Feeling Lost Poems Quotes

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How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of being and ideal grace. I love thee to the level of every day's Most quiet need, by sun and candle-light. I love thee freely, as men strive for right. I love thee purely, as they turn from praise. I love thee with the passion put to use In my old griefs, and with my childhood's faith. I love thee with a love I seemed to lose With my lost saints. I love thee with the breath, Smiles, tears, of all my life; and, if God choose, I shall but love thee better after death.
Elizabeth Barrett Browning (Sonnets from the Portuguese)
I can write the saddest poem of all tonight. Write, for instance: "The night is full of stars, and the stars, blue, shiver in the distance." The night wind whirls in the sky and sings. I can write the saddest poem of all tonight. I loved her, and sometimes she loved me too. On nights like this, I held her in my arms. I kissed her so many times under the infinite sky. She loved me, sometimes I loved her. How could I not have loved her large, still eyes? I can write the saddest poem of all tonight. To think I don't have her. To feel that I've lost her. To hear the immense night, more immense without her. And the poem falls to the soul as dew to grass. What does it matter that my love couldn't keep her. The night is full of stars and she is not with me. That's all. Far away, someone sings. Far away. My soul is lost without her. As if to bring her near, my eyes search for her. My heart searches for her and she is not with me. The same night that whitens the same trees. We, we who were, we are the same no longer. I no longer love her, true, but how much I loved her. My voice searched the wind to touch her ear. Someone else's. She will be someone else's. As she once belonged to my kisses. Her voice, her light body. Her infinite eyes. I no longer love her, true, but perhaps I love her. Love is so short and oblivion so long. Because on nights like this I held her in my arms, my soul is lost without her. Although this may be the last pain she causes me, and this may be the last poem I write for her.
Pablo Neruda
I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again.
Raymond Chandler (The High Window)
On Writing: Aphorisms and Ten-Second Essays 1. A beginning ends what an end begins. 2. The despair of the blank page: it is so full. 3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself. 4. The best time is stolen time. 5. All work is the avoidance of harder work. 6. When I am trying to write I turn on music so I can hear what is keeping me from hearing. 7. I envy music for being beyond words. But then, every word is beyond music. 8. Why would we write if we’d already heard what we wanted to hear? 9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation. 10. Writer: how books read each other. 11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love. 12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything. 13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough. 14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear. 15. There are silences harder to take back than words. 16. Opacity gives way. Transparency is the mystery. 17. I need a much greater vocabulary to talk to you than to talk to myself. 18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean. 19. Believe stupid praise, deserve stupid criticism. 20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do. 21. Minds go from intuition to articulation to self-defense, which is what they die of. 22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday. 23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open). 24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?
James Richardson
... so this is for us. This is for us who sing, write, dance, act, study, run and love and this is for doing it even if no one will ever know because the beauty is in the act of doing it. Not what it can lead to. This is for the times I lose myself while writing, singing, playing and no one is around and they will never know but I will forever remember and that shines brighter than any praise or fame or glory I will ever have, and this is for you who write or play or read or sing by yourself with the light off and door closed when the world is asleep and the stars are aligned and maybe no one will ever hear it or read your words or know your thoughts but it doesn’t make it less glorious. It makes it ethereal. Mysterious. Infinite. For it belongs to you and whatever God or spirit you believe in and only you can decide how much it meant and means and will forever mean and other people will experience it too through you. Through your spirit. Through the way you talk. Through the way you walk and love and laugh and care and I never meant to write this long but what I want to say is: Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself and let your very existence be your song, your poem, your story. Let your very identity be your book. Let the way people say your name sound like the sweetest melody. So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountain where no one will ever hear and your very existence will be the most hypnotising scar. Make your life be your art and you will never be forgotten.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
I was lost for too long but when i found you, i could feel it in my bones. You were my home.
Anjum Choudhary (Souled Out)
When I consider that the nobler animal have been exterminated here - the cougar, the panther, lynx, wolverine, wolf, bear, moose, dear, the beaver, the turkey and so forth and so forth, I cannot but feel as if I lived in a tamed and, as it were, emasculated country... Is it not a maimed and imperfect nature I am conversing with? As if I were to study a tribe of Indians that had lost all it's warriors...I take infinite pains to know all the phenomena of the spring, for instance, thinking that I have here the entire poem, and then, to my chagrin, I hear that it is but an imperfect copy that I possess and have read, that my ancestors have torn out many of the first leaves and grandest passages, and mutilated it in many places. I should not like to think that some demigod had come before me and picked out some of the best of the stars. I wish to know an entire heaven and an entire earth.
Henry David Thoreau (The Journal, 1837-1861)
Aubade I work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what’s really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify. The mind blanks at the glare. Not in remorse —The good not done, the love not given, time Torn off unused—nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true. This is a special way of being afraid No trick dispels. Religion used to try, That vast moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear—no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anaesthetic from which none come round. And so it stays just on the edge of vision, A small unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink. Courage is no good: It means not scaring others. Being brave Lets no one off the grave. Death is no different whined at than withstood. Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can’t escape, Yet can’t accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.
Philip Larkin (Collected Poems)
Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her, And the verse falls to the snow like dew to the pasture.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
You see her and ascend into love. You become enchanted, a found madman. In your love, you lose yourself and become her. You were once without her, now with her. You still feel her and descend into love. You become enraptured, a lost madman. In your love, you lost yourself and her. You were once with her, now without her.
Kamand Kojouri
When the day's mistakes are too much to bear, when everything feels like devastation beyond repair, remind yourself: how mystical it is that every day, the clocks reset to 00:00 the reason they say midnight is the witching hour, is because a new day rises from the ashes of the old, embers breathe new life to its fire, giving us a chance to mend, a chance to restore, all that is broken and what you thought was lost.
Nikita Gill (Wild Embers: Poems of Rebellion, Fire and Beauty)
The Forgotten Dialect of the Heart How astonishing it is that language can almost mean, and frightening that it does not quite. Love, we say, God, we say, Rome and Michiko, we write, and the words get it all wrong. We say bread and it means according to which nation. French has no word for home, and we have no word for strict pleasure. A people in northern India is dying out because their ancient tongue has no words for endearment. I dream of lost vocabularies that might express some of what we no longer can. Maybe the Etruscan texts would finally explain why the couples on their tombs are smiling. And maybe not. When the thousands of mysterious Sumerian tablets were translated, they seemed to be business records. But what if they are poems or psalms? My joy is the same as twelve Ethiopian goats standing silent in the morning light. O Lord, thou art slabs of salt and ingots of copper, as grand as ripe barley lithe under the wind's labor. Her breasts are six white oxen loaded with bolts of long-fibered Egyptian cotton. My love is a hundred pitchers of honey. Shiploads of thuya are what my body wants to say to your body. Giraffes are this desire in the dark. Perhaps the spiral Minoan script is not language but a map. What we feel most has no name but amber, archers, cinnamon, horses, and birds.
Jack Gilbert (The Great Fires)
Tonight I Can Write Tonight I can write the saddest lines. Write, for example, 'The night is starry and the stars are blue and shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms. I kissed her again and again under the endless sky. She loved me, sometimes I loved her too. How could one not have loved her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is starry and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight tries to find her as though to bring her closer. My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. As she was before my kisses. Her voice, her bright body. Her infinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my soul is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
My dearest friend Abigail, These probably could be the last words I write to you and I may not live long enough to see your response but I truly have lived long enough to live forever in the hearts of my friends. I thought a lot about what I should write to you. I thought of giving you blessings and wishes for things of great value to happen to you in future; I thought of appreciating you for being the way you are; I thought to give sweet and lovely compliments for everything about you; I thought to write something in praise of your poems and prose; and I thought of extending my gratitude for being one of the very few sincerest friends I have ever had. But that is what all friends do and they only qualify to remain as a part of the bunch of our loosely connected memories and that's not what I can choose to be, I cannot choose to be lost somewhere in your memories. So I thought of something through which I hope you will remember me for a very long time. I decided to share some part of my story, of what led me here, the part we both have had in common. A past, which changed us and our perception of the world. A past, which shaped our future into an unknown yet exciting opportunity to revisit the lost thoughts and to break free from the libido of our lost dreams. A past, which questioned our whole past. My dear, when the moment of my past struck me, in its highest demonised form, I felt dead, like a dead-man walking in flesh without a soul, who had no reason to live any more. I no longer saw any meaning of life but then I saw no reason to die as well. I travelled to far away lands, running away from friends, family and everyone else and I confined myself to my thoughts, to my feelings and to myself. Hours, days, weeks and months passed and I waited for a moment of magic to happen, a turn of destiny, but nothing happened, nothing ever happens. I waited and I counted each moment of it, thinking about every moment of my life, the good and the bad ones. I then saw how powerful yet weak, bright yet dark, beautiful yet ugly, joyous yet grievous; is a one single moment. One moment makes the difference. Just a one moment. Such appears to be the extreme and undisputed power of a single moment. We live in a world of appearance, Abigail, where the reality lies beyond the appearances, and this is also only what appears to be such powerful when in actuality it is not. I realised that the power of the moment is not in the moment itself. The power, actually, is in us. Every single one of us has the power to make and shape our own moments. It is us who by feeling joyful, celebrate for a moment of success; and it is also us who by feeling saddened, cry and mourn over our losses. I, with all my heart and mind, now embrace this power which lies within us. I wish life offers you more time to make use of this power. Remember, we are our own griefs, my dear, we are our own happinesses and we are our own remedies. Take care! Love, Francis. Title: Letter to Abigail Scene: "Death-bed" Chapter: The Road To Awe
Huseyn Raza
When I left Merle was wearing a bungalow apron and rolling pie crust. She came to the door wiping her hands on the apron and kissed me on the mouth and began to cry and ran back into the house, leaving the doorway empty [...] I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again. (p. 262)
Raymond Chandler (The High Window)
I would say Pittsburgh softly each time before throwing him up. Whisper Pittsburgh with my mouth against the tiny ear and throw him higher. Pittsburgh and happiness high up. The only way to leave even the smallest trace. So that all his life her son would feel gladness unaccountably when anyone spoke of the ruined city of steel in America. Each time almost remembering something maybe important that got lost.
Jack Gilbert (Collected Poems)
Evening Solace The human heart has hidden treasures, In secret kept, in silence sealed;­ The thoughts, the hopes, the dreams, the pleasures, Whose charms were broken if revealed. And days may pass in gay confusion, And nights in rosy riot fly, While, lost in Fame's or Wealth's illusion, The memory of the Past may die. But, there are hours of lonely musing, Such as in evening silence come, When, soft as birds their pinions closing, The heart's best feelings gather home. Then in our souls there seems to languish A tender grief that is not woe; And thoughts that once wrung groans of anguish, Now cause but some mild tears to flow. And feelings, once as strong as passions, Float softly back-­a faded dream; Our own sharp griefs and wild sensations, The tale of others' sufferings seem. Oh ! when the heart is freshly bleeding, How longs it for that time to be, When, through the mist of years receding, Its woes but live in reverie ! And it can dwell on moonlight glimmer, On evening shade and loneliness; And, while the sky grows dim and dimmer, Feel no untold and strange distress­ Only a deeper impulse given By lonely hour and darkened room, To solemn thoughts that soar to heaven, Seeking a life and world to come.
Charlotte Brontë (Poems)
Have we not all, amid life's petty strife, Some pure ideal of a noble life That once seemed possible? Did we not hear The flutter of its wings, and feel it near, And just within our reach? It was. And yet We lost it in this daily jar and fret, And now live idle in a vague regret. But still our place is kept, and it will wait, Ready for us to fill it, soon or late: No star is ever lost we once have seen, We always may be what we might have been. Since Good, though only thought, has life and breath, God's life--can always be redeemed from death; And evil, in its nature, is decay, And any hour can blot it all away; The hopes that lost in some far distance seem, May be the truer life, and this the dream.
Adelaide Anne Procter (The Poems of Adelaide A. Procter)
Maybe that's what writers do- Maybe they exaggerate pain just so that you feel okay about what you're feeling.
Sanhita Baruah
Please don’t tell me, it was less painful than a broken backbone, a forgotten poem, a lost home.
Khadija Rupa (Unexpressed Feelings)
Only--but this is rare-- When a beloved hand is laid in ours, When, jaded with the rush and glare Of the interminable hours, Our eyes can in another's eyes read clear, When our world-deafen'd ear Is by the tones of a loved voice caress'd-- A bolt is shot back somewhere in our breast, And a lost pulse of feeling stirs again. The eye sinks inward, and the heart lies plain, And what we mean, we say, and what we would, we know. A man becomes aware of his life's flow, And hears its winding murmur; and he sees The meadows where it glides, the sun, the breeze.
Matthew Arnold (The Poems of Matthew Arnold 1849 - 1867)
Gacela of the Flight” I have lost myself in the sea many tunes with my ear full of freshly cut flowers, with my tongue full of love awl agony. I have lost myself in the sea many times as I lose myself in the heart of certain children. There is no one who in giving a kiss does not feel the smile of faceless people, and no one who in touching a newborn child forgets the motionless skulls of horses. Because the roses search in the forehead for a hard landscape of hone and the hands of man hate no other purpose than to imitate the roots below the earth. As I lose myself in the heart of certain children, I have lost myself in the sea many times. Ignorant of the water I go seeking a death full of light to consume me.
Federico García Lorca (The Selected Poems)
the star that I was wishing the light that I was kissing sitting back and reminiscing that night, it was missing.
Lokesh Fouzdar
I do know I can lie awake all night and it feels as if someone is cutting out my stomach the pain of having lost her is so awful. And I am angry that I was made to choose, that both Fen & Helen needed me to choose, to be their one & only when I didn’t want a one & only. I loved that Amy Lowell poem when I first read it, how her lover was like red wine at the beginning and then became bread. But that has not happened to me. My loves remain wine to me, yet I become too quickly bread to them. It was unfair, the way I had to decide one way or another in Marseille. Perhaps I made the conventional choice, the easy way for my work, my reputation, and of course for a child. A child that does not come.
Lily King (Euphoria)
I lay there with my mind running amuck, on the brink of madness. And somehow, gradually, early Sunday morning, I became calm. I can't think of any other word for it. I was thinking about the beach poem again, and I started to feel that I was being looked after, that everything was OK. It was strange: if there was ever a time in my life when I had the right to feel alone this was it. But I lost that sense of loneliness. I felt like there was a force in the room with me, not a person, but I had a sense that there was another world, another dimension, and it would be looking after me. It was like, "This isn't the only world, this is just one aspect of the whole thing, don't imagine this is all there is.
John Marsden (A Killing Frost (Tomorrow, #3))
BLESSINGS ARE IMMEASURABLE You can Lose a child Or a parent, The love of your life, A good job, A game, A deal, A bet, An idea, Your favorite thing, Money, Your best friend, A moment, An opportunity, A chance, Your keys, Your mind, Your health, Your identity, Your virginity, Your religion, Your shirt, Your license, ID or Passport, Phone or phone number, Hope, Faith, Luck, Your pride, Or your house, And feel like You've lost everything, And keep on losing. Stop Counting losses And start counting your blessings. Only then, Will you discover that losses Are easier to point out And count Than blessings, And that blessings Outnumber your losses For they are truly Immeasurable. It is only normal that People count losses with Their minds, And ignore To count blessings With the graciousness Of their hearts.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
You can Lose a child Or a parent, The love of your life, A good job, A game, A deal, A bet, An idea, Your favorite thing, Money, Your best friend, A moment, An opportunity, A chance, Your keys, Your mind, Your health, Your identity, Your virginity, Your religion, Your shirt, Your license, ID or Passport, Phone or phone number, Hope, Faith, Luck, Your pride, Or your house, And feel like You've lost everything, And keep on losing. Stop Counting losses And start counting your blessings. Only then, Will you discover that losses Are easier to point out And count Than blessings, And that blessings Outnumber your losses For they are truly Immeasurable. It is only normal that People count losses with Their minds, And ignore To count blessings With the graciousness Of their hearts.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
There’s a loss of personality; Or rather, you’ve lost touch with the person You thought you were. You no longer feel quite human. You’re suddenly reduced to the status of an object — A living object, but no longer a person. It’s always happening, because one is an object As well as a person. But we forget about it As quickly as we can. When you’ve dressed for a party And are going downstairs, with everything about you Arranged to support you in the role you have chosen, Then sometimes, when you come to the bottom step There is one step more than your feet expected And you come down with a jolt. Just for a moment You have the experience of being an object At the mercy of a malevolent staircase.
T.S. Eliot (The Complete Poems and Plays)
In fact, poetry has always been like archives that peoples have continually used to serve their feelings, thoughts, national identities and cultures, and it has served as a factor uniting different historical periods. Those who had lost contact with their past for a certain period found and experienced the expression of their own selves in poetry, and the were able to see their history as a whole in it.
M. Fethullah Gülen (Speech and Power of Expression: On Language, Esthetics, and Belief)
I primarily use poetry as a purge, a self-medication device when I’m in the depths of loneliness, anxiety or in the throes of depression. When I’m lost in the darkness of mental illness, I spill forth a deluge of words and prose that are oftentimes grim, dark and depressive. And when my poems are spilled forth into one of my poetry journals, I feel a weight has been indeed been lifted from me, and my mind can rest just a bit easier.
Nicholas Trandahl
Maman had been a gifted writer. Pari has read every word Maman had written in French and every poem she had translated from Farsi as well. The power and beauty of her writing was undeniable. But if the account Maman had given of her life in the interview was a lie, then where did the images of her work come from? Where was the wellspring for words that were honest and lovely and brutal and sad? Was she merely a gifted trickster? A magician, with a pen for a wand, able to move an audience by conjuring emotions she had never known herself? Was that even possible? Pari does not know—she does not know. And that, perhaps, may have been Maman’s true intent, to shift the ground beneath Pari’s feet. To intentionally unsteady and upend her, to turn her into a stranger to herself, to heave the weight of doubt on her mind, on all Pari thought she knew of her life, to make her feel as lost as if she were wandering through a desert at night, surrounded by darkness and the unknown, the truth elusive, like a single tiny glint of light in the distance flickering on and off, forever moving, receding.
Khaled Hosseini (And the Mountains Echoed)
Modernist literature with all its vast apparatus was an instrument, a form of perception, and once absorbed, the insights it brought could be rejected without its essence being lost, even the form endured, and it could be applied to your own life, your own fascinations, which could then suddenly appear in a new and significant light. Espen took that path, and I followed him like a brainless puppy, it was true, but I did follow him. I leafed through Adorno, read some passages of Benjamin, sat bowed over Blanchot for a few days, had a look at Derrida and Foucault, had a go at Kristeva, Lacan, Deleuze, while poems by Ekelöf, Björling, Pound, Mallarmé, Rilke, Trakl, Ashbery, Mandelstam, Lunden, Thomsen, and Hauge floated around, on which I spent more than a few minutes, I read them as prose, like a book by MacLean or Bagley, and learned nothing, understood nothing, but just having contact with them, having their books in the bookcase, led to a shifting of consciousness, just knowing they existed was an enrichment, and if they didn't furnish me with insights I became all the richer for intuitions and feelings.
Karl Ove Knausgård (Min kamp 1 (Min kamp #1))
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
Weeper “I hate to lose something,”  then she bent her head, “even a dime, I wish I was dead. I can't explain it. No more to be said. ‘Cept I hate to lose something. “I lost a doll once and cried for a week. She could open her eyes, and do all but speak. I believe she was took, by some doll-snatching sneak. I tell you, I hate to lose something. “A watch of mine once, got up and walked away. It had twelve numbers on it and for the time of day. I'll never forget it and all I can say Is I really hate to lose something. “Now if I felt that way ‘bout a watch and a toy, What you think I feel ‘bout my lover-boy? I ain't threatening you, madam, but he is my evening's joy. And I mean I really hate to lose something.
Maya Angelou (The Complete Collected Poems)
Like the hills under dusk you fall away from the light: you deepen: the green light darkens and you are nearly lost: only so much light as stars keep manifests your face: I feel the total night in myself rave for the light along your lips.
A.R. Ammons (The Selected Poems)
In every step, in every breath of yours, you’ll feel me… I will always be in every sight you see, in ever voice you hear… Your ears will be always filled with my whispers, my laughter and my cries… My fights and tantrums will never leave your mind… My footsteps, my shadow, will haunt you in every corner you go… I will be your mornings, your days and nights… I am the breeze that wraps your body in the morning… I am the moonlight that bathes your body at night… I am the fire that will burn you. I am the storm that you cannot handle… I am the rain that will wash away the dust from your soul… I am in your reflection. I am your shadow… Your heart whispers my name in every beat… Every word you say, echoes my name… I am the secret you want to hide, but the secret that the world knows… I am your dream… I am your nightmare… I am your darkest sin... I am you…
Ama H. Vanniarachchy
They way I walk now you’d have a hard time recognising me, on these streets where I once imagined walking with you. Hand in hand, like we always did, and it never mattered where we were going because it was all just fine. I was always fine. But they rest restlessly in my pockets now, in a new town, on these new streets, and it’s heavy to stay standing for my body is half the size when you’re gone and these buildings are tall and old and beautiful and I wonder what secrets they hold. How to stand so proud after so many years because I’m still young but I feel worn and I get through the days on too much caffeine and mood altering chemicals to stay awake long enough to make the poetry come alive. I fall asleep on the floor with the music still playing when my neighbour leaves for the office and I’m jealous. I wonder what it’s like to go outside and know where to go, know where you want to end up and just simply go there. I’ve been making lists of things I want to do, where to go and who to be, now that you’re gone, and it’s nice and all, it’s just … I’d rather write it with you, and go there with you. Be things with you. There were days when I still put on make up in case you’d come back, but I wear the same clothes and shower in the rain, eat when I can and sleep when I can, which is rare and not often, so if you’d see me now on these streets where I once imagined walking with you you’d have a hard time recognising me. It takes a lot to run away.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
The sun rises bright and beautiful as if it feels no pain. It must not see, it must not hear, it can't possibly or it would not be able to overcome so defiantly. My bed creaks and whines when I leave it behind. I don't know why it tries so hard to hold onto me but yet I continue to try and overcome. I put on my shirt, my pants that fit me, find my socks and glue my heel back to my boot. My gloves are lost, my coat is torn but my scarf still keeps me warm and so I continue to try and overcome. Work has no pride, no place for me but I have no other place to be. My broken dreams continue to rise, my hopes continue to fade but still I try to overcome. A broken window and a gas tank on E, it's not Friday so I have to walk each day for at least another three. And so I walk while the world cries and pleas and tries to swallow me but still I continue and try to overcome. My lock on my door only turns halfway, but I don't have anything to steal anyway. My fridge is bare but my cabinet still holds three so I continue to try and overcome. The news haunts me, the weather threatens to rain down on me but another day has gone by. And I have overcome, I have overcome … I have overcome - the sun has nothing on me.
Jennifer Loren
Aloof? Aloof you say? I'm so sorry if I made you feel that way. It's really not my intention, Though the reaction is of my own invention. You see, long ago I built a wall, A defence mechanism as I recall. So for me to grow close, is still very hard, After losing that important trust card.
Adiela Akoo (Lost in a Quatrain)
Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself and let your very existence be your song, your poem, your story. Let your very identity be your book. Let the way people say your name sound like the sweetest melody. So go create. Take photographs in the woods, run alone in the rain and sing your heart out high up on a mountain where no one will ever hear and your very existence will be the most hypnotising scar. Make your life be your art and you will never be forgotten.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on leaving and arriving)
A Strange Prayer: Dear Lord, I, the self searching illusion, has seen and experienced the outer world: relationships, success and failure, true friends, strangers and backbiters. I lived the different emotions during different seasons; I witnessed ups & downs, enjoyed love & hate, was good & bad, faced beauty & ugliness. There were times when I was brave, there were times when I was a coward. There were times when I was proactive, there were times when I was indecisive. After, flying high in the skies, and yet being a loser... After, being nothing & no one, and yet feeling content.. I have understood the difference between lust and love, happiness and sadness, selfishness and selflessness. One often leads to another; another secretly carries the one! Yet I am lost between being and becoming. An inner voice admits that my heart is an unexplored realm, my mind is a prisoner to my wishful thinking, and the soul is unknown to me. Setting that unknown free... now, this is my heartiest wish. As Saurabh Sharma, the human being, I always pray to thee, " O lord, set me free. I don't want love, I don't want to be loved; I want myself to be love itself now. That beautiful, silent and divine existence...! I want to get merged into that. Please give me wisdom and courage; Merge me into your supreme kingdom by setting my soul free.
Saurabh Sharma
Oh The way you broke her heart And shattered her life With your empty promises And biggest lies The trust is gone and The hope is lost for ever The feeling of emptiness And the pain of being alone Never leaves her heart She is living a life Of heartache and despair For you broke her heart And shattered her life
Jyoti Patel (The Curved Rainbow)
So things remained until one day, many years later, I happened upon a line in a poem by Heine: “Death is the cooling night.” That childhood memory, lost for so long, suddenly restored itself to my quivering heart, returning freshly washed, in limpid clarity, never again to leave me. If literature truly possesses a mysterious power, I think perhaps it is precisely this: that one can read a book by a writer of a different time, a different country, a different race, a different language, and a different culture and there encounter a sensation that is one’s very own. Heine put into words the feeling I had as a child when I lay napping in the morgue. And that, I tell myself, is literature.
Yu Hua (十個詞彙裡的中國)
Lost Hope Vanishing into the dark sky, my young day’s blazing hope. Like a summer night’s star, even now visible far off in the sky, even now. Vanishing into the dark sky, my young day’s dreams and hope. Now, here, falling prone like a beast, with dark feelings. Some day those dark feelings will clear, and no way of knowing when; Like drowning in the night’s sea, seeing the moon in the sky. The waves are so deep, the moon is so pure; Sad, my young day’s blazing hope already vanishing into the dark sky.
Chūya Nakahara (The Poems of Nakahara Chuya)
I am at home but never felt like I am I am at home but is constantly yearning for a home I am at home but is constantly feeling lost
Hazel Joy L. Corpuz (Cosmic Wandering)
This is one of the great human mysteries: why do works of art about bad things such as loss and deprivation make us feel good?
Robert Pinsky (The Handbook of Heartbreak: 101 Poems of Lost Love and Sorrow)
I remember when I was a kid at school having to learn a poem of sorts about a fellow named Pig-something—a sculptor he would have been, no doubt—who made a statue of a girl, and what should happen one morning but that the bally thing suddenly came to life. A pretty nasty shock for the chap, of course, but the point I'm working round to is that there were a couple of lines that went, if I remember correctly: She starts. She moves. She seems to feel The stir of life along her keel. And what I'm driving at is that you couldn't get a better description of what happened to Gussie as I spoke these heartening words. His brow cleared, his eyes brightened, he lost that fishy look, and he gazed at the slug, which was still on the long, long trail with something approaching bonhomie. A marked improvement.
P.G. Wodehouse (Right Ho, Jeeves)
In his room, scanning through the poetry book for one to read in class, Tate found a poem by Thomas Moore: ... she's gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I'll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie's little sister. She'd seemed so small and alone in the marsh's big sweep. He imagined his own sister lost out there. His dad was right- poems made you feel something.
Delia Owens (Where the Crawdads Sing)
Although I lost so many poems, and I feel a pang every time I think about them burning, I'm also proud of all I remember. I'm trying to convince myself rewriting means the words really mattered in the first place.
Elizabeth Acevedo (The Poet X)
Although I lost so many poems, and I feel a pang every time I think about them burning, I’m also so proud of all I remember. I’m trying to convince myself rewriting means the words really mattered in the first place.
Elizabeth Acevedo (The Poet X)
I feel it in my bones now, time slowly slipping away. An urgency is building, to say all I didn't or couldn't say. I feel the need to pass on, the lantern of my life. Perhaps you may gain something, to help you through some strife. (excerpt from the poem: "I feel it in my bones")
Adiela Akoo (Lost in a Quatrain)
My dear friend, I cannot mourn you, because I still feel you here with me. I could never lose you, because a piece of you lives on in me. I will never forget you, because you have lead me through the storm. This life could never define you, because you glimpsed the joy in every soul.
Matt Buonocore (Lost In Wonder: Self Help Poems & Spiritual Affirmations to Awaken the Soul)
Before the Dawn In the darkest night the sun may seem like an extinguished match or an ember drowned by rain. A light forever lost. The cold world grows steadily colder and shrinks like the abused, closing in on all sides. Laughter, smiles, the glimmer of dancing eyes, and all else indicative of human brightness is gone. Colors leeched from everything leave shadows and emotion dull-gray in their absence. Time is a void. A moment feels eternal. Hope does not blossom in the darkness but withers fast, starving for what only the sun can offer. As its petals turn to dust, fear blows in and sweeps the remnants away. The soul succumbs by degrees to nightmares emboldened by the dead of night. All is lost! All is lost! The wretched sun, repulsed by our nothingness, has abandoned the lives in its care! And then the eyes open wide, seeing mountains take shape on the horizon.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a few Short Stories for Every Day of the Year)
No Loser, No Weeper “I hate to lose something,”  then she bent her head, “even a dime, I wish I was dead. I can't explain it. No more to be said. ‘Cept I hate to lose something. “I lost a doll once and cried for a week. She could open her eyes, and do all but speak. I believe she was took, by some doll-snatching sneak. I tell you, I hate to lose something. “A watch of mine once, got up and walked away. It had twelve numbers on it and for the time of day. I'll never forget it and all I can say Is I really hate to lose something. “Now if I felt that way ‘bout a watch and a toy, What you think I feel ‘bout my lover-boy? I ain't threatening you, madam, but he is my evening's joy. And I mean I really hate to lose something.
Maya Angelou (The Complete Collected Poems)
To excite my thoughts with your agony … To burn my soul in an explosion of hearts … To pull out my ignorance from the depth of my mind … To rush my fight with inner daemons … To torture my brain in a chaotic dance of thoughts … To cast the shadows from my little world … To feel the death of my celestial tendril (Excerpted from "Why did you come", chapter Passion)
Claudia Pavel (The odyssey of my lost thoughts)
[From Sid Vicious's letter to Nancy Spungen's mother Deborah] P.S. Thank you, Debbie, for understanding that I have to die. Everyone else just thinks that I'm being weak. All I can say is that they never loved anyone as passionately as I love Nancy. I always felt unworthy to be loved by someone so beautiful as her. Everything we did was beautiful. At the climax of our lovemaking, I just used to break down and cry. It was so beautiful it was almost unbearable. It makes me mad when people say you must have really loved her.' So they think that I don't still love her? At least when I die, we will be together again. I feel like a lost child, so alone. The nights are the worst. I used to hold Nancy close to me all night so that she wouldn't have nightmares and I just can't sleep without my my beautiful baby in my arms. So warm and gentle and vulnerable. No one should expect me to live without her. She was a part of me. My heart. Debbie, please come and see me. You are the only person who knows what I am going through. If you don’t want to, could you please phone me again, and write. I love you. I was staggered by Sid's letter. The depth of his emotion, his sensitivity and intelligence were far greater than I could have imagined. Here he was, her accused murderer, and he was reaching out to me, professing his love for me. His anguish was my anguish. He was feeling my loss, my pain - so much so that he was evidently contemplating suicide. He felt that I would understand that. Why had he said that? I fought my sympathetic reaction to his letter. I could not respond to it, could not be drawn into his life. He had told the police he had murdered my daughter. Maybe he had loved her. Maybe she had loved him. I couldn't become involved with him. I was in too much pain. I couldn't share his pain. I hadn't enough strength. I began to stuff the letter back in its envelope when I came upon a separate sheet of paper. I unfolded it. It was the poem he'd written about Nancy. NANCY You were my little baby girl And I shared all your fears. Such joy to hold you in my arms And kiss away your tears. But now you’re gone there’s only pain And nothing I can do. And I don’t want to live this life If I can’t live for you. To my beautiful baby girl. Our love will never die. I felt my throat tighten. My eyes burned, and I began to weep on the inside. I was so confused. Here, in a few verses, were the last twenty years of my life. I could have written that poem. The feelings, the pain, were mine. But I hadn't written it. Sid Vicious had written it, the punk monster, the man who had told the police he was 'a dog, a dirty dog.' The man I feared. The man I should have hated, but somehow couldn't.
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
My Snowman sadly bowed his head in March, one sunny day, and this is what he softly said before he went away: 'In the middle of December I was handsome, round, and tall, now I hardly can remember those December days at all. Oh my stomach's started shrinking, I am losing all my form, and I'm thinking as I'm shrinking that I wish it weren't warm. I can feel my shoulders stooping as my body's getting thin, my nose has started drooping and my mouth has lost its grin, I am surely getting shorter, there is little left of me, my head is but a quarter of the size it used to be. I am getting hard of hearing and my vision's little use, for my ears are disappearing and my eyes are coming loose. Through the icy weeks of winter I stood prouder than a king, now I'm thinner than a splinter, winter's melting into spring!'
Jack Prelutsky (It's Snowing! It's Snowing!: Winter Poems)
But there was something more precious than his poems; something far away he didn’t yet possess and longed for—manliness; he knew that it could only be attained by action and courage; and if courage meant courage to be rejected, rejected by everything, by the beloved woman, by the painter, and even by his own poems—so be it: he wanted to have that courage. And so he said: “Yes, I know that the revolution has no need for my poems. I regret that, because I like them. But unfortunately my regret is no argument against their useless-ness. Again there was silence, and then one of the men said: “This is dreadful,” and he actually shuddered as if a chill had run down his spine. Jaromil felt the horror his words had produced in everyone there, that they were seeing in him the living disappearance of everything they loved, everything that made life worthwhile. It was sad but also beautiful: within the space of an instant, Jaromil lost the feeling of being a child.
Milan Kundera
Tate found a poem by Thomas Moore: . . . she’s gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I’ll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie’s little sister. She’d seemed so small and alone in the marsh’s big sweep. He imagined his own sister lost out there. His dad was right—poems made you feel something.
Delia Owens (Where the Crawdads Sing)
THE SHADOWS Table of Contents Old Ralph Rinkelmann made his living by comic sketches, and all but lost it again by tragic poems. So he was just the man to be chosen king of the fairies, for in Fairyland the sovereignty is elective. It is no doubt very strange that fairies should desire to have a mortal king; but the fact is, that with all their knowledge and power, they cannot get rid of the feeling that some men are greater than they are, though they can neither fly nor play tricks. So at such times as there happens to be twice the usual number of sensible electors, such a man as Ralph Rinkelmann gets to be chosen. They
George MacDonald (George MacDonald: The Complete Fantasy Collection - 8 Novels & 30+ Short Stories and Fairy Tales (Illustrated): The Princess and the Goblin, Lilith, Phantastes, ... Dealings with the Fairies and many more)
When first we faced, and touching showed How well we knew the early moves, Behind the moonlight and the frost, The excitement and the gratitude, There stood how much our meeting owed To other meetings, other loves. The decades of a different life That opened past your inch-close eyes Belonged to others, lavished, lost; Nor could I hold you hard enough To call my years of hunger-strife Back for your mouth to colonise. Admitted: and the pain is real. But when did love not try to change The world back to itself–no cost, No past, no people else at all– Only what meeting made us feel, So new, and gentle-sharp, and strange? - When first we faced, and touching showed
Philip Larkin (The Complete Poems)
and then there are days when the simple act of breathing leaves you exhausted. it seems easier to give up on this life. the thought of disappearing brings you peace. for so long i was lost in a place where there was no sun. where there grew no flowers. but every once in a while out of the darkness something i loved would emerge and bring me to life again. witnessing a starry sky. the lightness of laughing with old friends. a reader who told me the poems had saved their life. yet there i was struggling to save my own. my darlings. living is difficult. it is difficult for everybody. and it is at that moment when living feels like crawling through a pin-sized hole. that we must resist the urge of succumbing to bad memories. refuse to bow before bad months or bad years. cause our eyes are starving to feast on this world. there are so many turquoise bodies of water left for us to dive in. there is family. blood or chosen. the possibility of falling in love. with people and places. hills high as the moon. valleys that roll into new worlds. and road trips. i find it deeply important to accept that we are not the masters of this place. we are her visitors. and like guests let’s enjoy this place like a garden. let us treat it with a gentle hand. so the ones after us can experience it too. let’s find our own sun. grow our own flowers. the universe delivered us with the light and the seeds. we might not hear it at times but the music is always on. it just needs to be turned louder. for as long as there is breath in our lungs—we must keep dancing.
Rupi Kaur (The Sun and Her Flowers)
The color-patches of vision part, shift, and reform as I move through space in time. The present is the object of vision, and what I see before me at any given second is a full field of color patches scattered just so. The configuration will never be repeated. Living is moving; time is a live creek bearing changing lights. As I move, or as the world moves around me, the fullness of what I see shatters. “Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless. But there is more to the present than a series of snapshots. We are not merely sensitized film; we have feelings, a memory for information and an eidetic memory for the imagery of our pasts. Our layered consciousness is a tiered track for an unmatched assortment of concentrically wound reels. Each one plays out for all of life its dazzle and blur of translucent shadow-pictures; each one hums at every moment its own secret melody in its own unique key. We tune in and out. But moments are not lost. Time out of mind is time nevertheless, cumulative, informing the present. From even the deepest slumber you wake with a jolt- older, closer to death, and wiser, grateful for breath. But time is the one thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can’t recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees.
Annie Dillard (Pilgrim at Tinker Creek)
Dog-tired" If she would come to me here Now the sunken swaths Are glittering paths To the sun, and the swallows cut clear Into the setting sun! if she came to me here! If she would come to me now, Before the last-mown harebells are dead; While that vetch-clump still burns red! Before all the bats have dropped from the bough To cool in the night; if she came to me now! The horses are untackled, the chattering machine Is still at last. If she would come We could gather up the dry hay from The hill-brow, and lie quite still, till the green Sky ceased to quiver, and lost its active sheen. I should like to drop On the hay, with my head on her knee, And lie dead still, while she Breathed quiet above me; and the crop Of stars grew silently. I should like to lie still As if I was dead; but feeling Her hand go stealing Over my face and my head, until This ache was shed.
D.H. Lawrence (Love Poems and Others)
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
Poet's Note: Kindly do not use my poem without giving me due credit. Do not use bits and pieces to suit your agenda of Kashmir whatever it may be. I, Srividya Srinivasan as the creator of this poem own the right to what I have chosen to feel about the issue and have represented all sides to a complex problem that involves people. I do not believe in war or violence of any kind and this is my compassionate side speaking from all angles to human beings thinking they own only their side to the story. THIS POEM IS THE ORIGINAL WORK OF SRIVIDYA SRINIVASAN and any misuse by you shall be considered as a violation of my copyrights and legally actionable. This poem is dedicated to all those who have suffered in Kashmir and through Kashmir and to not be sliced and interpreted to each one's convenience. ---------------------------- Weep softly O mother, the walls have ears you know... The streets are awash o mother! I cannot go searching for him anymore. The streets are awash o mother with blood and tears, pellets and screams. that silently remain locked in the air, while they seal our soulless dreams. The guns are out, O mother, while our boys go armed with stones, I cannot go looking for him O mother, I have no courage to face what I will find. For, I need to tend to this little one beside, with bound eyes that see no more. ----- Weep for the home we lost O mother, Weep for the valley we left behind, the hills that once bore our names, where shoulder to shoulder, we walked the vales, proud of our heritage. Hunted out of our very homes, flying like thieves in the night, abandoning it all, fearful for the lives of our men, fearful of our being raped, our children killed, Kafirs they called us O mother, they marked our homes to kill. We now haunt the streets of other cities, refugees in a country we call our own, belonging nowhere, feeling homeless without the land we once called home. ------------- Weep loudly O mother, for the nation hears our pain. As the fresh flag moulds his cold body, I know his sacrifice was not in vain. We need to put our chins up, O mother and face this moment with pride. For blood is blood, and pain is pain, and death is final, The false story we must tell ourselves is that we are always the right side, and forget the pain we inflict on the other side. Until it all stops, it must go on, the dry tears on either side, Every war and battle is within and without, and must claim its wounds and leave its scars, And, if we need to go on O mother, it matters we feel we are on the right side. We need to tell ourselves we are always the right sight... We need to repeat it a million times, We are always the right side... For god forbid, what if we were not? --- Request you to read the full poem on my website.
Srividya Srinivasan
I am offering this poem to you, since I have nothing else to give. Keep it like a warm coat when winter comes to cover you, or like a pair of thick socks the cold cannot bite through, I love you, I have nothing else to give you, so it is a pot full of yellow corn to warm your belly in winter, it is a scarf for your head, to wear over your hair, to tie up around your face, I love you, Keep it, treasure this as you would if you were lost, needing direction, in the wilderness life becomes when mature; and in the corner of your drawer, tucked away like a cabin or hogan in dense trees, come knocking, and I will answer, give you directions, and let you warm yourself by this fire, rest by this fire, and make you feel safe I love you, It’s all I have to give, and all anyone needs to live, and to go on living inside, when the world outside no longer cares if you live or die; remember, I love you. "I Am Offering This Poem
Jimmy Santiago Baca
Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S
Malay Roychoudhury (Selected Poems)
Scupper walked to the sitting room, calling back, “I used to know most of it by heart, but not anymore. But here it is, I’ll read it to ya.” He sat back down at the table and began reading. When he got to this segment: “And there sat Sam, looking cool and calm, in the heart of the furnace roar; And he wore a smile you could see a mile, and he said, ‘Please close that door. It’s fine in here, but I greatly fear you’ll let in the cold and storm— Since I left Plumtree down in Tennessee, it’s the first time I’ve been warm.’” Scupper and Tate chuckled. “Your mom always laughed at that.” They smiled, remembering. Just sat there a minute. Then Scupper said he’d wash up while Tate did his homework. In his room, scanning through the poetry book for one to read in class, Tate found a poem by Thomas Moore: . . . she’s gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I’ll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie’s little sister. She’d seemed so small and alone in the marsh’s big sweep. He imagined his own sister lost out there. His dad was right—poems made you feel something.
Delia Owens (Where the Crawdads Sing)
From the Desire Field” I don’t call it sleep anymore.         I’ll risk losing something new instead— like you lost your rosen moon, shook it loose. But sometimes when I get my horns in a thing— a wonder, a grief or a line of her—it is a sticky and ruined         fruit to unfasten from, despite my trembling. Let me call my anxiety, desire, then Let me call it, a garden. Maybe this is what Lorca meant         when he said, verde que te quiero verde— because when the shade of night comes, I am a field of it, of any ready to flower in my chest. My mind in the dark is una bestia, unfocused,         hot. And if not yoked to exhaustion beneath the hip and plow of my lover, then I am another night wandering the desire field— bewildered in its low green glow, belling the meadow between midnight and morning. Insomnia is like Spring that way—surprising         and many petaled. the kick and leap of gold grasshoppers at my brow. I am struck in the witched hours of want— I want her green life. Her inside me in a green hour I can’t stop.         Green vein in her throat green wind in my mouth green thorn in my eye. I want her like a river goes, bending. Green moving green, moving. Fast as that, this is how it happens—         soy una sonámbula. And even though you said today you felt better, and it is so late in this poem, is it okay to be clear,         to say, I don’t feel good, until I can smell its sweet smoke,         leave this thrashed field, and be smooth. Natalie Diaz, poets.org (5 June 2017)
Natalie Díaz
Not that long ago I wrote in a poem that 'life is so filled with meaning, there is no reason to try to reduce it'. That is how I feel and have felt like for years. Some sense of meaninglessness can come from an attack from others, at times subconscious, slowly but surely eroding one's self-respect and therefore sense of self, on all the meanings, infinite as they are, that are already right there. You can even be “raised” to do this self-destructive work yourself. The so called absurdity of life is a construction that creates a template for meaninglessness in itself. Humans revolting in this way against self-made systems. Perhaps to remove some responsibility of being human, because it is, wrongly, seen as a burden. What is truly a burden is to feel as if nothing in life is important. It is also the easiest thing to do. If you don't find meaning in for instance seeing a black squirrel running up the trunk of a tree, you probably won't find any meaning in travelling to the end of the world. It is a kind of explanatory greed this “search for meaning” that can literally destroy a world, and it is the equivalent of replacing the deepest of life’s mysteries with a nice looking garage. To numb before being looked at and experienced as a kind of totally lost "translation" is how the written language can be used at its worst. Meaning is already everywhere, expressing, unfolding itself, living and dying, changing and breathing. The noise distracting from that is what is meaningless but luckily, happily, that is just a construct.
Rune Kjær Rasmussen
We stand upon the brink of a precipice. We peer into the abyss—we grow sick and dizzy. Our first impulse is to shrink from the danger. Unaccountably we remain. By slow degrees our sickness and dizziness and horror become merged in a cloud of unnamable feeling. By gradations, still more imperceptible, this cloud assumes shape, as did the vapor from the bottle out of which arose the genius in the Arabian Nights. But out of this our cloud upon the precipice’s edge, there grows into palpability, a shape, far more terrible than any genius or any demon of a tale, and yet it is but a thought, although a fearful one, and one which chills the very marrow of our bones with the fierceness of the delight of its horror. It is merely the idea of what would be our sensations during the sweeping precipitancy of a fall from such a height. And this fall—this rushing annihilation—for the very reason that it involves that one most ghastly and loathsome of all the most ghastly and loathsome images of death and suffering which have ever presented themselves to our imagination—for this very cause do we now the most vividly desire it. And because our reason violently deters us from the brink, therefore do we the most impetuously approach it. There is no passion in nature so demoniacally impatient, as that of him who, shuddering upon the edge of a precipice, thus meditates a Plunge. To indulge, for a moment, in any attempt at thought, is to be inevitably lost; for reflection but urges us to forbear, and therefore it is, I say, that we cannot. If there be no friendly arm to check us, or if we fail in a sudden effort to prostrate ourselves backward from the abyss, we plunge, and are destroyed.
Edgar Allan Poe (Edgar Allan Poe: Complete Tales and Poems)
Four Years Since Today I remember the day but to be honest it is everyday That day then, the moment then, when you left us all here More than just a father I call, a gem I treasure, that day I lost We four girls, my mom’s other half, my brothers best bud, our first love, we lost Holding the key to the future called You, I stand still facing the gate of the past Why I keep on asking the same question? Why you? Why out of all those people? Why too soon? Why? It has been years, 4 years exact, it seems like yesterday yes You were taken too soon, words aren’t enough to express It’s not fair, but who I am to blame, who Am I to question? My eyes express longing you cannot fathom From my open mouth my broken heart pours Words that try to capture that image so faint He is the picture I could not ever paint Yet our memories is in the solid bowl being kept Spare me even just 5 or 10 minutes of your presence To build up this longing I feel, I am asking I want to hear your nag; I want to hear your laugh In my dreams please see me there I won’t get afraid nor get frightened Like a waterfalls my tears keeps on flowing Like a bubble your voice keeps on vanishing He, his shadow, he himself starts from fading I don’t want to forget you please stop time from ticking I don’t want to open my eyes don’t wake me from dreaming You are the art of my painting, the muse of my poem My strength, my inspiration why I’m still holding on My king, my superman, name them all, you are my only one I miss the old golden days when you used to carry us one by one Look papa, how I am now, hoping always, you’ll be proud It pains me to know this inevitable truth, yes That I can’t see you for now yes it’s the truth, but My father’s love undeniable not easily obtained Something that few, many people rather don’t have But I’m blessed and proud I have mine claimed.
Venancio Mary Ann
Creativity is alive And thriving in my body. The energy you bring out in me Is within me infinitely. My power is overflowing. My lips are soft and welcoming To the exhale, The new Braille, The silence that persists After our moans die away, I look at myself and say, "Root down so you can burn. Beautiful girl, it's your turn To create magic within yourself. This time, without his help. Find your roots and find your fire, Be mindful of what you desire, Persist in what you know is true, Stay focused on the endless route Toward your own potential. Allow the existential Void to swallow you whole. Take on your old role: The lone seeker. Become quieter. Become meeker. Become the beauty that you seek. Embody strength if you feel weak. Find love within the walls Of this sacred temple. Let yourself shake and tremble, But keep your eyes ever fixed On the horizon Where it's rising, No revising, Fears capsizing As you sail, sail, sail Toward the wail Of your siren spirit Beckoning you to bloom The flower in your womb, The seed of creativity, Your triumphant legacy." These words, I will carry Within me as I bury Grains of wisdom In the whispers of the wind. And when I arrive To the altar of our origin, I'll be dressed in white and black, And I'll cradle that exact Feeling left on our sheets. And you'll be on your knees, Ready to receive The wholeness of my broken mind, Pried open by The sparkle gleaming in your eyes. And your hands will be full Of supple fruit and you'll Smile at me, and I will see That you have fed your hunger. You'll ooze with courage and wonder. And then, we will know That we've already lost each other A thousand times before. And I have found you As clear water after mud settles. And you have found me As a bee deep in a flower's petals. We have danced before, Pulled art out of each other's spines. We have died and birthed and died. We've already kissed a million times. This wasn't our first five act play, And it will not be the last. So when I thirst for your hands, I will sit and chant. We will meet again. We will meet again.
Vironika Tugaleva
Somewhere Across the Universe, This Intergalactic Fairytale Is Being Told In the far corner of the Virgo supercluster, a small galaxy called the Milky Way exists, and in one of the further spirals of that galaxy there is said to be a tiny planet called Earth. At a cursory glance, there is nothing seemingly unique about this planet, even though it is simply beautiful, cloaked in calypso blue with an oscillating belt of green. It is, in fact, one of millions like it that live in just this universe.   The extraordinary thing about this planet though, are the beings that exist on it. They have been through war after war. Empires that promised to burn brighter than their resident star, the sun, and disappeared in the blink of an eye. Savage rulers, dictators have destroyed entire portions of it, and yet … they simply refuse to stop existing, it is like they have this treasured thing within them to keep them surviving, and to keep knowing.   Look closer now, oh passer-by, look closer at these beings. They are survivors with a sense of awe and curiosity at everything around them. Sometimes they have lost their way, but this is a thing they never seem to lose, because they are so full of potential.   Promise. This planet may be called Earth, but it should have been called Promise.   If you do not believe this little story, and dismiss it as a silly old wives’ tale, a thing which cannot possibly exist, then I hope you come upon their legendary message. You see, 40 years ago, these beings sent out a message on a space probe that has travelled 20.5 billion kilometres, hoping to meet one of us in space. In it lies a message, the definition of this entire species, and it reads simply:   ‘This is a present from a small distant world, a token of our sounds, our science, our images, our music, our thoughts, and our feelings. We are attempting to survive our time so we may live into yours.’   The Voyager is still out there, waiting for someone to come upon it. Maybe that someone is you. Maybe you will remind that species of the greatness that lies in their potential, their promise. Maybe you will be the being that turns that fairytale planet of promise into an intergalactic legend of green and blue.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
I Never Told You You can fill a book with everything I never said Or the lines of a poem Or an Empty pool Or an empty bedroom, the candles all blown out I never told you how the reflection of myself in your eyes Was the only mirror I could bear to look at Or how I fought every day To transfuse the girl I saw there with the girl I am I tried to breathe in the words you made me: beautiful good brave I tried to be them for you even though they were weighted with impossibility I never told you how I always feared the rough edges of myself were too sharp for you and how I fought everyday to blunt them To bring down the walls To let you in without cutting you because I could never bear to hurt you like the others did Every day a fierce pride roared in me I was so lucky to know the truth I was the beneficiary of your radiance I basked in it and felt special And if not for the pain of your solitude I would have been content to be the only one I never told you How your touch made me feel like laughing and crying and singing all at once How your hand passing over my skin where atrocities Had not yet sloughed off, Skin cells remembering the worst touches Was like a tide washing over the ruddy sand And leaving it whole and smooth You made my skin forget Gave me new memories New sensations that didn't drag the shadows from the past In your arms I could start again, Start over. There is no greater gift in all the world Than you to the wreckage that is me... I never told you How I longed to kiss away your every bruise until there was no evidence No ghosts of your own suffering To put your pieces back together Seal the cracks Vanish them like they never were And never, ever Leave a scar I never told you I would take your pain if I could I would drink it down And take my comfort In making you ache a little less For a little while Did I? I'll never know because I never told you that I loved you I love you I love you It's too lat to say it now The time has passed for words How pathetic and small and weak On the phone Or on a piece of paper Starving Without the force of my own vitality My voice My breath My blood singing n my veins for you To give them power They are lost I love you It's too late but I love you And I'm sorry I never told you.
Emma Scott (How to Save a Life (Dreamcatcher, #1))
The Poetry that Searches Poetry that paints a portrait in words, Poetry that spills the bottled emotions, Gives life to the feelings deep inside, Breaks through all the times wept, To sweep you in a whirling ecstatic delight. The chiseled marble of language, The paint spattered canvas, Where colors flow through words, Where emotions roll on a canvas, And it all begins with you. The canvas that portrays the trembling you, Through the feelings that splash, Through the words that spatter, All over the awaiting canvas. Such is the painting sketched with passion, Colored with the heart's unleashed emotions. The poetry that reads your trembling heart, The poetry that feeds the seed of your dreams, That poetry that reveals light within rain, Takes you to a place where beauty lies in stain. The poetry that whispers- "May you find the stars, in a night so dark, May you find the moon, so rich with silver, May you sip the madness and delight In a night berserk with a wailing agony". Such words that arise from spilling emotions, So recklessly you fall, in love with life again. So, you rise shedding your fears, To chase after your dreams, As you hear thunder in the rain, That carries your pain, Through the painting of words, colored with courage, Splashed with ferocity, amidst the lost battles. Such is the richest color splash in words, Laid down on papers, that stayed so empty, For ages and ages. At times, you may feel lost, Wandering homeless in the woods, But poetry that you write, To drink the moonlight and madness, Poetry that you spill on a canvas with words, Calls you to fall, for life again. The words that evoke the intense emotions, The painting that gives the richest revelation, The insight that deepens in a light so streaming, Is the poetry that reveals the truth and beauty, In a form so elemental, in a way so searching, For a beauty so emotive, Which trembles, With the poetry's deepest digging. The words that take your eyes to sleep, The poetry that stills your raging feelings, Is the portrait of words that carries you, In emotions bottled within, held so deep, For an era so long. Forgotten they seemed, yet they arose, With the word's deepest calling, To the soul sleeping inside. The poetry that traces your emotions with words, Is a poetry that traces your soul with its lips, To speak a language that your heart understands. The Ecstatic Dance of Soul Copyright 2020 Jayita Bhattacharjee
Jayita Bhattacharjee
I’m sure we can manage to tolerate each other’s company for one meal.” “I won’t say anything about farming. We can discuss other subjects. I have a vast and complex array of interests.” “Such as?” Mr. Ravenel considered that. “Never mind, I don’t have a vast array of interests. But I feel like the kind of man who does.” Amused despite herself, Phoebe smiled reluctantly. “Aside from my children, I have no interests.” “Thank God. I hate stimulating conversation. My mind isn’t deep enough to float a straw.” Phoebe did enjoy a man with a sense of humor. Perhaps this dinner wouldn’t be as dreadful as she’d thought. “You’ll be glad to hear, then, that I haven’t read a book in months.” “I haven’t gone to a classical music concert in years,” he said. “Too many moments of ‘clap here, not there.’ It makes me nervous.” “I’m afraid we can’t discuss art, either. I find symbolism exhausting.” “Then I assume you don’t like poetry.” “No . . . unless it rhymes.” “I happen to write poetry,” Ravenel said gravely. Heaven help me, Phoebe thought, the momentary fun vanishing. Years ago, when she’d first entered society, it had seemed as if every young man she met at a ball or dinner was an amateur poet. They had insisted on quoting their own poems, filled with bombast about starlight and dewdrops and lost love, in the hopes of impressing her with how sensitive they were. Apparently, the fad had not ended yet. “Do you?” she asked without enthusiasm, praying silently that he wouldn’t offer to recite any of it. “Yes. Shall I recite a line or two?” Repressing a sigh, Phoebe shaped her mouth into a polite curve. “By all means.” “It’s from an unfinished work.” Looking solemn, Mr. Ravenel began, “There once was a young man named Bruce . . . whose trousers were always too loose.” Phoebe willed herself not to encourage him by laughing. She heard a quiet cough of amusement behind her and deduced that one of the footmen had overheard. “Mr. Ravenel,” she asked, “have you forgotten this is a formal dinner?” His eyes glinted with mischief. “Help me with the next line.” “Absolutely not.” “I dare you.” Phoebe ignored him, meticulously spreading her napkin over her lap. “I double dare you,” he persisted. “Really, you are the most . . . oh, very well.” Phoebe took a sip of water while mulling over words. After setting down the glass, she said, “One day he bent over, while picking a clover.” Ravenel absently fingered the stem of an empty crystal goblet. After a moment, he said triumphantly, “. . . and a bee stung him on the caboose.” Phoebe almost choked on a laugh. “Could we at least pretend to be dignified?” she begged. “But it’s going to be such a long dinner.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
I, Prayer (A Poem of Magnitudes and Vectors) I, Prayer, know no hour. No season, no day, no month nor year. No boundary, no barrier or limitation–no blockade hinders Me. There is no border or wall I cannot breach. I move inexorably forward; distance holds Me not. I span the cosmos in the twinkling of an eye. I knowest it all. I am the most powerful force in the Universe. Who then is My equal? Canst thou draw out leviathan with a hook? None is so fierce that dare stir him up. Surely, I may’st with but a Word. Who then is able to stand before Me? I am the wind, the earth, the metal. I am the very empyrean vault of Heaven Herself. I span the known and the unknown beyond Eternity’s farthest of edges. And whatsoever under Her wings is Mine. I am a gentle stream, a fiery wrath penetrating; wearing down mountains –the hardest and softest of substances. I am a trickling brook to fools of want lost in the deserts of their own desires. I am a Niagara to those who drink in well. I seep through cracks. I inundate. I level forests kindleth unto a single burning bush. My hand moves the Universe by the mind of a child. I withhold treasures solid from the secret stores to they who would wrench at nothing. I do not sleep or eat, feel not fatigue, nor hunger. I do not feel the cold, nor rain or wind. I transcend the heat of the summer’s day. I commune. I petition. I intercede. My time is impeccable, by it worlds and destinies turn. I direct the fates of nations and humankind. My Words are Iron eternaled—rust not they away. No castle keep, nor towers of beaten brass, Nor the dankest of dungeon helks, Nor adamantine links of hand-wrought steel Can contain My Spirit–I shan’t turn back. The race is ne’er to the swift, nor battle to the strong, nor wisdom to the wise or wealth to the rich. For skills and wisdom, I give to the sons of man. I take wisdom and skills from the sons of man for they are ever Mine. Blessed is the one who finds it so, for in humility comes honor, For those who have fallen on the battlefield for My Name’s sake, I reach down to lift them up from On High. I am a rose with the thorn. I am the clawing Lion that pads her children. My kisses wound those whom I Love. My kisses are faithful. No occasion, moment in time, instances, epochs, ages or eras hold Me back. Time–past, present and future is to Me irrelevant. I span the millennia. I am the ever-present Now. My foolishness is wiser than man’s My weakness stronger than man’s. I am subtle to the point of formlessness yet formed. I have no discernible shape, no place into which the enemy may sink their claws. I AM wisdom and in length of days knowledge. Strength is Mine and counsel, and understanding. I break. I build. By Me, kings rise and fall. The weak are given strength; wisdom to those who seek and foolishness to both fooler and fool alike. I lead the crafty through their deceit. I set straight paths for those who will walk them. I am He who gives speech and sight - and confounds and removes them. When I cut, straight and true is my cut. I strike without fault. I am the razored edge of high destiny. I have no enemy, nor friend. My Zeal and Love and Mercy will not relent to track you down until you are spent– even unto the uttermost parts of the earth. I cull the proud and the weak out of the common herd. I hunt them in battles royale until their cries unto Heaven are heard. I break hearts–those whose are harder than granite. Beyond their atomic cores, I strike their atomic clock. Elect motions; not one more or less electron beyond electron’s orbit that has been ordained for you do I give–for His grace is sufficient for thee until He desires enough. Then I, Prayer, move on as a comet, Striking out of the black. I, His sword, kills to give Life. I am Living and Active, the Divider asunder of thoughts and intents. I Am the Light of Eternal Mind. And I, Prayer, AM Prayer Almighty.
Douglas M. Laurent
If I Lose Thee (The Sonnet) If I lose thee, All glory feels like gutter. If I lose thee, All joy seems to disappear. If I lose thee, All ambition is damnation. If I lose thee, All applause is condemnation. If I lose thee, All success is downfall. If I lose thee, All morning is nightfall. To lose you is to die before death. To be lost in you is to find oneself.
Abhijit Naskar (Woman Over World: The Novel)
Galaxies never say to the Sun : You are not enough! Pearl never asks the great Ocean: Why have you made me feel so small? Lovers turn to each other while never turning into each other, Their purpose is not comparison. How much space can one lover hold for the other? What kind of refined delicacy can one become in an offering? When we grow, we grow together - always greater, always brighter. Always like a pull into infinity. You are yours to love and to hold. What is the waiting for? Love and hold. Love and hold. When your heart is in growing pains, let it. Be careful of that fine line between being held and lost - Of that fine line between protecting and overpowering. Fine lines are for finer love, that like a wave foam yields gently.
Aleksandra Ninković
My landscape, which I thought was limitless, Because disassembled and put back together again it gave me the illusion Of always new most intricate forests Of dense meadows, ruffled and unexpected, Now having reached the edge I can see: a closed Little vegetable garden, walked on and bare, Suffocating perhaps by too much care. And so Bare myself I’ll go into the unbroken world, even Though I fear its crashing noise. Let it spread Over me, I sweat and feel lost, lost to myself, A greengrocer to me, what’s the use of that?
Patrizia Cavalli (My Poems Won't Change the World: Selected Poems)
He wept gray tears in his anguish. All the crossings he traversed across have dissipated into nothing. His psyche is a vessel of brittleness. Throughout his tear-filled eyes, the crow's feather swirls; finding himself lost in a labyrinth, searching for a way to free himself from his scars. Through his misdeeds, he creates more mysteries and mazes. Each piece of bread that he steps upon is covered with thorns, needles; barbed wire, hooks; and every sharp point from his own mistakes, making him feel the consequences of his own indulging indulgence. For him, the only truths he can uncover are those that reside inside of him, and the Demon inside him does not want him to uncover them. By looking into his own mirror, he can see his nemesis before his eyes, the affliction that keeps him from the true meaning of his existence: himself and the subconscious he is governed by. The battle is between him and himself. From within, the rabbit is perishing, he is trying to figure out how to escape. When the Almighty has switched off the illumination of his radiance in the rabbit's life, there’s no paradise when Hades keeps on existing. Revelation misled him into believing he could be redeemed as he is unwell in discomfort, so he must resolve this conflict alone to find his healing. In retrospect, the previous entryway has been sealed. Through this journey of our missteps; restoration can be attained. Rehabilitating ourselves requires dismantling the demons within us to reach redemption. We must frolic like this rabbit lost in our own personal awareness, for we are all enmeshed in the maze of our own consciousness.
Upon The Broken Hands, The Rabbit Looks Through The Mirror Poem by D.L. Lewis
Old Song” I'm feeling ok still in some small way. I've come too far to just go away. I wish 1 could stay here some way. So that what now comes wouldn't only be more of what's to be lost. What's left would still leave more to come if one didn't rush to get there. What's still to say? Your eyes, your hair, your smile, your body sweet as fresh air, your voice in the clear morning after another night, another night, we lay together, sleeping? If that has to go, it was never here. If I know still you're here, then I'm here too and love you, and love you. Robert Creeley, The Collected Poems of Robert Creeley (University of California Press; First edition, October 23, 2006)
Robert Creeley (The Collected Poems of Robert Creeley, 1945-1975)
Poem of the Phalanx (Perception as Visual Personal Art) Memories, shard, intersect and twitch, Create images anew as they inter and switch. Amid blackness eternal, the ground breaks the day And the shape which cuts the ground— Phalanx in time—reapers way. 5 Thoughts as geometric planes galley the night mind, Images thoughted, float raging ever by. Comets to the mind–bolt outta the black they mortise and fly– Disappear they do–into their midnighted cry. (Yea, evil is wrought from the want of the want of Love’s lost ought. 10 Goodness wrights of the abundance of Love in blood ’twas bought. —Live the moment within God’s Mind too, For once missed she will pass by you. But He alone shall remember thy days, For in His Heart He will hold thy ways. 15 (. . . Surmount untold; reproaching its summits hidden self face, Can’t make for a daydrop of lost opportunity and regret’s disgrace. Yes, eternities of regrets can never create The day’s bested instance that was forsaked). Fleets of illusion harbor and snag, 20 Bristled spears impale with emotive jags. Willish anvil beaten and enhammored in bers red embs, Guards the hellgates unhinged in forged remembered contems. (Aye, the anvil of will beaten and wrought Sentinels the gate ripped in forged oughts). 25 Phalanx of dreams penetrate they deep, Guard thy soul they do lest the enemy storms thy keep. They rancor and barb thyself under penalty of arms, And kill the dragons that would do thee most harm. Yea, in the Belly of the Beast thy wounds do feel pierced, 30 For Love Eternal must cut darkness as the Spirit is so fierce. The hour of shadows exalt—! ’Gainst the Christ in His plain splin‴try array– Yet curshed in a moment on that ill-fated day. The way of caution doth forbear to tread beyond the mire In those bleak hours when the ‘Powers that Be’ seek to solace thee in thy soulish desires. 35 Mercy travails deep upon the Fires of His Winds To heal by His cut; His own everlasting His– Is to die to Love Eternal with He, –as He now does and is . . . Hell for others, heaven for some, His work ’tis finished all given and in all thrust done. 40 As Love rejoices His shed blood run red for thee—, —Things Divined and precioius for you and for me forever in He (The spear that killed Him gave Him life –the enemy’s travesty). Phalanx comes, phalanx goes, Wither are thou—dost thousest know? 45 Are ye pierced through and through out within? Seek his face so life may begin Sharp keys to hell the warriors doth say, Yet unlock they the gate to heaven’s pathway. End
Douglas M. Laurent
Tell me about your boss. Tell me about the job you've been trying to quit for the past four years. Tell me the morning is just a townhouse burning to the ground and the snooze button is a fire extinguisher. Tell me the alarm clock stole the keys to your smile, drove it into the 7 AM and the crash totaled your happiness. Tell me. Tell me how blessed are we to have tragedy so small it can fit on the tips of our tongues. When Evan lost his legs he was speechless. When my cousin was assaulted she didn't speak for 48 hours. When my uncle was murdered we had to send out a search party to find my father's voice. Most people have no idea that tragedy and silence often have the same address. When your day is a museum of disappointments, hanging from events that were outside of your control, when you feel like your guardian angel put in his two weeks notice two months ago and just decided not to tell you, when it seems like God is just a babysistter that's always on the phone, when you get punched in the esophagus by a fistful of life. Remember, every year two million people die of dehydration. So it doesn't matter if the glass is half full or half empty. There's water in the cup. Drink it and stop complaining. Muscle is created by lifting things that are designed to weigh us down. When your shoulders are heavy stand up straight and call it exercise. Life is a gym membership with a really complicated cancellation policy. Remember, you will survive, things could be worse, and we are never given anything we can't handle. When the whole world crumbles you have to build a new one out of all the pieces that are still here. Remember, you are still here. The human heart beats approximately 4,000 times per hour and each pulse, each throub, each palpitation is a trophy, engraved with the words "You are still alive. You are still alive. So act like it.
Rudy Francisco
Season's Greetings by Stewart Stafford Season's Greetings To those we are needing, While I am leading The Festive charge. Christmas love is fleeting, The snow is sleeting, And there's every chance of feeling, A thaw in my cold heart. Season's Greetings everywhere, Let War cease and all be fair, A heart that's full of Christmas cheer, Bravely faces the New Year. And so, we feast and celebrate, For those we've lost, we contemplate, Christmas is an emotional stocktake, Of those still here and those that are late. The year winds down to that last date, Resolutions tempting fate, New Fear's Eve, many hate, And choose to socially-isolate. Season's Greetings while you can, To every woman, child, and man, Season's Greetings, don't you wait Hold back now, and it's too late. And in the end, all we do, Is create memories for the few, Who mattered while we strode this earth, Then back to the place before our birth. Season's Greetings, decorations down, Bittersweet crunching sounds, Topple the tree to live again, Twelfth Night, the inevitable end. © Stewart Stafford, 2020. All rights reserved.
Stewart Stafford
Your sorry wasn't Enough How it feels when things are not at your side You're struggling to make things right You feel dead inside You try to bribe Beg to stay inside But that thing wants a Ride And then you see your precious thing outside When you have lost the rights Just the last sight And it died Saying a sorry from myside
Zulaikha Nadeem
Garden of the Dragons (The ’Halla, Vol. # 3) Chapter Ten Excerpt (original editing) ... Hachiman, surveys he the woe, Wipes his brow, hate does flow. A ruined life, heh, a loss of face, He must have her now, to his disgrace (Wed to Kari now, locked in time and place). Battle over, moon still shines, Lilies float soft in quiet time. Scented visions and memories sear remains, Of this terrible night of what was feigned. Visuals lithe, of sword and blade, Disguise the carnage and the pain. Petals soft, they hide our gaze, And cover the ground and its grave. Flowers and moon in water light, T'winkills the calm of a zen-burst night. Now to life, the poem to seek repose, And bury beneath those riddles she holds. Nectars sweet, precious flowers, A fragranted grave that allures and empowers. Heart~beat, heart~beat, tells the way, Of things long remembered and a far lost day. How many memories, Kari knew, That stain with age, being so few. Samurai remembers - feels it as a man, Clutches he his fist; wind in hand. . . . ". . .I have searched for you a very long time." "Do not waste breath, kill. It is our way here." "Not before I have my say, Corpse-eater." "No wonder you took so long to find me." "I have had a lot of time for thought," quietly he, "- T'is a shame we could not agree." "No more room for that," forcefully he snapped, "You dishonored me twice and now, I will take one back." "- Not enough? Hachi," said cordially she, "If you are going to - cut the artery, please." Tilt she her neck, exposed but her vein, Samurai frowned, decidedly vain. Looked he at his hands - "They're already too bloody for today." "Hummph. Such trite man'ers are atrocious. For yourself you are much too engaged." ("Yet, a moment and it is done," thought he, "But to gain it thus, a hollow travesty. I must face her in all her strength, The bladed Valkyrie, the one called great"). "I could kill you now, but I'd rather not, This room is too unbecoming for the proper job." "Charmed that you still think so highly of me." "- Only then of your haunted beauty, I shall be free." Feeling that weight, slowly dropped he his blade, Time enough - rituals to cleanse and to pray. Tossed his sword, pined her down - Smooshed her face to the floor, Pinching it to a frown. "Oh no, my little angel, you have it all wrong! I mean only to kill you when you are strong. Do not fear, I won't let anyone harm you in strife, In the meantime, try not to flirt with your life. Stay healthy - then we shall settle our love, unrequite." A biting grin creased Samurai's scarved face, "Let us fix it properly, according to my r'ace." "Bushido," mouthed Kari, her voice empty as the word. "And there will be no running away this time - Rest assured." Slowly withdrew he and left the room, "Bastard," spit Kari, caustic of his doom. The girl breathing vexiously, then calmly in the dark, The door closed, silent, the light dribbling out. Sounds below, drip mute in time, Reality presses, she makes her fate thind. And Skuld drinking, contemplates she her sibylline, It was her hour now, the night of the wolverine.
Douglas M. Laurent
My pastor recently described the progression of sin in each of our lives by reading the famous poem, “There’s a Hole in My Sidewalk.” Here’s how it goes. Chapter One I walk down the street. There’s a deep hole in the sidewalk. I fall in. I am lost . . . I am helpless. It isn’t my fault. It takes forever to find a way out. Chapter Two I walk down the same street. There is a deep hole in the sidewalk. I pretend I don’t see it. I fall in again. I can’t believe I am in the same place. But it isn’t my fault. It still takes a long time to get out. Chapter Three I walk down the same street. There is a deep hole in the sidewalk. I see it is there. I still fall in . . . it’s a habit. My eyes are open. I know where I am. It is my fault . . . I get out immediately. Chapter Four I walk down the same street. There is a deep hole in the sidewalk. I walk around it. Chapter Five I walk down another street.2
Erin Davis (Connected: Curing the Pandemic of Everyone Feeling Alone Together)
Real Love   It seems I got off on the wrong foot, right from the start. Speaking unwisely, but speaking from my heart.   Feelings aren’t easy to explain; meanings of words are sometimes lost, in what we say. Our fears and heartaches from the past often get in the way.   My heart is tender and fearful from all the pain that has happened to me. I feel yours is, too, and that pain and sorrow can cause us to miss what could be.   Being too careful, we can lose the chance that we long for. For sometimes, the one for us is only briefly at the door.   It takes courage, faith and trust to find real, true love. We must not give up, and put our hope in the Lord up above   If one is willing to share their thoughts and their dreams. If there is any attraction at all, it is a waste it seems.   Because real love is one of the hardest things to find. But if you do, it gives peace, comfort and joy to your heart and to your mind.   So here is your poem, that is written to you from me. It is written from my heart, to a love that shall never be.
Kenneth Edward Barnes (My Favorite Poems)
But it doesn't even matter how different they are, because all poems begin the same way: from something you feel inside. Like being mesmerized by the sound of certain words. Or feeling sad that you're alone at the turn of a path Or being afraid. A poem could begin on night when you're so lost and afraid that the last thing you're even thinking about is writing one. But the words will come anyway, whether you want them to or not, and you will find yourself with your hand on your chest, just like the Pledge of Allegiance, counting out the beats." -Bea
Kat Yeh (The Way to Bea)
The Huge Artifice: an interim assessment Enough of this great work has now appeared For sightings to be taken, the ground cleared, Though the main purpose - what it's all about In the thematic sense - remains in doubt. We can be certain, even at this stage, That seriousness adequate to engage Our deepest critical concern is not To be found here. First: what there is of plot Is thin, repetitive, leaning far too much On casual meetings, parties, fights and such, With that excessive use of coincidence Which betrays authorial inexperience. We note, besides these evident signs of haste, A great deal in most questionable taste: Too many sex-scenes, far too many coarse Jokes, most of which have long lost all their force. It might be felt that, after a slow start, Abundance incident made amends for art, But the work's 'greatness' is no more than size, While the shaping mind, and all that implies, Is on a trivial scale, as can be guessed From the brash nature of the views expressed By a figure in an early episode, who Was clearly introduced in order to Act as some kind of author-surrogate, Then hastily killed off - an unfortunate Bid to retrieve a grave strategic lapse. More damaging than any of this, the gaps In sensitivity displayed are vast. Concepts that have not often been surpassed For ignorance or downright nastiness - That the habit of indifference is less Destructive than the embrace of love, that crimes Are paid for never or a thousand times, That the gentle come to grief - all these are forced Into scenes, dialogue, comment, and endorsed By the main action, manifesting there An inhumanity beyond despair. One final point remains: it has been urged That a few characters are not quite submerged In all this rubbish, the they can display Reason, justice and forethought on their day, And that this partly exculpates the mind That was their author. Not at all. We find Many of these in the history of art (So this reviewer feels), who stand apart, Who by no purpose but their own begin To struggle free from a base origin.
Kingsley Amis (Collected Poems)
The Hellene exists as an individual, a separate person within a community. The Germanic individual exists only as the representative, nay, as the personification of a whole. One might imagine that a supreme convulsion of the soul must tear the individual out from that whole, and let him feel him-self, speak as for himself. But actually, it is the opposite that takes place; the more the soul is moved, the more the individual personality is lost in the kin. At the very moment when man most passionately and unreservedly gives way to his own feelings, the clan takes possession of the individual fully and completely. Egil's lament is not the lament of a father for his son; it is the kin, that utters its lament through the person of the father. From this breadth of passion springs the overpowering pathos of the poem.
Vilhelm Grønbech (The Culture of the Teutons: Volumes 1 and 2)
Not really, No. I don’t think of the poem as being negative. To me, it evokes a feeling that can never truly be expressed in words, the feeling of losing someone…. Aside from whether we think of death as a passage to something else or as the end of everything, aside from whether the thought of it fills us with fear and anguish or leaves us indifferent, there is an unfillable longing, a desperate ache for the person who was loved and is lost.
Sheila Matharu
To Her Steady Lover - Poem by Jibanananda Das There is no meaning in living—I don't say this. There is meaning for some, may be for all—may be a perfect meaning. Yet I hear the white sound of wind-driven birds In the water of the distant seas beneath the burning summer sun. The candle burns slowly, very slowly, on my table; The books of intellect are more still—unwavering— lost in meditation; Yet when you go out on to the streets or even while sitting by the window side Will you sense the frenzied dance of violent waters; Right beside that a book of your cheeks; no more like a lantern, Perhaps like a conch-shell lying on the beach as if ocean's father It is also a music by his own merit—like Nature: caustic—lovable—finally like the most favourite entity. So I get the taste of expansive wind in the airing of maddening grievances; Otherwise in the mind's forest the python coils up around the doe: I feel the pitiable hint of a life like that in the Sceptre of protest. Some glacier-cold still flock of Cormorants will realize my words; When the electric-compass of life will cease They will eat up snow-grey sleep like polar seas in endless grasp.
Jibanananda Das (Selected Poems)
XX. Tonight I Can Write" Tonight I can write the saddest lines. Write, for example, 'The night is starry and the stars are blue and shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms. I kissed her again and again under the endless sky. She loved me, sometimes I loved her too. How could one not love her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is starry and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight tries to find her as though to bring her closer My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. As she was before my kisses. Her voice, her bright body. Her infinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my soul is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
X. We Have Lost Even" We have lost even this twilight. No one saw us this evening hand in hand while the blue night dropped on the world. I have seen from my window the fiesta of sunset in the distant mountain tops. Sometimes a piece of the sun burned like a coin between my hands. I remembered you with my soul clenched in the sadness of mine that you know. Where were you then? Who else was there? Saying what? Why will the whole of love come on me suddenly when I am sad and feel you are far away? The book fell that is always turned to at twilight and my cape rolled like a hurt dog at my feet. Always, always you recede through the evenings towards where the twilight goes erasing statues.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
There are moments in one's life which are like frontier posts marking the completion of a period but at the same time clearly indicating a new direction. At such a moment of transition we feel compelled to view the past and the present with the eagle eye of thought in order to become conscious of our real position. […] At such moments, however, a person becomes lyrical, for every metamorphosis is partly a swan song, partly the overture to a great new poem, which endeavors to achieve a stable form in brilliant colors that still merge into one another. Nevertheless, we should like to erect a memorial to what we have once lived through in order that this experience may regain in our emotions the place it has lost in our actions.
Karl Marx
she won’t be making evening practice either, then rolls over, pulling her duvet high up around her ears. She feels vaguely surprised that it’s so easy. She’s reminded of her favourite Yeats poem: Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold. Her brain thick with sleep, the idea of Marcus as a falconer strikes her as quite profound. This far from Marcus, she wonders how he ever had such a hold over her. The thought sleepily occurs to her that she may never get out of bed, never return to the pool, again. As she has always suspected, the first practice was the hardest to miss and after that one slip, the whole foundation of her training discipline would come crashing down, falling apart around her. The slacker in her would take over. Yes, the pool, always her centre, has lost its hold. What, she wonders, has held the whole thing together this long? I have an intense burning desire to be a champion. That was the phrase she learned at National Youth Team swim camps. I have an intense burning desire to be a champion. They repeated the mantra over and over—a room full of fourteen-year-olds chanting the words in unison. I have an intense burning desire to be a champion. After
Angie Abdou (The Bone Cage)
Cast further adrift by this subtle urgency, I can feel my precious life ebbing away. Better to be a recluse than a loose wreck, a small fish in a pond instead of lost at sea. Erudition without motivation cuts no ice around here; the extent of my ambition is shabby gentility. The Hate Poems John Tottenham
John Tottenham (The Hate Poems)
in this moment or that one, why do I miss you now, but not now, my old idea of you, the feeling for you I lost and remade so many times until it was something else, as strange as your touch was familiar.
Mary Szybist (Incarnadine: Poems)
Fragments for Subduing the Silence” I. The powers of language are the solitary ladies who sing, desolate, with this voice of mine that I hear from a distance. And far away, in the black sand, lies a girl heavy with ancestral music. Where is death itself? I have wanted clarity in light of my lack of light. Branches die in the memory. The girl lying in the sand nestles into me with her wolf mask. The one she couldn’t stand anymore and that begged for flames and that we set on fire. II. When the roof tiles blow away from the house of language, and words no longer keep—that is when I speak. The ladies in red have lost themselves in their masks. Though they will return to sob among the flowers. Death is no mute. I hear the song of the mourners sealing the clefts of silence. I listen and the sweetness of your crying brings life to my grey silence. III. Death has restored to silence its own bewitching charm. And I will not say my poem and I will say it. Even if (here, now) the poem has no feeling, no future. Boston Review: Three Poems April 15, 2015
Alejandra Pizarnik
First poems! They must be written on casual scraps of faded paper, interspersed here and there with withered flowers, or a lock of blond hair, or a discolored piece of ribbon, and the trace of a tear must still be visible in several places ... But first poems that are printed, in livid black and white, on dreadfully smooth paper are poems that have lost the finest points of their sweet, virginal charm, and now arouse a ghastly feeling of distaste in the author.
Heinrich Heine (The Complete Poems: A Modern English Version)
One letter was addressed to me personally in large, shaky handwriting with little circles over the i's instead of dots. [...] It was from Sid. Dear Debbie [Nancy's mother], Thank you for phoning me the other night. It was so comforting to hear your voice. You are the only person who really understands how much Nancy and I love each other. Every day without Nancy gets worse and worse. I just hope that when I die I go the same place as her. Otherwise I will never find peace. Frank [Nancy's father] said in the paper that Nancy was born in pain and lived in pain all her life. When I first met her, and for about six months after that, I spent practically the whole time in tears. Her pain was just too much to bear. Because, you see, I felt Nancy's pain as though it were my own, worse even. But she said that I must be strong for her or otherwise she would have to leave me. So I became strong for her, and she began to stop having asthma attacks and seemed to be going through a lot less pain. [Nancy had had asthma since she was a child.] I realized that she had never known love and was desperately searching for someone to love her. It was the only thing she really needed. I gave her the love that she needed so badly and it comforts me to know that I made her very happy during the time we were together, where she had only known unhappiness before. Oh Debbie, I love her with such passion. Every day is agony without her. I know now that it is possible to die from a broken heart. Because when you love someone as much as we love each other, they become fundamental to your existence. So I will die soon, even if I don't kill myself. I guess you could say that I'm pining for her. I could live without food or .water longer than I'm going to survive without Nancy. Thank you so much for understanding us, Debbie. It means so much to me, and I know it meant a lot to Nancy. She really loves you, and so do I. How did she know when she was going to die? I always prayed that she was wrong, but deep inside I knew she was right. Nancy was a very special person, too beautiful for this world. I feel so privileged to have loved her and been loved by her. Oh Debbie, it was such a beautiful love. I can't go on without it. When we first met, we knew we were made for each other, and fell in love with each other immediately. We were totally inseparable and were never apart. We had certain telepathic abilities, too. I remember about nine months after we met, I left Nancy for a while. After a couple of weeks of being apart, I had a strange feeling that Nancy was dying. I went straight to the place she was staying and when I saw her, I knew it was true. I took her home with me and nursed her back to health, but I knew that if I hadn't bothered she would have died. Nancy was just a poor baby, desperate for love. It made me so happy to give her love, and believe me, no man ever loved a woman with such burning passion as I love Nancy. I never even looked at others. No one was as beautiful as my Nancy. Enclosed is a poem I wrote for her. It kind of sums up how much I love her. If possible, I would love to see you before I die. You are the only one who understood. Love, Sid XXX.
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
Have compassion for everything that you’re feeling, it takes a tender touch to relieve you of your suffering.
Matt Buonocore (Lost In Wonder: Self Help Poems & Spiritual Affirmations to Awaken the Soul)
The days are warmer, and the nights are colder. I’m feeling more than I could have ever dreamt of. My heart grows stronger, and my purpose clearer. I love my life, it’s a gift worth sharing. Here’s all that matters, heaven’s in the moment.
Matt Buonocore (Lost In Wonder: Self Help Poems & Spiritual Affirmations to Awaken the Soul)
You’re blooming, breaking the soil takes time. If it feels like resistance that’s how you know you’re growing.
Matt Buonocore (Lost In Wonder: Self Help Poems & Spiritual Affirmations to Awaken the Soul)
Homecoming Snowfall, denser and denser, dove-coloured as yesterday, snowfall, as if even now you were sleeping. White, stacked into distance. Above it, endless, the sleigh track of the lost. Below, hidden, presses up what so hurts the eyes, hill upon hill, invisible. On each, fetched home into its today, an I slipped away into dumbness: wooden, a post. There: a feeling, blown across by the ice wind attaching its dove- its snow- coloured cloth as a flag.
Paul Celan (Selected Poems)
BUNAHAN When the last speaker of Boro falls silent, who will notice the first-grown feather of a bird’s wing? (gansuthi) or feel how far pretending to love (onsay) is from loving for the last time (onsra)? Quiet and uneasy, in an unfamiliar place (asusu) no one sees her, or listens; there is less of her than there was. The last speaker feels Boro’s world fall apart, knowledge unravels: healing plants go unseen; the bodies of animals are unreadable. With a last thought, onguboy (to love it all, from the heart), she leaves fragments of the world she held in place. We touch their husks, about to speak and about not to speak (bunhan, bunahan); awash in loss, incomplete. Note: The italicized words are from Boro, an endangered language still spoken in parts of northern India. For more on this story, see Mark Abley’s Spoken Here: Travels Among Threatened Languages.
Laurelyn Whitt
To think that I do not have her. To feel that I have lost her.   To hear the immense night, still more immense without her.   And the verse falls to the soul like dew to the pasture.   What does it matter that my love could not keep her. The night is starry and she is not with me.
Pablo Neruda (Nobel Literature Laureate Works ---Twenty Love Poems and the Song of Despair: Love is so short, forgetting is so long)
IS THIS LOVE? Abegunde Sunday Olaoluwa   Is this love that stirs up my feelings, Or is it athirst for the meaning of loving?   Am I getting lost in longing? Is it you I'm lovingly awaiting?   Love is ever magical, Yes I know, I know…. Love is ever mystical, It's a union of souls.   Hating is never logical, Yes I know, I know…. Dating is ever tactical,
Abegunde Sunday Olaoluwa (Love Poems: An anthology of winning poetry submissions in the CAPRECON/SPIC Love Poem Competition)
Tommorow Call you call me that night when you were alone and crying, but I am only an outcast, and it all blast in my mind, in my heart, an ocean of tears falling let me dream cause I feel so deprim, don't wake me up I won't get up cause I always chose to never give up, but lately it all fall apart like a castle of card let me go back to my fortress cause its the only place I can be a mess without distress and when love don't love you back make some step back even if you don't no where to go keep going even if you don't know what you doing cause you know you have a blessing and never let go cause you never know what can be made of tomorrow even when in a sorrow don't let it go you never know what can be made of tomorrow He was like a brother. He never showed it but he was broken and at some point he couldn't handle it anymore. Whitout the strength to get out of this pain Full of life i remember him crossing the door for the last time He was sad inside He was lost He was my friend He was my brother Sometimes the hardest thing to do is to live if I have time I would tell him that love and the time that goes by also makes mistakes Now he's gone and people finally realize how amazing he was but now it's to late. Maybe a little love and a hand to hold it wouldn't have come to this But I had been the pillar and now the base is broke. Walking in the street wearing masks of the lie, faded soul in disguise only an entity, invisible, intangible never let go cause you never know what can be made of tomorrow even when in a sorrow don't let it go
Marty Bisson milo
Some Consequences of the Made Thing The End. Above these words the sky closes. It closes by turning white. Not The white of all clouds or being within a cloud. White of worldless light. The End. Feel a silence there that reminds you of a scent. Crushed grass the hooves galloped through Or is it the binder’s glue? Some silence never not real finally can be Heard. Silence before the first words. Precedent chaos. Or marrow work. Or just the sound of the throat opening to speak. Like those scholars of pure water Who rode through mountains and meadows To drink from each fresh spring a glass And then with brush and ink wrote poems On the differences of sameness, You too feel yourself taste the silent page Of the end and the silent page of beginning. They taste so much of whiteness never more White than white that’s been lost. You have some sense of the book Altering, page sewn secretly next to page, Last page stitched to first. O, earth— It rolls around the solar scroll Turning nothing into years and years into Nothing. At The End you’re a witness to this work That wears the witness away. And who are you Anyway. Pronoun of the 2nd person. Lover, Stranger, God. Student, Child, Shade. Something similar gathers in you. Another way of saying I in a poem— Of saying I in a poem that realizes at the end That I am just a distance from myself. And so are you. That same distance.
Dan Beachy-Quick
It is only in an occasional precious moment that we are aware of the existence of Spirit within us, and in such moments we are conscious of coming into the awful presence of the Unknown. These moments may come when one is engaged in deep religious thought - while reading a poem bearing a precious message from soul to soul - in some hour of affliction when all human aid has failed us and when human words seem but mockery - in a moment when all seems lost and we feel the necessity of a direct word from a being higher than ourselves. When these moments come they leave with us a peace which never afterward entirely escapes us, and we are ever after changed beings.
William Walker Atkinson (Fourteen Lessons in Yogi Philosophy and Oriental Occultism)
But then there was you She was lonely She was alone She was breathing But she was not living Her life was plain Her life was in pain She has nothing to gain And she was lost in vain But then you came And she did not feel the same Laughters and smiles came This is no longer a game She hoped it will be you Because she prayed for you She was lost while looking for you But then there was you Who gave her the sweetest I love you
gazeljoy
staring fascinated at the infinite line feeling immortal for a glimpse of second kissing the sky deeply… (Excerpted from In the air, chapter Pain)
Claudia Pavel (The odyssey of my lost thoughts)
In the usual iconography of the temple or the local Wok you would never see him doing such a thing, tossing the dry snow over the mountain of his bare, round shoulder, his hair tied in a knot, a model of concentration. Sitting is more his speed, if that is the word for what he does, or does not do. Even the season is wrong for him. In all his manifestations, is it not warm and slightly humid? Is this not implied by his serene expression, that smile so wide it wraps itself around the waist of the universe? But here we are, working our way down the driveway. one shovelful at a time. We toss the light powder into the clean air. We feel the cold most on our faces. And with every heave we disappear and become lost to each other in these sudden clouds of our own making, these fountain-bursts of snow. This is so much better than a sermon in church, I say out loud, bud Buddha keeps on shoveling. This is the true religion, the religion of snow, and sunlight and winter geese barking in the sky, I say, but he is too busy to hear me He has thrown himself into shoveling snow as if it were the purpose of existence, as if the sign of a perfect life were a clear driveway you could back the car down easily and drive off into the vanities of the world with a broken heater fan and a song on the radio. All morning long we work side by side, me with my commentary and he is inside the generous pocket of his silence, until the house is nearly noon and the snow is piled high all around us; then, I hear him speak. After this, he asks, can we go inside and play cards? Certainly, I reply, and I will heat some milk and bring cups of hot chlorate to the table while you shuffle the deck, and our boots stand dripping by the door. Aaah, says the Buddha, lifting his eyes and leaning for a moment on his shovel before he drives the fun blade again deep into the glittering white snow.
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
That is how I feel: that finding one’s beloved is an “Astonishment,” to borrow the title of that Szymborska poem, because, cosmically speaking, there is so much time and space in which not to do so.
Kathryn Schulz (Lost & Found: A Memoir)
Courage as you define it ...is to write the story of your heart...the story that formed while your life came as a mixture of agony and amazement....courage as you define it...is to feel your unfelt self and let the feelings penned down... so it maybe someone's else's survival guide when they have lost their own...courage as you define it...is to keep believing for there are still some unfinished poems in this world....courage as you define it ...is to keep walking for there are still some unwritten stories you need to pen....before you surrender to the end.....
Jayita Bhattacharjee
Courage as you define it is to write the story of your heart, the story that formed while your life came as a mixture of agony and amazement. Courage as you define it is to feel your unfelt self and let the feelings be penned down so it maybe someone's else's survival guide when they have lost their own. Courage as you define it is to keep believing for there are still some unfinished poems in this world. Courage as you define it is to keep walking for there are still some unwritten stories you need to pen before you surrender to the end.....
Jayita Bhattacharjee
Don't go thinking poetry's just for sissies. There's mushy love poems, for sure, but there's also funny ones, lots about nature, war even. Whole point of it - they make ya feel something.' His dad had told him many times that the definition of a real man is one who cries without shame, reads poetry with his heart, feels opera in his soul, and does what's necessary to defend a woman. (...) The words made him think of Kya, Jodie's little sister. She'd seemed so small and alone in the mash's big sweep. He imagines his own sister lost out there. His dad was right - poems made you feel something.
Delia Owens (Where the Crawdads Sing)
It reminds him that beyond stale predictability lies hidden moments, random and beautiful… Beyond depressing comfort zones of stagnation are happy meadows of growth… Beyond tears are laughs waiting to be laughed and beyond darkness is light waiting to unravel itself… Beyond it all is life waiting to be lived… Kumbh taught me how to be alone in a swarm of people. To find your little islets of peace amidst a sea of teeming people. How you have to find your way even where there are a million others around you trying to find theirs. How you do not necessarily have to stop and ask each time you feel lost. Kumbh had planted its magic that was to blossom in the days that followed…
Rasal (I Killed the Golden Goose : A COLLECTION OF THOUGHTS, THOUGHTLESSNESS, SILENCES, POEMS & SOME ‘SHOT’ STORIES)
You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.
Elif Shafak (The Island of Missing Trees)