Feather Dress Quotes

There's in my mind a... turbulent moon-ridden girl or old woman, or both, dressed in opals and rags, feathers and torn taffeta, who knows strange songs but she is not kind.

The remnants of my dress hung like tentacles and from my back arched a pari of towering wings, feather-light but suggesting enourmous power. My hair streamed behind me, and I knew that the ring of light around my head would be brighter than ever. “Holy crap!” Xavier blurted

Suddenly his expression turned to alarm. He sprinted toward us. For a moment I had an absurd vision of myself on the cover of one of Gran’s old romance novels, where the damsel wilts into the arms of one half-dressed beefy guy while another stands by,casting her longing looks. Oh, the horrible choices a girl must make! I wished I’d had a moment to clean up. I was still covered in dried river muck, twine, and grass, like I’d been tarred and feathered. Then Anubis pushed past me and gripped Walt’s shoulders. Well…that was unexpected.

Charred bits of black silk swirl into the air, and pearls clatter to the stage… I’m in a dress of the exact design of my wedding dress, only it’s the color of coal and made of tiny feathers. Wonderingly, I lift my long, flowing sleeves into the air, and that’s when I see myself on the television screen. Clothed in black except for the white patches on my sleeves. Or should I say my wings. Because Cinna had turned me into a mockingjay.

Sometimes she wore Levi's with white-suede fringe sewn down the legs and a feathered Indian headdress, sometimes old fifties' taffeta dresses covered with poetry written in glitter, or dresses made of kids' sheets printed with pink piglets or Disney characters.

In perpetrating a revolution, there are two requirements: someone or something to revolt against and someone to actually show up and do the revolting. Dress is usually casual and both parties may be flexible about time and place, but if either faction fails to attend, the whole enterprise is likely to come off badly.

Small Man can be a very funny or a very tiresome Tour Companion, depending on how this kind of thing grabs you. He gambles, he drinks too much and he always runs away. Since the Rules allow him to make Jokes, he will excuse his behaviour in a variety of comical ways. Physically he is stunted and not at all handsome, although he usually dresses flamboyantly. He tends to wear hats with feathers in. You will discover he is very vain. But, if you can avoid smacking him, you will come to tolerate if not love him. He will contrive, in some cowardly way, to play a major part in saving the world.

-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you

I hope we shall get on together, you and I; I've come to cheer you up - That's why I'm dressed up like an aristocrat In a fine red coat with golden stitches, A stiff silk cape on top of that, A long sharp dagger in my breeches, And a cockerel's feather in my hat. Take my advice - if I were you, I'd get an outfit like this too; Then you'd be well equipped to see Just how exciting life can be.

He stops kissing, but his lips stay touching mine, lightly, like a feather would. "I'm bad for you, Sarah. I won't ever be the gentleman you need." "Maybe I don’t want gentle." He pulls something from his dress pants and presses it into my hand. "And that is my fault.

It was strapless, the bodice peacock-blue and edged in gold, full skirted at the front and gathered into an elaborate, foaming bustle of satin and peacock feathers at the back. I insisted that every inch of bare skin was powdered with gold: my shoulders, décolletage, and the lower part of my face. The golden mask would cover my eye, and my lips were painted with more gold. I carried a golden fan that, when it was opened, revealed hundreds of eyes and looked exactly like a peacock's tail.

The willow is full plumage and is no help, with its insinuating whispers. Rendevous, it says. Terraces; the sibilants run up my spine, a shiver as if in fever. The summer dress rustles against the flesh of my thighs, the grass grows underfoot, at the edges of my eyes there are movements, in the branches; feathers, flittings, grace notes, tree into bird, metamorphosis run wild. Goddesses are possible now and the air suffuses with desire... Winter is not so dangerous. I need hardness, cold, rigidity; not this heaviness, as if I'm a melon on a stem, this liquid ripeness.

The woman crosses the room, and it is only when she is directly in front of us that I am certain about who she is. She is dressed in a pelisse fashionable among women half her age, and the feather in her hat is an extraordinary shade of blue. Outside, a young man is waiting at her coach. Passersby will suspect that he is her son, but anyone who has ever been acquainted with her will know better.

Thy life's journey lies along its own path, Ian," she said, "and I cannot share thy journey - but I can walk beside thee. And I will." The woman standing behind them in the line heaved a deep, contented sigh. "Now, that's a very pretty and right thing to say, sweetheart," she said to Rachel, in approving tones. And, switching her gaze to Ian, looked him skeptically up and down. He was dressed in buckskins, clout, and calico shirt, and, bar the feathers in his hair and the tattoos, didn't look too outlandish, he thought. "You probably don't deserve her," the woman said, shaking her head doubtfully. "But try, there's a good lad.

Veronyka didn't feel like a boy on the inside—she wasn't like some of the children she'd known growing up who might be born as boys or girls but didn't feel like they fit that category, and so they dressed in a way that felt right to them. That was their truth, no matter what the world saw.

Till the last moment they dress a man up in peacock's feathers, till the last moment they hope for the good and not the bad; and though they may have premonitions of the other side of the coin, for the life of them they will not utter a real word beforehand; the thought alone makes them cringe; they wave the truth away with both hands, till the very moment when the man they've decked out so finely sticks their noses in it with his own two hands.

Life, how I have dreaded you," said Rhoda, "oh, human beings, how I have hated you! How you have nudged, how you have interrupted, how hideous you have looked in Oxford Street, how squalid sitting opposite each other staring in the Tube! Now as I climb this mountain, from the top of which I shall see Africa, my mind is printed with brown-paper parcels and your faces. I have been stained by you and corrupted. You smelt so unpleasant, too, lining up outside doors to buy tickets. All were dressed in indeterminate shades of grey and brown, never even a blue feather pinned to a hat. None had the courage to be one thing rather than another. What dissolution of the soul you demanded in order to get through one day, what lies, bowings, scrapings, fluency and servility! How you changed me to one spot, one hour, one chair, and sat yourselves down opposite! How you snatched from me the white spaces that lie between hour and hour and rolled them into dirty pellets and tossed them into wastepaper baskets with your greasy paws. Yet those were my life.

The 46-year-old recipient of the Jarvik IX Exterior Artificial Heart was actively window shopping in Cambridge, Massachusetts’ fashionable Har­vard Square when a transvestite purse snatcher, a drug addict with a crimi­nal record all too well known to public officials, bizarrely outfitted in a strapless cocktail dress, spike heels, tattered feather boa, and auburn wig, brutally tore the life sustaining purse from the woman’s unwitting grasp. The active, alert woman gave chase to the purse snatching ‘woman’ for as long as she could, plaintively shouting to passers by the words ‘Stop her! She stole my heart!’ on the fashionable sidewalk crowded with shop­pers, reportedly shouting repeatedly, ‘She stole my heart, stop her!’ In response to her plaintive calls, tragically, misunderstanding shoppers and passers by merely shook their heads at one another, smiling knowingly at what they ignorantly presumed to be yet another alternative lifestyle’s re­lationship gone sour. A duo of Cambridge, Massachusetts, patrolmen, whose names are being withheld from Moment’s dogged queries, were publicly heard to passively quip, ‘Happens all the time,’ as the victimized woman staggered frantically past in the wake of the fleet transvestite, shouting for help for her stolen heart.

7. Dress appropriately for your work environment. We get it; you want everyone to know how creative and interesting you are. Well, let your personality do that for you rather than your crop top and feather shoes.

Abby watched his feathers blow in the wind, and she watched as the peahens followed with all of their strength. They followed because it was all they had ever doen; they followed because it was all they knew how to do.

I have heard many a young unmarried lady exclaim with a bold sweep of conception, “Ah me! I wish I were a widow!” Mrs. Keith was precisely the widow that young unmarried ladies wish to be. With her diamonds in her dressing-case and her carriage in her stable, and without a feather’s weight of encumbrance, she offered a finished example of satisfied ambition.

Bwahahahahaha! Happy Halloweeeeen!” I turn away from the closet—where I was just in the process of trying to find a Halloween-esque outfit that’s not a costume because I fucking hate dressing up—and gawk at the creature gracing my doorway. I can’t make heads or tails of what Allie is wearing. All I see is a skintight blue bodysuit, lots of feathers, and…are those cat ears? I steal Allie’s trademark phrase by demanding, “What on God’s green planet are you supposed to be?” “I’m a cat-bird.” Then she gives me a look that says, uh-doy. “A cat bird? What is…okay…why?” “Because I couldn’t decide if I wanted to be a cat or a bird, so Sean was like, just be both, and I was like, you know what? Brilliant idea, boyfriend.” She grins at me. “I’m pretty sure he was being a smartass, but I decided to treat the suggestion as gospel.” I have to laugh. “He’s going to wish he suggested something less ridiculous, like sexy nurse, or sexy witch, or—” “Sexy ghost, sexy tree, sexy box of Kleenex.” Allie sighs. “Gee, let’s just throw the word sexy in front of any mundane noun and look! A costume! Because here’s the thing, if you want to dress like a ho-bag, why not just go as a ho-bag? You know what? I hate Halloween.

He was looking at Mr. Nancy, an old black man with a pencil moustache, in his check sports jacket and his lemon yellow gloves, riding a carousel lion as it rose and lowered, high in the air; and, at the same time, in the same place, he saw a jeweled spider as high as a horse, its eyes an emerald nebula, strutting, staring down at him; and simultaneously he was looking at an extraordinarily tall man with teak colored skin and three sets of arms, wearing a flowing ostrich-feather headdress, his face painted with red stripes, riding an irritated golden lion, two of his six hands holding on tightly to the beast’s mane; and he was also seeing a young black boy, dressed in rags, his left foot all swollen and crawling with black flies; and last of all, and behind all these things, Shadow was looking at a tiny brown spider, hiding under a withered ochre leaf. Shadow saw all these things, and he knew they were the same thing.

The creature touched me and suddenly feathers covered my arms, he bound them behind me and forced me down to the underworld, the house of darkness, the home of the dead, where all who enter never return to the sweet earth again. Those who dwell there squat in the darkness, dirt is their food, their drink is clay, they are dressed in feathered garments like birds, they never see light, and on door and bolt the dust lies thick. When I entered that house, I looked, and around me were piles of crowns, I saw proud kings who had ruled the land, who had set out roast meat before the gods and offered cool water and cakes for the dead.

I felt angry and silly in that feather-itch dress. I felt alone. But one always is, I suppose.

A rustle of wings and a hawk feather drifts down to me. Snatching it from the air, I look up into the trees, but nothing’s there. So I tuck the feather into my hair. “What are you doing?” My stomach leaps into my throat, and I jump up, stumbling backward, and fall on my butt in the middle of the path. In the tree above me, a teenage boy perches on a branch. He’s dressed in traditional deerskin breeches, a talon necklace around his neck, but rather than moccasins, his feet are bare. He is shirtless, and lean muscles cord his body. His intense eyes capture my attention. They’re like golden fathomless pools. I could get lost in them. “Don’t your feet get hurt, walking barefoot on the forest floor?” I ask. “I rarely walk.” He drops down in front of me. His face is so close that I take a step back and thump into a tree. He leans toward me and sniffs. “You smell different. What are you?” “I’m a girl.” I can’t take my gaze from his. “No, humans stink. You smell…” He sniffs my hair and grins. “You smell good.” “Is there a reason that you’re invading my space? I have somewhere to be.” My voice cracks. He tugs one of my braids and winks at me. My pulse quickens, and my breath catches in my throat. His eyes study me with intensity, and he leans closer. Is he going to kiss me?

Sontag writes, 'The hallmark of Camp is the spirit of extravagance. Camp is a woman walking around in a dress made up of three million feathers.' Camp is also a preteen getting a hot curling iron jabbed into her vagina.

It seemed to Abby that the peacock was strutting, showing off his feathers to an invisible audience in the night. It didn't look like he was worried about the peahen. He looked selfish and self-absorbed, like he knew he was beautiful. Abby watched his feathers blow in the wind, and she watched as the peahens followed with all of their strength. They followed because it was all they had ever down; they followed because it was all they knew how to do.

The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.

Pessimism is a towering skyscraper eighty stories high in the suburbs of the soul at the end of a long avenue with waste ground on either side and a few poorly-stocked little shops. Several ultra-fast staircases give access to the building, running up from the cellars to the roof-gardens. The comfort of this place leaves nothing to be desired and only the greatest luxury is acceptable, but every Friday the residents gather on the ground floor to read from a bible bound in the skin of a blind man. The psalmic words they intone rise up through the pipes, sigh in the stoves and sweep the chimneys coated inside with black grease which leaves dirt on the skin. Water runs constantly in the bathrooms and the showers beat down on the numbered bodies, peppering them with sand. On Sundays the bed linen unrolls by itself and nobody makes love. For this tower block, like an obscure phallus scraping the vulva of the sky, is usually a hive of sexual activity. The most beautiful woman lives there, but no-one has ever known her. It is said, that dressed in furs and feathers, she keeps herself shut away in a first-floor apartment as if in a white safe. Her windows are scissors which cut short both shadow and breath. Her name is AURORA.

— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.

When James entered the breakfast room that morning, it was to varied reactions. Those who hadn't known that he'd arrived started cheerful greetings that sputtered to an end as they got a good look at his face. Those who did know of his arrival and what subsequently followed it were either tactfully silent, grinning from ear to ear, or foolish enough to remark on it. Jeremy fell into the middle and latter categories when he said with a chuckle, "Well,I know the poor Christmas tree didn't do that to you, though you did try valiantly to chop it down to size." "And succeeded,as I recall," James grouched, though he did think to ask, "Was it salvageable, puppy?" "Minus a few of its feathers is all, but those pretty little candles will dress it up so as not to notice- at least if someone other than me finishes the task.I'm much better at hanging the mistletoe." "And making good use of it," Amy noted with a fond smile for her handsome cousin. Jeremy winked at her. "That goes without saying.

They all needed to dress up to look Indian too. There's something like the shaking of feathers he felt somewhere between his heart and his stomach. He knows what the guy said is true. To cry is to waste the feeling. He needs to dance with it. Crying is for when there's nothing else left to do. This is a good day, this is a good feeling, something he needs, to dance the way he needs to dance to win the prize. But no. Not the money. To dance for the first time like he learned, from the screen but also from practice. From the dancing came the dancing.

You look...” His chest rises and falls faster, and a muscle feathers his jaw when his eyes jerk to meet mine. “You want me to kill someone tonight?” “Any complaints should be directed at your brother and his husband-to-be. I didn’t buy the dress. Also... I’ll take that as a compliment.

But as an angel, I doubt that he bothered to take much stock of the humans. When he looks at me, it’s the look of someone noticing a person for the first time, proving yet again that an angel’s arrogance knows no bounds. Which, now that I think about it, increases the likelihood that this is Raffe. He does a full evaluation of me, taking in the cut and curled hair accented with peacock feathers, the blue and silver makeup ribbons chasing around my eyes and cheekbones, the silky dress that clings to every part of my body. But it’s not until his eyes meet mine that a jolt of recognition passes between us. I have no doubt that it’s Raffe. But he fights his recognition of me. For a second, his defenses fall and I can see the turmoil behind his eyes. He saw me die. This must be a mistake. This glittery girl doesn’t look anything like the street waif he traveled with. Yet… His step falters and he pauses, staring at me.

Taking Off Emily Dickinson’s Clothes" First, her tippet made of tulle, easily lifted off her shoulders and laid on the back of a wooden chair. And her bonnet, the bow undone with a light forward pull. Then the long white dress, a more complicated matter with mother-of-pearl buttons down the back, so tiny and numerous that it takes forever before my hands can part the fabric, like a swimmer’s dividing water, and slip inside. You will want to know that she was standing by an open window in an upstairs bedroom, motionless, a little wide-eyed, looking out at the orchard below, the white dress puddled at her feet on the wide-board, hardwood floor. The complexity of women’s undergarments in nineteenth-century America is not to be waved off, and I proceeded like a polar explorer through clips, clasps, and moorings, catches, straps, and whalebone stays, sailing toward the iceberg of her nakedness. Later, I wrote in a notebook it was like riding a swan into the night, but, of course, I cannot tell you everything— the way she closed her eyes to the orchard, how her hair tumbled free of its pins, how there were sudden dashes whenever we spoke. What I can tell you is it was terribly quiet in Amherst that Sabbath afternoon, nothing but a carriage passing the house, a fly buzzing in a windowpane. So I could plainly hear her inhale when I undid the very top hook-and-eye fastener of her corset and I could hear her sigh when finally it was unloosed, the way some readers sigh when they realize that Hope has feathers, that Reason is a plank, that Life is a loaded gun that looks right at you with a yellow eye.

I'm in a dress of the exact design of my wedding dress, only it's the color of coal and made of tiny feathers. Wonderingly, I lift my long, flowing sleeves into the air, and that's when I see myself on the television screen. Clothed in black except for the white patches on my sleeves. Or should I say my wings. Because Cinna has turned me into a mockingjay.

That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool

The twins, who were clearly having a splendid time, had adorned themselves outlandishly. Cassandra was dressed in a green opera cloak with a jeweled feather ornament affixed to her hair. Pandora had tucked a light blue lace parasol beneath one arm, and a pair of lawn tennis rackets in the other, and was wearing a flowery diadem headdress that had slipped partially over one eye.

Bertie stared at his mother. She spoils things, he thought. All she ever does is spoil things. He had not started this conversation, and it was not his fault that they were now talking about Grey Owl. He sounded rather a nice man to Bertie. Any why should he not dress up in feathers and live in the forests if that was what he wanted to do? It was typical of his mother to try to spoil Grey Owl's fun.

It was his Indianness that she saw, not his blackness. She saw it in the way he really looked at her, really saw her. With the calm, detached concentration of a shaman. He was stoned, but even so ... She had delivered many capes, shawls, headdresses, dresses, beaded and feathered headbands, sandals, and jeans to rock stars and their entourages, and in the excitement of trying on what she brought, they never saw her.

When Werner wakes, it’s well past dawn. His head aches and his eyeballs feel heavy. Frederick is already dressed, wearing trousers, an ironed shirt, and a necktie, kneeling against the window with his nose against the glass. “Gray wagtail.” He points. Werner looks past him into the naked lindens. “Doesn’t look like much, does he?” murmurs Frederick. “Hardly a couple of ounces of feathers and bones. But that bird can fly to Africa and back. Powered by bugs and worms and desire.

Quetzalcoatl The serpent dressed in lime-green feathers Is the totem of an Aztec priest. It slithers through all rainy weathers Commanding the respect of man and beast. Who would suspect this mighty serpent For whom the Pyramids were built Was nagged to death by a Jewish yent- a, who filled his goyish head with guilt. Deep in the jungle one can hear The piercing battle cry of Mrs. Katz, who says, 'Nu, take an umbrella; Oy, wear your your galoshes, dear. If you Quetz-al-coatl, who’s gonna take care of you?

And that’s how it always is with these beautiful, Schilleresque souls:27 till the last moment they dress a man up in peacock’s feathers, till the last moment they hope for the good and not the bad; and though they may have premonitions of the other side of the coin, for the life of them they will not utter a real word beforehand; the thought alone makes them cringe; they wave the truth away with both hands, till the very moment when the man they’ve decked out so finely sticks their noses in it with his own two hands.

A white-winged gull flew by, with the flash of sunshine on its silvery breast; Beth watched it till it vanished, and her eyes were full of sadness. A little gray-coated sand-bird came tripping over the beach, "peeping" softly to itself, as if enjoying the sun and sea; it came quite close to Beth, looked at her with a friendly eye, and sat upon a warm stone dressing its wet feathers, quite at home. Beth smiled, and felt comforted, for the tiny thing seemed to offer its small friendship, and remind her that a pleasant world was still to be enjoyed.

She climbs a tree And scrapes her knee Her dress has got a tear. She waltzes on her way to mass And whistles on the stair. And underneath her wimple She has curlers in her hair! Maria's not an asset to the abbey. She's always late for chapel, But her penitence is real. She's always late for everything! Except for every meal. I hate to have to say it But I very firmly feel Maria's not an asset to the abbey! I'd like to say a word on her behalf. Maria makes me laugh. How do you solve a problem like Maria? How do you catch a cloud and pin it down? How do you find a word that means Maria? A flibbertigibbet! A will o' the wisp! A clown! Many a thing you know you'd like to tell her, Many a thing she ought to understand. But how do you make her stay And listen to all you say, How do you keep a wave upon the sand? Oh, how do you solve a problem like Maria? How do you hold a moonbeam in your hand? When I'm with her I'm confused Out of focus and bemused, And I never know exactly where I am. Unpredictable as weather, She's as flighty as a feather, She's a darling, She's a demon, She's a lamb. She'd out-pester any pest, Drive a hornet from his nest, She can throw a whirling dervish out of whirl. She is gentle, She is wild, She's a riddle. She's a child. She's a headache! She's an angel! She's a girl. How do you solve a problem like Maria? How do you catch a cloud and pin it down? How do you find a word that means Maria? A flibbertigibbet! A will o' the wisp! A clown! Many a thing you know you'd like to tell her, Many a thing she ought to understand. But how do you make her stay? And listen to all you say? How do you keep a wave upon the sand? Oh, how do you solve a problem like Maria? How do you hold a moonbeam in your hand? "Maria" from The Sound of Music

See you not, then, that God may take away your comforts and your privileges, to make you the better Christians? Why the Lord always trains His soldiers, not by letting them lie on feather beds, but by turning them out, and using them to forced marches and hard service. He makes them ford through streams, and swim through rivers, and climb mountains, and walk many a long march with heavy knapsacks of sorrow on their backs. This is the way in which He makes them soldiers—not by dressing them up in fine uniforms, to swagger at the barrack gates, and to be fine gentlemen in the eyes of the loungers in the park.

Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.

In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.

At first glance you would think it was nothing more than an ordinary house-gown, but only at first glance. If you looked at it again, you could tell right away that it met all the requirements of a fancy ball-gown. What struck Abramka most was that it had no waist line, that it did not consist of bodice and skirt. That was strange. It was just caught lightly together under the bosom, which it brought out in relief. Draped over the whole was a sort of upper garment of exquisite old-rose lace embroidered with large silk flowers, which fell from the shoulders and broadened out in bold superb lines. The dress was cut low and edged with a narrow strip of black down around the bosom, around the bottom of the lace drapery, and around the hem of the skirt. A wonderful fan of feathers to match the down edging gave the finishing touch.

The squaw on the hippo? In his mind's eye, Darbishire pictured the wife of a red indian chief, resplendent in feathered head-dress, riding proudly on the tribal hippopotamus. But how could she be equal to the squaws on the other two sides of the animal? equal in weight? . . . In height? . . . in importance? He stared at the diagram wondering whether it was meant to represent a three sided hippopotamus, but it wasn't easy to imagine what such an animal would look like in real life, Determined to please Mr Wilkins, he tried again. perhaps the theorem meant she was equal in weight. Supposing you had a very fat squaw, weighing, say, fifteen stone; and two thinner squaws weighing, say, eight stone and seven stone respectively . . . What then? the scholar's eyes shone with inspiration. He'd got it! seven and eight made fifteen! So the squaw on one side of the hipppotamus would be equal in weight to the sum of the squaws on the other two sides. That meant that the animal would be properly balanced and wouldn't topple over.

A bout of nerves crept up my spine and I tilted my head at him, hoping I was imagining the heat spreading over my cheeks to spare myself the embarrassment of blushing merely because he was piercing me with those chocolate eyes that I had never noticed were so amazing. “What are you staring at?” “Can I take you to prom?” He asked me. Just like that, no hesitation or insecurity to be found in his tone or facial expression. His confidence caught me completely off guard and I gaped at him in a stunned silence for almost twenty full seconds. His expression never faltered, though. He just watched my mouth work to make some sort of intelligible sound, waiting for my answer as he oozes at least the illusion of complete calm. “Huh?” I blurted in an embarrassingly high-pitched squeak. I sounded like a chipmunk and his smirk made me turn a deep shade of red. “Um… Uh… Prom?” I managed, eloquent as ever. He laughed at me fondly, nodding his head. “Yeah, prom.” Shock was not a deep enough word to describe what I was feeling over this proposal. This was Jim, the kid who swore up and down he would rather gouge out his eyes with a grapefruit spoon than put on dress clothes and he was offering to take me to a place where flannel shirts and ratty jeans were unacceptable and dance me around a room in uncomfortable shoes all night long? This couldn’t be real life. But it was real life. I was sitting in the car with him with my mouth hanging open like a fish waiting for him to laugh and tell me he was kidding, that there was no way he was going to put on a tie for my benefit, and he was sitting right there, a slightly nervous look crossing his features over my dumbstruck expression. Breathe, Lizzie, I scolded myself. Answer him! Say yes! You could have knocked me over with a feather and I was very relieved to be sitting down in a car so I could prevent anything humiliating from happening. Having already proved I could not trust my voice to answer him I jerkily nodded my head as my mouth grew into a Cheshire cat sized smile. I turned my face away and hid behind my hair as if I could hide my excitement from the world. Jim was visibly euphoric and that only made me want to squeal even more. He was excited to take me out. How cool was that?

Males of all species are made for wooing females, and females typically choose among their suitors. If you take a closer look, you can observe such behavior all around you. The beautiful bird chirping outside your window. It’s a mating call. That pretty little bird is trying to attract a potential mate, so that it can propagate its genes. Why does the peacock have such beautiful feathers? It is to attract a healthy female. He as well is trying to propagate his genes. Even we humans, are not much different from the rest of the animal kingdom when it comes to attracting potential mates. When women dress up for their night out at the club, they are doing so to look attractive. This is a subconscious evolutionary desire to attract as many potential mates as possible.... While women tend to grab attention with their looks, men on the other hand, tend to attract as many potential females as possible, by showing off their resources. When a man shows off with his fancy car, expensive gold watch and suit, or flexes his muscles and brags about how many credit cards he owns, he’s doing so to make himself desirable by healthy women, in order to propagate his genes. It is all in the pursuit of reproduction.

She loathed her profile almost as much as she loathed the dress. If she didn't have to worry about people mistaking her for a boy--- not that they really did, but they couldn't stop remarking on the resemblance; at any rate, if she didn't have to worry about that--- she would never again wear pink. Or pearls. There was something dreadfully banal about the way the pearls shimmered. For a moment she distracted herself by mentally ripping her dress apart, stripping it of its ruffles and pearls and tiny sleeves. Given a choice, she would dress in plum-colored silk and sleek her hair away from her face without a single flyaway curl. Her only hair adornment would be an enormous feather--- a black one--- arching backward so it brushed her shoulder. If her sleeves were elbow-length, she could trim them with a narrow edging of black fur. Or perhaps swansdown, with the same at the neck. Or she could put a feather trim at the neck; the white would look shocking against the plum velvet. That led to the idea that she could put a ruff at the neck and trim that with a narrow strip of swansdown,. It would be even better if the sleeves weren't opaque fabric but nearly transparent, like that new Indian silk her friend Lucinda had been wearing the previous night, and she would have them quite wide, so they billowed and gathered tight at the elbow. Or perhaps the wrist would be more dramatic....

Maria managed to avoid Oliver for most of St. Valentine’s Day. It wasn’t difficult-apparently he spent half of it sleeping off his wild night. Not that she cared one bit. She’d learned her lesson with him. Truly she had. Not even the beautiful bouquet of irises he’d sent up to her room midafternoon changed that. Now that she was dressing for tonight’s ball, she was rather proud of herself for having only thought of him half a dozen times. Per hour, her conscience added. “There, that’s the last one,” Betty said as she tucked another ostrich feather into Maria’s elaborate coiffure. According to Celia, the new fashion this year involved a multitude of feathers drooping from one’s head in languid repose. Maria hoped hers didn’t decide to find their repose on the floor. Betty seemed to have used a magical incantation to keep them in place, and Maria wasn’t at all sure they would stay put. “You look lovely, miss,” Betty added. “If I do,” Maria said, “it’s only because of your efforts, Betty.” Betty ducked her head to hide her blush. “Thank you, miss.” It was amazing how different the servant had been ever since Maria had taken Oliver’s advice to heart, letting the girl fuss over her and tidy her room and do myriad things that Maria would have been perfectly happy to do for herself. But he’d proved to be right-Betty practically glowed with pride. Maria wished she’d known sooner how to treat them all, but honestly, how could she have guessed that these mad English would enjoy being in service? It boggled her democratic American mind. Casting an admiring glance down Maria’s gown of ivory satin, Betty said, “I daresay his lordship will swallow his tongue when he sees you tonight.” “If he does, I hope he chokes on it,” Maria muttered. With a sly glance, Betty fluffed out the bouffant drapery of white tulle that crossed Maria’s bust and was fastened in the center with an ornament of gold mosaic. “John says the master didn’t touch a one of those tarts at the brothel last night. He says that his lordship refused every female that the owner of the place brought before him.” “I somehow doubt that.” Paying her no heed, Betty continued her campaign to salvage her master’s dubious honor. “Then Lord Stoneville went to the opera house and left without a single dancer on his arm. John says he never done that before.” Maria rolled her eyes, though a part of her desperately wanted to believe it was true-a tiny, silly part of her that she would have to slap senseless. Betty polished the ornament with the edge of her sleeve. “John says he drank himself into a stupor, then came home without so much as kissing a single lady. John says-“ “John is inventing stories to excuse his master’s actions.” “Oh no, miss! John would never lie. And I can promise you that the master has never come home so early before, and certainly not without…that is, at the house in Acton he was wont to bring a tart or two home to…well, you know.” “Help him choke on his tongue?” Maria snapped as she picked up her fan. Betty laughed. “Now that would be a sight, wouldn’t it? Two ladies trying to shove his tongue down his throat.” “I’d pay them well to do it.

When the service began, I was not surprised to hear the angelic hosts join with the worship team. In fact, several people in the church testified to hearing the angels. After the service, we traveled to Tim Horton’s for a late dinner. We returned to Botwood to find Margaret waiting for us, and she kindly directed us to our separate rooms for the night. The Holy Spirit was still hovering very close to me, and as soon as the door closed behind my host, the Lord began to speak to me. I immediately began to pray and worship the Lord. Once again, the Lord had me begin reading from Revelation 4. It was about 3:30 A.M. when I fell into a peaceful sleep praying in the Spirit. I awoke to the sound of the Lord’s voice speaking to me. “Kevin, get up; it’s time to go to work.” I opened my eyes and looked around the room. My mind began to race. I looked at the clock, and it was just 5:00 A.M. I had only been asleep for a short while. I sleepily said, “Lord, what could you possibly want me to do at this hour?” “Walk downstairs and prophesy to Margaret,” He said. I protested, “Lord, I don’t even know Margaret.” He said, “Don’t worry. I know her. Just say what I tell you to say.” “But Lord, It’s only 5 A.M., and nobody is awake at 5 A.M.” He answered, “Margaret is awake. She is in the kitchen. She is praying and having tea and a scone. Go to her now.” In my natural mind this seemed totally insane! Me? Prophesy? Suddenly the anointing and presence of the Lord intensified, and I found myself dressed. The next thing I knew I was walking down the hallway toward the stairs. All at once, there was a still, small voice speaking into my left ear. I was being told many things about Margaret. I was hearing the secrets of her heart. When I walked into the kitchen, she was there. She was having tea and a scone. I asked her what she was doing, and she told me that she was praying. PROPHESYING ABOUT ANGELS I said, “Margaret, I think God wants me to tell you something!” Her eyes grew as big as saucers as I launched into a litany of words about angels. I was as shocked as she was! I was able to speak in great detail about angels to her. “Your angel is very precious to you, and it has a name; your angel’s name is Charity. Your very nature is much like your angel. You are full of the love of God. The Lord is going to open your eyes to see your angel again. It is going to happen soon.” Somewhere in the middle of this heavenly utterance Margaret burst into tears! Then something else rather extraordinary began to happen. Gold dust began to rain down into the kitchen! Gold started to cover the kitchen table and our faces. After a few minutes, Margaret regained her composure, and I took a seat at the table with her. She shared with me her journey and how God had always ministered to her using the realm of angels as confirmation of everything that I had just spoken to her. We continued to fellowship together while enjoying tea and scones for the next hour and a half. Margaret gave me a copy of the book, Good Morning, Holy Spirit. Later, I took this Benny Hinn book along with me into the wilderness of Newfoundland where I had a life-changing encounter with the Holy Spirit in a tiny cabin. Margaret and I were joined by two friends for breakfast, and the Lord continued to move. Jennifer received the revelation that she was supposed to give an angel’s feather she had found to our hostess.

The party spills over with guests, from the ballroom to the front lawn. It’s nighttime, but the house is lit up, bright as the sun. All around me diamonds glitter. We’ve reached that tipping point where everyone is sloshed enough to smile, but not so much they start to slur. There’s almost too many people, almost too much alcohol. Almost too much wealth in one room. It reminds me of Icarus, with his wings of feather and wax. If Icarus had a five-hundred-person guest list for his graduation party. It reminds me of flying too close to the sun. I snag a flute of champagne from one of the servers, who pretends not to see. The bubbles tickle my nose as I take a detour through the kitchen. Rosita stands at the stove, stirring her world-famous jambalaya in a large cast iron pot. The spices pull me close. I reach for a spoon. “Is it ready yet?” She slaps my hand away. “You’ll ruin your pretty dress. It’ll be ready when it’s ready.” We have caterers who make food for all our events, but since this is my graduation party, Rosita agreed to make my favorite dish. She’s going to spoon some onto little puff pastry cups and call it a canape. I try to pout, but everything is too perfect for that. Only one thing is missing from this picture. I give her a kiss on the cheek. “Thanks, Rosita. Have you seen Daddy?” “Where he always is, most likely.” That’s what I’m afraid of. Then I’m through the swinging door that leads into the private side of the house. I pass Gerty, our event planner, who’s muttering about guests who aren’t on the invite list. I head up the familiar oak staircase, breathing in the scent of our house. There’s something so comforting about it. I’m going to miss everything when I leave for college. At the top of the stairs, I hear men’s voices. That isn’t unusual. I’m around the corner from Daddy’s offic

We need more baskets,” Pandora said triumphantly, entering the hall. The twins, who were clearly having a splendid time, had adorned themselves outlandishly. Cassandra was dressed in a green opera cloak with a jeweled feather ornament affixed to her hair. Pandora had tucked a light blue lace parasol beneath one arm, and a pair of lawn tennis rackets beneath the other, and was wearing a flowery diadem headdress that had slipped partially over one eye. “From the looks of it,” Kathleen said, “you’ve done enough shopping already.” Cassandra looked concerned. “Oh, no, we still have at least eighty departments to visit.” Kathleen couldn’t help glancing at Devon, who was trying, without success, to stifle a grin. It was the first time she had seen him truly smile in days. Enthusiastically the girls lugged the baskets to her and began to set objects on the counter in an unwieldy pile…perfumed soaps, powders, pomades, stockings, books, new corset laces and racks of hairpins, artificial flowers, tins of biscuits, licorice pastilles and barley sweets, a metal mesh tea infuser, hosiery tucked in little netted bags, a set of drawing pencils, and a tiny glass bottle filled with bright red liquid. “What is this?” Kathleen asked, picking up the bottle and viewing it suspiciously. “It’s a beautifier,” Pandora said. “Bloom of Rose,” Cassandra chimed in. Kathleen gasped as she realized what it was. “It’s rouge.” She had never even held a container of rouge before. Setting it on the counter, she said firmly, “No.” “But Kathleen--” “No to rouge,” she said, “now and for all time.” “We need to enhance our complexions,” Pandora protested. “It won’t do any harm,” Cassandra chimed in. “The bottle says that Bloom of Rose is ‘delicate and inoffensive’…It’s written right there, you see?” “The comments you would receive if you wore rouge in public would assuredly not be delicate or inoffensive. People would assume you were a fallen woman. Or worse, an actress.” Pandora turned to Devon. “Lord Trenear, what do you think?” “This is one of those times when it’s best for a man to avoid thinking altogether,” he said hastily.

Something diseased and furry had crawled into her mouth and expired while she slept. That was the only possible explanation as to why Neve had a rancid taste in her mouth and a heavy, viscous paste coating her teeth and tongue. ‘I think I’m dying,’ she groaned. The wretched state of her mouth was the least of it. There was a pounding in her head, echoed in the roiling of her gut, and her bones ached, her vital organs ached, her throat ached, even her hair follicles ached. ‘You’re not dying,’ said a voice in her ear, which sounded like nails scraping down a blackboard, even though Max’s voice had barely risen above a whisper. ‘You’ve got a hangover.’ Neve had had hangovers before and they just made her feel a tiny bit nauseous and grouchy. This felt like the bastard child of bubonic plague and the ebola virus. ‘Dying,’ she reiterated, and now she realised that she was in bed, which had been a very comfy bed the last time she’d slept in it, but now it felt as if she was lying on a pile of rocks, and even though she had the quilt and Max’s arm tucked around her, she was still cold and clammy. Neve tried to raise her head but her gaze collided with the stripy wallpaper and as well as searing her retinas, it was making her stomach heave. ‘Sick. Going to be sick.’ ‘Sweetheart, I don’t think so,’ Max said, stroking the back of her neck with feather-soft fingers. ‘You’ve already thrown up just about everything you’ve eaten in the last week.’ ‘Urgh …’ Had she? The night before was a big gaping hole in her memory. ‘What happened?’ ‘I don’t know what happened but I got a phone call from the Head of Hotel Security at three in the morning asking me if I could identify a raving madwoman in a silver dress who couldn’t remember her room number but insisted that someone called Max Pancake was sleeping there. They thought you might be a hack from the Sunday Mirror pretending to be absolutely spannered as a way of getting into the hotel.’ ‘Oh, no …’ ‘Yeah, apparently Ronaldo’s staying in one of the penthouse suites and I saw Wayne and Coleen in the bar last night. Anyway, as you were staggering down the corridor, you told me very proudly that you’d lost your phone and you’d just eaten two pieces of KFC and a bag of chips.’ ‘KFC? Oh, God …’ ‘But I wouldn’t worry about that because after you’d tried to persuade me to have my wicked way with you, you started throwing up and you didn’t stop, not for hours. I thought you were going to sleep curled around the toilet at one point.’ ‘Goodness …

to stay! It was another answer to prayer, and I graciously accepted her offer. When the service began, I was not surprised to hear the angelic hosts join with the worship team. In fact, several people in the church testified to hearing the angels. After the service, we traveled to Tim Horton’s for a late dinner. We returned to Botwood to find Margaret waiting for us, and she kindly directed us to our separate rooms for the night. The Holy Spirit was still hovering very close to me, and as soon as the door closed behind my host, the Lord began to speak to me. I immediately began to pray and worship the Lord. Once again, the Lord had me begin reading from Revelation 4. It was about 3:30 A.M. when I fell into a peaceful sleep praying in the Spirit. I awoke to the sound of the Lord’s voice speaking to me. “Kevin, get up; it’s time to go to work.” I opened my eyes and looked around the room. My mind began to race. I looked at the clock, and it was just 5:00 A.M. I had only been asleep for a short while. I sleepily said, “Lord, what could you possibly want me to do at this hour?” “Walk downstairs and prophesy to Margaret,” He said. I protested, “Lord, I don’t even know Margaret.” He said, “Don’t worry. I know her. Just say what I tell you to say.” “But Lord, It’s only 5 A.M., and nobody is awake at 5 A.M.” He answered, “Margaret is awake. She is in the kitchen. She is praying and having tea and a scone. Go to her now.” In my natural mind this seemed totally insane! Me? Prophesy? Suddenly the anointing and presence of the Lord intensified, and I found myself dressed. The next thing I knew I was walking down the hallway toward the stairs. All at once, there was a still, small voice speaking into my left ear. I was being told many things about Margaret. I was hearing the secrets of her heart. When I walked into the kitchen, she was there. She was having tea and a scone. I asked her what she was doing, and she told me that she was praying. PROPHESYING ABOUT ANGELS I said, “Margaret, I think God wants me to tell you something!” Her eyes grew as big as saucers as I launched into a litany of words about angels. I was as shocked as she was! I was able to speak in great detail about angels to her. “Your angel is very precious to you, and it has a name; your angel’s name is Charity. Your very nature is much like your angel. You are full of the love of God. The Lord is going to open your eyes to see your angel again. It is going to happen soon.” Somewhere in the middle of this heavenly utterance Margaret burst into tears! Then something else rather extraordinary began to happen. Gold dust began to rain down into the kitchen! Gold started to cover the kitchen table and our faces. After a few minutes, Margaret regained her composure, and I took a seat at the table with her. She shared with me her journey and how God had always ministered to her using the realm of angels as confirmation of everything that I had just spoken to her. We continued to fellowship together while enjoying tea and scones for the next hour and a half. Margaret gave me a copy of the book, Good Morning, Holy Spirit. Later, I took this Benny Hinn book along with me into the wilderness of Newfoundland where I had a life-changing encounter with the Holy Spirit in a tiny cabin. Margaret and I were joined by two friends for breakfast, and the Lord continued to move. Jennifer received the revelation that she was supposed to give an angel’s feather she had found to our hostess.

One: A Book Is A Universe and the Universe is a Book. Inside a book, any Physiks or Magical Laws or Manners or Histories may hold sway. A book is its own universe and while in it, you must play by their rules. More or less. Some of the more modern novels are lenient on this point and have very few policemen to spare. This is why sometimes, when you finish a book, you feel strange and woozy, as though you have just woken up. Your body is getting used to the rules and your own universe again. And your own universe is just the biggest and longest and most complicated book ever written—except for all the other ones. This is also why books along the walls make a place feel different—all those universes, crammed into one spot! Things are bound to shift and warp and hatch schemes! Two: Books Are People. Some are easy to get along with and some are shy, some are full of things to say and some are quiet, some are fanciful and some are plainspoken, some you will feel as though you've known forever the moment you open the cover, and some will take years to grow into. Just like people, you must be introduced properly and sit down together with a cup of something so that you can sniff at each other like tomcats but lately acquainted. Listen to their troubles and share their joys. They will have their tempers and you will have yours, and sometimes you will not understand a book, nor will it understand you—you can't love all books any more than you can love every stranger you meet. But you can love a lot of them. And the love of a book is a precious, subtle, strange thing, well worth earning, And just like people, you are never really done with a book—some part of it will stay with you, gently changing the way you see and speak and know. Three: People Are Books. This has two meanings. The first is: Every person is a story. They have a beginning and a middle and an end (though some may have sequels and series).They have motifs and narrative tricks and plot twists and daring escapes and love lost and love won. The rules of books are the rules of life because a book must be written by a person alive, and an alive person will usually try to tell the truth about the world, even if they dress it up in spangles and feathers. The other meaning is: When you read a book, it is not only a story. It is never only a story. Exciting plots may occur, characters suffer and triumph, yes, It is a story. But it is also a person speaking to you, directly to you. A person far away, perhaps in time, perhaps in space, perhaps both. A person who wanted to say something so loud that everyone could hear it. A book is a time-travelling teleportation machine. And there's millions and millions of them! When you read a book, you have a conversation with the person who wrote it. And that conversation is never quite the same twice. Every single reader has a different chat, because they are different people with different histories and ideas in their heads. Why, you cannot even have the same conversation with the same book twice! If you read a book as a child, and again as a Grown-Up, it will be something altogether other. New things will have happened to you, new folk will have come into your life and taught you wild and wonderful notions you never thought of before. You will not be the same person—and neither will the book. When you read, know that someone somewhere wrote those very words just for you, in hopes that you would find something there to take with you in your own travels through time and space.

You ought to dress in black feathers, Varys, you’re as bad an omen as any raven.

a long line of men, each with a torch, all dressed in the finery of the Highland chieftains. They were barbarous and splendid, decked in grouse feathers, the silver of swords and dirks gleaming red by the torchlight, picked out amid the folds of tartan cloth. The pipes stopped abruptly, and the first of the men strode into the clearing and stopped before the stands. He raised his torch above his head and shouted, “The Camerons are here!” Loud whoops of delight rang out from the stands, and he threw the torch into the kerosene-soaked wood, which went up with a roar, in a pillar of fire ten feet high. Against the blinding sheet of flame, another man stepped out, and called, “The MacDonalds are here!” Screams and yelps from those in the crowd that claimed kinship with clan MacDonald, and then— “The MacLachlans are here!” “The MacGillivrays are here!” She was so entranced by the spectacle that she was only dimly aware of Roger. Then another man stepped out and cried, “The MacKenzies are here!” “Tulach Ard!” bellowed Roger, making her jump. “What was that?” she asked. “That,” he said, grinning, “is the war cry of clan MacKenzie.” “Sounded like it.” “The Campbells are here!” There must have been a lot of Campbells; the response shook the bleachers. As though that was the signal he had been waiting for, Roger stood up and flung his plaid over his shoulder. “I’ll meet you afterward by the dressing rooms, all right?” She nodded, and he bent suddenly and kissed her. “Just in case,” he said. “The Frasers’ cry is Caisteal Dhuni!” She watched him go, climbing down the bleachers like a mountain goat. The smell of woodsmoke filled the night air, mixing with the smaller fragrance of tobacco from cigarettes in the crowd. “The MacKays are here!” “The MacLeods are here!” “The Farquarsons are here!” Her chest felt tight, from the smoke and from emotion. The clans had died at Culloden—or had they? Yes, they had; this was no more than memory, than the calling up of ghosts; none of the people shouting so enthusiastically owed kinship to each other, none of them lived any longer by the claims of laird and land, but … “The Frasers are here!” Sheer panic gripped her, and her hand closed tight on the clasp of her bag. No, she thought. Oh, no. I’m not. Then the moment passed, and she could breathe again, but jolts of adrenaline still thrilled through her blood. “The Grahams are here!” “The Inneses are here!” The Ogilvys, the Lindsays, the Gordons … and then finally, the echoes of the last shout died. Brianna held the bag on her lap, gripped tight, as though to keep its contents from escaping like the jinn from a lamp. How could she? she thought, and then, seeing Roger come into the light, fire on his head and his bodhran in his hand, thought again, How could she help it?

At 5:00 a.m. the clubs get going properly; the Forbes stumble down from their loggias, grinning and swaying tipsily. They are all dressed the same, in expensive striped silk shirts tucked into designer jeans, all tanned and plump and glistening with money and self-satisfaction. They join the cattle on the dance floor. Everyone is wrecked by now and bounces around sweating, so fast it’s almost in slow motion. They exchange these sweet, simple glances of mutual recognition, as if the masks have come off and they’re all in on one big joke. And then you realize how equal the Forbes and the girls really are. They all clambered out of one Soviet world. The oil geyser has shot them to different financial universes, but they still understand each other perfectly. And their sweet, simple glances seem to say how amusing this whole masquerade is, that yesterday we were all living in communal flats and singing Soviet anthems and thinking Levis and powdered milk were the height of luxury, and now we’re surrounded by luxury cars and jets and sticky Prosecco. And though many westerners tell me they think Russians are obsessed with money, I think they’re wrong: the cash has come so fast, like glitter shaken in a snow globe, that it feels totally unreal, not something to hoard and save but to twirl and dance in like feathers in a pillow fight and cut like papier-mâché into different, quickly changing masks. At 5:00 a.m. the music goes faster and faster, and in the throbbing, snowing night the cattle become Forbeses and the Forbeses cattle, moving so fast now they can see the traces of themselves caught in the strobe across the dance floor. The guys and girls look at themselves and think: “Did that really happen to me? Is that me there? With all the Maybachs and rapes and gangsters and mass graves and penthouses and sparkly dresses?

After the injury he began to dress more like an artist. He wore nice scarves and saved his money for a good hat, a full-round brim with a small feather under the band. He wore bright socks and loved long conversations over supper—rich, funny conversations that could easily replace dessert. If there was a lull in the dialogue, he’d point to you and say it was your turn to talk. “Now you say something interesting.

A couple of hours later, his mother arrived in the lobby and found her son, dressed head to toe in his Indian costume, complete with a long feather headdress. His suitcase was by his side. “Mother, I’m running away,” he said. “But I stayed to say goodbye to you.

Chief Bo as the center, dressed, in 2005, in bright red feathers, with beadwork that should be in a museum and probably will be someday,

Richard Avedon photographs Marilyn, her torso covered in feathers (her sexual plumage) and wearing high heels, her left leg bent and brought up to her body so that the leg projects outward horizontally. Her right arm stretches out diagonally and clutches a fan, and her head is tilted right with her eyes half closed and her mouth wide open, suggesting the dynamism of her erotic allure. Another Avedon shot shows her in a spangled dress. She wraps herself in a silver fur stole that seems almost to waft out of the frame in her extended right arm, while her left hand touches her shoulder and she projects one of those dreamy poses with half-closed eyes—although this time with a closed mouth that suggests a little more mystery and not quite so much availability.

When I visit schools, I explain that modern Indians dress like everybody else and speak English. That our tribal regalia, the buckskin and feathers, are not everyday garb but are reserved for special events. I say that we are proud of our beautiful, colorful clothing, which is important in our traditions, but it is only a part of being Indian. The part that they can’t see, our beliefs, our values, make us Indian even though we no longer wear buckskins, beads, and feathers and don’t live in teepees. As an adult I can handle the stereotypes, and as an author I try to correct the misconceptions and tell the truth about American Indians. Unfortunately, Indian children can have negative feelings about themselves because they don’t fit this false image. Educators have found that the way children view themselves is important to their success in school and how they relate to others. But an unrealistic idea of what and who Indians are supposed to be confuses a child when he or she compares those images to his or her parents and other relatives. Some

You can dehorn the devil and dress him in feathers but he's still no angel.

Clara wore a dress of brown and cream velvet, and her feathered mask, in comparison, made her look like a sparrow

Clara wore a dress of brown and cream velvet, and her feathered mask, in comparison, made her look like a sparrow.

His hair was not only long and glossily anointed with bear fat, but most resplendently dressed, with a high tail twisted up from the crown of his head and dropping down his back, ending in a dozen tiny braids decorated—like the rest of his costume—with wampum shell beads, glass beads, small brass bells, parakeet feathers, and a Chinese yen; God knew where he’d got that. Slung by his saddle, his newest and most prized possession—Jamie’s rifle.

Talk to me,” he said. “I’m not leaving this room until you do.” “Just get dressed and go. You can’t be late for work. You have an important job. People are waiting for you. Patients. You don’t have time for me and my dumb stuff.” “I’ll call my staff. They can reschedule today’s appointments, or one of the other partners can take over for me. I left here too soon once, and I’m not making that mistake again.” She turned around and gave him a sultry look. “You want more of this?” Drew’s face was serious, his brown eyes full of concern. “Talk to me. For real. Feather did say we might be able to help each other.” “I can help you out of those tight sweatpants, if you stop talking.” She came at him, but he caught her easily and held her back, his hands around her wrists. Drew must have been playing weak the night before, letting her win. He was strong when he wanted to be.

I decided not to turn away and let him rot. I took a different tack. God knows he wanted to get out, but how? It came to me that the very zeal with which he clung to his religious ideals made him an ideal prospect of our organization, so I put that to him. Agree to join up with the SS and I will speak in your behalf. It didn’t hurt, either, that his father was a noted magistrate at Neuruppin. “At first he balked, but didn’t hold out long. My argument won over the review board, who saw things my way – much to the satisfaction of his father, I might add. He was assigned to train in Holland for our Hygiene Service, after which we went our separate ways. Till this day we’ve never so much as had a beer together, in fact I haven’t seen him personally at all, since the day I bade farewell to him in Stuttgart. My fond memories of him went beyond the feather he was in my cap I had every reason to believe he would pan out as the model SS officer he seemed to have the makings of. You might say he became, from being my protégé, something of a son to me. The son I never had and never will.” He stopped a moment to watch her. “I’m in no hurry to do him harm. He’s definitely on our side, for all intents and purposes. However, something recently has happened to cast doubts on the ideals I dressed him up in. I will not hand it over to the Gestapo and their clubfooted methods. I could be wrong, yet I cannot afford to leave a stone unturned. The Gestapo would plow up a whole field and eat everything in sight. That’s where you come in.” “How do you think you’ll get away with this?” “With the utmost discretion between you

Galava dressed in spring green, plump and lush, the ground beneath her feet blooming flowers. Argas, mathematical formulae visible around him like a halo. Tya, her rainbow dress of veils shimmering as her fingers crackled with magic. Taja, dressed in silver, playing with a single coin. Ompher, looking less like a person than an animate statue carved from rock. Khored in red, raven-feathered, holding a glass sword. And last, Thaena, dressed in shroud white, crowned in burial roses.

On one occasion, an ancient great-aunt of mine, hieratically assuming a head-dress of feather and globules of jet, required me to accompany her to the beehives. ‘But you surely don't need a hat, Aunt Jane! They're only at the end of the garden.’ ‘It is the custom,’ she said, grandly. ‘Put a scarf over your head.’ Arrived, she stood in silence for a moment. Then — ‘I have to tell you,’ she said, formally, ‘that King George V is dead. You may be sorry, but I am not. He was not an interesting man. Besides,’ she added — as though the bees needed the telling! — ‘everyone has to die’.

The chickens have made their own plans for the storm; they have packed their eggs away, hidden them well. As Randall and Junior and I spread out underneath the oaks and the pines, hunting, Randall crouches down to Junior, and he tells him how Mama taught us to find eggs. Look but don’t look, she said. They’ll find you. You gotta wander and they’ll come. She’d leaned over like Randall, her strong hand soft on the back of my neck, steadying me like a dog. They’re usually brown and have some feathers stuck to them, she’d say, pointing. The eggs look that way because of the mama. Whatever color the mama is, that’s what color the egg is. Her lips were pink, and when she leaned over like that I could smell baby powder drifting from the front of her dress, see the mole-marked skin of her chest, the soft fall of her breasts down into her bra. Like me and you, she said. Like me and you. See? She smiled at me, and her eyelashes met her eyelashes like a Venus flytrap.

A girl was standing there looking in. She had full, rouged lips and wide-spaced eyes, heavily made up. Her fingernails were red. Her hair hung in little rolled clusters, like sausages. She wore a cotton house dress and red mules, on the insteps of which were little bouquets of red ostrich feathers.

Sweetness, Always" Why such harsh machinery? Why, to write down the happenings and people of every day, must poems be dressed up in gold, in old and grim stone? I prefer verses of felt or feather which scarcely weigh, soft verses with the intimacy of beds where people have loved and dreamed. I prefer poems stained by hands and everydayness. Verses of pastry that melt into milk and sugar in the mouth, air and water to drink, the bites and kisses of love. I long for eatable sonnets, poems of flour and honey. Vanity keeps nudging us to lift ourselves skyward or to make deep and useless tunnels underground. So we forget the joyous love-needs of our bodies. We forget about pastries. We are not feeding the world. In Madras a long time since, I saw a sugary pyramid, a tower of confectionery— one level after another, and in the construction, rubies, and other blushing delights, medieval and yellow. Someone soiled his hands to cook up so much sweetness. Brother poets from here and there, from earth and sky, from Medellín, from Veracruz, Abyssinia, Antofagasta, do you know how to make a honeycomb? Let’s forget about all that stone. Let your poetry fill up the equinoctial pastry shop our mouths long to devour— the mouths of all the children and the poor adults also. Don’t go on without seeing, relishing, understanding so many hearts of sugar. Don’t be afraid of sweetness. With us or without us, sweetness will go on living and is infinitely alive, and forever being revived, for it’s in the mouth, whether singing or eating, that sweetness belongs. Pablo Neruda, Paris Review, Issue 57 Spring 1974

The meanness that first bothered me, though, when I encountered it a decade ago, long before I was married, was in a short story in Pigeon Feathers in which a young husband returns with hamburgers and eats them happily with his family in front of the fire, and thinks lovingly of his wife’s Joyceanly “smackwarm” thighs, and then, in the next paragraph, says as narrator (the “you” directed at the narrator’s wife), “In the morning, to my relief, you are ugly.… The skin between your breasts is a sad yellow.” And a little later, “Seven years have worn this woman.” This hit me as inexcusably brutal when I read it. I couldn’t imagine Updike’s real, nonfictional wife reading that paragraph and not being made very unhappy. You never know, though; the internal mechanics of marriages are shielded from us, and maybe in the months after that story came out the two of them enjoyed a wry private joke whenever they went to a party and she wore a dress with a high neckline and they noticed some interlocutor’s gaze drop to her breasts and they saw together the little knowing look cross his unpleasantly salacious features as he thought to himself, Ho ho: high neckline to cover up all that canary-yellow, eh? Updike knows that people are going to assume that the fictional wife of an Updike-like male character corresponds closely with Updike’s own real-life wife — after all, Updike himself angered Nabokov by suggesting that Ada was Vera. How can Updike have the whatever, the disempathy, I used frequently to ask myself, and ask myself right now, to put in print that his wife appeared ugly to him that morning, especially in so vivid a way? It just oughtn’t to be done! It makes us readers imagine her speculating as she read it: “Which morning was he thinking that? He sat at the kitchen table eating breakfast and thinking I was ugly and worn! And I had no idea.

Q: Why did the cranberries turn so red? A: They saw the salad dressing! Q: What was the Pilgrim’s favorite music? A: Plymouth rock! Q: What’s the best way to eat turkey on Thanksgiving? A: Gobble it. Q: What key do you use the most on Thanksgiving? A: A tur-key! Q: What did the turkey say when the Pilgrim grabbed him by the tail feathers? A: That’s the end of me! Q: What did the turkey say just before it was popped into the oven? A: I’m really stuffed.

Meera frowns. “Maybe the Little Warrior.” “Who is that?” A spirit, Meera explains, who appears in the form of a child dressed in war gear—eagle feathers and paint. “He comes to those alone in the forest to warn them of danger.” Susanna’s

4. PERCEPTIVENESS: Send them to their room to get dressed and they’ll never make it. Something along the way—perhaps a commercial on the television—will catch their attention as they walk by and they’ll forget about getting dressed. It can take ten minutes to get them from the house to the car. They notice everything—the latest oil spill, the white feather in the bird’s nest, and the dew in the spider web. They’re often accused of not listening.

Is . . . everything proceeding as it should? With . . . the baby?” The smile in her eyes deepened. “Yes, everything is fine. It’s normal to have these pains. I had the same with Andrew.” “And how many weeks are left before the baby is expected?” “Five, at least. Andrew came three weeks early but I’d been sick with him. The doctor said that had a lot to do with it. And as you can see, I’m fit as a fiddle now.” She shrugged. “A very big fiddle.” He smiled at the look on her face. “I can’t imagine you being any more beautiful than you are right now, Aletta. You . . . shine from the inside out.” She shook her head. “That’s probably just perspiration from building the nativity.” They laughed, then she looked down at her hand still tucked in his. She gently started to pull away, but he brought her hand to his lips and kissed it. Once, twice, her skin like silk. Her gaze lowered from his eyes to his mouth, and the simple gesture sent something akin to a thunderbolt through him. There’d been plenty of times when he’d looked at her and wished he’d earned the liberty to kiss her, to hold her close. But never more so than right at that moment. As though she’d read his thoughts, her cheeks flushed crimson. Jake traced a feather path with his thumb across her lower lip, and her mouth opened slightly. He told himself to move slowly where this woman was concerned. But when she closed her eyes, that was all the answer he needed. He kissed her gently at first, her mouth softer, sweeter than he’d imagined. But when a soft sigh rose in her throat, he drew her closer and she slipped her arms around his neck. He deepened the kiss, weaving his hands into her hair and— “Mama! We’re here to help with the star!” Jake drew back slightly and broke the kiss, hearing the boys barreling in their direction. Aletta looked up at him and smiled, and whatever determination he’d had to move slowly where she was concerned vanished completely. “Mama?” Andrew called. “I’m coming,” she answered and stood, smoothing the sides of her hair then the front of her dress. Jake rose along with her and reached over and tucked a wayward curl back into place, then kissed her on the forehead.

Elise was dressed in a tight leather dress with a whip in her hand and Ryder was eyeing her like a fucking piece of candy. His chest was bare and blood speckled his skin like he’d just finished murdering somebody. I opened my mouth to rebuke him for Elise’s outfit but all that came out was a honk. I gasped, realising something was horribly wrong. I gazed down at my arms which were coated in yellow feathers and two massive bird feet poked out beneath me. “Hey Big Bird,” Ryder said with a wide grin.

The Ice Wizard had a younger sister who loved him more than anything in the world. One day they fought over something foolish. He lost his temper and told her to leave him alone forever. She ran down to the sea in tears. There she found a flock of swan maidens. They gave her a white feathered dress. She put on the dress and became a swan maiden herself. She flew

Every other line of the theoretical analysis of his new and enchanting acquaintance—the theory of art—was enshrouded with seven veils of mystery. And ocean of gauze! As if it were a ball dress from Paquin. But then it is well known that a sword cannot chop up a feather pillow. And no sword, however heavy and sharp, would enable one to cut through this ocean of gauze. A feather pillow can be cut up only with a sharp scimitar wielded by an experienced warrior—a Saladdin or a Suleiman. A frontal attack would be of no avail. The curvature of the scimitar is symbolic of the roundabout way to take to fathom the mysteries behind the seven veils.

The young boy didn’t reply, he gave the eight-year-old child a cold look, frowned, and asked, “Are you a boy or a girl?” “A girl, of course! Am I not pretty?” She cried out discontentedly, glanced at the white bird again, and pulled his tunic. “Big brother, please let me take a piece of feather for my dress! Okay?” “She is a girl?” The teenager ignored her plea, his body suddenly tightened, and his eyes became a little strange. “How did this happen?… Is the prophecy going to come true?

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He was worth looking at. He wore a shaggy borsalino hat, a rough gray sports coat with white golf balls on it for buttons, a brown shirt, a yellow tie, pleated gray flannel slacks and alligator shoes with white explosions on the toes. From his outer breast pocket cascaded a show handkerchief of the same brilliant yellow as his tie. There were a couple of colored feathers tucked into the band of his hat, but he didn't really need them. Even on Central Avenue, not the quietest dressed street in the world, he looked about as inconspicuous as a tarantula on a slice of angel food.

There is something subversive about this garden of Serena’s, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamour to be heard, though silently. A Tennyson garden, heavy with scent, languid; the return of the word swoon. Light pours down upon it from the sun, true, but also heat rises, from the flowers themselves, you can feel it: like holding your hand an inch above an arm, a shoulder. It breathes, in the warmth, breathing itself in. To walk through it in these days, of peonies, of pinks and carnations, makes my head swim. The willow is in full plumage and is no help, with its insinuating whispers. Rendezvous, it says, terraces; the sibilants run up my spine, a shiver as if in fever. The summer dress rustles against the flesh of my thighs, the grass grown underfoot, at the edges of my eyes there are movements, in the branches; feathers, flittings, grace notes, tree into bird, metamorphosis run wild. Goddesses are possible now and the air suffuses with desire. Even the bricks of the house are softening, becoming tactile; if I leaned against them they’d be warm and yielding.

Eventually, he felt an overwhelming urge to meld his voice with the notes, and he began to play his ballad for the wind. Jack sang his verses, his fingers strumming with confidence. He sang to the southern wind with its promise of strength in battle. He sang to the western wind with its promise of healing. He sang to the northern wind with its promise of vindication. The notes rose and fell, undulating like the hills far beneath him. But while the wind carried his music and his voice, the folk of the air didn’t answer. What if they refuse to come? Jack wondered, with a pulse of worry. From the corner of his eye, he watched as Adaira rose to her feet. The wind seemed to be waiting for her to move. To stand and meet it. She stood planted on the rock as Jack continued to play, shielded by Orenna’s essence. Twice, he had played for the spirits and had nearly forgotten he was a man, that he was not a part of them. But this time he held firmly to himself as he watched the folk answer. The southern wind manifested first. They arrived with a sigh and formed themselves from the gust, individualizing into men and women with hair like fire—red and amber with a trace of blue. Great feathered wings bloomed from their backs like those of a bird, and each beat of their pinions emitted a wash of warmth and longing. Jack could taste the nostalgia they offered; he drank it like a bittersweet wine, like the memories of a summer long ago. The east wind was the next to arrive. They manifested in a flurry of leaves, their hair like molten gold. Their wings were fashioned like those of a bat, long and pronged and the shade of dusk. They carried the fragrance of rain in their wings. The west wind spun themselves out of whispers, with hair the shade of midnight, long and jeweled with stars. Their wings were like those of a moth, patterned with moons, beating softly and evoking both beauty and dread as Jack beheld them. The air shimmered at their edges like a dream, as if they might melt at any moment, and their skin smelled of smoke and cloves as they hovered in place, unable to depart as Jack’s music captivated them. Half of the spirits watched him, entranced by his ballad. But half of them watched Adaira, their eyes wide and brimming with light. “It’s her,” some of them whispered. Jack missed a note. He quickly regained his place, pushing his concern aside. It felt like his nails were creating sparks on the brass strings. He sang the verse for the northern wind again. The sky darkened. Thunder rumbled in the distance as the north reluctantly answered Jack’s summoning. The air plunged cold and bitter as the strongest of the winds manifested from wisps of clouds and stinging gales. It answered the music, fragmenting into men and women with flaxen hair, dressed in leather and links of silver webs. Their wings were translucent and veined, reminiscent of a dragonfly’s, boasting every color found beneath the sun. They came reluctantly, defiantly. Their eyes bore into him like needles. Jack was alarmed by their reaction to him. Some of them hissed through their sharp teeth, while others cowered as if awaiting a death blow. His ballad came to its end, and the absence of his voice and music sharpened the terror of the moment. Adaira continued to stand before an audience of manifested spirits, and Jack was stunned by the sight of them. To know that they had rushed alongside him as he walked the east. That he had felt their fingers in his hair, felt them kiss his mouth and steal words from his lips, carrying his voice in their hands. And his music had just summoned them. His voice and song now held them captive, beholden to him. He studied the horde. Some of the spirits looked amused, others shocked. Some were afraid, and some were angry.

Dining tables were dressed in hunter-green velvet linens. Royal Staffordshire Tonquin Brown dinner plates sat on top of hammered copper chargers. Cut-crystal drinkware and hammered copper tumblers glinted in the candlelight and strands of twinkle lights. Vintage brass and low copper vessels overflowed with garden roses, tulips, and amaryllis in various shades of cream, peach, and burnt orange along with lush greenery. Berries and russet feathers peeked out every so often, and antlers interspersed at odd angles. Reminiscent of an enchanted woodland from a C.S. Lewis novel, this was by far my favorite design Cedric had ever created.

The man was tall and thin, with ratty brown hair and pale skin. He had ochre eyes and a black clinical mask. What he didn't have was any taste in clothes, anyone with half a brain would know that purple and khaki green make an appalling combination, and those were the colours on his combat jacket with its feather boa-style collar. Even more weirdly he'd gone for a black dress shirt and silver tie beneath. Okay maybe now wasn't the time for Bakugou to judge the guy's dress sense. But it was fucking shitty.

One of his hands tangled in my hair, tugging it to tip my chin back and eliciting another moan of pleasure from my lips. He swallowed it up, his tongue sinking into my mouth and making my heart find a rhythm it had never beat to before. He kissed me like he wasn't allowed to kiss me, but if he didn't he'd die. I tangled myself around him with equal desire, the well of magic in my body spilling over and flooding my veins. A profound and unknown energy hummed within me, drawing to the edges of my skin. Orion seemed to sense it too as the hairs raised along my arms and static energy crackled everywhere our flesh met. I was entirely lost to the deepest and most carnal desire I'd ever felt. His hand found the slit in my dress and his fingers trailed onto my bare leg, making me gasp in response. Fire surged down my spine only to bounce back up again as he gripped my thigh and squeezed. With so little clothes parting us, I felt every inch of his arousal pressing between my legs and I started to wonder how far this kiss was going to go. My fingers slid into the verge of his hair as I ground against him and my thoughts scattered again. He released a rumbling growl filled with nothing but need and his hand shifted between us, roaming deeper beneath my dress until he found the top of my panties. I nearly lost my mind as his fingers brushed the sensitive flesh there and skimmed the line of my underwear. My back arched as I tried to bring his hand closer to fulfil the promise of ecstasy I knew he could bring me. Instead, he pulled his hand free and placed it on my hip with a heavy breath. It took everything I had, but with his fingers firmly away from the area of my body which was trying to run the show, I could think a little clearer. He pulled back almost the same moment I did and I swallowed hard as I felt the lasting sensations of that kiss everywhere. My mouth tingled and my cheeks stung from the scrape of his stubble. My thigh muscles throbbed where they were still locked tightly around his waist and my heart seemed to bleed from the loss of contact with his mouth. We remained breathless and silent, staring at each other like the reality waiting above us wasn't about to rip us apart. But I knew as well as he did, this was a one time only thing. Now I just had to convince my body of that. I unwound my legs from him, bracing my hands on his shoulders as I dropped down. He steadied me for a moment then the air between us changed. His eyes darkened and he didn't need to speak to let me know what he was thinking. A vow hung solidly around us. This won't happen ever again. He opened his mouth to speak but I spoke before he could, not wanting to be commanded into eternal silence. I already knew what would happen the second we left this magical place behind, I didn't need to be told. “Let's go.” “We can stay a little longer...if you want.” His expression was that of a wounded man but I knew whatever pain lay in his body, would never be mine to heal. I shook my head, lifting my chin to gaze up at the surface of the pool. “No, I think we should go back to reality now.” The longer I stay, the harder it will be to leave. “Are you angry with me for bringing you here?” he asked and I was compelled to look down, falling into the intensity of his eyes as a strained line formed on his brow. “No.” He reached out to skate his fingers across the line of my jaw, feather light. “You know how it has to be.” I nodded, leaning away from his touch which felt like forcing two magnets apart. “I know.” What happens at the bottom of the pool, stays at the bottom of the pool. “Come on then, Blue.” He held out his hand. I took a shuddering breath, placing my hand in his. “I think it might be best if you don't call me that anymore.” I tugged at a lock of wet hair. “It's not blue anyway.” (DARCY)

And that’s how it always is with these beautiful, Schilleresque souls:27 till the last moment they dress a man up in peacock’s feathers, till the last moment they hope for the good and not the bad; and though they may have premonitions of the other side of the coin, for the life of them they will not utter a real word beforehand;

She was nervously squeezing the hem of her dress when suddenly a treeshrew appeared. Its tail looked strangely funny in feather-pen shape. After it hops, and hops, the reddish-brown creature grabbed Cemara’s amaranthine dress, as if inviting her to follow it. Cemara knew she had no better choice.

She wore an emerald green cocktail dress that stopped above the knee, revealing the long expanse of torturous leg. An arrogant hat was pinned into her hair, the feathers and artificial leaves curling upwards. She had kept the hat on in exchange for one compromise; she got to remove her shoes. The heels were beside her feet, ready to be toed back on at a moment’s notice. Or at gun point.