gave in, her kisses rich and consuming as I explored her mouth with mine. I moved my hand that final inch, my thumb dragging its way up the centre of her panties until I found her clit and pressed down, making her gasp in pleasure. I began circling my thumb against her through her panties and she arched her back, her thighs widening further to give me all the access I wanted to destroy her. I kissed harder as I began to unhook her shirt buttons with my free hand, wanting to see those fucking tits I'd been jerking off over in the flesh. Her hands continued to move across my bare skin as I kept working her clit and I gave up trying to take my time with her as she started panting with need. I shifted my hand, pushing her panties aside and growling with desire as I found her pussy soaked and ready for me and I immediately sank a finger deep inside her. Tory moaned, her voice rough and breathy and so fucking sexy that I had to fight the urge to drop my pants and drive my cock into her here and now so that I could hear what it sounded like when I really made her scream. But thanks to fucking Teddy, I knew I didn't have time to fuck her the way I ached to and I didn't want to rush through something I'd been daydreaming about for so long. So I was going to feel her coming for me like this, take control of her pleasure and leave her wanting more so that she was aching for me as much as possible the next time we found ourselves alone like this and I could really show her what I was made of. My other hand found her tit and I squeezed it through her bra, groaning at the fullness in my palm and breaking our kiss as I worked my way down her body to better service her hardened nipple. Tory leaned back, giving me a perfect fucking view of her with her shirt swinging wide and her skirt hitched up around her waist as I drove my finger in and out of her tight pussy. I yanked her bra down, my dick jerking at the sight of her pink nipple before my mouth descended on it and I sucked it between my lips, coupling the move with the addition of a second finger driving inside her. She moaned even louder, her pussy tightening like a vice around my fingers while I sucked on her nipple and felt her body surging towards its climax like I was playing the most exquisite instrument in the world. The moment I felt her coming for me, I reared up and kissed her hard, swallowing her cries of pleasure and tasting her lust as I dragged my tongue over hers. My dick was fucking aching and I growled with a desperate, needy plea of my flesh which I knew I didn't have time to answer as the heat of our kisses softened and I slowly drew my fingers back out of her, fixing her panties into place again. I broke off our kiss with a surge of effort, mentally planning to give Teddy the lesson from hell for forcing me to cut this shit short after I'd waited so long to claim it. Tory blinked up at me in surprise and I had to fight the urge to pout like a bitch as I read the desire in her body and knew she'd been hoping to come all over my cock again after that stunning first round. “I have a student coming in a minute to learn the art of Vampirism from an expert,” I explained, wishing I could just cancel the damn thing, but my mom had already been calling me out on not attending a bunch of these sessions and as our family name was linked to them, it was a bad look for me to miss any more of them. “So that was purely for my benefit?” Tory asked in surprise as she began to re-button her shirt. My jaw ticked with frustration, though I couldn't claim she was the only one of us who had gotten something out of that. “Oh no, I got plenty from that too,” I promised her, my gaze sweeping over her body appreciatively as I began to mentally plan all the things I wanted to do to every inch of her if I was lucky enough to get to do this with her again. (Caleb POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
I caught his mouth with mine and shifted my hands to start unhooking his shirt buttons. I could feel him grinning as he kissed me harder, driving me back against the bookshelf and shoving his knee between my thighs. I pushed his shirt off of his broad shoulders and looked at the perfection of his muscular torso for a moment, running my hands down his chest. He drove me back against the shelf more firmly, kissing me again. I devoured the taste of him, his hands sliding over my breasts through the thin material of my dress and making my nipples harden in response. I placed my palms on his chest and pushed him back, propelling him around so that he was pressed against the shelf instead of me and a dark laugh left him. “Do you wanna be in charge, sweetheart?” “Well, I am more powerful than you,” I teased. His eyes lit with the challenge in my tone as I took a few steps back and pulled on the knot at the back of my neck. My dress fell from my body like a spill of oil and pooled at my feet, leaving me in nothing but my black panties. “Holy shit, Tory.” He gazed at me hungrily and I stepped back again biting on my bottom lip as I looked at him. “Take your pants off,” I commanded. Caleb’s smile deepened and he held my eye as he kicked his shoes off and unhooked his belt. I twisted my fingers through my hair as I watched him, my pulse rising as he revealed more of his muscular body to me. When he was down to his navy boxers, he advanced on me again. I smiled, backing up as he stalked towards me until the backs on my thighs met with the games table. He was upon me in a heartbeat, his hands gripping my thighs as he lifted me up and sat me on the table. His mouth pressed to my throat, stubble grazing across my skin in the most delicious way. His kisses moved lower, passing over my collar bone before making it to the swell of my breast. His mouth landed on my nipple, his tongue flicking against it and making me moan in pleasure. His hand found my other breast while he spread his other palm across my lower back to hold me in place. I locked my ankles around him, pulling him closer so that I could feel the full length of his arousal grinding against me through the lacy fabric of my panties. His mouth found mine again and I pushed my fingers into his golden curls as my breasts skimmed against the firm lines of his muscular chest. My muscles were tightening, my heart pounding and my body aching for more of him. I grazed my fingertips down his chest, feeling every ridge of his abdomen before reaching the waistband of his boxers. I pushed my hand beneath the soft material and wrapped my fingers around the hard length of him. Caleb groaned against my lips as I began to move my hand up and down, a tingle running along my spine as I felt just how much my touch affected him. His hands made it to the sides of my panties and he peeled them down as his heavy breathing broke our kiss. I lifted my ass to let him remove them and he stepped back, forcing my hand off of him as he tossed my underwear aside. I watched as he pushed his boxers off revealing every inch of him and my mouth dried up with desire. He shot forward with his Vampire speed, scooping me up and moving me backwards as he lay me beneath him on the games table. Poker chips and cards scattered all around us and a surprised laugh left my lips. He grinned as he kissed me again, hard enough to bruise my lips but still not enough to tame my desire. My hands explored the curve of his shoulders and I arched my back off of the table so that my nipples skimmed his flesh. Caleb shifted, moving between my legs, our kiss breaking for the briefest moment as he looked into my eyes and pushed himself inside me. A moan of pleasure escaped me as he filled me and I tipped my head back, my eyes falling closed as I absorbed the feeling of his body merging with mine. “Fuck,” Caleb breathed as he started to move, slowly at first but building in speed as I urged him on. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Caleb’s eyes twinkled with amusement and he caught my cheek in his large hand, kissing me again. There wasn’t as much heat in it but it still made me feel a little weak at the knees. Maybe making nice with one of the Heirs wasn’t the worst choice I’d ever made. “Caleb?” a harsh voice came from the doorway beside us and fear darted through me as I pulled away from Caleb in surprise. Darius stood in the hall, the vine which had secured the door burned to a crisp on the ground from his magic. He was scowling at the two of us and seemed even more intimidating than usual. His gaze took in the cards and poker chips all over the floor alongside the less than perfect state of my hair and I was endlessly grateful that he hadn’t turned up five minutes ago. Caleb didn’t release his hold on me but turned to look at the other Heir with a hint of irritation in his gaze. “I’m busy,” he said flatly, a clear demand for Darius to leave. “My father and the other Councillors want to speak to all of the Heirs before we leave. They sent me to look for you,” Darius said, ignoring his friend’s irritation. “Your sister and Lance are already waiting outside for you,” he added to me, his tone dismissive. Caleb sighed and turned back to look at me but I couldn’t tear my eyes away from Darius. He looked my way, meeting my eyes and I almost flinched from the anger I found there. “I haven’t finished yet,” Caleb said, his eyes roaming over me but I was still trapped in Darius’s gaze. “Well stop playing with your food and get on with it,” Darius demanded. Caleb growled in response to the command but he leaned in to brush his mouth against my neck. I didn’t bother to try and fight him off but I released my hold on his shirt so I was no longer pulling him towards me. “We can pick this up later, sweetheart,” Caleb murmured. “But I need my strength if I’ve gotta face the Councillors.” His teeth slid into my neck, and his hand pushed into my hair as he held me in place. The strange sucking sensation pulled at my gut as he tapped into the well of power that lay within me, drawing it into himself. Darius’s gaze stayed fixed on us the entire time and I couldn’t help but look back at him. His eyes were like two burning pits of rage and I wondered briefly if Caleb was breaking some rule of theirs by being less than awful to me. Caleb withdrew his fangs from my skin and brushed his fingers over the wound, healing it for me. I looked up at him in surprise and he smiled ruefully. “See you downstairs, sweetheart,” he murmured, leaning forward like he was going to kiss me again. I ducked aside with a taunting grin. “Not if I see you first,” I warned playfully. He chuckled darkly. “I look forward to catching you again then.” Caleb moved to join Darius and the two of them turned and walked away down the corridor without another glance at me. “What the hell was that about?” Darius asked him in an undertone. “Lighten up, Darius. We were just playing a game. And you have to admit I got a damn hot prize for winning it.” Darius grunted in response and the two of them turned a corner, leaving me alone. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
That morning i awoke. I felt the rising sun. A glimpse of true restoration, with kings crying, emperors imploring mercy, world living, earth within. The light of the rays throughout magnificent pieces of hollow stone. I'm happy. I'm happy. The sun it did shine. The sunrise, it was beautiful, sitting in between the vast open crests of the mountains. The sky's color orange. The mountains a deep pink. This view was a sensation of the universal language. And the best part had to be the sun's fiery, multicolored, rays! Where the glory of this moment, this sunrise, originated. What a bountiful moment. It was filled with glory and strength. The firefly lighting inescapable and somewhat inexpressive. Because of this, all insecurities melted away. There was something comforting about this rise. It was as if it was a message from God. It had the energy of a new day. No, not a new day. Not another day to wake up. Not ANOTHER PLAIN DAY! No, this was a "new day". The beginning of a new era. That's what this sunlight told me. Situations will now explode and dissolve. In a benevolent way. It said, Feel the warmth of the sun. Let it's warm welcoming waves of light surround and caress your being. Feel its care and courage. Connect and let its power become yours. Once i connected i no longer reflected. The time for reflection ended. And being pushed aside, the time or immortality began. The invincible irresistible, sensational, nature of the sun brought a new wave. The nine waves of the sun, They touched me on that sunrise. They touched my heart. Just as they mixed and breed with the unusually blue but now pink mountains. The loving amalgamation of sunrise and environment. It was truly a spectacle to behold. This was a true sunrise. The first true sunrise of my life. THE SUNRISE OF THE NEW DAY. MAY YOU SEE IT AS WELL!
Kalen Doleman, Sunrise of The New Day
he now pushed his personal feelings aside.
Henry M. Paulson Jr. (On the Brink: Inside the Race to Stop the Collapse of the Global Financial System - With a Fresh Look Back Five Years After the 2008 Financial Crisis)
Are you-' My voice sounded too loud in my ears as I pushed back against the wall of black that threatened to swallow me. Amarantha was dead. 'See for yourself,' he said. I kept my eyes on the ground as I turned. There, on the red marble, lay a golden mask, staring at me with its hollow eyeholes. 'Feyre,' Tamlin said, and he cupped my chin between his fingers, gently lifting my face. I saw that familiar chin first, then the mouth, and then- He was exactly how I dreamed he would be. He smiled at me, his entire face alight with that quiet joy I had come to love so dearly, and he brushed my hair aside. I savoured the feel of his fingers on my skin and raised my own to touch his face, to trace the contours of those high cheekbones and that lovely straight nose- the clear, broad brow, the slightly arching eyebrows that framed his green eyes. What I had done to get to this moment, to be standing here... I shoved against the thought again. In a minute, in an hour, in a day, I would think about that, force myself to face it. I put a hand on Tamlin's heart, and a steady beat echoed into my bones.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The only place she found mention of experiences like hers was inside a couple of psychiatry books. What she was going through was a fetish, these books explained. It was sexual, deviant and a sign of mental illness. There was something terribly wrong with her. Mortified, she pushed these books aside. Was this who she was? Was she sick? Shame wormed its way into every part of her. She could see no way out, no way to right this wrong. Research had failed her, and she found herself feeling more alone than ever.
Amanda Jette Knox (Love Lives Here: A Story of Thriving in a Transgender Family)
Claire shrugged. “I hadn’t thought about it. I don’t know. Like I said, I had never met the woman before, so I don’t know what she looked like when she wasn’t drunk. I just know that she was terrorized.” “You mean terrified?” “No, I mean terrorized. She wasn’t afraid to die. She was afraid to live. She was committed to dying in that river. You don’t—” Her voice cracked. Emotion hit her like a lightning strike. The sounds of Miranda Simon’s muffled screams rushed back at her. Pushing the memory aside, she gathered herself back up. “You don’t forget that feeling. You recognize it in someone else when you see it.
Lisa Regan (Losing Leah Holloway (Claire Fletcher, #2))
You think this is wrong. That you’re not allowed to like this,” I say as I lean back. “But you don’t have to hide your desires from me, Lucille. I’ll show you every filthy thing that is known to mankind, and I’ll watch your cunt dripping as it weeps for more. And then I’ll do it again and again. Until you push all those thoughts aside and accept your desires. What was it that Daisy Scott said?” I slip one finger inside of her pussy. “She wonders what it would feel like to experience passion. To meet someone who sees her. Who sees the real her. Someone who would never want to change her or try to take away her darkness,” I quote from her novel. “Don’t hide from me, mo chreach bheag.
Dolores Lane (Bloody Fingers & Red Lipstick)
There are infinite ways to make a living. At some level—a deep, instinctive level—you know which of them will truly work for you. You can feel it immediately when a job requires you to push aside your true desires. Your awareness of your true career path may be buried deep under layers of acculturated false beliefs. But it’s still there, like a flower trying to grow through toxic sludge. If you continue to resist your genuine impulses, you’ll become slowly aware that what you’re doing to make a living is turning you into the walking dead.
Martha Beck (The Way of Integrity: Finding the Path to Your True Self)
In the bedrooms some of the men were fighting two women. One threw a knife and aimed it at Isabel's face. He missed, and the knife embedded itself in the wall behind her. Isabel grabbed her weapon, but Roman had already entered the room. He pushed Isabel aside, threw the knife at the assailant, then pointed the weapon at the other man. "Where is my mother?" he demanded. in a loud and scary voice. "How should I know, for all..." Roman interrupted him with a shot. He passed the gun to Isabel, took the machine gun from her, and proceeded to the next room. There, Sissy and Ostap were holding two men at gunpoint. "Move aside, my wife," Roman commanded, as he took hold of the DP machine gun. "Where is my mother?" I don't know where she is," Roman no longer listened. He repeated "no, no, no," his expression echoing the denial. The other man raised his hands defensively. "I'll only ask once," Roman declared. "I don't know where your mother is!" the man yelled. Roman shot him. In the living room, Nikura pinned four men against the wall. As they tried to avert the inevitable, one of the Soviets offered a different tactic. "I know where your mother is," he claimed. "Jock told me." "Where is she?" "I want my life in exchange for..." Roman didn't let him finish the sentence; he shot him. "Where is my mother?" the remaining three men demanded again. "In Castropol," an enterprising Soviet offered, "I'll make one phone call..." But it was Isabelle who shoved Roman aside and unleashed the machine gun's fury. She aimed and fired again. The lead bullet from the second burst silenced the two who had yet to speak. "I had a good feeling about the last one," Roman said. "I think he knew something.
Paulina Simons
When you spend enough time being there for everyone else and away from yourself, you just lose yourself. Just like if you spend time away from each other as a married couple, you stop being a married couple. I think I ate, correction: overate, because I wanted to take up space, to be something more. Bigger. Visible. I wanted to matter. I had things I wanted to do and say and be and feel. Typically, I’d push them all aside to make everyone else happy.
Christine Zolendz (#TripleX)