Fear Spreads Quotes

We've searched our database for all the quotes and captions related to Fear Spreads. Here they are! All 100 of them:

I am constantly trying to communicate something incommunicable, to explain something inexplicable, to tell about something I only feel in my bones and which can only be experienced in those bones. Basically it is nothing other than this fear we have so often talked about, but fear spread to everything, fear of the greatest as of the smallest, fear, paralyzing fear of pronouncing a word, although this fear may not only be fear but also a longing for something greater than all that is fearful.
Franz Kafka (Letters to Milena)
A kind of light spread out from her. And everything changed color. And the world opened out. And a day was good to awaken to. And there were no limits to anything. And the people of the world were good and handsome. And I was not afraid any more.
John Steinbeck (East of Eden)
How dreadful are the curses which Mohammedanism lays on its votaries! Besides the fanatical frenzy, which is as dangerous in a man as hydrophobia in a dog, there is this fearful fatalistic apathy. The effects are apparent in many countries. Improvident habits, slovenly systems of agriculture, sluggish methods of commerce, and insecurity of property exist wherever the followers of the Prophet rule or live. A degraded sensualism deprives this life of its grace and refinement; the next of its dignity and sanctity. The fact that in Mohammedan law every woman must belong to some man as his absolute property – either as a child, a wife, or a concubine – must delay the final extinction of slavery until the faith of Islam has ceased to be a great power among men. Thousands become the brave and loyal soldiers of the faith: all know how to die but the influence of the religion paralyses the social development of those who follow it. No stronger retrograde force exists in the world. Far from being moribund, Mohammedanism is a militant and proselytizing faith. It has already spread throughout Central Africa, raising fearless warriors at every step; and were it not that Christianity is sheltered in the strong arms of science, the science against which it had vainly struggled, the civilisation of modern Europe might fall, as fell the civilisation of ancient Rome.
Winston S. Churchill (The River War)
...But the Mahommedan religion increases, instead of lessening, the fury of intolerance. It was originally propagated by the sword, and ever since, its votaries have been subject, above the people of all other creeds, to this form of madness. In a moment the fruits of patient toil, the prospects of material prosperity, the fear of death itself, are flung aside. The more emotional Pathans are powerless to resist. All rational considerations are forgotten. Seizing their weapons, they become Ghazis—as dangerous and as sensible as mad dogs: fit only to be treated as such. While the more generous spirits among the tribesmen become convulsed in an ecstasy of religious bloodthirstiness, poorer and more material souls derive additional impulses from the influence of others, the hopes of plunder and the joy of fighting. Thus whole nations are roused to arms. Thus the Turks repel their enemies, the Arabs of the Soudan break the British squares, and the rising on the Indian frontier spreads far and wide. In each case civilisation is confronted with militant Mahommedanism. The forces of progress clash with those of reaction. The religion of blood and war is face to face with that of peace.
Winston S. Churchill (The Story of the Malakand Field Force)
The visions are fragmented and a dark cloud spreads like spilt ink across the pages of possible futures.
Garth Nix (Lirael (Abhorsen, #2))
People who pop a painkiller at the smallest hint of a migraine, or who need anaesthetic cream to remove a mole, demand that women giving birth should gladly endure the pain, exhaustion, and mortal fear. As if that’s maternal love. This idea of “maternal love” is spreading like religious dogma. Accept Maternal Love as your Lord and Savior, for the Kingdom is near!
Cho Nam-Joo (Kim Jiyoung, Born 1982)
Friar Hugo, old friend, brace yourself. I am the bearer of tragic news!" Alarm spread across Hugo's pudgy features. "Tell me, Jess. What dreadful thing has happened?" Jess spoke haltingly in a broken voice. "I fear that Cluny has tore up one of your oldest and most venerable dishrags. Alas, Redwall will never see it wipe another plate.
Brian Jacques (Redwall (Redwall, #1))
A safe, still night; too serene for the companionship of fear. We know that God is everywhere; but certainly we feel His presence most when His works are on the grandest scale spread before us: and it is in the unclouded night sky, where His worlds wheel their silent course, that we read clearest His infinitude, His omnipotence, His Omnipresence.
Charlotte Brontë (Jane Eyre)
IN THE HANDS OF MAN He who creates a poison, also has the cure. He who creates a virus, also has the antidote. He who creates chaos, also has the ability to create peace. He who sparks hate, also has the ability to transform it to love. He who creates misery, also has the ability to destroy it with kindness. He who creates sadness, also has the ability to to covert it to happiness. He who creates darkness, can also be awakened to produce illumination. He who spreads fear, can also be shaken to spread comfort. Any problems created by the left hand of man, Can also be solved with the right, For he who manifests anything, Also has the ability to Destroy it.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
When we grow up, we find ways to hide our anxieties, our loneliness, our fear and sorrow. But children hide nothing, putting everything into their tears, which they spread liberally about for the whole world to see.
Yōko Ogawa (The Diving Pool: Three Novellas)
Observe how many people evade, rationalize and drive their minds into a state of blind stupor, in dread of discovering that those they deal with- their "loved ones" or friends or business associates or political rulers- are not merely mistaken, but evil. Observe that this dread leads them to sanction, to help and to spread the very evil whose existence they fear to acknowledge.
Ayn Rand (The Virtue of Selfishness: A New Concept of Egoism)
A reputation is all it takes to spread fear. And fear is a mighty weapon.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
Once you reject fear, you will become the perfect candidate to receive and reflect Truth.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
And now fear spread over the countryside. People no longer knew against whom to direct their impotent rage.
Patrick Süskind (Perfume: The Story of a Murderer)
Although this scouting gig sounded like a financial hit, it made Nonie extremely nervous. She feared someone slip--that someone being Buggy--and others would find out Nonie's secret. And if the wrong person caught wind that she could see and speak to the dead, word would spread through Clay Point like ants at a picnic.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Fear you?" she said without thinking. "Good God, I would never do that." Easing her head back, Westcliff looked at her while a slow smile spread across his face. "No, you wouldn't," he agreed. "You'd spit in the devil's eye if it suited you.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The terror of it was in the randomness. The brutality and the senseless way they chose their victims, while leaving so many witnesses to spread the fear. No one was safe. No one was ever safe.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
--while the sun and wind played gently in its spreading branches; the bells of the Donskoy monastery would sometimes float across--tranquil and sad--and I would sit and gaze and listen, and would be filled with a nameless sensation which had everything in it; sorrow and joy, a premonition of the future, and desire, and fear of life.
Ivan Turgenev (Primer amor)
Sometimes being crazy is a demon. And sometimes the demon is me. And I visit quiet sidewalks and loud parties and dark movies, and a small demon looks out at the world with me. Sometimes it sleeps. Sometimes it plays. Sometimes it laughs with me. Sometimes it tries to kill me. But it’s always with me. I suppose we’re all possessed in some way. Some of us with dependence on pills or wine. Others through sex or gambling. Some of us through self-destruction or anger or fear. And some of us just carry around our tiny demon as he wreaks havoc in our mind, tearing open old dusty trunks of bad memories and leaving the remnants spread everywhere. Wearing the skins of people we’ve hurt. Wearing the skins of people we’ve loved. And sometimes, when it’s worst, wearing our skins.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Fear, left unchecked, can spread like a virus.
Lish McBride (Necromancing the Stone (Necromancer, #2))
I tilted my head and tossed my hair back, baring my neck. I saw her hesitate, but the sight of my neck and what it offered proved too powerful. A hungry expression crossed her face, and her lips parted slightly, exposing the fangs she normally kept hidden while living among humans. Those fangs contrasted oddly with the rest of her features. With her pretty face and pale blond hair, she looked more like an angel than a vampire. As her teeth neared my bare skin, I felt my heart race with a mix of fear and anticipation. I always hated feeling the latter, but it was nothing I could help, a weakness I couldn't shake. Her fangs bit into me, hard, and I cried out at the brief flare of pain. Then it faded, replaced by a wonderful, golden joy that spread through my body. It was better than any of the times I'd been drunk or high. Better than sex—or so I imagined, since I'd never done it. It was a blanket of pure, refined pleasure, wrapping me up and promising everything would be right in the world. On and on it went. The chemicals in her saliva triggered an endorphin rush, and I lost track of the world, lost track of who I was.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
a spiritual desert is spreading - an interior emptiness, an unnamed fear, a quiet sense of despair.
Pope Benedict XVI
Terrorism isn't a crime against people or property. It's a crime against our minds, using the death of innocents and destruction of property to make us fearful. Terrorists use the media to magnify their actions and further spread fear. And when we react out of fear, when we change our policy to make our country less open, the terrorists succeed -- even if their attacks fail. But when we refuse to be terrorized, when we're indomitable in the face of terror, the terrorists fail -- even if their attacks succeed.
Bruce Schneier
There was only the cemetery itself, spread out in the moonlight like a soft grey hallucination, a stony wilderness of Victorian melancholy.
Audrey Niffenegger (Her Fearful Symmetry)
Electric Networks spread fear of murder on the streets
Allen Ginsberg (The Fall of America: Poems of These States 1965-1971)
THE TAME BIRD WAS IN A CAGE THE tame bird was in a cage, the free bird was in the forest. They met when the time came, it was a decree of fate. The free bird cries, "O my love, let us fly to the wood." The cage bird whispers, "Come hither, let us both live in the cage." Says the free bird, "Among bars, where is there room to spread one's wings?" "Alas," cries the caged bird, "I should not know where to sit perched in the sky." The free bird cries, "My darling, sing the songs of the woodlands." The cage bird sings, "Sit by my side, I'll teach you the speech of the learned." The forest bird cries, "No, ah no! songs can never be taught." The cage bird says, "Alas for me, I know not the songs of the woodlands." There love is intense with longing, but they never can fly wing to wing. Through the bars of the cage they look, and vain is their wish to know each other. They flutter their wings in yearning, and sing, "Come closer, my love!" The free bird cries, "It cannot be, I fear the closed doors of the cage." The cage bird whispers, "Alas, my wings are powerless and dead.
Rabindranath Tagore
The child destined to be a writer is vulnerable to every wind that blows. Now warm, now chill, next joyous, then despairing, the essence of his nature is to escape the atmosphere about him, no matter how stable, even loving. No ties, no binding chains, save those he forges for himself. Or so he thinks. But escape can be delusion, and what he is running from is not the enclosing world and its inhabitants, but his own inadequate self that fears to meet the demands which life makes upon it. Therefore create. Act God. Fashion men and women as Prometheus fashioned them from clay, and, by doing this, work out the unconscious strife within and be reconciled. While in others, imbued with a desire to mold, to instruct, to spread a message that will inspire the reader and so change his world, though the motive may be humane and even noble--many great works have done just this--the source is the same dissatisfaction, a yearning to escape.
Daphne du Maurier (The Loving Spirit)
Fear is a prison. A feeling of crippling power that spreads darkness within. It blinds. It questions. It takes over every decision we make, coloring it with doubt. Fear, for most of us, rules our lives, and it’s only when you conquer it that you can truly live your life to the fullest.
Mia Asher (Easy Virtue (Virtue, #1))
My name...my name is Mary. I'm here with a friend.' Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered. 'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.' Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly. He closed his eyes. 'Say something else.' 'What?' she asked, baffled. 'Talk. Talk to me. I want to hear your voice.' She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?' He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin. 'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better. 'Could you... could you please let go of me?' 'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.' She started to struggle. 'You're crowding me.' 'I know. Talk.' 'Oh for God's sake, what do you want me to say?' Even exasperated, her voice was beautiful. 'Anything.' 'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.' He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft. 'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon. When she pushed against him, he leaned his full weight into her. Her breath came out in a rush. 'Please,' he murmured. Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.' He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.' 'What?' 'Nothing. Say nothing. Over and over and over again. Do it.' She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.' "Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
Fear is like a weed in a garden. Once you allow it to take root, it spreads, replicating itself, until, eventually, it chokes out all the other life there. Trust, love, kindness – none of those things can ever really bloom in a garden of fear.
Breeana Puttroff (Blooms of Consequence (Dusk Gate Chronicles, #4))
People are always quick to call evil what they do not know. The unknown sprouts fear. It spreads like an infection, burrowing into every facet of their lives. They need a scapegoat, someone to blame. Fingers are pointed, accusations are made, and a target lands on somebody’s back. They grow angry. They turn violent. To history, human nature must be a stubborn and tiring student. No matter how many times history tries to show it the error of its ways, it never learns from its mistakes.
Kelseyleigh Reber (If I Resist (Circle and Cross, #2))
In silence, they stared. Bells began pealing; people shouted. Not with fear. But in wonder. A hand rising to her mouth, Aelin scanned the broad sweep of the world. The mountain wind brushed away her tears, carrying with it a song, ancient and lovely. From the very heart of Oakwald. The very heart of the earth. Rowan twined his fingers in hers and whispered, awe in every word, “For you, Fireheart. All of it is for you.” Aelin wept then. Wept in joy that lit her heart, brighter than any magic could ever be. For across every mountain, spread beneath the green canopy of Oakwald, carpeting the entire Plain of Theralis, the kingsflame was blooming.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
And then the rains came. They came down from the hills and up from the sound. And it rained a sickness. And it rained a fear. And it rained an odor. And it rained a murder. And it rained dangers and pale eggs of the beast. Rain poured for days, unceasing. Flooding occurred. The wells filled with reptiles. The basements filled with fossils. Mossy-haired lunatics roamed the dripping peninsulas. Moisture gleamed on the beak of the raven. Ancient Shaman's rained from their homes in dead tree trunks, clacked their clamshell teeth in the drowned doorways of forests. Rain hissed on the freeway. It hissed at the prows of fishing boats. It ate the old warpaths, spilled the huckleberries, ran into the ditches. Soaking. Spreading. Penetrating. And it rained an omen. And it rained a poison. And it rained a pigment. And it rained a seizure.
Tom Robbins (Another Roadside Attraction)
Democracy doesn't mean spreading terror.
DaShanne Stokes
I rose to standing, like Lars upon the barbican, the dark city spread at my feet. Lights twinkled in tavern windows, bobbed at the Wolfstoot Bridge construction. Once I had been suspended over this vast space, hanging and helpless, at a dragon’s mercy. Once I had feared that telling the truth would be like falling, that love would be like hitting the ground, but here I was, my feet firmly planted, standing on my own. We were all monsters and bastards, and we were all beautiful.
Rachel Hartman (Seraphina (Seraphina, #1))
Guilt and fear are a kind of rot. It spreads unless it's cleaned. And there's only one way to do that.
Lee Goldberg (Mr. Monk on the Couch (Mr. Monk, #12))
Morphine hits the backs of the legs first, then the back of the neck, a spreading wave of relaxation slackening the muscles away from the bones so that you seem to float without outlines, like lying in warm salt water. As this relaxing wave spread through my tissues, I experienced a strong feeling of fear. I had the feeling that some horrible image was just beyond the field of vision, moving as I turned my head, so that I never quite saw it. I felt nauseous; I lay down and closed my eyes. A series of pictures passed, like watching a movie: A huge, neon-lighted cocktail bar that got larger and larger until streets, traffic, and street repairs were included in it; a waitress carrying a skull on a tray; stars in a clear sky. The physical impact of the fear of death; the shutting off of breath; the stopping of blood.
William S. Burroughs (Junky)
Amazing Peace: A Christmas Poem Thunder rumbles in the mountain passes And lightning rattles the eaves of our houses. Flood waters await us in our avenues. Snow falls upon snow, falls upon snow to avalanche Over unprotected villages. The sky slips low and grey and threatening. We question ourselves. What have we done to so affront nature? We worry God. Are you there? Are you there really? Does the covenant you made with us still hold? Into this climate of fear and apprehension, Christmas enters, Streaming lights of joy, ringing bells of hope And singing carols of forgiveness high up in the bright air. The world is encouraged to come away from rancor, Come the way of friendship. It is the Glad Season. Thunder ebbs to silence and lightning sleeps quietly in the corner. Flood waters recede into memory. Snow becomes a yielding cushion to aid us As we make our way to higher ground. Hope is born again in the faces of children It rides on the shoulders of our aged as they walk into their sunsets. Hope spreads around the earth. Brightening all things, Even hate which crouches breeding in dark corridors. In our joy, we think we hear a whisper. At first it is too soft. Then only half heard. We listen carefully as it gathers strength. We hear a sweetness. The word is Peace. It is loud now. It is louder. Louder than the explosion of bombs. We tremble at the sound. We are thrilled by its presence. It is what we have hungered for. Not just the absence of war. But, true Peace. A harmony of spirit, a comfort of courtesies. Security for our beloveds and their beloveds. We clap hands and welcome the Peace of Christmas. We beckon this good season to wait a while with us. We, Baptist and Buddhist, Methodist and Muslim, say come. Peace. Come and fill us and our world with your majesty. We, the Jew and the Jainist, the Catholic and the Confucian, Implore you, to stay a while with us. So we may learn by your shimmering light How to look beyond complexion and see community. It is Christmas time, a halting of hate time. On this platform of peace, we can create a language To translate ourselves to ourselves and to each other. At this Holy Instant, we celebrate the Birth of Jesus Christ Into the great religions of the world. We jubilate the precious advent of trust. We shout with glorious tongues at the coming of hope. All the earth's tribes loosen their voices To celebrate the promise of Peace. We, Angels and Mortal's, Believers and Non-Believers, Look heavenward and speak the word aloud. Peace. We look at our world and speak the word aloud. Peace. We look at each other, then into ourselves And we say without shyness or apology or hesitation. Peace, My Brother. Peace, My Sister. Peace, My Soul.
Maya Angelou (Amazing Peace: A Christmas Poem)
God gives us all wings, and I'm using mine. The sun is out, And I have to fly, My wings will carry me. The wind will blow, And with my wings, I will reach the clouds, Shall I reach the sun? Nothing can stop me, I will spread my wings, As I do not fear falling, Today, I'll surely reach the heavens and kiss them.
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
We do not engage in idle or intentional gossip which undermines someone else's integrity or which spreads the seeds of fear by talking unthinkingly about illness, disasters, and all the other fears which run rampant in the world.
Donna Goddard (The Love of Devotion)
I think there's a perception that fear and terror and dread are fleeting. That they hit hard and fast when they do, but they don't last. It's not true. They don't fade unless they're replaced by some other feeling. Deep fear will stay and spread if it can. You can't outrun or outsmart or subdue it. Untreated, it will only fester. Fear is a rash.
Iain Reid (I'm Thinking of Ending Things)
I feared the defining point of this Hell was its unrelenting uniformity, its lack of variation from type. If there was a heaven at the end of this, it must be filled with great variety, perhaps a multiplicity of intelligent species spread across universes. Yes, heaven would be as full of difference as Hell was of sameness.
Steven L. Peck (A Short Stay in Hell)
Writing a book is a tremendous experience. It pays off intellectually. It clarifies your thinking. It builds credibility. It is a living engine of marketing and idea spreading, working every day to deliver your message with authority. You should write one. Seth Godin
Seth Godin (How the Fierce Handle Fear: Secrets to Succeeding in Challenging Times)
Walt Whitman (1819–1892). Leaves of Grass. 1900. To You WHOEVER you are, I fear you are walking the walks of dreams, I fear these supposed realities are to melt from under your feet and hands; Even now, your features, joys, speech, house, trade, manners, troubles, follies, costume, crimes, dissipate away from you, Your true Soul and Body appear before me, They stand forth out of affairs—out of commerce, shops, law, science, work, forms, clothes, the house, medicine, print, buying, selling, eating, drinking, suffering, dying. Whoever you are, now I place my hand upon you, that you be my poem; I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you. O I have been dilatory and dumb; I should have made my way straight to you long ago; I should have blabb’d nothing but you, I should have chanted nothing but you. I will leave all, and come and make the hymns of you; None have understood you, but I understand you; None have done justice to you—you have not done justice to yourself; None but have found you imperfect—I only find no imperfection in you; None but would subordinate you—I only am he who will never consent to subordinate you; I only am he who places over you no master, owner, better, God, beyond what waits intrinsically in yourself. Painters have painted their swarming groups, and the centre figure of all; From the head of the centre figure spreading a nimbus of gold-color’d light; But I paint myriads of heads, but paint no head without its nimbus of gold-color’d light; From my hand, from the brain of every man and woman it streams, effulgently flowing forever. O I could sing such grandeurs and glories about you! You have not known what you are—you have slumber’d upon yourself all your life; Your eye-lids have been the same as closed most of the time; What you have done returns already in mockeries; (Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return?) The mockeries are not you; Underneath them, and within them, I see you lurk; I pursue you where none else has pursued you; Silence, the desk, the flippant expression, the night, the accustom’d routine, if these conceal you from others, or from yourself, they do not conceal you from me; The shaved face, the unsteady eye, the impure complexion, if these balk others, they do not balk me, The pert apparel, the deform’d attitude, drunkenness, greed, premature death, all these I part aside. There is no endowment in man or woman that is not tallied in you; There is no virtue, no beauty, in man or woman, but as good is in you; No pluck, no endurance in others, but as good is in you; No pleasure waiting for others, but an equal pleasure waits for you. As for me, I give nothing to any one, except I give the like carefully to you; I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory of you. Whoever you are! claim your own at any hazard! These shows of the east and west are tame, compared to you; These immense meadows—these interminable rivers—you are immense and interminable as they; These furies, elements, storms, motions of Nature, throes of apparent dissolution—you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution. The hopples fall from your ankles—you find an unfailing sufficiency; Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges itself; Through birth, life, death, burial, the means are provided, nothing is scanted; Through angers, losses, ambition, ignorance, ennui, what you are picks its way.
Walt Whitman
But laugh?" He pressed the flat of his hand against my stomach. "Here lives laugh." He ran his finger straight up to my mouth and spread his fingers. "Push back laugh is not good. Not healthy." "Also cry?" I asked. I traced an imaginary tear down my cheek with one finger. "Also cry." He put his hand on his own belly. "Ha ha ha," he said, pressing his hand to show me the motion of his stomach. Then his expression changed to sad. "Huh huh huh," he heaved with exaggerated sobs, pressing his stomach again. "Same place. Not healthy to push down.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
When I wake up earlier than you and you are turned to face me, face on the pillow and hair spread around, I take a chance and stare at you, amazed in love and afraid that you might open your eyes and have the daylights scared out of you. But maybe with the daylights gone you’d see how much my chest and head implode for you, their voices trapped inside like unborn children fearing they will never see the light of day. The opening in the wall now dimly glows its rainy blue and gray. I tie my shoes and go downstairs to put the coffee on.
Ron Padgett
Honestly, I'm not sure how much longer I can keep doing this. It's like there are seven candles lit in my stomach. One, two, three, four, five, six, seven. Seven candles burning and smoking - lit - seven flames of doubt, fear, sorrow, pain, waste, hopelessness, despair. They turn my insides black with soot and ash. There is something at the back of my eyes- a pressure building, building, building - hot like the flames of seven candles, which no amount of breath can extinguish. I imagine drinking glasses of water. One, two, three four, five, six, seven. I dive into the clearest pool. I drown myself in the coarse, dry sand. I swallow handfuls of crushed white salt, but the flames burn still - brighter, hotter, deeper. Sweat runs in delicate patterns down my back, over my crooked spine and jutting hips. I scratch at the wounds these last weeks have left, but I can't break free of them. The flies gather and vultures circle overhead. The fire eats away my flesh. The fire spreads. The fire runs through my veins. The fire courses beneath my muscles - my tendons - the marrow of my bones. I sit rocking on the street corner. No, I can't keep doing this. I just can't.
Nic Sheff (Tweak: Growing Up On Methamphetamines)
In each studio there is a human being dressed in the full regalia of his myth fearing to expore a vulnerable opening, spreading not his charms but his defences, plotting to disrobe, somewhere along the night-- his body without the aperture of the heart or his heart with a door closed to his body. thus keeping one compartment for refuge, one uninvaded cell.
Anaïs Nin (Ladders to Fire (Cities of the Interior #1))
A remarkable thing about new technologies in the Roman period is that their creation and spread seem to have been driven by the state. This is good news, until the government decides that it is not interested in technological development—and all-too-common occurrence due to the fear of creative destruction.
Daron Acemoğlu (Why Nations Fail: The Origins of Power, Prosperity, and Poverty)
Looking back on his life, he sees himself spread out on the earth like a giant covered in tiny threads that have held him down. Tiny threads of petty cares and small concerns, and fears he took seriously at the time. Debts, timetables, the need for money, the longing for comfort; the earworm of sex, repeating itself over and over like a neural feedback loop. He’s been the puppet of his own constricted desires.
Margaret Atwood (The Heart Goes Last)
All of this suggests that one of the best things each of us can do—not only for ourselves, but also for our children and grandchildren—is to metabolize our pain and heal our trauma. When we heal and make more room for growth in our nervous systems, we have a better chance of spreading our emotional health to our descendants, via healthy DNA expression. In contrast, when we don’t address our trauma, we may pass it on to future generations, along with some of our fear, constriction, and dirty pain.
Resmaa Menakem (My Grandmother's Hands: Racialized Trauma and the Mending of Our Bodies and Hearts)
Not Exactly True That skin hate is dead. There will never be color blindness in a culture of fear. But when you live afraid of your neighbor, the monster you should most walk in terror of thrives. It starts as a little thing, small enough to burrow into your pores, take up excruciating residence in the dark recesses of your brain. Its name is paranoia, and it spreads like an oil spill, there in the shadows, chokes your humanity. Threatens your soul.
Ellen Hopkins
Then what do you want?" she asked softly. He shook his head without answering. But Sara knew. He wanted to be safe. If he were rich and powerful enough, he would never be hurt, lonely, or abandoned. He would never have to trust anyone. She continued to stroke his hair, playing lightly with the thick raven locks. 'Take a chance on me," she urged. "Do you really have so much to lose?" He gave a harsh laugh and loosened his arms to release her. "More than you know." Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away," she whispered. "Stay with me. Let me love you, Derek." He stood there frozen in defeat, with all the warmth and promise of her in his arms ... and he couldn't allow himself to take what she offered. He'd never felt so worthless, so much a fraud. Perhaps for a day, a week, he could be what she wanted. But no longer than that. He had sold his honor, his conscience, his body, anything he could use to escape the lot he'd been given in life. And now, with all his great fortune, he couldn't buy back what he'd sacrificed. Were he capable of tears, he would have shed them. Instead he felt numbing coldness spread through his body, filling up the region where his heart should have been. It wasn't difficult to walk away from her. It was appallingly easy. Sara made an inarticulate sound as he extricated himself from her embrace. He left her as he had left the others, without looking back.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Silence cleared her throat, fearful her voice would come out a croak. “Is she asleep?” He blinked as if he, too, were waking from a dream, and glanced down at Mary Darling. “Aye, I’m a-thinkin’ she is—she’s stopped fussin’ at me.” Silence felt a huge smile of relief spread over her face. “She was fussing? Oh, how wonderful!” He shot her a look, one eyebrow arching. “Ye’ve taught the child to bully me, too, now?” “Oh, no,” she said hastily, embarrassed. Did he really think she bullied him? What a silly notion!
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
Do not write. I am sad, and want my light put out. Summers in your absence are as dark as a room. I have closed my arms again. They must do without. To knock at my heart is like knocking at a tomb. Do not write! Do not write. Let us learn to die, as best we may. Did I love you? Ask God. Ask yourself. Do you know? To hear that you love me, when you are far away, Is like hearing from heaven and never to go. Do not write! Do not write. I fear you. I fear to remember, For memory holds the voice I have often heard. To the one who cannot drink, do not show water, The beloved one's picture in the handwritten word. Do not write! Do not write those gentle words that I dare not see, It seems that your voice is spreading them on my heart, Across your smile, on fire, they appear to me, It seems that a kiss is printing them on my heart. Do not write!
Louis Simpson
What destiny is there, but to sense, observe, merge, re-emerge, Empty, yet filled, spreading everywhere, inside, outside, in, Pulsing, fluctuating, breathing as part of one being, Whispering, feeling, reflecting, flowing between hot and cold, Mineral and plant, dark and light, love and fear, new and old.
Jay Woodman
Odd, yes, here in the capital of eternal youth, endless summer and all, that fear should be running the town again as in days of old, like the Hollywood blacklist you don't remember and the Watts rioting you do - it spreads, like blood in a swimming pool, till it occupies all the volume of the day. And then maybe some playful soul shows up with a bucketful of piranhas, dumps them in the pool, and right away they can taste the blood. They swim around looking for what's bleeding, but they don't find anything, all of them getting more and more crazy, till the craziness reaches a point. Which is when they begin to feed on each other.
Thomas Pynchon (Inherent Vice)
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest. His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes. "What? What's wrong?" I shake my head. "Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me." I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me. "Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is." "What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris." "I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..." "What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to." I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him. "I'm going to leave now," I say quietly. And I turn toward the door. "No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us. "I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you." "You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?" "What?" He releases my wrists, and the hurt look is back. "You're afraid of me?" "Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..." "Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too." "Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know." "Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise." I believe him.But this has nothing to do with his kindness. He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
Veronica Roth (Divergent (Divergent, #1))
My name is Ferrum. I was the first, born of the forges, when mankind first began to experiment with iron. I rose from their imagination, from their ambition to conquer the world with a metal that could slice through bronze like paper. I was there when the world started to shift, when humans took their first steps out of the Dark Ages into civilization. For many years, I thought I was alone. But mankind is never satisfied. Others came, risen from these dreams of a new world... Then, with the invention of computers, the gremlins came, and the bugs. Given life by the fear of monsters lurking in machines, these were more chaotic than the other fey, violent and destructive. They spread to every part of the world. As technology became a driving force in every country, powerful new fey rose into existence. Virus. Glitch. And Machina, the most powerful of all.
Julie Kagawa (The Iron King (The Iron Fey, #1))
They will talk about you and it won't always be good. You won't even know them but they will critique you - and judge you - and everything you stand for. Their words will cut through your heart-strings and make you question the hopes and dreams that have gnawed your soul since birth. I warn you, because I believe your unique gift of expression needs to be shared. Resist cowering down and holding back for fear of rejection. Spread those creative wings and create. But, prepare yourself. Because naysayers are not a possibility, they are a guarantee.
Alfa Holden (Abandoned Breaths)
Why travel to the Moon or Mars if we only continue our wars there with Russia or China or Africa? Why build rockets at all? For fun? For adventure? Or is this the same process that sends the salmons back upstream year after year to spawn and die - a subliminal urge in mankind to spread, in self-preservation, to the stars? Are we then secretly fearful that one day the sun might freeze and the the earth grow cold or the sun explode in a terrific thermal cataclysm and burn down our house of cards?
Ray Bradbury (Yestermorrow)
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
Robert G. Ingersoll
O Heavenly Children, the stories you have concocted in God's name have angered Him; for he would never instigate war between brothers, or encourage tribes to harbor resentment towards one another. He prefers the man who loves over the one who hates. And the man who spreads kindness, peace and knowledge, over the one who spreads lies, fear and terror — and misuses His name.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Aware of the suffering caused by unmindful speech and failure to listen, I am committed to cultivating loving speech and compassionate listening to relieve suffering and promote reconciliation and peace in myself and among other people, ethnic and religious groups, and nations. Knowing that words can create happiness or suffering, I am committed to speaking truthfully using words that inspire confidence, joy, and hope. I am determined not to speak when anger manifests in me. I will practice mindful breathing and walking to recognize and look deeply into my anger. I know that the roots of anger can be found in my wrong perceptions and lack of understanding of the suffering in myself and the other person. I will speak and listen in such a way as to help myself and the other person to transform suffering and see the way out of difficult situations. I am determined not to spread news that I do not know to be certain and not to utter words that can cause division or discord. I will practice diligently with joy and skillfulness so as to nourish my capacity for understanding, love, and inclusiveness, gradually transforming the anger, violence, and fear that lie deep in my consciousness.
Thich Nhat Hanh (Fear: Essential Wisdom for Getting Through the Storm)
…The silence spreads. I talk and must talk. So I speak to him and say to him: "Comrade, I did not want to kill you. If you jumped in here again, I would not do it, if you would be sensible too. But you are only an idea to me before, an abstraction that lived in my mind and called forth it appropriate response. It was that abstraction I stabbed. But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me comrade. We always see it too late. Why do they never tell us that you are just poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying, and the same agony — Forgive me, comrade; how could you be my enemy? If we threw away these rifles and this uniform you could be my brother just like Kat and Albert. Take twenty years of my life, comrade, and stand up — take more, for I do not know what I can even attempt to do with it now.
Erich Maria Remarque (All Quiet on the Western Front)
Night was come, and her planets were risen: a safe, still night; too serene for the companionship of fear. We know that God is everywhere; but certainly we feel His presence most when His works are on the grandest scale spread before us: and it is in the unclouded night-sky, where His worlds wheel their silent course, that we read clearest His infinitude, His omnipotence, His omnipresence.
Charlotte Brontë (Jane Eyre)
Unconditional war can no longer lead to unconditional victory. It can no longer serve to settle disputes. It can no longer be of concern to great powers alone. For a nuclear disaster, spread by winds and waters and fear, could well engulf the great and the small, the rich and the poor, the committed and the uncommitted alike. Mankind must put an end to war or war will put an end to mankind.
John F. Kennedy
True evangelical faith is of such a nature it cannot lie dormant, but spreads itself out in all kinds of righteousness and fruits of love;
it dies to flesh and blood;
it destroys all lusts and forbidden desires;
it seeks, serves and fears God in its inmost soul (3);
it clothes the naked;
it feeds the hungry;
it comforts the sorrowful; 
it shelters the destitute;
it aids and consoles the sad;
it does good to those who do it harm;
it serves those that harm it;
it prays for those who persecute it;
it teaches, admonishes and judges us with the Word of the Lord;
it seeks those who are lost;
it binds up what is wounded;
it heals the sick;
it saves what is strong (sound);
it becomes all things to all people.
The persecution, suffering and anguish that come to it for the sake of the Lord’s truth have become a glorious joy and comfort to it.
Menno Simons
Things must be negative but not too negative. Hopelessness, despair—these drive us to do nothing. Pity, empathy—those drive us to do something, like get up from our computers to act. But anger, fear, excitement, or laughter—these drive us to spread. They drive us to do something that makes us feel as if we are doing something, when in reality we are only contributing to what is probably a superficial and utterly meaningless conversation.
Ryan Holiday (Trust Me, I'm Lying: Confessions of a Media Manipulator)
Therese was propped up on one elbow. The milk was so hot, she could barely let her lip touch it at first. The tiny sips spread inside her mouth and released a melange of organic flavors. The milk seemed to taste of bone and blood, of warm flesh, or hair, saltless as chalk yet alive as a growing embryo. It was hot through and through to the bottom of the cup, and Therese drank it down, as people in fairy tales drink the potion that will transform, or the unsuspecting warrior the cup that will kill, Then Carol came and took the cup, and Therese was drowsily aware that Carol asked her three questions, on that had to do with happiness, one about the store and one about the future. Therese heard herself answering. She heard her voice rise suddenly in a babble, like a spring that she had no control over, and she realized she was in tears. She was telling Carol all that she feared and disliked, of her loneliness, of Richard, and of gigantic disappointments.
Patricia Highsmith (The Price of Salt)
At last, Manon found Asterin's gaze, tears now rolling down her Second's face. Not from fear or pain, but in farewell. A hundred years--and yet Manon wish she'd had more time. For a heartbeat, she thought of that sky-blue mare in the aerie, the wyvern that would wait and wait for a rider who would never return. Thought of a green rocky land spreading to the western sea. Hand trembling, Asterin pressed her fingers to her brow and extended them. "Bring our people home, Manon," she breathed.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Pity would be no more If we did not make somebody Poor; And Mercy no more could be If all were as happy as we. And mutual fear brings peace, Till the selfish loves increase: Then Cruelty knits a snare And spreads his baits with care. He sits down with holy fears And waters the ground with tears: Then Humility takes its root Underneath his foot. Soon spreads the dismal shade Of Mystery over his head, And the Catterpiller and Fly Feed on the Mystery. And it bears the fruit of Deceit, Ruddy and sweet to eat, And the Raven his nest has made In its thickest shade. The Gods of the earth and sea Sought thro' Nature to find this Tree, But their search was all in vain: There grows one in the Human Brain.
William Blake (Songs of Innocence and of Experience)
Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.
Anne Bannerman (Poems by Anne Bannerman.)
What do you want?” he growled. “I just want to talk.” I tried to keep my voice steady. “You don't have to try to scare me.” He kept a straight face, and his tone was seductively low. "There's hardly any room for fear when you're so bloody turned-on.” A flash of shock hit me at his audacity. His eyes lowered to my body, but he never moved away. “Ah, there's anger now,” he said coolly, “and a bit of embarrassment.” He was reading me — reading my colors! And I couldn't see his at all. I felt stripped bare before him, vulnerable. I concentrated on why I'd gone there to begin with. “I know what we are now.” I wished my voice weren't shaky. “Congratulations.” He stood over me for a second more, savoring his power, no doubt, and then walked away, tossing the knife in the general direction of the dartboard and hitting the bull's-eye. Never missing a beat, he swaggered to a white couch with oversize pillows. He fell back onto it, propping his big, black boots on the white cushions and lounging back with arms spread wide across the back of the sofa. He stared as if daring me to talk. I had no idea what to say or do. I didn't know anymore why I'd come. Had I just wanted to barge in and say, Ha, I know what we are! and then demand information?
Wendy Higgins (Sweet Evil (Sweet, #1))
So he bought tickets to the Greyhound and they climbed, painfully, inch by inch and with the knowledge that, once they reached the top, there would be one breath-taking moment when the car would tip precariously into space, over an incline six stories steep and then plunge, like a plunging plane. She buried her head against him, fearing to look at the park spread below. He forced himself to look: thousands of little people and hundreds of bright little stands, and over it all the coal-smoke pall of the river factories and railroad yards. He saw in that moment the whole dim-lit city on the last night of summer; the troubled streets that led to the abandoned beaches, the for-rent signs above overnight hotels and furnished basement rooms, moving trolleys and rising bridges: the cagework city, beneath a coalsmoke sky.
Nelson Algren (Never Come Morning)
It exists,” Shevek said, spreading out his hands. “It’s real. I can call it a misunderstanding, but I can’t pretend that it doesn’t exist, or will ever cease to exist. Suffering is the condition on which we live. And when it comes, you know it. You know it as the truth. Of course it’s right to cure diseases, to prevent hunger and injustice, as the social organism does. But no society can change the nature of existence. We can’t prevent suffering. This pain and that pain, yes, but not Pain. A society can only relieve social suffering, unnecessary suffering. The rest remains. The root, the reality. All of us here are going to know grief; if we live fifty years, we’ll have known pain for fifty years. And in the end we’ll die. That’s the condition we’re born on. I’m afraid of life! There are times I—I am very frightened. Any happiness seems trivial. And yet, I wonder if it isn’t all a misunderstanding—this grasping after happiness, this fear of pain. . . . If instead of fearing it and running from it, one could . . . get through it, go beyond it There is something beyond it. It’s the self that suffers, and there’s a place where the self—ceases. I don’t know how to say it. But I believe that the reality—the truth that I recognize in suffering as I don’t in comfort and happiness—that the reality of pain is not pain. If you can get through it. If you can endure it all the way.
Ursula K. Le Guin (The Dispossessed)
Similar ecological disasters occurred on almost every one of the thousands of islands that pepper the Atlantic Ocean, Indian Ocean, Arctic Ocean and Mediterranean Sea. Archaeologists have discovered on even the tiniest islands evidence of the existence of birds, insects and snails that lived there for countless generations, only to vanish when the first human farmers arrived. None but a few extremely remote islands escaped man’s notice until the modern age, and these islands kept their fauna intact. The Galapagos Islands, to give one famous example, remained uninhabited by humans until the nineteenth century, thus preserving their unique menagerie, including their giant tortoises, which, like the ancient diprotodons, show no fear of humans. The First Wave Extinction, which accompanied the spread of the foragers, was followed by the Second Wave Extinction, which accompanied the spread of the farmers, and gives us an important perspective on the Third Wave Extinction, which industrial activity is causing today. Don’t believe tree-huggers who claim that our ancestors lived in harmony with nature. Long before the Industrial Revolution, Homo sapiens held the record among all organisms for driving the most plant and animal species to their extinctions. We have the dubious distinction of being the deadliest species in the annals of biology. Perhaps if more people were aware of the First Wave and Second Wave extinctions, they’d be less nonchalant about the Third Wave they are part of. If we knew how many species we’ve already eradicated, we might be more motivated to protect those that still survive. This is especially relevant to the large animals of the oceans.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Kansas afternoons in late summer are peculiar and wondrous things. Often they are pregnant, if not over-ripe, with a pensive and latent energy that is utterly incapable of ever finding an adequate release for itself. This results in a palpable, almost frenetic tension that hangs in the air just below the clouds. By dusk, spread thin across the quilt-work farmlands by disparate prairie winds, this formless energy creates an abscess in the fabric of space and time that most individuals rarely take notice of. But in the soulish chambers of particularly sensitive observers, it elicits a familiar recognition—a vague remembrance—of something both dark and beautiful. Some understand it simply as an undefined tranquility tinged with despair over the loss of something now forgotten. For others, it signifies something far more sinister, and is therefore something to be feared.
P.S. Baber (Cassie Draws the Universe)
From time to time our national history has been marred by forgetfulness of the Jeffersonian principle that restraint is at the heart of liberty. In 1789 the Federalists adopted Alien and Sedition Acts in a shabby political effort to isolate the Republic from the world and to punish political criticism as seditious libel. In 1865 the Radical Republicans sought to snare private conscience in a web of oaths and affirmations of loyalty. Spokesmen for the South did service for the Nation in resisting the petty tyranny of distrustful vengeance. In the 1920's the Attorney General of the United States degraded his office by hunting political radicals as if they were Salem witches. The Nation's only gain from his efforts were the classic dissents of Holmes and Brandeis. In our own times, the old blunt instruments have again been put to work. The States have followed in the footsteps of the Federalists and have put Alien and Sedition Acts upon their statute books. An epidemic of loyalty oaths has spread across the Nation until no town or village seems to feel secure until its servants have purged themselves of all suspicion of non-conformity by swearing to their political cleanliness. Those who love the twilight speak as if public education must be training in conformity, and government support of science be public aid of caution. We have also seen a sharpening and refinement of abusive power. The legislative investigation, designed and often exercised for the achievement of high ends, has too frequently been used by the Nation and the States as a means for effecting the disgrace and degradation of private persons. Unscrupulous demagogues have used the power to investigate as tyrants of an earlier day used the bill of attainder. The architects of fear have converted a wholesome law against conspiracy into an instrument for making association a crime. Pretending to fear government they have asked government to outlaw private protest. They glorify "togetherness" when it is theirs, and call it conspiracy when it is that of others. In listing these abuses I do not mean to condemn our central effort to protect the Nation's security. The dangers that surround us have been very great, and many of our measures of vigilance have ample justification. Yet there are few among us who do not share a portion of the blame for not recognizing soon enough the dark tendency towards excess of caution.
John F. Kennedy
Worn out with this torture of thought, I rose to my knees. Night was come, and her planets were risen: a safe, still night; too serene for the companionship of fear. We know that God is everywhere; but certainly we feel His presence most when His works are on the grandest scale spread before us: and it is in the unclouded night-sky, where His worlds wheel their silent course, that we read clearest His infinitude, His omnipotence, His omnipresence. I had risen to my knees to pray for Mr. Rochester. Looking up, I, with tear-dimmed eyes, saw the mighty Milky Way. Remembering what it was--what countless systems there swept space like a soft trace of light--I felt the might and strength of God. Sure was I of His efficiency to save what He had made: convinced I grew that neither earth should perish, nor one of the souls it treasured. I turned my prayer to thanksgiving: the Source of Life was also the Saviour of spirits. Mr. Rochester was safe: he was God's, and by God would he be guarded.
Charlotte Brontë (Jane Eyre)
Adrian?" Her voice was small, nearly lost in the dripping of waterfrom the fountain. But the power it carried - and the effect it had on me - was monumental. I'd heard the expression "weak-kneed" before but had never lived it until now. My muscles didn't feel as though they could sustain me, and there was a great swelling in my chest, the result of a tangle of emotions I couldn't even begin to describe. Love. Joy. Relief. Disbelief. And mixed in with all of them were the emotions that I'd endured these last few months as well: despair, fear, rossow. It spread out from my heart, and I felt tears form in my eyes. It wasn't possible that one person could make you experience so many emotions at once, that one person could trigger a universe of feelings, simply with the sound of your name. I also knew then that they were wrong - all of them. My mom. My dad. Nina. Anyone who thought love could simply be built on shared goals alone had never, ever experienced anything like what I had with Sydney. I couldn't believe I'd almost lost this through my own ignorance. Until I looked into her eyes now, I didn't truly realize what a hollow life I'd been living. "Sydney..
Richelle Mead (Silver Shadows (Bloodlines, #5))
It was cold. Really cold. And there was an awful scurrying noise that definitely belong to a small, four-legged creature.Or even worse, a large, four-legged creature. Or to be more precise, a large version of a small, four-legged creature. Rats. "Oh,God," Sophie moaned. She didn't often take the Lord's name in vain, but now seemed as good a time as any to start. Maybe He would hear, and maybe He would smite the rats. Yes, that would do very nicely.A big jolt of lightning. Huge. Of biblical proportions. It could hit the earth, spread little electrical tentacles around the globe, and sizzle all the rats dead. It was a lovely dream. Right up there with the ones in which she found herself living happily ever after as Mrs. Benedict Bridgerton. Sophie took a quick gasp as a sudden stab of pain pierced her heart. Of the two dreams, she feared that the genocide of the rats might be the more likely to come true.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
A DOZEN PHALLACIES WOMEN BUY Phallacy 1. If he love me, he'll be faithful forever. Truth His loving you has nothing to do with his being faithful. Some men are monogamous. Most aren't. The sexy ones usually aren't. Monogamy lasts three, days, three weeks, three months, or at best three years with most men. Often it lasts just about long enough to get you pregnant. Nature has a reason for this. Men are programmed to spread their seed as widely as possible and women to raise live, healthy babies. Human babies take a long time to grow up to self-sufficiency.... Some few paragons of maleness are faithful. Most others cheat. The question is: can you stand it? If the cheating is not blatant and disrespectful and you get a lot out of the relationship in other ways (a friend, a lover, a father to your kids, an economic partner), then consider these alternatives: you can accept his cheating gracefully, and at the same time extract emotional and financial benefits from his guilt. You can cheat discreetly yourself -- if (and only if) you enjoy it (not for spite). You can realize it has nothing to do with you. He does it for his manhood, not against your womanhood.
Erica Jong (Fear of Fifty: A Midlife Memoir)
She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
We're at a dinner party in an apartment on Rue Paul Valéry between Avenue Foch and Avenue Victor Hugo and it's all rather subdued since a small percentage of the invited guests were blown up in the Ritz yesterday. For comfort people went shopping, which is understandable even if they bought things a little too enthusiastically. Tonight it's just wildflowers and white lilies, just W's Paris bureau chief, Donna Karan, Aerin Lauder, Ines de la Fressange and Christian Louboutin, who thinks I snubbed him and maybe I did but maybe I'm past the point of caring. Just Annette Bening and Michael Stipe in a tomato-red wig. Just Tammy on heroin, serene and glassy-eyed, her lips swollen from collagen injections, beeswax balm spread over her mouth, gliding through the party, stopping to listen to Kate Winslet, to Jean Reno, to Polly Walker, to Jacques Grange. Just the smell of shit, floating, its fumes spreading everywhere. Just another conversation with a chic sadist obsessed with origami. Just another armless man waving a stump and whispering excitedly, "Natasha's coming!" Just people tan and back from the Ariel Sands Beach Club in Bermuda, some of them looking reskinned. Just me, making connections based on fear, experiencing vertigo, drinking a Woo-Woo.
Bret Easton Ellis
Lauren's eyes widened.An entire page had been devoted to the Children's Hospital Benefit Ball.In the center was a color picture of her-with Nick. They were dancing, and he was grinning down at her. Lauren's face was in profile, tilted up to his. The caption read, "Detroit industrialist J. Nicholas Sinclair and companion." "It does look like me, doesn't it?" she hedged, glancing at the excited, avidly curious faces surrounding her desk. "Isn't that an amazing coincidence?" She didn't want her relationship with Nick to be public knowledge until the time was right, and she certainly didn't want her co-workers to treat her any differently. "You mean it isn't you?" one of the women said disappointedly. None of them noticed the sudden lull, the silence sweeping over the office as people stopped talking and typewriters went perfectly still... "Good morning, ladies," Nick's deep voice said behind Lauren. Six stunned women snapped to attention, staring in fascinated awe as Nick leaned over Lauren from behind and braced his hands on her desk. "Hi," he said, his lips so near her ear that Lauren was afraid to turn her head for fear he would kiss her in front of everyone. He glanced at the newspaper spread out on her desk. "You look beautiful, but who's that ugly guy you're dancing with?" Without waiting for an answer, he straightened, affectionately rumpled the hair on the top of her head and strolled into Jim's office, closing the door behind him. Lauren felt like sinking throught the floor in embarrassment. Susan Brook raised her brows. "What an amazing coincidence," she teased.
Judith McNaught (Double Standards)
My Dearest, I miss you, my darling, as I always do, but today is especially hard because the ocean has been singing to me, and the song is that of our life together. I can almost feel you beside me as I write this letter, and I can smell the scent of wildflowers that always reminds me of you. But at this moment, these things give me no pleasure. Your visits have been coming less often, and I feel sometimes as if the greatest part of who I am is slowly slipping away. I am trying, though. At night when I am alone, I call for you, and whenever my ache seems to be the greatest, you still seem to find a way to return to me. Last night, in my dreams, I saw you on the pier near Wrightsville Beach. The wind was blowing through your hair, and your eyes held the fading sunlight. I am struck as I see you leaning against the rail. You are beautiful, I think as I see you, a vision that I can never find in anyone else. I slowly begin to walk toward you, and when you finally turn to me, I notice that others have been watching you as well. “Do you know her?” they ask me in jealous whispers, and as you smile at me, I simply answer with the truth. “Better than my own heart.” I stop when I reach you and take you in my arms. I long for this moment more than any other. It is what I live for, and when you return my embrace, I give myself over to this moment, at peace once again. I raise my hand and gently touch your cheek and you tilt your head and close your eyes. My hands are hard and your skin is soft, and I wonder for a moment if you’ll pull back, but of course you don’t. You never have, and it is at times like this that I know what my purpose is in life. I am here to love you, to hold you in my arms, to protect you. I am here to learn from you and to receive your love in return. I am here because there is no other place to be. But then, as always, the mist starts to form as we stand close to one another. It is a distant fog that rises from the horizon, and I find that I grow fearful as it approaches. It slowly creeps in, enveloping the world around us, fencing us in as if to prevent escape. Like a rolling cloud, it blankets everything, closing, until there is nothing left but the two of us. I feel my throat begin to close and my eyes well up with tears because I know it is time for you to go. The look you give me at that moment haunts me. I feel your sadness and my own loneliness, and the ache in my heart that had been silent for only a short time grows stronger as you release me. And then you spread your arms and step back into the fog because it is your place and not mine. I long to go with you, but your only response is to shake your head because we both know that is impossible. And I watch with breaking heart as you slowly fade away. I find myself straining to remember everything about this moment, everything about you. But soon, always too soon, your image vanishes and the fog rolls back to its faraway place and I am alone on the pier and I do not care what others think as I bow my head and cry and cry and cry.
Nicholas Sparks (Message in a Bottle)
you and me today. Do you know that when He blesses you, no one—no prophet, no sorcerer, and no devil—can reverse it? You are irreversibly blessed! You can never be cursed! No generational curse or any other curse can come upon you because God has already blessed you! That includes being redeemed from the curse of the law as recorded in Galatians 3:13: “Christ has redeemed us from the curse of the law, having become a curse for us (for it is written, ‘Cursed is everyone who hangs on a tree’).” When God blesses you, no one can reverse it. When your enemies say negative things about you out of envy, jealousy, and fear, or if there are people spreading nasty lies about you to assassinate your character, know this: the Lord is your defender. It is God who gives influence to words, and He can cause their words to fall to the ground. He can even, as we have just read, turn their curses into blessings. You don’t have to get all flustered, agitated, and angry. Just know that the Lord is on your side and that when He has blessed you, no one can reverse it. Amen!
Joseph Prince (The Power of Right Believing: 7 Keys to Freedom from Fear, Guilt, and Addiction)
The heroes cleansed our world of chthonic terrors -- earthborn monsters that endangered mankind and threatened to choke the rise of civilisation. So long as dragons, giants, centaurs and mutant beasts infested the air, earth and seas we could never spread out with confidence and transform the wild world into a place of safety for humanity. In time, even the benevolent minor deities would find themselves elbowed out by the burgeoning and newly confident human race. The nymphs, dryads, fauns, satyrs and sprites of the mountains, streams, meadows and oceans could not compete with our need and greed for land to quarry, farm and build upon. The rise of a spirit of rational enquiry and scientific understanding pushed the immortals further from us. The world was being reshaped as a home fit for mortal beings only. Today, of course, some of the rarer and more vulnerable mortal creatures that have shared the world with us are undergoing the same threats to their natural territories that cuased the end of the nymphs and woodland spirits. Habitat loss and species extinction have all happened before. The days of the gods themselves were numbered too. Prometheus's gift of fire, as Zeus had feared, would one day allow us to do even without the Olympians.
Stephen Fry (Heroes: Mortals and Monsters, Quests and Adventures (Stephen Fry's Great Mythology, #2))
I didn’t want to love you,” Anthony whispered. “It was the one thing I feared above all. I’d grown rather used to my rather odd little outlook on life. Almost comfortable, actually. But love—” His voice caught; the choking sound seemed unmanly, it made him vulnerable. But he didn’t care, because this was Kate. And it didn’t matter if she saw his deepest fears, because he knew she’d love him no matter what. It was a sublimely freeing feeling. “I’ve seen true love,” he continued. “I wasn’t the cynical jade society made me out to be. I knew love existed. My mother— my father—” He stopped, sucking in a ragged breath. This was the hardest thing he’d ever done. And yet he knew the words had to be said. He knew, no matter how difficult it was to get them out, that in the end, his heart would soar. “I was so sure that it was the one thing that could make this . . . this . . . I don’t really know what to call it— this knowledge of my own mortality . . .” He raked his hand through his hair, fighting for words. “Love was the only thing that was going to make that unbearable. How could I love someone, truly and deeply, knowing that it was doomed?” “But it’s not doomed,” Kate said, squeezing his hand. “I know. I fell in love with you, and then I knew. Even if I am right, even if I’m fated to live only as long as my father did before me, I’m not doomed.” He leaned forward and brushed a feather-light kiss on her lips. “I have you,” he whispered, “and I’m not going to waste a single moment we have together.” Kate’s lips spread into a smile. “What does that mean?” “It means that love isn’t about being afraid that it will all be snatched away. Love’s about finding the one person who makes your heart complete, who makes you a better person than you ever dreamed you could be. It’s about looking in the eyes of your wife and knowing, all the way to your bones, that she’s simply the best person you’ve ever known.” “Oh, Anthony,” Kate whispered, tears streaming down her cheeks. “That’s how I feel about you.” -Anthony & Kate
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Finally, and even more seriously, I fear a return to the international climate that prevailed in the 1920s and '30s, when the United States withdrew from the global stage and countries everywhere pursued what they perceived to be their own interests without regard to larger and more enduring goals. When arguing that every age has its own Fascism, the Italian writer and Holocaust survivor Primo Levi added that the critical point can be reached “not just through the terror of police intimidation, but by denying and distorting information, by undermining systems of justice, by paralyzing the education system, and by spreading in a myriad subtle ways nostalgia for a world where order reigned.” If he is right (and I think he is), we have reason to be concerned by the gathering array of political and social currents buffeting us today—currents propelled by the dark underside of the technological revolution, the corroding effects of power, the American president’s disrespect for truth, and the widening acceptance of dehumanizing insults, Islamophobia, and anti-Semitism as being within the bounds of normal public debate. We are not there yet, but these feel like signposts on the road back to an era when Fascism found nourishment and individual tragedies were multiplied millions-fold.
Madeleine K. Albright (Fascism: A Warning)
The morning sea of silence broke into ripples of bird songs; and the flowers were all merry by the roadside; and the wealth of gold was scattered through the rift of the clouds while we busily went on our way and paid no heed. We sang no glad songs nor played; we went not to the village for barter; we spoke not a word nor smiled; we lingered not on the way. We quickened our pace more and more as the time sped by. The sun rose to the mid sky and doves cooed in the shade. Withered leaves danced and whirled in the hot air of noon. The shepherd boy drowsed and dreamed in the shadow of the banyan tree, and I laid myself down by the water and stretched my tired limbs on the grass. My companions laughed at me in scorn; they held their heads high and hurried on; they never looked back nor rested; they vanished in the distant blue haze. They crossed many meadows and hills, and passed through strange, far-away countries. All honour to you, heroic host of the interminable path! Mockery and reproach pricked me to rise, but found no response in me. I gave myself up for lost in the depth of a glad humiliation---in the shadow of a dim delight. The repose of the sun-embroidered green gloom slowly spread over my heart. I forgot for what I had travelled, and I surrendered my mind without struggle to the maze of shadows and songs. At last, when I woke from my slumber and opened my eyes, I saw thee standing by me, flooding my sleep with thy smile. How I had feared that the path was long and wearisome, and the struggle to reach thee was hard!
Rabindranath Tagore (Gitanjali)
Do you know what a honey mushroom is?" she blurted out, plucking at the hairs on his arm, which was wrapped around her. He was silent for a moment before letting out a husky laugh "No. Why?" "It's the largest living thing on earth. Larger than trees, elephants, whales-this one living thing takes up over three square miles in Oregon." She could almost feel him turning that random fact over in his brain. She was glad she wasn't facing him. This would be so much harder if she had to look into his eyes instead of at the wall. "Like the mushroom cap is over three miles across?" he asked. Harper shook her head. "No, no. That's the amazing part. When you look at it-the part you see aboveground-it's this tiny little mushroom head. It looks so insignificant. They just pop up here and there" she gestures with her fingertips as though she could draw them in the air. "But it creates this root-like system called hyphae. And the hyphae-it spreads and grows and, kind of... takes over underground. One living thing, every cell genetically identical, spreading below the surface to take up this enormous amount of space." Dan was quiet for a moment. "Why are you telling me this?" he asked, placing a kiss into her neck. Harper swallowed and fiddled with the edge of the sheet. "Because thats' what my anxiety feels like-a honey mushroom." She felt Dan tense behind her, but she pushed on." A lot of times, someone on the outside, like you, maybe, sees these clues to it-my fidgeting, my mind seeming a million miles away, panic attacks. But inside" -she tapped her chest- "it's this intricate network of sharp pain and fear that's constantly growing and pulsing through me. It's always there, right beneath my skin, huge and controlling, but no one can see it. I just feel it. And it hurts. So badly. It makes me want to curl up into a ball or sprint out of my skeleton. This huge, inescapable thing inside me that controls me." she paused, picking aggressively at her nails; "It feels cruel to have your own body do that to you".
Mazey Eddings (A Brush with Love (A Brush with Love, #1))
In all conflicts between groups, there are three elements. One: the certitude that our group is morally superior, possibly even chosen by God. All others should follow our example or be at our service. In order to bring peace to the world, we have to impose our set of beliefs upon others, through manipulation, force, and fear, if necessary. Two: a refusal or incapacity to see or admit to any possible errors or faults in our group. The undeniable nature of our own goodness makes us think we are infallible; there can be no wrong in us. Three: a refusal to believe that any other group possesses truth or can contribute anything of value. At best, others may be regarded as ignorant, unenlightened, and possessing only half—truths; at worst, they are seen as destructive, dangerous, and possessed by evil spirits: they need to be overpowered for the good of humanity. Society and cultures are, then, divided into the “good” and the “bad”; the good attributing to themselves the mission to save, to heal, to bring peace to a wicked world, according to their own terms and under their controlling power. Such is the story of all civilizations through the ages as they spread over the earth by invading and colonizing. Differences must be suppressed; “savages” must be civilized. We must prove by all possible means that our culture, our power, our knowledge, and our technology are the best, that our gods are the only gods! This is not just the story of civilizations but also of all wars of religion, inquisitions, censorships, dictatorships; all things, in short, that are ideologies. An ideology is a set of ideas translated into a set of values. Because they are held to be absolutely true, these ideas and values need to be imposed on others if they are not readily accepted. A political system, a school of psychology, and a philosophy of economics can all be ideologies. Even a place of work can be an ideology. Religious sub—groups, sects, are based upon ideological principles. Religions themselves can become ideologies. And ideologues, by their nature, are not open to new ideas or even to debate; they refuse to accept or listen to anyone else’s reality. They refuse to admit any possibility of error or even criticism of their system; they are closed up in their set of ideas, theories, and values. We human beings have a great facility for living illusions, for protecting our self—image with power, for justifying it all by thinking we are the favoured ones of God.
Jean Vanier (Becoming Human)
Now comes the fun part,” he whispered. His cold hands ran down my calves to my ankles, which he pressed against the side of the couch and into hard metal bands that snapped around them like shackles.  “What was that?” I asked, sitting up. He stood, his muscular frame leaning as he towered over me, his chest sliding over my spread legs.  “Those are to keep you where I want you,” Saxon whispered as his hands continued over my body, gliding or whispering over my abdomen, around my breasts, to my shoulders, and down my arms. The farther up my arms his fingers moved, the closer he came to my lips, to my neck. His fangs were fully exposed.  “Do you want to be mine?” Saxon asked, his nose trailing over my neck. He planted his lips against my jaw, the touch a burning cold. I shivered. “Do you want to be right where I want you?” “Yes,” I gasped, knowing that I did, no matter how terrifying the fact that I couldn't move was making me.  “Good,” Saxon whispered, his hands rough against my arm as he pressed my wrists against the sides of the couch and into the bands that instantly snapped together to lock me in place.  I made a sound that was half fear, half pleasure. As I re-balanced my weight trying to get away from the cold bands only to find that I was captured.  Held against the couch. Caught underneath the Vampire who smiled as he ripped my bra and panties from my soaked and wanting body in one quick motion. “You smell so good, Ivy,” Saxon said, running his nose down my neck and over my bare breasts where his tongue darted out to capture my nipple for a moment. I moaned and he continued down, his hands running down my sides, down my legs, as he inhaled the scent of my stomach.  The scent of my sex.  “My rose,” he murmured, burying his face between my legs, his cold tongue darting out to flick at my clit. I gasped at the contact, a thrill of pleasure shooting up my spine. My body convulsed as he nipped at the tiny nub of aroused flesh, my back attempting to arch, my hips working to press in to him, but I couldn’t move. Judging by the pricks of cold metal that was all up and down my legs and arms, he had bound me by more than my ankles and wrists. A split second of panic captured my breath. “Saxon,” I moaned, shifting as the pleasure began to overtake me.
Rae Foxx (The Bloodwood Academy Shifter: Semester Two (The Bloodwood Academy, #2))
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
Dale Carnegie (How To Win Friends and Influence People)
The charge that Anarchism is destructive, rather than constructive, and that, therefore, Anarchism is opposed to organization, is one of the many falsehoods spread by our opponents. They confound our present social institutions with organization; hence they fail to understand how we can oppose the former, and yet favor the latter. The fact, however, is that the two are not identical. “The State is commonly regarded as the highest form of organization. But is it in reality a true organization? Is it not rather an arbitrary institution, cunningly imposed upon the masses? “Industry, too, is called an organization; yet nothing is farther from the truth. Industry is the ceaseless piracy of the rich against the poor. “We are asked to believe that the Army is an organization, but a close investigation will show that it is nothing else than a cruel instrument of blind force. “The Public School! The colleges and other institutions of learning, are they not models of organization, offering the people fine opportunities for instruction? Far from it. The school, more than any other institution, is a veritable barrack, where the human mind is drilled and manipulated into submission to various social and moral spooks, and thus fitted to continue our system of exploitation and oppression. “Organization, as WE understand it, however, is a different thing. It is based, primarily, on freedom. It is a natural and voluntary grouping of energies to secure results beneficial to humanity. “It is the harmony of organic growth which produces variety of color and form, the complete whole we admire in the flower. Analogously will the organized activity of free human beings, imbued with the spirit of solidarity, result in the perfection of social harmony, which we call Anarchism. In fact, Anarchism alone makes non-authoritarian organization of common interests possible, since it abolishes the existing antagonism between individuals and classes. “Under present conditions the antagonism of economic and social interests results in relentless war among the social units, and creates an insurmountable obstacle in the way of a co-operative commonwealth. “There is a mistaken notion that organization does not foster individual freedom; that, on the contrary, it means the decay of individuality. In reality, however, the true function of organization is to aid the development and growth of personality. “Just as the animal cells, by mutual co-operation, express their latent powers in formation of the complete organism, so does the individual, by co-operative effort with other individuals, attain his highest form of development. “An organization, in the true sense, cannot result from the combination of mere nonentities. It must be composed of self-conscious, intelligent individualities. Indeed, the total of the possibilities and activities of an organization is represented in the expression of individual energies. “It therefore logically follows that the greater the number of strong, self-conscious personalities in an organization, the less danger of stagnation, and the more intense its life element. “Anarchism asserts the possibility of an organization without discipline, fear, or punishment, and without the pressure of poverty: a new social organism which will make an end to the terrible struggle for the means of existence,—the savage struggle which undermines the finest qualities in man, and ever widens the social abyss. In short, Anarchism strives towards a social organization which will establish well-being for all. “The germ of such an organization can be found in that form of trades unionism which has done away with centralization, bureaucracy, and discipline, and which favors independent and direct action on the part of its members.
Emma Goldman (Anarchism and Other Essays)
You were burning in the middle of the worst solar storm our records can remember. (...) Everyone else fled. All your companions and crew left you alone to wrestle with the storm. “You did not blame them. In a moment of crystal insight, you realized that they were cowards beyond mere cowardice: their dependence on their immortality circuits had made it so that they could not even imagine risking their lives. They were all alike in this respect. They did not know they were not brave; they could not even think of dying as possible; how could they think of facing it, unflinching? “You did not flinch. You knew you were going to die; you knew it when the Sophotechs, who are immune to pain and fear, all screamed and failed and vanished. “And you knew, in that moment of approaching death, with all your life laid out like a single image for you to examine in a frozen moment of time, that no one was immortal, not ultimately, not really. The day may be far away, it may be further away than the dying of the sun, or the extinction of the stars, but the day will come when all our noumenal systems fail, our brilliant machines all pass away, and our records of ourselves and memories shall be lost. “If all life is finite, only the grace and virtue with which it is lived matters, not the length. So you decided to stay another moment, and erect magnetic shields, one by one; to discharge interruption masses into the current, to break up the reinforcement patterns in the storm. Not life but honor mattered to you, Helion: so you stayed a moment after that moment, and then another. (...) “You saw the plasma erupting through shield after shield (...) Chaos was attempting to destroy your life’s work, and major sections of the Solar Array were evaporated. Chaos was attempting to destroy your son’s lifework, and since he was aboard that ship, outside the range of any noumenal circuit, it would have destroyed your son as well. “The Array was safe, but you stayed another moment, to try to deflect the stream of particles and shield your son; circuit after circuit failed, and still you stayed, playing the emergency like a raging orchestra. “When the peak of the storm was passed, it was too late for you: you had stayed too long; the flames were coming. But the radio-static cleared long enough for you to have last words with your son, whom you discovered, to your surprise, you loved better than life itself. In your mind, he was the living image of the best thing in you, the ideal you always wanted to achieve. “ ‘Chaos has killed me, son,’ you said. ‘But the victory of unpredictability is hollow. Men imagine, in their pride, that they can predict life’s each event, and govern nature and govern each other with rules of unyielding iron. Not so. There will always be men like you, my son, who will do the things no one else predicts or can control. I tried to tame the sun and failed; no one knows what is at its fiery heart; but you will tame a thousand suns, and spread mankind so wide in space that no one single chance, no flux of chaos, no unexpected misfortune, will ever have power enough to harm us all. For men to be civilized, they must be unlike each other, so that when chaos comes to claim them, no two will use what strategy the other does, and thus, even in the middle of blind chaos, some men, by sheer blind chance, if nothing else, will conquer. “ ‘The way to conquer the chaos which underlies all the illusionary stable things in life, is to be so free, and tolerant, and so much in love with liberty, that chaos itself becomes our ally; we shall become what no one can foresee; and courage and inventiveness will be the names we call our fearless unpredictability…’ “And you vowed to support Phaethon’s effort, and you died in order that his dream might live.
John C. Wright (The Golden Transcendence (Golden Age, #3))
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
Bram Stoker (Dracula)
On the labour front in 1919 there was an unprecedented number of strikes involving many millions of workers. One of the lager strikes was mounted by the AF of L against the United States Steel Corporation. At that time workers in the steel industry put in an average sixty-eight-hour week for bare subsistence wages. The strike spread to other plants, resulting in considerable violence -- the death of eighteen striking workers, the calling out of troops to disperse picket lines, and so forth. By branding the strikers Bolsheviks and thereby separating them from their public support, the Corporation broke the strike. In Boston, the Police Department went on strike and governor Calvin Coolidge replaced them. In Seattle there was a general strike which precipitated a nationwide 'red scare'. this was the first red scare. Sixteen bombs were found in the New York Post Office just before May Day. The bombs were addressed to men prominent in American life, including John D. Rockefeller and Attorney General Mitchell Palmer. It is not clear today who was responsible for those bombs -- Red terrorists, Black anarchists, or their enemies -- but the effect was the same. Other bombs pooped off all spring, damaging property, killing and maiming innocent people, and the nation responded with an alarm against Reds. It was feared that at in Russia, they were about to take over the country and shove large cocks into everyone's mother. Strike that. The Press exacerbated public feeling. May Day parades in the big cities were attacked by policemen, and soldiers and sailors. The American Legion, just founded, raided IWW headquarters in the State of Washington. Laws against seditious speech were passed in State Legislatures across the country and thousands of people were jailed, including a Socialist Congressman from Milwaukee who was sentenced to twenty years in prison. To say nothing of the Espionage and Sedition Acts of 1917 which took care of thousands more. To say nothing of Eugene V. Debs. On the evening of 2 January 1920, Attorney General Palmer, who had his eye on the White House, organized a Federal raid on Communist Party offices throughout the nation. With his right-hand assistant, J. Edgar Hoover, at his right hand, Palmer effected the arrest of over six thousand people, some Communist aliens, some just aliens, some just Communists, and some neither Communists nor aliens but persons visiting those who had been arrested. Property was confiscated, people chained together, handcuffed, and paraded through the streets (in Boston), or kept in corridors of Federal buildings for eight days without food or proper sanitation (in Detroit). Many historians have noted this phenomenon. The raids made an undoubted contribution to the wave of vigilantism winch broke over the country. The Ku Klux Klan blossomed throughout the South and West. There were night raidings, floggings, public hangings, and burnings. Over seventy Negroes were lynched in 1919, not a few of them war veterans. There were speeches against 'foreign ideologies' and much talk about 'one hundred per cent Americanism'. The teaching of evolution in the schools of Tennessee was outlawed. Elsewhere textbooks were repudiated that were not sufficiently patriotic. New immigration laws made racial distinctions and set stringent quotas. Jews were charged with international conspiracy and Catholics with trying to bring the Pope to America. The country would soon go dry, thus creating large-scale, organized crime in the US. The White Sox threw the Series to the Cincinnati Reds. And the stage was set for the trial of two Italian-born anarchists, N. Sacco and B. Vanzetti, for the alleged murder of a paymaster in South Braintree, Mass. The story of the trial is well known and often noted by historians and need not be recounted here. To nothing of World War II--
E.L. Doctorow (The Book of Daniel)