Feeling Expire Quotes

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When love has left us in the lurch and nothing ever strikes a chord anymore, we may come to realize a vacuum of the lost vibrations of happiness and an absence of the ethereal and exalting feel of harmony that we only become aware of, after time passes by and everything has expired. (“Amour en friche”)
Erik Pevernagie
Death is very close, he thought. When you think in this manner. I can feel it, he decided. How near I am. Nothing is killing me; I have no enemy, no antagonist; I am merely expiring, like a magazine subscription: month by month.
Philip K. Dick (Galactic Pot-Healer)
Your coldness serves to emphasize my own inadequacy, and makes me feel that the best solution might be to expire.
Murasaki Shikibu (The Tale of Genji)
I remember my youth and the feeling that will never come back any more /the feeling that I could last for ever, outlast the sea, the earth, and all men; the deceitful feeling that lures us on to joys, to perils, to love, to vain effort /to death; the triumphant conviction of strength, the heat of life in the handful of dust, the glow in the heart that with every year grows dim, grows cold, grows small, and expires /and expires, too soon, too soon /before life itself
Joseph Conrad
As the poet Prageeta Sharma said, Americans have an expiration date on race the way they do for grief. At some point, they expect you to get over it.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
There are mornings when it feels as if you rise up to the surface through a mud bath. With your feet stuck in a block of cement. When you know that you’ve expired in the night and have nothing to be happy about except the fact that at least you’ve already died so they can’t transplant your lifeless organs.
Peter Høeg (Smilla's Sense of Snow)
I remember my youth and the feeling that will never come back any more—the feeling that I could last for ever, outlast the sea, the earth, and all men; the deceitful feeling that lures us on to joys, to perils, to love, to vain effort—to death; the triumphant conviction of strength, the heat of life in the handful of dust, the glow in the heart that with every year grows dim, grows cold, grows small, and expires—and expires, too soon, too soon—before life itself.
Joseph Conrad (Youth, a Narrative)
That was what he wanted, to be baked dry and hard, to feel the vaporous worries evaporating one by one, to know finally that all the damp little doubts and hesitations that covered the floor of his being were curling up and expiring in the great furnace-blast of the sun.
Paul Bowles (Let It Come Down)
The neurons that do expire are the ones that made imitation possible. When you are capable of skillful imitation, the sweep of choices before you is too large; but when your brain loses its spare capacity, and along with it some agility, some joy in winging it, and the ambition to do things that don't suit it, then you finally have to settle down to do well the few things that your brain really can do well--the rest no longer seems pressing and distracting, because it is now permanently out of reach. The feeling that you are stupider than you were is what finally interests you in the really complex subjects of life: in change, in experience, in the ways other people have adjusted to disappointment and narrowed ability. You realize that you are no prodigy, your shoulders relax, and you begin to look around you, seeing local color unrivaled by blue glows of algebra and abstraction.
Nicholson Baker (The Mezzanine)
It is a common belief that we breathe with our lungs alone, but in point of fact, the work of breathing is done by the whole body. The lungs play a passive role in the respiratory process. Their expansion is produced by an enlargement, mostly downward, of the thoracic cavity and they collapse when that cavity is reduced. Proper breathing involves the muscles of the head, neck, thorax, and abdomen. It can be shown that chronic tension in any part of the body's musculature interferes with the natural respiratory movements. Breathing is a rhythmic activity. Normally a person at rest makes approximately 16 to 17 respiratory incursions a minute. The rate is higher in infants and in states of excitation. It is lower in sleep and in depressed persons. The depth of the respiratory wave is another factor which varies with emotional states. Breathing becomes shallow when we are frightened or anxious. It deepens with relaxation, pleasure and sleep. But above all, it is the quality of the respiratory movements that determines whether breathing is pleasurable or not. With each breath a wave can be seen to ascend and descend through the body. The inspiratory wave begins deep in the abdomen with a backward movement of the pelvis. This allows the belly to expand outward. The wave then moves upward as the rest of the body expands. The head moves very slightly forward to suck in the air while the nostrils dilate or the mouth opens. The expiratory wave begins in the upper part of the body and moves downward: the head drops back, the chest and abdomen collapse, and the pelvis rocks forward. Breathing easily and fully is one of the basic pleasures of being alive. The pleasure is clearly experienced at the end of expiration when the descending wave fills the pelvis with a delicious sensation. In adults this sensation has a sexual quality, though it does not induce any genital feeling. The slight backward and forward movements of the pelvis, similar to the sexual movements, add to the pleasure. Though the rhythm of breathing is pronounced in the pelvic area, it is at the same time experienced by the total body as a feeling of fluidity, softness, lightness and excitement. The importance of breathing need hardly be stressed. It provides the oxygen for the metabolic processes; literally it supports the fires of life. But breath as "pneuma" is also the spirit or soul. We live in an ocean of air like fish in a body of water. By our breathing we are attuned to our atmosphere. If we inhibit our breathing we isolate ourselves from the medium in which we exist. In all Oriental and mystic philosophies, the breath holds the secret to the highest bliss. That is why breathing is the dominant factor in the practice of Yoga.
Alexander Lowen (The Voice of the Body)
You've got to shake your fists at lightning now, you've got to roar like forest fire You've got to spread your light like blazes all across the sky They're going to aim the hoses on you, show 'em you won't expire Not till you burn up every passion, not even when you die Come on now, you've got to try, if you're feeling contempt, well then you tell it If you're tired of the silent night, Jesus, well then you yell it Condemned to wires and hammers, strike every chord that you feel That broken trees and elephant ivories conceal
Joni Mitchell (Joni Mitchell: The Complete Poems and Lyrics)
they convinced me i only had a few good years left before i was replaced by a girl younger than me as though men yield power with age but women grow into irrelevance they can keep their lies for i have just gotten started i feel as though i just left the womb my twenties are the warm-up for what i'm really about to do wait till you see me in my thirties now that will be a proper introduction to the nasty. wild. woman in me. how can i leave before the party's started rehearsals begin at forty i ripen with age i do not come with an expiration date and now for the main event curtains up at fifty let's begin the show
Rupi Kaur
I am happiest when I am idle. I could live for months without performing any kind of labor, and at the expiration of that time I should feel fresh and vigorous enough to go right on in the same way for numerous more months.
Artemus Ward
Ari!" Jeb had finally seen his son. He rushed to Ari's side and knelt next to him. Looking stunned, he gathered Ari's hulking form and held him to his chest. "I'm so sorry." I saw his mouth shape the words, though I couldn't hear them. "I'm so sorry." He bent over Ari's form, mindless of his vulnerable position.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
We peep out, but what do we see, really? Mirror reflections of our own selves, our bloodless, feeble countenances, devoted to nothing in particular, insofar as I can fathom it. Death is very close, he thought. When you think in this manner. I can feel it, he decided. How near I am. Nothing is killing me; I have no enemy, no antagonist; I am merely expiring, like a magazine subscription: month by month.
Philip K. Dick (Galactic Pot-Healer)
Feelings dont have expiration dates.
R.S. Grey (The Beau & the Belle)
It never failed. Being at my mom's house always made me feel like expired milk.
Claire Jiménez (What Happened to Ruthy Ramirez)
And I feel the question expired on my lips.
Lucy Foley (The Hunting Party)
wonder if sex might express something else—some level of tenderness. If we might be able to judge not the strength of a person’s feelings but the measure of their care.
Rebecca Serle (Expiration Dates)
I loved him in that moment more than I thought possible, but it would end when this night did. We might chase the phantoms of these feelings for a while afterward, but in the end we’ll concede defeat and move on. Nothing is meant to last past its novelty. Some things are too painful to chase after their expiration date.
Kaitlyn Oruska (Wishing Well)
The sense of respiration is an example of our natural sense relationship with the atmospheric matrix. Remember, respiration means to re-spire, to re-spirit ourselves by breathing. It, too, is a consensus of many senses. We may always bring the natural relationships of our senses and the matrix into consciousness by becoming aware of our tensions and relaxations while breathing. The respiration process is guided by our natural attraction to connect with fresh air and by our attraction to nurture nature by feeding it carbon dioxide and water, the foods for Earth that we grow within us during respiration. When we hold our breath, our story to do so makes our senses feel the suffocation discomfort of being separated from Earth's atmosphere. It draws our attention to follow our attraction to air, so we inspire and gain comfort. Then the attraction to feed Earth comes into play so we exhale food for it to eat and we again gain comfort. This process feels good, it is inspiring. Together, we and Earth conspire (breathe together) so that neither of us will expire. The vital nature of this process is brought to consciousness when we recognize that the word for air, spire, also means spirit and that psyche is another name for air/spirit/soul.
Michael J. Cohen (Reconnecting With Nature: Finding Wellness Through Restoring Your Bond With the Earth)
My lord?” Nick turned at the tentative, feminine voice, to find two young women standing nearby, watching him eagerly. Nick spoke, wary. “Yes? ” “We—” one of them began to speak, then stopped, uncertain. The other nudged her toward him. “Yes?” “We are fans.” Nick blinked. “Of?” “Of yours.” “Of mine.” “Indeed!” The second girl smiled broadly and stepped closer, holding out what looked suspiciously like— Nick swore under his breath. “Would you be willing to autograph our magazine? ” Nick held up a hand. “I would, girls, but you’ve got the wrong brother.” He pointed to Gabriel. “That is Lord Nicholas.” Rock snorted as the two shifted their attention to the Marquess of Ralston, a dazzlingly handsome copy of their prey, and tittered their excitement. Gabriel instantly eased into his role, turning a brilliant smile on the girls. “I would be happy to autograph your magazine.” He took the journal and the pen they proffered and said, “You know, I must confess, this is the first time I’ve ever drawn the attention of ladies when in the company of my brother. Ralston has always been considered the more handsome of us.” “No!” the girls protested. Nick rolled his eyes. “Indeed. Ask anyone. They’ll tell you it’s the marquess who is the best specimen. Surely you’ve heard that.” He looked up at them with a winning smile. "You can admit it, girls. My feelings shan’t be hurt." Gabriel held up the magazine, displaying the cover, which boasted: Inside! London’s Lords to Land! “Yes … there’s no question that this is going to do wonders for my reputation. I’m so happy to see that it’s getting around that I’m on the hunt for a wife!” The girls nearly expired from delight.
Sarah MacLean (Ten Ways to Be Adored When Landing a Lord (Love By Numbers, #2))
Our lives are lived in season of more, seasons of less, seasons of triumph, seasons of loss. Each season sees our needs change. We live, learn, and adapt. So, too, must our definition of meaning. Things that grow in one season rot in another. If we blindly hold on to the past, we'll be forced to sustain ourselves with the expiring beliefs from seasons gone by. No wonder we're often left feeling unsatisfied, empty, starving for substance. In order to live fulfilling lives, we have to embrace the shifting nature of our experience by making our search for meaning an ongoing practice.
Ryder Carroll (The Bullet Journal Method: Track Your Past, Order Your Present, Plan Your Future)
Our minds are creative and knowledgeable. Yet time and time again, our needs and wants fell on deaf ears. We were told we weren’t good enough. We were abused mentally, physically, and emotionally. We were told with nasty sarcastic remarks at times, and here and there maybe a laugh that made the insult worse; “It would be your word against mine, and guess who they are going believe? Not you.” One by one we took a chance to speak up, but our voices weren’t heard. They tried to make us feel threatened; as if we were going to lay down and be stepped on like shit on the bottom on their shoe. We interrupted their comfort zone and showed them their time was up! Their time of talking and belittling us this way has expired. They tried, but they failed to realize we are strong and we will never give up. Their time of thinking they can touch us inappropriately and we will keep quiet has expired. No! We will rise up and bring the world to its feet. Trust me… We will be seen and heard! Their time of trying to break us down has expired. No! We can move mountains! Their time of pointing their fingers at us and putting F.E.A.R (False Evidence Appearing Real) into our minds by making us believe it is our fault has expired. No! It is not our fault. It never was! Their time of nasty insults has expired. They fail to realize we catch every nasty word and throw back the insult to show we can give as good as we get. Their time of preying off vulnerable women who have to “make a deal” to get a higher position they earned has expired. No! Your “man”ipulation has no effect. We, as women, have full ownership of our minds, bodies, and souls.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
A lot of our outlawed terms were invented by black people and then picked up by whites, who held on to them way past their expiration date. 'My bad,' for example, and 'I've got your back' and 'You go, girlfriend.' They're the verbal equivalents of sitcom grandmothers high-fiving one another, and on hearing them, I wince and feel ashamed of my entire race.
David Sedaris (Calypso)
A gentleman probably would have risen to help, but James didn’t feel like a gentleman. He felt like a bloodthirsty ex-pirate with blue balls.
Eloisa James (The Ugly Duchess (Fairy Tales, #4))
Feelings naturally arise as passing states of awareness and are not part of us - rather, they give feedback and then expire.
Deborah Sandella
Another word I’ve added to “the list” is “conversation,” as in “We need to have a national conversation about_________.” This is employed by the left to mean “You need to listen to me use the word ‘diversity’ for an hour.” The right employs obnoxious terms as well—“libtard,” “snowflake,” etc.—but because they can be applied to me personally it seems babyish to ban them. I’ve outlawed “meds,” “bestie,” “bucket list,” “dysfunctional,” “expat,” “cab-sav,” and the verb “do” when used in a restaurant, as in “I’ll do the snails on cinnamon toast.” “Ugh,” Ronnie agrees. “Do!—that’s the worst.” “My new thing,” I told her, “is to look at the menu and say, ‘I’d like to purchase the veal chop.’” A lot of our outlawed terms were invented by black people and then picked up by whites, who held on to them way past their expiration date. “My bad,” for example, and “I’ve got your back” and “You go, girlfriend.” They’re the verbal equivalents of sitcom grandmothers high-fiving one another, and on hearing them, I wince and feel ashamed of my entire race.
David Sedaris (Calypso)
That was what was missing. Every hurt he’d ever suffered, every ache he’d ever endured—it was all as gone as an expired breath. He could not feel agony. He could not feel sadness. His consciousness felt smoky, wisplike, incapable of anything but calm.
Mitch Albom (The Five People You Meet in Heaven)
Sometimes his expired faith in rational logic revives itself long enough to believe in points. ... but in the end he always ends up feeling like an asshole for thinking any of the pain he either inflicts or endures has meaning beyond the senseless fact of its existence.
Anthony Marra (The Tsar of Love and Techno)
Law 2: Question the Brules. Extraordinary minds question the Brules when they feel those Brules are out of alignment with their dreams and desires. They recognize that much of the way the world works is due to people blindly following Brules that have long passed their expiration date.
Vishen Lakhiani (The Code of the Extraordinary Mind: 10 Unconventional Laws to Redefine Your Life and Succeed On Your Own Terms)
Cursed graze that burns; cursed mind that never stops thinking. Mirrors that don’t lie; doubts that torment; dictators who torture every hope on the rack. The crossroads approach, and it makes my head spin; we choose the path that allows us to sleep; we reject the tempting loophole. Lose yourself within the eyes of the one who deceives, or find yourself within those of the one who still loves you. The uncertainty of what hasn’t been experienced versus the certainty of the already expired. Merge the experiences; the game is as controlled as a fire. Feel the heat; feel the cold. Wager, then, on your own defeat.
Eva García Sáenz (The Immortal Collection)
We are committed to involving as many people as possible, as young as possible, as soon as possible. Sometimes too young and too soon! But we intentionally err on the side of too fast rather than too slow. We don’t wait until people feel “prepared” or “fully equipped.” Seriously, when is anyone ever completely prepared for ministry? Ministry makes people’s faith bigger. If you want to increase someone’s confidence in God, put him in a ministry position before he feels fully equipped. The messages your environments communicate have the potential to trump your primary message. If you don’t see a mess, if you aren’t bothered by clutter, you need to make sure there is someone around you who does see it and is bothered by it. An uncomfortable or distracting setting can derail ministry before it begins. The sermon begins in the parking lot. Assign responsibility, not tasks. At the end of the day, it’s application that makes all the difference. Truth isn’t helpful if no one understands or remembers it. If you want a church full of biblically educated believers, just teach what the Bible says. If you want to make a difference in your community and possibly the world, give people handles, next steps, and specific applications. Challenge them to do something. As we’ve all seen, it’s not safe to assume that people automatically know what to do with what they’ve been taught. They need specific direction. This is hard. This requires an extra step in preparation. But this is how you grow people. Your current template is perfectly designed to produce the results you are currently getting. We must remove every possible obstacle from the path of the disinterested, suspicious, here-against-my-will, would-rather-be-somewhere-else, unchurched guests. The parking lot, hallways, auditorium, and stage must be obstacle-free zones. As a preacher, it’s my responsibility to offend people with the gospel. That’s one reason we work so hard not to offend them in the parking lot, the hallway, at check-in, or in the early portions of our service. We want people to come back the following week for another round of offending! Present the gospel in uncompromising terms, preach hard against sin, and tackle the most emotionally charged topics in culture, while providing an environment where unchurched people feel comfortable. The approach a church chooses trumps its purpose every time. Nothing says hypocrite faster than Christians expecting non-Christians to behave like Christians when half the Christians don’t act like it half the time. When you give non-Christians an out, they respond by leaning in. Especially if you invite them rather than expect them. There’s a big difference between being expected to do something and being invited to try something. There is an inexorable link between an organization’s vision and its appetite for improvement. Vision exposes what has yet to be accomplished. In this way, vision has the power to create a healthy sense of organizational discontent. A leader who continually keeps the vision out in front of his or her staff creates a thirst for improvement. Vision-centric churches expect change. Change is a means to an end. Change is critical to making what could and should be a reality. Write your vision in ink; everything else should be penciled in. Plans change. Vision remains the same. It is natural to assume that what worked in the past will always work. But, of course, that way of thinking is lethal. And the longer it goes unchallenged, the more difficult it is to identify and eradicate. Every innovation has an expiration date. The primary reason churches cling to outdated models and programs is that they lack leadership.
Andy Stanley (Deep and Wide: Creating Churches Unchurched People Love to Attend)
they convinced me i only had a few good years left before i was replaced by a girl younger than me as though men yield power with age but women grow into irrelevance they can keep their lies for i have just gotten started i feel as though i just left the womb my twenties are the warm-up for what i’m really about to do wait till you see me in my thirties now that will be a proper introduction to the nasty. wild. woman in me. how can i leave before the party’s started rehearsals begin at forty i ripen with age i do not come with an expiration date and now for the main event curtains up at fifty let’s begin the show - timeless
Rupi Kaur (The Sun and Her Flowers)
Failure was always present; it changed its aspect, acquired new forms. Did one ever go from success to success? But one went, simultaneously, from failure to failure. What was it that I'd once thought intolerable? In a few years, it had become tolerable. The reasons for living changed. At the end, the great pang would be that death deprived one of the very, very simplest things; the simpleness of sight, the mechanical marvel of breathing. Ah, she mustn't feel the way she did. Nothing catastrophic had really happened. What one was good at didn't always and continually give one pleasure. Appetites died; ambitions expired; desire put on a different skin.
Alfred Hayes (My Face for the World to See)
You must not resist life when it becomes inconvenient to live. You cannot outrun fear. You should not ignore pain. You will not outlive death...You spent three hours in a state of distress focused solely on one emotion, hoping to discard all those from your life as if your discomforts might expire with them. But life cannot be experienced one emotion at a time. It is a tapestry of sensation, a braided rope of feeling. We must allow for reflection even when we suffer. We must reach for compassion even when we triumph. If you spend your days waiting for your sorrows to end so that you might finally live” – he shook his head – “you will die an impatient man.
Tahereh Mafi (All This Twisted Glory (This Woven Kingdom, #3))
You're extracting life by the mouthful. It's the pleasure of knowing that because of your intent, your actions, this being has ceased to exist. It's the feeling of a complex and precious organism expiring little by little, and also becoming part of you. For always. I find this miracle fascinating. This possibility of an indissoluble union.
Agustina Bazterrica (Tender Is the Flesh)
There’s a vibration, a subtle and fragile heat, that makes a living being particularly delicious. You’re extracting life by the mouthful. It’s the pleasure of knowing that because of your intent, your actions, this being has ceased to exist. It’s the feeling of a complex and precious organism expiring little by little, and also becoming part of you.
Agustina Bazterrica (Tender Is the Flesh)
Outside the wind blew by; in here there was nothing but the beating of the hot sun on the skin. He lay a while, intensely conscious of the welcome heat, in a state of self-induced voluptuousness. When he looked at the sun, his eyes closed almost tight, he saw webs of crystalline fire crawling across the narrow space between the slitted lids, and his eyelashes made the furry beams of light stretch out, recede, stretch out. It was a long time since he had lain naked in the sun. He remembered that if you stayed out long enough the rays drew every thought out of your head. That was what he wanted, to be baked dry and hard, to feel the vaporous worries evaporating one by one, to know finally that all the damp little doubts and hesitations that covered the floor of his being were curling up and expiring in the great furnace-blast of the sun.
Paul Bowles (Let It Come Down)
We sat within the farm-house old, Whose windows, looking o'er the bay, Gave to the sea-breeze damp and cold, An easy entrance, night and day. Not far away we saw the port, The strange, old-fashioned, silent town, The lighthouse, the dismantled fort, The wooden houses, quaint and brown. We sat and talked until the night, Descending, filled the little room; Our faces faded from the sight, Our voices only broke the gloom. We spake of many a vanished scene, Of what we once had thought and said, And who was changed, and who was dead; And all that fills the hearts of friends, When first they feel, with secret pain, Their lives thenceforth have separate ends, And never can be one again; The first slight swerving of the heart, That words are powerless to express, And leave it still unsaid in part, Or say it in too great excess. The very tones in why we spake, Had something strange, I could but mark; The leaves of memory seemed to make A mournful rattling in the dark. Oft died the words upon our lips, As suddenly, from out the fire Built of the wreck of stranded ships, The flames would leap and then expire. And, as their splendor flashed and failed, We thought of wrecks upon the main, Of ships dismasted, that were hailed And sent no answer back again. The windows, rattling in their frames, The ocean, roaring up the beach, The gusty blast, the bickering flames, All mingled vaguely in our speech; Until they made themselves a part Of fancies floating through the brain, The long-lost ventures of the heart, That send no answers back again. O flames that glowed! O hearts that yearned! They were indeed too much akin, The drift-wood fire without that burned, The thoughts that burned and glowed within.
Henry Wadsworth Longfellow
There’s a vibration, a subtle and fragile heat, that makes a living being particularly delicious. You’re extracting life by the mouthful. It’s the pleasure of knowing that because of your intent, your actions, this being has ceased to exist. It’s the feeling of a complex and precious organism expiring little by little, and also becoming part of you. For always. I find this miracle fascinating. This possibility of an indissoluble union.
Agustina Bazterrica (Tender Is the Flesh)
But in the Petit Palais, which Daphne had not visited in thirty years, Roland had what she liked to call ‘a moment’. He retired early from the paintings and waited in the main hall. After she had joined him and they were walking away he let rip. He said that if he ever had to look at one more Madonna and Child, Crucifixion, Assumption, Annunciation and all the rest he would ‘throw up’. Historically, he announced, Christianity had been the cold dead hand on the European imagination. What a gift, that its tyranny had expired. What looked like piety was enforced conformity within a totalitarian mind-state. To question or defy it in the sixteenth century would have been to take your life in your hands. Like protesting against Socialist Realism in Stalin’s Soviet Union. It was not only science that Christianity had obstructed for fifty generations, it was nearly all of culture, nearly all of free expression and enquiry. It buried the open-minded philosophies of classical antiquity for an age, it sent thousands of brilliant minds down irrelevant rabbit holes of pettifogging theology. It had spread its so-called Word by horrific violence and it maintained itself by torture, persecution and death. Gentle Jesus, ha! Within the totality of human experience of the world there was an infinity of subject matter and yet all over Europe the big museums were stuffed with the same lurid trash. Worse than pop music. It was the Eurovision Song Contest in oils and gilt frames. Even as he spoke he was amazed by the strength of his feelings and the pleasure of release. He was talking – exploding – about something else. What a relief it was, he said as he began to cool down, to see a representation of a bourgeois interior, of a loaf of bread on a board beside a knife, of a couple skating on a frozen canal hand in hand, trying to seize a moment of fun ‘while the fucking priest wasn’t looking. Thank God for the Dutch!
Ian McEwan (Lessons)
I remember the drawn faces, the dejected figures of my two men, and I remember my youth and the feeling that will never come back any more—the feeling that I could last for ever, outlast the sea, the earth, and all men; the deceitful feeling that lures us on to joys, to perils, to love, to vain effort—to death; the triumphant conviction of strength, the heat of life in the handful of dust, the glow in the heart that with every year grows dim, grows cold, grows small, and expires—and expires, too soon—before life itself.
Joseph Conrad (Youth, a Narrative)
I remember the drawn faces, the dejected figures of my two men, and I remember my youth and the feeling that will never come back anymore - the feeling that I could last forever, outlast the sea, the earth, and all men; the deceitful feeling that lures us on to joys, to perils, to love, to vain effort - to death; the triumphant conviction of strength, the heat of life in the handful of dust, the glow in the heart that with every year grows dim, grows cold, grows small, and expires - and expires, too soon - before life itself.
Joseph Conrad (Youth: A Narrative)
Studying the history of our ancestors is instructive. I understand some of my parents’ struggles and sacrifices. I am acquainted with my grandparents and great grandparents’ way of life. The common denominator that runs through their lifeblood is a hardpan of resiliency, courage, and work ethic. They also shared a phenomenal degree of competency essential to make due in an open land where the pioneering spirit meets nature under a big sky full of endless possibilities for triumph and setback. My forebears took care of their family members and tended their ancestral land before the word caretaker was a recognized term for a loving man, woman, or child. Self-reliant people who master the skills essential for survival in a harsh clime also value helping other people who are in a fix. All my predecessors were quick to lend a hand to a neighbor in need. Their ability to see life through the heart was the decisive feature of their pioneering pluck. How we start a day, presages how the day shall unfold. Each day when I awaken, I feel clobbered by the preceding day. At days end, I feel comparable to a chewed on piece of masticated beef. I devote all available personal energy reserves to simply getting by and muss over how I can engender the energy to make it through today’s pulp works. In reality, I go on because akin to every generation that preceded me and every generation that succeeds me, I must continue onward or I will expire. The one fact that keeps me going is the realization that all generations of people struggle. What we share with preceding generations is our heartaches and our willingness to struggle in order to make the world a better place for the next generation.
Kilroy J. Oldster (Dead Toad Scrolls)
I did not know how good a man I was till then. I remember the drown faces, the dejected figures of my two man, and I remember my youth and the feeling that will never come back any more - the feeling that I could last for ever, outlast the sea, the earth, and all man; the deceitful feeling that lures us on the joys, to perils, to love, to vain effort -to death; the triumphant conviction of strength, the heat of life in the handful of dust, the glow in the heart that with every year grows dim, grows cold, grows small, and expires - and expires, too soon, too soon - before life itself.
Joseph Conrad (Youth, a Narrative, and other Short Works)
I often wonder what our responsibility is to other people, how much we owe them. Whose job is it to look out for our own happiness. Us, or the people who love us? It's both, of course. We owe ourselves and we owe each other. But in what order? As I look at Jake sitting across from me I feel the desire to protect him palpably - I feel it down deep in my bones. And then I consider something else, something that is hard to look at but impossible, now, to ignore. I wonder if I've been seeing that desire - honoring it, recognizing it - and calling it love. Protection and love are not the same thing. Love says, I will try and I will fail. Love says, Despite. Love says, And yet and yet and yet.
Rebecca Serle (Expiration Dates)
And yet, twenty-one feels just as overwhelming as ever. Twenty-two is even worse. Twenty-three offers no further enlightenment. As you slowly begin the march toward twenty-five — halfway through the defining decade of your life — you begin to accept the truth. There is no age at which you’ll ever have it figured out; no magic number where every missing piece falls abruptly into place. You will get older, there’s no stopping that, but there’s no guarantee you’ll ever get wiser. If anything, you merely get better at pretending. Acting like you have all the answers, holding all the loose threads of your life together in one fist, so they resemble a rope strong enough to guide you along until your time on earth expires.
Julie Johnson (Bad Luck Charm)
I lie on the seashore, the sparkling flood blue-shimmering in my dreamy eyes; light breezes flutter in the distance; the thud of the waves, charging and breaking over in foam, beats thrillingly and drowsily upon the shore—or upon the ear? I cannot tell. The far and the near become blurred into one; outside and inside merge into one another. Nearer and nearer, friendlier, like a homecoming, sounds the thud of the waves; now, like a thundering pulse, they beat in my head, now they beat over my soul, wrapping it round, consuming it, while at the same time my soul floats out of me as a blue waste of waters. Outside and inside are one. The whole symphony of sensations fades away into one tone, all senses become one sense, which is one with feeling; the world expires in the soul and the soul dissolves in the world. Our little life is rounded by a great sleep. Sleep our cradle, sleep our grave, sleep our home, from which we go forth in the morning, returning again at evening; our life a short pilgrimage, the interval between emergence from original oneness and sinking back into it! Blue shimmers the infinite sea, where the jelly-fish dreams of that primeval existence to which our thoughts still filter down through aeons of memory. For every experience entails a change and a guarantee of life’s unity. At that moment when they are no longer blended together, when the experient lifts his head, still blind and dripping, from immersion in the stream of experience, from flowing away with the thing experienced; when man, amazed and estranged, detaches the change from himself and holds it before him as something alien—at that moment of estrangement the two sides of the experience are substantialized into subject and object, and at that moment consciousness is born.33
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
I shall expect your reply within a month. Surely that is time enough to ... weigh your other offers.' She stared at him. Well. She'd underestimated Lord Prescott. Or perhaps, more accurately, she hadn't fully estimated him ... 'Thank you, Lord Prescott. It's helpful to know that your desire for me will expire by a particular date.' 'Much like the desirability of any woman. You of all people should be fully aware that a woman's bloom doesn't last forever. Nor does her ability to bear children.' ... 'Thank you for reminding me. It slipped my mind, temporarily.' He nodded, smiling a little, acknowledging her little barb. 'Good day, Miss de Ballesteros. I am not a man without feeling, and I think I shall depart now, to recover from the decidedly ambivalent receipt of my proposal.' She smiled a little at that. 'Good day, Lord Prescott. Perhaps I should retire, too, to preserve my bloom.
Julie Anne Long (It Happened One Midnight (Pennyroyal Green, #8))
Well, I’ll tell you this, Mr. Michael. You’re going to walk in there, people are going to tell you things and they’ll say it’s true, but know this: instincts beat advice. Your instincts beat everyone else’s conviction. Including mine. What anyone ever tells you can absolutely expire the second something new happens. We already know what to do, sweetie. And most advice can be narrowed down to: it’s best you try again. But our instincts are a powerful tool, you ought to listen to them. And you know, Michael, it’s not always worth explaining to people. We are too rational to believe extraordinary things can happen sometimes. But”—she smiled—“the most extraordinary times I remember were when I quieted the other voices beside me and embraced the room. The other person. A look. Their voice. Their body. Timing. You’ll feel it Michael and it’s more important you snatch those moments right when they appear. Chase that. Does that make sense?
Kristian Ventura (The Goodbye Song)
It was around six in the evening, and light the colour of opal, pierced by the golden rays of the autumn sun, spread over a bluish sea. The heat of the day had gradually expired and one was starting to feel that light breeze which seems like the breath of nature awaking after the burning midday siesta: that delicious breath that cools the Mediterranean coast and carries the scent of trees from shore to shore, mingled with the acrid scent of the sea. Over the huge lake that extends from Gibraltar to the Dardanelles and from Tunis to Venice, a light yacht, cleanly and elegantly shaped, was slipping through the first mists of evening. Its movement was that of a swan opening its wings to the wind and appearing to glide across the water. At once swift and graceful, it advanced, leaving behind a phosphorescent wake. Bit by bit, the sun, whose last rays we were describing, fell below the western horizon; but, as though confirming the brilliant fantasies of mythology, its prying flames reappeared at the crest of every wave as if to reveal that the god of fire had just hidden his face in the bosom of Amphitrite, who tried in vain to hide her lover in the folds of her azure robe.
Alexandre Dumas (The Count of Monte Cristo)
Gentle sweet air blew round the bared heads in a whisper. Whisper. The boy by the gravehead held his wreath with both hands staring quietly in the black open space. Mr Bloom move behind the portly kindly caretaker. Well cut frockcoat. Weighing them up perhaps to see which will go next. Well it is a long rest. Feel no more. It's the moment you feel. Must be damned unpleasant. Can't believe it at first. Mistake must be : someone else. Try the house opposite. Wait, I wanted to. I haven't yet. Then darkened deathchamber. Light they want. Whispering around you. Would you like to see a priest? Then rambling and wandering. Delirium all you hid all your life. The death struggle. His sleep is not natural. Press his lower eyelid. Watching is his nose pointed is his jaw sinking are the soles of his feet yellow. Pull the pillow away and finish it off on the floor since he's doomed. Devil in the picture of sinner's death showing him a woman. Dying to embrace her in his shirt. Last act of Lucia. Shall I nevermore behold thee ? Bam ! expires. Gone at last. People talk about you a bit : forget you. Don't forget to pray for him. Remember him in your prayers. Even Parnell. Ivy day dying out. Then they follow : dropping into a hole one after the other.
James Joyce (Ulysses)
Gentle sweet air blew round the bared heads in a whisper. Whisper. The boy by the gravehead held his wreath with both hands staring quietly in the black open space. Mr Bloom move behind the portly kindly caretaker. Well cut frockcoat. Weighing them up perhaps to see which will go next. Well it is a long rest. Feel no more. It's the moment you feel. Must be damned unpleasant. Can't believe it at first. Mistake must be : someone else. Try the house opposite. Wait, I wanted to. I haven't yet. Then darkened deathchamber. Light they want. Whispering around you. Would you like to see a priest? Then rambling and wandering. Delirium all you hid all your life. The death struggle. His sleep is not natural. Press his lower eyelid. Watching is his nose pointed is his jaw sinking are the soles of his feet yellow. Pull the pillow away and finish it off on the floor since he's doomed. Devil in that picture of sinner's death showing him a woman. Dying to embrace her in his shirt. Last act of Lucia. Shall I nevermore behold thee ? Bam ! expires. Gone at last. People talk about you a bit : forget you. Don't forget to pray for him. Remember him in your prayers. Even Parnell. Ivy day dying out. Then they follow : dropping into a hole one after the other.
James Joyce (Ulysses)
He raised his wand, but a dull hopelessness was spreading through him: How many more lay dead that he did not yet know about; he felt as though his soul had already half left his body. . . . “HARRY, COME ON!” screamed Hermione. A hundred dementors were advancing, gliding toward them, sucking their way closer to Harry’s despair, which was like a promise of a feast. . . . He saw Ron’s silver terrier burst into the air, flicker feebly, and expire; he saw Hermione’s otter twist in midair and fade; and his own wand trembled in his hand, and he almost welcomed the oncoming oblivion, the promise of nothing, of no feeling. . . . And then a silver hare, a boar, and a fox soared past Harry, Ron, and Hermione’s heads: The dementors fell back before the creatures’ approach. Three more people had arrived out of the darkness to stand beside them, their wands outstretched, continuing to cast their Patronuses: Luna, Ernie, and Seamus. “That’s right,” said Luna encouragingly, as if they were back in the Room of Requirement and this was simply spell practice for the D.A. “That’s right, Harry . . . come on, think of something happy. . . .” “Something happy?” he said, his voice cracked. “We’re all still here,” she whispered, “we’re still fighting. Come on, now. . . .
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I have a horror that I will fall,” he told her conversationally, using the axe handle to lever a twisted trunk aside. “And one of these stubs that I’ve left will catch me in the thigh, right where the big artery is, and I will bleed out before I can finish cursing. And even then I will probably apologize for having cursed. My last words will be I’m sorry. Toadling croaked a laugh. It was funny and it hurt, because she was nearly certain that her last words would also be I’m sorry, or perhaps just stammering as she tried to get an apology out. “Ah, you are a toad again.” He swung the axe, then grunted as the blade bound into the dead wood and he had to wiggle it loose. “It’s for the best, I suppose. Toads probably don’t trip and fall and impale themselves on broken branches. I am feeling guilty enough for having bothered you. If you tripped on a branch, I would likely expire from guilt. The Brother Librarian said that I was almost guilt-ridden enough to join a monastery, but our faith does not have an equivalent. And if I expired from guilt, my mother would be very upset, and I would have to feel guilty about that, too. I’m babbling now, aren’t I?” “Somewhat,” said Toadling, turning back into a human in a little space in the thorns. “I thought so. I do that when I don’t know what to say. I talk to fill spaces. I’m a wretched liar. Although a good liar would probably say that, wouldn’t they?
T. Kingfisher (Thornhedge)
Decouplers often trip up on this step in two ways. First, they are overly generic in articulating the CVC. When mapping the process of buying a car, auto executives tend to describe it as: feel the need to buy car > become aware of a car brand > develop an interest in the brand > visit the dealer > purchase the car. This is a start, but it is not specific enough. Decouplers must ask: When do people actually need a new car? How exactly do people become aware of car brands? How do people become interested in a make or model? And so on. The generic process of awareness, interest, desire, and purchase isn’t specific enough to help. Decouplers also flounder by failing to identify all the relevant stages in the value chain. For the car-buying process, a better description of the CVC might be: become aware that your car lease will expire in one month > feel the need to purchase a new car > develop a heightened interest in car ads > visit car manufacturers’ websites > create a set of two or three brands of interest > visit third-party auto websites > compare options of cars in the same category > choose a model > shop online for the best price > visit the nearest dealer to see if they have the model in stock > see if they can beat the best online price > test-drive the cars > decide about financing, warranty, and other add-ons > negotiate a final price > sign the contract > pick up the car > use it > wait for the lease to expire again. With this far more detailed CVC, we can fully appreciate the complexity of the car-buying
Thales S. Teixeira (Unlocking the Customer Value Chain: How Decoupling Drives Consumer Disruption)
All my longings lie open before you, Lord; my sighing is not hidden from you. —Psalm 38:9 (NIV) It was a rough start to the day. Spiritually, I was feeling flat. There were a few things that I really wanted for my family and my career. My prayers had turned repetitive. I felt like a broken record as I laid them before the Lord once again. And just like every other morning, I came up against a deafening silence that made me want to scream. Not only that, but my son woke up at 5:30 am—much too early. It didn’t take long for my sweet little boy to turn into a monster, the kind that whines and cries and throws temper tantrums and makes messes everywhere he goes. The kid was tired. With expiring patience, I carried him to his room and made him lie down while he screamed and cried and did everything humanly possible to get out of that bed. I sat outside his room, resting my head against the wall, and heard every single one of his heartbreaking cries for Mama. He wanted to get up, go to the park, play. But that’s not what was best for him. He needed sleep. After a thirty-minute battle, he finally gave in. The house was quiet. As I sat there in the silence, I couldn’t help but think how similar I was to my son, crying out to my Abba, mistaking His silence for absence, unable to see that He was right there. God knows what’s best and He knows what He’s doing. Thank You, Lord, for the promise that You hear every single one of our sighs, for being a God Who says no for the sake of a better yes. —Katie Ganshert Digging Deeper: Is 55:8–9; Mt 6:25–34
Guideposts (Daily Guideposts 2014)
Dear Net-Mail User [ EweR-635-78-2267-3 aSp]: Your mailbox has just been rifled by EmilyPost, an autonomous courtesy-worm chain program released in October 2036 by an anonymous group of net subscribers in western Alaska. [ ref: sequestered confession 592864-2376298.98634, deposited with Bank Leumi 10/23/36:20:34:21. Expiration-disclosure 10 years.] Under the civil disobedience sections of the Charter of Rio, we accept in advance the fines and penalties that will come due when our confession is released in 2046. However we feel that’s a small price to pay for the message brought to you by EmilyPost. In brief, dear friend, you are not a very polite person. EmilyPost’s syntax analysis subroutines show that a very high fraction of your Net exchanges are heated, vituperative, even obscene. Of course you enjoy free speech. But EmilyPost has been designed by people who are concerned about the recent trend toward excessive nastiness in some parts of the Net. EmilyPost homes in on folks like you and begins by asking them to please consider the advantages of politeness. For one thing, your credibility ratings would rise. (EmilyPost has checked your favorite bulletin boards, and finds your ratings aren’t high at all. Nobody is listening to you, sir!) Moreover, consider that courtesy can foster calm reason, turning shrill antagonism into useful debate and even consensus. We suggest introducing an automatic delay to your mail system. Communications are so fast these days, people seldom stop and think. Some Net users act like mental patients who shout out anything that comes to mind, rather than as functioning citizens with the human gift of tact. If you wish, you may use one of the public-domain delay programs included in this version of EmilyPost, free of charge. Of course, should you insist on continuing as before, disseminating nastiness in all directions, we have equipped EmilyPost with other options you’ll soon find out about…
David Brin (Earth)
After I returned from that morning, our telephone rang incessantly with requests for interviews and photos. By midafternoon I was exhausted. At four o’clock I was reaching to disconnect the telephone when I answered one last call. Thank heavens I did! I heard, “Mrs. Robertson? This is Ian Hamilton from the Lord Chamberlain’s office.” I held my breath and prayed, “Please let this be the palace.” He continued: “We would like to invite you, your husband, and your son to attend the funeral of the Princess of Wales on Saturday in London.” I was speechless. I could feel my heart thumping. I never thought to ask him how our name had been selected. Later, in London, I learned that the Spencer family had given instructions to review Diana’s personal records, including her Christmas-card list, with the help of her closest aides. “Yes, of course, we absolutely want to attend,” I answered without hesitating. “Thank you so much. I can’t tell you how much this means to me. I’ll have to make travel plans on very short notice, so may I call you back to confirm? How late can I reach you?” He replied, “Anytime. We’re working twenty-four hours a day. But I need your reply within an hour.” I jotted down his telephone and fax numbers and set about making travel arrangements. My husband had just walked in the door, so we were able to discuss who would travel and how. Both children’s passports had expired and could not be renewed in less than a day from the suburbs where we live. Caroline, our daughter, was starting at a new school the very next day. Pat felt he needed to stay home with her. “Besides,” he said, “I cried at the wedding. I’d never make it through the funeral.” Though I dreaded the prospect of coping with the heartbreak of the funeral on my own, I felt I had to be there at the end, no matter what. We had been with Diana at the very beginning of the courtship. We had attended her wedding with tremendous joy. We had kept in touch ever since. I had to say good-bye to her in person. I said to Pat, “We were there for the ‘wedding of the century.’ This will be ‘the funeral of the century.’ Yes, I have to go.” Then we just looked at each other. We couldn’t find any words to express the sorrow we both felt.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Something diseased and furry had crawled into her mouth and expired while she slept. That was the only possible explanation as to why Neve had a rancid taste in her mouth and a heavy, viscous paste coating her teeth and tongue. ‘I think I’m dying,’ she groaned. The wretched state of her mouth was the least of it. There was a pounding in her head, echoed in the roiling of her gut, and her bones ached, her vital organs ached, her throat ached, even her hair follicles ached. ‘You’re not dying,’ said a voice in her ear, which sounded like nails scraping down a blackboard, even though Max’s voice had barely risen above a whisper. ‘You’ve got a hangover.’ Neve had had hangovers before and they just made her feel a tiny bit nauseous and grouchy. This felt like the bastard child of bubonic plague and the ebola virus. ‘Dying,’ she reiterated, and now she realised that she was in bed, which had been a very comfy bed the last time she’d slept in it, but now it felt as if she was lying on a pile of rocks, and even though she had the quilt and Max’s arm tucked around her, she was still cold and clammy. Neve tried to raise her head but her gaze collided with the stripy wallpaper and as well as searing her retinas, it was making her stomach heave. ‘Sick. Going to be sick.’ ‘Sweetheart, I don’t think so,’ Max said, stroking the back of her neck with feather-soft fingers. ‘You’ve already thrown up just about everything you’ve eaten in the last week.’ ‘Urgh …’ Had she? The night before was a big gaping hole in her memory. ‘What happened?’ ‘I don’t know what happened but I got a phone call from the Head of Hotel Security at three in the morning asking me if I could identify a raving madwoman in a silver dress who couldn’t remember her room number but insisted that someone called Max Pancake was sleeping there. They thought you might be a hack from the Sunday Mirror pretending to be absolutely spannered as a way of getting into the hotel.’ ‘Oh, no …’ ‘Yeah, apparently Ronaldo’s staying in one of the penthouse suites and I saw Wayne and Coleen in the bar last night. Anyway, as you were staggering down the corridor, you told me very proudly that you’d lost your phone and you’d just eaten two pieces of KFC and a bag of chips.’ ‘KFC? Oh, God …’ ‘But I wouldn’t worry about that because after you’d tried to persuade me to have my wicked way with you, you started throwing up and you didn’t stop, not for hours. I thought you were going to sleep curled around the toilet at one point.’ ‘Goodness …
Sarra Manning (You Don't Have to Say You Love Me)
The heart of rock will always remain a primal world of action. The music revives itself over and over again in that form, primitive rockabilly, punk, hard soul and early rap. Integrating the world of thought and reflection with the world of primitive action is *not* a necessary skill for making great rock 'n' roll. Many of the music's most glorious moments feel as though they were birthed in an explosion of raw talent and creative instinct (some of them even were!). But ... if you want to burn bright, hard *and* long, you will need to depend on more than your initial instincts. You will need to develop some craft and a creative intelligence that will lead you *farther* when things get dicey. That's what'll help you make crucial sense and powerful music as time passes, giving you the skills that may also keep you alive, creatively and physically. The failure of so many of rock's artists to outlive their expiration date of a few years, make more than a few great albums and avoid treading water, or worse, I felt was due to the misfit nature of those drawn to the profession. These were strong, addictive personalities, fired by compulsion, narcissism, license, passion and an inbred entitlement, all slammed over a world of fear, hunger and insecurity. That's a Molotov cocktail of confusion that can leave you unable to make, or resistant to making, the lead of consciousness a life in the field demands. After first contact knocks you on your ass, you'd better have a plan, for some preparedness and personal development will be required if you expect to hang around any longer than your fifteen minutes. Now, some guys' five minutes are worth other guys' fifty years, and while burning out in one brilliant supernova will send record sales through the roof, leave you living fast, dying young, leaving a beautiful corpse, there *is* something to be said for living. Personally, I like my gods old, grizzled and *here*. I'll take Dylan; the pirate raiding party of the Stones; the hope-I-get-very-old-before-I-die, present live power of the Who; a fat, still-mesmerizing-until-his-death Brando—they all suit me over the alternative. I would've liked to have seen that last Michael Jackson show, a seventy-year-old Elvis reinventing and relishing in his talents, where Jimi Hendrix might've next taken the electric guitar, Keith Moon, Janis Joplin, Kurt Cobain and all the others whose untimely deaths and lost talents stole something from the music I love, living on, enjoying the blessings of their gifts and their audience's regard. Aging is scary but fascinating, and great talent morphs in strange and often enlightening ways. Plus, to those you've received so much from, so much joy, knowledge and inspiration, you wish life, happiness and peace. These aren't easy to come by.
Bruce Springsteen (Born to Run)
In the uncertain hour before the morning Near the ending of interminable night At the recurrent end of the unending After the dark dove with the flickering tongue Had passed below the horizon of his homing While the dead leaves still rattled on like tin Over the asphalt where no other sound was Between three districts whence the smoke arose I met one walking, loitering and hurried As if blown towards me like the metal leaves Before the urban dawn wind unresisting. And as I fixed upon the down-turned face That pointed scrutiny with which we challenge The first-met stranger in the waning dusk I caught the sudden look of some dead master Whom I had known, forgotten, half recalled Both one and many; in the brown baked features The eyes of a familiar compound ghost Both intimate and unidentifiable. So I assumed a double part, and cried And heard another's voice cry: 'What! are you here?' Although we were not. I was still the same, Knowing myself yet being someone other— And he a face still forming; yet the words sufficed To compel the recognition they preceded. And so, compliant to the common wind, Too strange to each other for misunderstanding, In concord at this intersection time Of meeting nowhere, no before and after, We trod the pavement in a dead patrol. I said: 'The wonder that I feel is easy, Yet ease is cause of wonder. Therefore speak: I may not comprehend, may not remember.' And he: 'I am not eager to rehearse My thoughts and theory which you have forgotten. These things have served their purpose: let them be. So with your own, and pray they be forgiven By others, as I pray you to forgive Both bad and good. Last season's fruit is eaten And the fullfed beast shall kick the empty pail. For last year's words belong to last year's language And next year's words await another voice. But, as the passage now presents no hindrance To the spirit unappeased and peregrine Between two worlds become much like each other, So I find words I never thought to speak In streets I never thought I should revisit When I left my body on a distant shore. Since our concern was speech, and speech impelled us To purify the dialect of the tribe And urge the mind to aftersight and foresight, Let me disclose the gifts reserved for age To set a crown upon your lifetime's effort. First, the cold friction of expiring sense Without enchantment, offering no promise But bitter tastelessness of shadow fruit As body and soul begin to fall asunder. Second, the conscious impotence of rage At human folly, and the laceration Of laughter at what ceases to amuse. And last, the rending pain of re-enactment Of all that you have done, and been; the shame Of motives late revealed, and the awareness Of things ill done and done to others' harm Which once you took for exercise of virtue. Then fools' approval stings, and honour stains. From wrong to wrong the exasperated spirit Proceeds, unless restored by that refining fire Where you must move in measure, like a dancer.' The day was breaking. In the disfigured street He left me, with a kind of valediction, And faded on the blowing of the horn. -T.S. Eliot, "Little Gidding
T.S. Eliot
I want you to be happy. Eat it.” A wry smile curved Rose’s lips. “Am I to find happiness in a piece of chocolate cake?” Eve already had a forkful en route to her mouth. “I stake my reputation on it.” “Oh,” she replied dryly. “Surely heaven is just a bite away.” “Speaking of heaven,” Eve said a few minutes later when Rose thought she might expire from the bliss the dessert inspired, “tell me about your evening at Saint’s Row.” “Shh!” Her paranoid gaze darted around to see if anyone had overheard, but there was no one standing close enough to their whitewashed bench. “Don’t shush me, Rose Danvers. I’m your best friend and you’ve kept me waiting four whole days! I demand details.” Cheeks flushed, Rose stared at the half-eaten cake on her plate. Eve’s timing might leave something to be desired, but at least she’d stopped Rose from eating the entire slice. “What do you want to know?” Eve’s expression was incredulous. “Everything, of course.” Then, as though realizing who she was talking to, she sighed. “Did you find him?” Rose nodded. “I did.” The fire in her cheeks burned hotter, and she looked away. “Oh, Eve!” Her friend grabbed her wrist, clattering fork against plate. “That arse didn’t hurt you did he?” “No!” Then lowering her voice, “And he’s not an arse.” Using such rough language made her feel daring and bold. The scowl on Eve’s face eased. “Then…he was good to you?” Rose nodded, leaning closer. “It was the most amazing experience of my life.” The blonde giggled, bringing her head nearer to Rose’s. “Tell me everything.” So Rose did, within reason, looking up every once in awhile to make sure no one could hear. Afterward, when she was finished, Eve looked at her with a peculiar expression. “It sounds wonderful.” “It was.” Eve’s ivory brow tightened. “So, why do you sound so…disappointed?” Rose sighed. “It’s going to sound so pathetic, but when I saw Grey the next day he didn’t recognize me.” “But I thought you didn’t want him to know it was you.” Rose laughed darkly. “I don’t. That’s the rub of it.” She turned to more fully face her friend. “But part of me wanted him to realize it was me, Eve. I wanted him to see me as a woman, not as his responsibility or burden.” “I’m sure he doesn’t view you as any such thing.” Shaking her head Rose set the plate of cake aside, her appetite gone for good. "I thought this scheme would make everything better, and it's only made things worse." Worse because her feelings for Grey hadn't lessened as she'd hoped they might, they'd only deepened. Eve worried her upper lip with her bottom teeth. "Are you going to meet him again?" Another shake of her head, vehement this time. "No." "But. Rose, he wants to see you." "Not me, her." This was said with a bit more bitterness than Rose was willing to admit. He might have whispered her name, but it wasn't her he wanted to meet. Eve chuckled. "But you are her." She squeezed her wrist again. "Rose, don't you see? You're who he wants to see again, whether he knows it was you or not." Rose hadn't looked at it that way. She wasn't quite convinced her friend was right, but it was enough to make her doubt her own conclusions. She shook her head again. Blast, but she was making herself lightheaded. "I just don't know." "You'll figure it out," Eve allowed. "You always do.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
William H. Gass (Middle C)
But sleep tha pondereth and is not to be and there oh may my weary spirit dwell apart forms heaven's eternity and yet how far from hell. other friends have flown before on the morrow he will leave me as my hopes have flown before the bird said nevermore. leave my loneliness unbroken. how dark a woe yet how sublimes a hope. And the fever called living is conquered at last. I stand amid the roar of a surf tormented shore and i hold within my hand grains of the golden sand how few yet how they creep through my fingers to the deep while i weep while i weep o god can i not grasp them with a tighter clasp o god can i not save one from the pitiless wave is all that we see or seem but a dream within a dream. Hell rising form a thousand thrones shall do it reverence. It was the dead who groaned within lest the dead who is forsaken may not be happy now. even for thy woes i love thee even for thy woes thy beauty and thy woes think of all that is airy and fairy like and all that is hideous and unwieldy. hast thou not dragged Diana from her car. I care not though it perishes with a thought i then did cherish. For on its wing was dark alley and as it fluttered fell an essence powerful to destroy a soul that knew it well. (Talking about death) the intense reply of hers to our intelligence. Then all motion of whatever nature creates most writers poets in especial prefer having it understood that they compose by a species of fine frenzy an ecstatic intuition and would positively shudder at letting the public take a peep behind the scenes at the elaborate and vacillating crudities of thought at the true purposes seized only at the last moment at the innumerable glimpses of idea that arrived not at the maturity of full view at the fully matured fancies discarded in despair as unmanageable at the cautions selection and rejections at the painful erasures and interpolations in a word at the wheels and pinions the tackle for scene shifting the steep ladders and demon traps the cock[s feathers a the red pain and the black patches which in ninety nine cases out of the hundred constitute the properties of the literary _histiro. Wit the Arabians there is a medium between heaven and hell where men suffer no punishment but yet do not attain that tranquil and even happiness which they supposed to be characteristic of heavenly enjoyment. If i could dwell where israfel hath dwelt and he where i he might not sing so wildly well mortal melody, while a bolder note than this might swell form my lyre within the sky. And i am drunk with love of the dead who is my bride. And so being young and dipt in folly , I feel in love with melancholy. I could not love except where death was mingling his with beauty's breath or hymen, Time, and destiny were stalking between her and me. Yet that terror was not friegt but a tremulous delight a feeling not the jeweled mine could teach or bribe me to define nor love although the love were thine. Whose solitary soul could make an Eden of that dim lake. that my young life were a lasting dream my spirit not awakening till the beam of an eternity should bring the morrow. An idle longing night and day to dream my very life away. As others saw i could not bring my passions from a comman spring from the sam source i have not taken my sorrow and all i loved i loved alone La solitude est une belle chose; mais il faut quelqu'un pour vous dire que la solitude estune belle chose impulse upon the ether the source of all motion is thought and the source of all thought. Be of heart and fear nothing your allotted days of stupor have expired and tomorrow i will myself induct you into the full joys and wonders of your novel existence. unknown now known of the speculative future merged in the august and certain present.
Edgar Allan Poe (The Complete Works Of Edgar Allen Poe: Miscellany)
A lot of our outlawed terms were invented by black people and then picked up by whites, who held on to them way past their expiration date. “My bad,” for example, and “I’ve got your back” and “You go, girlfriend.” They’re the verbal equivalents of sitcom grandmothers high-fiving one another, and on hearing them, I wince and feel ashamed of my entire race.
David Sedaris (Calypso)
Spring is the promise of a solution to a problem (the problem being winter...) I believe we all kind of secretly expect that on March 21 of each year the cold clouds will part like silver drapes, unveiling a Renaissance painting interpretation of our cities. It's not what we were promised, nor what we've even probably experienced, and yet we feel entitled to it. It is embarrassingly infuriating when we are forced to continue slogging through with no expiration date.
Mari Andrew (Am I There Yet? The Loop-de-Loop, Zigzagging Journey to Adulthood)
For the past three months I've been lodged in the staring-out-the-window-and burning-toast stage of grief. According to Dr. Rupert, I had a depressive breakdown brought on by grief...as though showing up at the office in your bathrobe is perfectly understandable. I'm not afraid of dying. I'm afraid of everyone else dying and leaving me behind. You don't feel as though you're having a conversation, ore as though you're listening to a book on tape, the title "Steve the Sales Guy Goes on a Dinner Date". Isn't there some way around having to start this new life without my husband? I can't return Crystal as though she's an appliance that broke before the warranty expired. I'm significant otherless. By the time he calls, maybe I'll be a ndw person with self-confidence and cute comebacks. Straight hair, a better job, a smaller waistline. How could I have managed to lose my husband, my job, my house, and my ass all in one year? I'm so eager for intimacy, I would date a tree. It's a myth that people experience grief for a certain amount of time and then they're over it. Nine of the fifteen pounds I want to lose cling to me like an overprotective mother who doesn't want me to take my pants off until I'm married again. Good-riddance list. It's a list of all the stuff you don't like about a guy. You're supposed to make it when you break up with someone. It's funny how you don't have to be related to someone to love them like family. Dangerous rebound guy. My grief is diminished, but it feels permanent, like a scar. Another grief gold star. Marion & Crystal moved in with me. How can I live happily ever after without loving someone again?
Lolly Winston
Effectively feeling himself dry out and expire over a period of days.
Graham Parke (No Hope for Gomez!)
Even the strongest feelings expire, but a couple that has learned how to rely on their OWN sensuality never runs out of juice. As long as sensuality continues to burn within and between the two of us, we can weather any storm.
Lebo Grand
map out all the activities in that group’s typical customer value chain. Decouplers often trip up on this step in two ways. First, they are overly generic in articulating the CVC. When mapping the process of buying a car, auto executives tend to describe it as: feel the need to buy car > become aware of a car brand > develop an interest in the brand > visit the dealer > purchase the car. This is a start, but it is not specific enough. Decouplers must ask: When do people actually need a new car? How exactly do people become aware of car brands? How do people become interested in a make or model? And so on. The generic process of awareness, interest, desire, and purchase isn’t specific enough to help. Decouplers also flounder by failing to identify all the relevant stages in the value chain. For the car-buying process, a better description of the CVC might be: become aware that your car lease will expire in one month > feel the need to purchase a new car > develop a heightened interest in car ads > visit car manufacturers’ websites > create a set of two or three brands of interest > visit third-party auto websites > compare options of cars in the same category > choose a model > shop online for the best price > visit the nearest dealer to see if they have the model in stock > see if they can beat the best online price > test-drive the cars > decide about financing, warranty, and other add-ons > negotiate a final price > sign the contract > pick up the car > use it > wait for the lease to expire again. With this far more detailed CVC, we can fully appreciate the complexity of the car-buying
Thales S. Teixeira (Unlocking the Customer Value Chain: How Decoupling Drives Consumer Disruption)
I seek to ascertain a way to breathe life back into my sunken chamber. I need to discover an incarnate means to replicate the meditative shadow that appears on the wall of my inner cave. I must eliminate the distorted manner that I look at the world through the falsifying mirrors of illusion and delusion. My innermost fear is that I wasted precious time, squandered opportunities, and the clock will expire before I create any worthy testament to the pristine beauty of nature or innate goodness of humankind. I shudder in the creeping shadows of the evening struck by the thought that I lack the discipline, talent, and fortitude as well as the crucial gift of evaluation and analysis demanded to add to the collective good. I fear that selfishly ensconced in a cosseted life I ignored the shaft of light that openly beckons each of us to unbolt. I am clueless of how to release the glorious expression of beauty that our nature seeks to burnish in our fleeting ambulation across the plains of time. Do I dare pull back the curtain and unmask the timid man that stands hidden behind the sheltering layers of untruth that conceal the demesne of his mangled personal thoughts, feelings, emotions, wants, and needs? Inside this crusted urn, is there a shard of anything that can be cultivated for goodness, if only I possessed the strength of mind and insight to will it into fruition? Does one know how to share their modest notions with other people who might yearn to hear that they too are not alone?
Kilroy J. Oldster (Dead Toad Scrolls)
We have taxes upon every article that enters into the mouth, or covers the back, or is placed under the foot; taxes upon everything which it is pleasant to feel, smell, or taste; taxes on everything in the earth, or in the waters under the earth; on everything that comes from abroad or that is grown at home ; taxes on the raw material; taxes on every value that is added to it by the industry of man ; taxes on the sauce which pampers man's appetite, and on the drug which restores him to health ; on the ermine which covers the judge, and the rope that hangs the criminal; on the poor man's salt, and the rich man's spice; on the brass nails of the coffin, and the ribbons of the bride; — on bed and board — couchant or levant — we must pay. The schoolboy whips his taxed top; the beardless youth manages a taxed horse, with a taxed bridle, on a taxed road; and the dying Englishman, pouring his medicine, which has paid seven per cent, into a spoon which has paid fifteen per cent, flings himself back upon his chintz bed, which has paid twenty-two per cent, and expires in the arms of an apothecary who has paid a license of one hundred pounds for the privilege of presiding at his death-bed. His whole property is then taxed from two to twenty per cent. Besides the probate, large fees are demanded for burying him in the chancel ; his virtues are handed down to posterity on taxed marble, and he is gathered to his fathers to be taxed no more.
Sydney Smith
Everything was predictable. Cinema had act structures. Music had beats. Poets had tricks. Books had arcs. Food tasted delicious as long as it was on the surface of one’s tongue. Any chance of happiness was but one single carousel round, so naturally, after a while, the passenger felt expired. To Andrei, there ceased to be anything worth chasing and this feeling of “running out” in an abundant globe confused him. He wished there was something in the world that was infinite or lasted forever—or was at least worth remembering forever. This was why the sleeper could not dream—his imagination writhed in his true-to-life gluttony.
Kristian Ventura (A Happy Ghost)
I thought I saw something,” was all I could say, because something about that fragment of memory made me wish to recoil from it. “Oh, dear. Some dark omen?” he said, uncomfortably close to the mark. He pressed my hand between his and drew it against his chest. “Ignore it, Em. I’ve always refused to be governed by omens; I find them far too dull.” “You can’t expire before I decide whether or not to marry you.” I had meant it as a continuation of our jests, but it came out sounding wrong, flat. I felt as if I might faint. “I won’t,” he assured me earnestly. “It’s not too bad.” “Not too bad!” I cried. He winced. “Yes, this is an inconvenience—but I feel much better than I did. It’s clearly the sort of poison meant to confuse my magic, but these”—he glanced about the compartment—“effects should fade soon enough.” “That’s remarkably unspecific.” “I’m sorry. I have never been poisoned before, so I find the symptoms difficult to predict.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
I thought I saw something,” was all I could say, because something about that fragment of memory made me wish to recoil from it. “Oh, dear. Some dark omen?” he said, uncomfortably close to the mark. He pressed my hand between his and drew it against his chest. “Ignore it, Em. I’ve always refused to be governed by omens; I find them far too full.” “You can’t expire before I decide whether or not to marry you.” I had meant it as a continuation of our jests, but it came out sounding wrong, flat. I felt as if I might faint. “I won’t,” he assured me earnestly. “It’s not too bad.” “Not too bad!” I cried. He winced. “Yes, this is an inconvenience—but I feel much better than I did. It’s clearly the sort of poison meant to confuse my magic, but these”—he glanced about the compartment—“effects should fade soon enough.” “That’s remarkably unspecific.” “I’m sorry. I have never been poisoned before, so I find the symptoms difficult to predict.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
Upon the unwrapping of each package, she vows to write a thank-you letter to Aunt Tammy—a letter of the handwritten, thick-papered, thesaurus-consulted variety—but every day following, Joan “forgets.” She “forgets” for so many consecutive days that the idea of a thank-you letter begins to gain weight in her mind, becoming too heavy to lift. By the end of the first week, a mass of gratitude and shame has accumulated inside her body and grown so dense that adequately transcribing it, surely, would take a lifetime. It would bruise both writer and reader. To send a thank-you letter now, she believes by week two, would be like mailing a handwritten account of my indolence, my boorishness. I can’t. I can’t. And once Joan has decided that the opportunity to demonstrate her appreciation has expired, the gifts begin to sicken her. Even when they’re hidden, their presence fills her apartment like an odor that is also an itch. Like some toxin. Joan hides the gifts in drawers, tucks them beneath sweaters too expensive to donate but not comfortable enough to wear, twists them in plastic bags, which she then shoves in paper sacks, which she then stows in the coat closet, behind the vacuum. But it doesn’t help. She can’t eat or sleep or read or pray or watch her shows or even recite the nation’s capitals. She tears her cuticles. Her asthma worsens. At any given moment, she feels like she might cry—not because she wants to, to bespeak her sensitivity, but because she needs to, in order to proceed with her day. By the end of the month, her guilt crescendos, the odor of the unthanked gifts too foul and itchy to endure any longer, and Joan surrenders. She gathers the gifts in
Tess Gunty (The Rabbit Hutch)
Really to die and to be with Christ will be a gala day’s enjoyment compared with our misery when a worse than physical death has cast its dreadful shadow over us. Death would be welcome as a relief by those whose depressed spirits make their existence a living death. Are good men ever permitted to suffer thus? Indeed they are; and some of them are even all their lifetime subject to bondage.... It is a sad case when our only hope lies in the direction of death, our only liberty of spirit amid the congenial horrors of corruption.... He felt as if he were utterly forgotten as those whose carcasses are left to rot on the battlefield. As when a soldier, mortally wounded, bleeds unheeded amid the heaps of slain, and remains to his last expiring groan, unpitied and unsuccoured, so did Heman sigh out his soul in loneliest sorrow, feeling as if even God Himself had quite forgotten him. How low the spirits of good and brave man will sometimes sink. Under the influence of certain disorders everything will wear a somber aspect, and the heart will dive into the profoundest deeps of misery.
David P. Murray (Christians Get Depressed Too)
I’ve felt how you feel,” he said simply. “As if another had all I needed and lacked, and he didn’t even appreciate what he had.” “You?” She expostulated in disbelief but walked more slowly and made no objection to his hand lightly touching her back. “What could you possibly want for? You’re the firstborn of a duke, titled, wealthy; you’ve survived battles, and you can charm little girls. How could you long for more than that?” “My brother will succeed Moreland, if the duke ever condescends to expire. This harum-scarum earldom is a sop thrown to my younger brother’s conscience, and his wife’s, I suppose. He and my father had considerable influence with the Regent, and Westhaven’s wife may well be carrying the Moreland heir. Anna made the suggestion to see Rosecroft passed along to me, and Westhaven would not rest until that plan had been fulfilled.” “How can that be?” Emmie watched their moon shadows float along the ground as they walked. “A duke cannot choose which of his offspring inherits his title.” “He cannot. According to the Moreland letters patent, it goes to the oldest legitimate son surviving at the time of the duke’s death.” “Well, you aren’t going to die soon, are you?” She glanced over at his obviously robust frame, puzzled and concerned for some reason to think of him expiring of a pernicious illness. “No, Miss Farnum, the impediment is not death, but rather the circumstances of my birth.” There was a slight, half-beat pause in the darkness, a hitch in her gait he would not have seen. “Oh.” “Oh, indeed. I have a sister similarly situated, though Maggie and I do not share even the same mother. The duke was a busy fellow in his youth.” “Busy and selfish. What is it with men that they must strut and carry on, heedless of the consequences to any save themselves?” “What is it with women,” he replied, humor lacing his tone, “that they must indulge our selfish impulses without regard to the consequences even to themselves?” “Point taken.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
The attitude of the average decent person towards the classics of his own tongue is one of distrust... I will take, for an example, Sir Thomas Browne, as to whom the average person has no offensive juvenile memories. He is bound to have read somewhere that the style of Sir Thomas Browne is unsurpassed by anything in English literature. One day he sees the Religio Medici in a shop-window (or, rather, outside a shop-window, for he would hesitate about entering a bookshop), and he buys it, by way of a mild experiment. He does not expect to be enchanted by it; a profound instinct tells him that Sir Thomas Browne is “not in his line”; and in the result he is even less enchanted than he expected to be. He reads the introduction, and he glances at the first page or two of the work. He sees nothing but words. The work makes no appeal to him whatever. He is surrounded by trees, and cannot perceive the forest. He puts the book away. If Sir Thomas Browne is mentioned, he will say, “Yes, very fine!” with a feeling of pride that he has at any rate bought and inspected Sir Thomas Browne. Deep in his heart is a suspicion that people who get enthusiastic about Sir Thomas Browne are vain and conceited poseurs. After a year or so, when he has recovered from the discouragement caused by Sir Thomas Browne, he may, if he is young and hopeful, repeat the experiment with Congreve or Addison. Same sequel! And so on for perhaps a decade, until his commerce with the classics finally expires! That, magazines and newish fiction apart, is the literary history of the average decent person.
Arnold Bennett (Literary Taste)
Are you all right, Vanni?” he asked. “Hmm, just a little melancholy, that’s all.” “It’s hard to tell what’s bothering you most—Midge’s passing or some problem you’re having with Paul.” She turned to look at him and he said, “Anything you want to talk about?” She shrugged. “There’s not too much to talk about, Dad.” “You could help me understand a couple of things, you know.” “For instance?” “Oh, don’t be coy—you stood Paul up to go away with the doctor and if I know anything about you, you’re not that interested in the doctor. Hell, you’ve been in a strange mood since Paul left after Mattie was born. You knew Paul was coming for the weekend—and despite his best efforts to be circumspect, you knew he was coming for you.” “I wasn’t so sure about that.” “I heard you fight with him, Vanni. Did you and Paul have some kind of falling-out?” “Not exactly, Dad.” Walt took a breath. “Vanessa, I don’t mean to pry, but it’s pretty apparent to me how you feel about Paul. And how Paul feels about you. And yet…” “Dad, while Paul was here last autumn, we got a lot closer. We were good friends before, but of course with all we went through together… Dad, before all that happened, Paul had a life in Grants Pass. One that’s not so easily left behind.” “Vanni, Paul loves you, but something happened between you recently…” “He let me know—there are complications in Grants Pass. Something he’s been struggling with. It’s kept him from being honest about his feelings,” she said. “He has commitments, Dad.” “A woman?” Walt asked. Vanni laughed softly. “We shouldn’t be so surprised that Paul actually had women in his life, should we? Yes, apparently there was a woman. Is a woman…” “Jesus,” Walt said under his breath. “He’s not married, is he?” “Of course not. He wouldn’t keep something like that from us.” “Engaged?” “He says there’s enough of an entanglement there to make his position difficult. That’s why he wasn’t around after Mattie was born.” Walt drove in silence for a while and Vanni resumed gazing out the window. After a few moments of silence Walt asked, “What about you, Vanni? I know you care about him.” “Dad, Matt’s only been gone a few months. Should I even have such feelings? Should I be completely embarrassed? I’ll miss him forever, but I—” “Please don’t do that to yourself, honey,” he said. “Haven’t we learned by now? Life is too short to suffer needlessly.” “Will people say I—” “I don’t give a good goddamn what people say,” he growled. “Everyone is entitled to a little happiness, wherever that is. And I think for you, it’s with Paul.” She sighed and said, “I’m asking myself why I thought I had some claim on him. He was very good to us all, I’m so grateful—but why didn’t I realize that a man like Paul wouldn’t have any trouble attracting the attention—the love—of a woman? I’ve been so angry with him for not telling me, but… Why didn’t I ask?” “Now what, Vanni? Is he trying to make a choice, is that it?” “We were having a discussion, not a very pleasant one, right when the call came from Shelby. It left his intentions up in the air a bit. But there’s one thing I won’t do, I can’t do—I can’t ask Paul to choose me over a woman he has an obligation to. I tried to make it very clear, his duty to me as his best friend’s widow has expired. He doesn’t have to take care of me anymore.” “I have a feeling it’s more than duty,” Walt said. “I have a feeling it always has been…” “He has to do the right thing,” she said. “I’m not getting in the way of that. A man like Paul—he could regret the wrong decision for the rest of his life. And frankly, I don’t want to be the one left to live with his regret.” “Oh, boy. You two have some talking to do.” “No. Paul has business to take care of. I have nothing more to say about this.” *
Robyn Carr (Second Chance Pass)
But he had a niggling horror Lily might expire if he wasn’t there watching over her. He knew it was irrational. But the feeling was overwhelming.
Grace Walton (One Nation Under Gods (Sword of Abbaddon #1))
What the leave left me on deposit after the grace period expired: a crazy sad elation, as sad as it was exciting. A wretched happiness, yet another affect I've never suspected I could feel, a tearful happiness, lightened, raked by claws, to discover that death lets pass, that it may sheathe its claws, admit exceptions. As if one could do everything one imagines doing, all of us living dead dying life death and other beings subject to laws so harsh but open to interpretation, natural phenomena. An extra-mortal joy that doesn't take its eyes off death. No denials. I don't deny the sentence, its execution, its terrible consequences, the solitude, the weakening, the ruination of beauties the carnage of skies, global chlorosis, anxiety, that demolish us, the butchery of living moments, the pulling out by the roots of the hearts of things and beings. But that day it was clear to me we had found: the answer. This was the Granting of Leave. It will suffice.
Hélène Cixous (Hyperdream)
So, what is the right way to look at death? Do we see death as life's expiration date and the point of no return? Or is it simply a threshold to be crossed, on the way to another dimension, or another life? Do you want to know what the right answer is? Whatever makes you feel more comfortable about dying.
Merlyn Gabriel Miller (Sex, Death, Drugs & Madness (Culture is not your friend, Part one))
It will sound to be perhaps funny. But of, its the fact.. On 19th January 2015 I suddenly had fallen sick. My nearest and dearest person, our beloved family physician had expired on 18th January, 2015 at 6P.M. Every length and breadth of nostalgic thoughts fogged to my mind. I was becoming too restless.No particular medicine, as such acted upon me.My mother's words were in despair..I heard her to say on me, "What should I do with her now?" On other doctor's prescription, medicines were been continuing but my weakness was all along on my way, severely... 20th January, 7P.M.-On one side my mother's inspiration that I have to be awaken, I need to be shaken up myself again and, on the other hand my own teachings to my students when they repel my words "Life and Death together is temporary. When there is Birth, prepare for Death: When there is Hope, prepare for Despair : When there is Happiness, prepare for Sadness: Laugh and Be Merry..:""Life is not a stagnant water,A man is mortal:" And today is 21st January, Feeling much better ..I am, now again to continue with my work-my Life..
Rituparna Ray Chaudhuri.
MAN IN THE WATER   Her eyes doubt and yet bear a curiosity. She wonders in her mind even when thinking of what she wonders is already known. Cautious and shy she dances around the shining water that calls for her lips to taste and her feet to feel. The man in the water tempts her lusts and still she walks by, still smiling and still staring. Only in her dreams can she imagine what the man in the water would have given. What he would’ve shared with her. Only in her dreams will she imagine the feeling when spring has sprung. Where life is filled with the gift of color and a light that changes all of them at once. A taste that satisfies the soul. That feeling of floating in space. There is only the memory of her haunting eyes that yearn but do not touch. Her angelic stride that shifts above the reflection in the water. Her soul trapped in her body as if careful to damage her skin that expires under the duress of time, holding her soul hostage in hopes that her skin, her image, will glow just as vibrant for one more day. And so the man calls for her once again, hoping that her being able to trust will free her from death. Hoping to love her. Hoping to taste the nectar of her soul. The part of her that hides behind the her that is visible. The part reflecting the depth in her eyes. The part that powers the heart. And losing myself to all of her.
Luccini Shurod
But when it came, all I felt was fear. Fear that he wouldn't be who I'd imagined. Fear that I wasn't ready. Fear that I wouldn't feel the way I was supposed to. Fear that I'd fuck up even this, this thing I was meant for. But what I was not afraid of, maybe, was that it was over. It's hard to be single, but it's also something you can get good at. And I was good at it. It's easy to love the things we are good at. Yes, I wanted epic love. Weak-in-the-knees, movie-kiss-in-the-rain epic love. What I never realized, not up until this very moment, is that I got it - everything I'd been asking for. I'd been on the back of a motorcycle in Paris and across the Golden Gate Bridge at sunrise. I'd been on the beach in Santa Monica at sunset. My life has been filled with magical moments, I was just so busy waiting I didn't see them when they were here.
Rebecca Serle (Expiration Dates)
I wonder if I'll miss it, I think. The feeling of openness. The understanding, even buried down deep, that anything could happen. That I could bump into someone at an airport or in line at the pharmacy. That the man three stools over at the bar could be taking me home tonight. That the next great adventure was just a slip of paper away. Being single is like playing the lottery. Most of the time all you're left with from that trip to the convenience store is a bag of chips and a six-pack. But then there's always the chance. There's always the chance, however slim, that with one piece of paper you could win it all.
Rebecca Serle (Expiration Dates)
When you are ready," Jake says, his eyes on the sea, "someone is going to be very lucky." I feel the ocean exhale. Relief at relinquishing to its shores what it can no longer hold. "We'll see," I tell him. He nods. "We'll see.
Rebecca Serle (Expiration Dates)
Wasn’t the hardest part of heartbreak the unpredictability? How you could feel the most connected to a person in one moment like being in a teardrop together, the world a watercolor outside—and like strangers in the next?
Rebecca Serle (Expiration Dates)
Joel and I don’t work because he’s my person, we work because I feel like I can be every bad and impossible version of myself with him. I can change. And it’s not even that I know he’ll still love me, it’s that it’s not even a question, he has.
Rebecca Serle (Expiration Dates)
Students sometimes tell me. that they're waiting for someone to die before they feel they can write their story. They say this sheepishly, guiltily. As if, in some way, they're wishing for that person to expire, already, so they can get on with the business of writing about them. I try to liberate my students from those tortured thoughts by telling them that they may as well just start now, because it can be more difficult to write about the dead than to write about the living. The dead can't fight back. The dead have no voice. They can't say: But that isn't how it was. You're getting it wrong. They can't say: But I loved you so. They can't say: I had no idea.
Dani Shapiro (Inheritance: A Memoir of Genealogy, Paternity, and Love)
As the poet Prageeta Sharma said, Americans have an expiration date on race the way they do for grief.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
A Christmas Truce What would I like for Christmas? A close friend wants to know. Perfume? A clock? A spa day? Some tickets for a show? ‘I need ideas by Monday,’ She huffs, as if I’m not Sufficiently respectful Of her present-buying slot, Which will expire by Tuesday, Her harried tone implies. Art books? Posh wine? New teapot? Brainstorm! Prioritise! What do I want for Christmas? I want you not to ask. I’d rather get no gifts at all Than be assigned the task Of emailing a wish list (One I must first create) To all my friends and family Before a certain date. Can I propose a Christmas truce To make my dreams come true? Create no work for me and I’ll Create no work for you. I’ve got enough possessions – Shoes, coats, a diamond ring – I want not to be asked to do A time-consuming thing. Yes, that’s a proper present – Abstract, but no less real. What do you mean it seems as if I don’t care how you feel? ALL RIGHT! I’ll have a teapot. What? Then wrap it in a fleece. Yes, I will ring to say it got here Safely, in one piece.
Sophie Hannah (Marrying the Ugly Millionaire: New and Collected Poems)
Always and never are the absolutes that lose sight of eternity as our feelings blind our knowledge. There is a day unbeknownst to us that the imperfect will pass away as the perfect will be ushered in for all eternity. This is good news that challenges always and never. Jesus is our hope. As a Christian, whose eternity is secured through Christ, this earth is the only hell you will ever know. Your pain has an expiration date. Your mental struggles will cease to exist.
Julie Busler (Joyful Sorrow: Breaking Through the Darkness of Mental Illness)
The thing about Margaret was that she had a way of screwing you over and then making you feel bad for her—and it wasn't my nature to feel bad for anyone who screwed me over.
C.P. Rider (Expired (Sundance, #3.5))
Grab me, take me and own me before my feelings expired don't worry it's free
marupok prince
Four times facing the very real fear that this could all end, this life I'm beginning to build for myself in the U.S., this country that doesn't want me, after growing up in a country that didn't want me. It's terrifying that this life I'm living could all be over because of the suspicions of a midlevel visa employee, a missed expiration date, or a government policy change. Four times facing these fears head-on and decades of feeling them in my body, burning on low in the back of my mind. This could all be taken away from you, Lamya. You could have to leave.
Lamya H. (Hijab Butch Blues)
Be like a tree and let the dead leaves drop.—RUMI This month is all about simplicity. When you are committed to simplifying your life, your priorities, desires, and deep needs rise to the surface. When life is cluttered with things and busyness, you become blind to your needs. The complex demands of the day-to-day grind overshadow the more important, simple needs of your life. Sometimes you may hold on to possessions, relationships, people, and ideas long after their expiration date. It’s okay—necessary even—to let the things, people, and feelings that you no longer need fall away. When you remove the old to make way for the new, you are simply acknowledging what is and what isn’t in your life. Simplifying gives you the necessary space to breathe in deeply. It feeds your soul and creativity, and it allows you to lead an empowered life.
Dr. Zoe Shaw (A Year of Self-Care: Daily Practices and Inspiration for Caring for Yourself (A Year of Daily Reflections))