Feast Greetings Quotes

Love After Love The time will come when, with elation you will greet yourself arriving at your own door, in your own mirror and each will smile at the other's welcome, and say, sit here. Eat. You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you all your life, whom you ignored for another, who knows you by heart. Take down the love letters from the bookshelf, the photographs, the desperate notes, peel your own image from the mirror. Sit. Feast on your life.

The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.

...no matter how frequently we came, when we arrived, they acted as if we had been away one hundred years. [His grandparents' greeting.]

The moon rose up that evening and shot her silver arrows at the house under the artu tree. The house was empty. Then the moon came across the sea and across the reef. She lit the lagoon to it's dark, dim heart. She lit the coral brains and sand spaces, and the fish casting their shadows on the sand and the coral. The keeper of the lagoon rose to greet her, and the fin of him broke her reflection on the mirror-like surface into a thousand glittering ripples. She saw the white staring ribs of the form on the reef. Then, peeping over the trees, she looked down into the valley, where the great stone idol had kept it's solitary vigil for five thousand years, perhaps, and more. At this base, in his shadow, looking as if under his protection, lay two human beings, naked, clasped in each other's arms and fast asleep. One could scarcely pity his vigil, had it been marked sometimes through the years by such an incident as this. The thing had been conducted just as the birds conduct their love affairs. An affair absolutely natural, absolutely blameless and without sin. A marriage according to Nature, without feasts or guests, consummated with accidental cynicism under the shadow of a religion a thousand years dead.

At the Arrivals gate, we are greeted by a small crowd, watching us with hungry eyes or eyesockets. We drop our cargo on the floor: two mostly intact men, a few meaty legs, and a dismembered torso, all still warm. Call it leftovers. Call it takeout. Our fellow Dead fall on them and feast right there on the floor like animals. The life remaining in those cells will keep them from full-dying, but the Dead who don’t hunt will never quite be satisfied. Like men at sea deprived of fresh fruit, they will wither in their deficiencies, weak and perpetually empty, because the new hunger is a lonely monster. It grudgingly accepts the brown meat and lukewarm blood, but what it craves is closeness, that grim sense of connection that courses between their eyes and ours in those final moments, like some dark negative of love.

The turkeys were chunky With smiley, beaked faces, And they greeted the children With downy embraces. So out through the barnyard They ran and they flew, And they gobbled and giggled As friends sometimes do. Then somebody spotted An ax by the door, And she asked Farmer Nuggett What it was for. With a blink of his eye And a twist of his head, The old farmer told A grim tale of dread: “Tonight,” said Mack Nuggett, “These feathery beasts Will be chopped up and roasted For Thanksgiving feasts.” The children stood still As tears filled their eyes, Then they clamored aloud In a chorus of cries. “Oh dear,” cried Mack Nuggett, “Now what shall I do?” So he dashed to the well, And the teacher went, too. And they fetched some water Fresh from the ground, In hopes that a swig Might calm everyone down. And when they returned To quiet the matter, The children were calmer (And mysteriously fatter!).

Greetings, carrion. Where there is a carcass, there will always be vultures. I hope you’re all having a splendid feast on the decaying remains of two of the greatest minds St. Louis has ever known. Now, if you would be so kind… step. The fuck. Back.” Cameras and microphones lowered. The ashen-faced cameraman looked sickly as his boss ordered him to cut the feed. I took a few steps before turning back to them. “Oh, and have a nice day.” Then I was off again, feeling marginally better.

The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.

We greet 2020 as our constitutional moral center is being re-designed in an increasingly immoral way, governed by those professing to have a hold on Christian values yet sidestepping the core of Christianity – to love one another. Their necks turn from the suffering as they willingly follow one lacking an authentic responsiveness to a waning human condition. I had hoped for a more enlightened scenario for our new decade, imagining ceremonial panels opening, as the wings of great altarpieces on feast days, revealing 2020 as the year of perfect vision. Perhaps these expectations were naïve and yet were truly felt, just as the anguish of inequity is felt, a dark blot that will not go away.

As Jesus’s ministry expanded, becoming ever more urgent and confrontational, his words and actions would increasingly reflect a deep antagonism toward the high priest and the Judean religious establishment, who, in Jesus’s words, loved “to prance around in long robes and be greeted with respect in the marketplaces, and to have the front seats in the synagogues and the places of honor at feasts.” “They devour the homes of widows and make long prayers for the sake of appearance,” Jesus says of the scribes. And for that, “their condemnation will be the greater” (Mark 12:38–40). Jesus’s parables, especially, were riddled with the same anticlerical sentiments that shaped the politics and piety of Galilee, and that would become the hallmark of his ministry.

Bruce and Hemingway were with the advance fighting units that headed into the center of the city and together they climbed to the top of the Arc de Triomphe to look across all of Paris. How magnificent it must have felt to be there at that moment. Hemingway suggested that they go straight to the Ritz Hotel. Paris was the city my grandfather loved more than any other in the world. He was proud to assist the OSS in the city’s liberation and the liberation of the Ritz Hotel became one of his most memorable moveable feasts. When he arrived at the Ritz with Colonel Bruce and their band of irregulars, the hotel manager greeted them joyously and asked Hemingway if there was anything he could get for them, to which Hemingway replied, “How about seventy-three dry martinis?

This father, indeed, is what the various fathers of the biblical story—from Noah to Abraham, Isaac and Jacob, to David—never quite managed to be with their own families. He does what they rarely managed to do with their own power: use it for ever-increasing abundance and blessing. He is an icon of the true image. Indeed, in the holy hilarity of his greeting, the lavishness of his feast, and the eagerness of his pleading, we glimpse not just an image bearer but the very One “from whom every family in heaven and on earth takes its name” (Ephesians 3:15), whose image is meant to be refracted in his sons and daughters. Like him, we are meant to pour out our power fearlessly, spend our privilege recklessly, and leave our status in the dust of our headlong pursuit of love.

The Great Carouser by Stewart Stafford The Great Carouser approaches, His belly as stacked cheddar rolls, Used as a springboard for lust, And a battering ram for tavern doors. Shrieks of terror and welcome, Greet his arrival with ale demands, Tankards clank and merriment begins, Lewd ditties and jokes by the bar. Balancing acts on tables, With tongues held hostage, By braggadocio squatters, In an intoxicated stranglehold. Slurred speech and equilibrium loss, Signal festivities end for the gang, Staggering out into the starlit street, Partners on each arm for shady exertions. Then waking as if mauled by a bear, A quick drink and a greasy feast initiated, For the strange girls snoring in his bed, The Great Carouser has struck again. © Stewart Stafford, 2022. All rights reserved.

On the Day I Dreamed of You. Just past dawn, the sun rises blushing greeted me. Remember last night I dreamed of you. In my dream I saw a rare red sun flower that was never born, beautifully arranged on your head. Twisted in a black tree branch. Looks like you're waiting for someone to come with a range of golden glowing wings. In a white cloud coat and a hair loose similar to raindrops. And then that day has passed, I seemed to be trapped in a long dream. When I spend my days full of romance, feasting on every sparkling green moment, walking from one purple path to another purple street until the darkness whispers calling my name. Dragged me deep into the silence of the jungle. Wilderness full of blue imagination. And along the way, my fingers never stopped ring a small bell that echoed your name. Chat the story with happiness. That is the day I will always remember as the day you were born into the world.

Once he traveled to a village to purchase a large rice harvest, but when he arrived the rice had already been sold to another tradesman. Nevertheless, Siddhartha remained in this village for several days; he arranged a feast for the peasants, distributed copper coins among their children, helped celebrate a marriage, and returned from his trip in the best of spirits. Kamaswami reproached him for not having returned home at once, saying he had wasted money and time. Siddhartha answered, "Do not scold me, dear friend! Never has anything been achieved by scolding. If there are losses, let me bear them. I am very pleased with this journey I made the acquaintance of many different people, a Brahmin befriended me, children rode on my knees, peasants showed me their fields, and no one took me for a tradesman." "How very lovely!" Kamaswami cried out indignantly. "But in fact a tradesman is just what you are! Or did you undertake this journey solely for your own pleasure?" "Certainly." Siddhartha laughed. "Certainly I undertook the journey for my pleasure. Why else? I got to know new people and regions, enjoyed kindness and trust, found friendship. You see, dear friend, had I been Kamaswami, I'd have hurried home in bad spirits the moment I saw my purchase foiled, and indeed money and time would have been lost. But by staying on as I did, I had some agreeable days, learned things, and enjoyed pleasures, harming neither myself nor others with haste and bad spirits. And if ever I should return to this place, perhaps to buy some future harvest or for whatever other purpose, I shall be greeted happily and in friendship by friendly people and I shall praise myself for not having displayed haste and displeasure on my first visit. So be content, friend, and do not harm yourself by scolding! When the day arrives when you see that this Siddhartha is bringing you harm, just say the word and Siddhartha will be on his way. But until that day, let us be satisfied with each other.

Season's Greetings by Stewart Stafford Season's Greetings To those we are needing, While I am leading The Festive charge. Christmas love is fleeting, The snow is sleeting, And there's every chance of feeling, A thaw in my cold heart. Season's Greetings everywhere, Let War cease and all be fair, A heart that's full of Christmas cheer, Bravely faces the New Year. And so, we feast and celebrate, For those we've lost, we contemplate, Christmas is an emotional stocktake, Of those still here and those that are late. The year winds down to that last date, Resolutions tempting fate, New Fear's Eve, many hate, And choose to socially-isolate. Season's Greetings while you can, To every woman, child, and man, Season's Greetings, don't you wait Hold back now, and it's too late. And in the end, all we do, Is create memories for the few, Who mattered while we strode this earth, Then back to the place before our birth. Season's Greetings, decorations down, Bittersweet crunching sounds, Topple the tree to live again, Twelfth Night, the inevitable end. © Stewart Stafford, 2020. All rights reserved.

The village square teemed with life, swirling with vibrant colors and boisterous chatter. The entire village had gathered, celebrating the return of their ancestral spirit. Laughter and music filled the air, carrying with it an energy that made Kitsune smile. Paper lanterns of all colors floated lazily above, their delicate glow reflecting on the smiling faces below. Cherry blossoms caught in the playful breeze, their sweet, earthy scent settling over the scene. At the center, villagers danced with unbridled joy, the rhythm of the taiko drums and the melody of flutes guiding their steps. To the side, a large table groaned under the weight of a feast. Sticky rice balls, steamed dumplings, seaweed soup, sushi, and more filled the air with a mouthwatering aroma. As she approached the table, she was greeted warmly by the villagers, who offered her food, their smiles genuine and welcoming. She filled a plate and sat at a table with Goro and Sota, overlooking the celebration. The event brought back a flood of memories of a similar celebration from her childhood—a time when everything was much simpler and she could easily answer the question who are you? The memory filled her heart with a sweet sadness, a reminder of what she lost and what had carved the road to where she was now. Her gaze fell on the dancing villagers, but she wasn’t watching them. Not really. Her attention was fully embedded in her heart ache, longing for the past, for the life that was so cruelly ripped away from her. “I think... I think I might know how to answer your question,” she finally said, her voice soft and steady, barely audible over the cacophony of festivity around them. “Oh?” Goro responded, his face alight with intrigue. “I would have to tell you my story.” Kitsune’s eyes reflected the somber clouds of her past. Goro swallowed his bite of food before nodding. “Let us retire to the dojo, and you can tell me.” They retreated from the bustling square, leaving behind the chaos of the celebration. The sounds of laughter and chatter and drums carried away by distance. The dojo, with its bamboo and sturdy jungle planks, was bathed in the soft luminescence of the moonlight, the surface of its wooden architecture glistening faintly under the glow. They stepped into the silent tranquility of the building, and Kitsune made her way to the center, the smooth, cool touch of the polished wooden floor beneath her providing a sense of peace. Assuming the lotus position, she calmed herself, ready to speak of memories she hadn’t confronted in a long time. Not in any meaningful way at least. Across from her, Goro settled, his gaze intense yet patient, encouraging her with a gentle smile like he somehow already understood her story was hard to verbalize.

I made a sticky mock ambrosia cake from honey and apples, to be served by one of the prettiest slaves, dressed as a handmaiden to Venus. I hoped when people left they would be raving about both the atmosphere and the food. "I came to go over the menu," Apicius said, jolting me out of my thoughts. He was like an eager child just given a fresh plum. Sotas settled on a stool near the door and raised a hand in greeting. "Of course. I can make a variety of dishes and cut them up for easy sampling. I wanted to start with roasted hyacinth bulbs, some soft cheese drenched in raisin wine with bread, and slices of sow's udder with garum and lovage. I thought we could serve the Lucanian sausage I made earlier this week. And remember my hard egg mice with the almond ears and the clove eyes? I think those might go over well." "Perfect! The mice will delight the ladies!

Ritual characterizes every aspect of life here, and even mundane, daily activities take on an ageless quality. The daily rhythm begins at dawn, as the fishermen launch boats from countless harbors, an event that has taken place for centuries. The women go to market, exchanging greetings and comments. Ritual rules the care and time taken with every detail of the midday meal, from the hearty seafood appetizers to the strong, syrupy coffee that marks the end of the feast. The day winds down with the evening stroll, a tradition thoroughly ingrained in the culture of the Greek Isles. In villages and towns throughout the islands, sunset brings cooler air and draws people from their homes and the beaches for an enjoyable evening walk through town squares, portside promenades, and narrow streets. Ancient crafts still flourish in the artisans’ studios and in tidy homes of countless mountain villages and ports. Embroidery--traditionally the province of Greek women--is created by hand to adorn the regional costumes worn during festivals. Artists craft delicate silver utensils, engraved gems, blown glass, and gold jewelry. Potters create ceramic pieces featuring some of the same decorative patterns and mythological subjects that captured their ancestors’ imagination. Weddings, festivals, saints’ days. And other celebrations with family and friends provide a backdrop for grave and energetic Greek dancing. For centuries--probably ever since people have lived on the islands--Greek islanders have seized every opportunity to play music, sing, and dance. Dancing in Greece is always a group activity, a way to create and reinforce bonds among families, friends, and communities, and island men have been dancing circle dances like the Kalamatianos and the Tsamikos since antiquity. Musicians accompany revelers on stringed instruments like the bouzouki--the modern equivalent of the lyre. While traditional attire is reserved mainly for festive occasions, on some islands people still sport these garments daily. On Lefkada and Crete, it is not unusual to find men wearing vraka, or baggy trousers, and vests, along with the high boots known as stivania. Women wear long, dark, pleated skirts woven on a traditional loom, and long silk scarves or kerchiefs adorn their heads. All the garments are ornamented by hand with rich brocades and elaborate embroidery. All over the Greek Isles, Orthodox priests dress in long black robes, their shadowy figures contrasting with the bright whites, blues, and greens of Greek village architecture.

Bloodline by Stewart Stafford Stuart Richards, 5,001st in line to the British throne, A distant cousin of the king but hitherto unknown, He dreamt of the crown and his fair queen's hand, But there was no baiting the hook unless he had a plan. He chose to eliminate the competition, stood before him, Through a dark celebration, they'd never know what hit them, He sent out invitations to the 5, 000 heirs, Promising vast feasting, with music and fanfare He built a fake house front with a door and a sign, That said: "Welcome to the party. Now, kindly form a line." Behind the door, there awaited a cliff face and a fall, A master of deception, his warm smile greeted them all. He stood at the front door with a charming bow, And, welcoming each guest, he said: "In you go now!" He watched them disappear as they stepped through the door, Counting steps to ascension, lemmings queued up for more. Backslapping himself, inner cackling at his scheme, Imagining himself as king - glory rained down, it seemed, But his Machiavellian plotting had a monstrous flaw, One thing he'd forgotten that greedy eyes never saw. The king was still alive, and he was not amused, He got wind of this plot and responded unconfused, He sent his guards to arrest him for sedition in a fury, They swept him off his feet, planting him before a jury. Put on trial for treason - the verdict was most guilty, Execution set, he had the neck to beg for mercy, But the king was not budging and barked: "Off with his head!" An Axeman's reverse coronation, he joined the fallen dead. Halting 2,986th in line to the British throne, A distant cousin of the king, headless spirit flown, In jealous craving, dispossessed as ruler of the land, Crowned pride came before a fallen plan. © Stewart Stafford, 2023. All rights reserved.

The time will come when, with elation you will greet yourself arriving at your own door, in your own mirror and each will smile at the other's welcome, and say, sit here. Eat. You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you all your life, whom you ignored for another, who knows you by heart. Take down the love letters from the bookshelf, the photographs, the desperate notes, peel your own image from the mirror. Sit. Feast on your life.

There are two features of this intriguing text which seem to connect it with much later rituals for ensuring the health of crops. One is the salutation to the earth, ‘be well’, hal wes þu. In Old English this phrase was a common greeting, more usually found in the order wes þu hal, ‘be thou well’. By the twelfth century, this phrase is recorded as a toast, used to wish someone health when presenting them with a cup of drink.18 In time, it became contracted to wassail, and in Middle English it appears both as a toast and a general word for drinking and feasting. In medieval sources, wassailing has no connection to crops. From the sixteenth century onwards, however, there are records from across southern England of the custom of wassailing fruit-trees in the winter season, around Christmas or Twelfth Night, to ensure a good harvest of fruit in the coming year.19 This often involved singing to the trees, beating them with sticks, toasting them with cider or putting pieces of cider-soaked bread in their roots or branches. More than five hundred years separate this Anglo-Saxon field-ritual from the first records of wassailing, so there may be no direct connection between the Old English text and the later custom. However, the use of the phrase hal wes þu as a salutation to the earth is a remarkable similarity, even if it’s just coincidence.

Love After Love The time will come when, with elation you will greet yourself arriving at your own door, in your own mirror and each will smile at the other's welcome, and say, sit here. Eat. You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you all your life, whom you ignored for another, who knows you by heart. Take down the love letters from the bookshelf, the photographs, the desperate notes, peel your own image from the mirror. Sit. Feast on your life.

The spreading out of garments likewise belongs to the tradition of Israelite kingship (cf. 2 Kings 9:13). What the disciples do is a gesture of enthronement in the tradition of the Davidic kingship, and it points to the Messianic hope that grew out of the Davidic tradition. The pilgrims who came to Jerusalem with Jesus are caught up in the disciples’ enthusiasm. They now spread their garments on the street along which Jesus passes. They pluck branches from the trees and cry out verses from Psalm 118, words of blessing from Israel’s pilgrim liturgy, which on their lips become a Messianic proclamation: “Hosanna! Blessed is he who comes in the name of the Lord! Blessed is the kingdom of our father David that is coming! Hosanna in the highest!” (Mk 11:9-10; cf. Ps 118:26). This acclamation is recounted by all four evangelists, albeit with some variation in detail. There is no need here to go into the differences, important though they are for “tradition criticism” and for the theological vision of the individual evangelists. Let us try merely to understand the essential outlines, especially since the Christian liturgy has adopted this greeting, interpreting it in the light of the Church’s Easter faith. First comes the exclamation “Hosanna!” Originally this was a word of urgent supplication, meaning something like: Come to our aid! The priests would repeat it in a monotone on the seventh day of the Feast of Tabernacles, while processing seven times around the altar of sacrifice, as an urgent prayer for rain. But as the Feast of Tabernacles gradually changed from a feast of petition into one of praise, so too the cry for help turned more and more into a shout of jubilation (cf. Lohse, TDNT IX, p. 682). By the time of Jesus, the word had also acquired Messianic overtones.

The time will come when, with elation you will greet yourself arriving at your own door, in your own mirror and each will smile at the other’s welcome, and say, sit here. Eat. You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you all your life, whom you ignored for another, who knows you by heart. Take down the love letters from the bookshelf, the photographs, the desperate notes, peel your own image from the mirror. Sit. Feast on your life. - “Love After Love” by Derek Walcott

Harry had been to several Hogwarts feasts, but never one quite like this. Everybody was in their pyjamas, and the celebrations lasted all night. Harry didn’t know whether the best bit was Hermione running towards him, screaming, ‘You solved it! You solved it!’ or Justin hurrying over from the Hufflepuff table to wring his hand and apologise endlessly for suspecting him, or Hagrid turning up at half past three, cuffing Harry and Ron so hard on the shoulders that they were knocked into their plates of trifle, or his and Ron’s four hundred points securing Gryffindor the House Cup for the second year running, or Professor McGonagall standing up to tell them all that the exams had been cancelled as a school treat (‘Oh, no!’ said Hermione), or Dumbledore announcing that, unfortunately, Professor Lockhart would be unable to return next year, owing to the fact that he needed to go away and get his memory back. Quite a few of the teachers joined in the cheering that greeted this news. ‘Shame,

Following the Soviet invasion, the Communists, to their credit, passed decrees making girls’ education compulsory and abolishing certain oppressive tribal customs—such as the bride-price, a payment to the bride’s family in return for her hand in marriage. However, by massacring thousands of tribal elders, they paved the way for the “commanders” to step in as the new elite. Aided by American and Saudi patronage, extremism flourished. What had once been a social practice confined to areas deep in the hinterlands now became a political practice, which, according to ideologues, applied to the entire country. The modest gains of urban women were erased. “The first time a woman enters her husband’s house," Heela “told me about life in the countryside, “she wears white”—her wedding dress—“and the first time she leaves, she wears white”—the color of the Muslim funeral shroud. The rules of this arrangement were intricate and precise, and, it seemed to Heela, unchanged from time immemorial. In Uruzgan, a woman did not step outside her compound. In an emergency, she required the company of a male blood relative to leave, and then only with her father’s or husband’s permission. Even the sound of her voice carried a hint of subversion, so she was kept out of hearing range of unrelated males. When the man of the house was not present, boys were dispatched to greet visitors. Unrelated males also did not inquire directly about a female member of the house. Asking “How is your wife?” qualified as somewhere between uncomfortably impolite and downright boorish. The markers of a woman’s life—births, anniversaries, funerals, prayers, feasts—existed entirely within the four walls of her home. Gossip, hopscotching from living room to living room, was carried by husbands or sons.