Feeling Like A Nuisance Quotes

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When I look at my life I see high-water marks of happiness and I see the lower places where I had to convince myself that suicide wasn’t an answer. And in between I see my life. I see that the sadness and tragedy in my life made the euphoria and delicious ecstasy that much more sweet. I see that stretching out my soul to feel every inch of horrific depression gave me more room to grow and enjoy the beauty of life that others might not ever appreciate. I see that there is dust in the air that will eventually settle onto the floor to be swept out the door as a nuisance, but before that, for one brilliant moment I see the dust motes catch sunlight and sparkle and dance like stardust. I see the beginning and the end of all things. I see my life. It is beautifully ugly and tarnished in just the right way. It sparkles with debris. There is wonder and joy in the simplest of things.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
My earliest recollection is of coming upon some rabbit tracks in the backyard snow. I must have been three or so, but I had never seen a rabbit and can still recall the feeling of being completely captivated by the tracks: Someone had been here. And he left these prints. And he was alive. And he lived somewhere nearby, maybe even watching me at this very moment. Four decades later, I do not need to be reminded that rabbits are often a nuisance to farmers and gardeners. My point is that when you look at a rabbit and can see only a pest, or vermin, or a meal, or a commodity, or a laboratory subject, you aren't seeing the rabbit anymore. You are seeing only yourself and the schemes and appetites we bring to the world--seeing, come to think of it, like an animal instead of as a moral being with moral vision.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
People always, always talk about confidence, it’s supposed to be such an attractive thing. I wonder why though, why is it supposed to be such an attractive thing? When confidence hides so many other things that are so much more beautiful! When you think of being confident, you think of tucking away all those other things that you consider to be nuisances; but those nuisances make up whom you are! And those nuisances are beautiful. They are beautiful and they are you and they’re always going to be there, even when you try to cover them up! So what happens when they all come out one day? Are you going to feel like less of a person? Are the people who are supposed to love you, going to see you as less of a person? I say that it’s not about going out into the world and putting on a certain face— it’s just about going out into the world. I’ve gone out into the world! And I don’t put on that face! Or any other face, as a matter of fact! I don’t want to hide the way I play with my hair to feel more secure or the way I laugh at all the wrong times. I don’t want to hide those things because those things are a part of me. And I can still go out into the world— and all alone, too! I know so, because I’ve actually done it! So more important than confidence— is serenity and acceptance. The serenity comes from having a deep acceptance of all those little things about you that add up like the trillions of molecules and atoms you are made up of! And that’s just beautiful. Being beautiful is something rooted and strong; being confident is just a matter of putting on something that isn’t even a real part of you. Falling in love with the molecules that make up your essence is so much more attractive. And maybe that’s what confidence really means— the acceptance and belief in every single atom that you are.
C. JoyBell C.
And are you thirsty,” she asked, “or were you merely being polite?” “I am always polite,” he said with a wicked grin, “but I am thirsty as well.” Kate took one look at that grin, lethally combined with those devastating green eyes, and nearly groaned. “You are a rake as well,” she said with a sigh. Colin choked— on what, she did not know, but he choked nonetheless. “I beg your pardon?” Kate’s face flushed as she realized with horror that she’d spoken aloud. “No, it is I who should beg your pardon. Please forgive me. That was unforgivably rude.” “No, no,” he said quickly, looking terribly interested and not a little bit amused, “do continue.” Kate swallowed. There was really no way to get out of it now. “I was merely—” She cleared her throat. “If I might be frank . . .” He nodded, his sly grin telling her that he could not imagine her being anything but frank. Kate cleared her throat yet again. Really, this was getting ridiculous. She was starting to sound as if she’d swallowed a toad. “It had occurred to me that you might be rather like your brother, that is all.” “My brother?” “The viscount,” she said, thinking it must be obvious. “I have three brothers,” he explained. “Oh.” Now she felt stupid. “I’m sorry.” “I’m sorry, too,” he said with great feeling. “Most of the time they’re a dreadful nuisance.” -Kate & Colin
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
But in order that life should be a story or romance to us, it is necessary that a great part of it, at any rate, should be settled for us without our permission. If we wish life to be a system, this may be a nuisance; but if we wish it to be a drama, it is an essential. It may often happen, no doubt, that a drama may be written by somebody else which we like very little. But we should like it still less if the author came before the curtain every hour or so, and forced on us the whole trouble of inventing the next act. A man has control over many things in his life; he has control over enough things to be the hero of a novel. But if he had control over everything, there would be so much hero that there would be no novel. And the reason why the lives of the rich are at bottom so tame and uneventful is simply that they can choose the events. They are dull because they are omnipotent. They fail to feel adventures because they can make the adventures. The thing which keeps life romantic and full of fiery possibilities is the existence of these great plain limitations which force all of us to meet the things we do not like or do not expect.
G.K. Chesterton
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
Joyce Cary (The Horse's Mouth)
There is strange, and yet not strange, is the kiss. It is strange because it mixes silliness with tragedy, and yet not strange because there is good reason for it. There is shaking by the hand. That should be enough. Yet a shaking of hands is not enough to give a vent to all kinds of feeling. The hand is too hard and too used to doing all things, with too little feeling and too far from the organs of taste and smell, and far from the brain, and the length of an arm from the heart. To rub a nose like the blacks, that we think is so silly, is better, but there is nothing good to the taste about the nose, only a piece of old bone pushing out of the face, and a nuisance in winter, but a friend before meals and in a garden, indeed. With the eyes we can do nothing, for if we come too near, they go crossed and everything comes twice to the sight without good from one or other. There is nothing to be done with the ear, so back we come to the mouth, and we kiss with the mouth because it is part of the head and of the organs of taste and smell. It is temple of the voice, keeper of breath and its giving out, treasurer of tastes and succulences, and home of the noble tongue. And its portals are firm, yet soft, with a warmth, of a ripeness, unlike the rest of the face, rosy, and in women with a crinkling of red tenderness, to the taste not in compare with the wild strawberry, yet if the taste of kisses went , and strawberries came the year round, half of joy would be gone from the world. There is no wonder to me that we kiss, for when mouth comes to mouth, in all its stillness, breath joins breath, and taste joins taste, warmth is enwarmed, and tongues commune in a soundless language, and those things are said that cannot find a shape, have a name, or know a life in the pitiful faults of speech.
Richard Llewellyn (How Green Was My Valley)
Sometimes the menopause is a nuisance, but on the whole I quite like it. I feel like I'm being 'rounded off.' I just like the feeling of completing a whole area of my life. And then - well, who knows what I might do next? - Benni, 50
Caroline Carr (Menopause: The Guide for Real Women)
I’m not going to give and give and give to someone who doesn’t want what I have to share. My parents have done it to me, my siblings have done it to me, everyone does it to me when I let them, and you’re going to be the last person who makes me feel like a freaking nuisance.
Mariana Zapata (Luna and the Lie)
Montmorency was in it all, of course. Montmorency’s ambition in life, is to get in the way and be sworn at. If he can squirm in anywhere where he particularly is not wanted, and be a perfect nuisance, and make people mad, and have things thrown at his head, then he feels his day has not been wasted. To get somebody to stumble over him, and curse him steadily for an hour, is his highest aim and object; and, when he has succeeded in accomplishing this, his conceit becomes quite unbearable. He came and sat down on things, just when they were wanted to be packed; and he laboured under the fixed belief that, whenever Harris or George reached out their hand for anything, it was his cold, damp nose that they wanted. He put his leg into the jam, and he worried the teaspoons, and he pretended that the lemons were rats, and got into the hamper and killed three of them before Harris could land him with the frying-pan. Harris said I encouraged him. I didn’t encourage him. A dog like that don’t want any encouragement. It’s the natural, original sin that is born in him that makes him do things like that.
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
Love was a frivolous emotion, certainly no basis for a marriage—every young lady knew this. You must always put sense over feeling, Madame Denis, Alva’s favorite teacher, had said. Sense will feed you, clothe you, provide your homes and your horses and your bibelots. Feelings are like squalls at sea—mere nuisances if one is lucky, but many girls have lost their way in such storms, some of them never to return. Alva did not need to love William Vanderbilt; she needed only to marry him.
Therese Anne Fowler (A Well-Behaved Woman: A Novel of the Vanderbilts)
The disease I have is loving him. They don’t write articles about it or send camera crews to follow us. The disease I have is called codependency, or sometimes enabling, and it isn’t really a disease, though it can feel like one. It’s more like an ill-defined set of tendencies and behaviors, and depending on how badly it’s flaring, it can manifest as a lot of different things—a disorder, a nuisance, an encumbrance, a curse, or sometimes merely a sensibility, a preference, a cast of mind.
Nina Renata Aron (Good Morning, Destroyer of Men's Souls: A Memoir of Women, Addiction, and Love)
I don't know what your Company is feeling as of today about the work of Dr. Alice Hamilton on benzol [benzene] poisoning. I know that back in the old days some of your boys used to think that she was a plain nuisance and just picking on you for luck. But I have a hunch that as you have learned more about the subject, men like your good self have grown to realize the debt that society owes her for her crusade. I am pretty sure that she has saved the lives of a great many girls in can-making plants and I would hate to think that you didn't agree with me.
Bradley Dewey
There's nothing worse than having someone moping around feeling sorry for themselves, is there?" "A damned nuisance," he agreed lightly as he drew her into the private car. "How much did you take me for in there?" It took her a minute to realize he'd changed the subject. "Oh,I don't know-five,six hundred." "I'll put breakfast on your tab," he said as the doors opened to his and Serena's suite. Her laugh pleased him as much as the hug she gave him. "Just like a man," Serena stated as she came into the room. "Waltzing in with a beautiful woman at the crack of dawn while the wife stays home and changes the baby." She held a gurgling Mac over her shoulder. Justin grinned at her. "Nothing worse than a jealous woman.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
You’ve become quite the nuisance, you know. Ruining all of my plans.” I cross my arms. “Excuse me? What does that—” He presses a gloved finger to my lips, and the words die in my throat. “I wasn’t finished,” he says. Snowflakes catch in his eyelashes as he cocks his head. “I had everything figured out. I knew where I was going, what I wanted. And then you came along with your propositions and your determination, and you threw a wrench in every plan.” My heart hammers in my throat. I can scarcely breathe. “I’ve been walking around like a dead man for what feels like centuries, and now here you are, this explosion of life. Suddenly I remember what it feels like to breathe again. To laugh. To wake up with hope.” “I really haven’t done anything,” I croak. His smiles, his eyes crinkling up, and his hand slips to my cheek, tilting my face up toward his. His breath caresses my skin as he whispers, “And that’s where you’re wrong.
Jessica S. Olson (A Forgery of Roses)
It was simply the way with Harry, like waiting for sunrise. But once you made clear that you wouldn't be going to bed with him, he'd look oddly relieved and calm down. And the matter once raised would not be revisited, I will say that for him. He didn't make a nuisance of himself. Funny old skellum. Never dull. There are men whom it is important not to take the slightest notice of when they're talking, if it's after ten o'clock at night and they've had a glass of beer. Harry was one such mammal. They really and truly don't mean to be idiots. But it's like a Roman Catholic person not wanting to feel guilt. Might as well ask water to run uphill. Except that might conceivably be contrived. With a pump. Once, he asked my sister to run away with him, to Rotterdam I think it was. She said no and he asked my brother. That was the most important thing to understand about Harry. Essentially, what he wanted--darling, who wouldn't--was someone to run away with him to Rotterdam. It's what all of us want, isn't it? Of course, nobody gets it. Probably not even those misfortunates who are in Rotterdam already. One wonders where they want to run away to. Crouch End?
Joseph O'Connor (Shadowplay)
Depression is suffered by people who see no reason to like themselves at all. Depression is a state of self-hate. It is the horror of feeling oneself inescapably bound within the body of someone you fear, loathe and despise. Depression is a state of mind that inevitably invites paranoia; if you find yourself loathsome, you expect the rest of the world to find you loathsome too. What’s more, you feel you have no business infecting other people’s existence with your unpleasant presence … Because I have this loony belief that I am somehow contagious, and that those who might catch whatever it is hate me anyway, I become hysterically frightened of other people. I ignore the phone and hide if someone knocks at the door. If I have to go to the bank or the shops I will either walk miles the long way round to avoid people I know, or travel to another town where I can be fairly sure of going unrecognised … Many depressives commit suicide, I’m sure, as the last act of unselfishness … I’m convinced that many of the neat, quiet, unexpected suicides are committed by depressives who quite simply wish not to be a nuisance any longer … I find it quite easy when I’m at my lowest to present a logical case for my removal. It would, for instance, be infinitely kinder to my family. Hours are spent working out which would be the least inconvenient moment to lay my head in the gas oven. There never is a convenient moment, of course, because I’ve learnt over the years to crowd my schedule with certain unavoidable commitments … I always make sure I’m permanently in debt because I would feel it rather disgraceful to go leaving other people to pay my bills.
Dorothy Rowe (Depression: The Way Out of Your Prison)
Thai prostitution was a haven for the men and a nuisance for the women. The streets of Phuket were outlined with bars ready to nourish thirsty sailors with euphoric intoxication to smother their pinched nerves from their personal lives deteriorating in their six-month absence. Thailand truly lived up to its port reputation. Hundreds of bikini-clad prostitutes littered the strip. Slim and petite, their narrow hips and flat chests appeared to be the appropriate age for the pink plaid schoolgirl skirts, dress shirts, ties, and pigtails intended to entice pedophilic eroticism. They wore heavy coats of pastel liquid shadow that clashed against their yellow tinted tans. They awkwardly wiggled to a nauseating blend of techno and Reggaeton as cotton-haired granddaddies lustfully gawked at them. Any Caucasian male cannot trek a block without the treatment of a pop culture heartthrob with a trail of Thai teens at his heels. “Wan hunnet baaht!” they taunt in a nasal screech. “Wan hunnet baht and I suck yo cock!” The oriental beauties cup their fists and hold them to their mouths as they wiggle their tongues against their cheeks to provide a clear visual for their performance skills. It’s easy to dismiss the humanity in Thai prostitutes. Their splotchy, heavily accented English allows the language barrier to muffle signs of intellect. They’re overtly sexual in their crotch bearing ensembles, loud and vulgar invitations, and provocative dancing that makes even corner butcher shops feel like Vegas strip clubs. Swarms of them linger in front of bars holding cardboard signs scribbled with magic marker that offer a blow job with the first beer purchased. Their eyes burn into passing tourists, with acute radar for creamy, sun-flushed complexions and potbellies - signals of the deep pockets of white male privilege.
Maggie Georgiana Young (Just Another Number)
If you're a company, my advice is to remember that you can't have it both ways. You can't treat your customers like family one moment and then treat them impersonally-or, even worse, as a nuisance or a competitor-a moment later when this becomes more convenient or profitable. This is not how social relationships work. If you want a social relationship, go for it, but remember that you have to maintain it under all circumstances. On the other hand, if you think you may have to play tough from time to time-charging extra for additional services or rapping knuckles swiftly to keep the consumers in line-you might not want to waste money in the first place on making your company the fuzzy feel-good choice. In that case, stick to a simple value proposition: state what you give and what you expect in return. Since you're not setting up any social norms or expectations, you also can't violate any-after all, it's just business.
Dan Ariely (Predictably Irrational: The Hidden Forces That Shape Our Decisions)
No: I want nothing. I’ve already said I want nothing. Don’t come to me with conclusions! The only conclusion is death. Don’t bring me aesthetics! Don’t speak to me of morals! Get out of here with metaphysics! Don’t trumpet complete systems, don’t line up conquests Of science (science, my God, science!) — Of the sciences, the arts, of modern civilization! What harm did I ever do all the gods? If they have the truth, let them keep it! I’m a technician, but I have technique only in technique. Beyond that I’m crazy, with every right to be so. With every right to be so, do you hear? Don’t bother me, for the love of God! Did they want me married, futile, quotidian and taxable? Did they want me the opposite of that, the opposite of anything? If I were another person, I would’ve done what they wanted. The way I am, give me a break! Go to hell without me, Or let me go alone! Why do we have to go together? Don’t take me by the arm! I don’t like being taken by the arm. I want to be alone. I just told you: I’m alone! Ah, what a nuisance, them wanting to keep me company! The blue sky — the same as in my childhood — Eternal truth, empty and perfect! O River Tejo, glassy, ancestral, mute, Small truth where the sky reflects itself! O sorrows revisited, Lisbon past and present! You give nothing, you take nothing, you’re nothing I feel. Leave me in peace! I’m not dallying, I never dally... And as long as the Abyss and Silence dally, I want to be alone!
Fernando Pessoa
Trenton’s disgusted look answered that question even as Wilhelm shook his head and said, “They’ll be almost as useless as the sword. With something that big, it probably won’t even notice unless we hit an eye.”   Which most likely still wouldn’t kill it.   The same with any attacks on the body. At most, they’d be a minor nuisance.   “That leaves one option,” Shea said in a resigned voice.   “You have a plan, then?” Witt asked, keeping an eye on their surroundings.   “Yup, but I don’t think any of you are going to like it.” Shea’s expression turned sour. If she was being honest, she didn’t like her plan either.   Trenton stared at her for several beats before he shook his head. “No, that’s crazy.”   “It’s the best option we’ve got ,” Fallon agreed, his mind already following where hers had gone.   Surprise and understanding dawned on Wilhelm and Witt’s faces as they realized what she was thinking.   “I feel like your plans get worse and worse the longer I know you—like gone ‘round the bend crazy worse,” Trenton said. To Fallon, he said, “At least tell me we’re not letting her do the honors.”   Fallon’s eyes were dark as he stared at Shea. It was obvious he wanted to order her to abandon their group and head to the Keep by herself, even at the expense of his own safety. It was just as obvious she would refuse.   “No, we’re not,” he agreed with Trenton. “One of us will do it.”   “I didn’t expect anything else.” Shea gave Fallon a half smile. “I could never make that throw. That’s why Wilhelm will do it.”   Wilhelm lifted an eyebrow. “I will?”   “Wait a minute. Why not me?” Trenton asked in outrage.   Shea ignored him to answer Wilhelm’s question. “I’m not skilled enough with a spear. Same for Witt, and the doubter over there is still recovering from cracked ribs and internal bleeding. And if we let Fallon do it, I’m pretty sure Caden would murder us all once he found out about it. That leaves you.”   “Hey!” Trenton protested.   Fallon looked like he wanted to argue, but he must have seen her point. Of the five of them, Wilhelm was the one with the best marksmanship. Beyond all of the other reasons, that was the one that counted the most and Fallon knew it.   Wilhelm stared off into the mist with a considering expression before looking sideways at Shea, his face serious and intent. “We’ll only get one chance at this.”   “Guess you’d better make the shot count, then,” she told him.   “Incoming,” Witt murmured.
T.A. White (Wayfarer's Keep (The Broken Lands, #3))
And there isn’t anything wrong with you. I am encouraging you to examine the times you have downplayed yourself for the comfort of others. I want you to reflect on the times you have been made to feel like you do not belong or you do not measure up or your presence is somehow a nuisance because you are a highlighter in a sea of pencils.
Luvvie Ajayi Jones (Professional Troublemaker: The Fear-Fighter Manual)
And we're cheerful, too. You can count on that.' Obligingly she smiled in a neighbourly way at him. 'It will be a relief to leave Earth with its repressive legislation. We were listening OH the FM to the news about the McPhearson Act.' 'We consider it dreadful,' the adult male said. 'I have to agree with you,' Chic said. 'But what can one do?' He looked around for the mail; as always it was lost somewhere in the mass of clutter. 'One can emigrate,' the adult male simulacrum pointed out. 'Um,' Chic said absently. He had found an unexpected heap of recent-looking bills from parts suppliers; with a feeling of gloom and even terror he began to bills from parts suppliers; with a feeling of gloom and even terror he began to sort through them. Had Maury seen these? Probably. Seen them and then pushed them away immediately, out of sight. Frauenzimmer Associates functioned better if it was not reminded of such facts of life. Like a regressed neurotic, it had to hide several aspects of reality from its percept system in order to function at all. This was hardly ideal, but what really was the alternative? To be realistic would be to give up, to die. Illusion, of an infantile nature was essential for the tiny firm's survival, or at least so it seemed to him and Maury. In any case both of them had adopted this attitude. Their simulacra -- the adult ones -- disapproved of this; their cold, logical appraisal of reality stood in sharp contrast, and Chic always felt a little naked, a little embarrassed, before the simulacra; he knew he should set a better example for them. 'If you bought a jalopy and emigrated to Mars,' the adult male said, 'We could be the famnexdo for you.' 'I wouldn't need any family next-door,' Chic said, 'if I emigrated to Mars. I'd go to get away from people. 'We'd make a very good family next-door to you,' the female said. 'Look,' Chic said, 'you don't have to lecture me about your virtues. I know more than you do yourselves.' And for good reason. Their presumption, their earnest sincerity, amused but also irked him. As next-door neighbours this group of sims would be something of a nuisance, he reflected. Still, that was what emigrants wanted, in fact needed, out in the sparsely-populated colonial regions. He could appreciate that; after all, it was Frauenzimmer Associates' business to understand. A man, when he emigrated, could buy neighbours, buy the simulated presence of life, the sound and motion of human activity -- or at least its ​mechanical nearsubstitute to bolster his morale in the new environment of unfamiliar stimuli and perhaps, god forbid, no stimuli at all. And in addition to this primary psychological gain there was a practical secondary advantage as well. The famnexdo group of simulacra developed the parcel of land, tilled it and planted it, irrigated it, made it fertile, highly productive. And the yield went to the it, irrigated it, made it fertile, highly productive. And the yield went to the human settler because the famnexdo group, legally speaking, occupied the peripheral portions of his land. The famnexdo were actually not next-door at all; they were part of their owner's entourage. Communication with them was in essence a circular dialogue with oneself; the famnexdo, it they were functioning properly, picked up the covert hopes and dreams of the settler and detailed them back in an articulated fashion. Therapeutically, this was helpful, although from a cultural standpoint it was a trifle sterile.
Philip K. Dick (The Simulacra)
The dubious achievement in travel these days is enduring the persistent nuisance of a succession of airports in order to arrive at a distant place for a brief interlude of the exotic, maintaining the delusion that it is travel. This is the equivalent of being measured like a projectile and being shot out of a cannon, and that’s how most of us feel in such a state, like a human cannonball, dazed and confused, in the company of other cannonballs.
Paul Theroux (Deep South: Four Seasons on Back Roads)
I wanna hear about yer brothers," Mira said.  "Are they all like Lucien?" Charles made a noise of amusement.  "Thank God, no.  I'm the second oldest, and then there's Gareth.  He's the black sheep of the family and leads a group of ne'er do wells who've styled themselves after the Hellfire Club and call themselves the Den of Debauchery.  Gareth is irresponsible and dissolute, and Lucien despairs of him ever making anything of himself besides a general public nuisance — but I have rather more faith in him than that." "And what do the villagers call him?" "The Wild One." "He sounds fun," Mira said.  "Is he betrothed?" Charles laughed.  "No mama in her right mind would want their daughter married to Gareth.  His reputation is not undeserved."  He leaned back, his elbows sinking into the sand, the sun warming his upturned face.  "And then of course there's Andrew, my youngest brother, who aspires to be an inventor and is, according to the last letter I received from him, hoping to construct a flying machine." "A flying machine?" cried both girls in unison. "Yes.  A preposterous notion, isn't it?  However, I suppose that if anyone can do it, Andrew can.  He has a clever brain, and did very well at Oxford." "What's his nickname?" "The Defiant One." "Why?" "Because he is fiery and independent, and is ever at odds with Lucien." There was long silence.  And then, softly, Amy said, "And what did the villagers call you, Charles?" Everything stilled inside him.  He sat up, feeling a sudden rush of self-loathing and loss.  "The Beloved One," he said quietly.  Head bent, he picked up a handful of sand, letting it trickle out through his fingers.  "Because I always did everything right, always lived up to what everyone expected of me, always succeeded at whatever I put my mind to — and never let anyone down."  He turned his face toward the salty breeze.  "Until now." Even
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Everybody feels sorry for herself (to say nothing of himself) now and then. But anyone who pities herself for more than a month on end is a weak sister and likely to become a public nuisance besides.
Marjorie Hillis (Live Alone and Like It)