Feat Sayings And Quotes

The three hardest tasks in the world are neither physical feats nor intellectual achievements, but moral acts: to return love for hate, to include the excluded, and to say, "I was wrong.

Once upon a time in the dead of winter in the Dakota Territory, Theodore Roosevelt took off in a makeshift boat down the Little Missouri River in pursuit of a couple of thieves who had stolen his prized rowboat. After several days on the river, he caught up and got the draw on them with his trusty Winchester, at which point they surrendered. Then Roosevelt set off in a borrowed wagon to haul the thieves cross-country to justice. They headed across the snow-covered wastes of the Badlands to the railhead at Dickinson, and Roosevelt walked the whole way, the entire 40 miles. It was an astonishing feat, what might be called a defining moment in Roosevelt’s eventful life. But what makes it especially memorable is that during that time, he managed to read all of Anna Karenina. I often think of that when I hear people say they haven’t time to read.

Her fluency was marvelous. She would say things at random, intricate, flamelike, or slide off into a parenthetical limbo peppered with fireworks-- admirable linguistic feats which a practiced writer might struggle for hours to achieve.

If a warrior is not unattached to life and death, he will be of no use whatsoever. The saying that “All abilities come from one mind” sounds as though it has to do with sentient matters, but it is in fact a matter of being unattached to life and death. With such non-attachment one can accomplish any feat.

You see, I have never felt the need to invent a world beyond this world, for this world has always seemed large and beautiful enough for me. I have wondered why it is not large and beautiful enough for others-- why they must dream up new and marvelous spheres, or long to live elsewhere, beyond this dominion... but that is not my business. We are all different, I suppose. All I ever wanted was to know this world. I can say now, as I reach my end, that I know quite a bit more of it than I knew when I arrived. Moreover, my little bit of knowledge has been added to all the other accumulated knowledge of history-- added to the great library, as it were. That is no small feat, sir. Anyone who can say such a thing has lived a fortunate life.

You must be Warden Ramirez." This is the part where I got nervous. Ramirez loved women. Ramirez never shut up about women. Well, he never shut up about anything in general, but he'd go on and on about various conquests and feats of sexual athleticism and— "A virgin?" Lara blurted. Lara blurted. She turned her head to me, grey eyes several shades paler than they had been, and very wide. "Really, Harry, I'm not sure what to say. Is he a present?

He laughs again. “You’re different, Caymen.” “Different than what?” “Than any other girl I’ve met.” Considering most of the girls he’d met probably had fifty times as much money as I did, that wasn’t a hard feat to accomplish. Thinking about that makes my eyes sting. “It’s refreshing. You make me feel normal.” “Huh. I better work on that because you’re far from normal.” He smiles and pushes my shoulder playfully. My heart slams into my ribs. “Caymen.” I take another handful of dirt and smash it against his neck then try to make a quick escape. He grabs me from behind, and I see his hand, full of dirt, coming toward my face when the warning beeps of the tractor start up. “Saved by the gravediggers,” he says.

Women's liberation is one thing, but the permeation of anti-male sentiment in post-modern popular culture - from our mocking sitcom plots to degrading commercial story lines - stands testament to the ignorance of society. Fair or not, as the lead gender that never requested such a role, the historical male reputation is quite balanced. For all of their perceived wrongs, over centuries they've moved entire civilizations forward, nurtured the human quest for discovery and industry, and led humankind from inconvenient darkness to convenient modernity. Navigating the chessboard that is human existence is quite a feat, yet one rarely acknowledged in modern academia or media. And yet for those monumental achievements, I love and admire the balanced creation that is man for all his strengths and weaknesses, his gifts and his curses. I would venture to say that most wise women do.

WESTMORELAND. O that we now had here But one ten thousand of those men in England That do no work to-day! KING. What's he that wishes so? My cousin Westmoreland? No, my fair cousin; If we are mark'd to die, we are enow To do our country loss; and if to live, The fewer men, the greater share of honour. God's will! I pray thee, wish not one man more. By Jove, I am not covetous for gold, Nor care I who doth feed upon my cost; It yearns me not if men my garments wear; Such outward things dwell not in my desires. But if it be a sin to covet honour, I am the most offending soul alive. No, faith, my coz, wish not a man from England. God's peace! I would not lose so great an honour As one man more methinks would share from me For the best hope I have. O, do not wish one more! Rather proclaim it, Westmoreland, through my host, That he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.

I also think pronunciation of a foreign tongue could be better taught than by demanding from the pupil those internal acrobatic feats that are generally impossible and always useless. This is the sort of instruction one receives: 'Press your tonsils against the underside of your larynx. Then with the convex part of the septum curved upwards so as almost but not quite to touch the uvula try with the tip of your tongue to reach your thyroid. Take a deep breath and compress your glottis. Now without opening your lips say "Garoo".' And when you have done it they are not satisfied.

The three hardest tasks in the world are neither physical feats nor intellectual achievements, but moral acts: to return love for hate, to include the excluded, and to say, “I was wrong.” —Sydney J. Harris

All good books are different but all bad books are exactly the same. I know this to be a fact because in my line of work I read a lot of bad books - books so bad they aren't even published, which is quite a feat, when you consider what is published. And what they all have in common, these bad books, be they novels or memoirs, is this: they don't ring true. I'm not saying that a good book is true necessarily, just that it feels true for the time you're reading it.

At first she thought the writing would be easy. She was extremely confident in her ability to dream, to imagine, and she supposed that expressing her dreams in words, in writing, would be entirely natural, like drawing breath. She had read widely from the time she was a child, and she knew how to recognize something that was well written. She admired certain lines and passages so much that she had taken complete possession of them and committed them to memory. She could recite “The Gettysburg Address” and “The Twenty-Third Psalm.” She could recite “Jabberwocky” and Emily Dickinson’s “Further in summer that the birds” and Wallace Stevens’s “Sunday Morning.” She knew by heart the final paragraph of Joyce’s “The Dead,” and if challenged she could say in whole the parts of both Romeo and Juliet. And she knew many Kiowa stories and many long prayers in Navajo. These were not feats of memory in the ordinary sense; it was simply that she attended to these things so closely that they became a part of her most personal experience. She had assumed them, appropriated them to her being. But to write! She discovered that was something else again.

The Aristocrat The Devil is a gentleman, and asks you down to stay At his little place at What'sitsname (it isn't far away). They say the sport is splendid; there is always something new, And fairy scenes, and fearful feats that none but he can do; He can shoot the feathered cherubs if they fly on the estate, Or fish for Father Neptune with the mermaids for a bait; He scaled amid the staggering stars that precipice, the sky, And blew his trumpet above heaven, and got by mastery The starry crown of God Himself, and shoved it on the shelf; But the Devil is a gentleman, and doesn't brag himself. O blind your eyes and break your heart and hack your hand away, And lose your love and shave your head; but do not go to stay At the little place in What'sitsname where folks are rich and clever; The golden and the goodly house, where things grow worse for ever; There are things you need not know of, though you live and die in vain, There are souls more sick of pleasure than you are sick of pain; There is a game of April Fool that's played behind its door, Where the fool remains for ever and the April comes no more, Where the splendour of the daylight grows drearier than the dark, And life droops like a vulture that once was such a lark: And that is the Blue Devil that once was the Blue Bird; For the Devil is a gentleman, and doesn't keep his word.

When the guy turned around, Amy began stuttering. Silently. It was a feat only Amy could manage, and only Dan could notice. And it only happened in front of boys who looked like this one. He had brown hair and caramel-colored eyes, like Dan's friend Nick Santos, who made all the sixth-grade girls turn into blithering idiots when he looked their way--in fact, would even say Watch, lean make them turn into blithering idiots, and then he'd do it. Only older. "He. Is. Hot," Nellie said under her breath. "You too?" Dan hissed.

The embroidery came later, in the retelling, as the story was told again and again by the men, taking on its own character as it passed over camp. The Prince had ridden out, with only one soldier. Deep in the mountains, he had chased down the rats responsible for these killings. Had ripped them out of their hiding holes and fought them, thirty to one, at least. Had brought them back thrashed, lashed and subdued. That was their Prince for you, a twisty, vicious fiend who you should never, ever cross, unless you wanted your gullet handed to you on a platter. Why, he once rode a horse to death just to beat Torveld of Patras to the mark. In the men's eyes the feat was reflected as the wild, impossible thing it was--their Prince vanishing for two days, then appearing out of the night with a sackful of prisoners thrown over his shoulder, tossing them at the feet of his troop and saying: You wanted them? Here they are.

I’m not sure what prime numbers have to do with anything,” I say in a gentle voice. “Prime numbers have to do with everything. But to clarify, that’s what I imagine falling in love is like and then staying married. You start out as low twin primes and as time goes on, if you manage to defy the statistical odds and not get divorced, you become like those rarer twin primes, still only separated by two. That’s an amazing feat.” “How romantic

Lucky" (feat. Colbie Caillat) Do you hear me, I'm talking to you Across the water across the deep blue ocean Under the open sky, oh my, baby I'm trying Boy I hear you in my dreams I feel your whisper across the sea I keep you with me in my heart You make it easier when life gets hard I'm lucky I'm in love with my best friend Lucky to have been where I have been Lucky to be coming home again Ooohh ooooh oooh oooh ooh ooh ooh ooh They don't know how long it takes Waiting for a love like this Every time we say goodbye I wish we had one more kiss I'll wait for you I promise you, I will I'm lucky I'm in love with my best friend Lucky to have been where I have been Lucky to be coming home again Lucky we're in love every way Lucky to have stayed where we have stayed Lucky to be coming home someday And so I'm sailing through the sea To an island where we'll meet You'll hear the music fill the air I'll put a flower in your hair Though the breezes through trees Move so pretty you're all I see As the world keeps spinning round You hold me right here right now I'm lucky I'm in love with my best friend Lucky to have been where I have been Lucky to be coming home again I'm lucky we're in love every way Lucky to have stayed where we have stayed Lucky to be coming home someday

I love the French and Italian church paintings from the Middle Ages. But I'm also interested to learn more about who was the first to make the leap from religious art to secular. That couldn't have been a small feat. Who was brave enough to say, " You know what? Enough of Jesus. I'mma paint me this here bowl of fruit and then I'mma paint my girlfriend... naked!

My friends, ask gladness from God. Be glad as children, as birds in the sky. And let man's sin not disturb you in your efforts, do not feat that it will dampen your endeavor and keep it from being fulfilled, do not say, "Sin is strong, impiety is strong, the bad environment is strong, and we are lonely and powerless, the bad environment will dampen us and keep our good endeavor from being fulfilled." Flee from such despondency, my children! There is only one salvation for you: take yourself up, and make yourself responsible for the sins of men.

I don’t know if I ever liked you,” I say, and bathroom acoustics being what they are, the declaration is magnified and that much more unkind, which makes me feel bad until I see that he is missing a shoe, and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.

One small act of love is greater than a thousand extraordinary feats of hate.

he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.

The three hardest tasks in the world are neither physical feats nor intellectual achievements, but moral acts: to return love for hate, to include the excluded, and to say, "I was wrong".

We have a predator that came from the depths of the cosmos and took over the rule of our lives. Human beings are its prisoners. The Predator is our lord and master. It has rendered us docile, helpless. If we want to protest, it suppresses our protest. If we want to act independently, it demands that we don't do so... I have been beating around the bush all this time, insinuating to you that something is holding us prisoner. Indeed we are held prisoner! "This was an energetic fact for the sorcerers of ancient Mexico ... They took us over because we are food for them, and they squeeze us mercilessly because we are their sustenance. just as we rear chickens in chicken coops, the predators rear us in human coops, humaneros. Therefore, their food is always available to them." "No, no, no, no," [Carlos replies] "This is absurd don Juan. What you're saying is something monstrous. It simply can't be true, for sorcerers or for average men, or for anyone." "Why not?" don Juan asked calmly. "Why not? Because it infuriates you? ... You haven't heard all the claims yet. I want to appeal to your analytical mind. Think for a moment, and tell me how you would explain the contradictions between the intelligence of man the engineer and the stupidity of his systems of beliefs, or the stupidity of his contradictory behaviour. Sorcerers believe that the predators have given us our systems of belief, our ideas of good and evil, our social mores. They are the ones who set up our hopes and expectations and dreams of success or failure. They have given us covetousness, greed, and cowardice. It is the predators who make us complacent, routinary, and egomaniacal." "'But how can they do this, don Juan? [Carlos] asked, somehow angered further by what [don Juan] was saying. "'Do they whisper all that in our ears while we are asleep?" "'No, they don't do it that way. That's idiotic!" don Juan said, smiling. "They are infinitely more efficient and organized than that. In order to keep us obedient and meek and weak, the predators engaged themselves in a stupendous manoeuvre stupendous, of course, from the point of view of a fighting strategist. A horrendous manoeuvre from the point of view of those who suffer it. They gave us their mind! Do you hear me? The predators give us their mind, which becomes our mind. The predators' mind is baroque, contradictory, morose, filled with the fear of being discovered any minute now." "I know that even though you have never suffered hunger... you have food anxiety, which is none other than the anxiety of the predator who fears that any moment now its manoeuvre is going to be uncovered and food is going to be denied. Through the mind, which, after all, is their mind, the predators inject into the lives of human beings whatever is convenient for them. And they ensure, in this manner, a degree of security to act as a buffer against their fear." "The sorcerers of ancient Mexico were quite ill at ease with the idea of when [the predator] made its appearance on Earth. They reasoned that man must have been a complete being at one point, with stupendous insights, feats of awareness that are mythological legends nowadays. And then, everything seems to disappear, and we have now a sedated man. What I'm saying is that what we have against us is not a simple predator. It is very smart, and organized. It follows a methodical system to render us useless. Man, the magical being that he is destined to be, is no longer magical. He's an average piece of meat." "There are no more dreams for man but the dreams of an animal who is being raised to become a piece of meat: trite, conventional, imbecilic.

Not a single person in that audience believes for a second that what I do up there is real,” he says, gesturing in the general direction of the stage. “That’s the beauty of it. Have you seen the contraptions these magicians build to accomplish the most mundane feats? They are a bunch of fish covered in feathers trying to convince the public they can fly, and I am simply a bird in their midst. The audience cannot tell the difference beyond knowing that I am better at it.

How yet resolves the governor of the town? This is the latest parle we will admit; Therefore to our best mercy give yourselves; Or like to men proud of destruction Defy us to our worst: for, as I am a soldier, A name that in my thoughts becomes me best, If I begin the battery once again, I will not leave the half-achieved Harfleur Till in her ashes she lie buried. The gates of mercy shall be all shut up, And the flesh'd soldier, rough and hard of heart, In liberty of bloody hand shall range With conscience wide as hell, mowing like grass Your fresh-fair virgins and your flowering infants. What is it then to me, if impious war, Array'd in flames like to the prince of fiends, Do, with his smirch'd complexion, all fell feats Enlink'd to waste and desolation? What is't to me, when you yourselves are cause, If your pure maidens fall into the hand Of hot and forcing violation? What rein can hold licentious wickedness When down the hill he holds his fierce career? We may as bootless spend our vain command Upon the enraged soldiers in their spoil As send precepts to the leviathan To come ashore. Therefore, you men of Harfleur, Take pity of your town and of your people, Whiles yet my soldiers are in my command; Whiles yet the cool and temperate wind of grace O'erblows the filthy and contagious clouds Of heady murder, spoil and villany. If not, why, in a moment look to see The blind and bloody soldier with foul hand Defile the locks of your shrill-shrieking daughters; Your fathers taken by the silver beards, And their most reverend heads dash'd to the walls, Your naked infants spitted upon pikes, Whiles the mad mothers with their howls confused Do break the clouds, as did the wives of Jewry At Herod's bloody-hunting slaughtermen. What say you? will you yield, and this avoid, Or, guilty in defence, be thus destroy'd?

...I have read but little of Madame Glyn. I did not know that things like "It" were going on. I have misspent my days. When I think of all those hours I flung away in reading William James and Santayana, when I might have been reading of life, throbbing, beating, perfumed life, I practically break down. Where, I ask you, have I been, that no true word of Madame Glyn's literary feats has come to me? But even those far, far better informed than I must work a bit over the opening sentence of Madame Glyn's foreword to her novel" "This is not," the says, drawing her emeralds warmly about her, "the story of the moving picture entitled It, but a full character study of the story It, which the people in the picture read and discuss." I could go mad, in a nice way, straining to figure that out. ...Well it turns out that Ava and John meet, and he begins promptly to "vibrate with passion." ... ...It goes on for nearly three hundred pages, with both of them vibrating away like steam launches." -Review of the book, It, by Elinor Glyn. Review title: Madame Glyn Lectures on "It," with Illustrations; November 26, 1927.

Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.

Then you told me how you had tricked the boggart into thinking you a long-lost relative of his last master---a feat which had required extensive research into local lore---then bribed him with exotic seashells, for you remembered some obscure story about a boggart whose secret fantasy was to travel the world, boggarts being bound to their crumbling ruins, while I half listened in astonishment. I say half, because I was mostly just watching you, observing the way your mind clicks and whirrs like some fantastical clock. Truly, I have never met anyone with a better understanding of our nature, and that anyone includes the Folk. I suppose that's partly why--- Ah, but you really would kill me if I desecrated your scientific vessel with the end of that sentence.

Laurent looked like what he was: a young man. When laced into his clothing, Laurent’s dangerous grace lent him an almost androgynous quality. Or perhaps it was more accurate to say that it was rare to associate Laurent with a physical body at all: you were always dealing with a mind. Even when fighting in battle, driving his horse to some impossible feat, the body was under the control of the mind. Damen

I was like Robinson Crusoe on the island of Tobago. For hours at a stretch I would lie in the sun doing nothing, thinking of nothing. To keep the mind empty is a feat, a very healthful feat too. To be silent the whole day long, see no newspaper, hear no radio, listen to no gossip, be thoroughly and completely lazy, thoroughly and completely indifferent to the fate of the world is the finest medicine a man can give himself. The book-learning gradually dribbles away; problems melt and dissolve; ties are gently severed; thinking, when you deign to indulge in it, becomes very primitive; the body becomes a new and wonderful instrument; you look at plants or stones or fish with different eyes; you wonder what people are struggling to accomplish with their frenzied activities; you know there is a war on but you haven't the faintest idea what it's about or why people should enjoy killing one another; you look at a place like Albania—it was constantly staring me in the eyes—and you say to yourself, yesterday it was Greek, to-day it's Italian, to-morrow it may be German or Japanese, and you let it be anything it chooses to be. When you're right with yourself it doesn't matter which flag is flying over your head or who owns what or whether you speak English or Monongahela. The absence of newspapers, the absence of news about what men are doing in different parts of the world to make life more livable or unlivable is the greatest single boon. If we could just eliminate newspapers a great advance would be made, I am sure of it. Newspapers engender lies, hatred, greed, envy, suspicion, fear, malice. We don't need the truth as it is dished up to us in the daily papers. We need peace and solitude and idleness. If we could all go on strike and honestly disavow all interest in what our neighbor is doing we might get a new lease on life. We might learn to do without telephones and radios and newspapers, without machines of any kind, without factories, without mills, without mines, without explosives, without battleships, without politicians, without lawyers, without canned goods, without gadgets, without razor blades even or cellophane or cigarettes or money. This is a pipe dream, I know.

Cobb was “jabbering all over the place” and practically hornpiping with glee. “What will the Babe say about this trick by Ty, five in two games?” (The feat has been equaled by several players since but has never been surpassed.)

He that outlives this day, and comes safe home, Will stand a tiptoe44 when this day is named, And rouse him at the name of Crispian. He that shall see this day, and live old age, Will yearly on the vigil47 feast his neighbours, And say, ‘Tomorrow is Saint Crispian.’ Then will he strip his sleeve and show his scars, And say, ‘These wounds I had on Crispin’s day.’ Old men forget; yet all51 shall be forgot, But he’ll remember with advantages52 What feats he did that day.

Jay insisted on carrying her up the back steps and into the kitchen, and this time Violet didn’t complain when he lifted her. He set her down gently on the kitchen counter, and then he rummaged through the cupboard while Violet told him where the Band-Aids were. He came with bandages, gauze, cotton balls, antibacterial wash, and two tubes of ointment. It seemed like overkill to Violet, but she didn’t say anything. She wanted to see what he planned to do. “Okay, this is probably gonna sting,” he warned as he leaned over and began cleaning her wounds. It did sting, more than Violet let on, and she had to bite her lip as the tears came back all over again. But she let him keep working without even flinching, which was no small feat as he stripped away the layers of dirt from her skin. The wounds were big, and round, and raw. She thought she looked like a little kid with the giant scrapes on her knees, and she imagined that they were going to scab over and possibly even scar. She felt like such an idiot for falling over her own two clumsy feet. But Jay was gentle, and he took his time, being careful not to hurt her. She admired his patience and took perverse pleasure in his touch. He didn’t look up to see how she was doing; he just kept working until he was satisfied that her scrapes were cleaned out. And then he picked up the antibacterial wash and some cotton balls. Violet sucked in her breath when he brushed the soaked cotton ball against the angry red abrasions. Jay looked up at her but didn’t stop dabbing at them. Instead he blew on her knees as he labored over them, just like her mother used to do when Violet was a little girl. She thought it was sweet, and she swore that she was even more attracted to him than ever in that tender moment. When he finished with the wash, he gingerly patted an antibiotic ointment on her knees before covering them with bandages. “There,” he said, admiring his own handiwork. “Good as new.” Violent glanced at the ridiculously huge Band-Aids on her knees and looking at him doubtfully. “You really think so? ‘Good as new’?” He smiled. “I think I did pretty good. It’s not my fault you can’t walk.

I know that everything is connected like a worldwide version of the six-degrees-of-separation game. I know that history is simultaneously a bloody mess and a collection of feats so inspiring and amazing they make you proud to share the same DNA structure with the rest of humanity. I know you’d better focus on the good stuff or you’re screwed. I know that the race does not go to the swift, nor the bread to the wise, so you should soak up what enjoyment you can. I know not to take cinnamon for granted. I know that morality lies in even the smallest decisions, like whether to pick up and throw away a napkin... I know firsthand the oceanic volume of information in the world. I know that I know very little of that ocean… I know I’ve contradicted myself hundreds of times over the last year, and that history has contradicted itself thousands of times… I know that you should always say yes to adventures or you’ll lead a very dull life. I know that knowledge and intelligence are not the same thing—but they do live in the same neighborhood. I know once again, firsthand, the joy of learning.

The truth is that we never know from whom we originally get the ideas and beliefs that shape us, those that make a deep impression on us and which we adopt as a guide, those we retain without intending to and make our own. From a great-grandparent, a grandparent, a parent, not necessarily ours? From a distant teacher we never knew and who taught the one we did know? From a mother, from a nursemaid who looked after her as a child? From the ex-husband of our beloved, from a ġe-bryd-guma we never met? From a few books we never read and from an age through which we never lived? Yes, it's incredible how much people say, how much they discuss and recount and write down, this is a wearisome world of ceaseless transmission, and thus we are born with the work already far advanced but condemned to the knowledge that nothing is ever entirely finished, and thus we carry-like a faint booming in our heads-the exhausting accumulated voices of the countless centuries, believing naively that some of those thoughts and stories are new, never before heard or read, but how could that be, when ever since they acquired the gift of speech people have never stopped endlessly telling stories and, sooner or later, everything is told, the interesting and the trivial, the private and the public, the intimate and the superfluous, what should remain hidden and what will one day inevitably be broadcast, sorrows and joys and resentments, certainties and conjectures, the imagined and the factual, persuasions and suspicions, grievances and flattery and plans for revenge, great feats and humiliations, what fills us with pride and what shames us utterly, what appeared to be a secret and what begged to remain so, the normal and the unconfessable and the horrific and the obvious, the substantial-falling in love-and the insignificant-falling in love. Without even giving it a second thought, we go and we tell.

Perhaps the cast of our political pantomime never was richer than at this day.  We are particularly strong in clowns.  At no former time, we should say, have we had such astonishing tumblers, or performers so ready to go through the whole of their feats for the amusement of an admiring throng.  Their extreme readiness to exhibit, indeed, has given rise to some ill-natured reflections; it

When Felix walked off the project,” says Walshe, “it was the darkest moment in his life. But a phobia—that’s deeply rooted fear. To face that, to come back, to trust strangers with his life, to put himself back into position to do something no one else had ever conceived of? I’ve seen plenty of astounding feats of human performance, but emotionally, Felix’s journey is the farthest I’ve ever seen an athlete come.

The more I know the human being, the more I cling to animal nature. Mention poem 2013 Since its beginnings, the human being has been a complex and enigmatic being, capable of great achievements and feats, and at the same time, of the most cruel and vile acts. There is no doubt that our species is one of the most evolved and sophisticated of the planet, but at what cost? What is behind our apparent superiority? When we observe human behavior, we can see that it hides a mixture of animal instincts and rational thoughts. Although human beings take pride in our ability for critical thinking and reflection, We are also emotional, impulsive and visceral beings. And it is precisely this duality that makes us so different from animals. that cohabit this planet with us. It is often difficult for us to understand the nature of animals, because we cannot access their internal world. However, what we can say is that animals are transparent beings, His actions are always a consequence of his instincts, not from premeditated thoughts or complex emotions. For animals, living is following their instinct, something that allows them to act quickly and effectively in situations of danger or threat. Animals are beings in balance with their environment, They don't feel the need to constantly change, nor to think beyond the here and now. On the other hand, we have human beings, beings capable of conceiving abstract thoughts, create works of art, invent technologies and, at the same time, of destroying the environment, oppressing other human beings and commit acts of extreme cruelty. The human being is a complex, contradictory being, capable of loving and hating, forgiving and punishing, healing and destroying. We are creatures of light and darkness, in a constant search for balance between both parties. But what is behind our duality as human beings? Why are we capable of the worst acts of destruction and cruelty? If we look back at the history of humanity, we can see that our genetic patterns are impregnated of violence, war and resentment. History has been a constant parade of wars and conflicts, each one more brutal than the last. This being the only way in which many cultures they have found to impose their ideas or consolidate power. It is precisely here that the idea is born that the creators of humanity They have intoxicated us with the yoke of evil. Who are these forgers? They are the same societies, cultures, religions, policies, which have used violence, war and resentment as a tool to impose their desires and ideals on others. This is the curse that we have dragged like chains since long ago, that of a genetic pattern that drags us towards violence and war. It is true that, as human beings, we can choose our own paths, our own decisions, and not fall into the trap of cruelty and evil. However, it is also true that we carry within us an ancestral burden that is difficult to overcome. What will the most advanced civilizations in the universe think of us? Will we be violent and hateful beings for them? Or will we be beings like animals, in balance with our environment? The answer is not easy, since it remains an unknown. if we are able to overcome our animal instincts and embrace only the best of our humanity. The key to this lies in becoming aware of our own duality, to recognize that we carry both light and darkness within us, and make a real effort to choose the best of ourselves, instead of letting ourselves be carried away by our internal evil.

Able-bodied people aren’t expected to do superhuman feats each time they walk out the door. It should be enough to simply exist. We could start with ending abuse and neglect and giving everyone a more level playing field. We shouldn’t have to tell you we want to cure cancer to get a few extra bucks. We should be able to say we just want to be able to ride the bus like the other citizens in the city. To enjoy life the way everyone else takes for granted.

I turn on my heel, which is no easy feat in a gravel parking lot. Not losing eye contact with Galen, I stare him down until I get to the door he's opened for me. He seems unconcerned. In fact, he seems downright emotionless. "This better be good," I tell him as I plop down. "You should have returned my calls. Or my texts," he says, his voice tight. As he backs out of the parking space, I yank my cell out of my purse, perusing the texts. "Well, doesn't look like anyone died, so why the hell did you ruin my date?" It's the first time I've ever cursed at royalty and it's liberating. "Or is this a kidnapping? Is Grom in the trunk? Are you taking us on our honeymoon?" You're supposed to be hurting him, not yourself, moron. My lip trembles like the traitor it is. Even though I'm looking away, I can tell Galen's impassive expression has softened because of the way he says, "Emma." "Leave me alone, Galen." He pulls my chin to face him. I knock his hand away. "You can't go forty miles an hour on the interstate, Galen. You need to speed up.” He sighs and presses the gas. By the time we reach a less-embarrassing speed, I’ve abandoned my hurt for rage-o-plenty, struck by the realization that I’ve turned into “that girl.” Not the one who exchanges her doctorate for some kids and a three-bedroom two-bath, but the other kind. That girl who exchanges her dignity and chances for happiness for some possessive loser who beats her when she makes eye contact with some random guy working the hot dog stand. Not that Galen beats me, but after his little show, what will people think? He acted like a lunatic tonight, stalking me to Atlantic City, blowing up my phone, and threatening my date with physical violence. He made serial-killer eyes, for crying out loud. That might be acceptable in the watery grave, but by dry-land standards, it’s the ingredients for a restraining order. And why are we getting off the interstate? “Where are you taking me? I told you I want to go home.” “We need to talk,” he says quietly, taking a dark road just off the exit. “I’ll take you home after I feel you understand.” “I don’t want to talk. You might have realized that when I didn’t answer your calls.” He pulls over on the shoulder of Where-Freaking-Are-We Street. Shutting off the engine, he turns to me, putting his arm around the back of my seat. “I don’t want to break up.” One Mississippi…two Mississippi…”You followed me like a crazy person to tell me that? You ruined my date for that? Mark is a nice guy. I deserve a nice guy, don’t I, Galen?” “Absolutely. But I happen to be a nice guy, too.” Three Mississippi…four Mississippi…”Don’t you mean Grom? And you’re not a nice guy. You threatened Mark with physical pain.” “You threw Rayna through a window. Call it even?” “When are you going to get over that? Besides, she provoked me!” “Mark provoked me, too. He put his hand on your leg. We won’t even talk about the kiss on your cheek. Don’t think I didn’t hear you give him permission either.” “Oh, now that’s rich,” I snort, getting out of the car. Slamming the door, I scream at him. “Now you’re acting jealous on behalf of your brother,” I say, spinning in place. “Can Grom do anything without the almighty Galen helping him?

Or maybe I’m just a reckless fool, the way I was when I once jumped eighty feet off Foster Falls, near Sequatchie, Tennessee, or went swimming in the Atlantic Ocean during a hurricane. You could say—and some have—that I have a death wish. Not sure. I believe it’s more accurate to say I have a risk wish, somehow clinging to the notion that achieving these audacious feats will somehow make me worthy, make me special, as if I’d taken some magical, esteem-enhancing drug.

And there is no use in saying that if we can invent the nuclear bomb and fly to the moon, we can solve hunger and related problems of land use. Epic feats of engineering require only a few brilliant technicians and a lot of money. But feeding a world of people year to year for a long time requires cultures of husbandry fitted to the nature of millions of unique small places—precisely the kind of cultures that industrialism has purposely disvalued, uprooted, and destroyed.

Violet had carefully chosen some long-hanging, loose-fitting basketball shorts to wear over her swimsuit, in hopes of keeping her injuries at least partially hidden. But it didn’t take long before one . . . and then two . . . and then at least twenty of her friends had noticed her bandages peeking out from beneath the swishing fabric, and she was forced to recount her morning accident. Jay loved hearing her tell the story, and every time he heard her talking about it, he would come over so that he could interject, and of course embellish, his role in the events. In his version, he was her champion, practically carrying her from the woods and performing near-miraculous medical feats to save her legs from complete amputation. Violet, and annoyingly every other girl within earshot, couldn’t help but giggle while he jokingly sang his own praises. Violet happened to walk up just in time to hear Jay recounting his version once more to a group of eager admirers. “Hero? I wouldn’t say hero . . .” he quipped. Violet rolled her eyes, turning to Grady Spencer, a friend of theirs from school. “Can you believe him?” Grady gave her a concerned look. “Seriously, are you okay, Violet? It sounds like it was pretty bad.” Violet was embarrassed that Jay’s exaggerations were actually dredging up real sympathy from others. “It’s fine,” she assured him, and when Grady didn’t look convinced, she added, “Really, I just tripped.” She reached out and shoved Jay. “Will you knock it off, hero? You’re making an ass out of yourself.

Gideon rose up to his full height, watching their progress as they faded into the night. He then turned his diamondlike eyes until they narrowed on the female Demon who had remained so still and quiet that she had gone unremembered. An interesting feat, considering the remarkable presence of the beauty. “You have grown strong, Legna,” he remarked quietly. “In only a decade? I am sure it has not made much of a difference.” “To teleport me from such a great distance took respectful skill and strength. You well know it.” “Thank you. I shall have to remember to feel weak and fluttery inside now that you complimented me.” Gideon narrowed his eyes coldly on her. “You sound like that acerbic little human. It does not become you.” “I sound like myself,” Legna countered, her irritation crackling through his thoughts as the emotion overflowed her control. “Or have you forgotten that I am far too immature for your tastes?” “I never said such a thing.” “You did. You said I was too young to even begin to understand you.” She lifted her chin, so lost in her wounded pride that she spoke before she thought. “At least I was never so immature that Jacob had to punish me for stalking a human.” Gideon’s spine went extremely straight, his eyes glittering with warning as she hit home on the still-raw wound. “Maturity had nothing to do with that, and you well know it. It is below you to be so petty, Magdelegna.” “I see, so I am groveling around in the gutter now? How childish of me. However can you bear it? I shall leave immediately.” Before Gideon could speak, Legna burst into smoke and sulfur, disappearing but for her laughter that rang through his mind. Gideon sighed, easily acknowledging her that her laughter was a taunt meant to remind him that with her departure, so too went his easy transportation home. Nevertheless, he was more perturbed to realize that he’d once against managed to say all the wrong things to her. Perhaps someday he would manage to speak with her without irritating her. However, he didn’t think that was likely to happen this millennium.

We thus arrive at the important result: Events that are simultaneous with reference to the embankment are not simultaneous with respect to the train,” said Einstein. The principle of relativity says that there is no way to decree that the embankment is “at rest” and the train “in motion.” We can say only that they are in motion relative to each other. So there is no “real” or “right” answer. There is no way to say that any two events are “absolutely” or “really” simultaneous.43 This is a simple insight, but also a radical one. It means that there is no absolute time. Instead, all moving reference frames have their own relative time. Although Einstein refrained from saying that this leap was as truly “revolutionary” as the one he made about light quanta, it did in fact transform science. “This was a change in the very foundation of physics, an unexpected and very radical change that required all the courage of a young and revolutionary genius,” noted Werner Heisenberg, who later contributed to a similar feat with his principle of quantum uncertainty.

First Lord of the Admiralty, long enough to engineer what an anti-Churchillian would say was an epic and unparalleled military disaster—a feat of incompetent generalship that made the Charge of the Light Brigade look positively slick. It was an attempt to outflank the stalemate on the Western Front that not only ended in humiliation for the British armed forces; it cost the lives of so many Australians and New Zealanders that to this day their 1915 expedition to Turkey is the number-one source of pom-bashing and general anti-British feeling among Antipodeans.

That would be because she just drained the ocean, pet. Had to be a rather laborious feat, don't you think?" My entire being shakes at the sound of that deep accent. Liquid, masculine, and sensual. It's him. my netherling guide. If only I could see past the smoke. "Her apparel appears to be that of a scullery maid," Gossamer says, shooting me a disapproving glance. "Perhaps you should send her home and wait for another. Someone more acceptable." "One who's naked shouldn't judge apparel," that familiar voice answers. "You well know that clothes do not the lady make.

Lost In The World" (feat. Justin Vernon of Bon Iver) [Sample From "Woods": Justin Vernon] I'm up in the woods, I'm down on my mind I'm building a still to slow down the time I'm up in the woods, I'm down on my mind I'm building a still to slow down the time I'm up in the woods, I'm down on my mind I'm building a still to slow down the time [Chorus 2x:] I'm lost in the world, I'm down on my mind I'm new in the city, and I'm down for the night Down for the night Said she's down for the night [Kanye West:] You're my devil, you're my angel You're my heaven, you're my hell You're my now, you're my forever You're my freedom, you're my jail You're my lies, you're my truth You're my war, you're my truce You're my questions, you're my proof You're my stress and you're my masseuse Mama-say mama-say ma-ma-coo-sah Lost in this plastic life, Let's break out of this fake ass party Turn this into a classic night If we die in each other's arms we still get laid in the afterlife If we die in each other's arms we still get laid [Chorus:] (I'm lost in the world) Run from the lights, run from the night, (I'm down on my mind) Run for your life, I'm new in the city, and I'm down for the night Down for the night Down for the night I'm lost in the world, been down for my whole life, I'm new in the city but I'm down for the night Down for the night Down for the night Who will survive in America? Who will survive in America? Who will survive in America? [Chorus:] I'm lost in the world, I'm down on my mind I'm new in the city, and I'm down for the night Down for the night Said she's down for the night I'm lost in the world, I'm down on my mind I'm new in the city and I'm goin' for a ride Goin' for a ride I'm lost in the world, been down for my whole life I'm new in the city but I'm down the for the night Down for a night, down for a good time [Gil-Scott Heron:] Us living as we do upside down. And the new word to have is revolution. People don't even want to hear the preacher spill or spiel because God's whole card has been thoroughly piqued. And America is now blood and tears instead of milk and honey. The youngsters who were programmed to continue fucking up woke up one night digging Paul Revere and Nat Turner as the good guys. America stripped for bed and we had not all yet closed our eyes. The signs of truth were tattooed across our open ended vagina. We learned to our amazement the untold tale of scandal. Two long centuries buried in the musty vault, hosed down daily with a gagging perfume. America was a bastard, the illegitimate daughter of the mother country whose legs were then spread around the world and a rapist known as freedom, free doom. Democracy, liberty, and justice were revolutionary code names that preceded the bubbling bubbling bubbling bubbling bubbling in the mother country's crotch What does Webster say about soul? All I want is a good home and a wife And our children and some food to feed them every night. After all is said and done build a new route to China if they'll have you. Who will survive in America? Who will survive in America? Who will survive in America? Who will survive in America?

Kilorn and I don’t really see eye to eye on the Feats of First Friday. For me, watching two champions rip into each other is not enjoyable, but Kilorn loves it. Let them ruin each other, he says. They’re not our people. He doesn’t understand what the Feats are about. This isn’t mindless entertainment, meant to give us some respite from grueling work. This is calculated, cold, a message. Only Silvers can fight in the arenas because only a Silver can survive the arena. They fight to show us their strength and power. You are no match for us. We are your betters. We are gods. It’s written in every superhuman blow the champions land.

A farmer, as one of his farmer correspondents once wrote to Liberty Hyde Bailey, is “a dispenser of the ‘Mysteries of God.’” The mothering instinct of animals, for example, is a mystery that husbandry must use and trust mostly without understanding. The husband, unlike the “manager” or the would-be objective scientist, belongs inherently to the complexity and the mystery that is to be husbanded, and so the husbanding mind is both careful and humble. Husbandry originates precautionary sayings like “Don’t put all your eggs into one basket” and “Don’t count your chickens before they hatch.” It does not boast of technological feats that will “feed the world.” Husbandry,

All good books are different but all bad books are exactly the same. I know this to be a fact because in my line of work I read a lot of bad books – books so bad they aren’t even published, which is quite a feat, when you consider what is published. And what they all have in common, these bad books, be they novels or memoirs, is this: they don’t ring true. I’m not saying that a good book is true necessarily, just that it feels true for the time you’re reading it. A publishing friend of mine calls it the Seaplane Test, after a movie he once saw about people in the City of London that opened with the hero arriving for work in a seaplane he landed on the Thames. From then on, my friend said, there was no point in watching.

You see, I have never felt the need to invent a world beyond this world, for this world has always seemed large and beautiful enough for me. I have wondered why it is not large and beautiful enough for others—why they must dream up new and marvelous spheres, or long to live elsewhere, beyond this dominion . . . but that is not my business. We are all different, I suppose. All I ever wanted was to know this world. I can say now, as I reach my end, that I know quite a bit more of it than I knew when I arrived. Moreover, my little bit of knowledge has been added to all the other accumulated knowledge of history—added to the great library, as it were. That is no small feat, sir. Anyone who can say such a thing has lived a fortunate life.

The mind works wondrously; it is capable of astonishing feats. It is the only machine in nature capable of thinking one thing while knowing its opposite. The bright, busy surface of life—that is the key. How easily it distracts us, like a magician who waves a wand with one hand while, with the other, he plucks a rabbit from his vest. Here is the golden morning, we say; here is the beautiful sea. Here is my beautiful home, my adoring wife, my morning cup of coffee, and my refreshing daybreak swim. We look no deeper into things because we do not desire this; neither are we meant to. That is the design of the world, to trick us into believing it is one thing, when it’s entirely another. I ask again: Did I know? Of course I did. Of course I fucking knew.

Many people long to tell a story. Say to any group, “I write books,” and at least half will respond that, one day, they plan to write one, too. One day, when they have the time. One day, when they have the focus. Some have even started, though few have gotten past the first chapter, or the third, or the fifth. This isn’t meant as a judgment (the world needs far more readers than writers). I only mean to say that it is no small feat, to write a book. And if you want anyone to read said book, The End is only the beginning. Next, if one has opted to participate in traditional publishing, one must find an agent, a publisher. Then comes revision, sometimes one round, sometimes half a dozen, all to ready the text for an audience, to earn that place on the shelves of a bookstore, and then, a reader’s home.

It will be long before everyone is wiped out. People live in war time, they always have. There was terror down through history - and the men who saw the Spanish Armada sail over the rim of the world, who saw the Black death wipe out half of Europe, those men were frightened, terrified. But though they lived and died in fear, I am here; we have built again. And so I will belong to a dark age, and historians will say "We have few documents to show how the common people lived at this time. Records lead us to believe that a majority were killed. But there were glorious men." And school children will sigh and learn the names of Truman and Senator McCarthy. Oh, it is hard for me to reconcile myself to this. But maybe this is why I am a girl - - - so I can live more safely than the boys I have known and envied, so I can bear children, and instill in them the biting eating desire to learn and love life which I will never quite fulfill, because there isn't time, because there isn't time at all, but instead the quick desperate fear, the ticking clock, and the snow which comes too suddenly upon the summer. Sure, I'm dramatic and sloppily semi-cynical and semi-sentimental. But in leisure years I could grow and choose my way. Now I am living on the edge. We all are on the brink, and it takes a lot of nerve, a lot of energy, to teeter on the edge, looking over, looking down into the windy blackness and not being quite able to make out, through the yellow, stinking mist, just what lies below in the slime, in the oozing, vomit-streaked slime; and so I could go on, into my thoughts, writing much, trying to find the core, the meaning for myself. Perhaps that would help, to synthesize my ideas into a philosophy for me, now, at the age of eighteen, but the clock ticks, ah yes, "At my back I hear, time's winged chariot hovering near." And I have too much conscience, too much habit to sit and stare at snow, thick now, and evenly white and muffling on the ground. God, I scream for time to let go, to write, to think. But no. I have to exercise my memory in little feats just so I can stay in this damn wonderful place which I love and hate with all my heart. And so the snow slows and swirls, and melts along the edges. The first snow isn't good for much. It makes a few people write poetry, a few wonder if the Christmas shopping is done, a few make reservations at the skiing lodge. It's a sentimental prelude to the real thing. It's picturesque & quaint.

Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.

Survival and persistence, sung defiantly in the high notes of the diva, are no small feats in a world that wishes fervently for one's nonexistence and/or silent complicity in one's own exploitation. The narcissistic self-regard implied in the negative definition of the diva is a radical insistence on self-love when no one else loves you, when you are not, according to social norms, worthy of being loved at all, but only of being desired in a way that uses you up or consumes you. To say that diva citizenship cannot change the world is to accept a meaning of "the world" that aligns it only with the privileged. An investigation of the real function of diva citizenship has to start by asking who these acts are for, and whether the very fact of having something for herself can change a person, who might then go on to change the world just by surviving in it for one more day.

This day is call’d the feast of Crispian:40 He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam’d, And rouse him at the name of Crispian. He that shall live this day, and see old age,44 Will yearly on the vigil feast his neighbours, And say, ‘To-morrow is Saint Crispian:’ Then will he strip his sleeve and show his scars, And say, ‘These wounds I had on Crispin’s day.’ Old men forget: yet all shall be forgot,49 But he’ll remember with advantages What feats he did that day. Then shall our names, Familiar in his mouth as household words,52 Harry the king, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester, Be in their flowing cups freshly remember’d. This story shall the good man teach his son;56 And Crispin Crispian shall ne’er go by, From this day to the ending of the world, But we in it shall be remembered; We few, we happy few, we band of brothers;60

Even if I could accept, just for an instant, that I have the power to change physical matter with my mind, and literally manifest all that I desire . . . I’m afraid I see nothing in my life to make me believe I have such power.” She shrugged. “Then you’re not looking hard enough.” “Come on, I want a real answer. That’s the answer of a priest. I want the answer of a scientist.” “You want a real answer? Here it is. If I hand you a violin and say you have the capability to use it to make incredible music, I am not lying. You do have the capability, but you’ll need enormous amounts of practice to manifest it. This is no different from learning to use your mind, Robert. Well-directed thought is a learned skill. To manifest an intention requires laserlike focus, full sensory visualization, and a profound belief. We have proven this in a lab. And just like playing a violin, there are people who exhibit greater natural ability than others. Look to history. Look to the stories of those enlightened minds who performed miraculous feats.

If literature were nothing more than verbal algebra, anyone could produce any book by essaying variations. The lapidary formula 'Everything flows' abbreviates in two words the philosophy of Heraclitus: Raymond Lully would say that, with the first word given, it would be sufficient to essay the intransitive verbs to discover the second and obtain, thanks to methodical chance, that philosophy and many others. Here it is fitting to reply that the formula obtained by this process of elimination would lack all value and even meaning; for it to have some virtue we must conceive it in terms of Heraclitus, in terms of an experience of Heraclitus, even though 'Heraclitus is nothing more than the presumed subject of that experience. I have said that a book is a dialogue, a form of relationship; in a dialogue, an interlocutor is not the sum or average of what he says: he may not speak and still reveal that he is intelligent, he may emit intelligent observations and reveal his stupidity. The same happens with literature; d'Artagnan executes innumerable feats and Don Quixote is beaten and ridiculed, but one feels the valour of Don Quixote more.

WHODUNIT BY BRUCE TIERNEY | 838 words A slippery situation in the Gulf Black Horizon (Harper, $25.99, 384 pages, ISBN 9780062109880), the 11th book in James Grippando's popular series featuring Florida attorney Jack Swyteck, opens with the two most important words of the lawyer's life: "I do." (Ha, ha—you thought I was going to say, "Not guilty.") The beach wedding in scenic Key Largo goes wildly awry when an epic storm arises in the Gulf, launching manifold repercussions for Swyteck and his new bride. One of the victims of the storm is a young Cuban oil rig worker whose wife emigrated to the U.S. ahead of him. He had planned to follow, but the deadly combination of high winds and an explosive oil spill have put paid to those plans forever. Now his wife would like Swyteck to file a wrongful death suit against the Chinese/Russian/Venezuelan/Cuban consortium that owns the oil rig. This is no easy feat, since the rig is in Cuban waters, and the only tenuous tie to the U.S. legal system is the wife's residency in Key West. The situation is volatile; the adversaries are lethal; and the backdrop is a toxic oil slick poised to slime the Florida coast. Black Horizon is timely, relentlessly paced and a thrill ride of the first

Specifically, the awareness that I claim is demonstrably non-computational is our understanding of the properties of natural numbers 0,1,2,3,4,....(One might even say that our concept of a natural number is, in a sense, a form of non-geometric 'visualization'.) We shall see in 2.5, by a readily accessible form of Godel's theorem (cf. response to query Q16), that this understanding is something that cannot be simulated computationally. From time to time one hears that some computer system has been 'trained' so as to 'understand' the concept of natural numbers. However, this cannot be true, as we shall see. It is our awareness of what a 'number' can actually mean that enables us to latch on to the correct concept. When we have this correct concept, we can-at least in principle-provide the correct answers to families of questions about numbers that are put to us, when no finite set of rules can do this. With only rules and no direct awareness, a computer-controlled robot (like Deep Thought) would be necessarily limited in ways in which we are not limited ourselves-although if we give the robot clever enough rules for its behaviour it may perform prodigious feats, some of which lie far beyond unaided human capabilities in specific narrowly enough defined areas, and it might be able to fool us, for some while, into thinking that it also possesses awareness.

In those days there were two dark elves who lived in a fortress by the sea. They did magic there, and feats of alchemy. Like all dwarfs, they built things, wonderful, remarkable things, in their workshop and their forge. But there were things they had not yet made, and making those things obsessed them. They were brothers, and were called Fjalar and Galar. When they heard that Kvasir was visiting a town nearby, they set out to meet him. Fjalar and Galar found Kvasir in the great hall, answering questions for the townsfolk, amazing all who listened. He told the people how to purify water and how to make cloth from nettles. He told one woman exactly who had stolen her knife, and why. Once he was done talking and the townsfolk had fed him, the dwarfs approached. “We have a question to ask you that you have never been asked before,” they said. “But it must be asked in private. Will you come with us?” “I will come,” said Kvasir. They walked to the fortress. The seagulls screamed, and the brooding gray clouds were the same shade as the gray of the waves. The dwarfs led Kvasir to their workshop, deep within the walls of their fortress. “What are those?” asked Kvasir. “They are vats. They are called Son and Bodn.” “I see. And what is that over there?” “How can you be so wise when you do not know these things? It is a kettle. We call it Odrerir—ecstasy-giver.” “And I see over here you have buckets of honey you have gathered. It is uncapped, and liquid.” “Indeed we do,” said Fjalar. Galar looked scornful. “If you were as wise as they say you are, you would know what our question to you would be before we asked it. And you would know what these things are for.” Kvasir nodded in a resigned way. “It seems to me,” he said, “that if you were both intelligent and evil, you might have decided to kill your visitor and let his blood flow into the vats Son and Bodn. And then you would heat his blood gently in your kettle, Odrerir. And after that you would blend uncapped honey into the mixture and let it ferment until it became mead—the finest mead, a drink that will intoxicate anyone who drinks it but also give anyone who tastes it the gift of poetry and the gift of scholarship.” “We are intelligent,” admitted Galar. “And perhaps there are those who might think us evil.” And with that he slashed Kvasir’s throat, and they hung Kvasir by his feet above the vats until the last drop of his blood was drained. They warmed the blood and the honey in the kettle called Odrerir, and did other things to it of their own devising. They put berries into it, and stirred it with a stick. It bubbled, and then it ceased bubbling, and both of them sipped it and laughed, and each of the brothers found the verse and the poetry inside himself that he had never let out.

Stronghammer is my name,” he said. With a single deft movement, he gathered up the knucklebones, tossed them skyward, and caught three on his hand. “Roran Stronghammer, and Eragon Shadeslayer is my cousin. You might have heard mention of him, if not of me.” A rustle of unease spread among the line of horsemen, and Roran thought he saw Tharos’s eyes widen for an instant. “An impressive claim, that, but how can we be sure of its veracity? Any man might say he is another if it served his purpose.” Roran drew his hammer and slammed it down on the table with a muffled thump. Then, ignoring the soldiers, he resumed his game. He uttered a noise of disgust as two of the bones fell from the back of his hand, costing him the round. “Ah,” said Tharos, and coughed, clearing his throat. “You have a most illustrious reputation, Stronghammer, although some argue that it has been exaggerated beyond all reason. Is it true, for example, that you single-handedly felled nigh on three hundred men in the village of Deldarad in Surda?” “I never learned what the place was called, but if Deldarad it was, then yes, I slew many a soldier there. It was only a hundred ninety-three, however, and I was well guarded by my own men while I fought.” “Only a hundred ninety-three?” Tharos said in a wondering tone. “You are too modest, Stronghammer. Such a feat might earn a man a place in many a song and story.” Roran shrugged and lifted the horn to his mouth, feigning the action of swallowing, for he could not afford to have his mind clouded by the potent dwarf brew. “I fight to win, not to lose.

Lavender,' he commented, looking at the ribbons in her sleeve. 'The prince was tired, he said, of looking at so much black.' 'So am I,' he breathed. ... Sorrow caught her, as it did sometimes unexpectedly: a thumbprint of fire in the hollow of her throat. She swallowed it, said only, 'Because you have been working so hard, my lord.' 'I'm not used to it yet.' He measured a trailing end of the ribbon at her wrist between his fingers, oblivious of the guards and hovering officials who had followed him. ... He added impulsively, 'Perhaps I'll come with you this afternoon.' The thought made her smile. 'To my father's tavern? It's hardly for the likes of you.' 'I've been to --' 'I know, my lord: every tavern in Ombria but the Rose and Thorn. I wonder how you missed it.' Then, out of nowhere, a chill of fear blew through her; she heard herself say, 'We can't both leave the prince. Not both of us at once.' He gave her a strange look, not of surprise, but a reflection of her fear, which she found odder still. He loosed the ribbon, nodded, his eyes returning briefly to the prince's door. 'Perhaps you're right. He knows where you're going?' 'He knows, my lord. But I'll be back before he remembers that I'm gone.' 'Be careful,' he said. 'Tell your father that I will come and draw in his tavern some day.' But that was idle wishing, she knew. Already he was a legend in certain parts of the city, and legends, having made themselves so, rarely returned to repeat their feats. He seemed to read her mind. His eyes, clear, faintly smiling, held hers a moment. 'Not,' he said, 'an idle wish.' A promise, his eyes told her. She blinked, then dismissed the half-glimpsed idea that had rolled like a sea creature on the surface of her mind, then dove back down, so deeply that she had forgotten it before she returned to her chamber.

For years before the Olympic swimmer Michael Phelps won the gold at the 2008 Beijing Olympics, he followed the same routine at every race. He arrived two hours early.1 He stretched and loosened up, according to a precise pattern: eight hundred mixer, fifty freestyle, six hundred kicking with kickboard, four hundred pulling a buoy, and more. After the warm-up he would dry off, put in his earphones, and sit—never lie down—on the massage table. From that moment, he and his coach, Bob Bowman, wouldn’t speak a word to each other until after the race was over. At forty-five minutes before the race he would put on his race suit. At thirty minutes he would get into the warm-up pool and do six hundred to eight hundred meters. With ten minutes to go he would walk to the ready room. He would find a seat alone, never next to anyone. He liked to keep the seats on both sides of him clear for his things: goggles on one side and his towel on the other. When his race was called he would walk to the blocks. There he would do what he always did: two stretches, first a straight-leg stretch and then with a bent knee. Left leg first every time. Then the right earbud would come out. When his name was called, he would take out the left earbud. He would step onto the block—always from the left side. He would dry the block—every time. Then he would stand and flap his arms in such a way that his hands hit his back. Phelps explains: “It’s just a routine. My routine. It’s the routine I’ve gone through my whole life. I’m not going to change it.” And that is that. His coach, Bob Bowman, designed this physical routine with Phelps. But that’s not all. He also gave Phelps a routine for what to think about as he went to sleep and first thing when he awoke. He called it “Watching the Videotape.”2 There was no actual tape, of course. The “tape” was a visualization of the perfect race. In exquisite detail and slow motion Phelps would visualize every moment from his starting position on top of the blocks, through each stroke, until he emerged from the pool, victorious, with water dripping off his face. Phelps didn’t do this mental routine occasionally. He did it every day before he went to bed and every day when he woke up—for years. When Bob wanted to challenge him in practices he would shout, “Put in the videotape!” and Phelps would push beyond his limits. Eventually the mental routine was so deeply ingrained that Bob barely had to whisper the phrase, “Get the videotape ready,” before a race. Phelps was always ready to “hit play.” When asked about the routine, Bowman said: “If you were to ask Michael what’s going on in his head before competition, he would say he’s not really thinking about anything. He’s just following the program. But that’s not right. It’s more like his habits have taken over. When the race arrives, he’s more than halfway through his plan and he’s been victorious at every step. All the stretches went like he planned. The warm-up laps were just like he visualized. His headphones are playing exactly what he expected. The actual race is just another step in a pattern that started earlier that day and has been nothing but victories. Winning is a natural extension.”3 As we all know, Phelps won the record eight gold medals at the 2008 Beijing Olympics. When visiting Beijing, years after Phelps’s breathtaking accomplishment, I couldn’t help but think about how Phelps and the other Olympians make all these feats of amazing athleticism seem so effortless. Of course Olympic athletes arguably practice longer and train harder than any other athletes in the world—but when they get in that pool, or on that track, or onto that rink, they make it look positively easy. It’s more than just a natural extension of their training. It’s a testament to the genius of the right routine.

speed in which he shifts nearly stops my heart. One moment I’m talking to him, the next a gigantic feline prowls over the long dining room table, batting plates aside and growling as he stalks toward me. Scooting my chair back, properly terrified, I quickly say, “Apparently I was wrong.” The lion still appears as if he’s going to attack. “A lion is impressive, yes, but what about an elephant?” I continue. “Can you change into a beast that large? Surely not.” With a loud crack and flying wood, the table collapses as the lion morphs into a creature so gigantic, there is scarcely room for him. Dishes, settings, and candelabras fly this way and that. The elephant holds a huge foot over me. “Are you impressed yet, Carabas?” “Quite,” I squeak and then clear my throat. “But, now that I think of it, it’s only natural that a large creature such as yourself can change into other large creatures. Not that difficult, really.” Slowly, the ogre-elephant lowers his foot, looking as if he’s about to gore me with his tusks. Standing, hoping to put a little distance between me and the beast, I add, “But to change into something tiny, something insignificant—now that would be a feat.” “Like what, Carabas?” the ogre glares at me with foreign eyes. “A rabbit? A grouse?” I shrug. “Certainly, but what about something as tiny as…a mouse? That would be quite impossible, would it not?” And just like that, the elephant is gone, vanished before my very eyes. I frantically look for him in the broken plates, splintered table, and mess of molten wax on the floor. Before I even spot the rodent the ogre shifted into, Puss leaps into the middle of the mess, pouncing with outstretched paws and a greedy look in his bright green eyes. A tiny gray tail disappears into the cat’s mouth, and that is my very last glimpse of the ogre. I stare at Puss with disbelief. The world slows, and the steady thrum of the grandfather clock in the corner is the only thing that tells me that time hasn’t actually stopped. “It

In the words of the master: infinity but without melody. In the second place, with regard to the overthrowing,--this belongs at least in part, to physiology. Let us, in the first place, examine the instruments. A few of them would convince even our intestines (--they _throw open_ doors, as Handel would say), others becharm our very marrow. The _colour of the melody is_ all-important here, _the melody itself_ is of no importance. Let us be precise about _this_ point. To what other purpose should we spend our strength? Let us be characteristic in tone even to the point of foolishness! If by means of tones we allow plenty of scope for guessing, this will be put to the credit of our intellects. Let us irritate nerves, let us strike them dead: let us handle thunder and lightning,--that is what overthrows.{~HORIZONTAL ELLIPSIS~} But what overthrows best, is _passion_.--We must try and be clear concerning this question of passion. Nothing is cheaper than passion! All the virtues of counterpoint may be dispensed with, there is no need to have learnt anything,--but passion is always within our reach! Beauty is difficult: let us beware of beauty!{~HORIZONTAL ELLIPSIS~} And also of _melody!_ However much in earnest we may otherwise be about the ideal, let us slander, my friends, let us slander,--let us slander melody! Nothing is more dangerous than a beautiful melody! Nothing is more certain to ruin taste! My friends, if people again set about loving beautiful melodies, we are lost!{~HORIZONTAL ELLIPSIS~} _First principle_: melody is immoral. _Proof_: "Palestrina". _Application_: "Parsifal." The absence of melody is in itself sanctifying.{~HORIZONTAL ELLIPSIS~} And this is the definition of passion. Passion--or the acrobatic feats of ugliness on the tight-rope of enharmonic--My friends, let us dare to be ugly! Wagner dared it! Let us heave the mud of the most repulsive harmonies undauntedly before us. We must not even spare our hands! Only thus, shall we become _natural_.{~HORIZONTAL ELLIPSIS~}

Nostromo is the most anxiously meditated of the longer novels which belong to the period following upon the publication of the Typhoon volume of short stories. I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life. And perhaps there was never any change, except in that mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible. What, however, did cause me some concern was that after finishing the last story of the Typhoon volume it seemed somehow that there was nothing more in the world to write about. This so strangely negative but disturbing mood lasted some little time; and then, as with many of my longer stories, the first hint for Nostromo came to me in the shape of a vagrant anecdote completely destitute of valuable details. As a matter of fact in 1875 or ’6, when very young, in the West Indies or rather in the Gulf of Mexico, for my contacts with land were short, few, and fleeting, I heard the story of some man who was supposed to have stolen single-handed a whole lighter-full of silver, somewhere on the Tierra Firme seaboard during the troubles of a revolution. On the face of it this was something of a feat. But I heard no details, and having no particular interest in crime qua crime I was not likely to keep that one in my mind. And I forgot it till twenty-six or seven years afterwards I came upon the very thing in a shabby volume picked up outside a second-hand book-shop. It was the life story of an American seaman written by himself with the assistance of a journalist. In the course of his wanderings that American sailor worked for some months on board a schooner, the master and owner of which was the thief of whom I had heard in my very young days. I have no doubt of that because there could hardly have been two exploits of that peculiar kind in the same part of the world and both connected with a South American revolution.

Jackaby was still engrossed in his examination when I came back inside. “Books. Books. Just books,” he was muttering. Jenny was hovering by the window. I joined her. “How did you manage it, by the way?” I asked. “All those Bibles, all across town? It is a remarkable feat.” “It looks more impressive than it is,” she said, still not meeting my eyes. “I borrowed Jackaby’s special satchel, the one that holds anything. The whole pile took just one trip. The real trick was keeping myself solid all the way home. That’s the bit I’m really proud of—” She turned to face me. “Oh, Abigail, it was amazing. People saw me!” “People saw you?” “I was in disguise, of course. I wore my long coat and gloves, and I had that floppy white hat on, so they didn’t see much, but still—people saw me and they didn’t gasp or make a scene. Someone even mumbled Good day to me as I was crossing the footbridge! It was exhilarating! I have never been so excited to have somebody see me—actually see me—and not care at all!” She glanced at Jackaby. “Although you would think I would be used to it by now.” “Jenny, that is absolutely amazing!” I said. “It is, isn’t it?” she said wistfully. “Just a little bit, at least? Oh, Abigail, I’m exhausted, I’m not ashamed to tell you. I had planned on setting my spoils out in nice triumphant rows when I got back, but it was all I could do to hold myself intact by then. Solidity is sort of like flexing a muscle, except the muscle is in your mind, and your mind is really just an abstract concept. I was basically flexing my entire body into existence the whole way home. But did it merit so much as a Good job, Jenny from that infuriating man?” Jackaby surfaced from his perusal and looked up at last. His cloud gray eyes found focus on Jenny. From his expression, I couldn’t tell if he had been following our conversation or not. “Completely unexceptional,” he said. “Nothing at all in this batch. We will need to scrutinize them more closely, of course, just to be sure. Oh, and Miss Cavanaugh . . .” She raised an eyebrow skeptically. “You performed . . . quite adequately,” he said, “despite expectations.” Jenny opened her mouth to reply, but then closed it again. Her face fluttered through a series of potential reactions. Finally she just threw up her hands and vanished from sight with a muffled whuph of air closing into the space where she suddenly wasn’t. “What in heaven’s name was all that?” said Jackaby. “Exquisite frustration, I believe, sir.” “Ah. Right.” He slumped into the desk chair and began to fidget absently with the spine of one of the Bibles. “Miss Cavanaugh is a singular and exceptional spirit, you know.” “Only a suggestion, sir, but that is precisely the sort of thing you might consider saying when she is still present and corporeal.

Can't Hold Us Down" (feat. Lil' Kim) So what am I not supposed to have an opinion Should I be quiet just because I'm a woman Call me a bitch cos I speak what's on my mind Guess it's easier for you to swallow if I sat and smiled When a female fires back Suddenly big talker don't know how to act So he does what any little boy would do Making up a few false rumors or two That for sure is not a man to me Slanderin' names for popularity It's sad you only get your fame through controversy But now it's time for me to come and give you more to say This is for my girls all around the world Who've come across a man who don't respect your worth Thinking all women should be seen, not heard So what do we do girls? Shout out loud! Letting them know we're gonna stand our ground Lift your hands high and wave them proud Take a deep breath and say it loud Never can, never will, can't hold us down Nobody can hold us down Nobody can hold us down Nobody can hold us down Never can, never will So what am I not supposed to say what I'm saying Are you offended by the message I'm bringing Call me whatever cos your words don't mean a thing Guess you ain't even a man enough to handle what I sing If you look back in history It's a common double standard of society The guy gets all the glory the more he can score While the girl can do the same and yet you call her a whore I don't understand why it's okay The guy can get away with it & the girl gets named All my ladies come together and make a change Start a new beginning for us everybody sing This is for my girls all around the world Who've come across a man who don't respect your worth Thinking all women should be seen, not heard What do we do girls? Shout Out Loud! Letting them know we're gonna stand our ground Lift your hands high and wave 'em proud Take a deep breath and say it loud Never can, never will, can't hold us down [Lil' Kim:] Check it - Here's something I just can't understand If the guy have three girls then he's the man He can either give us some head, sex a roar If the girl do the same, then she's a whore But the table's about to turn I'll bet my fame on it Cats take my ideas and put their name on it It's airight though, you can't hold me down I got to keep on movin' To all my girls with a man who be tryin to mack Do it right back to him and let that be that You need to let him know that his game is whack And Lil' Kim and Christina Aguilera got your back But you're just a little boy Think you're so cute, so coy You must talk so big To make up for smaller things So you're just a little boy All you'll do is annoy You must talk so big To make up for smaller things This is for my girls... This is for my girls all around the world Who've come across a man who don't respect your worth Thinking all women should be seen, not heard So what do we do girls? Shout out loud! Letting them know we're gonna stand our ground Lift your hands high and wave 'em proud Take a deep breath and say it loud Never can, never will, can't hold us down This is for my girls all around the world Who've come across a man who don't respect your worth Thinking all women should be seen, not heard So what do we do girls? Should out loud! Letting them know we're gonna stand our ground Lift your hands high and wave 'em proud Take a deep breath and say it loud Never can, never will, can't hold us down Spread the word, can't hold us down

Now, with their miniature robot army, three Harvard University researchers have upped the ante, assembling a massive swarm of simple, three-legged robots that can work as a team to assemble into different shapes on command. The advance, reported Thursday in the journal ­Science, is a feat of “engineering majesty,’’ said James ­McLurkin, director of the Multi-Robot Systems Lab at Rice University, who was not ­involved in the research. “Building 1,000 robots is hard,’’ McLurkin said. “Getting 1,000 robots to work together reliably is — how’d they say it in Boston? — ‘wicked hard.’ ’’ The technology is still in the early stages. These simple ­robots, which each weigh about as much as three nickels and cost $14 in parts, cannot build a skyscraper or clean up an oil spill. But they surmount several major problems in robotics, McLurkin said. The software the researchers designed allows individual ­robots to act on their own, using only information from their neighbors to achieve goals that dwarf their thumb-sized bodies.

first outbreak in the States, the human race could have easily faced extinction. In 1918 the feat of traveling from Kansas to Moscow in less than one week was impossible. Yet, today a man can wake up in Chicago and before his day is over he can be in London. And should that same man, asymptomatic in the quiet incubation stage, harbor a deadly airborne virus while on his transcontinental flight, he just started the next pandemic. Needless to say, put all fear

The three hardest tasks in the world are neither physical feats nor intellectual achievements, but moral acts: to return love for hate, to include the excluded, and to say, “I was wrong.” – Sydney J. Harris

You're No Good" (feat. Santigold, Vybz Kartel, Danielle Haim & Yasmin) [Intro] You’re no good for me But the way you movin at me, oh it might be You want a Jamaican one [Verse] She say she love me and I’m nice Nothing after he return, nothing at the night She say it’s loving, make this down No time at all, she don’t wanna line She touch me, it all become nice She love me, for the rest of her life D drop it down, round kiss on mi spine Touch and make a sweet song, on top of all things My uh uh uh uh uh My ee ee ee ee ee My uh uh uh uh uh (my baby) My ee ee ee ee ee [Chorus] My aa aa aa aa me My melodea My L L L LSD I know you’ll come back around My aa aa aa aa me My melodea My L L L LSD You want a Jamaican one I know you’ll come back around [Verse] If I had you back I’ll never let you go another way Not for the life of me How could you imagine that? Well my mistake that send you on your way Well nothing I can say To you like drops of water Don’t ask me what went wrong Can’t turn back the damage I’ve done Can’t take em back after I’m gone A fool to keep on trying Can’t make me walk away ‘Cause baby I’m back and as I’m getting strung that you’ll be back one day [Chorus] [Verse] Girl you think you love me baby And you know so mi love is for my lady Deserve no faith to deserve no Slim Shady Go Shawty, it’s yo birthday No if and no maybe Take and attack it, you’re the thing, ordinary Me as boyfriend, girl come on and come save me Me and you’re tinking me, com e with me Surely inside the long shorty Til it wind, pan the flow and wind, pan the flow And if you want to get girls that do me Come here, lick it more, lick it more Mean everything, as I me love you So no one kill how I ever want Any time, get chug upon the doorway Man rest assured, pan the girl next door Oh yes I did did My uh uh uh uh uh My melodea My ee ee ee ee ee I know you’ll come back around My uh uh uh uh uh My melodea My ee ee ee ee ee I know you’ll come back around now You’re no good for me But the way you movin at me, oh it might be No one ever made me feel so sweet Now you got me begging on my knees Baby get it for me It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely [x2] It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely It’s for your eyes only, living for you solely [Chorus x2] My aa aa aa aa me

Return To (feat. Tom Snowdon) I’d believe whatever comes And rub the dirt into the cuts And show them off to cheer you up To say that I’m not passed away There’s no love in the ground for me So I kicked all this earth down stream And lay beside where you would lay And eat the thoughts we had of us If there’s big blood inside your room I hope it finds and brings you back I’m a hundred different pieces, a million reasons, in a single knot You’re the feat of engineering, the sunlight, give me all you’ve got There’s no love in the ground for me So I kicked all this earth down stream I’m just having a hard time yeah I’m living without you here

Do Not Sin Three simple little words, but they sometimes seem like an impossible feat: do not sin. What does anger taken into the level of sin look like? It might be shouting. Or sarcasm. Or belittling someone. It isn’t verbalizing your displeasure over someone else’s actions. If someone’s actions have angered you, telling them in a straightforward and calm manner is a reasonable thing to do. Letting the anger escalate to the point of an outburst is what crosses the line into sin. Or if you’re not the explosive type, there is equal opportunity for sin in letting angry feelings ice over into a wall of bitterness and resentment.

Thanksgiving is a time for gratitude. It can also be a time when feeling grateful can be an acrobatic feat that you're just not up for. There's no rules that need to be followed here. Authentic living is your only option, so it's ok to turn off the tv when another ad screams for you to be a certain way just because the calendar says so. Power of suggestion can be great medicine - but don't judge yourself or a loved one who is having trouble learning the words to this song. It's a tough season from some people. Huddle and cuddle with those you trust and love. That's real medicine and it's a good place to be during the holidays. xoxo

You can see that man wants the impossible: He wants to lose his isolation and keep it at the same time. He can't stand the sense of separateness, and yet he can't allow the complete suffocating of his vitality. He wants to expand by merging with the powerful beyond that transcends him, yet he wants while merging with it to remain individual and aloof, working out his own private and smaller-scale self-expansion. but this feat is impossible because it belies the real tension of the dualism. One obviously can't have merger in the power of another thing and the development of one's own personal power at the same time, at any rate not without ambivalence and a degree of self-deception. But one can get around the problem in one way: one can, we might say, "control the glaringness of the contradiction." You can try to choose the fitting kind of beyond, the one in which you find it most natural to practice self-criticism and self-idealization. In other words, you try to keep your beyond safe. The fundamental use of transference, of what we could better call "transference heroics," is the practice of a safe heroism. In it we see the reach of the ontological dualism of motives right into the problem of transference and heroism, and we are now in a position to sum up this matter.

Brennan’s contribution to The Wedding Night (March 8, 1935), starring Gary Cooper and Anna Sten—the Russian beauty Samuel Goldwyn was promoting as the next European import to rival Greta Garbo and Marlene Dietrich—was of a different order. The anxious producer, worried about Sten’s accent (even though she was playing a Polish American), began to take notice of Brennan in a seemingly forgettable role he nevertheless freshened with his rapid-fire delivery. Brennan is Bill Jenkins, a cackling Connecticut cab driver, spitting tobacco juice (actually licorice) and showing the tobacco fields to Tony Barrett (Gary Cooper), an alcoholic writer modeled on F. Scott Fitzgerald and trying to dry out in a country hideaway. Goldwyn had been much impressed with the velocity of dialogue in It Happened One Night (February 23, 1934) and wanted his actors to perform at the same screwball speed. Brennan manages this feat more deftly than the picture’s ostensible stars, although Cooper perks up when doing scenes with Brennan. Unfortunately Sten did not the have the same opportunity. “I never even met Anna Sten,” Brennan told biographer Carol Easton. When Jenkins drives up to deliver a telegram to Barrett, walking along the road, neither the writer nor Jenkins has a pencil to use to reply to Barrett’s wife, who wants him to return to the city. So Barrett simply gives a verbal response: “My work won’t let me. Love Tony.” Jenkins repeats the message twice to fix it in his mind, but as soon as he drives off the message gets garbled: “My love won’t work me.” He tries again: “My work won’t love me.” Not satisfied, he begins again: “My work won’t love me.” In frustration, he spits, and says, “Gosh, I’m losin’ my memory.” His role is inconsequential, and yet so necessary to the local color that director King Vidor works Brennan into a scene whenever he can. Brennan would have made his character even more authentic if Goldwyn had not complied with a request from the Breen Office, the enforcers of the Production Code, that Brennan’s use of “damn” and “hell” be cut from the film.

Secret Marketing Techniques For Your Carpet Cleaning Business In Oklahoma Is Here Building a profitable carpet cleaning service business is a big feat for a sole proprietor. Carpet cleaning business in Oklahoma proprietors rarely is in the position to find the most appropriate method for market share improvement and development. Be sure to put your new marketing plans in place as soon as you validate their worth. The following recommendations are designed to help you put together an effective marketing plan. Industry experts are all in agreement; the very best carpet cleaning service business education you receive is usually via personal experience. Experts often say that it is best to learn by doing things in order to get places and do more in general. The resources and techniques you could absorb while in employment could later serve you when you take the step towards finally owning and managing your business. While picking up some business skills could be done through literature, in reality, you may only gain the proper skills through a strong work ethic while under employment. Ensure legal problems won't harm your carpet cleaning service business by making sure that you file all appropriate government forms and also have a general understanding of business laws before you really open your doors. Without an understanding of the fundamentals of business law, you should discuss it with a lawyer who is an expert on this subject. It's recommended to keep in mind that many a successful business have been put out of carpet cleaning service business by only one court case. Prior to you find yourself with legal issues, it's an excellent idea to garner a strong relationship with a business attorney ahead of time. Should you find yourself needing to make hard carpet cleaning service business decisions, discussing it with workers could be a good way to simplify your thoughts. A successful way of cleaning up your planning process is to create a simple list of some pros and cons. This list will help to reveal the very best options for your business, as history has shown. It is advised that you consult with a business development professional if you're unsure just what the next move ought to be for your business. Successful businesses depend on an army of loyal customers. Businesses who certainly have very satisfied staff members will find that their staff members will stay with them for a while, even though the carpet cleaning company is handed down from generations prior to. Effective companies will do whatever it requires to guard and develop their online reputation at every chance. You need to use good online reputation management tools in order to keep negative reviews from being more of a threat than needed. Master Clean Carpet Cleaning

Secret Marketing Techniques For Your Carpet Cleaning Business In Oklahoma Is Here Building a profitable carpet cleaning service business is a big feat for a sole proprietor. Carpet cleaning business in Oklahoma proprietors rarely is in the position to find the most appropriate method for market share improvement and development. Be sure to put your new marketing plans in place as soon as you validate their worth. The following recommendations are designed to help you put together an effective marketing plan. Industry experts are all in agreement; the very best carpet cleaning service business education you receive is usually via personal experience. Experts often say that it is best to learn by doing things in order to get places and do more in general. The resources and techniques you could absorb while in employment could later serve you when you take the step towards finally owning and managing your business. While picking up some business skills could be done through literature, in reality, you may only gain the proper skills through a strong work ethic while under employment. Ensure legal problems won't harm your carpet cleaning service business by making sure that you file all appropriate government forms and also have a general understanding of business laws before you really open your doors. Without an understanding of the fundamentals of business law, you should discuss it with a lawyer who is an expert on this subject. It's recommended to keep in mind that many a successful business have been put out of carpet cleaning service business by only one court case. Prior to you find yourself with legal issues, it's an excellent idea to garner a strong relationship with a business attorney ahead of time. Should you find yourself needing to make hard carpet cleaning service business decisions, discussing it with workers could be a good way to simplify your thoughts. A successful way of cleaning up your planning process is to create a simple list of some pros and cons. This list will help to reveal the very best options for your business, as history has shown. It is advised that you consult with a business development professional if you're unsure just what the next move ought to be for your business. Successful businesses depend on an army of loyal customers. Businesses who certainly have very satisfied staff members will find that their staff members will stay with them for a while, even though the carpet cleaning company is handed down from generations prior to. Effective companies will do whatever it requires to guard and develop their online reputation at every chance. You need to use good online reputation management tools in order to keep negative reviews from being more of a threat than needed.

Democracy is only good for a society where individuals are educated and have the ability to differentiate right from wrong without any influences from the outside. India is the biggest democracy in the world, yet, why is it so venal, divided and poor? America is the greatest democracy of the world, yet, it only has two main political parties, which are heavily influenced by lobbyists from religious groups, and powerful institutions like businesses, trade unions and think-tanks. In contrast, China is a nation ruled by one party, yet it has prospered during the last three decades, which is nothing less than a miracle. No other country on earth has ever achieved that feat. No system is good or bad for all. I am not saying democracy is bad, but it is not good for all. It can be good or bad for certain periods of time, circumstances and societies. There is no such thing as one idea fits all.

When it comes to antidepressants in particular, there’s one more rumple: the American attitude about happiness. In this country, happiness is another ideal that carries nearly the weight of a moral imperative; as Elliott observes, there is an unspoken expectation in America that people should feel and act happy most of the time. Travelers to the United States often remark that in America, more than other places, cheerfulness is viewed as a default state, and that there’s considerable pressure to present oneself as upbeat. There’s also a peculiarly American belief that authenticity and happiness stand in a causal relationship to each other—that really being oneself will lead to happiness every time. Elliott thinks that this belief evolved from a loose interpretation of Freud, who taught that unhappiness was caused by repressions of various kinds: by that logic, the least repressed, most fully realized self would be the most happy. Americans possess, says Elliott, a naive trust that achieving perfect personal authenticity, a feat summed up in the popular phrase “self-actualization,” will result in the deepest possible contentment. So: Americans are supposed to be authentic, and we’re supposed to be happy. When happiness comes easily, this is not a problem. But for people who aren’t feeling happy and are contemplating antidepressants, it can make for tough choices. Is it better to take antidepressants and be happy (but maybe inauthentic, if you believe that antidepressants can temper the self)? Or is it better to press on, authentic but not happy? Either way, you’ll be failing to fulfill the script that American lore has laid out for you: be who you are, and happiness will surely and naturally follow. There’s only one way out of this bind, and it’s to believe that antidepressants make you more, not less, authentic. As it happens, this is precisely the claim that Elliott finds people make about a wide variety of enhancement technologies: people use a technique to alter a certain thing about themselves, and then speak about the alteration as something that makes them into, or expresses, who they really were inside all along. (For example, recipients of sex-change operations often describe them as a way to bring the physical body in line with a deeper reality. I always felt like a woman, and now I am one.) In short, people who use personal enhancements often speak like Tess did when she told Peter Kramer that, off Prozac, “I am not myself.

When I talk about “creative living” here, please understand that I am not necessarily talking about pursuing a life that is professionally or exclusively devoted to the arts. I’m not saying that you must become a poet who lives on a mountaintop in Greece, or that you must perform at Carnegie Hall, or that you must win the Palme d’Or at the Cannes Film Festival. (Though if you want to attempt any of these feats, by all means, have at it. I love watching people swing for the bleachers.) No, when I refer to “creative living,” I am speaking more broadly. I’m talking about living a life that is driven more strongly by curiosity than by fear.

You enquired a moment past, What trade is the poet's, and to what work shall he be put? For answer let me ask you, sir, by'r leave — would the world at large know aught of Agamemnon, or fierce Achilles, or crafty Odysseus, or the cuckold Menelaus, or that entire circus of strutting Greeks and Trojans, had not great Homer rendered 'em to verse? How many battles of greater import are lost in the dust of history, d'you think, for want of a poet to sing 'em to the ages? Full many a Helen blooms one spring and goes to the worm forgot; but let a Homer paint her in the grand cosmetic of his verse, and her beauty boils the blood of twenty centuries! Where lies a Prince's greatness, I ask you? In his feats on the field of battle, or the downy field of love? Why, 'tis but a generation's work to forget 'em for good and all! Nay, I say 'tis not in the deeds his greatness lies, but in their telling.

In order to have a family life and a career, women must move twice as fast to arrive at the same place. Rather than being assisted with this unlikely feat--say, via paid parental leave, accelerator programs at work, or partners willing to sideline their own careers for a few years--women are scolded, told they should have found a boyfriend in college, had a baby by twenty-seven.

But to become a true master of our fears and one of the rare few who can honestly say that courage is a trait that defines us we must be willing to occasionally experiment with taking bold steps, not just small ones – as sometimes it is a leap that life requires. To give our self the best chance of becoming capable of such feats we may find it helpful to add to our arsenal some tools and techniques that harness the power of the body-mind connection and this will be the topic of our next video. For the way we hold our body, the way we move it through the world and the way we fuel it greatly influences what we feel capable of achieving. Our body, in other words, is so intimately connected to the state of our mind that mastery of the world within must pay homage to the somatic side of our existence.

Just tell me. What is odd about the Callans? Something that is carried in the blood?” Jankyn nodded. “Cats. The original source of the, er, taint is a wee bit obscure. Twas either brought back by a Crusader or from some ancient Celtic bride, a priestess in the old religion, a shape-shifter.” He shrugged. “Despite what I am, I find that a wee bit difficult to imagine. But, there it is. The Callans appear to have done what ye plan to do—bred it out. There are tales from the old, misty past that hint at some difficulties because of this trait, but the Callans began to be verra particular in their mates. Their family lines are kept meticulously complete right to the most distant of cousins. Intermarriage, no matter how rich the prize, is strictly forbidden for fear that this trait will blossom in its full glory again and pull them all back into danger.” “So, they have bred it out then?” Cathal could understand why Bridget might hide this fact about her clan, but still felt hurt and angry that she would hide it from him. “Most of it. There lingers a hint, though. In the coloring, for example. Twas the medallion that set me on the right path. It reminded me of a tale I had once been told. I found that and soon tracked down the rest. It also explains a lot of things such as how your wife hisses and scratches, how she can run as she does.” “How she purrs,” Cathal whispered. “Does she? How intriguing.” Jankyn met Cathal’s scowl with a sweet smile. “The way she seems to sense danger, her keen eyesight, especially in the dark, and that certain grace she has. All Callan women are rumored to be small, lovely, graceful, passionate, and fertile. Verra, verra fertile. Your wee wife comes from a verra big family.” “Do ye recall the first night she was here? The way she acted when she first awoke?” Jankyn nodded. “Verra like a cat.” “Aye, but for one fleeting moment there was something in her face, something verra catlike.” “Why didnae ye say so?” “I thought it a trick of the light. Now I think not. It also means it might be impossible to breed out all our MacNachton traits. The Callans havenae fully succeeded, have they?” “Would that be such a bad thing? I can think of a few that would only serve us weel and would only raise envy, nay fear.” “True. I suspicion some of the things in the Callan bloodline do the same. The more I think on it, the more I curse myself as a blind fool. Aye, some of what Bridget does could just be considered, weel, a female’s ways. But nay all of them. Certainly nay the way she fought Edmee. I was but stunned when Edmee tossed me aside. Couldnae move, but I could see how Bridget leapt at Edmee. She used those cursed long nails of hers on Edmee and it took Edmee a few moments to get a firm grasp on Bridget. I can now see that the way Bridget moved to try to stay out of Edmee’s grasp was verra like a cat. Then Edmee threw Bridget and, somehow, e’en as she was flying through the air, she curled that wee body of hers into a ball. That and the heather saved her.” “Aye. Raibeart and I were close enough to see that. Raibeart still mutters about it. That and the fact that your wee wife made sure to take a few large hanks of Edmee’s hair with her when she was thrown. Of course, a cat is said to land on its feet. For one wee minute, I truly thought she was about to perform that wondrous feat, but then she curled up into the ball. I wonder why.” “Mayhap when I have finished bellowing at her, I will ask her that question.” He smiled faintly when Jankyn laughed. “So, ye will keep her?” “Aye. E’en when I feared ye were about to tell me she had MacNachton blood, something that would near ruin all my grand plans, I meant to keep her.” He sighed, finished off his wine, then rose to refill his goblet. “I had best send for her, confront her with this, and hear what she has to say for herself.” “No need. I believe I hear the patter of wee paws approaching.” Cathal

Cats. The original source of the, er, taint is a wee bit obscure. Twas either brought back by a Crusader or from some ancient Celtic bride, a priestess in the old religion, a shape-shifter.” He shrugged. “Despite what I am, I find that a wee bit difficult to imagine. But, there it is. The Callans appear to have done what ye plan to do—bred it out. There are tales from the old, misty past that hint at some difficulties because of this trait, but the Callans began to be verra particular in their mates. Their family lines are kept meticulously complete right to the most distant of cousins. Intermarriage, no matter how rich the prize, is strictly forbidden for fear that this trait will blossom in its full glory again and pull them all back into danger.” “So, they have bred it out then?” Cathal could understand why Bridget might hide this fact about her clan, but still felt hurt and angry that she would hide it from him. “Most of it. There lingers a hint, though. In the coloring, for example. Twas the medallion that set me on the right path. It reminded me of a tale I had once been told. I found that and soon tracked down the rest. It also explains a lot of things such as how your wife hisses and scratches, how she can run as she does.” “How she purrs,” Cathal whispered. “Does she? How intriguing.” Jankyn met Cathal’s scowl with a sweet smile. “The way she seems to sense danger, her keen eyesight, especially in the dark, and that certain grace she has. All Callan women are rumored to be small, lovely, graceful, passionate, and fertile. Verra, verra fertile. Your wee wife comes from a verra big family.” “Do ye recall the first night she was here? The way she acted when she first awoke?” Jankyn nodded. “Verra like a cat.” “Aye, but for one fleeting moment there was something in her face, something verra catlike.” “Why didnae ye say so?” “I thought it a trick of the light. Now I think not. It also means it might be impossible to breed out all our MacNachton traits. The Callans havenae fully succeeded, have they?” “Would that be such a bad thing? I can think of a few that would only serve us weel and would only raise envy, nay fear.” “True. I suspicion some of the things in the Callan bloodline do the same. The more I think on it, the more I curse myself as a blind fool. Aye, some of what Bridget does could just be considered, weel, a female’s ways. But nay all of them. Certainly nay the way she fought Edmee. I was but stunned when Edmee tossed me aside. Couldnae move, but I could see how Bridget leapt at Edmee. She used those cursed long nails of hers on Edmee and it took Edmee a few moments to get a firm grasp on Bridget. I can now see that the way Bridget moved to try to stay out of Edmee’s grasp was verra like a cat. Then Edmee threw Bridget and, somehow, e’en as she was flying through the air, she curled that wee body of hers into a ball. That and the heather saved her.” “Aye. Raibeart and I were close enough to see that. Raibeart still mutters about it. That and the fact that your wee wife made sure to take a few large hanks of Edmee’s hair with her when she was thrown. Of course, a cat is said to land on its feet. For one wee minute, I truly thought she was about to perform that wondrous feat, but then she curled up into the ball. I wonder why.” “Mayhap when I have finished bellowing at her, I will ask her that question.” He smiled faintly when Jankyn laughed. “So, ye will keep her?” “Aye. E’en when I feared ye were about to tell me she had MacNachton blood, something that would near ruin all my grand plans, I meant to keep her.” He sighed, finished off his wine, then rose to refill his goblet. “I had best send for her, confront her with this, and hear what she has to say for herself.” “No need. I believe I hear the patter of wee paws approaching.” Cathal gave Jankyn a disgusted look as he retook his seat. “I would be wary of teasing her too much. Dinnae forget those nails.” “Cathal?

Being able to inspire the body is an easy feat, but being able to inspire the soul as well is true talent.

Steven unplugged the tub with a motion of his toe. “You’d better turn your back, Emma, because I’m about to stand up if I can manage it.” Emma complied quickly, praying Steven would be able to execute the feat on his own, that he wouldn’t fall and crack his skull open. She held her breath. “Can’t do it,” he said on a frustrated sigh, and there was a splash as he settled back into the water, which was steadily draining down the pipes. “You’ll have to help me again.” “Oh, dear,” Emma fussed. Then she went to the end of the tub and, keeping her eyes carefully closed, put her arms under Steven’s and tried to hoist him to his feet. This required both of them to give their utmost, but they succeeded, and Emma hastened to hold the robe out to Steven, keeping her head averted. They were just beginning the arduous trip back up the stairs when Doc Waverly himself knocked at the glass in the back door, an affable smile on his face. Emma had never been gladder to see anyone in all her life. Doc opened the door and came inside at her nod. “Afternoon,” he said cheerfully. “Giving our patient a bath?” Emma flushed. “Actually, he gave himself a bath. I just helped him downstairs.” “Liar,” Steven whispered, his warm breath caressing her ear. “His wrapping is wet, though,” Emma went on, speaking in an unnaturally loud voice, as though to drown out anything more Steven might say. “I’ll change that,” Doc Waverly said. He took Emma’s place under Steven’s arm, and she bolted immediately for the stairs. “I’ll put fresh sheets on his bed while you’re bringing him up,” she called back. She had managed the entire task by the time Steven and the doctor arrived at the doorway of the guest room, so slow was their advance. Steven was ashen with pain, but he smiled at Emma when he saw her step back from his freshly made bed. “Thank you,” he said. “I think you could use a shot of whiskey,” said the doctor, “and so could I.” After

For example, only some members of a hunting society have the experience of losing their weapons and being forced to fight a wild animal with their bare hands. This frightening experience, with whatever lessons in bravery, cunning and skill it yields, is firmly sedimented in the consciousness of the individuals who went through it. If the experience is shared by several individuals, it will be sedimented intersubjectively, may perhaps even form a profound bond between these individuals. As this experience is designated and transmitted linguistically, however, it becomes accessible and, perhaps, strongly relevant to individuals who have never gone through it. The linguistic designation (which, in a hunting society, we may imagine to be very precise and elaborate indeed—say, “lone, big kill, with one hand, of male rhinoceros,” “lone big kill, with two hands, of female rhinoceros,” and so forth) abstracts the experience from its individual biographical occurrences. It becomes an objective possibility for everyone, or at any rate for everyone within a certain type (say, fully initiated hunters); that is, it becomes anonymous in principle even if it is still associated with the feats of specific individuals. Even to those who do not anticipate the experience in their own future biography (say, women forbidden to hunt), it may be relevant in a derived manner (say, in terms of the desirability of a future husband); in any case it is part of the common stock of knowledge. The objectification of the experience in the language (that is, its transformation into a generally available object of knowledge) then allows its incorporation into a larger body of tradition by way of moral instruction, inspirational poetry, religious allegory, and whatnot. Both the experience in the narrower sense and its appendage of wider significations can then be taught to every new generation, or even diffused to an altogether different collectivity (say, an agriculture society that may attach quite different meanings to the whole business). Language

Meditation + Mental Strength An emotion is our evolved biology predicting the future impact of a current event. In modern settings, it’s usually exaggerated or wrong. Why is meditation so powerful? Your breath is one of the few places where your autonomic nervous system meets your voluntary nervous system. It’s involuntary, but you can also control it. I think a lot of meditation practices put an emphasis on the breath because it is a gateway into your autonomic nervous system. There are many, many cases in the medical and spiritual literature of people controlling their bodies at levels that should be autonomous. Your mind is such a powerful thing. What’s so unusual about your forebrain sending signals to your hindbrain and your hindbrain routing resources to your entire body? You can do it just by breathing. Relaxed breathing tells your body you’re safe. Then, your forebrain doesn’t need as many resources as it normally does. Now, the extra energy can be sent to your hindbrain, and it can reroute those resources to the rest of your body. I’m not saying you can beat whatever illness you have just because you activated your hindbrain. But you’re devoting most of the energy normally required to care about the external environment to the immune system. I highly recommend listening to the Tim Ferriss’s podcast with Wim Hof. He is a walking miracle. Wim’s nickname is the Ice Man. He holds the world record for the longest time spent in an ice bath and swimming in freezing cold water. I was very inspired by him, not only because he’s capable of super-human physical feats, but because he does it while being incredibly kind and happy—which is not easy to accomplish. He advocates cold exposure, because he believes people are too separate from their natural environment. We’re constantly clothed, fed, and warm. Our bodies have lost touch with the cold. The cold is important because it can activate the immune system. So, he advocates taking long ice baths. Being from the Indian subcontinent, I’m strongly against the idea of ice baths. But Wim inspired me to give cold showers a try. And I did so by using the Wim Hof breathing method. It involves hyperventilating to get more oxygen into your blood, which raises your core temperature. Then, you can go into the shower. The first few cold showers were hilarious because I’d slowly ease myself in, wincing the entire way. I started about four or five months ago. Now, I turn the shower on full-blast, and then I walk right in. I don’t give myself any time to hesitate. As soon as I hear the voice in my head telling me how cold it’s going to be, I know I have to walk in. I learned a very important lesson from this: most of our suffering comes from avoidance. Most of the suffering from a cold shower is the tip-toeing your way in. Once you’re in, you’re in. It’s not suffering. It’s just cold. Your body saying it’s cold is different than your mind saying it’s cold. Acknowledge your body saying it’s cold. Look at it. Deal with it. Accept it, but don’t mentally suffer over it. Taking a cold shower for two minutes isn’t going to kill you. Having a cold shower helps you re-learn that lesson every morning. Now hot showers are just one less thing I need out of life. [2] Meditation is intermittent fasting for the mind. Too much sugar leads to a heavy body, and too many distractions lead to a heavy mind. Time spent undistracted and alone, in self-examination, journaling, meditation, resolves the unresolved and takes us from mentally fat to fit.

Because the siddhis are so seductive, sages have repeatedly reminded us to calm down and not dwell on them, because ultimately these abilities are only a reflection of the holistic nature of the universe. In particular, they say nothing about one’s spiritual attainments. Swami Rama explains: These powers have nothing to do with spirituality.… Sometimes psychic powers develop; you start telling the fortunes of others, you start knowing things. These are all distractions. Do not allow them to obstruct your path. Too many people, including swamis, have wasted time and energy on such distractions. Anyone who wants to develop siddhis can do so and can demonstrate certain supernatural feats; but enlightenment is an entirely different matter.

Because of the picture's constant theatrical circulation all during the forties, two presentations on the Lux Radio Theatre, and finally as a staple of early television, the tale was familiar to almost two generations of moviegoers. Hart's task was to preserve the potent appeal of this Hollywood myth while making it viable for a modern-day audience. The problem was complicated by the necessity of rewriting the part of Esther/Vicki to suit Judy Garland. The original film had walked a delicate dramatic path in interweaving the lives and careers of Vicki and Norman Maine. In emphasizing the "star power" of Lester/Garland, more screen time would have to be devoted to her, thus altering the careful balance of the original. Hart later recalled: "It was a difficult story to do because the original was so famous and when you tamper with the original, you're inviting all sorts of unfavorable criticism. It had to be changed because I had to say new things about Hollywood-which is quite a feat in itself as the subject has been worn pretty thin. The attitude of the original was more naive because it was made in the days when there was a more wide-eyed feeling about the movies ... (and) the emphasis had to be shifted to the woman, rather than the original emphasis on the Fredric March character. Add to that the necessity of making this a musical drama, and you'll understand the immediate problems." To make sure that his retelling accurately reflected the Garland persona, Hart had a series of informal conversations with her and Luft regarding experiences of hers that he might be able to incorporate into the script. Luft recalls: "We were having dinner with Moss and Kitty [Carlisle], and Judy was throwing ideas at Moss, cautiously, and so was I. I remember Judy telling the story of when she was a kid, she was on tour with a band and they were in Kansas City at the Mulebach Hotel-all the singers and performers stayed there. And I think her mother ran into a big producer who was traveling through and she invited him to come and see the act, and supposedly afterward he was very interested in Judy's career. Nothing happened, though. Judy thought it would be a kind of a cute idea to lay onto Moss-that maybe it might be something he could use in his writing.

Had he felt pride in Sofia before? Of course he had. On a daily basis. He was proud of her success in school, of her beauty, of her composure, of the fondness with which she was regarded by all who worked in the hotel. And that is how he could be certain that what he was experiencing at that moment could not be referred to as pride. For there is something knowing in the state of pride. Look, it says, didn’t I tell you how special she is? How bright? How lovely? Well, now you can see it for yourself. But in listening to Sofia play Chopin, the Count had left the realm of knowing and entered the realm of astonishment. On one level he was astonished by the revelation that Sofia could play the piano at all; on another, that she tackled the primary and subordinate melodies with such skill. But what was truly astonishing was the sensitivity of her musical expression. One could spend a lifetime mastering the technical aspects of the piano and never achieve a state of musical expression—that alchemy by which the performer not only comprehends the sentiments of the composer, but somehow communicates them to her audience through the manner of her play. Whatever personal sense of heartache Chopin had hoped to express through this little composition—whether it had been prompted by a loss of love, or simply the sweet anguish one feels when witnessing a mist on a meadow in the morning—it was right there, ready to be experienced to its fullest, in the ballroom of the Hotel Metropol one hundred years after the composer’s death. But how, the question remained, could a seventeen-year-old girl achieve this feat of expression, if not by channeling a sense of loss and longing of her own? As Sofia began the third iteration of the melody, Viktor Stepanovich looked over his shoulder with his eyebrows raised, as if to say: Can you believe it? Have you ever in all your years even imagined? Then he quickly looked back to the piano and dutifully turned the page for Sofia almost in the manner of an apprentice turning the page for his master.

The most amazing part,” Katherine said, “is that as soon as we humans begin to harness our true power, we will have enormous control over our world. We will be able to design reality rather than merely react to it.” Langdon lowered his gaze. “That sounds . . . dangerous.” Katherine looked startled . . . and impressed. “Yes, exactly! If thoughts affect the world, then we must be very careful how we think. Destructive thoughts have influence, too, and we all know it’s far easier to destroy than it is to create.” Langdon thought of all the lore about needing to protect the ancient wisdom from the unworthy and share it only with the enlightened. He thought of the Invisible College, and the great scientist Isaac Newton’s request to Robert Boyle to keep “high silence” about their secret research. It cannot be communicated, Newton wrote in 1676, without immense damage to the world. “There’s an interesting twist here,” Katherine said. “The great irony is that all the religions of the world, for centuries, have been urging their followers to embrace the concepts of faith and belief. Now science, which for centuries has derided religion as superstition, must admit that its next big frontier is quite literally the science of faith and belief . . . the power of focused conviction and intention. The same science that eroded our faith in the miraculous is now building a bridge back across the chasm it created.” Langdon considered her words for a long time. Slowly he raised his eyes again to the Apotheosis. “I have a question,” he said, looking back at Katherine. “Even if I could accept, just for an instant, that I have the power to change physical matter with my mind, and literally manifest all that I desire . . . I’m afraid I see nothing in my life to make me believe I have such power.” She shrugged. “Then you’re not looking hard enough.” “Come on, I want a real answer. That’s the answer of a priest. I want the answer of a scientist.” “You want a real answer? Here it is. If I hand you a violin and say you have the capability to use it to make incredible music, I am not lying. You do have the capability, but you’ll need enormous amounts of practice to manifest it. This is no different from learning to use your mind, Robert. Well-directed thought is a learned skill. To manifest an intention requires laserlike focus, full sensory visualization, and a profound belief. We have proven this in a lab. And just like playing a violin, there are people who exhibit greater natural ability than others. Look to history. Look to the stories of those enlightened minds who performed miraculous feats.